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Now it is time for The One Show with our guest presenter. Is there any | :00:23. | :00:39. | |
point pointing out there is no motorbike here? None. In fact it | :00:40. | :00:47. | |
would be... Don't do it, please. Hello and welcome to The One Show | :00:48. | :00:51. | |
with Richard Osman. Added it a pleasure for me to co-host with | :00:52. | :00:57. | |
somebody Alex, Alex Jones. It is lovely to be back. Do you like Jamie | :00:58. | :01:03. | |
Lawson? The chart-topping troubadour and number one hit to make a Jamie | :01:04. | :01:10. | |
Lawson? I certainly do. Good job because he is performing his hit | :01:11. | :01:14. | |
from that number one album. Lucky I did not say no! If I was going to | :01:15. | :01:23. | |
set a Pointless category for our next guest, it would be this: | :01:24. | :01:32. | |
Another clue, maybe? One Mowgli. He is sitting next to you. Oh, Chris | :01:33. | :01:43. | |
Addison! Lovely to see you. Nice to be here. We like the moustache. I | :01:44. | :01:50. | |
missed a little bit when I was shaving. Actor, producer, director, | :01:51. | :01:57. | |
everything, and also a photographer, looking for faces everywhere. There | :01:58. | :02:03. | |
is one right there! That is a real faith and cheating. Just talk us | :02:04. | :02:11. | |
through these. Can I say that these have been taken over a period of | :02:12. | :02:19. | |
maybe three years? So a big deal! I am sticking with it. That is a pipe | :02:20. | :02:23. | |
backstage at the Royal Opera House in London that looks a bit drunk! | :02:24. | :02:30. | |
You cannot argue with that. That is, I believe, a machine for dispensing | :02:31. | :02:37. | |
prophylactics! It looks like it has been up all night, dispensing | :02:38. | :02:43. | |
prophylactics! We really like the sink moose. An endangered species, | :02:44. | :02:53. | |
Chris. It attacks Leonardo DiCaprio in The Revenant. Brilliant! If you | :02:54. | :03:01. | |
have taken a picture of an inanimate object that resembles a face, or | :03:02. | :03:07. | |
anything else! Please send them in and we will show them later. | :03:08. | :03:12. | |
Exciting times this weekend for Friends of the Earth macro. The | :03:13. | :03:15. | |
Coxless Crew rowing across the Pacific and are due to land in | :03:16. | :03:21. | |
Australia in a few hours, making them the first to complete the | :03:22. | :03:28. | |
journey. Genuinely brilliant achievement. I don't know how they | :03:29. | :03:34. | |
managed it. Rowing, I think! Don't want to be technical. They might not | :03:35. | :03:41. | |
make the return journey quite like this man. Look at this. This is the | :03:42. | :03:46. | |
extraordinary story of one man who wanted to get home so badly that he | :03:47. | :03:51. | |
attempted to post himself from one side of the world to the other in a | :03:52. | :03:58. | |
wooden crate like this one. The year was 1965, the place was Australia. | :03:59. | :04:04. | |
20-year-old Brian Robson from Cardiff was one of a wave of 1.5 | :04:05. | :04:09. | |
million British people who emigrated in search of a better life. We have | :04:10. | :04:16. | |
brought Brian to his childhood home to hear his incredible story and | :04:17. | :04:19. | |
find out why he yearned to come back here. As a single guy, it was very | :04:20. | :04:26. | |
difficult to make friends. Pubs closed at 6pm, there was nowhere to | :04:27. | :04:33. | |
meet anybody. Did you not think of buying a ticket? It was impossible. | :04:34. | :04:38. | |
50 years ago, the price of flying from Australia to the UK was ?300 | :04:39. | :04:43. | |
and the average salary was ?40 a month. One-day Brian spotted a | :04:44. | :04:50. | |
slogan on the side of a removal truck. It said we can move you | :04:51. | :04:55. | |
anywhere and I thought they could move me. Ridiculously, that is where | :04:56. | :04:59. | |
the great game into it. Brian got the biggest break the airline would | :05:00. | :05:02. | |
handle and got export documents to send it to the UK. This is an exact | :05:03. | :05:08. | |
replica of your box. Less than one cubic metre. The inside. That's | :05:09. | :05:17. | |
suddenly looks small. You cannot even sit up straight. No. Your knees | :05:18. | :05:24. | |
have got to come up here like this. I spent 70% of the time sitting like | :05:25. | :05:30. | |
this. Brian brought two bottles, one for drinking water and one for | :05:31. | :05:38. | |
urinating, and a packet of biscuits. Sealed in his box without official | :05:39. | :05:44. | |
dispensation, he landed an hour later, not delivered to London but | :05:45. | :05:50. | |
Sydney. They immediately turned the box upside down and left it, so I | :05:51. | :05:55. | |
was standing on my head. I had headaches. 22 hours later, much to | :05:56. | :06:00. | |
my relief, the crate was rolled onto the right way up. The freight planes | :06:01. | :06:06. | |
were not pressurised, but luckily for Brian there was enough oxygen to | :06:07. | :06:11. | |
keep him alive. More worrying was the realisation that the air freight | :06:12. | :06:15. | |
did not fly straight to its destination, but shuffled from one | :06:16. | :06:21. | |
airport to another over many days. Every joint was swollen, the pain | :06:22. | :06:28. | |
was excruciating. My worst thought was they would have a problem with | :06:29. | :06:31. | |
the aircraft and just throw the crate out with me in it. How would | :06:32. | :06:38. | |
you describe your mental state? At the time, nothing seemed real. I was | :06:39. | :06:42. | |
talking to myself and other people that did not exist. To be honest, I | :06:43. | :06:50. | |
thought I would die. Yes. I was quite | :06:51. | :06:53. | |
thought I would die. Yes. I was breath. Brian endured the torment | :06:54. | :06:57. | |
for four days and 8000 miles until finally his crate was unloaded. I | :06:58. | :07:04. | |
had a torch and I wanted to know the time. I turned the torch and dropped | :07:05. | :07:08. | |
it and the beam of light was shining out through the slats in the crate. | :07:09. | :07:13. | |
There were two guys walking along and one of them saw the light. I | :07:14. | :07:21. | |
said, my goodness, I am not in the UK, because they were speaking in an | :07:22. | :07:25. | |
American accent. You can imagine their shock and mine. We were | :07:26. | :07:30. | |
looking into each other's eyes. When he emerged from the crate, Brian was | :07:31. | :07:34. | |
in Los Angeles and at the centre of a media storm. Did you have a chair | :07:35. | :07:43. | |
in the box? No, just 39 inches by 29 by 33, I believe. Brian made it back | :07:44. | :07:51. | |
to the UK on a first-class flight courtesy of Pan Am. What went | :07:52. | :07:56. | |
through your mind while you were in the crate? Thinking of home and | :07:57. | :08:00. | |
hoping I would get here mainly. Today Brian's story is set to amaze | :08:01. | :08:05. | |
people all over again. He has written a screenplay that will be | :08:06. | :08:10. | |
made into a feature film. Four days in a crate changed Brian's life for | :08:11. | :08:16. | |
ever. Isn't that incredible! When you are six feet seven, that is like | :08:17. | :08:21. | |
every flight you ever take! Well, we have unpacked Carrie Grant and she | :08:22. | :08:28. | |
is ready to go. You have done some maths. Brian Robson boxed himself up | :08:29. | :08:36. | |
and posted himself so we have calculated what it costs to send you | :08:37. | :08:41. | |
from Melbourne back to the studio. Tempting! We valued Chris at ?1 | :08:42. | :08:49. | |
million. And freight flight would be ?7,554. Almost worth it! Richard, we | :08:50. | :09:00. | |
valued you at ?18.50. Fair enough! If I had a moustache I would be | :09:01. | :09:06. | |
worth more. But it would only cost ?897. To sit in a crate? Yes, | :09:07. | :09:14. | |
please. In each of those cases it is cheaper to get a flight. But a | :09:15. | :09:19. | |
better story if you post yourself. Traumatic beyond words, but a | :09:20. | :09:26. | |
feature film. Mainly close-up? Brian is not the only human who has posted | :09:27. | :09:36. | |
himself. In 1815, Henry Box Brown, born into slavery in Virginia. His | :09:37. | :09:43. | |
family, wife and children are taken to another plantation and he is | :09:44. | :09:47. | |
heartbroken. The only way out he can see is to escape to Philadelphia, | :09:48. | :09:51. | |
free State, where he will be a free man, so he boxes himself up, he goes | :09:52. | :09:59. | |
on a wagon, Steamboat, rail. This is a terrible journey. He arrives at | :10:00. | :10:05. | |
the Anti-slavery Society's head office. They open the box and he | :10:06. | :10:10. | |
says, how do you do, gentlemen? Imagine if they had not been there | :10:11. | :10:15. | |
and he had been left with a neighbour! I am having this! | :10:16. | :10:22. | |
Speaking of people putting themselves in boxes, we have a | :10:23. | :10:27. | |
little game. Brian Robson spent four days in a box this big. Chris, can | :10:28. | :10:31. | |
you see anyone in our audience who would be good at fitting into a box | :10:32. | :10:36. | |
that be? There are some smaller people. While you are looking, I | :10:37. | :10:43. | |
don't mean this box. Someone in our audience would fit into this box! | :10:44. | :10:51. | |
And because it is television, you know we are going to make them do it | :10:52. | :10:55. | |
as well. Is it the lady in the Hunter wellingtons? It is not. One | :10:56. | :11:06. | |
more guess? Are you standing on a step or are you really that tall? | :11:07. | :11:13. | |
Right at the back. The tallest guy apart from me in the whole room? Why | :11:14. | :11:24. | |
not? Quite. Can we please welcome Delia? It was the one in the | :11:25. | :11:31. | |
contortionist outfit! This spangly outfit was the giveaway. Do not try | :11:32. | :11:36. | |
this at home. Delia is a professional from the contortionist | :11:37. | :11:40. | |
school, very difficult to get into. Do not try this at home. Oh, no! | :11:41. | :11:59. | |
There she goes! Delia! How about that? | :12:00. | :12:33. | |
We are now going to leave her there for half an hour and watch a film! | :12:34. | :12:42. | |
Have you got the key? No! That was brilliant, wasn't it? Thank you so | :12:43. | :12:52. | |
much, Delia. Somebody let her out! She is fine, just fine. She has got | :12:53. | :13:03. | |
to get to Melbourne cheaply. Now, we wanted to show you this patchy. It | :13:04. | :13:07. | |
might look small but it could be a British breakthrough in solving one | :13:08. | :13:10. | |
of the most pressing problems for medical science. This is Oakley. He | :13:11. | :13:18. | |
suffered burns to his body when he was scolded by a cup of coffee. When | :13:19. | :13:23. | |
he got a fever, doctors couldn't tell if it was an infection of the | :13:24. | :13:28. | |
wound or something else. There is no way of telling without taking off | :13:29. | :13:31. | |
the dressing which in itself is painful and can lead to lifelong | :13:32. | :13:35. | |
scarring. What do they do? Administer antibiotics. The possible | :13:36. | :13:42. | |
overuse of antibiotics this way can lead to antibiotic resistance, one | :13:43. | :13:46. | |
of the biggest problems facing the world today. What if doctors had a | :13:47. | :13:49. | |
better way of knowing if antibiotics were needed in the first place? We | :13:50. | :13:55. | |
need a wound dressing that can be applied directly to burns patients | :13:56. | :13:59. | |
and can give early warning if the wound is infected or not. This would | :14:00. | :14:04. | |
be an uninfected wound. When it becomes infected, you can see here | :14:05. | :14:08. | |
the simulated infection becomes bright, fluorescent green. Bacteria | :14:09. | :14:13. | |
within the wound might reach identity, and then they secrete | :14:14. | :14:18. | |
small toxins which damage your skin, but also they burst open tiny | :14:19. | :14:21. | |
capsules inside the dressing releasing the diet, which is what | :14:22. | :14:26. | |
you can see. Classically, a patient would come into the doctor's, maybe | :14:27. | :14:33. | |
with a burn, and the doctor would reasonably prescribe antibiotics. | :14:34. | :14:37. | |
The problem is most of those patients might not have an infection | :14:38. | :14:42. | |
which would mean unnecessary antibiotics. As an exports man I am | :14:43. | :14:46. | |
no stranger to injuries and wounds. I am going to meet a doctor from a | :14:47. | :14:53. | |
children's hospital to find out how this is put into practice. With this | :14:54. | :14:58. | |
be good for you as a doctor? Fantastic. I can look at the | :14:59. | :15:02. | |
dressing, see if it is turning green, and say I am worried they | :15:03. | :15:06. | |
have an infection. But if it is not turning green, we don't need to give | :15:07. | :15:11. | |
a painful dressing change or intravenous antibiotics. I'm | :15:12. | :15:15. | |
confident this is the way forward. Developing new antibiotics is hugely | :15:16. | :15:18. | |
costly and we need to save antibiotics were when they are | :15:19. | :15:21. | |
really needed and not overuse them and not over treat children with | :15:22. | :15:25. | |
temperatures because they have got a sore throat. We need to treat the | :15:26. | :15:29. | |
children with serious burn wound infections, targeting that | :15:30. | :15:34. | |
treatment, using this new dressing. It is so clear from everybody I have | :15:35. | :15:38. | |
chatted to today that this patch is needed and needed now, which in | :15:39. | :15:42. | |
itself is a shame, because in reality it is a few years away yet. | :15:43. | :15:48. | |
At least it's on its way. Chris, we spoke about your moustache earlier, | :15:49. | :15:56. | |
it's all for a good reason. You are about to perform at the Royal Opera | :15:57. | :16:07. | |
House in L'Etoile. Oui. You have no experience of opera or Theatre, how | :16:08. | :16:11. | |
did this happen? I wrote a piece in the paper last year that was | :16:12. | :16:16. | |
basically about loving opera. Roughly that time the upper house | :16:17. | :16:21. | |
were looking for somebody... They have two part in this particular | :16:22. | :16:25. | |
opera that are non-singing, they wanted a French and British comic | :16:26. | :16:29. | |
actor and because I'd written that piece, clearly, I would do it for | :16:30. | :16:34. | |
less money than others. And here I am talking to you. Non-singing part. | :16:35. | :16:42. | |
Yeah. We were talking about doing lip-synched opera. It's a good | :16:43. | :16:50. | |
concept, we might do some in a bid to won. It would be car crash | :16:51. | :16:56. | |
television. Is it different to television, doing something with a | :16:57. | :17:01. | |
big stage? This beautiful auditorium, and a world I don't | :17:02. | :17:05. | |
know. You know when you walk into a world and everybody else understands | :17:06. | :17:09. | |
what's going on? And you don't understand. You look like you are | :17:10. | :17:16. | |
properly in an opera. That is when I had a beard instead of this | :17:17. | :17:21. | |
ridiculous moustache. That is me and my French compatriot waiting for me | :17:22. | :17:24. | |
at the door during the overture of this thing. We are through the whole | :17:25. | :17:32. | |
opera bickering French and English couple, who get drawn into the | :17:33. | :17:37. | |
opera. Operas have complicated plots, does this? This is more | :17:38. | :17:41. | |
compensated than any plot I have ever... Give us an idea. The mad | :17:42. | :17:55. | |
King Ouf is wandering around his city looking for somebody to impale | :17:56. | :18:00. | |
as a birthday treat. He can't find anybody. Meanwhile there is a bunch | :18:01. | :18:03. | |
of people travelling from another land, one is Ambassador porcupine | :18:04. | :18:12. | |
hedgehog, that is how it translates, he's bringing a princess to marry | :18:13. | :18:15. | |
him, but he's disguised as his wife. His wife is with him, in disguise as | :18:16. | :18:23. | |
his secretary's wife. The love interest comes in, the poor peddler | :18:24. | :18:28. | |
boy, who sees the princess but thinks she's married and is | :18:29. | :18:31. | |
therefore really upset and slaps the King. He's about to be impaled when | :18:32. | :18:41. | |
astrologer turns up. Good old astrologer. From there it gets quite | :18:42. | :18:47. | |
complicated. Lots of spoiler alert. Opera has been a long love of yours? | :18:48. | :18:55. | |
I got into it in my late 20s. I heard a tune I really liked, that I | :18:56. | :19:01. | |
heard a lot in my life, from Mozart opera The Magic Flute. I thought, | :19:02. | :19:05. | |
what would happen if I listened to the rest. Turns out it's all great | :19:06. | :19:08. | |
tunes, I loved it. It was my entry-level drug into the world of | :19:09. | :19:15. | |
opera. It turns out, the thing about opera is, most people really like | :19:16. | :19:21. | |
it. The three tenors were huge. They were big four years. Because people | :19:22. | :19:28. | |
really like that stuff they sold loads of albums. Going to the opera | :19:29. | :19:34. | |
is seeing those tunes live. That Ravi to is always on at the opera | :19:35. | :19:38. | |
house, I guarantee you will spend the first 20 minutes going, I know | :19:39. | :19:42. | |
this one, I know that one. What is a good starting point if somebody is | :19:43. | :19:52. | |
thinking about it? Le Traviata? I tell you why L'Etoile is a good one! | :19:53. | :19:57. | |
The tunes are amazing, music is beautiful, catchy, funny, light. It | :19:58. | :20:02. | |
is Barney, the production is a big pantomime as far as I can make out. | :20:03. | :20:07. | |
The clincher is, it's short and you get a lot of time in the pub after. | :20:08. | :20:14. | |
Perfect introduction. You can see Chris, a non-singing part, in | :20:15. | :20:19. | |
L'Etoile through February at the Royal Opera House. Oui. A | :20:20. | :20:26. | |
trailblazing British couple made history and headlines by being the | :20:27. | :20:30. | |
first gay couple to legally father children. The children are old | :20:31. | :20:34. | |
enough to tell their story, so Wendy paid the family visit. I'm Harry, | :20:35. | :20:42. | |
this is Tony. This is Aspen and Saffron our 16-year-old twins and | :20:43. | :20:47. | |
our son Orlando who is 12. This is Dallas and Jasper, our five-year-old | :20:48. | :20:51. | |
twins. You have quite a big family, are we stopping there? I'd really | :20:52. | :20:58. | |
like another daughter. I am way too old for that now. I'd always wanted | :20:59. | :21:02. | |
to have a family but never thought it would be possible. It's never an | :21:03. | :21:07. | |
easy ride, it's been really, really hard, but it's been the best thing | :21:08. | :21:13. | |
ever. In 1999 when Aspen and Saffron were born, the family made headline | :21:14. | :21:18. | |
news. Two British men have made legal history by becoming joint | :21:19. | :21:22. | |
parents of twins born to a surrogate mother in California. Having | :21:23. | :21:25. | |
penetrated their 16th birthday the twins are at an age where they can | :21:26. | :21:29. | |
affect on their upbringing with the parents they called dad and daddy. | :21:30. | :21:32. | |
How does your dad relationship tween the two of them, compared to your | :21:33. | :21:38. | |
friends parents... Lots of my friends parents are divorced, | :21:39. | :21:43. | |
whereas my dads have been together 28 years. They love each other. In | :21:44. | :21:47. | |
what ways do you think dad and daddy are doing a good job? Don't think | :21:48. | :21:52. | |
they could do any better, managed to bring up five children. A lot of | :21:53. | :21:55. | |
people thought they wouldn't be able to do it and they've proved everyone | :21:56. | :22:00. | |
wrong. They give us what we need every time we needed. What do you | :22:01. | :22:07. | |
need? Water and food. Very smart, very good choice. 40 years, | :22:08. | :22:14. | |
Professor Susan at the University of Cambridge has studied the impact of | :22:15. | :22:17. | |
being raised in a nontraditional family. It's often assumed children | :22:18. | :22:22. | |
in gay father families will have problems. We found gay men are just | :22:23. | :22:30. | |
as capable at being loving, nurturing parents. What does differ | :22:31. | :22:33. | |
is the way they are treated by people outside the family. Have you | :22:34. | :22:38. | |
ever had negative comments about your family set up at school? My dad | :22:39. | :22:42. | |
got comments from other parents and stuff like that. They weren't really | :22:43. | :22:48. | |
liked by other parents. Why did people react like that? I'm not | :22:49. | :22:53. | |
sure, I think it's just because they are gay and different and people | :22:54. | :22:57. | |
didn't really like different. Do you think you are missing out not having | :22:58. | :23:01. | |
a mum? I don't know, I've not had a mum to compare. | :23:02. | :23:04. | |
I have the same relationship with my daddy coming he likes shopping, I | :23:05. | :23:11. | |
like shopping, he likes getting his hair done, I like getting my hair | :23:12. | :23:16. | |
done, he liked everything I like. It's often thought children with gay | :23:17. | :23:20. | |
parents will themselves grow up to be gay, what we know so far is that | :23:21. | :23:24. | |
sexual orientation of parents has very little bearing on sexual | :23:25. | :23:28. | |
orientation of their children. What do you say to people concerned if | :23:29. | :23:32. | |
you are brought up by two gay dads you are more likely to be gay. It's | :23:33. | :23:37. | |
not true, being brought up by gay dad doesn't make you gay or | :23:38. | :23:40. | |
straight, you are what you are. Both my parents were brought up by | :23:41. | :23:43. | |
straight parents and they are not straight. If people said you will | :23:44. | :23:47. | |
turn out like your dad is, what will you say? I'd say something like, | :23:48. | :23:52. | |
what? Happy, successful, rich? Something like that. In the Druitt | :23:53. | :23:59. | |
Barlow family some of the children are genetically related to one dad, | :24:00. | :24:04. | |
some to the other dad. This is such a new phenomenon that there hasn't | :24:05. | :24:08. | |
yet been any research about it. Dallas, who are you most like, dad | :24:09. | :24:14. | |
or daddy? Dad. What about the rest of you? Daddy. I think I am more | :24:15. | :24:21. | |
like dad. I don't know who I look like. Do you know which one of you | :24:22. | :24:27. | |
is genetically related to which one? They would tell us if we wanted to | :24:28. | :24:31. | |
but I don't think any of us want to know that, I just want to know I | :24:32. | :24:35. | |
have two loving dad to love me the same. What matters most for children | :24:36. | :24:39. | |
is the quality of relationship with their parents. It makes much more of | :24:40. | :24:44. | |
a difference than how the family is organised. | :24:45. | :24:47. | |
Did you consider yourselves a nontraditional family? We are quite | :24:48. | :24:53. | |
normal these days, there are single mothers, single fathers, two men, | :24:54. | :24:57. | |
two women the thing together. I don't know what traditional family | :24:58. | :25:00. | |
is supposed to mean. Traditional family is supposed to mean love, | :25:01. | :25:05. | |
teaching your kids respect, values, a family unit shouldn't be defined | :25:06. | :25:10. | |
by the gender of the parents, it should be defined by the quality of | :25:11. | :25:14. | |
life and the love within that family unit. It's so true, isn't it? Isn't | :25:15. | :25:21. | |
it just, lovely film. Belated happy birthday to Aspen and Saffron. We | :25:22. | :25:29. | |
asked you to send in your faces in inanimate objects. Delia was keen to | :25:30. | :25:36. | |
join in. That is hers. From Michael, it says, surprised your handle. She | :25:37. | :25:45. | |
hasn't been in there the whole time! This is from Linda, this is her | :25:46. | :25:53. | |
frock. This is from Dan Brown, the back of a seat in Blackpool. A | :25:54. | :25:59. | |
little face. Thank you very much to Chris and good luck with L'Etoile. | :26:00. | :26:03. | |
And thank you for being marvellous again, Richard, come back shortly. | :26:04. | :26:08. | |
Matt will be back on Monday when Matthew Perry, Chandler from | :26:09. | :26:14. | |
friends, will be here. To play as outcome and artist regularly | :26:15. | :26:19. | |
produced as the first act Ed Sheeran signed to his label. We won't | :26:20. | :26:22. | |
introduce him like that. Here is Jamie Lawson with I Wasn't Expecting | :26:23. | :26:26. | |
That. # I wasn't expecting that | :26:27. | :26:30. | |
But my heart it went wild # Your hand slipped | :26:31. | :26:36. | |
into mine # You spent the night in my bed | :26:37. | :26:51. | |
You woke up and you said # I thought love wasn't meant | :26:52. | :27:01. | |
to last # I thought you were | :27:02. | :27:11. | |
just passing through # I wasn't expecting | :27:12. | :27:15. | |
that # It was almost misheard | :27:16. | :27:29. | |
I wasn't expecting that # I wasn't expecting that | :27:30. | :27:39. | |
A month turned into a year # How a life can be changed | :27:40. | :27:56. | |
In the flicker of the sweetest smile # We were married in spring You know | :27:57. | :28:03. | |
I wouldn't change a thing # Without that innocent kiss | :28:04. | :28:06. | |
What a life I'd have missed # If you'd not took a chance | :28:07. | :28:15. | |
On a little romance # When I wasn't expecting that | :28:16. | :28:20. | |
Time doesn't take long # Three kids up and gone | :28:21. | :28:25. | |
I wasn't expecting that # I wasn't expecting that | :28:26. | :28:37. | |
"It's come back again" # You took my heart | :28:38. | :28:47. | |
by surprise I wasn't expecting | :28:48. | :28:53. |