Browse content similar to 19/12/2013. Check below for episodes and series from the same categories and more!
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Hello and welcome to your Thursday before Christmas One Show, with Matt | :00:18. | :00:24. | |
Baker and Alex Jones. Separately, our guests have appeared in some of | :00:25. | :00:28. | |
the biggest shows and movies of recent years, from The Office, to | :00:29. | :00:32. | |
the Hobbit, Love Actually and Mr Selfridge. But this couple are about | :00:33. | :00:37. | |
to star together in a series with millions of fans on both sides of | :00:38. | :00:43. | |
the Atlantic. Any idea? Elementary, my dear Alex, from Sherlock, it is | :00:44. | :00:51. | |
Martin Freeman and Amanda Abbington. You have been a couple for about 13 | :00:52. | :00:56. | |
years. Is it right that it started from a text message? It is, isn't | :00:57. | :01:05. | |
it? We met on a make up bus and got on very well and spent the rest of | :01:06. | :01:11. | |
the afternoon flirting. I presume it was at work, not just a random make | :01:12. | :01:17. | |
up bus. We were working and I came in and saw this lovely woman. And | :01:18. | :01:25. | |
then you saw me! We hit it off and it was very nice. You went home and | :01:26. | :01:28. | |
I did not have a chance to say goodbye, so I got in touch with the | :01:29. | :01:32. | |
second assistant director and I said, could I get her number? I sent | :01:33. | :01:39. | |
a text. You said, I had not finished flirting with you. Is that what it | :01:40. | :01:46. | |
said? Yes, so he said, come back to work and we can pick up where I left | :01:47. | :01:50. | |
off. I knocked on his trailer the next day and said hello. We checked | :01:51. | :01:55. | |
we were both single. You loved that. We have never had a real-life | :01:56. | :02:02. | |
couple. This is very exciting. You mean you two are not... If you | :02:03. | :02:10. | |
started with a flirting text like Martin, send a pic show and tell us | :02:11. | :02:16. | |
what you wrote. Keep it clean, and we will read some out later. Maybe | :02:17. | :02:22. | |
you could read them out. That would be lovely. Also tonight, like Holmes | :02:23. | :02:29. | |
and Watson, the One Show is going to help victims of what can only be | :02:30. | :02:34. | |
described as a heinous crime. For more information, over two Alex | :02:35. | :02:36. | |
Riley for the facts. I am here in Blackpool with Neville | :02:37. | :02:46. | |
and Maureen Hoyland, whose house has become a local Christmas attraction | :02:47. | :02:49. | |
because every year Neville covers it with Christmas lights. This is a | :02:50. | :02:53. | |
picture of what it looked like a couple of weeks ago. Last week, | :02:54. | :02:58. | |
disaster struck when thieves made off with every single one of them. | :02:59. | :03:03. | |
Neville, tell us how long you have been doing this, and why do you do | :03:04. | :03:09. | |
it? I have been doing it for the last ten years, for our grand | :03:10. | :03:12. | |
daughters. Also, we live close to a school, so schoolchildren are | :03:13. | :03:18. | |
passing during the evening. They stand outside and look at the lights | :03:19. | :03:22. | |
and get enjoyment from it. So do the neighbours, and so do we. Maureen, | :03:23. | :03:27. | |
talk us through the moment you realised they had been stolen. I | :03:28. | :03:33. | |
opened the blinds and looked out and I was totally shocked. Everything | :03:34. | :03:37. | |
was gone. I was devastated. I could not believe it. Terrible! The good | :03:38. | :03:44. | |
news is that we are in Blackpool and nobody does illuminate and is | :03:45. | :03:47. | |
better. We set a challenge to the head of Blackpool illuminations to | :03:48. | :03:53. | |
light up the house again in time for the end of the show. How are you | :03:54. | :04:00. | |
getting on? Still quite a lot to do. You have only got 20 minutes. Get | :04:01. | :04:06. | |
your skates on. I hope he does it. Join us later to find out if he gets | :04:07. | :04:11. | |
the house lit up. There is definitely a reindeer | :04:12. | :04:16. | |
involved. I am not holding out much hope for him. Hopeless. We will | :04:17. | :04:25. | |
catch up with them later. For that, when British Rail was privatised | :04:26. | :04:29. | |
nearly 20 is ago it was supposed to herald a new era of efficiency | :04:30. | :04:34. | |
fuelled by competition. But with one major line now running under public | :04:35. | :04:38. | |
ownership, very smoothly, why change it? | :04:39. | :04:45. | |
It has been 20 years since our railways were privatised. All of the | :04:46. | :04:49. | |
main routes are run by independent companies, all except this one, the | :04:50. | :04:53. | |
East Coast main line from Edinburgh to London, which runs through this | :04:54. | :04:57. | |
station in York. It has been in public hands for the last four | :04:58. | :05:05. | |
years. Previously, it was run privately by two companies, but both | :05:06. | :05:08. | |
lost the franchise when they failed to make it profitable. In 2009 it | :05:09. | :05:14. | |
was taken over by Department for Transport, trading as East Coast. | :05:15. | :05:18. | |
So, is Britain's only state-run railway any good? I am satisfied | :05:19. | :05:25. | |
with the service. It is cleaner than it used to be. The service was not | :05:26. | :05:31. | |
as good when it was National Express. For the last five years it | :05:32. | :05:38. | |
has been brilliant. East coast is selling more tickets than ever, and | :05:39. | :05:42. | |
with no shareholders to pay, no franchise targets to meet and a bit | :05:43. | :05:47. | |
of careful management, it has made over ?600 million profit for the | :05:48. | :05:52. | |
Treasury so far. It has also had some healthy competition from | :05:53. | :05:55. | |
specialist private operators linking both Sunderland and Hull to the | :05:56. | :06:01. | |
capital. But despite its success, the government has put the franchise | :06:02. | :06:05. | |
up for sale again, sparking protest and a petition, with over 23,000 | :06:06. | :06:10. | |
signatures. The situation is so sensitive that East Coast have asked | :06:11. | :06:14. | |
us not to film on any of their trains. So here I am on the platform | :06:15. | :06:18. | |
in York waiting for my next interview. This is the chairman of | :06:19. | :06:25. | |
the Institute of directors and a regular passenger on the line, who | :06:26. | :06:28. | |
supports a return to private ownership, despite the disastrous | :06:29. | :06:32. | |
performance of the two previous franchise owners and the current | :06:33. | :06:36. | |
success of the state run operation. What do you say to those who say | :06:37. | :06:39. | |
this is an advert for nationalising the whole lot? I would say the | :06:40. | :06:43. | |
opposite because there is more private competition on this line | :06:44. | :06:47. | |
than any other line. It shows that competition proves you get at a | :06:48. | :06:52. | |
service, more efficient, by having competition, and that is something | :06:53. | :06:56. | |
we want more of. What guarantees are there that under future owners it | :06:57. | :07:01. | |
will not be a shambles? It comes down to the government making sure | :07:02. | :07:04. | |
that when they released the franchise, they do it under the | :07:05. | :07:09. | |
right terms. They have to make sure it is going to be effective for the | :07:10. | :07:14. | |
passenger and the business. So, do other travellers agree? We are not | :07:15. | :07:19. | |
allowed to bring cameras on the train, so I am recording on a mobile | :07:20. | :07:23. | |
phone. It is hard to assess the service on just one trip, so let's | :07:24. | :07:26. | |
find out what some regular passengers make of it. People want | :07:27. | :07:34. | |
the best service they can get, whoever is running it. As long as I | :07:35. | :07:39. | |
can get on the train and sit in the seat, I am quite happy. What do you | :07:40. | :07:44. | |
make of it going back into private hands? If profits are put before the | :07:45. | :07:53. | |
service, it could decline again. I think the service decreases. It is | :07:54. | :08:00. | |
not as punctual, more crowded. I think it is going to be problematic. | :08:01. | :08:06. | |
Ticket prices are going to be crazy. The Private user will not be able to | :08:07. | :08:09. | |
afford to go backwards and forwards to London. Most people seemed to | :08:10. | :08:15. | |
prefer leaving things as they are, but the latest passenger survey | :08:16. | :08:18. | |
revealed that passenger satisfaction on the route is no better than four | :08:19. | :08:24. | |
years ago when run privately. Even so, many passengers and observers | :08:25. | :08:28. | |
feel strongly it should stay in public hands, including a leading | :08:29. | :08:34. | |
transport commentator. Why is the government keen to put it in private | :08:35. | :08:38. | |
hands? It is functioning perfectly well, when other franchises, which | :08:39. | :08:43. | |
are more problematic, they are delaying rather than letting out. | :08:44. | :08:49. | |
The government does not like the idea of a successful public company. | :08:50. | :08:53. | |
It shows up the fact that we do not need privatisation. The Department | :08:54. | :08:59. | |
for Transport told us a strong private sector partner would deliver | :09:00. | :09:02. | |
a world-class railway for passengers and best value for the taxpayer. | :09:03. | :09:07. | |
Virgin Trains and several foreign companies are competing to buy the | :09:08. | :09:10. | |
rights for the line. The franchise is due to be awarded next October, | :09:11. | :09:15. | |
with the operators taking over in February 2015. A bit like Harry | :09:16. | :09:20. | |
Potter, the most famous passenger at King's Cross, you would have to be a | :09:21. | :09:24. | |
wizard to get your head round the nuts and bolts of this deal. But | :09:25. | :09:27. | |
speaking to many passengers, it seems clear that all they are that | :09:28. | :09:31. | |
about is getting from a to B as quickly as possible. | :09:32. | :09:38. | |
It takes a bit of getting your head round. ?600 million to the Treasury. | :09:39. | :09:44. | |
Why bother privatising this? Greenman wrote the government have | :09:45. | :09:47. | |
said, this was always an interim measure and they have not had to | :09:48. | :09:50. | |
invest in infrastructure. They say a private franchise will have two pay | :09:51. | :09:55. | |
a premium to the government and invest in the railway, which they | :09:56. | :09:59. | |
have not been doing so far. The short list of candidates will be | :10:00. | :10:03. | |
announced in October 2014 and we will know the winner by 2015. There | :10:04. | :10:08. | |
is a campaign group opposing it with 27,000 signatures now. Moving | :10:09. | :10:15. | |
swiftly on from trains to safety at the station. There is a new campaign | :10:16. | :10:19. | |
to stop people coming a cropper on the escalators. We have some footage | :10:20. | :10:24. | |
that will make you crease. Watch this. | :10:25. | :10:31. | |
Never wear high heels on the escalator. This last one, he has | :10:32. | :10:45. | |
luggage and should take the lift. He decides to wait. He is on his way. | :10:46. | :10:53. | |
As it gets steeper, you can imagine it rolling back. Nobody was hurt. | :10:54. | :11:05. | |
There is a serious side to this. Were you about to say that we should | :11:06. | :11:12. | |
not laugh! Three golden rules. Don't wear high heels. Get a lift if you | :11:13. | :11:19. | |
have luggage. And don't rush. Easier said than done when you are late. | :11:20. | :11:27. | |
Amanda, you had an incident. I got stuck on an escalator when I was | :11:28. | :11:33. | |
little. I can't really remember. I was really young. There was a | :11:34. | :11:36. | |
plastic thing where the escalator handle went up and I climbed up. But | :11:37. | :11:44. | |
my grandmother fell down the escalator at Angel when she was 30, | :11:45. | :11:49. | |
from the top, right down. Her spine clipped in and out again. As a | :11:50. | :11:55. | |
child, there is nothing more daunting than getting on and off the | :11:56. | :12:00. | |
escalator. It is like an initiation test. As we mentioned, Martin and | :12:01. | :12:08. | |
Amanda will soon be appearing together in the return of Sherlock. | :12:09. | :12:14. | |
For the millions of fans, there is a no spoilers glimpse right here of | :12:15. | :12:15. | |
series three. I do not care how you faked it. I | :12:16. | :12:30. | |
want to know why. The one person he thought did not matter to me was the | :12:31. | :12:39. | |
one person that mattered. I think I will surprise John. Perhaps jump out | :12:40. | :12:45. | |
of a cake. Baker Street is not there any more. He has got on with his | :12:46. | :12:52. | |
life. It has been two years. What life? I have been away. | :12:53. | :13:02. | |
It looks like a really good show. There is a lot to get your head | :13:03. | :13:07. | |
round. Watson now has a moustache. What has he been up to? He has been | :13:08. | :13:23. | |
up to this. Enter Mary. Don't say that! Just carry on. It has been two | :13:24. | :13:28. | |
years since his friend died. His life is not as exciting in terms of | :13:29. | :13:32. | |
life and death, he is not fighting crime with his mate. But he has | :13:33. | :13:37. | |
fallen in love. There is a new excitement. Can I say that? It is | :13:38. | :13:43. | |
not life and death. It is a very enjoyable thing. Rather like a | :13:44. | :13:47. | |
soldier coming back from a war zone, you miss the high and that | :13:48. | :13:51. | |
adrenaline, and it can leave you slightly adrift. I think John has | :13:52. | :13:56. | |
been probably quite sad until he met Mary. They met through work. She is | :13:57. | :14:02. | |
a nurse, and they fall in love. John is very happy when we join him. And | :14:03. | :14:07. | |
resigned to the fact that Sherlock is not coming back. Give us Mary's | :14:08. | :14:20. | |
background. I cannot. I can't really tell you a thing. Forget that, Park | :14:21. | :14:31. | |
that. That's a lovely picture. Yes, me with blonde hair. She is a | :14:32. | :14:39. | |
nurse. The end. The bromance between Watson and Sherlock is immense. How | :14:40. | :14:44. | |
will it work now there is a third person? Can you go into that? I | :14:45. | :14:54. | |
think when Sherlock returns, the reunification, that is what people | :14:55. | :14:59. | |
have been waiting for. That is what happens. If you found out your best | :15:00. | :15:03. | |
friend is actually alive, when you thought he was dead, that would be | :15:04. | :15:06. | |
quite a major shifting point in your life and you would not necessarily | :15:07. | :15:11. | |
be delighted with that person. Mary, in that case, for John, is a | :15:12. | :15:17. | |
stabilising third wheel. She likes him. She kind of negotiate them back | :15:18. | :15:25. | |
together. An interesting dynamic, being together in real life. Has | :15:26. | :15:32. | |
that been good, bad, hard, easy? It's really good, I have always | :15:33. | :15:36. | |
loved Amanda's acting, genuinely. I've always thought she's great. | :15:37. | :15:41. | |
It's true, I'm a brilliant actor. This is it now. What are the perks | :15:42. | :15:47. | |
of working together? We share a car. We share a flat. We see each other | :15:48. | :15:52. | |
as well, we haven't seen each other for a long time when Martin was | :15:53. | :15:56. | |
doing The Hobbit. We do most of the filming in Cardiff, not as far as | :15:57. | :16:01. | |
New Zealand. But still, you are not together. It did mean, literally, as | :16:02. | :16:06. | |
far as a perk, as a couple, it means you can wake together and see each | :16:07. | :16:15. | |
other. We can dissect it, talk about it and it is lovely. If we cannot | :16:16. | :16:19. | |
talk about the series, we can talk about the last series. It's fair to | :16:20. | :16:24. | |
say that it left us on a cliffhanger. Let's have a bit of a | :16:25. | :16:29. | |
recap. Sherlock summoned Moriarty to the roof of a hospital. Moriarty | :16:30. | :16:33. | |
told Sherlock all his friends would be killed if Sherlock refused to | :16:34. | :16:36. | |
jump. Moriarty shot himself, Sherlock jumped. The question is, | :16:37. | :16:43. | |
how did he survive the fall? We asked a couple of crime masters to | :16:44. | :16:44. | |
come up with their own theories. It has been one year, 339 days and | :16:45. | :17:01. | |
about 23 hours since Benedict Cumberbatch's Sherlock jumped to | :17:02. | :17:03. | |
certain death from that very rooftop. Only he didn't die, did he? | :17:04. | :17:10. | |
The cars we saw him at his own funeral. So how did he do it? -- | :17:11. | :17:17. | |
because we saw him at his own funeral. I've enlisted the help of | :17:18. | :17:19. | |
people who know about this sort of thing to look at the evidence and | :17:20. | :17:26. | |
try to work out the mystery. Tim Kirby, not an easy man to full. | :17:27. | :17:30. | |
Ex-flying squad comedies dealt with some the most devious criminals. | :17:31. | :17:36. | |
Alison Joseph, a crime writer who understands a criminal mind and the | :17:37. | :17:41. | |
darker side of life. This is where it took place. Let's talk about some | :17:42. | :17:45. | |
theories. The most significant thing is that Sherlock was in control of | :17:46. | :17:50. | |
the situation. He chose the venue, he knew that pathology labs. I think | :17:51. | :17:56. | |
that is spot on. He got Moriarty and Watson where he wanted them. What do | :17:57. | :17:59. | |
you need? You. At that point, he behaves | :18:00. | :18:13. | |
completely out of character. We have never seen him go up to anyone and | :18:14. | :18:19. | |
say, I need you. Was he manipulating poor Molly? No, I think he means it. | :18:20. | :18:26. | |
I think he is such a cold fish that he does want to manipulate her. | :18:27. | :18:33. | |
Let's talk about Watson, why was he made to stand here? Stay exactly | :18:34. | :18:39. | |
where you are, don't move. Is important, from here, Watson could | :18:40. | :18:43. | |
see Sherlock jumped off the roof, but he would be unable to see the | :18:44. | :18:50. | |
landing. Watson comes over here... It's very important that Watson does | :18:51. | :18:55. | |
not get there straightaway. That cannot have been an accident? I | :18:56. | :19:02. | |
think we agree on that. Watson, a medically trained doctor, feels for | :19:03. | :19:08. | |
a pulse and there isn't one. You can put a rubber ball under your arm and | :19:09. | :19:13. | |
prevented from registering. We see a group of people swarming towards the | :19:14. | :19:16. | |
body, could they have got there that quickly? I don't think so, I think | :19:17. | :19:22. | |
they have to be associates. They have got to surround the body, this | :19:23. | :19:29. | |
spiriting away out of sight. How did he manage to fool the world and fake | :19:30. | :19:37. | |
his death? I think it is Moriarty that landed. As long as I am alive, | :19:38. | :19:43. | |
you can save your friends. Good luck with that. You think it was Moriarty | :19:44. | :19:50. | |
thrown off the roof, with a Sherlock mask on? What do you think? He jumps | :19:51. | :19:56. | |
off the roof, lands on the back of a lorry that breaks his fall. He rolls | :19:57. | :20:00. | |
over, he is found on the pavement, lots of fake blood. Then he is | :20:01. | :20:05. | |
whisked away. Hang on, I think I have cracked this. | :20:06. | :20:09. | |
We just have to say, please don't try that rubber ball trick at home, | :20:10. | :20:15. | |
it can be very dangerous if you are not Sherlock. Your theory was in | :20:16. | :20:23. | |
there. I'm not saying anything, I don't want to be responsible for | :20:24. | :20:26. | |
giving anything away. We will look at your faces, did we get anything | :20:27. | :20:28. | |
right? OK, I guess we will have to wait | :20:29. | :20:38. | |
until 9pm. It was the rubber ball! New Year's Day, for one, I cannot | :20:39. | :20:44. | |
wait. When you are filming this in central London, how on earth do you | :20:45. | :20:47. | |
keep it secret? With great difficulty. There are dummy runs, | :20:48. | :20:56. | |
red herrings. When we were filming around this very thing for the new | :20:57. | :21:00. | |
series, for the first episode of when we answer this question, this | :21:01. | :21:05. | |
riddle, there were hundreds of people watching. Hundreds and | :21:06. | :21:08. | |
hundreds of people watching, trying to get a glimpse, clues. See you | :21:09. | :21:22. | |
kind of do a real-life Sherlock? They did a dummy. They might have, | :21:23. | :21:27. | |
they might have not. It's difficult to keep under wraps. In an age of | :21:28. | :21:31. | |
high, fast technology, as soon as people get wind of anything they are | :21:32. | :21:38. | |
tweeting and texting. There were lots of different versions. Some | :21:39. | :21:42. | |
versions we have heard are not that necessarily far from the truth. | :21:43. | :21:48. | |
Talking of a second series... In January, Mr Shell -- Selfridge back. | :21:49. | :21:59. | |
You play head of accessories. Can you tell us about that? Five years | :22:00. | :22:04. | |
on, the start of the First World War. Miss Mardle, her brother dies, | :22:05. | :22:18. | |
he leaves her a big house and disposable income. But she comes | :22:19. | :22:22. | |
back to still work in accessories and her journey begins to try to | :22:23. | :22:26. | |
find love again. If you won the lottery, would you go back to where? | :22:27. | :22:31. | |
We are going to be catching up with Alex Riley in Blackpool as he tries | :22:32. | :22:34. | |
to help the couple whose Christmas lives were... -- Christmas lights | :22:35. | :22:42. | |
were swiped by thieves. Matt came in super early to put up these | :22:43. | :22:47. | |
beautiful life lights. We are about to switch them on. Are you ready? | :22:48. | :22:53. | |
Three, two, one! One of the joys of Christmas is | :22:54. | :23:12. | |
getting the fairy lights out of the attic to decorate the tree. But | :23:13. | :23:15. | |
these lights first made their appearance in a rather unusual | :23:16. | :23:21. | |
place. It was here, on this very stage, at the Savoy Theatre, on the | :23:22. | :23:27. | |
25th of November, 1882. The gaslit world of Victorian London, where | :23:28. | :23:33. | |
this vision caused a sensation and was part of an invention that change | :23:34. | :23:38. | |
the world. Three years before, Joseph Swan had first demonstrated | :23:39. | :23:42. | |
his revolutionary invention, the electric light bulb. The Royal | :23:43. | :23:45. | |
Society in London has an early example. It is an absolute original. | :23:46. | :23:50. | |
You can see that we have the filament, a carbon filament. Then | :23:51. | :23:57. | |
you have the glass envelope, the bulb part, and the electrode at each | :23:58. | :24:03. | |
end. Can we lighted up? I'm afraid not, it's rather special. Worth a | :24:04. | :24:10. | |
try! What have you got instead? This is something similar, a jam jar. We | :24:11. | :24:17. | |
have a pencil lead, really. It represents a version of a carbon | :24:18. | :24:20. | |
filament, the type used in the original lamp. If I connected to the | :24:21. | :24:26. | |
supply, let's see if it works. Look! That lights up really well. | :24:27. | :24:30. | |
It's not super bright, but it is a jam jar with a piece of pencil lead. | :24:31. | :24:35. | |
What do you expect? But it shows the principle of how it works. In 1881, | :24:36. | :24:41. | |
the Savoy Theatre became the first building in the world lit entirely | :24:42. | :24:45. | |
by the electric light bulb. It had been purpose-built to showcase the | :24:46. | :24:48. | |
comic operas of renowned musical partnership Gilbert and Sullivan. In | :24:49. | :24:54. | |
November of 1882, the Savoy Theatre was launching its latest Opera. The | :24:55. | :24:58. | |
producers wanted something spectacular with which to wow the | :24:59. | :25:04. | |
audience is. They came up with something illuminating. Who better | :25:05. | :25:07. | |
to turn to Dan the man who had provided the lights for the theatre? | :25:08. | :25:11. | |
They commissioned Joseph Swan to create special, miniature lights for | :25:12. | :25:17. | |
the humorous story of a group of the immortal fairies. They powdered | :25:18. | :25:24. | |
about that there would be self lighting fairies in this new piece. | :25:25. | :25:30. | |
-- put it about. It wasn't until the second act, when the Queen of the | :25:31. | :25:35. | |
fairies came on with these extraordinary illuminated stars in | :25:36. | :25:38. | |
their headdresses. Which was extraordinary. Electricity was new, | :25:39. | :25:43. | |
but portable electricity like that was phenomenal. What did the | :25:44. | :25:49. | |
audience think? They were completely delighted, they thought it was | :25:50. | :25:52. | |
marvellous. One critic claimed the lights were to write and obscured | :25:53. | :25:59. | |
the performers's faces, so they went back to Joseph Swan to ask for | :26:00. | :26:04. | |
smaller lights. They've managed very quickly indeed to reduce the size, | :26:05. | :26:09. | |
so two weeks later they all had what we now know as fairy lights running | :26:10. | :26:12. | |
through their hair. It's remarkable that Swan was able to make a | :26:13. | :26:17. | |
miniature version, just two years after inventing it. They have been | :26:18. | :26:20. | |
called fairy lights ever since after the fairies that wore them. At the | :26:21. | :26:25. | |
performance was not without its problems. Electricity was very | :26:26. | :26:28. | |
primitive them. There were stories of one or two fairies getting singed | :26:29. | :26:35. | |
bottoms from malfunctions of the battery pack. It's possible it was | :26:36. | :26:39. | |
put about by detractors, who were furious he was getting all of this | :26:40. | :26:43. | |
publicity. There were some that genuinely believed that electricity | :26:44. | :26:47. | |
was dangerous. Today, no Christmas would be complete without fairy | :26:48. | :26:50. | |
lights. They illuminate the high streets and homes. | :26:51. | :26:55. | |
Time to go back to Neville and Maureen in Blackpool, who had their | :26:56. | :27:00. | |
Christmas lights stolen. Have you managed to cast light on the | :27:01. | :27:06. | |
situation? I have, thank you. If you remember, this morning there were no | :27:07. | :27:09. | |
lights here whatsoever. A few hours later, after lots of hard work, it | :27:10. | :27:14. | |
is covered in lights. That is down to the generosity of local | :27:15. | :27:17. | |
businesses and Blackpool Council. This is the head of Blackpool | :27:18. | :27:22. | |
illuminations. How does it compare to your day job? We take just as | :27:23. | :27:27. | |
seriously as the day job. Hopefully they will be happy with what we have | :27:28. | :27:31. | |
done. To make it extra special, we have brought the genuine switch that | :27:32. | :27:34. | |
has been used for many years. By all of the celebrities? Jonathan Ross | :27:35. | :27:41. | |
last year. Tonight's celebrities are Neville and Maureen. Are you ready | :27:42. | :27:46. | |
for the countdown? Five, four, three, two, one. Lighted up. | :27:47. | :27:51. | |
What do you think about that? How does it compare to your usual | :27:52. | :27:59. | |
display? It's light fantastic, Christmas is back on! How do you | :28:00. | :28:02. | |
feel about having lights back on the house at last? Fantastic, I would | :28:03. | :28:09. | |
like to thank Blackpool Council, and all of the local businesses for | :28:10. | :28:13. | |
donating these beautiful decorations and lights. Wealth said -- well | :28:14. | :28:23. | |
said. We have actually brought you a new security camera, so they stayed | :28:24. | :28:28. | |
put. Christmas, brought back to Blackpool. Back to the studio. We | :28:29. | :28:35. | |
asked you to send in your flirty text messages, if that is how you | :28:36. | :28:38. | |
got together, as Martin and Amanda did. Lucy and James met at college. | :28:39. | :28:44. | |
Their question was, I'm great at English, you are great at maths, | :28:45. | :28:49. | |
together we can learn a lot. Jamie and Nicky, from Birmingham, I feel | :28:50. | :28:56. | |
like a kiddie in a sweet shop, who cannot touch. Just to clarify what | :28:57. | :29:00. | |
Tony said earlier, applicants for the East Coast line privatisation | :29:01. | :29:05. | |
will be short listed next month, the winning bidder will be confirmed in | :29:06. | :29:09. | |
October. Sarah and Johnny said, it is your driving test on Tuesday, | :29:10. | :29:15. | |
fancy a dress to sell it -- drink to celebrate? He replied, make it a | :29:16. | :29:20. | |
meal, and it's a date. Sherlock is on New Year's Day. The morrow is our | :29:21. | :29:26. | |
last show before Christmas. We will be joined by Jimmy Carr. See you | :29:27. | :29:28. | |
then. Good night! | :29:29. | :29:32. |