Browse content similar to 19/12/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to
The One Show with Matt Baker. | 0:00:16 | 0:00:19 | |
And Angela Scanlon. | 0:00:19 | 0:00:22 | |
We've welcomed some posties
in from the cold to say | 0:00:22 | 0:00:25 | |
thank you for working so hard, | 0:00:25 | 0:00:27 | |
ensuring that all our festive
post is delivered on time | 0:00:27 | 0:00:29 | |
in the run up to Christmas. | 0:00:29 | 0:00:32 | |
But they haven't got the night off. | 0:00:32 | 0:00:36 | |
They've also been busy
delivering tonight's films. | 0:00:36 | 0:00:38 | |
Shannon, what have you brought? | 0:00:38 | 0:00:42 | |
I've brought a film that has shown
how we create the Queen posed by | 0:00:42 | 0:00:50 | |
penchee on our stamps every day. We
have the story of Tom Fletcher which | 0:00:50 | 0:00:56 | |
is full of Christmas surprise. | 0:00:56 | 0:01:00 | |
And as well as first class films, | 0:01:00 | 0:01:02 | |
we've also received a special
delivery from the dark and | 0:01:02 | 0:01:07 | |
twisted village of Royston Vasey. | 0:01:07 | 0:01:12 | |
There is that worrying music. | 0:01:12 | 0:01:14 | |
Two guests who really push
the comedy envelope! | 0:01:14 | 0:01:16 | |
From The League of Gentlemen,
please welcome Mark Gatiss | 0:01:16 | 0:01:18 | |
and Steve Pemberton! | 0:01:18 | 0:01:20 | |
Hello! Higher! What a night it was
last night. We're going to talk | 0:01:20 | 0:01:29 | |
about it. Did you enjoy it? I'm not
quite over it. I was watching it in | 0:01:29 | 0:01:39 | |
bed from under the duvet. You guys
have been friends for so long. We've | 0:01:39 | 0:01:46 | |
got a picture actually. We have
literally not changed. How can | 0:01:46 | 0:01:52 | |
anyone be that then? And have that
much hair! And proof that you have | 0:01:52 | 0:01:59 | |
been mates since university. 31
years we have known each other. EU | 0:01:59 | 0:02:07 | |
exchange Christmas presents?
Sometimes. Sometimes our greatest | 0:02:07 | 0:02:11 | |
wish is that we have someone with a
van take it all away. I'm into | 0:02:11 | 0:02:16 | |
decluttering. I'll take some stuff
of you. Are you one for Christmas | 0:02:16 | 0:02:24 | |
cards? My brother Philip is a
postman and he is hard at work. I | 0:02:24 | 0:02:30 | |
gave Steve his card today. I have
had delivered three. I don't seem to | 0:02:30 | 0:02:36 | |
have the time to sit down. When you
get a card it makes you feel guilty. | 0:02:36 | 0:02:42 | |
I have a one in, one out policy.
Against the clock? Yes. Well, it's | 0:02:42 | 0:02:54 | |
great to have you here tonight. In
these cold winter months we | 0:02:54 | 0:02:59 | |
certainly rely on our emergency
services more than ever. | 0:02:59 | 0:03:07 | |
Including life-saving | 0:03:07 | 0:03:08 | |
volunteer rescue services
in remote parts of the country. | 0:03:08 | 0:03:10 | |
But what happens when
an emergency service, | 0:03:10 | 0:03:12 | |
becomes the emergency? | 0:03:12 | 0:03:13 | |
Joe has the story. | 0:03:13 | 0:03:15 | |
Smoke below is from a burning
building in south Wales. | 0:03:15 | 0:03:19 | |
Firefighters attempt to bring the
blaze inside under control. It is | 0:03:19 | 0:03:25 | |
hopeless. The fire is too intense.
The next day the devastation is | 0:03:25 | 0:03:31 | |
clear to see. Emergency vehicles and
equipment used by the Central | 0:03:31 | 0:03:37 | |
Beacons Mountain rescue team
blackened and charred. The rescue | 0:03:37 | 0:03:43 | |
team based here has been declared to
dangerous to enter and the damage | 0:03:43 | 0:03:49 | |
has left a charity without the
vehicles and equipment it needs to | 0:03:49 | 0:03:53 | |
save lives. This year has been the
busiest on record for the | 0:03:53 | 0:04:00 | |
life-saving charity. Volunteers and
rescuers called out over 136 times. | 0:04:00 | 0:04:04 | |
It is these that is of bravery that
have earned them publicity across | 0:04:04 | 0:04:10 | |
social media and the local news.
Viewers of BBC One will know them | 0:04:10 | 0:04:14 | |
from the identity segment that
appears between BBC One shows. | 0:04:14 | 0:04:20 | |
Holding floss the rescue dog is team
leader Hugh Jones. The team knows | 0:04:20 | 0:04:27 | |
that the fire was started
deliberately but that is little | 0:04:27 | 0:04:31 | |
comfort with the damaging estimate
to be quarter of £1 million. How | 0:04:31 | 0:04:41 | |
important are those vehicles and
equipment to you? Essential. We | 0:04:41 | 0:04:45 | |
can't operate without it. To see it
go is devastating. But the team | 0:04:45 | 0:04:51 | |
haven't stopped saving lives. Just
days after the fire, 21-year-old | 0:04:51 | 0:04:56 | |
Curtis Chapman was badly hurt
sledging. His brother Taylor rushed | 0:04:56 | 0:04:58 | |
to see him. The sheet of steel tore
through a sled and tour quarter of a | 0:04:58 | 0:05:07 | |
way into his leg. With gear
destroyed in the fire, rescuers used | 0:05:07 | 0:05:14 | |
their own cars to reach Curtis and
borrowed equipment from nearby teams | 0:05:14 | 0:05:19 | |
to rescue him. I know your brother
is still in a bad way but I know | 0:05:19 | 0:05:25 | |
that you came here to say something
to Hugh. They didn't have to do this | 0:05:25 | 0:05:31 | |
because they are volunteers and they
do a great job. Thank you. It shows | 0:05:31 | 0:05:35 | |
that we are beginning to cope.
Offers of help have continued to | 0:05:35 | 0:05:41 | |
roll in. An ambulance is on loan
from another mountain rescue team | 0:05:41 | 0:05:45 | |
and the temporary base has been set
up at a local fire station. Jane | 0:05:45 | 0:05:51 | |
Brown is organising a fundraising
walk from this rugby club. Merthyr | 0:05:51 | 0:05:57 | |
Tydfil is an amazing place and
people come together at this time. | 0:05:57 | 0:06:01 | |
The mountains are my passion. It'd
be great if we could do this for the | 0:06:01 | 0:06:07 | |
rescue teams. Hugh is taking me to
spot high up in Brecon Beacons. This | 0:06:07 | 0:06:15 | |
is one of our main areas for turning
out to call outs. This peak is where | 0:06:15 | 0:06:23 | |
the BBC are identical was filmed.
How was it filming that? | 0:06:23 | 0:06:32 | |
Straightaway, we became proud of the
fact that we were representing UK | 0:06:32 | 0:06:35 | |
mountain rescue across the TV
screens of Britain. Tonight the team | 0:06:35 | 0:06:39 | |
is better on a training exercise in
the forest above Merthyr Tydfil. | 0:06:39 | 0:06:49 | |
This is the real star of the show!
How was it? Floss isn't giving much | 0:06:49 | 0:06:56 | |
away. So how is it for the others?
People do ask if you were on the | 0:06:56 | 0:07:03 | |
telly. It's easy to say that I was
the one next to the dog. After the | 0:07:03 | 0:07:09 | |
fire at base, the fact that the
profile has been raised, we've been | 0:07:09 | 0:07:13 | |
inundated with offers of help. It's
really uplifting for the team. Now | 0:07:13 | 0:07:18 | |
we need to start the next bit of the
search. They are still determined to | 0:07:18 | 0:07:26 | |
be active and ready for anyone who
needs them. The next time you see | 0:07:26 | 0:07:31 | |
them on your telly, spare after
bought for the real story unfolding | 0:07:31 | 0:07:34 | |
behind those pictures. -- spare a
thought. So many people grateful for | 0:07:34 | 0:07:41 | |
the fact that they are going strong. | 0:07:41 | 0:07:44 | |
We spoke to The Central Beacons
Mountain Rescue Team earlier | 0:07:44 | 0:07:46 | |
and they're hoping to get back
to their premises in six months | 0:07:46 | 0:07:49 | |
and hoping to have three
new vehicles in nine months. | 0:07:49 | 0:07:52 | |
A spokesman said they're
very grateful to Jane | 0:07:52 | 0:07:54 | |
and all the community fundraisers
efforts, trying to get | 0:07:54 | 0:07:56 | |
the service back on it's feet. | 0:07:56 | 0:07:57 | |
We wish them all the best. | 0:07:57 | 0:08:03 | |
20 years ago, radio listeners first
heard from the bizarre residence of | 0:08:03 | 0:08:08 | |
the fictional village of Royston
Vaizey. Now they are back with some | 0:08:08 | 0:08:15 | |
recognisable characters. Hello? Yes.
Is someone there? Can I help you at | 0:08:15 | 0:08:27 | |
all? Are you aware that this block
is due to be demolished next week. I | 0:08:27 | 0:08:36 | |
wasn't aware. I'm a woman. You
shouldn't be here. This is a local | 0:08:36 | 0:08:41 | |
shop for local people. There's
nothing for you here. APPLAUSE | 0:08:41 | 0:08:54 | |
I have watched that the number of
times today. It doesn't get old. A | 0:08:54 | 0:08:58 | |
quid a 3-part special after 15
years. Why now? We've all been busy | 0:08:58 | 0:09:10 | |
with other projects. If you're going
to do a special, you want to leave | 0:09:10 | 0:09:13 | |
long enough to remember it fondly,
and people wanted to come back. If | 0:09:13 | 0:09:19 | |
we had only waited five years,
people would be saying, not that lot | 0:09:19 | 0:09:24 | |
again. What have you made of the
reaction? It's been genuinely | 0:09:24 | 0:09:29 | |
moving. It was overwhelming. It was
trending worldwide last night. An | 0:09:29 | 0:09:35 | |
incredible response that is really
touching. It means a great deal to a | 0:09:35 | 0:09:39 | |
lot of people. You get stopped in
the street by a lot of people. They | 0:09:39 | 0:09:44 | |
say they loved it as a kid. You stop
and say what? They have grown up | 0:09:44 | 0:09:49 | |
with it. Was it about pleasing those
loyal fans or about attracting a new | 0:09:49 | 0:09:55 | |
audience? Mainly we did it for
ourselves. We've got to be happy. We | 0:09:55 | 0:10:02 | |
did it for the fans. You've got to
have one eye looking forward and one | 0:10:02 | 0:10:06 | |
eye looking back. Like most of the
characters! We wanted references | 0:10:06 | 0:10:12 | |
that people who have followed it
would understand but hopefully make | 0:10:12 | 0:10:16 | |
it available to a new generation.
Once you have tipped your noses up | 0:10:16 | 0:10:20 | |
and got back into the gear, did it
all come flooding back? It was like | 0:10:20 | 0:10:25 | |
we had never stop. That is the
definition of all great friendships, | 0:10:25 | 0:10:30 | |
you pick up where you left off.
Filming, I thought it would take a | 0:10:30 | 0:10:38 | |
couple of days but it was like we
had never stopped. It was quite | 0:10:38 | 0:10:43 | |
strange. I hadn't watched it since,
I watched the first two series to | 0:10:43 | 0:10:47 | |
remember how the voices were. What
did you make of your early work? I | 0:10:47 | 0:10:53 | |
used to get cross with people who
said it was too dark. Then I | 0:10:53 | 0:10:59 | |
thought, well,... But it's nothing
to do with Gothic horror. The stuff | 0:10:59 | 0:11:06 | |
that is really dark is the themes.
It's quite bleak but that is what | 0:11:06 | 0:11:12 | |
people respond to. Is it darker now?
I think people's eyes have just got | 0:11:12 | 0:11:20 | |
more cloudy. Compared to what's
going on in the news it's | 0:11:20 | 0:11:25 | |
light-hearted. And you're going on
tour? Yes tickets go on sale | 0:11:25 | 0:11:33 | |
tomorrow. We started as a live act
and we have done two tours and | 0:11:33 | 0:11:37 | |
people have so much fun with it,
jutting up, get in early and get | 0:11:37 | 0:11:42 | |
your tickets. As a father of a
teenage girl, I know how hard it is | 0:11:42 | 0:11:46 | |
to get tickets for big shows. You've
gone to great success. Were there | 0:11:46 | 0:11:53 | |
any hesitations or reservations?
Some of the sequences. That train | 0:11:53 | 0:12:00 | |
sequence last night. We can't go
into details on a family show. Did | 0:12:00 | 0:12:05 | |
you think, hang on a minute? Was
there any hesitation at all? No. We | 0:12:05 | 0:12:11 | |
were doing it for fun and not
because we had to. If you overthink | 0:12:11 | 0:12:17 | |
what people are expecting, we just
did it for a laugh. We had to be | 0:12:17 | 0:12:21 | |
true to what the show was like
before and also what our sense of | 0:12:21 | 0:12:25 | |
humour is. The world has changed and
certainly things you might rethink | 0:12:25 | 0:12:30 | |
now but largely it is a very black
comedy so we had to go with our | 0:12:30 | 0:12:35 | |
instincts. Well, you looked great. | 0:12:35 | 0:12:41 | |
The League of Gentlemen continues
tonight and tomorrow night | 0:12:41 | 0:12:43 | |
on BBC Two at ten and you can catch
last night's episode on the iPlayer. | 0:12:43 | 0:12:47 | |
Watch it, if you are old enough! | 0:12:47 | 0:12:50 | |
If you've not posted your Christmas
cards or presents yet, in a moment, | 0:12:50 | 0:12:53 | |
our posties in tonight's audience
have some important | 0:12:53 | 0:12:55 | |
information for you. | 0:12:55 | 0:12:56 | |
Before that, here's Adebanji finding
out about the artist who 50 years | 0:12:56 | 0:12:59 | |
ago received a royal
stamp of approval. | 0:12:59 | 0:13:03 | |
This is probably the most famous
portrait ever created. It's an image | 0:13:03 | 0:13:10 | |
that has travelled all over the
world and endured for more than 50 | 0:13:10 | 0:13:16 | |
years. I'm talking about one of
these, the British postage stamp. In | 0:13:16 | 0:13:25 | |
1965, the Royal Mail held a
competition to find a new design for | 0:13:25 | 0:13:28 | |
the stamp. Which, at the time, was
based on an image by society | 0:13:28 | 0:13:34 | |
photographer Dorothy welding. Arnold
may chain, a sculptor from Stoke on | 0:13:34 | 0:13:41 | |
Trent submitted his ideas. He had
previously worked for Royal Mint and | 0:13:41 | 0:13:48 | |
Wedgwood pottery is. He was the only
want to submit a sculpture of the | 0:13:48 | 0:13:52 | |
Queen. The judges told him to
develop his ideas which he chose to | 0:13:52 | 0:13:57 | |
do in the form of a plaster model.
His nephew Dominic Newton remembers | 0:13:57 | 0:14:07 | |
his uncle's passion. This was ten
years work encapsulating. He | 0:14:07 | 0:14:15 | |
produced about 300 drawings. We only
have a view life drawings because he | 0:14:15 | 0:14:19 | |
had very little time with the Queen
but in terms of the paintings, we | 0:14:19 | 0:14:24 | |
know for sure about 500. Tell me
about the life drawings. I am an | 0:14:24 | 0:14:31 | |
ardent sketch of myself and these
are terrific. He only had four | 0:14:31 | 0:14:38 | |
sittings throughout the entire
period and eight each sitting would | 0:14:38 | 0:14:41 | |
be 45 minutes. For him, hair was
hugely important. This was very | 0:14:41 | 0:14:48 | |
close to the final one. You can see
early on in the project, the class | 0:14:48 | 0:14:55 | |
and beauty of the piece that Arnold
was all webby thinking about -- was | 0:14:55 | 0:15:01 | |
already thinking about it being an
injuring image. Can I have one? No. | 0:15:01 | 0:15:09 | |
We only bring them out for special
occasions! | 0:15:09 | 0:15:18 | |
Was he nervous about meeting the
Queen? He phoned up the people he | 0:15:18 | 0:15:21 | |
need to phone up, and he was told
that the Queen was on holiday in | 0:15:21 | 0:15:27 | |
Balmoral. But they told him to come
up, and bring a dinner jacket. He | 0:15:27 | 0:15:31 | |
was ready to get to work, and the
Queen turned up in her curlers, so | 0:15:31 | 0:15:35 | |
only said it was just like being at
the family, very relaxing. After | 0:15:35 | 0:15:41 | |
years of hardware, he only received
£150 for his finished design. Once | 0:15:41 | 0:15:47 | |
it had received personal approval
from the Queen, the first stamp with | 0:15:47 | 0:15:50 | |
his design was released in 1957 with
a value of four old pence. Since | 0:15:50 | 0:15:57 | |
then it has been reproduced in over
130 different colours, and today I'm | 0:15:57 | 0:16:03 | |
going to be using 2500 of these
stamps to create a very special | 0:16:03 | 0:16:07 | |
collards. It's going to be a bit of
a challenge, so I've called in some | 0:16:07 | 0:16:14 | |
posties to help me. We are in the
very room where he created his | 0:16:14 | 0:16:26 | |
designs for the stamp. I think I've
got a lot to live up to. | 0:16:26 | 0:16:43 | |
It is looking really good, really
good. That looks absolutely | 0:16:47 | 0:17:00 | |
fabulous. And what would your uncle
think of it? He would think it was | 0:17:00 | 0:17:07 | |
wonderful. And there we have it, a
Machin stamp to celebrate his | 0:17:07 | 0:17:11 | |
birthday. We all thoroughly enjoyed
that, that was news to all of us! | 0:17:11 | 0:17:17 | |
Right, the posties are in for
an important Christmas post alert! | 0:17:17 | 0:17:24 | |
The last day you can post anything
is Saturday. | 0:17:24 | 0:17:32 | |
Dave, when should people be
posting their second class post? | 0:17:32 | 0:17:36 | |
Tomorrow. And first-class? Thursday,
the 21st of December. And if you | 0:17:36 | 0:17:49 | |
miss that, there is one to
guarantee, and what is that? Friday, | 0:17:49 | 0:17:55 | |
that is the guaranteed special, the
22nd of December. And if you haven't | 0:17:55 | 0:17:59 | |
posted it by then, do you really
care? That is 1 | 0:17:59 | 0:18:10 | |
Angela has news of a Christmas
card that won't be | 0:18:10 | 0:18:12 | |
being posted this year. | 0:18:12 | 0:18:14 | |
Unless you can find an envelope 200
million times smaller than a stamp! | 0:18:14 | 0:18:17 | |
Here's the world's smallest
Christmas card, created by boffins | 0:18:17 | 0:18:19 | |
from the National Physical
Laboratory. | 0:18:19 | 0:18:22 | |
it is thinner than a human hair, and
ten times smaller than the previous | 0:18:22 | 0:18:29 | |
record-holder. The message was
carved using a focused iron beam. | 0:18:29 | 0:18:40 | |
What was the picture, was it a
little snowman? I thought it was a | 0:18:40 | 0:18:45 | |
gingerbread man. We all need one of
those beams! | 0:18:45 | 0:18:49 | |
When a pop star turned his
bestselling children's book | 0:18:49 | 0:18:51 | |
into a brand new Christmas musical,
he need to find a whole | 0:18:51 | 0:18:54 | |
new star to front it. | 0:18:54 | 0:18:55 | |
And he found three. | 0:18:55 | 0:18:56 | |
Here's Lucy. | 0:18:56 | 0:19:00 | |
This Christmas, eight-year-old Dan
is aiming to fulfil his dream of | 0:19:00 | 0:19:04 | |
becoming a star of the London stage.
The One Show has been given | 0:19:04 | 0:19:09 | |
exclusive access to some very
special editions for a brand-new | 0:19:09 | 0:19:12 | |
Christmas show. The Christmasaurus
is written by McFly Singer Tom | 0:19:12 | 0:19:21 | |
Fletcher. The Christmasaurus has a
Christmas Eve with a dinosaur, and | 0:19:21 | 0:19:27 | |
William the character is a young
wheelchair user. Christmas being | 0:19:27 | 0:19:32 | |
over isn't the reason I'm feeling
rotten. Today is an important day | 0:19:32 | 0:19:36 | |
because we are casting William, and
we always want to cast a genuine | 0:19:36 | 0:19:40 | |
wheelchair user to give the
character authenticity. I believe | 0:19:40 | 0:19:44 | |
you can fly! There is nothing that
we can't do with an actor who is a | 0:19:44 | 0:19:50 | |
wheelchair user as long as you make
sure instead of steps you build | 0:19:50 | 0:19:53 | |
ramps. The character William has to
use a wheelchair following a | 0:19:53 | 0:19:56 | |
horrible accident when he was
younger, in which he also lost his | 0:19:56 | 0:20:00 | |
mum. Wiliame is worried that his dad
is lonely and his life, is his life | 0:20:00 | 0:20:07 | |
with just William enough? This is
going to be incredibly difficult! I | 0:20:07 | 0:20:19 | |
really like him, he is a real
character, really confident. I am | 0:20:19 | 0:20:24 | |
going to take this one away. No one
is fighting the? Good. The team | 0:20:24 | 0:20:28 | |
decided to offer three boys the
chance to play the part of William. | 0:20:28 | 0:20:33 | |
So Tom does a mad dash around to
tell them. They have no idea I'm | 0:20:33 | 0:20:37 | |
coming and that they have got the
part of. Jake from Essex, Archie | 0:20:37 | 0:20:41 | |
from Surrey and in Cambridgeshire...
It is Paul Fletcher! I've got some | 0:20:41 | 0:20:50 | |
news. Would you like to come and be
William? Yes! Yes! Yes! When Dan saw | 0:20:50 | 0:21:00 | |
Tom he was so surprised, he dropped
to the floor with shock, and he was | 0:21:00 | 0:21:03 | |
just over the moon. I never thought
I would get it, because I knew I was | 0:21:03 | 0:21:08 | |
probably not the best, but I gave it
a go, and I got it. Dan has a rare | 0:21:08 | 0:21:14 | |
form of muscular dystrophy,
diagnosed when he was two. He can | 0:21:14 | 0:21:17 | |
walk a little with help, but mainly
uses an electric wheelchair. He does | 0:21:17 | 0:21:23 | |
go to a mainstream school, and from
an academic point of view is doing | 0:21:23 | 0:21:27 | |
really super well, so his challenges
are physical. He is very different, | 0:21:27 | 0:21:33 | |
it is hard, but he puts on a brave
face. A keen football fan, Dan also | 0:21:33 | 0:21:39 | |
has a passion for music. Dan loves
singing. He doesn't stop. And he had | 0:21:39 | 0:21:47 | |
read the Christmasaurus and loved
the book, and the fact that it has | 0:21:47 | 0:21:50 | |
got a boy in a wheelchair in it that
he could relate to. The thing I'm | 0:21:50 | 0:21:53 | |
most looking forward to doing is the
singing, definitely. It's lovely. | 0:21:53 | 0:21:59 | |
Tom is a great singer. Today we are
at rehearsals. They are halfway | 0:21:59 | 0:22:03 | |
through a three-week schedule, and
there is still a lot of work ahead | 0:22:03 | 0:22:06 | |
for these guys. He can't run fast,
he can't play with us, he just rolls | 0:22:06 | 0:22:12 | |
on past. Sometimes they are
concentrating, sometimes not, but | 0:22:12 | 0:22:17 | |
these guys are incredible. A
dinosaur in my bedroom! I think it | 0:22:17 | 0:22:24 | |
is so important that we show kids
that we are not all the same, and | 0:22:24 | 0:22:27 | |
that is something to be embraced.
Opening night. What is the show | 0:22:27 | 0:22:33 | |
going to be like? Incredible.
Electrifying. Spectacular. | 0:22:33 | 0:22:42 | |
Especially for us, here's a sneak
preview of Dan's big number. There | 0:22:42 | 0:22:45 | |
won't be a dry eye in the house.
# All he has is me | 0:22:45 | 0:22:55 | |
# ... When he comes on, we are going
to be so proud. Even just thinking | 0:22:55 | 0:23:03 | |
about it now, I can't wait.
# Someone more than me... To know | 0:23:03 | 0:23:07 | |
what he has had to overcome to get
there, it will be such a wonderfully | 0:23:07 | 0:23:13 | |
happy occasion for us.
# Someone more than me... It's just | 0:23:13 | 0:23:27 | |
the best experience I will ever have
in my life. It's awesome. | 0:23:27 | 0:23:34 | |
They are going to smash it. Well
done to Archie, Dan and Jake! | 0:23:38 | 0:23:43 | |
Absolutely brilliant. | 0:23:43 | 0:23:45 | |
The Christmasaurus is
at the Eventim Apollo, | 0:23:45 | 0:23:47 | |
Hammersmith in London,
from the 21st to the 28th December. | 0:23:47 | 0:23:49 | |
Mark, on our Christmas
screens you'll be appearing | 0:23:49 | 0:23:52 | |
as the Captain in Doctor Who. | 0:23:52 | 0:23:59 | |
Christmas Day, 5:30pm. Stephen
Moffat Stand last one. And this is | 0:23:59 | 0:24:05 | |
his last one? How does it rate? It
is a beautiful story, very touching | 0:24:05 | 0:24:10 | |
and funny script. Peter Capaldi's
last one, Jodie Whittaker's first | 0:24:10 | 0:24:17 | |
one, David Bradley is back as the
first doctor, so it is like a new | 0:24:17 | 0:24:23 | |
three doctors. The regeneration
story is amazing. To be at the end | 0:24:23 | 0:24:28 | |
of so many eras is fantastic. It is
a bit like the League, we had a good | 0:24:28 | 0:24:37 | |
time making it. I saw it last
Tuesday without the end, some | 0:24:37 | 0:24:41 | |
secrets have to be kept. But it is
really great, and there wasn't a dry | 0:24:41 | 0:24:45 | |
eye in the house, I have to say.
And a lot of talk and noise when | 0:24:45 | 0:24:51 | |
Jodie was announced as the
successor, but surely she will be | 0:24:51 | 0:24:54 | |
amazing? Sure she will, she is a
brilliant choice. I have been | 0:24:54 | 0:25:00 | |
lobbying for a female Doctor Who for
a very long time, so it is well | 0:25:00 | 0:25:04 | |
overdue, and she is a brilliant
choice. It is very exciting to think | 0:25:04 | 0:25:08 | |
where it might go next. | 0:25:08 | 0:25:17 | |
Inside number nine returns
for a fourth series, | 0:25:17 | 0:25:22 | |
a series you and fellow League
of Gentleman co-star | 0:25:22 | 0:25:24 | |
Reece Shearsmith write together. | 0:25:24 | 0:25:29 | |
Yes, that's right, and you don't
have to have seen the first ones, | 0:25:29 | 0:25:33 | |
you can just dive straight in. We
think it is the best one yet. Is | 0:25:33 | 0:25:39 | |
there a reason why mark is not in
it? We're waiting for the return | 0:25:39 | 0:25:42 | |
favour, we had him in Psycho Bill. I
give you cameos! | 0:25:42 | 0:25:52 | |
Now, as we're a national show
for national people, | 0:25:52 | 0:25:54 | |
all this week we're heading around
the country, meeting some | 0:25:54 | 0:25:57 | |
of those who'd like to thank
others this Christmas. | 0:25:57 | 0:25:59 | |
Next stop, North Wales. | 0:25:59 | 0:26:01 | |
This Christmas I'd like to say thank
you to my mum, she means the world | 0:26:06 | 0:26:10 | |
to me and my little one. I'd like to
thank my mum and my stepdad are | 0:26:10 | 0:26:15 | |
helping to pay for our wedding this
year. I'd like to thank Chronos my | 0:26:15 | 0:26:22 | |
crime-fighting dog who confronted an
armed robber at our home address | 0:26:22 | 0:26:25 | |
whilst I was pregnant, and managed
to tackle and restrain them waiting | 0:26:25 | 0:26:28 | |
for police arrival. I'd like to
thank my son Carter for reigniting | 0:26:28 | 0:26:34 | |
the Christmas feeling brain good
memories back. Have a good | 0:26:34 | 0:26:37 | |
Christmas, I love you, son. This
Christmas I would like to thank | 0:26:37 | 0:26:43 | |
Yates is Ba Preston -- Yates' bar in
Preston forgetting back to me after | 0:26:43 | 0:26:54 | |
three years about the job. Many
thanks for the Wrexham may -- Maelor | 0:26:54 | 0:27:07 | |
Hospital for looking after me this
year. And we'd like to thank the mum | 0:27:07 | 0:27:15 | |
who raised £50,000 in memory of her
daughter Lauren, and we have made a | 0:27:15 | 0:27:21 | |
trip here today to say thank you in
person. Thank you so much. It | 0:27:21 | 0:27:27 | |
doesn't matter how much money we
raise on this ward, we can still | 0:27:27 | 0:27:31 | |
never repay what you did. Well,
thank you, Wrexham! Now, all this | 0:27:31 | 0:27:39 | |
week, we have been enjoying watching
you Kevin, spreading joy and | 0:27:39 | 0:27:45 | |
Christmas cheer within the
community. Yes, it is a lovely | 0:27:45 | 0:27:49 | |
feel-good series looking at ordinary
people doing extraordinary things to | 0:27:49 | 0:27:53 | |
improve their community. | 0:27:53 | 0:27:56 | |
Kevin, Let's Get a Good Thing Going
sees you visiting a different | 0:27:56 | 0:27:59 | |
town or city every day. | 0:27:59 | 0:28:00 | |
The idea is for communities
to help fund projects | 0:28:00 | 0:28:02 | |
they will benefit from. | 0:28:02 | 0:28:03 | |
They make a donation and then pitch
their ideas, the people get a chance | 0:28:03 | 0:28:07 | |
to ask questions, and the person who
gets the most votes takes the pot of | 0:28:07 | 0:28:11 | |
money and implements the project.
Who has won money so far? Bryant won | 0:28:11 | 0:28:16 | |
on Monday for the power chair
football, and tomorrow we have great | 0:28:16 | 0:28:22 | |
stories. We have Trish who works
with adults with learning | 0:28:22 | 0:28:25 | |
disabilities, she wants to do an
exhibition and show off all of their | 0:28:25 | 0:28:29 | |
work. Tom wants to create an
Internet hub for pensioners to help | 0:28:29 | 0:28:32 | |
them with the Internet. Adam wants
to fill up this gym with gym | 0:28:32 | 0:28:37 | |
equipment and offer free training,
and Sheila has a lovely story to | 0:28:37 | 0:28:40 | |
possibly help people who live with
dementia. So they will be pitching | 0:28:40 | 0:28:44 | |
from 9:15am. Lovely feel-good telly.
And it will give communities ideas | 0:28:44 | 0:28:50 | |
of what they can do, too. Yes, we
have just touched a tiny bit of the | 0:28:50 | 0:28:56 | |
UK, but if you have got an idea, do
getting that. | 0:28:56 | 0:29:02 | |
That's all for tonight. | 0:29:02 | 0:29:03 | |
Thanks to Mark and
Steve for joining us. | 0:29:03 | 0:29:05 | |
The League of Gentleman continues
tonight at 10pm on BBC Two. | 0:29:05 | 0:29:08 | |
Tomorrow, Jenny Agutter,
Johnny Vegas and Tom Jones! | 0:29:08 | 0:29:10 |