Browse content similar to 20/12/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to
the One Show with Alex Jones. | 0:00:18 | 0:00:21 | |
And Matt Baker. | 0:00:21 | 0:00:23 | |
And, a musical welcome to this
evening's distinguished guests, | 0:00:23 | 0:00:26 | |
who'll all be lighting up the BBC's
Christmas schedule. | 0:00:26 | 0:00:29 | |
Providing the high drama
on Christmas evening, it's Call | 0:00:29 | 0:00:31 | |
the Midwife's Jenny Agutter. | 0:00:31 | 0:00:37 | |
Helping get the party started later
that night, Sir Tom Jones. | 0:00:37 | 0:00:42 | |
And providing the laughs
in the slump between | 0:00:42 | 0:00:44 | |
the Christmas and New Year,
he's Still Open All | 0:00:44 | 0:00:46 | |
Hours, Johnny Vegas. | 0:00:46 | 0:00:53 | |
Lovely introductions with oomph
from Britain's Brass Band champions, | 0:01:01 | 0:01:03 | |
the world famous Brighouse
and Rastrick Band | 0:01:03 | 0:01:05 | |
from West Yorkshire. | 0:01:05 | 0:01:07 | |
He's still going. | 0:01:07 | 0:01:14 | |
Thank you, looking forward
to hearing you play | 0:01:14 | 0:01:16 | |
for us at the end of the show. | 0:01:16 | 0:01:20 | |
Happy birthday Jeni. Your treat isty
Tom Jones. We have it on good | 0:01:20 | 0:01:26 | |
authority that you were and probably
are a big fan? When he was very | 0:01:26 | 0:01:29 | |
young and big star I was on a school
bus and we passed by him in a sports | 0:01:29 | 0:01:35 | |
car. He was in an open sports car.
The whole bus went completely nuts. | 0:01:35 | 0:01:40 | |
We were waving at you. Wow. They
still do go Nuts. Thank, God. It | 0:01:40 | 0:01:47 | |
wouldn't be Christmas week on the
One Show without the hip swivelling | 0:01:47 | 0:01:53 | |
Tom Jones. How is the hip? It's
great. It swivels. The left hip is a | 0:01:53 | 0:02:00 | |
new one. Had you new is the new one?
Swo months old. Debut on the One | 0:02:00 | 0:02:07 | |
Show for the hip? Yes. If you could
have anything replaced, what would | 0:02:07 | 0:02:14 | |
it be, Johnny? My mid drift, then my
leg, then be my arms and then my | 0:02:14 | 0:02:20 | |
head. Basically, I'd be somebody
else. Seriously, I've got to clean | 0:02:20 | 0:02:27 | |
my spittal. Good trumpeting by the
It wasn't bad way. . I do lessons. | 0:02:27 | 0:02:35 | |
We will be hearing all about our
guests Christmas shows | 0:02:36 | 0:02:47 | |
Also
delving into the big freeze of 1962 | 0:03:00 | 0:03:02 | |
and '63 which forms | 0:03:02 | 0:03:03 | |
the backdrop to Call
the Midwife on Christmas Day. | 0:03:03 | 0:03:05 | |
And, we'll have more
of your Christmas thank | 0:03:05 | 0:03:07 | |
you messages as well tonight. | 0:03:07 | 0:03:08 | |
So if you'd like to join in,
tell us on email or social media | 0:03:08 | 0:03:11 | |
who you'd like to thank and why,
and don't forget a picture. | 0:03:11 | 0:03:14 | |
I've not just worn this jacket to
meet people. I'm a genuine guest on | 0:03:14 | 0:03:17 | |
the show. Who doesn't want to go -
hello, mum! I've arrived. | 0:03:17 | 0:03:23 | |
Most schools are closed
for Christmas - bad luck | 0:03:23 | 0:03:26 | |
if you still have a day or two to go
- and that means a dreaded end | 0:03:26 | 0:03:30 | |
of term ritual has come and gone. | 0:03:30 | 0:03:31 | |
Yes, the parents evening,
the moment when mums, | 0:03:31 | 0:03:33 | |
dads and guardians find out what's
really been going on for | 0:03:33 | 0:03:36 | |
the past few months. | 0:03:36 | 0:03:38 | |
But according to former
teacher Mehreen Baig, | 0:03:38 | 0:03:39 | |
its often the teachers
who are the most nervous. | 0:03:39 | 0:03:47 | |
Parents evenings, they are a right
of passage for every parent, but are | 0:03:47 | 0:03:50 | |
they a career highlight for
teachers? One thing that I least | 0:03:50 | 0:03:54 | |
look forward to is having a massive
headache at the end of it and being | 0:03:54 | 0:03:58 | |
exhausted the next day. We spend 12
years of our children's lives | 0:03:58 | 0:04:03 | |
attending them, but what do we
actually learn? We are aware that | 0:04:03 | 0:04:07 | |
each one is a different child at We
have three home. . That each child | 0:04:07 | 0:04:12 | |
is like two different children.
There is the version at home were | 0:04:12 | 0:04:16 | |
they don't always do what they are
told straightaway. There is a | 0:04:16 | 0:04:21 | |
version at school were - Compliant.
Yeah. She will sit on the carpet and | 0:04:21 | 0:04:29 | |
listen to instructions. It's funny
that. You do know how to listen | 0:04:29 | 0:04:35 | |
then. I was a secondary school
teacher for five years and loved how | 0:04:35 | 0:04:41 | |
eye-opening parents evenings could
be. I'm glad to be back this, but | 0:04:41 | 0:04:43 | |
this time seeing the through the
eyes of 23 teachers who are working | 0:04:43 | 0:04:50 | |
hard to inspire their pupils in
Hackney, East London. Parents | 0:04:50 | 0:04:55 | |
evening makes me feel really proud
of my daughters because we tend to | 0:04:55 | 0:04:58 | |
hear great things about how much
they are enjoying their school. I do | 0:04:58 | 0:05:02 | |
believe that parents evening is a
great opportunity for us as parents | 0:05:02 | 0:05:07 | |
to come in and give us an
opportunity to show off a little | 0:05:07 | 0:05:10 | |
bit. Who is doing well. I think he's
doing quite well from all the | 0:05:10 | 0:05:16 | |
feedback I've been getting. I think
the teachers are probably judging me | 0:05:16 | 0:05:21 | |
as a parent. To find out if that's
really true, who better to ask than | 0:05:21 | 0:05:26 | |
retired teachers. Some parents are
very, very pushy. You know, they | 0:05:26 | 0:05:30 | |
think that if you are doing your job
correctly, you can almost guarantee | 0:05:30 | 0:05:35 | |
their child getting good results. It
actually doesn't work like that. If | 0:05:35 | 0:05:39 | |
everything I give you was just easy,
there would be no learning, yeah? I | 0:05:39 | 0:05:45 | |
would definitely tell the teacher if
the information is not right or if | 0:05:45 | 0:05:48 | |
they are not going in the right
direction that I want them to do | 0:05:48 | 0:05:53 | |
regarding my son's learning. I've
disagreed with what teachers have | 0:05:53 | 0:05:57 | |
said to me before. I do feel it's
good to have an opinion. Sometimes | 0:05:57 | 0:06:03 | |
the parents themselves were scared
of hearing the reality of what their | 0:06:03 | 0:06:07 | |
child was doing. Whether it's
primary or secondary, if parents | 0:06:07 | 0:06:10 | |
don't like what teachers have to
say, conversations across the table | 0:06:10 | 0:06:14 | |
can get very heated. I've had fists
slammed against tables, which is | 0:06:14 | 0:06:20 | |
very exciting. One parents evening I
remember a brother came instead of | 0:06:20 | 0:06:26 | |
the father. He was annoyed because
he felt that his brother was being | 0:06:26 | 0:06:30 | |
bullied at school. When I tried to
point out that his brother was | 0:06:30 | 0:06:37 | |
actually causing a lot of this
because of the way he behaved | 0:06:37 | 0:06:40 | |
towards other children, he
threatened to dangle me out of the | 0:06:40 | 0:06:43 | |
window if I didn't sort the problem
out for him. He looked a bit like | 0:06:43 | 0:06:47 | |
Phil Michel. So it didn't actually
make me feel terribly happy. There | 0:06:47 | 0:06:53 | |
was always members of senior
leadership teams to be there as back | 0:06:53 | 0:06:57 | |
up so I could call in the heavies
efficiently. I can only think of one | 0:06:57 | 0:07:03 | |
that I didn't want to see. This was
a very volatile father. He was very | 0:07:03 | 0:07:12 | |
threatening and very intimidating
and I was quite frightened but I had | 0:07:12 | 0:07:16 | |
a phone on my desk and I managed to
grab it and press the panic button. | 0:07:16 | 0:07:23 | |
There was one thing I found
fascinating about meeting parents | 0:07:23 | 0:07:27 | |
face-to-face and that was the window
into the home lives of my students. | 0:07:27 | 0:07:31 | |
So much about their behaviour in the
classroom can be explained simply by | 0:07:31 | 0:07:35 | |
having a five minute conversation
with their parents. I can remember | 0:07:35 | 0:07:42 | |
an occasion when a member of staff
said, "now, I've seen the parents | 0:07:42 | 0:07:47 | |
and the kind of parents they are, it
explains very clearly what this | 0:07:47 | 0:07:55 | |
child is like." You can treat them
perhaps in a slightly less austere | 0:07:55 | 0:08:01 | |
or strict way if you realise their
behaviour is stemming from some sort | 0:08:01 | 0:08:06 | |
of trauma at home. Tonight Your 6's
teacher is after honest feedback | 0:08:06 | 0:08:15 | |
from the kids himself. He is
teaching you enough? Not enough. | 0:08:15 | 0:08:21 | |
Experience teachers know to expect
the unexpected. A parent came to | 0:08:21 | 0:08:26 | |
parents evening, she wasn't
interested in that time about | 0:08:26 | 0:08:31 | |
talking about her child but she
wanted me to help her book a holiday | 0:08:31 | 0:08:34 | |
to Spain, and we went ahead and did
that. We are brilliant parents, | 0:08:34 | 0:08:38 | |
probably the best, I'd say. It's not
easy being a parent, is it? Wasn't | 0:08:38 | 0:08:45 | |
that magic. It is tough, isn't it,
being a parent. I assume it gets The | 0:08:45 | 0:08:51 | |
school years tougher. Is still to
come for you. I can't wait for a | 0:08:51 | 0:08:56 | |
parents evening. In your time as a
teacher, were there any sticky | 0:08:56 | 0:09:01 | |
moments? I was very fortunate. I
don't think I've ever had an angry | 0:09:01 | 0:09:06 | |
or upset parent. I've witnessed lots
of heated situations, which is | 0:09:06 | 0:09:10 | |
natural, but I think we need to
remember that ultimately the teacher | 0:09:10 | 0:09:15 | |
and parent are on the same side and
they need to come to a solution | 0:09:15 | 0:09:18 | |
which is best for the child. Yeah.
What sort of perspective do you | 0:09:18 | 0:09:23 | |
take, Johnny, on parents evenings,
are you quite relaxed or fiery, | 0:09:23 | 0:09:27 | |
would you say? No I think it's
listening to the teachers. You have | 0:09:27 | 0:09:33 | |
to take on board how your child has
been behaving. Do you know what I | 0:09:33 | 0:09:36 | |
mean? I don't think it's a teachers
responsibility to raise a child. | 0:09:36 | 0:09:41 | |
There are other times recently if
you feel like your child is doing | 0:09:41 | 0:09:44 | |
his best and the school is not
actually pulling their weight, the | 0:09:44 | 0:09:49 | |
other way round, you have to support
your child and go - you know what, | 0:09:49 | 0:09:54 | |
actually, it's give-and-take. You
are two peas in a pod. Look Look at | 0:09:54 | 0:09:59 | |
that. No need for a DNA test there.
For all parents then next year | 0:09:59 | 0:10:06 | |
because there will be parents
evenings of course what is the best | 0:10:06 | 0:10:10 | |
way to get the most out of it. You
have a limited amount of time at the | 0:10:10 | 0:10:14 | |
school. You need to get your points
across. The top three incompetent | 0:10:14 | 0:10:18 | |
its, first make sure you speak to
your child before parents evening. | 0:10:18 | 0:10:24 | |
Find out where they feel they are
excelling or need more help. That | 0:10:24 | 0:10:28 | |
avoids any nasty surprises when you
get there. I'd say come up with a | 0:10:28 | 0:10:32 | |
maximum of three things that you
want to discuss. Am you have a | 0:10:32 | 0:10:36 | |
limited amount of time. You want to
see as many teachers as possible. | 0:10:36 | 0:10:40 | |
You should be specific about what
you want to ask. I would say, ask | 0:10:40 | 0:10:45 | |
what you can do. There is a limited
amount of time in school. Parents | 0:10:45 | 0:10:49 | |
should ask, what can they do at home
to support their child in | 0:10:49 | 0:10:53 | |
progressing. There has been a bit of
controversy, has there not, about | 0:10:53 | 0:10:57 | |
gifts at Christmas time for parents.
It's nice to say thank you from a | 0:10:57 | 0:11:02 | |
parents perspective, where do you
stand? There have been stories in | 0:11:02 | 0:11:08 | |
the press about teachers receiving
spa days and expensive jewellery. A | 0:11:08 | 0:11:15 | |
council banned gifts for teachers
altogether. People cannot fathom how | 0:11:15 | 0:11:21 | |
hard teachers work until you have
been a teacher. Actually, as in any | 0:11:21 | 0:11:25 | |
profession, if you... If someone
wants to show their appreciation by | 0:11:25 | 0:11:30 | |
buying a gift and having that
gesture of saying - I appreciate and | 0:11:30 | 0:11:34 | |
value what you have done for me,
then we should allow them to do | 0:11:34 | 0:11:37 | |
that. Parents shouldn't feel
obligeded to spend thousands of | 0:11:37 | 0:11:42 | |
pounds. Some of most memorable gifts
- Thank God! When students... Oh, | 0:11:42 | 0:11:50 | |
the relief. They made a lip balm out
of spices from home. Something The | 0:11:50 | 0:11:56 | |
letter must simple. Be the important
thing. What they have to say is that | 0:11:56 | 0:12:00 | |
they really appreciate what you have
done. Exactly. It's about showing | 0:12:00 | 0:12:05 | |
your appreciation and valuing what
the teacher has done for you. I made | 0:12:05 | 0:12:09 | |
up elaborate gift bags, nothing over
the top, just to say thank you. | 0:12:09 | 0:12:13 | |
There is nothing like the look on a
teachers face when they Pulitzer out | 0:12:13 | 0:12:21 | |
a candle and they go TK Maxx and a
sense of disappointment it's not | 0:12:21 | 0:12:30 | |
Molton & Brown. They have done a
Christmas song. They are raising | 0:12:30 | 0:12:37 | |
money for Great Ormond Street
Hospital. It's called Christmas Is | 0:12:37 | 0:12:42 | |
Coming, I think. | 0:12:42 | 0:12:43 | |
Jenny, one of the joys of Call
the Midwife is the way the stories | 0:12:47 | 0:12:51 | |
react to real events. | 0:12:51 | 0:12:52 | |
We've had post war austerity and
the birth of the NHS, thalidomide. | 0:12:52 | 0:13:01 | |
It follows year-by-year, and the
beginning of the NHS. | 0:13:01 | 0:13:04 | |
Now we've hit the big
freeze, haven't we? | 0:13:04 | 0:13:08 | |
Yes. | 0:13:08 | 0:13:09 | |
Let's just take a moment
to reflect on just how brutal | 0:13:09 | 0:13:12 | |
that winter was Jenny. | 0:13:12 | 0:13:14 | |
In December 1962 the big freeze took
hold of Britain. With temperatures | 0:13:14 | 0:13:18 | |
reaching minus 20 degrees Celsius
the weather didn't relent until | 0:13:18 | 0:13:22 | |
March the following year. Rivers,
lakes and parts of the sea froze | 0:13:22 | 0:13:28 | |
over. This is near Cardiff. Villages
and towns were cut off. The RAF | 0:13:28 | 0:13:36 | |
delivered supplies to isolated
farms, like this one in the Scottish | 0:13:36 | 0:13:39 | |
Borders. In Devon the Royal Marines
were called on to free stranded | 0:13:39 | 0:13:46 | |
motorists. Many schools closed,
power cuts affected thousands of | 0:13:46 | 0:13:51 | |
homes, but others adapted and life
went on. Matt I know you were proud | 0:13:51 | 0:13:58 | |
of your family's effort this year,
but this is a snowman 1963 style in | 0:13:58 | 0:14:03 | |
Aberdeen. It's 17 foot high! They
don't make winters like they used | 0:14:03 | 0:14:09 | |
to! | 0:14:09 | 0:14:11 | |
That snowman was huge. What a
winter. Yes. We wondered what you | 0:14:15 | 0:14:25 | |
were up to in 63? You were in Vegas.
No I was in South Wales iech was | 0:14:25 | 0:14:33 | |
playing in dance halls and working
men's clubs. That's the thing that | 0:14:33 | 0:14:36 | |
we had to deal with, trying to get
to these, the gigs. Get the audience | 0:14:36 | 0:14:43 | |
snowed in. Before I came to London.
I remember it I was trying to get a | 0:14:43 | 0:14:48 | |
contract and all that business. We
had to do gigs, you know. It was | 0:14:48 | 0:14:53 | |
getting to these places it was very
difficult. Very difficult in the | 0:14:53 | 0:14:57 | |
Valleys. Jeni, what role does the
big freeze play in the Christmas | 0:14:57 | 0:15:02 | |
special, how does it fit in? They
open the door to this extraordinary | 0:15:02 | 0:15:06 | |
scene that you see, which is a
massive snow. That completely | 0:15:06 | 0:15:14 | |
changes the house and the cold
affects them all. There wouldn't be | 0:15:14 | 0:15:17 | |
enough heat to keep them all warm.
The snow means that things like the | 0:15:17 | 0:15:22 | |
milk isn't delivered. Our tea is
affected! Not the tea, Jeni! | 0:15:22 | 0:15:26 | |
But then there are things like
babies being born empirical | 0:15:33 | 0:15:36 | |
conditions, they can't get to the
hospital, people can move about, the | 0:15:36 | 0:15:39 | |
elderly are effective... Affected.
It is a great festive backdrop. It | 0:15:39 | 0:15:48 | |
looks amazing. How did you film it,
green screen? Cotton wool? It was | 0:15:48 | 0:15:55 | |
Stowe. They had this extraordinary
material bubbles not bubbles or ash, | 0:15:55 | 0:15:59 | |
which is often used. It behaved like
snow and would compact on the ground | 0:15:59 | 0:16:05 | |
and you could make snowballs out of
it and it was hugely expensive, I | 0:16:05 | 0:16:09 | |
believe. More so than we were. There
were piles everywhere, great to play | 0:16:09 | 0:16:14 | |
with. Even though it was hot, you
started to feel quite sugary. Your | 0:16:14 | 0:16:21 | |
character, Sister Julienne, spends a
lot of time helping a former | 0:16:21 | 0:16:24 | |
landlady of the Queen Vic? Oh, yes,
any to Dobson. I was wondering | 0:16:24 | 0:16:32 | |
whether she had been drinking or
not. It was a subplot I had not come | 0:16:32 | 0:16:36 | |
out with. But Anita Dobson makes
quite an appearance? Botia is | 0:16:36 | 0:16:46 | |
completely different, she is
wonderful in this. I saw her looking | 0:16:46 | 0:16:49 | |
wonderfully glamorous the other day,
reminded her of the fact that she is | 0:16:49 | 0:16:54 | |
a very vulnerable, very badly
treated woman in this. They're all | 0:16:54 | 0:16:58 | |
sort of revelations the family. We
had a wail of a time together. She | 0:16:58 | 0:17:04 | |
can turn very quickly between humour
and talking and going right back | 0:17:04 | 0:17:10 | |
into the role, which was quite a
difficult, dark piece. This is the | 0:17:10 | 0:17:16 | |
dramatic moment where your
characters meet for the first time. | 0:17:16 | 0:17:19 | |
Mrs Tillerson? Mrs Tillerson? I did
what you said. Don't be afraid. I | 0:17:29 | 0:17:44 | |
will light the heater, I will make
you tea and she will soon be warm. | 0:17:44 | 0:17:48 | |
APPLAUSE
The Christmas special almost | 0:17:48 | 0:17:56 | |
launches the series that is to come
next year? | 0:17:56 | 0:18:00 | |
Yes, Heidi Thomas is very clever,
she takes all of the regular | 0:18:00 | 0:18:04 | |
characters and everybody has a story
that they are totally involved with | 0:18:04 | 0:18:07 | |
and she weaves them together, you
have an hour and a half in which to | 0:18:07 | 0:18:11 | |
do that. And we get wonderful
guests, people like Anita Dobson | 0:18:11 | 0:18:16 | |
joining us. That all of these
different tales. It sets it up very | 0:18:16 | 0:18:21 | |
nicely for the new season that comes
along. So you are reminded of who | 0:18:21 | 0:18:25 | |
everybody is.
We have spoken about how the writers | 0:18:25 | 0:18:35 | |
mirror life, there is a series of
the back of the Christmas special in | 0:18:35 | 0:18:38 | |
the New Year. What other real-life
events are they looking at? Coming | 0:18:38 | 0:18:40 | |
into 63, various things that affect
one in those times. Some of it is | 0:18:40 | 0:18:45 | |
similar, people from different
cultures arriving in the UK, again, | 0:18:45 | 0:18:51 | |
accepted or not accepted within
society or, indeed, finding problems | 0:18:51 | 0:18:54 | |
living the lives they want to live
within a different culture. So some | 0:18:54 | 0:19:00 | |
of that. We are going to be getting
into the era of Tom Jones on the | 0:19:00 | 0:19:10 | |
wireless soon! Indeed, one is
listening out for people like Tom | 0:19:10 | 0:19:16 | |
Jones. Dancing in the done thing
holds and all of that. | 0:19:16 | 0:19:19 | |
Well, Jenny and Johnny,
if you're still waiting for that | 0:19:19 | 0:19:21 | |
starring theatre role you've always
hankered after don't worry, | 0:19:21 | 0:19:23 | |
there's still time. | 0:19:23 | 0:19:29 | |
This is quite something. | 0:19:29 | 0:19:32 | |
Yes, a woman is playing the donkey
in her first nativity play this | 0:19:32 | 0:19:35 | |
Christmas at the age of 98. | 0:19:35 | 0:19:36 | |
By contrast, one of the shepherds
in the production at Castleford, | 0:19:36 | 0:19:39 | |
in West Yorkshire, is a mere 87. | 0:19:39 | 0:19:45 | |
Quite a bunch! You are laughing,
but... | 0:19:45 | 0:19:48 | |
We've paired them up
with some local performers | 0:19:48 | 0:19:50 | |
with much more experience. | 0:19:50 | 0:19:51 | |
Even though they are
only eight and nine. | 0:19:51 | 0:19:55 | |
Hi, I am Ruby and I am nine. I am
playing Mary. I am Lenny, I am a | 0:19:55 | 0:20:01 | |
donkey. I am Mary, I am also a
donkey. Joseph has to be really | 0:20:01 | 0:20:08 | |
caring towards Mary. Don't worry
Mary, we will find a place to stay. | 0:20:08 | 0:20:15 | |
I am Paula, I am the home manager
and today we will put on a | 0:20:15 | 0:20:22 | |
performance for our residents to
enjoy the Nativity. Because it is | 0:20:22 | 0:20:29 | |
the run-up to Christmas, what can we
do? Let's get everybody involved. We | 0:20:29 | 0:20:34 | |
can get local schools to come in,
let's get the residents taking part | 0:20:34 | 0:20:39 | |
alongside the stuff. I am Tom, I
work at Newfield Lodge and I am the | 0:20:39 | 0:20:45 | |
producer of the Newfield Nativity
2017. I have a little bit of history | 0:20:45 | 0:20:49 | |
in the entertainment world, so Paula
has asked me to write a script. The | 0:20:49 | 0:20:57 | |
main focus is the stimulation of
residents, those that are | 0:20:57 | 0:21:00 | |
deteriorating, to bring them on.
# A town called Nazareth, oh, yeah. | 0:21:00 | 0:21:12 | |
Today we had visitors from the local
primary school, coming to see the | 0:21:12 | 0:21:16 | |
residents playing the same part as
them, they gave us fantastic advice | 0:21:16 | 0:21:20 | |
which I think will definitely help
the residents. | 0:21:20 | 0:21:24 | |
I am eight years old, I am a
Shepherd in the Nativity play. I am | 0:21:24 | 0:21:30 | |
Hayden, I am also eight years old
and I also played the shattered. | 0:21:30 | 0:21:35 | |
So you should look after your sheet
and other lambs. -- look after your | 0:21:35 | 0:21:42 | |
sheep. So they do not get hurt or
anything. You have to look after | 0:21:42 | 0:21:46 | |
them.
You need to be really tired out, | 0:21:46 | 0:21:51 | |
because you have travelled all the
way to Bethlehem with Mary and | 0:21:51 | 0:21:55 | |
Joseph. | 0:21:55 | 0:22:05 | |
# Don't you worry, don't you worry,
child. | 0:22:06 | 0:22:10 | |
# God has a plan for you.
It is so rewarding seeing the | 0:22:10 | 0:22:16 | |
happiness brought all the residents
here at Newfield | 0:22:16 | 0:22:20 | |
happiness brought all the residents
here at Newfield, from those who | 0:22:20 | 0:22:21 | |
have made the costumes, they have
played a massive part, to those that | 0:22:21 | 0:22:25 | |
have been in the Nativity. Our life
is having a babby. Some have | 0:22:25 | 0:22:32 | |
dementia and it is very hard, but
with time and effort from everybody, | 0:22:32 | 0:22:36 | |
it has been fantastic. We are not
performing actors, it is a care | 0:22:36 | 0:22:49 | |
staff team coming together with the
residents do have a really good time | 0:22:49 | 0:22:53 | |
and to entertain everybody in the
home. | 0:22:53 | 0:23:00 | |
CHEERING AND APPLAUSE.
That was such a nice film. Really | 0:23:00 | 0:23:08 | |
nice. He has lost it now. She was
amazing. As the donkey? Golden | 0:23:08 | 0:23:19 | |
Globe. But people can share
Christmas with you, Tom? Christmas | 0:23:19 | 0:23:31 | |
night, BBC Two, a Gospel special? It
is a Gospel special, I wanted to be | 0:23:31 | 0:23:37 | |
musical that I wanted it to be a
Gospel special because I was | 0:23:37 | 0:23:40 | |
influenced by Gospel music when I
was young, listening to it on the | 0:23:40 | 0:23:44 | |
radio. | 0:23:44 | 0:23:49 | |
I went to a Presbyterian chapel, we
were singing hymns in Chapel, but | 0:23:49 | 0:23:53 | |
then I heard black gospel singers
from America singing the same hymns | 0:23:53 | 0:23:56 | |
we were doing, but differently. I
thought why is that? Why does it | 0:23:56 | 0:24:01 | |
sound so different? That got me
interested. There is a song in | 0:24:01 | 0:24:06 | |
Wales, The Old Rugged Cross, that
was a big favourite. My cousin did a | 0:24:06 | 0:24:12 | |
wonderful version, Dorothy Jones,
she sang it really, really lovely. | 0:24:12 | 0:24:15 | |
But then I heard somebody singing it
on the radio and then on television | 0:24:15 | 0:24:23 | |
and I thought, well, we are not
singing it like that, but why? It | 0:24:23 | 0:24:28 | |
got me interested and it rubbed off
on me. So then I started to sing | 0:24:28 | 0:24:33 | |
songs, Christmas songs. And your
boys really, really suited. Here you | 0:24:33 | 0:24:38 | |
are a few years on, you will be
singing with Beverley Knight, let's | 0:24:38 | 0:24:41 | |
have a little look.
# Silent night. | 0:24:41 | 0:24:50 | |
# Holy night.
# All is calm. | 0:24:50 | 0:25:00 | |
# All is bright.
# Round yon virgin mother and child. | 0:25:00 | 0:25:13 | |
APPLAUSE
Tom, I mean... | 0:25:13 | 0:25:20 | |
Your voice is still sounding so
good. Well, thank you. It has | 0:25:20 | 0:25:27 | |
deepened now. Obbadi carries a note
quite like you. You know The Perfect | 0:25:27 | 0:25:35 | |
Day from years ago, the BBC, just go
back and listen to that. -- nobody | 0:25:35 | 0:25:43 | |
carries a note quite like you. So
many people love to sing and carry | 0:25:43 | 0:25:48 | |
on singing through the live, but for
you to still seeing as you do... | 0:25:48 | 0:25:54 | |
Frank God my voice is still
powerful. It is not as high as it | 0:25:54 | 0:25:58 | |
was, but that is natural, when you
get older your voice gets lower. I | 0:25:58 | 0:26:03 | |
am a baritone now. I was touching on
tenor when I was younger, but it is | 0:26:03 | 0:26:12 | |
fuller and richer now. It is like a
good aged wine. Thank you very much! | 0:26:12 | 0:26:17 | |
When I was young it was a certain
sense, now I think it has more | 0:26:17 | 0:26:22 | |
depth. I read more into the songs as
well. | 0:26:22 | 0:26:25 | |
You can relish the music in that
way. Instead of thinking you cannot | 0:26:25 | 0:26:31 | |
sing as high as you used to, you
find different meaning. When you are | 0:26:31 | 0:26:36 | |
young you attack things and want to
sing, sometimes you are not thinking | 0:26:36 | 0:26:39 | |
about the storyline of the song.
When you get older I think you get | 0:26:39 | 0:26:44 | |
more intimate. Audio experience
comes through. | 0:26:44 | 0:26:48 | |
When you hear some new singers and
they go I can do this... All the | 0:26:48 | 0:26:52 | |
range. You don't have to do that.
Holds that emotion of that note. | 0:26:52 | 0:26:58 | |
What does the songs say? What is the
message? A combination of you and | 0:26:58 | 0:27:04 | |
Beverly is magic, she has a
fantastic voice. And a wonderful | 0:27:04 | 0:27:09 | |
choir. When we went into that film,
you told us about your very first | 0:27:09 | 0:27:13 | |
note that you sang. Can you
enlighten the nation? About your | 0:27:13 | 0:27:18 | |
birth? Especially because a Call the
Midwife. I was born during the war | 0:27:18 | 0:27:26 | |
in South Wales, 1940. I don't think
anybody went to hospital to have a | 0:27:26 | 0:27:30 | |
baby. I was born in the front room
of my grandmother's house. When I | 0:27:30 | 0:27:34 | |
was born, the midwife said I am
awfully sorry, he is dead. Because I | 0:27:34 | 0:27:41 | |
didn't make a sound. They didn't
think I was alive. My grandmother | 0:27:41 | 0:27:45 | |
said just a minute, she got a bucket
of cold water, grabbed me by the | 0:27:45 | 0:27:50 | |
ankles, did to me in it, this is the
truth, spun me around the room like | 0:27:50 | 0:27:56 | |
this, on my life, spend me around
the room. I screamed! And that note | 0:27:56 | 0:28:03 | |
was born, literally exclamation if
she hadn't have done that it would | 0:28:03 | 0:28:06 | |
have been like, sorry. What a story. | 0:28:06 | 0:28:09 | |
You can see and hear Tom
in Tom Jones and Beverley Knight's | 0:28:09 | 0:28:12 | |
Gospel Christmas on BBC Two,
at 9.00pm, on Christmas Day. | 0:28:12 | 0:28:19 | |
You had to bring out an album called
Swirl Like A Baby. It is a natural | 0:28:19 | 0:28:25 | |
progression from a story. The
viewers in Wales can see this on | 0:28:25 | 0:28:32 | |
Friday at 9pm. It is a preview. | 0:28:32 | 0:28:35 | |
If you are wondering about religious
programmes on the BBC | 0:28:35 | 0:28:37 | |
amid the dramas and entertainment
there's plenty going on, | 0:28:37 | 0:28:39 | |
including Midnight Mass
on Christmas Eve live | 0:28:39 | 0:28:41 | |
from St Anne's Roman
Catholic Cathedral in Leeds | 0:28:41 | 0:28:43 | |
and the Christmas Day Service live
from All Saints, Fulham, in London. | 0:28:43 | 0:28:46 | |
There are special editions
of Songs Of Praise, | 0:28:46 | 0:28:48 | |
and BBC Two brings us
Carols From King's on Sunday. | 0:28:48 | 0:28:52 | |
We are heading to church now
because fresh from her triumph | 0:28:52 | 0:28:55 | |
getting Noel Gallagher to take part
in Gardeners' Question Time | 0:28:55 | 0:28:57 | |
here on the show last
week, Christine is back | 0:28:57 | 0:28:59 | |
on more familiar ground. | 0:28:59 | 0:29:04 | |
Her film still involves
Oasis, though. | 0:29:04 | 0:29:05 | |
Quite a lot of it actually
and armfuls of ivy to stick in it. | 0:29:05 | 0:29:11 | |
Very good!
York Minster, a 13th century | 0:29:11 | 0:29:18 | |
masterpiece in stained glass and
stone. I've been so looking forward | 0:29:18 | 0:29:23 | |
to wandering around this place and
soaking up its rich history, but I | 0:29:23 | 0:29:27 | |
think the One Show may have other
ideas, because they have asked me to | 0:29:27 | 0:29:31 | |
bring along these?
It is a site where people have | 0:29:31 | 0:29:38 | |
gathered to worship for more than
1000 years, but its Roman history | 0:29:38 | 0:29:41 | |
and Gothic magic beans you can just
feel the special atmosphere, and the | 0:29:41 | 0:29:47 | |
very Reverend Vivian is the Dean.
This is your office, what is it like | 0:29:47 | 0:29:55 | |
to be an chargeable this? A huge
privilege and a delight. -- to be in | 0:29:55 | 0:30:03 | |
charge of all this? This building
was raised to heighten known in the | 0:30:03 | 0:30:07 | |
country and included one of our
glories, the great East window, the | 0:30:07 | 0:30:11 | |
largest expanse of medieval glass in
northern Europe. | 0:30:11 | 0:30:15 | |
With a building big enough to fit
3000 people, their Christmas Advent | 0:30:15 | 0:30:20 | |
wreath needs to be on a larger
scale. We think it was about 20 | 0:30:20 | 0:30:25 | |
years ago when the Church of England
started to celebrate all its | 0:30:25 | 0:30:29 | |
festivals with a bit more drama and
panache. Alastair Down Yarde Staffs | 0:30:29 | 0:30:35 | |
constructed what we believe is the
largest Advent wreath in the | 0:30:35 | 0:30:42 | |
country. -- our stone yard staff. We
hope you will be prepared to work | 0:30:42 | 0:30:46 | |
with the flower arrangers. We think
you have come equipped. We hope most | 0:30:46 | 0:30:52 | |
of our branches will not need those.
As you may expect for a building the | 0:30:52 | 0:30:57 | |
skill of York Minster, they don't
just do your average Advent wreath, | 0:30:57 | 0:31:02 | |
but the Lord of the rings, and to
make it we will need a team of 20 | 0:31:02 | 0:31:06 | |
volunteers, led by head flower
arranger Andy Barker. | 0:31:06 | 0:31:10 | |
That is the normal size wreath he
would have on your door? That is | 0:31:10 | 0:31:14 | |
what you would put on your door, if
you would feel that with a block of | 0:31:14 | 0:31:18 | |
floral foam, we have 40 in here.
That gives you some idea of the | 0:31:18 | 0:31:25 | |
scale, two big boxes. This is a
phenomenal challenge? Yes, it is | 0:31:25 | 0:31:29 | |
about logistics. Get that right, the
people have the skills, we will make | 0:31:29 | 0:31:33 | |
rather a nice show. You have got
your secateurs? Yes, I wondered why | 0:31:33 | 0:31:38 | |
I was told to bring them.
With a diameter of four meters to | 0:31:38 | 0:31:43 | |
fill, the volunteer Rangers have
brought brings your five. -- plenty | 0:31:43 | 0:31:46 | |
of IP. -- IV. How long have you been
involved? Nearly 18 years. I have | 0:31:46 | 0:31:55 | |
never done any flower arranging, I
am learning as I go. This is my | 0:31:55 | 0:32:00 | |
first time. Why did you want to come
along? I thought what a tremendous | 0:32:00 | 0:32:05 | |
privilege to be in this beautiful
place doing something with a lovely | 0:32:05 | 0:32:08 | |
bunch of people.
York Minster's head verger is | 0:32:08 | 0:32:12 | |
spreading the message about the
symbolism of the Advent wreath. | 0:32:12 | 0:32:17 | |
We have the ring, the wreath, which
is eternity. The evergreen, IV, it | 0:32:17 | 0:32:22 | |
could be holy. Even in the depths of
winter, the Harley and the ivy show | 0:32:22 | 0:32:28 | |
life is going on, and we have four
candles around the circumference for | 0:32:28 | 0:32:33 | |
each Sunday in Advent. The candle in
the middle will be lit on Christmas | 0:32:33 | 0:32:37 | |
Day. Where does it go once it is
made? It gets suspended from the | 0:32:37 | 0:32:43 | |
central tower. The children from the
Minster School will help us raise | 0:32:43 | 0:32:46 | |
the roof. They think they are doing
by themselves, with a little bit of | 0:32:46 | 0:32:52 | |
help from me, but you are the person
who will be pushing the right | 0:32:52 | 0:32:55 | |
buttons up right time. | 0:32:55 | 0:32:59 | |
Enter No pressure, only the magic of
Christmas at stake. All I can do is | 0:32:59 | 0:33:06 | |
wait for my cue. They are ready, so
off we go! The childrens imaginingic | 0:33:06 | 0:33:15 | |
wishes, and some of my help, willing
it into the air. Stop! Stop! | 0:33:15 | 0:33:19 | |
Wonderful. Thank you all very much.
Now in place, a spectacular feature | 0:33:19 | 0:33:27 | |
of this historic building. A
beautiful festive garden and one | 0:33:27 | 0:33:33 | |
that will need watering
occasionally, just like your | 0:33:33 | 0:33:35 | |
Christmas tree. Merry Christmas to
you all. | 0:33:35 | 0:33:40 | |
Christine is here now to give us
some tips and tell us the best way | 0:33:43 | 0:33:47 | |
of making some wreaths at home. We
heard in the film lots of people | 0:33:47 | 0:33:51 | |
brought ivy to hang up in York
Minster. You brought stuff from | 0:33:51 | 0:33:56 | |
home, haven't you, Johnny? I brought
olive branches. I can't find them. | 0:33:56 | 0:34:02 | |
That is why I'm so far behind! I
brought olive branches and super Can | 0:34:02 | 0:34:10 | |
could be glue. Everygreen foliage.
Il -- ever green foliage. You can | 0:34:10 | 0:34:27 | |
wind around dogwood, willow, tie it
with branches or use fishing line. | 0:34:27 | 0:34:31 | |
That is quite good because it's
clear and you don't see. Jenny is | 0:34:31 | 0:34:37 | |
making a splendid yob. She must have
done it before. I usually start with | 0:34:37 | 0:34:41 | |
a base and then just add. You make
your own every year? -- job. That | 0:34:41 | 0:34:53 | |
will really set it off a treat.
Thanks Jenny no. It's finished. It's | 0:34:53 | 0:35:01 | |
done. It is not meant to be done in
three minutes. You can do it however | 0:35:01 | 0:35:06 | |
you like. You can use your own
decorations, dried fruit, baubles, | 0:35:06 | 0:35:13 | |
collect things from the countryside
and basically make your own | 0:35:13 | 0:35:17 | |
decoration that means something
personal to yourselves. Hair grips | 0:35:17 | 0:35:23 | |
are brilliant. If you have material
that is difficult and on a short | 0:35:23 | 0:35:28 | |
stem. Tie fishing line to the end.
With a hair grip slip it through the | 0:35:28 | 0:35:34 | |
end and slip it into the
arrangement. If you are using flor | 0:35:34 | 0:35:38 | |
April foam you have a really good
base to stick it straight in. Very | 0:35:38 | 0:35:42 | |
effective. Florist wire is good as
well. Is yours on the front door? | 0:35:42 | 0:35:48 | |
Yes. You tell everyone where you
have yours? I have one on the front | 0:35:48 | 0:35:54 | |
door and one on my bedroom door. Ah,
how lovely. Romantic. Very | 0:35:54 | 0:35:58 | |
beautiful. To entice strangers,
Christine? ! You know, one likes to | 0:35:58 | 0:36:05 | |
have a good time at Christmas. Yes,
but - what are you laughing at, man. | 0:36:05 | 0:36:13 | |
Not prickly at all! They are a
beautiful thing, in my opinion. Live | 0:36:13 | 0:36:18 | |
material brought into the home at
Christmas is fantastic. Yes. If | 0:36:18 | 0:36:23 | |
you're feeling neglected by your
family you can announce yourself as | 0:36:23 | 0:36:29 | |
Zeus King of the Gods. The Olympic
wreath was exactly that. Ours isn't | 0:36:29 | 0:36:36 | |
so great, Matt, sorry about that. It
looks a bit like Mickey Mouse. You | 0:36:36 | 0:36:44 | |
look like the lion from the Lion The
Witch and the Wardrobe. | 0:36:44 | 0:36:50 | |
All this week we've been giving
people across the country the chance | 0:36:50 | 0:36:53 | |
to say thanks at Christmas. | 0:36:53 | 0:36:54 | |
We've been to Aberdeen and Wrexham
and tonight we're in Bristol. | 0:36:54 | 0:37:01 | |
I want to say thank | 0:37:01 | 0:37:11 | |
you to my nana for taking me to a
pantomime. Like to thank Harold who | 0:37:12 | 0:37:20 | |
took my dog to the vet. I would like
to say the biggest thank you to all | 0:37:20 | 0:37:27 | |
of our incredible volunteers who
dedicate their time throughout the | 0:37:27 | 0:37:30 | |
year. Some people come in every day
and we truly couldn't do it without | 0:37:30 | 0:37:33 | |
them. | 0:37:33 | 0:37:36 | |
I'm the workshop manager at
Cambridge Motors I would like to | 0:37:41 | 0:37:47 | |
thank the Grammer Vigilante for
correcting our sign and putting the | 0:37:47 | 0:37:55 | |
grammar right. We didn't take any
notice of it and didn't realise it. | 0:37:55 | 0:38:00 | |
It's not just children who make
mistakes, it's grownups as well. Our | 0:38:00 | 0:38:06 | |
daughter was born three months early
and had brain damage which caused | 0:38:06 | 0:38:11 | |
her cerebral palsy. I'd like to say
a big Christmas thank you to Tony | 0:38:11 | 0:38:16 | |
from the Tesco team and Sandra from
the Thorn berry Club for helping us | 0:38:16 | 0:38:24 | |
raise money so our daughter could
walk independently for the first | 0:38:24 | 0:38:28 | |
time. They Detective Constable
everything over and above to help | 0:38:28 | 0:38:32 | |
us. -- did. I can walk now. We can
celebrate Christmas and give thanks | 0:38:32 | 0:38:39 | |
for everything that we have. Happy
Christmas everybody. Thank you. | 0:38:39 | 0:38:45 | |
80,000. A lot of money. Exactly. You
don't need us to say thank you for | 0:38:45 | 0:38:49 | |
you. If you feel it, say it,
especially at this time of year. We | 0:38:49 | 0:38:57 | |
have thank yous here. Lily would
like to say thank you to her mum. | 0:38:57 | 0:39:06 | |
Pauleen wants to say thank you to
her husband Lawrence for 39 years of | 0:39:06 | 0:39:11 | |
celebrating Christmas together. Also
Gillan would like to say a thank you | 0:39:11 | 0:39:16 | |
to her mum will ma for being the
best grand ma, friend and biscuit | 0:39:16 | 0:39:21 | |
maker. And also to the staff at the
care home. | 0:39:21 | 0:39:28 | |
And a thank you to her maths teacher
who helped her. I wanton say a very | 0:39:31 | 0:39:41 | |
sincere thank you to the NHS. This
year you cared for my dad until he | 0:39:41 | 0:39:46 | |
passed away. They are currently
caring for my mum with home visits. | 0:39:46 | 0:39:54 | |
Across the board. Everybody out
there thank you, it means the world | 0:39:54 | 0:39:58 | |
you look after the people that mean
the most. You will be working | 0:39:58 | 0:40:04 | |
through Christmas when we are not.
You are always there for us. Thank | 0:40:04 | 0:40:06 | |
you. Well done.
APPLAUSE | 0:40:06 | 0:40:16 | |
Thank you to all of you out there
who have been in all our films. When | 0:40:16 | 0:40:20 | |
we ask for photos you are always
sending them in. Thank you. Look out | 0:40:20 | 0:40:28 | |
for more thank you messages later on
this evening. When the bridge our | 0:40:28 | 0:40:40 | |
band will be playing us out. Tell us
any funny Christmas stories you | 0:40:40 | 0:40:44 | |
have. The more ridiculous the
better. They have to be true. We are | 0:40:44 | 0:40:52 | |
trying to catch out k Rob on Friday
in Would I Lie To you. You. | 0:40:52 | 0:40:59 | |
It may not be anything like as cold
as the winter of 1962/63 | 0:40:59 | 0:41:02 | |
which we were talking about earlier. | 0:41:02 | 0:41:03 | |
But it's still a tough time
of the year for wildlife. | 0:41:03 | 0:41:06 | |
There's still plenty going on though
even in the most surprising places. | 0:41:06 | 0:41:09 | |
Here's Patrick. | 0:41:09 | 0:41:15 | |
The land around the River Tees is
filled with immense structures, | 0:41:15 | 0:41:20 | |
towering evidence of its industrial
past. In amongst this industrial | 0:41:20 | 0:41:27 | |
landscape wildlife thrives. The mud
of the estuary makes great growing | 0:41:27 | 0:41:37 | |
fields for weeds and invertebrates.
Tteal plunge their heads to feed on | 0:41:37 | 0:41:48 | |
them while others paddle underwater
with their feet to flash out fish to | 0:41:48 | 0:41:52 | |
catch. The hundredors can easily
become the hunted here. A red fox is | 0:41:52 | 0:41:58 | |
prowling. She has to consume over
10% of her body weight every day. | 0:41:58 | 0:42:05 | |
Something has caught her eye. | 0:42:05 | 0:42:09 | |
Missed. The black flecks on the show
are slag dumped in the estuary at | 0:42:13 | 0:42:30 | |
the height of the Industrial
Revolution. It's a useful hunting | 0:42:30 | 0:42:35 | |
ground for a kestrel. Her head is
perfectly still as she hovers by | 0:42:35 | 0:42:40 | |
flying into and at the same speed as
the oncoming wind. Her feathers are | 0:42:40 | 0:42:46 | |
stiffer than other falcons and give
her more stability whilst searching | 0:42:46 | 0:42:50 | |
for prey. Night falls over a month
ument of Teesside. The Tees | 0:42:50 | 0:43:01 | |
transporter bridge works around the
clock, has it has done for 100 years | 0:43:01 | 0:43:07 | |
-- monument. The Tees was so
polluted there was almost no fish | 0:43:07 | 0:43:13 | |
left for the wildlife to feed on.
Since the 1980s the river has become | 0:43:13 | 0:43:18 | |
much cleaner and supports some of
Britain's largest mammals. Harbour | 0:43:18 | 0:43:24 | |
and grey seals haul out on to the
mud banks to partake in a snooze, a | 0:43:24 | 0:43:37 | |
stretch or a scratch. | 0:43:37 | 0:43:40 | |
Down on the shoreline and 1,300
miles away from their Arctic Circle | 0:43:44 | 0:43:50 | |
breeding grounds these birds are
having a beach holiday. They run on | 0:43:50 | 0:43:57 | |
the sandy surface to catch prey. The
smallest breeze can send them off | 0:43:57 | 0:44:03 | |
course in a spin. | 0:44:03 | 0:44:05 | |
Further up the river our fox has
finally been successful. Keep | 0:44:08 | 0:44:16 | |
scavengers away is another matter.
The tireless search for food | 0:44:16 | 0:44:20 | |
continues throughout the | 0:44:20 | 0:44:32 | |
winter. I love that coastline. I'm
bias. From North Yorkshire to the | 0:44:33 | 0:44:41 | |
north-east. It's beautiful. If you
get a chance, check it out. If | 0:44:41 | 0:44:45 | |
you're around there and you find a
hoodie it's mine. I was working up | 0:44:45 | 0:44:49 | |
there recently. Were you? I took it
off, stupidly. You know what I mean. | 0:44:49 | 0:44:56 | |
I was expecting to see the hood in
the wind. You are back in Still Open | 0:44:56 | 0:45:03 | |
All Hours. I am. It's a Christmas
thing, isn't it? It is. It's nice. | 0:45:03 | 0:45:09 | |
It bedded back in again. It's odd to
be part of a TV tradition. | 0:45:09 | 0:45:14 | |
I normally join a show and they axe
it. Let's have a look - It doesn't | 0:45:14 | 0:45:18 | |
matter. Before you show the clip,
Tom say hello to Gaynor. Merry | 0:45:18 | 0:45:26 | |
Christmas, Happy New Year. It's like
you're the only woman who ever | 0:45:26 | 0:45:29 | |
lived. I will get in trouble with
the producers. It's loads of fun. | 0:45:29 | 0:45:37 | |
Sir David will have me strung up for
that. Talking of the name Gaynor, | 0:45:37 | 0:45:42 | |
what is wrong with your character is
his name, Wet Eric. He can tell the | 0:45:42 | 0:45:49 | |
weather by his knee. When your agent
rings you up and he goes - Wet Eric, | 0:45:49 | 0:45:54 | |
you were born for this role. I
wasn't really blessed! I'm going to | 0:45:54 | 0:46:03 | |
get these kind of offers. I once got
called in for a casting when I was | 0:46:03 | 0:46:09 | |
30 to play a 50-year-old. He went,
"you do look a bit younger in life." | 0:46:09 | 0:46:16 | |
You do you have brilliant skin. I
have brilliant skin. I've always | 0:46:16 | 0:46:21 | |
wore hats. I've stayed out of the
sun. Thank you for acknowledging | 0:46:21 | 0:46:24 | |
that. The viewers at home think it's
makeup, it really isn't. I | 0:46:24 | 0:46:31 | |
moisturise. I take care of it. The
rest will go to pot at Christmas | 0:46:31 | 0:46:36 | |
because I've ordered a cheese board.
Get in! Oh, yes. I will gain about | 0:46:36 | 0:46:44 | |
15lbs and I'm not going to care.
I've got the smelly cheese. I had | 0:46:44 | 0:46:52 | |
smelly hes cheese on the chair and
my mum apologised because someone | 0:46:52 | 0:47:02 | |
thought they pooked but they
haven't. Still Open Hours it's | 0:47:02 | 0:47:06 | |
lovely. All the gang are being ba
together. What a lovely thing to be | 0:47:06 | 0:47:10 | |
part of. To be in a show that you
watched growing up and to be in it | 0:47:10 | 0:47:14 | |
yourself. To sit down Sure. With
your mum and your mum can go to the | 0:47:14 | 0:47:19 | |
bingo and her mates are going - love
the show. It's a real privilege. The | 0:47:19 | 0:47:26 | |
fact that so many people appreciate
it. I can't tell you how much fun as | 0:47:26 | 0:47:31 | |
well that the cast genuinely have,
hanging out in the green room is one | 0:47:31 | 0:47:37 | |
of the best working environments in
the year. Every time you find out | 0:47:37 | 0:47:41 | |
it's coming back, it's on your
calendar as a real looking forward | 0:47:41 | 0:47:45 | |
to. Yeah, sure. A couple of months
where you think - I will get in | 0:47:45 | 0:47:50 | |
every day, hang out with these
amazing actors and actresses. Shall | 0:47:50 | 0:47:54 | |
we show the clip now? Yeah. I was
going to talk about my love... Here | 0:47:54 | 0:48:01 | |
it is. | 0:48:01 | 0:48:02 | |
Merry Christmas! Get a hernia! I am
sorry, but there is no way I am | 0:48:14 | 0:48:21 | |
wasting my substance. You could pull
something vital. And for what? Every | 0:48:21 | 0:48:28 | |
Christmas people die from
overheating, how big a fool are we | 0:48:28 | 0:48:31 | |
going to look if we die from over
crackering. | 0:48:31 | 0:48:38 | |
That is on Thursday the 28th. I rock
the V neck. Where would you be | 0:48:38 | 0:48:44 | |
spending Christmas? We were laughing
earlier about ordering the meat. You | 0:48:44 | 0:48:50 | |
are cooking? Mum, stop worrying, I
have ordered the turkey crown and I | 0:48:50 | 0:48:54 | |
am collecting at Friday. I am
connecting it with the hand, because | 0:48:54 | 0:48:58 | |
I have to soak the Hanover Friday
night. -- I am collecting it with | 0:48:58 | 0:49:05 | |
the crackering, I will soak the
crackering on Friday night. I will | 0:49:05 | 0:49:09 | |
get Mark's meat when I get my own.
Jenny, are you hosting? Away in the | 0:49:09 | 0:49:18 | |
country. Do you cook, so Tom? No, I
don't. That was a definite. What a | 0:49:18 | 0:49:27 | |
man! I am with you. | 0:49:27 | 0:49:29 | |
MPs have revealed today that 9,000
people are sleeping rough, | 0:49:29 | 0:49:32 | |
and all across the country temporary
shelters are being set up | 0:49:32 | 0:49:34 | |
for the holiday period -
including one at Euston | 0:49:34 | 0:49:36 | |
Station in London. | 0:49:36 | 0:49:37 | |
That figure covers England alone. | 0:49:37 | 0:49:40 | |
One of the charities involved
in opening up the station to 200 | 0:49:40 | 0:49:43 | |
homeless people is St Mungos -
which our artist in residence, | 0:49:43 | 0:49:45 | |
Adebanji, knows well. | 0:49:45 | 0:49:51 | |
Today I am taking my sketchbook to
St Mungos Centre for the homeless in | 0:49:51 | 0:49:56 | |
south London. This is a place close
to my heart, because I used to work | 0:49:56 | 0:50:00 | |
there.
I started meeting residents in the | 0:50:00 | 0:50:04 | |
hostel and helping them improve
their drawing skills. | 0:50:04 | 0:50:07 | |
Feeling that they can actually do
something of worth. | 0:50:07 | 0:50:11 | |
I'm back to meet some of the people
attending an art class today and | 0:50:11 | 0:50:15 | |
find out how they are feeling about
Christmas while I capture their | 0:50:15 | 0:50:20 | |
personalities in my sketches.
David's kind natured became his | 0:50:20 | 0:50:26 | |
downfall, leading to rent arrears
and eviction. Everyone was saying | 0:50:26 | 0:50:31 | |
you will never do anything, and to
some extent my parents were pushing | 0:50:31 | 0:50:34 | |
me down a bit as well. I hadn't
learned how to live life, I hadn't | 0:50:34 | 0:50:39 | |
learned how to be part of the
community. People always knew they | 0:50:39 | 0:50:43 | |
could come to me and not pay back
any loan on things like that. So I | 0:50:43 | 0:50:48 | |
never had any money. So that is why
I was eventually evicted. The thing | 0:50:48 | 0:50:53 | |
you brought up there was simple
financial education, which I don't | 0:50:53 | 0:50:57 | |
think you got the right side of and
people took advantage of you. | 0:50:57 | 0:51:04 | |
David is one of the people who has
been lobbying MPs for the | 0:51:04 | 0:51:07 | |
introduction of the homeless
reduction act, which aims to end all | 0:51:07 | 0:51:09 | |
rough sleeping.
Being part of society is being | 0:51:09 | 0:51:13 | |
useful. Useful. Having the pride to
stand up and say I am helping people | 0:51:13 | 0:51:18 | |
coming here they are. And
encouraging them to do something | 0:51:18 | 0:51:22 | |
about their lives. Yes.
Street people are busy, thinking | 0:51:22 | 0:51:28 | |
about their own lives, they pass by
these homeless people, there is no | 0:51:28 | 0:51:32 | |
time and everybody is focused on
self, I would say. But one drawing, | 0:51:32 | 0:51:37 | |
one powerful sketch could draw them
in. | 0:51:37 | 0:51:41 | |
Lorraine first became homeless with
two young children 31 years ago | 0:51:41 | 0:51:45 | |
after her marriage broke down.
Then in 2015, things took a downward | 0:51:45 | 0:51:51 | |
turn once again.
I lost my dad, seven friends, my | 0:51:51 | 0:51:56 | |
nephew and my partner within six
months. And then I became an | 0:51:56 | 0:52:01 | |
alcoholic. Are you totally... Clean
now? I was 20 and a half months | 0:52:01 | 0:52:12 | |
sober. I relapsed on the 25th of
September. I am now three weeks into | 0:52:12 | 0:52:17 | |
sobriety. Brilliant. I have climbed
the ladder and I can still go | 0:52:17 | 0:52:24 | |
higher. Brilliant. I can still go
higher, and I would like to. | 0:52:24 | 0:52:29 | |
Brilliant. A contract. Christmas
time for anyone that is homeless is | 0:52:29 | 0:52:36 | |
not the most pleasant time, because
in those periods it brings back too | 0:52:36 | 0:52:40 | |
many memories that they can't
handle. This time two years ago, | 0:52:40 | 0:52:47 | |
Christmas was a very dark place. I
didn't buy one Christmas presents, I | 0:52:47 | 0:52:53 | |
didn't write one single Christmas
card. I would have rather have chose | 0:52:53 | 0:52:57 | |
not to be on myself. It just takes a
little sparkle of light, a little | 0:52:57 | 0:53:02 | |
glint, to feel there is hope. I look
at my grandchildren 's face and life | 0:53:02 | 0:53:07 | |
is worth living every minute now.
Being on my own, not knowing people, | 0:53:07 | 0:53:15 | |
Christmas Day in that respect is the
same as any other day. Everyone says | 0:53:15 | 0:53:20 | |
Christmas is expensive, it is not
for me, I wish it was. It would be | 0:53:20 | 0:53:24 | |
nice to buy people presents, to
receive presents. Every year I keep | 0:53:24 | 0:53:31 | |
saying I will try and change my life
so that next year I can start doing | 0:53:31 | 0:53:36 | |
things for people and just carry on.
OK, all right, that is the way I see | 0:53:36 | 0:53:43 | |
you. Crikey. Is my hair that wild? I
thought I had it under control, I am | 0:53:43 | 0:53:50 | |
sorry. But, having said that, yes, I
would say that is a very good | 0:53:50 | 0:53:55 | |
likeness of me. Do you want to see?
Sure? Yes. Oh, wow. Look above. You | 0:53:55 | 0:54:08 | |
are my hero, that is what I would
call you. That is magical. Thank | 0:54:08 | 0:54:13 | |
you. Coming back here has really
lifted my spirits. There is a thin | 0:54:13 | 0:54:17 | |
line between having a home and being
homeless, but thinks to St Mungos | 0:54:17 | 0:54:21 | |
giving these people a second chance
at life and something to hope for | 0:54:21 | 0:54:26 | |
and get their lives back on track.
-- but thanks to St Mungos. | 0:54:26 | 0:54:30 | |
And good luck to Lorraine and David,
who are now both living | 0:54:30 | 0:54:33 | |
in their own homes and looking
forward to Christmas. | 0:54:33 | 0:54:37 | |
Happy Christmas to all the staff
and volunteers at St Mungos, too. | 0:54:37 | 0:54:40 | |
If watching that makes you think
it's a good idea to give | 0:54:40 | 0:54:43 | |
to homeless charities,
now's a good time. | 0:54:43 | 0:54:49 | |
Of course. | 0:54:49 | 0:54:51 | |
We're here with the Brighouse
and Rastrick Brass Band, | 0:54:51 | 0:54:53 | |
who have been crowned
the National Brass Band Champions | 0:54:53 | 0:54:55 | |
of Great Britain 2017. | 0:54:55 | 0:55:01 | |
Come on!
CHEERING | 0:55:01 | 0:55:05 | |
We have the best!
David, the conductor is here with | 0:55:05 | 0:55:07 | |
the biggest trophy in the world. You
have a dig brass band, you need a | 0:55:07 | 0:55:16 | |
big droopy, that is a whopper. You
have had this ten times? Yes, it is | 0:55:16 | 0:55:21 | |
an incredible honour. -- you have a
big brass band, you need a big | 0:55:21 | 0:55:26 | |
trophy. And you all have other jobs,
you do bits and pieces, this is a | 0:55:26 | 0:55:32 | |
hobby? The band is incredibly busy
but we would like to say we are | 0:55:32 | 0:55:36 | |
professional in standard but amateur
in status. This goes to prove that. | 0:55:36 | 0:55:41 | |
How do you compete as a brass band?
There is a qualifying process to | 0:55:41 | 0:55:46 | |
compete for this trophy, the top 20
bands in the country meet in October | 0:55:46 | 0:55:50 | |
at the Royal Albert Hall, we play
the same piece and are judged by | 0:55:50 | 0:55:54 | |
three adjudicators, this year the
band gave a stunning performance | 0:55:54 | 0:55:57 | |
and, as you can see, we were
successful. | 0:55:57 | 0:56:01 | |
Fill her with mulled wine and send
her round! | 0:56:01 | 0:56:05 | |
Huge congratulations once again.
David, get yourself ready. Thanks to | 0:56:05 | 0:56:14 | |
our guests. | 0:56:14 | 0:56:16 | |
Thanks to Johnny, Jenny and Tom
for your company tonight. | 0:56:16 | 0:56:18 | |
We're back tomorrow with Jake Wood
from Eastenders and Emily Watson | 0:56:18 | 0:56:21 | |
who'll be telling us
all about the new production | 0:56:21 | 0:56:23 | |
of Little Women. | 0:56:23 | 0:56:25 | |
We'll leave you with
a medley from the Brighouse | 0:56:25 | 0:56:27 | |
and Rastrick Brass Band,
which features on their new double | 0:56:27 | 0:56:29 | |
album, A Christmas Carol -
keep an eye out for your Christmas | 0:56:29 | 0:56:32 | |
thank you messages, too! | 0:56:32 | 0:56:42 | |
BRASS BAND PLAYS THE HOLLY AND IVY | 0:56:49 | 0:56:59 | |
BRASS BAND PLAYS GOD
REST YE MERRY GENTLEMEN | 0:57:11 | 0:57:43 | |
BRASS BAND PLAYS HARK
THE HERALD ANGELS SING | 0:58:15 | 0:58:45 | |
APPLAUSE | 0:58:58 | 0:59:01 |