Browse content similar to 25/01/2016. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with Matt Baker. | :00:15. | :00:16. | |
Tonight we're celebrating two sitcom characters from either side | :00:17. | :00:21. | |
Hartley and Louis Lloyd Pack will be telling us what it was like growing | :00:22. | :00:27. | |
up with Roger, who played the immortal Trigger. | :00:28. | :00:34. | |
My name's not Dave, my name's Rodney. I thought it was Dave. It's | :00:35. | :00:44. | |
Rodney. Are you sure? APPLAUSE | :00:45. | :00:44. | |
And we're going to meet one of the friends who made this | :00:45. | :00:47. | |
American sitcom one of my all-time favourite TV shows. | :00:48. | :00:52. | |
I appreciate you getting me the casting. I thought he'd love it. The | :00:53. | :01:03. | |
kids book with the Velvetine rabbit. The rabbit was brown and white. It | :01:04. | :01:07. | |
was either a pink bunny or no bunny at all. Always no bunny at all! We | :01:08. | :01:16. | |
can't believe it because Matthew Perry is on our sofa tonight. | :01:17. | :01:22. | |
Welcome, welcome. Thank you for showing a clip of me in a pink bunny | :01:23. | :01:27. | |
outfit. It's one of our favourites. So we'll talk about your brand-new | :01:28. | :01:31. | |
West End play which sounds absolutely fantastic a bit later on, | :01:32. | :01:35. | |
but we have to talk about this kind of but not really Friends reunion | :01:36. | :01:40. | |
that happened last night. A tribute to James Burrows who directed it and | :01:41. | :01:44. | |
lots of other sitcoms. What happened then? There was a tribute to him and | :01:45. | :01:48. | |
the Friends cast got together to show up to that tribute. But I was | :01:49. | :01:52. | |
here rehearsing my play so I couldn't go. So I did a little taped | :01:53. | :01:59. | |
interview and I introduced them. Very nice. I was a part of it but I | :02:00. | :02:04. | |
couldn't be there because I was rehearsing. Fair enough. Busy man. | :02:05. | :02:09. | |
There was a photograph of lots of stars that turned up there. All your | :02:10. | :02:13. | |
friends from the past. Look, I'm not in that picture! No. No, we are | :02:14. | :02:17. | |
going to try and get a screen grab of that message, but when you see | :02:18. | :02:22. | |
those folk there, does that give a little sparkle and do you think, do | :02:23. | :02:25. | |
you know what, there's life in the old Friends bunch yet? Yes, I love | :02:26. | :02:30. | |
all those guys. There's a chance? Always a possibility. It's talked | :02:31. | :02:33. | |
about a lot. I think the actors would maybe be into doing it. I'm | :02:34. | :02:39. | |
maybe the number one Friends fan. In the world. Really? Maybe. I sort of | :02:40. | :02:44. | |
think it was so good, do we want to mess with it. That's the problem, | :02:45. | :02:51. | |
you see. Because it ended on a very high note. Very high note. So if we | :02:52. | :02:57. | |
made something that was crap. If you are not feeling it... It would ruin | :02:58. | :03:03. | |
the memory of the show. Then there's the argument that you don't know if | :03:04. | :03:06. | |
you don't try it. We've held off quite a while. Then it could be... | :03:07. | :03:15. | |
Gosh, I'm confused, I don't know! We'll Central Park it. | :03:16. | :03:18. | |
From next Monday if you are a landlord who lets a room | :03:19. | :03:21. | |
to an illegal immigrant you could face a heavy fine. | :03:22. | :03:23. | |
Nick Wallis joined immigration officers as they prepared | :03:24. | :03:26. | |
for the change by raiding properties of landlords that they suspect had | :03:27. | :03:28. | |
The authorities have had a tip-off that Mr Might be illegal immigrants | :03:29. | :03:38. | |
living in one of the addresses down this road. | :03:39. | :03:44. | |
Is this as do house? It is, yeah... Look at this wiring. Every room is | :03:45. | :03:52. | |
crammed with beds. You wouldn't expect to see this in a leaf yes | :03:53. | :03:56. | |
suburb in West London. Look at this. It's just a lean-to that's been | :03:57. | :04:00. | |
converted. What are we looking at here? Looks like a Portakabin at the | :04:01. | :04:08. | |
side of the house. The landlord has a lot to answer for. You could | :04:09. | :04:14. | |
fairly describe this as a slum. I wouldn't know from it the outside, | :04:15. | :04:17. | |
but inside, this suburban house is jam packed with tenants. All paying | :04:18. | :04:22. | |
rent, not for a room, but for a bed space. I've been told bay resident | :04:23. | :04:26. | |
there are 70 people living in this property. 70 people. And they are | :04:27. | :04:33. | |
all paying ?70 a week rent. That's ?4,900 a week to the land lor. | :04:34. | :04:40. | |
Unbelievable. The Liang landlord later told us there were no more | :04:41. | :04:44. | |
than 40 people staying and that they pay varying amounts in rent. He also | :04:45. | :04:49. | |
said he'd made improvements to the property since our visit. Today's | :04:50. | :04:53. | |
raid isn't about the landlord or how much his tenants pay, but rather who | :04:54. | :05:00. | |
those tenants are. Immigration... Show me ID. ID? Driving licence. | :05:01. | :05:08. | |
Passport? Where are you fro? You don't have your bus ticket to show | :05:09. | :05:16. | |
me? A failed asylum seekers from Bosnia illegally in the UK. He was | :05:17. | :05:19. | |
still able to find somewhere to rent even though he was not allowed in. | :05:20. | :05:25. | |
Why come to England? Like everybody coming in England. Did the landlord | :05:26. | :05:29. | |
ask you where you were fro? He discuss me where is me from Bosnia | :05:30. | :05:34. | |
OK, blah blah blah, you have to pay the rent, blah blah blah, you will | :05:35. | :05:36. | |
pay the rent and sleep on this. No-one knows for sure how many | :05:37. | :05:46. | |
illegal immigrants are in the UK. And while Marim is arrested, the | :05:47. | :05:49. | |
land lor currently faces no sanctions. But that all changes next | :05:50. | :05:57. | |
week with what's being dubbed the right-to-rent law. | :05:58. | :06:01. | |
All landlords in England will have to check that their tenants have the | :06:02. | :06:07. | |
right to live in the UK otherwise they could be in for a heavy fine. | :06:08. | :06:12. | |
The Law is designed to make it harder for illegal immigrants to | :06:13. | :06:15. | |
stay in the country. Sarah Burton is one of the immigration officers on | :06:16. | :06:18. | |
today's raid. Do you think the new law would have made any difference | :06:19. | :06:22. | |
to him being here? Finding it hard to find accommodation will make it | :06:23. | :06:28. | |
more difficult for them to remain here illegally without coming to our | :06:29. | :06:32. | |
attention. In all, three young people are detained in this raid, | :06:33. | :06:36. | |
including a woman living in an adjoining property. They'll be taken | :06:37. | :06:40. | |
to an immigration holding centre and face being deported to their home | :06:41. | :06:44. | |
countries. No action was taken against any other residents. You | :06:45. | :06:49. | |
know what you are doing, but will the new law transfer a lot of your | :06:50. | :06:53. | |
responsibilities on to landlords? We are asking them to conduct an easy | :06:54. | :06:56. | |
check about their immigration status. We are not asking them to be | :06:57. | :07:00. | |
experts and if they can demonstrate they have made the checks, they | :07:01. | :07:04. | |
won't be fined. The new law has its critics. John Sparks from Crisis | :07:05. | :07:10. | |
fears the right-to-rent law will push more people into homelessness. | :07:11. | :07:14. | |
The purpose of this legislation as I understand it is to stop landlords | :07:15. | :07:18. | |
taking on illegal immigrants. So what is wrong with it? That is the | :07:19. | :07:21. | |
purpose and I have a great deal of sympathy with the need to do that. | :07:22. | :07:25. | |
What is wrong with it and what our concern is, is that this impacts on | :07:26. | :07:28. | |
everybody, not just people who should about be here, it impacts on | :07:29. | :07:33. | |
British citizens. If you are homeless and you are trying to get | :07:34. | :07:36. | |
somewhere to live and someone's asking you for a whole list of very | :07:37. | :07:41. | |
formal documents and you can't get your hands on those immediately, | :07:42. | :07:44. | |
someone else is going to take the tenancy, you are still going to be | :07:45. | :07:49. | |
homeless. The three arrested face an uncertain future, but will the new | :07:50. | :07:54. | |
right-to-rent law be an effective deterrent for them and those who | :07:55. | :07:55. | |
want to stay in Britain illegally? James Brokenshire, the immigration | :07:56. | :08:00. | |
minister is here now. That is an England-only policy, just | :08:01. | :08:08. | |
to be clear. But as we heard, 70 people living in those conditions | :08:09. | :08:12. | |
and many viewers will be wondering, why isn't the landlord being | :08:13. | :08:15. | |
prosecuted as well as the tenants then? They were shocking pictures we | :08:16. | :08:20. | |
saw on that film and there are investigations ongoing with the | :08:21. | :08:23. | |
local authority and other agencies because it's precisely thissish you | :08:24. | :08:27. | |
of rogue landlords that we are also going after. There are other | :08:28. | :08:30. | |
measures that we'll be introducing for the most serious of cases, if | :08:31. | :08:34. | |
you are renting illegally, there is a law going out to create criminal | :08:35. | :08:40. | |
penalties. What kind? Could be imprisonment for up to five years | :08:41. | :08:45. | |
for the most serious of cases if you are renting out to someone without | :08:46. | :08:48. | |
the right to be in this country. It's about making sure you have the | :08:49. | :08:52. | |
right checks but equally, on horrible cases like that, really | :08:53. | :08:55. | |
seeing how we can work together with immigration enforcement, with the | :08:56. | :08:59. | |
local council, to go after the rogue landlords. There are some critics | :09:00. | :09:02. | |
out there who're saying that you are going to try and get landlords to do | :09:03. | :09:06. | |
the work of the Home Office here, James? The checks are very simple, | :09:07. | :09:11. | |
as we have seen on the film. It's not about trying to catch landlords | :09:12. | :09:16. | |
out. In many ways, a lot of landlords are already doing the | :09:17. | :09:18. | |
checks about identifying who they are renting out property to, | :09:19. | :09:23. | |
building on that, looking at simple identification documents like | :09:24. | :09:25. | |
passports, possibly driving licences, plus a letter from the | :09:26. | :09:28. | |
local council or someone along those lines that when you apply for a | :09:29. | :09:32. | |
passport. So it's keeping it really simple but making sure that | :09:33. | :09:36. | |
properties that are being let out are prioritised for people with the | :09:37. | :09:39. | |
right to be in this country rather than without the right to be in this | :09:40. | :09:44. | |
country. Why didn't you show him in a pink bunny suit? ! We were going | :09:45. | :09:49. | |
to, but we thought it might be too much. | :09:50. | :09:54. | |
LAUGHTER It doesn't seem fair. That's a | :09:55. | :10:00. | |
different show! There was a point that Crisis made in that film about | :10:01. | :10:04. | |
the fact that non-illegal immigrants may get caught up in this whole | :10:05. | :10:08. | |
saga, so what would you say about that? We have evaluated this. It | :10:09. | :10:12. | |
started off in the West Midlands. We did a pilot there and there was no | :10:13. | :10:16. | |
indication that homelessness was being caused. Indeed we are focussed | :10:17. | :10:21. | |
on this, we have a panel of experts, including some charities. It's | :10:22. | :10:23. | |
something we are going to continue to focus on as the scheme gets | :10:24. | :10:27. | |
rolled out to England from the 1st February and obviously the simple | :10:28. | :10:30. | |
advice and guidance that's out there on the Government website. | :10:31. | :10:37. | |
Thank you so much. We will get you a pink bunny suit if you want us to! ? | :10:38. | :10:41. | |
Friends Reunited, one of the first social networking sites, | :10:42. | :10:44. | |
which allows you search for people from your past, | :10:45. | :10:46. | |
And while it's concept doesn't seem revolutionary anymore, | :10:47. | :10:51. | |
when it started, it had the power to change peoples' lives. | :10:52. | :10:59. | |
I'm Julie Pankhurst. I'm Steven Pankhurst. I had the idea of this | :11:00. | :11:07. | |
because I wanted to get in touch with an old school friend. The | :11:08. | :11:11. | |
website took off in the space of a couple of months to become one of | :11:12. | :11:14. | |
the top websites in the whole of the country. At its height, there was | :11:15. | :11:19. | |
between 10 million and 15 members, people were getting in touch with | :11:20. | :11:23. | |
old frames which led to marriages and babies being born and then of | :11:24. | :11:27. | |
course, the downside of that is, we got blamed for a lot of divorce. | :11:28. | :11:33. | |
There are other stories about people finding their birth parents and lots | :11:34. | :11:36. | |
of stories of long lost family members getting back together as | :11:37. | :11:40. | |
well. I'm James van Dijk. I grew up in | :11:41. | :11:45. | |
Bedfordshire, I grew up in Bedford. After the family fragmented, I went | :11:46. | :11:51. | |
to live in Devon. I'm Sarah, I knew I was adopted from a very young age. | :11:52. | :11:55. | |
As I grew older, I decided once and for all I was going to really | :11:56. | :11:59. | |
research my birth family history. When you are at school, | :12:00. | :12:02. | |
especialfully a boy's school, you have strong bonds. As you grow up, | :12:03. | :12:05. | |
you get jobs and stuff, you lose track of people and I was in the | :12:06. | :12:11. | |
library one day and I was like, oh, Friends Reunited, I saw a link on | :12:12. | :12:14. | |
the computer and I thought, I want to see what so-and-so is doing and I | :12:15. | :12:18. | |
want to look up my mates. The first year I went on Friends Reunited was | :12:19. | :12:23. | |
2001, I found my half sister Debra and in one of the conversations she | :12:24. | :12:28. | |
said to me, we must find James and I said, who is James and she said, | :12:29. | :12:32. | |
well that is our little brother and I said, I didn't know we had one. | :12:33. | :12:36. | |
The next afternoon I got logged on, got nothing from school friends but | :12:37. | :12:40. | |
then a message from this woman who said, I think we've got the same | :12:41. | :12:44. | |
mother and I was like, she's obviously crackers. Some people | :12:45. | :12:48. | |
think he's my boyfriend and think, who is Sarah going out with now, you | :12:49. | :12:56. | |
know. Jocking aside, if you are looking for some physical | :12:57. | :13:03. | |
characteristic, you won't find it. But we started talking and we ended | :13:04. | :13:09. | |
up brother and sister. You end up with what you didn't bargain for. | :13:10. | :13:15. | |
She's non-returnable! Carol was my best friend. I think we used to walk | :13:16. | :13:20. | |
to school or cycle to school but unfortunately, she was one that I | :13:21. | :13:25. | |
did lose touch with. So when I heard about the Friends Reunited site, I | :13:26. | :13:30. | |
put Carol's name in and then a short time after, I had an e-mail from | :13:31. | :13:35. | |
her. We arranged to meet up in Stamford. I saw somebody walking | :13:36. | :13:39. | |
towards me smiling at me so I got up and, as I walked towards her, she | :13:40. | :13:44. | |
said "Carolyn, my lovely friend" and she kissed and hugged me and that | :13:45. | :13:48. | |
was it, it was just lovely to see her again. She looked really well. | :13:49. | :13:54. | |
She was very ill actually at the time. It was cancer and that was the | :13:55. | :14:05. | |
last time that I ever saw her. Thanks to the Friends Reunited. | :14:06. | :14:08. | |
Without them, I would never have seen her again. It's incredible to | :14:09. | :14:14. | |
think that my daughter, Amber is now 16. After we sold Friends Reunited | :14:15. | :14:25. | |
in 2005, it changed hands. I took it back two years ago and realised | :14:26. | :14:28. | |
recently that we couldn't do much more with it. The Internet is so | :14:29. | :14:33. | |
easy to find people. Friends Reunited isn't needed any more. | :14:34. | :14:40. | |
Years from now, we will be looking for each other from when we were on | :14:41. | :14:51. | |
the BBC. But Matthew, I am sure lots of | :14:52. | :14:54. | |
people get in touch with you. Have you lost touch with anybody and got | :14:55. | :15:00. | |
back in contact with them? Actually, there is somebody in London that I | :15:01. | :15:04. | |
got in contact with, my buddy Chris, who I have known since the third | :15:05. | :15:08. | |
grade. We are now hanging out, which is nice. That is good, because you | :15:09. | :15:14. | |
have lots of time in London. You are here until May the 14th. So it is | :15:15. | :15:20. | |
good to have a friend. You have written this new play, The End Of | :15:21. | :15:24. | |
Longing, about four friends. It is not just friendship, it is about the | :15:25. | :15:32. | |
complexities of friendship. Yeah, it is a play about four people, sort of | :15:33. | :15:37. | |
the Friends generation, people in their 30s and 40s, sort of longing | :15:38. | :15:45. | |
for love and relationships. It is about four pretty broken people, | :15:46. | :15:47. | |
trying to fix themselves in order to find love. You have written lots of | :15:48. | :15:54. | |
things in the past, but this is your debut as a playwright. It is the | :15:55. | :15:57. | |
first thing I have written by myself. I have written with a | :15:58. | :16:02. | |
partner before, TV shows. The odd couple that I am doing in the | :16:03. | :16:05. | |
States, I co-wrote the first episode, but this is the first thing | :16:06. | :16:10. | |
I wrote myself. And how did you fall upon this storyline? I am not sure. | :16:11. | :16:15. | |
I just started writing and then didn't stop. The notes we had said | :16:16. | :16:23. | |
that you wrote it in an extremely short space of time. Like ten hours? | :16:24. | :16:32. | |
Not ten hours. That would have made for a very bad play. It was ten | :16:33. | :16:40. | |
days. But I have been rewriting it for about a year. You have acted in | :16:41. | :16:45. | |
the West End before, but this is the first play you have written. Which | :16:46. | :16:48. | |
of those firsts is the most nerve-wracking? I am very nervous | :16:49. | :16:55. | |
about opening night of this play, because I am starring in it and I | :16:56. | :16:59. | |
wrote it, so I am wearing two hats and I'm very interested in helping | :17:00. | :17:05. | |
people like it. So the first night on for breathe second, our preview | :17:06. | :17:10. | |
night, it is the first time we go in front of an audience and I am | :17:11. | :17:14. | |
nervous about that. But which part of the whole process have you | :17:15. | :17:19. | |
enjoyed most? It has been fun watching the other actors do the | :17:20. | :17:24. | |
words that I wrote. That has been fun, and we have a talented group of | :17:25. | :17:36. | |
people in the play. There is one. You say that you play, not yourself, | :17:37. | :17:41. | |
but an exaggerated version of yourself. Which qualities have you | :17:42. | :17:46. | |
taken from you and put into the play? Well, I play a drunk in the | :17:47. | :17:52. | |
play. And it has been well documented that I have had my issues | :17:53. | :17:58. | |
in the past. But it is a different type of drunk. And it is an | :17:59. | :18:03. | |
exaggerated form of myself. It is not autobiographical. There I am. | :18:04. | :18:15. | |
Look how good a time I am having. And what do you hope people take | :18:16. | :18:23. | |
from all of this? Display came from somewhere, you have put it on, you | :18:24. | :18:27. | |
want people to see it in London. It sounds cliched, but I hope people | :18:28. | :18:32. | |
laugh and cry at the play. There are some poignant moments in it and | :18:33. | :18:39. | |
funny moments, and I hope they have a range of emotions and leave the | :18:40. | :18:42. | |
theatre talking about it. Is it one of those where you will not know | :18:43. | :18:46. | |
whether to laugh or not because of the tragedy within it? Well, | :18:47. | :18:50. | |
hopefully, you will know when to laugh. And hopefully, you will know | :18:51. | :18:56. | |
when to cry. Well, it is on from February the 2nd. And you are going | :18:57. | :19:02. | |
to hang out with your mate in London. We are going to have fun. I | :19:03. | :19:09. | |
am going to go on the London Eye. Let me tell you, London dungeon. | :19:10. | :19:14. | |
That is where to go. That sounds very naughty. I don't work for them, | :19:15. | :19:22. | |
but it is a good day out. Quite scary. It is not the dungeon you | :19:23. | :19:28. | |
think it is. On the other hand, butterfly world, just outside the | :19:29. | :19:34. | |
M25, is worth a visit. The End Of Longing opens on the second at the | :19:35. | :19:39. | |
Playhouse Theatre in London. What did you think when you walked into | :19:40. | :19:46. | |
it? I thought it was big. And I guess you have not moved in yet? No, | :19:47. | :19:53. | |
we moved in on Saturday. We wish you all the best. | :19:54. | :19:57. | |
Now, to my, we will be introducing Mathew Tait Only Fools And Horses | :19:58. | :19:59. | |
and the character Trigger, played by Roger Lloyd Pack. But now let's | :20:00. | :20:03. | |
introduce you to his sons, with memories of growing up with their | :20:04. | :20:07. | |
dad. Hi, I am heartily Lloyd Pack. I am | :20:08. | :20:13. | |
Louis. Our dad was Roger Lloyd Pack, best known for his role as | :20:14. | :20:17. | |
triggering Only Fools And Horses. Nice and cool, you know what I mean? | :20:18. | :20:27. | |
The vigour of deadly. In the great wind, there was just when. Trigger | :20:28. | :20:38. | |
was a lovable buffoon. But there was definitely more Trigger in him, not | :20:39. | :20:41. | |
in terms of being stupid, he was really bright, but he could be in | :20:42. | :20:46. | |
his own world at times. That was very gentle and open-minded. He had | :20:47. | :20:49. | |
his complexities as well, which I guess everyone has. Dad went to | :20:50. | :20:55. | |
boarding school. I think he had quite a bad time there. He hated | :20:56. | :21:04. | |
getting sent away. I always had the feeling my dad was happiest when | :21:05. | :21:07. | |
playing the piano. If he was stressed or angry, it felt like a | :21:08. | :21:11. | |
release for my dad to be at the piano, singing a song. My dad was | :21:12. | :21:15. | |
always healthy and looked after himself, so it came out of the blue | :21:16. | :21:19. | |
when he suddenly fell ill. It was a shock to us all but we knew that | :21:20. | :21:25. | |
pancreatic cancer did not have great survival rates. So it was bleak from | :21:26. | :21:31. | |
the start. He put a brave face on it. You would not have guessed he | :21:32. | :21:36. | |
was arranging his own funeral, he was bubbling with life. Following on | :21:37. | :21:42. | |
from the musical performances at my dad's funeral, me and my mum decided | :21:43. | :21:46. | |
to make an album as a tribute to my dad, using our lyrics. It felt | :21:47. | :21:50. | |
helpful to write my feelings down and talk about my memories of my | :21:51. | :21:55. | |
dad. So we created an album called 16 sunsets. It will be a fundraiser | :21:56. | :21:59. | |
for pancreatic cancer. There is a track on the album called Tottenham | :22:00. | :22:02. | |
about the memories of going to the games with him. White Hart Lane, | :22:03. | :22:10. | |
settled in blue seats. Our dad was a massive Tottenham fan. We would get | :22:11. | :22:17. | |
the junior Spurs magazine and we used to read the player interviews. | :22:18. | :22:23. | |
There were questions like, what is your pre-match meal? What is your | :22:24. | :22:26. | |
favourite TV programme? And one of them was Only Fools And Horses. At | :22:27. | :22:32. | |
the time, he was the club captain of Spurs. He was a club legend. I | :22:33. | :22:39. | |
remember signing autographs and seeing you coming up, and looking up | :22:40. | :22:42. | |
and seeing Trigger, Roger. It was amazing. Why do you call me Dave? My | :22:43. | :22:49. | |
name is not Dave, my name is Rodney. I thought it was Dave. It is Rodney. | :22:50. | :22:57. | |
Are you sure? Positive. Roger really brought that character to life. His | :22:58. | :23:02. | |
timing, expressions, talent. Well, you live and learn. Meeting him, you | :23:03. | :23:08. | |
expect to meet Trigger, because that was how you saw Roger. Of course, in | :23:09. | :23:11. | |
reality, Roger himself loved the theatre. The work on Shakespeare, | :23:12. | :23:18. | |
that was where his enjoyment came from. We became friends. We spent so | :23:19. | :23:23. | |
much time together, talking about mainly Tottenham. He had a real | :23:24. | :23:27. | |
passion for the club. He came on the pitch a few times I didn't he? You | :23:28. | :23:33. | |
would have people around you, shouting, Trigger! Very surreal. | :23:34. | :23:45. | |
That was when we went to LA, to visit our sister in the Lee. My dad | :23:46. | :23:49. | |
was originally married to a lady named Sheila, and then they had a | :23:50. | :23:55. | |
daughter called Gemili Lloyd -- Emily Lloyd. She is an actor. She | :23:56. | :24:03. | |
was like the supercool older sister. She had a huge python snake in her | :24:04. | :24:10. | |
flat. It was like a big road trip. We started off in a league and then | :24:11. | :24:15. | |
went through California, all the way to Las Vegas. And we were driving | :24:16. | :24:20. | |
through death Valley, and then our dad decided to crack an egg on the | :24:21. | :24:25. | |
bonnet of a car to see if it fried. He loved to do those kind of boyish | :24:26. | :24:30. | |
pranks. That was his outlook on life, to remain young and never lose | :24:31. | :24:33. | |
that inner child, I guess. Thank you, boys, a touching film. | :24:34. | :24:50. | |
Make the most of life while you have got it. I disagree. Go on! Just | :24:51. | :25:05. | |
kidding. Bizarre! Anyway, Only Fools And Horses was an incredible sitcom | :25:06. | :25:09. | |
for us in the UK. What did you watch? Are used to watch a show | :25:10. | :25:15. | |
called happy days. I used to love that. Who was your favourite | :25:16. | :25:19. | |
character? The funds. He has been here many times. He is a great guy. | :25:20. | :25:27. | |
We are going to play some table tennis. I want to talk about your | :25:28. | :25:36. | |
dad first. Oh, sorry! My dad is an actor, yes. He is probably the | :25:37. | :25:41. | |
reason I am an actor. We did a film together called fools Rush in, where | :25:42. | :25:44. | |
he played my dad. He was most famous for being the old spice Guy, so he | :25:45. | :25:49. | |
was a very handsome man. He used to be a model. He was a model and a | :25:50. | :25:53. | |
singer and an actor. Did you like working with him? Yes, he was | :25:54. | :25:59. | |
hilarious. He is coming to the opening night. 2nd of February. Now, | :26:00. | :26:06. | |
what were you going to say? We are going to play something pop. We have | :26:07. | :26:10. | |
it on good authority that you really enjoy this. I do enjoy playing table | :26:11. | :26:16. | |
tennis. We know this, because a couple of years ago, Michael Sheen | :26:17. | :26:22. | |
came on the show. And he said so. I played table tennis with Chandler | :26:23. | :26:31. | |
from Friends. How showbiz is that? Who won? He beat me, but he has a | :26:32. | :26:36. | |
robot at home, a machine that plays table tennis with him. I do have a | :26:37. | :26:46. | |
machine. My goodness! Well, you also have a machine here. It is me. Well, | :26:47. | :26:53. | |
it was going to be Matt, but Matt had a sheep related injury over the | :26:54. | :27:03. | |
weekend. That begs questions! Well, I was doing some pre-lambing | :27:04. | :27:08. | |
checks... Anyway. It is a long story. I have some questions here. | :27:09. | :27:12. | |
Shall we play while you ask questions? If that is all right. Off | :27:13. | :27:19. | |
we go. Who is the most influential person in your career? Woody Allen. | :27:20. | :27:26. | |
Why? He is a wonderful writer and director and I love his movies. Do | :27:27. | :27:32. | |
you give money to beggars? Do I give money to Vegas? Beggars. People | :27:33. | :27:39. | |
asking for money on the street. Oh, yes! Is it true that the writers of | :27:40. | :27:44. | |
Friends make sure each character have the same number of jokes using | :27:45. | :27:48. | |
a pie chart? They did have a pie chart. Where was it? In the writers' | :27:49. | :27:54. | |
room. What was the last you read? It was this psychopath test. How would | :27:55. | :27:59. | |
you rate that? It was a great book by Jon Ronson. What is the | :28:00. | :28:04. | |
accomplishment that you are most proud of? Other than this ping-pong | :28:05. | :28:12. | |
game? Apart from this. Probably being involved in Friends. On that | :28:13. | :28:18. | |
note, is it true that Chandler was originally going to be gay? That is | :28:19. | :28:24. | |
not true. I am glad, because I loved him and moniker together. Michael | :28:25. | :28:27. | |
Keaton is one of your acting heroes. Can you do an impression of him? I | :28:28. | :28:36. | |
can. This is him doing just about anything. And that is all we have | :28:37. | :28:42. | |
time for tonight. Don't forget that Matthew's played, The End Of | :28:43. | :28:46. | |
Longing, opens on the 2nd of February at the Playhouse Theatre in | :28:47. | :28:49. | |
London. If you are celibate in Burns Night tonight, have a great time. | :28:50. | :28:57. | |
That was a great game. You were a good player. Tomorrow, we are joined | :28:58. | :29:00. | |
by Hyacinth "Bouquet" herself, Patricia Routledge. See you then. | :29:01. | :29:02. | |
Good night! | :29:03. | :29:04. |