Browse content similar to 22/02/2012. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Matt Baker and Alex Jones. | :00:21. | :00:29. | |
Tonight's character plays a character who to be tipped over the | :00:29. | :00:33. | |
edge. Please welcome the star of Kidnap | :00:33. | :00:39. | |
and Ransom. It is Trevor Eve. It is good to have you back on. It is | :00:39. | :00:42. | |
good to be here. Well, Matt and I were lucky enough | :00:42. | :00:46. | |
to see the first episode in the new series of Kidnap and Ransom. I love | :00:46. | :00:50. | |
it. But before we start, we would like to know what is going on here | :00:50. | :00:55. | |
now then? You are in a boat? Yes. We think you are pushing a dead | :00:55. | :01:01. | |
body into a lake. Who was in the bag? I won't tell you that, Alex. | :01:01. | :01:05. | |
That's the whole point of the whole thing. Three hours later you find | :01:05. | :01:09. | |
out who is in the bag. This is the interesting thing | :01:09. | :01:14. | |
because the episode starts with the same scene as it finishes with. | :01:14. | :01:22. | |
Exactly and so does the next one and the story unfolds and tells you | :01:22. | :01:27. | |
who was in that bag and why. Has Dominic become a baddy? I have | :01:27. | :01:30. | |
got my thoughts. Well, we will see more of the new | :01:30. | :01:35. | |
series of Kidnap and Ransom later Coming up, Robert Peston has been | :01:35. | :01:40. | |
negotiation himself and brought us a The One Show by putting your | :01:40. | :01:43. | |
questions to the RBS Chief Executive, Stephen Hester. | :01:43. | :01:47. | |
First, the big weekend of Sport Relief takes place in over a | :01:47. | :01:53. | |
month's time. We need your help by getting involved with our One Show | :01:53. | :02:03. | |
:02:03. | :02:13. | ||
Wanted, 1,000 One Show viewers, to run, job or crawl in a relay race | :02:13. | :02:18. | |
around the UK. Between them The One Show 1,000 | :02:18. | :02:23. | |
will cover every inch of road from the Isle of Mul to London's Royal | :02:23. | :02:28. | |
Mall. To achieve this task, it will take ten-days non-stop running | :02:28. | :02:31. | |
around the clock. We have seen people like David | :02:31. | :02:35. | |
Walliams go to extraordinary lengths to support Sport Relief and | :02:35. | :02:40. | |
two years ago, Eddie Izzard ran around Britain on his own. | :02:40. | :02:45. | |
supported them with your money, but this time we want you to take | :02:45. | :02:49. | |
centre stage. But don't worry, you don't have to do it on your own. | :02:49. | :02:53. | |
No, just complete one mile before you hand over to the next One Show | :02:53. | :02:58. | |
viewer. Wherever you are, we need you to get behind The One Show | :02:58. | :03:04. | |
1,000. To find out out how you can take | :03:04. | :03:14. | |
:03:14. | :03:15. | ||
Remember, you don't have to be an Olympic athlete. It is fine even if | :03:15. | :03:19. | |
you are on the slow side. You just need to be over 16 and be | :03:19. | :03:23. | |
able to manage one mile. Through your efforts, let's inspire | :03:23. | :03:28. | |
the hole country to go out and go that extra mile. Ah, you what? I | :03:28. | :03:35. | |
have got to do an extra mile? Matt, but it would be good to have | :03:35. | :03:41. | |
a practise. And the deal is if you take part, | :03:41. | :03:47. | |
you have to wear a minging tracksuit. You weren't happy, were | :03:47. | :03:52. | |
you? No, it was horrible. I looked like a snowman and you looked like | :03:52. | :03:58. | |
a tomato. The One Show 1,000 has to start somewhere and that's on the | :03:58. | :04:05. | |
Tobermory Harbour Mull. Lucy is there now. | :04:05. | :04:11. | |
Yes. I am in Mull. Lots of people have thrown their hat into the ring. | :04:11. | :04:15. | |
Maybe they want to wear this T- shirt. Look at that. It has number | :04:15. | :04:19. | |
one on the back because it is the first mile. If you have watched any | :04:19. | :04:23. | |
children's television, you may well be familiar with this beautiful | :04:23. | :04:26. | |
back backdrop that we saw earlier in the day and no doubt, you will | :04:26. | :04:36. | |
:04:36. | :04:38. | ||
be familiar with the phrase, "What's the story, Balamorey." This | :04:38. | :04:42. | |
is Tobermory. Now after the mile has been chosen, that person has | :04:42. | :04:49. | |
been chosen, we need a continuous unbroken chain, 999 miles, weaving | :04:49. | :04:55. | |
through Scotland, England, Northern Ireland and Wales and it will run | :04:55. | :04:59. | |
non-stop for ten-days. We need each mile to be run by a One Show viewer. | :04:59. | :05:04. | |
We really, really need you to volunteer. It doesn't matter if you | :05:04. | :05:12. | |
think you are fast or slow, go to: Please, please volunteer. Who is | :05:12. | :05:15. | |
going to be that person here? Who is going to run the first mile? | :05:15. | :05:20. | |
Will it be him? Will it be her? Will it be him? No, you have got to | :05:20. | :05:27. | |
be over 16, sorry. Will it be him? No, because you are a Womble. But | :05:27. | :05:32. | |
we will be back later to find out who it is going to be! | :05:32. | :05:42. | |
:05:42. | :05:42. | ||
It has got to be Josie Jump. She never stops running. | :05:42. | :05:46. | |
The details are on the Sport Relief website. I think we may have have | :05:46. | :05:52. | |
our first runner, Trevor. What do you think? | :05:52. | :05:58. | |
There we go. You're doing well. You are doing great. And you are still | :05:58. | :06:04. | |
going. What do you reckon reckon? We had to take over this street and | :06:04. | :06:08. | |
everyone stopped to watch and they were looking and thinking, "How | :06:08. | :06:16. | |
fast can this oldie run?" I gave it some and on the second take I hear | :06:16. | :06:22. | |
this, "Bop." I had what the footballer's know as a groin injury. | :06:22. | :06:27. | |
It was so painful and I had to do it again and by the end of it I was | :06:27. | :06:31. | |
hobbling which you don't see there. Goodness me. | :06:32. | :06:40. | |
You look athletic. I am just on wheels! | :06:40. | :06:41. | |
LAUGHTER OK, now to Robert Peston's | :06:41. | :06:45. | |
interview for The One Show. As the BBC's business editor, Robert has | :06:45. | :06:48. | |
charted the fortunes of the Royal Bank of Scotland which crashed and | :06:48. | :06:51. | |
had to be bailed out by the taxpayer. | :06:51. | :06:55. | |
The person charged with turning round the bank's fortunes was this | :06:55. | :07:00. | |
man, Stephen Hester. He took over as Chief Executive of | :07:00. | :07:04. | |
RBS in November 2008. One month ago, it was announced he was to receive | :07:05. | :07:09. | |
a bonus worth nearly �1 million. After huge public and political | :07:09. | :07:13. | |
outcry, he waived the package, but the controversy has not gone away, | :07:13. | :07:17. | |
has it Robert? No, it has not. Now when Stephen | :07:17. | :07:21. | |
Hester agreed to be interviewed by The One Show, we thought it only | :07:21. | :07:26. | |
proper that you should choose what to ask him. I have been going | :07:26. | :07:31. | |
through your questions and I can tell you, he is not in for an easy | :07:31. | :07:35. | |
time. A lot of questions on the general | :07:35. | :07:42. | |
issue of bonuses. There is a Surrey pensioner and a nurse called Sian | :07:42. | :07:49. | |
who asked a similar kind of question, nurses, doctors, when | :07:49. | :07:53. | |
they perform well, they don't expect a bonus. Why is it in your | :07:53. | :07:58. | |
industry, top bankers expect enormous bonuses? I understand | :07:58. | :08:03. | |
these things. I come from those backgrounds myself and you know, it | :08:03. | :08:07. | |
does seem like a lot of money. I don't think high pay is limited to | :08:07. | :08:10. | |
the banking industry. We are a commercial business. We attract | :08:10. | :08:15. | |
people who are driven by commercial business values. If we didn't, they | :08:15. | :08:19. | |
wouldn't be good at their job. Yes, they compare the money they get | :08:19. | :08:23. | |
with what they would get doing the same jobs elsewhere. When I was | :08:23. | :08:27. | |
asked to come and turn around RBS, I had to look all over the world | :08:27. | :08:30. | |
for the best people because we fired all the old management team. | :08:30. | :08:34. | |
They had to leave. And in restaffing this bank and the | :08:35. | :08:38. | |
top management of this bank, we had to go around the world and get good | :08:38. | :08:42. | |
people from other jobs, to come here and help us turn this bank | :08:42. | :08:46. | |
around and yes, we do have to pay a commercial rate for that. | :08:46. | :08:51. | |
Richard in Cardiff, wants to know know why the board thought you were | :08:51. | :08:56. | |
worth �1 million bonus when he is only getting 0.1% on his savings? | :08:56. | :09:01. | |
You have to ask the board why. The key thing is what are we achieving? | :09:01. | :09:05. | |
I hope when people see RBS's results for the year, they will see | :09:05. | :09:10. | |
good support of customers, they will see strong profits from the | :09:10. | :09:14. | |
ongoing bank and then they will see big progress and big losses from | :09:14. | :09:19. | |
the clean-up from the past and those are our three jobs. | :09:19. | :09:24. | |
On Richard's point, can't you do anything about his 0.1% low | :09:24. | :09:29. | |
interest? Low interest rates makes it easier for borrowers to pay | :09:29. | :09:35. | |
their debt and harder for savers. You could say the borrowers are the | :09:35. | :09:41. | |
ones who got us into this in the first place. That is one of life's | :09:41. | :09:45. | |
unfairnesses. It is not administered by banks like RBS. | :09:45. | :09:50. | |
Why is it that Royal Bank of Scotland isn't fixed? The | :09:50. | :09:54. | |
confidence in the banking system has not been restored, why not? | :09:54. | :09:58. | |
recession that the the world got into, exposed deep problems and | :09:58. | :10:02. | |
they are proving harder to get out and slower to get out of than any | :10:02. | :10:05. | |
of us thought. I believe we will get there. We started in a deep | :10:05. | :10:09. | |
hole, but the recovery is happening. We are serving our customers and I | :10:09. | :10:15. | |
think people should have confidence that RBS will in the end, repay the | :10:15. | :10:17. | |
trust and faith that has been put in us. | :10:17. | :10:20. | |
Frank says you are making staff in Scotland redundant and transferring | :10:20. | :10:26. | |
their jobs to India. One of the least pleasant things I have to do | :10:26. | :10:30. | |
is to make cost savings that come from job losses. It is a horrible | :10:30. | :10:35. | |
job, but if we don't do it, we can't recover RBS, we can't | :10:35. | :10:37. | |
safeguard the jobs of those that are left. | :10:37. | :10:40. | |
Now, I'm going to exert the privilege of sitting in this chair | :10:40. | :10:43. | |
and ask a question for myself. Bankers don't like the limelight, | :10:43. | :10:47. | |
you have had publicity that you probably wouldn't have chosen. Are | :10:47. | :10:51. | |
you enjoying yourself? limelight, I hate. I really hate it | :10:51. | :10:57. | |
and I don't know whether I would have done it if I my time again, | :10:57. | :11:01. | |
but I am here, and what I care a lot about is can RBS succeed? I | :11:01. | :11:06. | |
think it can. I want to be part of the team that made it succeed and I | :11:07. | :11:10. | |
guess, I'm gritting my teeth about the rest and pushing on with that. | :11:10. | :11:14. | |
Stephen Hester, many thanks. Thank you. | :11:14. | :11:19. | |
Robert is here. Is RBS on the way to being fixed? Will we see | :11:19. | :11:24. | |
evidence tomorrow that the bank is going to get healthier? We have the | :11:24. | :11:28. | |
annual results tomorrow. This is a bank that made big losses since the | :11:28. | :11:32. | |
2008 banking crisis and actually I think the losses tomorrow will look | :11:32. | :11:36. | |
a bit bigger than in the previous year. I mean it is because the | :11:36. | :11:41. | |
world, the economy, has been in a bit of a state in the past few | :11:41. | :11:44. | |
months, the eurozone crisis, for example, has not been comfortable | :11:44. | :11:47. | |
for banks. Royal Bank of Scotland will lose something like �1 billion | :11:47. | :11:53. | |
on its loans to the Greek Government. Underlying that, things | :11:53. | :11:57. | |
are getting better, the core operation is being fixed, but it | :11:57. | :12:01. | |
will be sometime until we, as taxpayers, get our money back. | :12:01. | :12:06. | |
On the subject of their wages, rob he either -- Robert, is it possible | :12:06. | :12:09. | |
to pay bankers any less? understand why people are angry | :12:09. | :12:13. | |
about the sums of money that are paid to bankers. These are the only | :12:13. | :12:16. | |
businesses that are always bailed out by governments when they get | :12:16. | :12:22. | |
into a mess and yet, these guys are paid like entrepreneurs taking | :12:22. | :12:26. | |
risks when personally, they are not taking the kind of risks that most | :12:26. | :12:29. | |
entrepreneurs take. I can understand why people get furious, | :12:29. | :12:33. | |
the problem is bankers over the world are paid colossal sums and if | :12:33. | :12:38. | |
you want the best bankers to run British banks, you have to pay the | :12:38. | :12:41. | |
world rate and the world rate is more than the people in this | :12:41. | :12:49. | |
country would feel comfortable, but would they want British banks to be | :12:49. | :12:58. | |
run by by meader oaker people. Thank you very much, Robert. Thank | :12:58. | :13:02. | |
you for put putting the -- putting the questions. | :13:02. | :13:10. | |
It was great fun. You might not associate Mike Dilger with high | :13:10. | :13:14. | |
fashion. He has discovered how it was fashion that became the feather | :13:14. | :13:24. | |
:13:24. | :13:25. | ||
This area of Gloucestershire now forms a mosaic of separate legs. | :13:25. | :13:30. | |
Today, the Cotswold Water Park has visited by up to 200 species of | :13:30. | :13:37. | |
birds. Making it an internationally important site for these birds. In | :13:37. | :13:43. | |
my opinion, it's also the best place in the country to see one of | :13:43. | :13:46. | |
the most spectacular and the elaborate mating dances. I'm | :13:46. | :13:54. | |
talking about the courtship of the great crested grebe. It puts most | :13:54. | :14:00. | |
professional dancers to shame. It occurs right here. Before they made | :14:01. | :14:04. | |
they perform what is known as the we'd dance, and tango across the | :14:05. | :14:08. | |
surface of the water clutching their version of a red rose between | :14:08. | :14:16. | |
This remarkable behaviour demonstrates how strong and healthy | :14:17. | :14:21. | |
potential mates are. It also builds and strengthens the bond between | :14:21. | :14:25. | |
the pair - vital to ensure both parents will incubate the eggs and | :14:25. | :14:29. | |
bring up the chick's. For much of the years these birds are a dirty | :14:30. | :14:33. | |
brown and white. But in the winter of their breeding plumage really | :14:33. | :14:40. | |
develops. At 150 years ago, it was these feathers which very nearly | :14:40. | :14:46. | |
saw the species extinction. During the late Victorian era of the | :14:46. | :14:51. | |
plumes of thousands of egrets, grebes and even birds of paradise | :14:51. | :14:55. | |
were used in the manufacture of fashionable women's hats. The | :14:55. | :14:58. | |
demand for these elegant feathers began a barbarous trade, which | :14:59. | :15:03. | |
resulted in the shooting of many thousands of native birds. And by | :15:03. | :15:06. | |
the mid- 19th century, the number of great crested grebe mating pairs | :15:07. | :15:12. | |
plummeted from several thousand to just 40. Concern for falling | :15:12. | :15:15. | |
British bird numbers had already brought about the very first | :15:15. | :15:20. | |
Conservation Act. But none of these acts actually prevented the hunting | :15:20. | :15:24. | |
of the great crested grebe. Its salvation ultimately came from an | :15:24. | :15:28. | |
unexpected quarter. The wealthy Victorian hat wearing women | :15:28. | :15:33. | |
themselves. A small number of these women formed a conservation group | :15:33. | :15:38. | |
known as the plumage league, which soon joined forces with the fur, | :15:38. | :15:42. | |
Finn and feather of branch. They had two simple rules that members | :15:42. | :15:46. | |
should discourage the wanton destruction of birds. And that Lady | :15:46. | :15:49. | |
Members shall refrain from wearing the feathers of any bird not killed | :15:49. | :15:53. | |
for the purposes of food. They boycotted the use of exotic | :15:53. | :15:59. | |
feathers. In the first year they required 5000 members. In 1904, the | :15:59. | :16:04. | |
group became the RSPB. To this day it the largest wildlife | :16:04. | :16:10. | |
conservation charity in Europe. Protection is one thing but habitat | :16:10. | :16:13. | |
is another, which is why the Cotswold Water Park plays such an | :16:13. | :16:20. | |
important role in the greeds success. Gill works in the park. | :16:20. | :16:26. | |
Have you any idea how many pairs of great crested grebes of Reading? | :16:26. | :16:31. | |
150. When you think it was almost extinct 100 years ago, that's an | :16:31. | :16:37. | |
astonishing number. Why so many? The water is beautifully clear, it | :16:37. | :16:42. | |
is Lyme rich and has really rich plant life, fantastic food for the | :16:42. | :16:47. | |
birds and very secluded as well. With 150 Lakes, not many of them | :16:47. | :16:57. | |
:16:57. | :16:57. | ||
Once the birds have paired off and the dancing is done, they will busy | :16:57. | :17:02. | |
themselves with nest-building. Then, in late April, you will be treated | :17:02. | :17:06. | |
to the site of the stunningly strike ticks. Like little mint | :17:06. | :17:16. | |
humbug being ferried around on The great crested grebe population | :17:16. | :17:20. | |
now numbers 20,000 individuals across much of the UK. It remains | :17:20. | :17:24. | |
to this day one of the greatest conservation stories in British | :17:24. | :17:31. | |
history. It's thanks to the protection of sites like this one | :17:31. | :17:36. | |
that nationwide support of the RSPB and the efforts of a few kind- | :17:36. | :17:38. | |
hearted Victorian ladies that future generations are still able | :17:38. | :17:45. | |
to seek these birds' brilliant plumage where F -- where it belongs, | :17:45. | :17:53. | |
As we've been saying, you do play a hostage negotiator in the new | :17:53. | :17:58. | |
series of Kidnap And Ransom. It is over three episodes. What is the | :17:58. | :18:04. | |
plot? It is an escalating situation and negotiations that is | :18:04. | :18:09. | |
interrupted by the police. It escalates into a crisis situation | :18:09. | :18:15. | |
involving 15 people initially and Dave Bus. 15 tourists on a bus. My | :18:15. | :18:21. | |
character, Dominic King, finds himself in the middle of that. | :18:21. | :18:26. | |
incredible, it just draws you in. It does. We can see a bit from | :18:26. | :18:30. | |
tomorrow night. The plot starts to unfold, we can see the people on | :18:30. | :18:34. | |
the bus and the police are being particularly and helpful. I know | :18:34. | :18:37. | |
you want to go in and shoot them because that's how you do things in | :18:37. | :18:44. | |
Kashmir but these people are not terrorists. Lever! Get a snipe and | :18:44. | :18:49. | |
take the woman out first. Kill the woman first, the man always gives | :18:49. | :18:55. | |
himself up. If you want to go and get yourself a shot it is fine by | :18:55. | :19:03. | |
me. You what a police officer? I'm a hostage negotiators. I'm | :19:03. | :19:12. | |
The interesting thing is she plays the head of the Kashmiri police. | :19:12. | :19:17. | |
The head of the Kashmiri police is in fact 23 years of age and a woman. | :19:17. | :19:22. | |
She is 25. The reason they couldn't find anyone who wasn't corrupt, the | :19:22. | :19:28. | |
only person who was not corrupt was this 23-year-old woman. That is | :19:28. | :19:31. | |
true to the situation. What is evident is the different techniques | :19:31. | :19:37. | |
you use. Sometimes you are forced four, then you are a good listener. | :19:37. | :19:43. | |
You've done a lot of research. we model ourselves on a particular | :19:43. | :19:47. | |
hostage negotiator or who I think was going to be here tonight and | :19:47. | :19:51. | |
hide behind a screen and talk but he's involved with Somali pirates. | :19:51. | :19:55. | |
The secrecy is still so important, they couldn't show his face. Yes. | :19:55. | :20:03. | |
They are all ex-military guys, the ones I've met, five of them. They | :20:03. | :20:07. | |
are cool and calm under pressure and are kind of adrenalin junkies. | :20:07. | :20:12. | |
They like getting in the thick of it. We noticed something, which may | :20:12. | :20:16. | |
have come from the research, was your character, Dominic, always has | :20:16. | :20:21. | |
three films. For there's the domestic one, the business 1 and | :20:21. | :20:25. | |
what they call a situation foam, which is just a number for the | :20:25. | :20:29. | |
kidnapper to contact on. That is always clear. When you are with | :20:29. | :20:34. | |
them that goes off all the time. It is non-stop. They will say, hang on, | :20:35. | :20:39. | |
it's the situation. Off they go. They come back and you say, is | :20:40. | :20:44. | |
everything all right? This is your own production. Is this all your | :20:44. | :20:49. | |
dreams are rolled into one? quite nervous about it. I hope | :20:49. | :20:53. | |
people are drawn to it because it's a major commitment, it's not just | :20:53. | :20:57. | |
like being an actor where someone sent to the script and you just go | :20:57. | :21:01. | |
off and do it. You come up with the idea, you pick the writer, you | :21:01. | :21:06. | |
spend 18 months developing it, you get the money, go and shoot it. I | :21:06. | :21:12. | |
love that but it's also kind of nerve racking. There are no excuses. | :21:12. | :21:17. | |
You should be proud of it, it's like the movie. For Kidnap And | :21:17. | :21:23. | |
Ransom is on tomorrow at 9pm on ITV1. Great romance often needs -- | :21:23. | :21:26. | |
leads to great art. When that romance turns to heated passion, | :21:26. | :21:34. | |
the art gets even better. The man who painted this picture 140 years | :21:34. | :21:39. | |
ago was inspired by one thing. Luff. He was madly in love with this | :21:39. | :21:45. | |
woman. The painting is the blue silk dress, the artist is Rossetti. | :21:45. | :21:49. | |
He was a founding member of the group called the Pre-Raphaelites, | :21:49. | :21:54. | |
who were out to change British art. Their lifestyles would shock the | :21:54. | :21:59. | |
Victorian establishment. Rossetti was so in love with his model, Jane | :21:59. | :22:04. | |
Morris, so obsessed, that he painted her 56 the or more times. | :22:04. | :22:11. | |
He had a photograph and drew dozens of sketches of her. And this | :22:11. | :22:15. | |
painting is the most famous of those images. But there was a | :22:15. | :22:21. | |
complication. Rossetti's lover, his model Jane, was married to the man | :22:21. | :22:26. | |
who commissioned this picture, and that was Rossetti's best friend, | :22:26. | :22:30. | |
the designer William Morris. This is where the painting is housed in | :22:30. | :22:34. | |
Gloucestershire. Rossetti and Morris used the house to escape the | :22:34. | :22:39. | |
noise and bustle of London. They'd met when talented young Rossetti | :22:39. | :22:43. | |
joined his friend in the early days of the Pre-Raphaelite movement. | :22:43. | :22:48. | |
What were the Pre-Raphaelites about? They wanted to put real | :22:48. | :22:53. | |
people in pictures and tell Rhys -- tell real stories. They would go | :22:53. | :22:57. | |
one find girls on the street, normally poor girls, and put them | :22:57. | :23:00. | |
into their paintings. They introduced a different look to | :23:00. | :23:05. | |
British art very quickly. What was so special about Rossetti's work? | :23:05. | :23:08. | |
People talk about Pre-Raphaelite women. They are really talking | :23:08. | :23:15. | |
about Rossetti's version of Pre- Raphaelite women. That is was this | :23:15. | :23:19. | |
fascination with women that continued into something that would | :23:19. | :23:25. | |
become a recurring motif in his work. Girls, girls, goals. Rossetti | :23:25. | :23:29. | |
painted and had affairs with several of those models. But it was | :23:29. | :23:34. | |
Jane who was to have a lasting impact on his work. How did he get | :23:34. | :23:39. | |
involved with Jane? Like lots of the Pre-Raphaelite models, Jane was | :23:39. | :23:43. | |
spotted by Rossetti and his friends in Oxford. Initially, he did a | :23:43. | :23:48. | |
flurry of sketches of this girl who he was instantly entranced with. | :23:48. | :23:54. | |
Then he went away from Oxford. Why he was away, William Morris nipped- | :23:54. | :23:59. | |
in, married Jane and they were very happy couple but two or three years. | :23:59. | :24:05. | |
But Rossetti was always this figure on the periphery. When this | :24:05. | :24:08. | |
portrait of was commissioned it gave them an excuse to see a lot | :24:08. | :24:13. | |
more of one another. At that point, I think they just really began to | :24:13. | :24:17. | |
fall back in love and the affair ignited. What makes the painting so | :24:17. | :24:24. | |
special? It intrigues us because of the biographical aspects. This is a | :24:24. | :24:29. | |
painting of another man's wife by a painter who is in love with the | :24:29. | :24:35. | |
subject. Mrs Morris has a little flower in her belt, which is | :24:35. | :24:39. | |
supposed to be a little simple about love and loyalty. It is | :24:39. | :24:45. | |
talking about Mrs Maurice' love for her husband, or is it about the | :24:45. | :24:49. | |
love that was developing between Jane and Rossetti? What it William | :24:49. | :24:53. | |
Morris think of this? Extraordinarily, he allowed it. He | :24:53. | :24:57. | |
rented this house which was out of the way and away from the side of | :24:57. | :25:01. | |
London gossips. Rossetti and Jane were able to carry on without | :25:01. | :25:07. | |
prying eyes. William facilitated that. The rather unusual | :25:07. | :25:12. | |
arrangements of the manor came to an end in 1874, when William Morris | :25:12. | :25:16. | |
said enough is enough and withdrew his consent for Rossetti to see | :25:16. | :25:21. | |
Jane. But Rossetti's passion for Jane never wavered. He kept writing | :25:21. | :25:31. | |
:25:31. | :25:32. | ||
to her and he never stopped Do you want me to sum up the | :25:32. | :25:41. | |
settee? You are a painter, as we were saying. He loves a bit of art. | :25:42. | :25:46. | |
Now we can find out who is going to lead our Sport Relief challenge, | :25:46. | :25:52. | |
The One Show 1000. We need 1001 has to run 1000 miles from the Isle of | :25:52. | :25:57. | |
Mull to be Royal Mile in London. Lucy, have you got your tracks it | :25:57. | :26:05. | |
No, my sports teacher at school used to call me sick note, but I am | :26:05. | :26:09. | |
feeling inspired to dust off my trainers. There are some brilliant | :26:09. | :26:15. | |
candidates here who really want to do it. So Reina set up Mums On The | :26:16. | :26:20. | |
Run, which is a brilliant title. How many marathons have you run? | :26:20. | :26:25. | |
quite a few. I've done six in the past six years since I had my first | :26:25. | :26:31. | |
son. The woman is a machine! We also have got everybody who has put | :26:31. | :26:35. | |
their hat in the ring. A lifeboat squad and the rugby team, they all | :26:36. | :26:40. | |
want to be the ones to run the first mile. Let's have a cheer! I | :26:40. | :26:44. | |
want to speak to a few people, especially these guys who've done a | :26:44. | :26:49. | |
lot to raise funds for Sport Relief. Which school you from? How much | :26:50. | :26:56. | |
money have you raised? �103. There's not many of you, is there? | :26:56. | :27:05. | |
How many? 37. You've done so well. We've met some lovely people today. | :27:05. | :27:11. | |
Including our favourite biscuit maker, Joe. Your biscuits go on the | :27:11. | :27:15. | |
journey as well. Yes, we are hoping we can give the runners lots of | :27:15. | :27:20. | |
biscuits to enable as they go. you running? Too busy baking, I'm | :27:20. | :27:26. | |
afraid. If it's you who runs the first mile, will you run with that | :27:26. | :27:31. | |
cheese? I would have a go but it would be easier to roll it. David | :27:31. | :27:36. | |
Sexton is from the RSPB. Can you give us a random wildlife statistic | :27:36. | :27:40. | |
for the Isle of Mull? If the wildlife watching capital of the UK. | :27:40. | :27:45. | |
There's 25 % of the UK's white- tailed eagles rest on the Isle of | :27:45. | :27:53. | |
Mull. Sea eagles. Let's get on and find out who is going to run a | :27:53. | :27:59. | |
smile. This is Jock, he's a fisherman. Could you pick a name | :27:59. | :28:04. | |
out of this fishing net and read it? This is the person who will run | :28:04. | :28:14. | |
:28:14. | :28:14. | ||
the first mile. David Black. Come on down! Let's give him the T-shirt. | :28:14. | :28:20. | |
David, put the T-shirt on. While David is coming to terms with the | :28:20. | :28:26. | |
fact he's got to run uphill, we need viewers to do the next 999 | :28:26. | :28:36. | |
:28:36. | :28:43. | ||
David Black, brilliant. You can find out how to apply online. | :28:44. | :28:51. |