Browse content similar to 20/09/2012. Check below for episodes and series from the same categories and more!
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Welcome to the One Show with Alex. And Matt Baker. I would like to | :00:27. | :00:31. | |
take this opportunity to apologise to my neighbours for straining at | :00:31. | :00:39. | |
the grass at 7:30am! That is ridiculous. I would like to | :00:39. | :00:43. | |
apologise to the man I accidentally knocked off his bike by opening my | :00:43. | :00:50. | |
car door. He is absolutely fine. But if you are watching, I am sorry. | :00:50. | :00:56. | |
We made friends. But one thing we do not want to apologise for it is | :00:56. | :01:05. | |
the most famous chef in the world, our guest. It is Gordon Ramsay! | :01:05. | :01:10. | |
Good to see both. I am getting nervous about all these apologies. | :01:10. | :01:18. | |
How long is the show? We have got half-an-hour! So, Nick Clegg's U- | :01:18. | :01:23. | |
turn on tuition fees. The it is great to see him apologising so | :01:23. | :01:27. | |
good for him. Under the circumstances, he was put in a | :01:27. | :01:34. | |
tough position I think. Coalition, huge, one may argue, can you trust | :01:34. | :01:41. | |
him from now on? I think you can, he put his hands up. Good on him. I | :01:41. | :01:46. | |
wish a few more would follow in his footsteps. We will ask you to do | :01:46. | :01:51. | |
some apologising. This is your chance. You have got about 90 | :01:51. | :01:56. | |
seconds to think. I have got about 100 to make ex might Justin Rowlatt | :01:56. | :01:59. | |
has been out and about to see if Nick Clegg's public apology has | :01:59. | :02:01. | |
inspired anyone else to beg for forgiveness. | :02:01. | :02:06. | |
They say saying sorry is the hardest thing. Judge for yourself. | :02:06. | :02:12. | |
There is no easy way to say this. We made a pledge. We didn't stick | :02:12. | :02:19. | |
to it. And for that, I am sorry. Apologising. How easy is it, really | :02:19. | :02:26. | |
honestly, to say, I am sorry. would like to apologise to my | :02:26. | :02:29. | |
parents for the 28 years of torment I have put them through. I would | :02:30. | :02:34. | |
like to apologise to my girlfriend, Christina, because I left the | :02:34. | :02:40. | |
toilet seat up again. No, no one. No. Not even your boss for being | :02:40. | :02:46. | |
late? No. Numerous students I have tortured over the years. Her you | :02:46. | :02:56. | |
can speak to the camera. The eye am sorry. -- I am sorry. I want to | :02:56. | :03:00. | |
apologise for phoning in sick the other day it! I want to apologise | :03:00. | :03:06. | |
to my parents' growing up. I was a tearaway! He what did you do?! | :03:06. | :03:10. | |
would like to apologise to my colleagues for being so grumpy | :03:10. | :03:17. | |
every morning. I sometimes get a bit mad and take it out on people. | :03:17. | :03:26. | |
Sorry, mum, for being a right so and so it! You are forgiven! Yes! | :03:26. | :03:35. | |
Gordon, your turn. Camber four. Sincere as you can. I would like to | :03:35. | :03:39. | |
make a sincere apology for all the vegetarians in Great Britain for | :03:39. | :03:44. | |
upsetting you ten years ago. I didn't mean it. To honour that, I | :03:44. | :03:51. | |
am actually going to turn vegetarian... For one day. This | :03:51. | :03:58. | |
should be a weekly slot! Does it make you feel better? No. Yes, it | :03:58. | :04:05. | |
does. It was misconstrued, it was tongue-in-cheek. Even the kids now | :04:05. | :04:09. | |
eat vegetarian food once or twice a week, which is good for them | :04:09. | :04:12. | |
because it makes them appreciate the vegetables when they see the | :04:12. | :04:17. | |
Sunday roast. Nick Clegg has allowed his apology to be used in a | :04:18. | :04:26. | |
charity film. You will love this. # I am sorry, Surrey, a so-so sorry. | :04:27. | :04:34. | |
# there is no it easy way to say that I am sorry, sorry. | :04:34. | :04:38. | |
That is quite catchy. Our next film is all about the | :04:38. | :04:41. | |
difficulties of feeding soldiers in the field. You've been out to make | :04:41. | :04:50. | |
Christmas dinner for the troops in Afghanistan. What was the biggest | :04:50. | :04:55. | |
obstacle? We don't get fresh produce there so it is so much more | :04:55. | :05:01. | |
difficult. Everything was frozen. Trying to defrost these things | :05:01. | :05:06. | |
urgently. A couple of lorries got hijacked by the Taliban so we went | :05:06. | :05:12. | |
from frozen Turkey to cant Turkey and eventually we got some, so it | :05:12. | :05:19. | |
was thinking on your feet. The team on the ground were amazing. This is | :05:19. | :05:24. | |
exactly what you are about to see now. | :05:24. | :05:26. | |
We think you'll be impressed with the ingenuity of former Falklands | :05:27. | :05:29. | |
chef Les Laverick Stovin. He's a military kitchen wizard who | :05:29. | :05:36. | |
can still turn a basic ration pack into a battlefield banquet. | :05:36. | :05:41. | |
The end of the Falklands War, 30 years ago. While some soldiers were | :05:41. | :05:46. | |
leaving the islands, for others it was the start of their stake. When | :05:46. | :05:51. | |
Stanley airfield re-opened, reinforcements arrived to rebuild | :05:51. | :05:55. | |
the war-torn island and got them against further Argentinian attack. | :05:55. | :06:00. | |
Among them were chefs from the Army catering Corps. This footage shows | :06:00. | :06:05. | |
how they set up emergency kitchens in tents, a bombed-out buildings | :06:05. | :06:12. | |
and burned-out ships. Army chef Les Laverick Stovin was one of around | :06:13. | :06:18. | |
150 chefs tossed with cooking and three meals a day, using only the | :06:18. | :06:25. | |
most basic facilities. You would strike the mat and stand back and | :06:25. | :06:30. | |
then a tremendous noise would come out of the burner -- strike a match. | :06:30. | :06:36. | |
The noise was horrific. But before he could cook, Les had to clean out | :06:36. | :06:42. | |
his shot to, a former Argentine field hospital. I remember the back | :06:42. | :06:48. | |
of my hair curling, rats as big as cats, Argentinian remains and so on | :06:48. | :06:52. | |
and so forth. Knowing that I was working in this area that was | :06:53. | :06:59. | |
literally a cesspit. Les served up meals for 87 men for every day over | :06:59. | :07:04. | |
the six months he was there and the One Show have challenged him now to | :07:04. | :07:11. | |
cook like that once again. I am a bit rusty and a bit nervous! | :07:11. | :07:16. | |
have recreated his Falcons hut in at Surrey. Today he will be cooking | :07:16. | :07:20. | |
on a safer gas stoves and not a petrol one, but one thing we are | :07:20. | :07:29. | |
not changing our the limited ingredients. This is from the early | :07:29. | :07:35. | |
80s, it is genuinely what Les would have been using. Steak and kidney | :07:35. | :07:40. | |
pudding, dried packets, not glamourous. Of course, it is 30 | :07:40. | :07:45. | |
years old, we could not use that today! So we have put together a | :07:45. | :07:50. | |
similar stuff from the One Show, instant mashed potato, corned | :07:50. | :08:00. | |
:08:00. | :08:02. | ||
beef... Can you work with that? You could really feed 10 men for 24 | :08:02. | :08:10. | |
hours on this? Certainly. From the corn beef, I can make... Eight Beef | :08:10. | :08:20. | |
:08:20. | :08:20. | ||
Wellington. Special chef's Beef Wellington. With corned beef. | :08:20. | :08:25. | |
meal is for seven soldiers of the Royal Logistic Corps, training | :08:25. | :08:29. | |
nearby. They will be hungry when they get back, just like in the | :08:29. | :08:32. | |
Falklands. The chefs supplemented rations with fresh produce whenever | :08:32. | :08:38. | |
they could find it. I was well known for begging, stealing and | :08:38. | :08:44. | |
borrowing! I don't want to say too much! Doesn't that look like a beef | :08:44. | :08:50. | |
fillet? It has the shape, doesn't it. This is a pate that would have | :08:50. | :08:58. | |
come out from the Russians. Onions and mushrooms. -- from the Russians. | :08:58. | :09:05. | |
I would visit my local allotment in the evening, on a dark night, with | :09:05. | :09:14. | |
no full moon! Here we have it, or corned Beef Wellington and tinned | :09:14. | :09:20. | |
vegetables and a packet potato. A hot meal costing just over �1 a | :09:20. | :09:25. | |
head. Fancy beef Wellington? This is the ultimate test for an army | :09:26. | :09:30. | |
chefs. Finding out what hungry soldiers make of your suit. So far, | :09:31. | :09:40. | |
:09:41. | :09:46. | ||
Beef Wellington, courtesy of a military MasterChef. And for Les, | :09:46. | :09:50. | |
turning basic rations into something special has brought back | :09:50. | :09:54. | |
fond memories. I don't think there is a day go by it where I don't | :09:55. | :09:59. | |
think, I wish I was back at a hot plate looking after the guys, | :09:59. | :10:03. | |
having a giggle. I miss the camaraderie, the friendship and the | :10:03. | :10:09. | |
fun that I used to have. The eye think it looks nice. Her I now know | :10:09. | :10:16. | |
why we won the Falklands. The Disney interesting sensing the | :10:16. | :10:23. | |
camaraderie. Bless him. I don't think I would get away with that at | :10:23. | :10:27. | |
Claridges. But you have a beef Wellington at your ultimate cookery | :10:27. | :10:32. | |
course. Yes. It is one of the most requested dishes and it is so easy | :10:32. | :10:42. | |
:10:42. | :10:47. | ||
to do and memorable. A but there is no corned beef in yours. You say | :10:48. | :10:53. | |
there is a backlash against these complicated cook books and you are | :10:53. | :10:57. | |
simplifying things and teaching people how to cook. The biggest | :10:57. | :11:01. | |
complaint I ever get on a weekly basis is, we really want to see you | :11:01. | :11:07. | |
cook more. You are one of the few chefs in the world with two | :11:07. | :11:15. | |
Michelin stars. How do you cook at home on a Thursday night for tea, | :11:15. | :11:20. | |
it is not a dinner in our house. In many ways, it has been a long time | :11:20. | :11:25. | |
coming. It is not just therapeutic but I always keep my sock in the | :11:25. | :11:32. | |
real world, especially cooking for the children. Beef tacos and wasabi | :11:32. | :11:41. | |
Place it on the gas ring and use some tongs so you don't burn | :11:41. | :11:46. | |
yourself. You can also toast them in a frying pan. I would just place | :11:46. | :11:55. | |
it from there on the rolling pin. Literally, 30 seconds, as it cools. | :11:55. | :11:59. | |
The great thing is that people can fill the beef tacos themselves, | :11:59. | :12:05. | |
just the way they want them. They've looked delicious! That was | :12:05. | :12:15. | |
:12:15. | :12:16. | ||
a great little tick. Is that your kitchen? Yes. My wife and I's. | :12:16. | :12:20. | |
is massive! How long did it take? We had to convince the neighbours | :12:20. | :12:25. | |
first. Invite them round for dinner, get them drunk and get them to sign | :12:25. | :12:30. | |
the forms! It took two used to build. The and you spent most of | :12:30. | :12:36. | |
your time at home I guess around the table. It is one of the biggest | :12:36. | :12:41. | |
requests, I thought we could pop round and talk about things! My | :12:41. | :12:46. | |
mates invite themselves around now! The nice thing is that you on your | :12:46. | :12:52. | |
own, there is no shouting and swearing. Was there lot of swearing | :12:52. | :12:59. | |
on the cutting room floor? The dog had a poo on the marble and I said, | :12:59. | :13:06. | |
don't see the dog, and he was testing things, so yeah, we have | :13:06. | :13:10. | |
underfloor heating so the ball dogs lay their legs out flat, he got | :13:10. | :13:15. | |
comfortable, his tummy started rumbling, he did not make it to the | :13:15. | :13:20. | |
back door in time! He did it and step backwards in it. It was all | :13:20. | :13:25. | |
going back up the stairs onto the carpet, the white carpet. I did | :13:25. | :13:34. | |
know where he had gone. OK! He had gone under the bed to hide! | :13:34. | :13:40. | |
have a beguiling one alongside the programme! -- a book alongside the | :13:40. | :13:50. | |
:13:50. | :13:51. | ||
programme. Sorry! Yes, for me, it is exciting because there are 100 | :13:51. | :13:57. | |
recipes with 100 tips, and it is a nice way to show how unselfish I am | :13:57. | :14:03. | |
in terms of all the ideas, and really helping to become more | :14:03. | :14:07. | |
domestic. Having had the chance to shoot the American MasterChef and | :14:07. | :14:12. | |
spent all that time with those amazing domestic cooks. It was a | :14:12. | :14:15. | |
big phenomenon and it made me realise how difficult it is cooking | :14:15. | :14:21. | |
at home. It our afternoon meeting today, the crew really wanted to | :14:21. | :14:28. | |
know is it always your hands? And we said that. Of course it is. | :14:29. | :14:35. | |
Absolutely. You said you spent a lot of time in the States. We found | :14:35. | :14:42. | |
an incredible photo of a tarantula...? Yes, we were making | :14:42. | :14:46. | |
some cupcakes. My daughter is obsessed with them. This been | :14:47. | :14:53. | |
sneaked into the house. -- and this spider sneaked into the house. They | :14:53. | :14:56. | |
started getting excited with it because when I was in Cambodia, | :14:57. | :15:04. | |
they eat them. Deep fried! I ate them on Blue Peter. I said, but I | :15:04. | :15:08. | |
will whip up some batter and the kids started screaming, you can't | :15:08. | :15:13. | |
do that! That recipe is not in the book. Gordon's Ultimate Cookery | :15:13. | :15:17. | |
Course is every weekday, 5pm Channel 4, and the book is out now. | :15:17. | :15:20. | |
Last night the Royal Observatory announced the winners for the 2012 | :15:20. | :15:27. | |
Astronomy Photographer of the Year. Before we see some of the stunning | :15:27. | :15:29. | |
photos, here's snapper Jamie Crawford boldly going out to | :15:29. | :15:31. | |
capture some stars. And, sorry Gordon, they're not | :15:31. | :15:41. | |
:15:41. | :15:43. | ||
For centuries we have tried to capture images of the night's sky. | :15:43. | :15:48. | |
In recent years, advances in photo technology, mean that dramatic | :15:48. | :15:52. | |
photographs can be within the grasp.of all of us. Today there is | :15:52. | :15:56. | |
an increasing army of people taking photographs of the night sky. They | :15:56. | :15:59. | |
are producing some incredible images. | :15:59. | :16:05. | |
Last year, Andrew Steel came to this field, eight miles outside of | :16:05. | :16:09. | |
Oxford to capture this incredibly beautiful shot of the moon rising | :16:09. | :16:16. | |
over the city. It was commended in last year's Royal Observatory 2012 | :16:16. | :16:19. | |
Astronomy Photographer Of The Year competition. The The moon looks | :16:19. | :16:25. | |
large as Oxford looks so tiny. So the spires are really small as we | :16:25. | :16:29. | |
come away. But it really looks huge. The reason at that the picture is | :16:29. | :16:34. | |
so wide, is it is called a Panorama. I centred them on to the computer | :16:34. | :16:40. | |
on this wide image. Andrew used a standard digital SLR | :16:40. | :16:44. | |
camera. To get them in the right position, he had four minutes to | :16:44. | :16:48. | |
capture the scene. When I took the photo, I knew it | :16:48. | :16:52. | |
would be amazing, but on the computer it looked perfect. | :16:52. | :16:56. | |
I have taken thousands of photographs over the years, but | :16:56. | :17:00. | |
never of the night sky. However, on what looks like one of the clearest | :17:00. | :17:05. | |
days of the year so far, this could be my lucky night. | :17:05. | :17:10. | |
We have come to the ancient Roll Right Stones, just outside of | :17:10. | :17:16. | |
Oxford because of the lack of light pollution here. My instructor here | :17:16. | :17:21. | |
is Will Gate are, an expert astrophotography. | :17:21. | :17:27. | |
What do I get with a standard lens like this? Well, we are trying to | :17:27. | :17:33. | |
get a beautiful picture of the stars arcing around the sky. So we | :17:33. | :17:38. | |
need a tripod, a cable release so it does not touch the camera. It | :17:38. | :17:40. | |
will cause the image to blur, we don't want that. | :17:40. | :17:45. | |
So we are taking a series of photos of the stars, each with a long | :17:45. | :17:50. | |
exposure and blending them together in a single image to the computer. | :17:50. | :17:54. | |
What can you do with this little camera? It has a setting that | :17:54. | :18:00. | |
allows us to open up the shutter for 60 seconds. That gives us time | :18:00. | :18:05. | |
to gather the light from the stars and get a better image. Although it | :18:05. | :18:08. | |
is a little more difficult than when working with equipment for | :18:08. | :18:12. | |
astrophotography. I think we will get something. | :18:12. | :18:15. | |
Twilight gives a perfect opportunity to take landscape | :18:15. | :18:21. | |
photos, using the treeline and capturing the moon and the planets. | :18:21. | :18:25. | |
Try to frame everything. You can frame everything up to the moon and | :18:25. | :18:30. | |
below and down to the fringe of the trees. | :18:30. | :18:34. | |
As night falls and darkness descends we are filmed by a special | :18:34. | :18:38. | |
low-light camera. In the pitch black, we're going to try to | :18:38. | :18:42. | |
capture the stars as they rotate. We are going to light some of the | :18:42. | :18:47. | |
ancient stones using a torch to give us an interesting foreground | :18:47. | :18:52. | |
to our photos. After two hours we should have some good images by now. | :18:52. | :18:56. | |
At a local theatre it is time to download the pictures and start | :18:56. | :19:01. | |
stacking the star trails, using a simple software package off the | :19:01. | :19:05. | |
internet. This is one of mine? Yes it is | :19:05. | :19:10. | |
showing the plough in the centre of the frame and the whole of the | :19:10. | :19:13. | |
constellation there. So a really wide shot and a sense of the | :19:13. | :19:18. | |
movement of the stars in this one. What is amazing is how the stars | :19:18. | :19:21. | |
are different colours? Once you see them streaking you see the yellow | :19:22. | :19:27. | |
and the blue ones. Now, is a photo, Will! I really | :19:27. | :19:32. | |
like this picture. The rocks in it have a weird other-worldly look to | :19:32. | :19:37. | |
them. The way that you are shining the torch on them, but they look | :19:37. | :19:43. | |
alien it is quite cool, I think. Is this with the SLR? I am | :19:43. | :19:47. | |
impressed with this, this is with the exact. It shows the moon | :19:47. | :19:51. | |
beautifully, Mars up there and Saturn up on the top. It helped to | :19:51. | :19:55. | |
get away from the street lights, the light pollution. It made a | :19:55. | :20:00. | |
difference, allowing us to take longer exposures and get pretty | :20:00. | :20:04. | |
good images. What a great first adventure into | :20:04. | :20:09. | |
astrophotography. I never realised that taking photos of the night sky | :20:09. | :20:13. | |
could be so creative and exciting. You know what? I really think I | :20:13. | :20:17. | |
have the bug. Let's have a look at some of the | :20:17. | :20:24. | |
winning images for the 2012 Astronomy Photographer Of The Year. | :20:24. | :20:27. | |
Dr Kerkuler was one of the judges and a member of the Royal | :20:27. | :20:31. | |
Observatory. How is the standard this year? It was high it made the | :20:32. | :20:35. | |
judging difficult, but it meant there were lots of beautiful | :20:35. | :20:40. | |
pictures to choose from. You saw the film, were some the | :20:40. | :20:46. | |
techniques similar to those used in the competition? Absolutely. | :20:46. | :20:49. | |
Great. You have three of your favourites. | :20:49. | :20:54. | |
Let's have a look at the first one. These are three of my personal | :20:55. | :21:00. | |
favourites from the winner. This is Lost In Yosemite. It is two hikers | :21:00. | :21:04. | |
who were genuinely lost in the park. You can see them in the park, | :21:04. | :21:10. | |
reading by the light of their torch, they were dwarfed by the night's | :21:10. | :21:14. | |
sky. The photographer did help tem -- | :21:14. | :21:18. | |
them after. Let's have a look at the second one, | :21:18. | :21:20. | |
then. This is a real personal favourite. | :21:20. | :21:25. | |
It is the Transit of Venus 2012. It took place on June 6th this year it | :21:25. | :21:30. | |
will not take place for 105 more years. So the last chance to see it. | :21:30. | :21:34. | |
There is Venus as it passed in front of the Sun. | :21:34. | :21:41. | |
In the UK, we got up at 4.00am. It was cloudy. We thought we would not | :21:41. | :21:48. | |
see it, then the clouds cleared. This picture was taken to, or near | :21:48. | :21:52. | |
to Blackheath Common. So that is close to my heart. This | :21:52. | :21:57. | |
is the winning image. The M51 whirlpool galaxy. All of the judges | :21:57. | :22:04. | |
were stunned by the level of the detail. There is even a supernova | :22:04. | :22:11. | |
there. An exploding star. It is really professional, but it was | :22:11. | :22:15. | |
taken by an amateur. How does the blue come through? It comes from | :22:15. | :22:18. | |
the stars. The blue means that the stars are young and hut. The yellow | :22:18. | :22:28. | |
is from the older, cooler stars and the pink is from hydrogen gas. | :22:28. | :22:33. | |
NASA announced that the Earth has - - does make a noise? Yes, they have | :22:33. | :22:39. | |
picked up charges high above the Earth, trapped in our magnetic | :22:39. | :22:43. | |
field. They have translated it into earie sounds. | :22:43. | :22:49. | |
So, that is... You would obviously have to take the space helmet off | :22:49. | :22:54. | |
to hear that?! They don't recommend that, but this is pretty much what | :22:54. | :22:56. | |
is going on up there. Very accurate. | :22:56. | :23:01. | |
Thank you very much. Now, you can see all of the winning | :23:01. | :23:06. | |
photos at a free exhibition at the Royal Observatory in Greenwich, | :23:06. | :23:09. | |
every day until February there. Are links on the website. | :23:09. | :23:14. | |
All week, the presenters are learning new skills to try to win a | :23:14. | :23:20. | |
prize at the cad kd cad -- Caddington Village Show. Today, | :23:20. | :23:24. | |
John Sergeant is trying to win a prize in the flower arranging. | :23:24. | :23:30. | |
Gordon, you have four minutes to turn these, flowers, into this. | :23:30. | :23:37. | |
I thought they were cupcakes! finest of flowers at New Covent | :23:37. | :23:43. | |
Garden Market. They are destined for vases and | :23:43. | :23:48. | |
floral displays up and down the country. | :23:48. | :23:52. | |
There are some marvellous flowers here, everything you ever want. My | :23:52. | :23:57. | |
trouble is I don't know what I want. I'm hopeless, I don't know anything | :23:57. | :24:02. | |
about flower arranging. I need some help. If I'm going to | :24:02. | :24:06. | |
stand any chance at Caddington Village Show. Luckily, there is a | :24:06. | :24:10. | |
real expert on hand. Jude hith Blacklock has written a dozen books | :24:11. | :24:14. | |
on flower arranging and runs a training school. | :24:15. | :24:18. | |
When you buy the flowers for the home or for the competition, ensure | :24:18. | :24:23. | |
that the flowers are fresh. How can we tell? They all look | :24:23. | :24:28. | |
fresh to me? There are ways to check if a rose is really fresh. | :24:28. | :24:32. | |
Put your fingers against the base of the flowers, if it resists to | :24:32. | :24:38. | |
the touch, you know it is a good, fresh rose and it has two weeks of | :24:38. | :24:41. | |
life in it. I will try this out. That will not | :24:41. | :24:48. | |
last two weeks! But which ones do I want for my arrangement? According | :24:48. | :24:54. | |
to Judith, you need different forms of flowers to make an attractive | :24:54. | :24:59. | |
display, linea, round and spray. These are wonderful examples of a | :24:59. | :25:03. | |
linea form. That is up and down. I got that the second, perhaps most | :25:03. | :25:09. | |
important of the forms is a round form. The round shape holds the eye | :25:10. | :25:13. | |
and brings all of the other shapes and forms together. The third form | :25:13. | :25:20. | |
is a spray form. The two together compliment each other perfectly. | :25:20. | :25:25. | |
Right, I am getting the idea. You are a born flower arranger at | :25:25. | :25:29. | |
heart. I'm not so sure. Flower arranging | :25:29. | :25:34. | |
is an ancient art. The Egyptians had the idea more than 4,000 years | :25:34. | :25:39. | |
ago. Flower declarations arrived here in the 16th century. It has | :25:39. | :25:44. | |
become the subject of fierce competition at events such as the | :25:44. | :25:49. | |
Caddington Village Show. So Judith has brought me to her flower school | :25:49. | :25:56. | |
to give me last-minute lessons. What are the judges looking for? | :25:56. | :26:01. | |
The condition of the plant material. The design as a whole, good balance, | :26:01. | :26:05. | |
contrast, dominance. Thirdly if you have something extra to the design | :26:05. | :26:09. | |
that gets you first place in the show. | :26:09. | :26:14. | |
To create that distinctiveness, even the pot is decorated with | :26:14. | :26:20. | |
leaves. I think that I have my thumb stuck. | :26:20. | :26:27. | |
A block of floral foam is soaked in water it form as back ground to put | :26:27. | :26:31. | |
the flowers. Place it dead centre. That's the | :26:31. | :26:38. | |
most important step. The first one. The first one creates the overall | :26:38. | :26:42. | |
proportions. We work from the centre, trying to | :26:42. | :26:46. | |
create balance and rhythm. Well, it looks good to me. What is good | :26:46. | :26:52. | |
about it for you? It has pleasing proportions. That means that the | :26:52. | :26:56. | |
volume of the plant material is about one-and-a-half times that of | :26:56. | :27:02. | |
the containers. Now the colour. Judith chooses | :27:02. | :27:06. | |
oranges, reds and pinks, in keeping with the season. | :27:06. | :27:11. | |
To cease these colours in spring it is maybe too bold, but at this time | :27:11. | :27:18. | |
of the year it is nice. That's right. Above the leaf. Then | :27:18. | :27:23. | |
you balance the arrangements, up and down from side to side. | :27:23. | :27:26. | |
People want to put the floors on the top. You have to angle them | :27:26. | :27:32. | |
down. I have the wind behind me now. Top | :27:32. | :27:39. | |
tip - for the final creative touch, fruit, but will it be too much? | :27:39. | :27:43. | |
think you have a good contrast of form, texture, the rough and the | :27:43. | :27:50. | |
smooth. The interesting garden plant material, the novelty of the | :27:50. | :27:55. | |
fruits. I think that is rather choice! I now have the advice from | :27:55. | :28:00. | |
a top expert. I hope that I remember it. I'm all set for the | :28:00. | :28:03. | |
Caddington Village Show and the moment of truth. Wish me luck. | :28:03. | :28:08. | |
We will find out how all of our The One Show contestants fare on | :28:08. | :28:13. | |
tomorrow's programme, but here we are, Gordon is finishing his | :28:14. | :28:19. | |
arrangement. Judith, how is it going? I think he is a little short | :28:19. | :28:24. | |
with the chopping. You have not stopped him. What were | :28:24. | :28:27. | |
you teaching him? Explain the techniques. This is different to | :28:27. | :28:33. | |
what we saw in the film? It is a hand-tied bouquet. The spiralling | :28:33. | :28:39. | |
is part of the design. When Gordon has finished and he puts them in | :28:39. | :28:43. | |
the water. They should splay out beautifully. | :28:43. | :28:48. | |
What are your tips, if you have a lovely bouquet, how do you keep | :28:48. | :28:53. | |
them fresh for as long as possible? Change the water every day and then | :28:53. | :29:01. | |
take a little bit off the stems. Don't put them near the window. | :29:01. | :29:06. | |
You have gone into Judith's hair! It is looking nice, though! Very | :29:06. | :29:10. | |
good. It is getting there. | :29:10. | :29:14. | |
OK, well you pop them in the vase. That is all we have time for | :29:14. | :29:18. | |
tonight. Gordon, all the very best with the Gordon Ramsay's Ultimate | :29:18. | :29:22. |