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Angela, the One Show's about to start. We are nowhere near the | :00:08. | :00:13. | |
studio and we've got to deliver tonight's programme. I'm going as | :00:14. | :00:16. | |
fast as I can. I've only got baby legs. You have to push a bit harder. | :00:17. | :00:21. | |
Push, push. I'm pushing as hard as I can. Take plenty of deep breathes. I | :00:22. | :00:27. | |
can see the titles. The tie reallies coming! -- titles. We arrived and | :00:28. | :00:41. | |
the titles arrived safely, too. Thank goodness! I enjoy that. | :00:42. | :00:46. | |
Welcome to One Show with Nurse Matt Baker. You look good in a dress. | :00:47. | :00:51. | |
Thank you. And Sister Angela Scanlon who looks equally as good in a | :00:52. | :00:54. | |
dress. We have Call the Midwife and have gone one for who always keeps | :00:55. | :00:59. | |
calm in a crisis. With your next pain I want you to push with all | :01:00. | :01:02. | |
your strength. Really show me what you can do. Ah, help me. You're | :01:03. | :01:08. | |
doing wonderfully. Just keep calm and breathe. It won't be long now. | :01:09. | :01:15. | |
Well done. I have done this once or twice before Mr Dockerill. Please | :01:16. | :01:20. | |
welcome the very calming, Helen George. | :01:21. | :01:25. | |
APPLAUSE Hi. I'm that excited. I love Call | :01:26. | :01:29. | |
the Midwife a do this lot. Brilliant. Trixie keeps very calm in | :01:30. | :01:36. | |
a crisis, are you the same? Not at all. I'm the opposite. | :01:37. | :01:41. | |
I panic I'm a flapper, an absolute flapper. She's very controlled and | :01:42. | :01:45. | |
in charge of everything. I would be a rubbish midwife. Really? That is | :01:46. | :01:48. | |
worrying. Storm Doris apparently will be here. | :01:49. | :02:09. | |
It sounds like a character from Call the Midwife. Batten down the | :02:10. | :02:14. | |
hatches. That is the message. Before Doris arrives in full force, because | :02:15. | :02:18. | |
we love the name. Tonight we are are looking for Dorises, windy or | :02:19. | :02:22. | |
otherwise. Send your pictures into the usual address. | :02:23. | :02:29. | |
For most of us, the only way to get money out of a cash machine | :02:30. | :02:32. | |
is with a card and a PIN number, but reckless criminals | :02:33. | :02:35. | |
are using much more explosive methods to get at the money, | :02:36. | :02:37. | |
and they don't care who gets hurt in the process. | :02:38. | :02:40. | |
This is the moment a gang of robbers blow up a cashpoint. Sending debris | :02:41. | :02:48. | |
flying into the road. This gang caused ten explosions in just one | :02:49. | :02:52. | |
month across London and the south. Which netted them a total of | :02:53. | :03:00. | |
?120,000. These cashpoint bombings are happening across the country and | :03:01. | :03:04. | |
police want it stopped before someone gets killed. Trinia Taylor | :03:05. | :03:15. | |
knows better than most the attacks pose. This was your place? Yes it | :03:16. | :03:18. | |
was. My bedroom there. My daughter's above. Last year, she and her two | :03:19. | :03:23. | |
teenage children were sleeping in their flat over the village Post | :03:24. | :03:28. | |
Office when they were awoken by an almighty explosion. At one point I | :03:29. | :03:33. | |
thought it was a gas explosion. It was the like the whole flat, like a | :03:34. | :03:37. | |
cartoon went - and it went back together. All the cup boards were | :03:38. | :03:41. | |
flown open. Everything was chucked out, on the floor. Fitted cooker had | :03:42. | :03:46. | |
jumped out of its socket. The fire went straight up and through the | :03:47. | :03:51. | |
floorboards. Below the flat and following instructions on a mobile | :03:52. | :03:56. | |
phone, the robbers had filled the cashpoint with highly flammable gas | :03:57. | :04:02. | |
before setting it alight. This is the first time Trinia has seen the | :04:03. | :04:06. | |
CCTV footage of the moment her family's life was put in danger. Oh, | :04:07. | :04:12. | |
my God. Wow. He's setting a bomb and we are upstairs asleep. When you | :04:13. | :04:17. | |
think what could have happened, it's scary. This is was the result. The | :04:18. | :04:23. | |
explosion ripped the front off the Post Office. Morning. A year on, | :04:24. | :04:31. | |
owner David Andrews, says the damage and loss of business cost nearly | :04:32. | :04:36. | |
?200,000. That's on top of the ?60,000 in cash stolen by the | :04:37. | :04:41. | |
robbers. Absolutely horrific. It looks like a terror attack. It does. | :04:42. | :04:46. | |
We worked eight years to build up the business. The impact of this has | :04:47. | :04:50. | |
set us back four or five It's a Post years. Office, a service to the | :04:51. | :04:53. | |
community, isn't it? Absolutely. We were closed for four months. A lot | :04:54. | :04:57. | |
of the local residents had to go elsewhere and they struggled. It's | :04:58. | :05:00. | |
not just the money, it's the impact it has on the people as well. These | :05:01. | :05:04. | |
explosive attacks have been on the rise. Across Europe where the crime | :05:05. | :05:09. | |
wave began there was an 80% increase last year. With more 70 attacks in | :05:10. | :05:16. | |
the UK alone. Businesses and banks have lost millions of pounds in | :05:17. | :05:20. | |
stolen cash and damage. What are police doing to stop this explosive | :05:21. | :05:33. | |
new breed of hole-in-the-wall gangs? They they are leading a response on | :05:34. | :05:43. | |
ATM attacks. There is damage caused by these explosiveses. We have been | :05:44. | :05:49. | |
working with the ATM industry some machines are fitted with suppression | :05:50. | :05:53. | |
see equipment that stop the explosiveses taking place and | :05:54. | :05:56. | |
armoured plating to stop the gangs from getting at the cash in the | :05:57. | :06:00. | |
machines themselves. The new cash machine here is one of thousands | :06:01. | :06:03. | |
across the UK have now been toughened up to defuse this | :06:04. | :06:09. | |
explosive crime wave. As for the perpetrators, police say these gangs | :06:10. | :06:12. | |
should know loppingeninger be treated like robbers, but more like | :06:13. | :06:17. | |
bombers. That means prosecutors taking a hardline approach using | :06:18. | :06:23. | |
special powers from the Attorney General to charge the gangs, not | :06:24. | :06:27. | |
just with burglary and robbery but with the most serious explosive | :06:28. | :06:32. | |
offences. These offences can lead to life imprisonment. I think that | :06:33. | :06:37. | |
really recognises the seriousness of the offending and the recklessness | :06:38. | :06:40. | |
of those offenders. Already this year, a number of gangs have been | :06:41. | :06:45. | |
sentenced using these powers, including the three men behind the | :06:46. | :06:50. | |
Longashton attack who were jailed for more than 20 years in total. For | :06:51. | :06:59. | |
Trinia it's a jail term that befits a gang that cared little for the | :07:00. | :07:01. | |
consequences of their crime. They were bombing. They were | :07:02. | :07:04. | |
concentrating on getting the cash with no thought for anybody who | :07:05. | :07:09. | |
might be living above. They intently endangered my life. Incredible | :07:10. | :07:15. | |
footage that, isn't it? That's the point, the recklessness of it. Not | :07:16. | :07:19. | |
thinking of who would be above the cashpoint or anything like that. | :07:20. | :07:22. | |
Fitting the sentences are more severe now for sure. Yeah. Helen, | :07:23. | :07:29. | |
Call the Midwife Christmas special was a hit, NTA under your belt. It | :07:30. | :07:33. | |
has gone from strength to strength. Last week's episode was a real tear | :07:34. | :07:41. | |
jerker. I still haven't seen it. We don't get to see them as they are | :07:42. | :07:45. | |
filmed. That is what I missed. I have to catch up. I will watch it. | :07:46. | :07:51. | |
Sglm very emotion al stuff. Some tweets, people online saying they | :07:52. | :07:55. | |
were devoid of moisture, they were weeping uncontrollably. Lovely | :07:56. | :08:00. | |
Cynthia was back as well. This whole storyline is amazing. I know. How | :08:01. | :08:05. | |
down do things get on set when you are filming situations like that? On | :08:06. | :08:10. | |
those days when you are going in, are the whole cast down? Everybody | :08:11. | :08:14. | |
is good about it. There has been some really emotion al scenes, as we | :08:15. | :08:19. | |
all know. Sometimes it gets you. One particular moment when Pam Ferris, | :08:20. | :08:24. | |
when her sister died. They brought out her coffinw her shoes on top. It | :08:25. | :08:31. | |
floored me, all of us. So, yeah, it is really sad at some points. On the | :08:32. | :08:36. | |
flip side we spend a lot of time giggling and getting into trouble. | :08:37. | :08:40. | |
There is a fair balance. You deal with quite hard subjects in every | :08:41. | :08:43. | |
episode, not just last week's episode. Is that tough emotionally | :08:44. | :08:49. | |
and gruelling as an October orror to immerse yourself in it every day It | :08:50. | :08:53. | |
is because a lot of the storylines aren't that long ago. You realise | :08:54. | :08:59. | |
how far we have come on for a lot of them and how much further we have to | :09:00. | :09:06. | |
come. You are documenting these cases. You take your dog with you? | :09:07. | :09:11. | |
It's true. We have a picture. Apparently there are more dogs on | :09:12. | :09:15. | |
set than people at times? Than babies, most of the time. Most of | :09:16. | :09:19. | |
the regular characters have dogs. We bring them on to the set. We sit | :09:20. | :09:22. | |
around at lunch with our dogs having a lovely tea party. That cuts | :09:23. | :09:29. | |
through the emotion al vibe on set? Yeah, sometimes. When my dog walks | :09:30. | :09:34. | |
on to set and barks and makes a smell or something. It's always a | :09:35. | :09:38. | |
bit awkward. Does that happen often It does! It is happening for your | :09:39. | :09:45. | |
character, Trixie, in the last episode, that you haven't seen yet, | :09:46. | :09:50. | |
you met a dentist. Your character. I did. There is a ate date about to | :09:51. | :09:54. | |
happen. Let's have a look at how it goes. If the world is about to be | :09:55. | :10:02. | |
blown up you have to be shone a good time. Londonside your oyster, you | :10:03. | :10:07. | |
can do anyone you want, dine, dance... I think I'd quite like to | :10:08. | :10:11. | |
sit here, with you, doing not much at all. Just see what happens. | :10:12. | :10:21. | |
APPLAUSE Wow! See what happens. I mean, can | :10:22. | :10:27. | |
you give us any idea what happens? Does he kiss me, doesn't he kiss me? | :10:28. | :10:32. | |
You tell us. That scene, there is a beautiful car that we used for most | :10:33. | :10:36. | |
of his scenes. He has this gorge ghouls pale blue sports car. He is 6 | :10:37. | :10:41. | |
foot 4 the car is a Lego car. He was like this for the whole time for all | :10:42. | :10:45. | |
of her scenes. Trixie has been hurt before. She is unsure about entering | :10:46. | :10:49. | |
into the relationship even though he is quite a dish. He's all right. I | :10:50. | :10:54. | |
think she's very vulnerable because of her alcoholism in the past. She's | :10:55. | :11:00. | |
nervous about letting anybody in. So, it's not a romance that sails | :11:01. | :11:05. | |
swimmingly. There are bumps along the way. The Christmas special, how | :11:06. | :11:11. | |
much of a highlight was it to go out to South Africia and what did the | :11:12. | :11:15. | |
locals make of it all They couldn't believe it when they said we were | :11:16. | :11:18. | |
going to South Africia. We thought they were joking. An amazing | :11:19. | :11:22. | |
experience to spend a month in the country. You get a sense of it and | :11:23. | :11:28. | |
how it works and how the politics, work in the country and how it is. | :11:29. | :11:39. | |
How off the beaten track were you? We filmed in town ships. The set | :11:40. | :11:43. | |
designers had to do little to change them as if they were 62. That's | :11:44. | :11:48. | |
quite troubling, still. It was a real eye opener. South Africia is | :11:49. | :11:52. | |
the most beautiful country. The sunsets were golden. There are quite | :11:53. | :11:55. | |
a few of them in the Christmas special. The light is so magical, | :11:56. | :12:01. | |
stunning. Your character, Trixie, per a Caesarean section quite a jump | :12:02. | :12:05. | |
up for her. Is that her entering into a more medical role, is that | :12:06. | :12:11. | |
part of her conjectory? I hope so, that's for the writers to decide. | :12:12. | :12:14. | |
What I like about the character is, she's gone from being very much like | :12:15. | :12:18. | |
the bubbly blonde who, you know, was having a laugh about boys most of | :12:19. | :12:23. | |
the time. She's come through to six years later, performing a caesarean. | :12:24. | :12:26. | |
It's exciting to be with a character for so long and see where that will | :12:27. | :12:30. | |
take her in the future. You mentioned her alcohol problem, is | :12:31. | :12:33. | |
that something you would like to explore within the character as an | :12:34. | :12:38. | |
actor it's probably a gift? It owes the storyline that. It's something | :12:39. | :12:42. | |
that never leaves people. It's a constant battle. That can't be | :12:43. | :12:46. | |
forgotten about. It's engaging for a lot of viewers. There are people who | :12:47. | :12:50. | |
would like to thank you tonight. You will be amazing. I have the Frinton | :12:51. | :12:59. | |
and Walton Gazette here. I will read you this headline "sister helps | :13:00. | :13:08. | |
deliver baby Dolcie by the A120 using tips from the TV show Call the | :13:09. | :13:13. | |
Midwife. We have Dolcie here tonight. Looking beautiful. Oh, my | :13:14. | :13:17. | |
word. It was 11 months ago then. Yes. What was happening? What was | :13:18. | :13:27. | |
the situation, go on? Aunty Sam. We were sent home from the hospital. | :13:28. | :13:31. | |
She wasn't in labour. Go home. We got to my house shech was in so. | :13:32. | :13:35. | |
Pain we had to take her back. We got into the car. By the time we got to | :13:36. | :13:40. | |
the end of of my road they's head was delivered. Danielle were you in | :13:41. | :13:44. | |
the back. I was laying out in the back. Samantha was in the front and | :13:45. | :13:49. | |
my husband was driving. You went for it then. Who were you channelling | :13:50. | :13:58. | |
which character? Trixie! In the programme Trixie is so calm so | :13:59. | :14:02. | |
collected. I just thought - try to act like her. Everyone was breathing | :14:03. | :14:07. | |
altogether. So the head was born. Then by the time we got to the A120 | :14:08. | :14:12. | |
I delivered the baby, wrapped her up, had a little look at the time | :14:13. | :14:20. | |
and... The sex we didn't if it was going to be a girl or boy. Handed | :14:21. | :14:25. | |
her to mummy. No gas or air. What do you remember? Not a lot. You think - | :14:26. | :14:30. | |
anything could have happened. If it wasn't for Call the Midwife and my | :14:31. | :14:33. | |
sister I don't know what I would have done. Incredible. What did they | :14:34. | :14:37. | |
say when you got back to hospital, you turned round and went straight | :14:38. | :14:43. | |
back. This They say, oh, dear, rushed us in quickly. Cut the chord | :14:44. | :14:48. | |
in the car. Got baby in. She is Dolcie Samantha after me. Let us | :14:49. | :14:52. | |
give you a quiet little round of applause. It's lovely to see you. | :14:53. | :14:58. | |
What about that, Helen, how inspiring you are? | :14:59. | :15:03. | |
That is amazing. Have you had stories like that before? I haven't | :15:04. | :15:10. | |
heard that, but I am always asked if I could deliver a baby for real. I | :15:11. | :15:14. | |
always say that I think most people could, if they were under pressure. | :15:15. | :15:19. | |
I couldn't, probably, let's be honest. But well done. Amazing, what | :15:20. | :15:25. | |
a cute baby. Call the Midwife continues on Sunday, eight o'clock | :15:26. | :15:30. | |
on BBC One. We will be talking about Helen's new play, Love in Idleness, | :15:31. | :15:34. | |
later. I wouldn't bother coming back to us! Stay on Dolcie. Listen up, | :15:35. | :15:41. | |
Dolcie. We've given two Shetlanders, | :15:42. | :15:43. | |
who've never been back to islands of their ancestors, | :15:44. | :15:45. | |
the chance to do just that as part Well, you'll find out | :15:46. | :15:48. | |
when you meet Albert and Ernie. My name is Emma Massingale, and I | :15:49. | :16:06. | |
train horses using a gentle and unobtrusive approach, without | :16:07. | :16:10. | |
restraints. Last year, I spent a month on a remote island to see if I | :16:11. | :16:15. | |
could train some wild ponies so they could join the ones I already have | :16:16. | :16:19. | |
back-up my farm in Devon. I work with many different types of breeds. | :16:20. | :16:27. | |
Two of my favourites are the Shetlands, Albert and Ernie. But if | :16:28. | :16:34. | |
they are short on height, their temperament is superb for riding and | :16:35. | :16:37. | |
working, and I always wanted to find out more about the breed. I have | :16:38. | :16:43. | |
decided to take them back to their roots, the Shetland Isles, to find | :16:44. | :16:46. | |
out how they have evolved into this unique animal. It is the most | :16:47. | :16:56. | |
northerly point of the UK, with 100 islands in the group, only 15 of | :16:57. | :16:59. | |
which are inhabited. I'm so excited, we are nearly at the Shetland | :17:00. | :17:02. | |
Islands. To delve into their history, we are going to explore the | :17:03. | :17:07. | |
land and roam amongst some of the native ponies, which is going to be | :17:08. | :17:12. | |
a challenge for them and me. For over 2000 years, they have been used | :17:13. | :17:16. | |
for domestic use. But although Shetland ponies grow no taller than | :17:17. | :17:20. | |
42 inches, for their size they are the strongest of all breeds. They | :17:21. | :17:26. | |
form the backbone of one of the Shetland's most important ways of | :17:27. | :17:29. | |
life, crofting. This family has farmed here for generations. They | :17:30. | :17:35. | |
were vital, going back to the years when you had to use them for | :17:36. | :17:41. | |
ploughing, for transport, for taking fuel back to the croft house. They | :17:42. | :17:45. | |
were essential, really. The fact they are so small, as well. It meant | :17:46. | :17:50. | |
they didn't eat so much grass. Over the centuries, they have evolved to | :17:51. | :17:54. | |
become hardy animals able to withstand the harsh winters the | :17:55. | :17:57. | |
islands have to endure. The coats are perfect for the extreme weather, | :17:58. | :18:02. | |
Finance LP in summer months, and doubling up for extra insulation in | :18:03. | :18:06. | |
the winter. In the colder months, the lack of grazing makes it harder, | :18:07. | :18:12. | |
so they have been known to snack on seaweed. They have just tried it, | :18:13. | :18:15. | |
I'm not convinced they think it is very tasty. They were also used to | :18:16. | :18:23. | |
collect seaweed, which is put on the land as fertiliser. I had a go with | :18:24. | :18:27. | |
Albert, using the old, traditional method. These baskets, you have one | :18:28. | :18:34. | |
each side. That keeps it balanced. Then we put the seaweed in. It | :18:35. | :18:39. | |
wasn't just their strength that made them useful. Fishermen would use | :18:40. | :18:42. | |
their tail hairs and twine them together to attach fishing line to | :18:43. | :18:52. | |
the hook. Let's see if we can catch a fish. Albert and Ernie Waite on | :18:53. | :18:56. | |
the shore for my return. Unfortunately, it is not good news. | :18:57. | :19:02. | |
No Joy fishing whatsoever. Noodles all round. It would be easier if I | :19:03. | :19:10. | |
just ate grass. You don't want noodles. He says, what is this? You | :19:11. | :19:19. | |
won't like them. That's gross! After a busy day, it is time to settle | :19:20. | :19:24. | |
down for the night. Believe it or not, these two Akim campers. We have | :19:25. | :19:28. | |
camped on the moors before, but nowhere as stunning as this. | :19:29. | :19:35. | |
Although they like their home comforts, like their blankets... I'm | :19:36. | :19:40. | |
not sure this is giving them a true experience. Tomorrow, the adventure | :19:41. | :19:44. | |
continues. Bernie gets stubborn when I try to get him on the boat. | :19:45. | :19:48. | |
Tempers frayed when I tried to introduce them to a herd of native | :19:49. | :19:51. | |
Shetland ponies. We will find out how they get on in | :19:52. | :19:55. | |
about 30 minutes. Last June, in the midst | :19:56. | :19:58. | |
of the Brexit debate, we were all shocked by the news that | :19:59. | :20:01. | |
in Batley, West Yorkshire, local MP, Jo Cox, was murdered | :20:02. | :20:04. | |
by a man with links A wife and mother, as well as an MP, | :20:05. | :20:06. | |
Jo's death led to some amazing Jo's husband, Brendan, | :20:07. | :20:11. | |
has been campaigning ever since to turn the tragedy of Jo's | :20:12. | :20:19. | |
murder into a force for good It has been a long day of big | :20:20. | :20:32. | |
announcements. First, eight months on, how are you and the family | :20:33. | :20:36. | |
coping? It still feels very early. I think when something... You know, | :20:37. | :20:41. | |
anybody who has lost anybody, the first few weeks are a whirlwind. | :20:42. | :20:44. | |
Particularly when it is something like this, so sudden and violent, it | :20:45. | :20:49. | |
takes a long time to take it in. A lot of the time it still feels like | :20:50. | :20:53. | |
I am living in shock. And then there are moments when it sinks in and the | :20:54. | :20:57. | |
reality of the situation, the permanence of it. It is one of the | :20:58. | :21:00. | |
few things in my life that I have not been able to do anything about. | :21:01. | :21:04. | |
There is no fixing it, you just have to deal with it as best you can. | :21:05. | :21:10. | |
That feels horrible. So The Great Get Together is your attempt to turn | :21:11. | :21:12. | |
something so horrible and seronegative into a positive? -- and | :21:13. | :21:19. | |
so negative. You can see from some of those pictures. Jo have this | :21:20. | :21:25. | |
amazing energy. She was a ball of enthusiasm. She loved life. We | :21:26. | :21:29. | |
didn't want the anniversary to be a solemn thing where everybody was | :21:30. | :21:32. | |
depressed about life. We wanted it to be something that represented | :21:33. | :21:36. | |
her. She loved to party, she liked getting together with neighbours. | :21:37. | :21:40. | |
The reason this was done was to try to divide amenities. We couldn't | :21:41. | :21:45. | |
think of anything better than to show how United we are. On the | :21:46. | :21:51. | |
weekend, people getting together, sharing food with their neighbours. | :21:52. | :21:55. | |
Celebrating the things that we have in common. You had a high-profile | :21:56. | :21:59. | |
launch. The Duchess of Cornwall. Jamie Oliver as well. You have just | :22:00. | :22:05. | |
been getting us out there. People that want to be able to show their | :22:06. | :22:11. | |
support, how can they get involved? It has been an incredible engagement | :22:12. | :22:14. | |
already. We have been working with The Big Lunch, organisations from | :22:15. | :22:22. | |
the Premier League, Help For Heroes, the trade unions, faith groups, huge | :22:23. | :22:32. | |
positivity. The RSPB. I think we are tapping into something. People are | :22:33. | :22:36. | |
sick of the nastiness, the tone of politics, whichever way you voted in | :22:37. | :22:40. | |
the referendum, which ever way you vote in elections, that is not what | :22:41. | :22:43. | |
defines you. I think people are crying out for those moments, to | :22:44. | :22:48. | |
bring ourselves back together. Being British, we need an excuse to do | :22:49. | :22:51. | |
that. We are not great at reaching out to neighbours. We hope that | :22:52. | :22:55. | |
people will take part. We would love you to go to The Great Get Together | :22:56. | :23:03. | |
website, if you want to put on a street party, if you go on the | :23:04. | :23:07. | |
website, we will give you the details of how to get involved and | :23:08. | :23:10. | |
whether local events are going to be. Today, you were doing cupcakes | :23:11. | :23:16. | |
barbecues, picnics, basically any event, however small. Sadly, it is | :23:17. | :23:23. | |
just an excuse to get together. Often, when you live in a community, | :23:24. | :23:30. | |
he wanted to and you are looking for the excuse to start the | :23:31. | :23:37. | |
conversation. We were making cupcakes, the Duchess of Cornwall | :23:38. | :23:42. | |
was on the case. Did she do one of these? You might be able to guess. | :23:43. | :23:47. | |
Are you saying it is good or bad? Think this was hers. She had a very | :23:48. | :23:53. | |
freestyle approach! Jamie Oliver had a more practised arm. I did not do | :23:54. | :24:04. | |
one. Is there a significance to the butterfly? Not that I am aware of, | :24:05. | :24:07. | |
you can eat them. They are edible paper. I am worried they might get | :24:08. | :24:17. | |
stuck in my teeth when talking to the Duchess. I haven't spent much | :24:18. | :24:21. | |
time with royalty. I am sure it has been an emotional day, you must be | :24:22. | :24:27. | |
shattered. I am going to put the kids to bed and hope they don't wake | :24:28. | :24:31. | |
me up at 4am. Thank you for joining us. | :24:32. | :24:33. | |
If you're a fan of American art - or pitchforks - | :24:34. | :24:36. | |
you might want to get down to the Royal Academy | :24:37. | :24:38. | |
That's because a new exhibition is opening and the star of the show | :24:39. | :24:43. | |
is a famous painting that has never left the US before. | :24:44. | :24:48. | |
Anita has been for an exclusive preview. It is recognisable to | :24:49. | :24:55. | |
people around the world, many who hardly know its name or even that it | :24:56. | :25:01. | |
is from a painting. Here it is, in the flesh, American Gothic, painted | :25:02. | :25:05. | |
by Grant Wood in 1930. It is hanging in the Royal Academy as part of a | :25:06. | :25:08. | |
brand-new exhibition. It is the first time it has ever been in the | :25:09. | :25:14. | |
UK. Give me a bit of history, for somebody that doesn't know anything | :25:15. | :25:18. | |
about it. Grant Wood, from Iowa, he took a photograph of a house when he | :25:19. | :25:22. | |
was driving through a town. He posed to his dentist and younger sister in | :25:23. | :25:25. | |
front of it. He had the dentist hold this pitchfork and produce an | :25:26. | :25:31. | |
amazing double portrait. They could be anybody. These communities were | :25:32. | :25:35. | |
being left behind. Are they representing ordinary people in | :25:36. | :25:38. | |
America at the time? Sort of like guardians of the past. What does it | :25:39. | :25:45. | |
say to us in Britain? Tells us about a Time in America when things were | :25:46. | :25:48. | |
very uncertain, the future was unknown. What is relevant is that we | :25:49. | :25:53. | |
are kind of confronting that again. What do you think they are thinking? | :25:54. | :25:59. | |
He's looking to you as if he is saying, I dare you to come any | :26:00. | :26:02. | |
closer. She is feeling unsettled by this. The charm of the painting for | :26:03. | :26:07. | |
me is that it represents ordinary people, with everyday thoughts and | :26:08. | :26:12. | |
desires, and elevates them to icons. So, what are ordinary people | :26:13. | :26:17. | |
thinking about today? I have enlisted some help us to find out. | :26:18. | :26:23. | |
If he would step into my studio. No expense spared. We are going to give | :26:24. | :26:27. | |
you that. What is on your mind? I have a nice lunch, I would like to | :26:28. | :26:32. | |
find somewhere to sit down. Whether I am going to be able to find the | :26:33. | :26:36. | |
dress I need for my daughter's 40th. Work, I am going to be late. | :26:37. | :26:44. | |
Starting a new job. What are you thinking about? I was thinking it | :26:45. | :26:53. | |
was wonderful for her to ring me to London for my birthday. I am having | :26:54. | :26:59. | |
a very mellow day, really mellow. We are celebrating my husband's | :27:00. | :27:05. | |
birthday. I'm looking forward to the show and my dinner. And how amazing | :27:06. | :27:13. | |
your wife is? Yes, you are reading my mind. I'm hungry, contemplating | :27:14. | :27:20. | |
whether to go home or not. I'm really stressed, I started | :27:21. | :27:22. | |
accounting and I am contemplating how I will learn all of this. Were | :27:23. | :27:31. | |
to hit the shops, the children I left behind. She is the only one | :27:32. | :27:36. | |
prepared to come shopping with me. What is going on in your mind? | :27:37. | :27:43. | |
You don't want to know what has just been going on. | :27:44. | :28:10. | |
Am I going to break for you? We 14? I was upset with the money that you | :28:11. | :28:22. | |
gave Fergal. You wouldn't apologise or admit that you had done anything | :28:23. | :28:27. | |
wrong. It's a tough time. There is a lot of... Brexit! You know? Your new | :28:28. | :28:33. | |
President. Don't put that on me! I'm just saying it is a tough time. | :28:34. | :28:42. | |
Welcome. So, you guys get pregnant after a quick... You know? A casual | :28:43. | :28:50. | |
fling. You decide to get hitched pretty early. Where did the idea | :28:51. | :28:59. | |
come from? Our lives. In real life, we have 23 kids between the two of | :29:00. | :29:04. | |
us. Separate marriages. When you have kids, a large portion of your | :29:05. | :29:09. | |
life ends. That is all you think about. We are coming up to the third | :29:10. | :29:13. | |
series. Can you bring everybody up-to-date with what happened, why | :29:14. | :29:22. | |
you are where you are? Yes, they have a fling, they get married. The | :29:23. | :29:25. | |
first series is about them getting to know each other while being | :29:26. | :29:29. | |
pregnant and having lots of terrible things happening to them, including | :29:30. | :29:33. | |
having a baby. The second series is about them staying in love while | :29:34. | :29:39. | |
having children. There is a big-time jump between one and two. Two and a | :29:40. | :29:46. | |
half years pass. The third series is more of the same. Now they have | :29:47. | :29:50. | |
decided they are together and that is it. No matter what terrible thing | :29:51. | :29:54. | |
happens to them, they will deal with it. Were they reluctantly wallowing | :29:55. | :30:02. | |
in the fact they can't go anywhere? Still in love. Series one was a lust | :30:03. | :30:14. | |
story, if two was an endurance test, three is a love story. How well did | :30:15. | :30:20. | |
you know each other? This is incredibly personal. Drawing on your | :30:21. | :30:24. | |
own experiences? Series one, we would say, don't hate me, but a few | :30:25. | :30:30. | |
years ago, I... Series three, I already know you hate me, listen. In | :30:31. | :30:34. | |
the beginning we were tentatively be, here is an idea. Shocked at each | :30:35. | :30:42. | |
other! We know pretty terrible things about each other and it all | :30:43. | :30:43. | |
goes into the show. Can you say the child's name? I can | :30:44. | :30:58. | |
say it. That wasn't great. That was one of the MEP memorable moments | :30:59. | :31:02. | |
from the first series was naming the baby with the name that was close to | :31:03. | :31:08. | |
your heart, but a little tricky. It doesn't run off the tongue. Sharon | :31:09. | :31:13. | |
grew up in a strange land, far off land, far beyond the mists called | :31:14. | :31:21. | |
Ire-land, people talk funny there. I can say that. You are out numbered. | :31:22. | :31:33. | |
I wanted to call her a name my husband couldn't pronounce. I | :31:34. | :31:36. | |
started crying. He thought I was going to push the issue that he | :31:37. | :31:40. | |
would spend his life not being able to pronounce his daughter's name. We | :31:41. | :31:43. | |
thought that would be a funny thing. It took you a while. Now you are | :31:44. | :31:49. | |
perfect with it. Got it. What about chucking the sheets out the window. | :31:50. | :31:54. | |
Was that based on anything? My mum did that. My mum was pregnant. I was | :31:55. | :31:59. | |
outside of her body and vomiting in her bed. I vomited on the other hand | :32:00. | :32:02. | |
it. She balled everything up and threw it out the window. My dad came | :32:03. | :32:06. | |
home from work and was like, oh, God, again! He wasn't bagging up a | :32:07. | :32:11. | |
dead dog at the time. We used our imagination as well. It's a mix of | :32:12. | :32:17. | |
the two. As an Irish woman watching it there are points when I go - what | :32:18. | :32:23. | |
is your mum thinking, awkward conversations afterwards? No, my mum | :32:24. | :32:28. | |
loves it. I mean, my mum and dad are both in their 70s and they love it. | :32:29. | :32:34. | |
I don't think... I'm worried about them seeing the first episode of | :32:35. | :32:39. | |
Series 1, it's a bit rude, I guess. It's all rude. No, they're fine. | :32:40. | :32:46. | |
They are OK. Good. Carrie Fisher played your mum. She sure did. How | :32:47. | :32:52. | |
did that come about? We wrote a postcard to Hollywood. We didn't | :32:53. | :32:55. | |
know anybody I who knew her. There was no back channel negotiation. We | :32:56. | :33:00. | |
wrote her, we sent all the scripts for the first series to her agent | :33:01. | :33:03. | |
and the pilot and said - maybe show this to her. We figured they would | :33:04. | :33:09. | |
throw it in the trash, rubbish, in British English. She decided to do | :33:10. | :33:13. | |
the show. Which is shocking. It's still shocking. We were surprised | :33:14. | :33:18. | |
when she turned up on set. We knew we had booked her. Until she was on | :33:19. | :33:23. | |
set we thought she would pull out. It was wonderful to her in the show. | :33:24. | :33:28. | |
Wonderful getting to know her. You saw her just before hand before she | :33:29. | :33:35. | |
died. She filmed up to a few days before. She left to go home. We were | :33:36. | :33:40. | |
all hanging out with her. As we dpot to know her, we were afraid to | :33:41. | :33:44. | |
really use her. We put her in little bits. Didn't know she would come | :33:45. | :33:51. | |
back for Series 2. ? In seer Series 3 she is a bill part. Hill lir | :33:52. | :33:58. | |
lairious, wonderful and poignant. Writing and starring in it a touch | :33:59. | :34:05. | |
of control freakness on set with Carrie... You had to let her do her | :34:06. | :34:11. | |
own thing. Other characters would be, can we improvise? She doesn't | :34:12. | :34:18. | |
ask. It's better than we wrote. She starts singing a song. Watching your | :34:19. | :34:22. | |
face while you look at the lips you were doing all the lines and timing | :34:23. | :34:28. | |
right. I don't know if you were, but you were. I hope you're joking. | :34:29. | :34:36. | |
That's intense. The new series of Catastrophe starts next Tuesday at | :34:37. | :34:42. | |
10.00pm on Channel 4. We have lots of Dorises sent in. Let's go. This | :34:43. | :34:48. | |
is Julie's chicken, Doris who lives with the whole family in | :34:49. | :34:51. | |
Bedfordshire. This is Doris who lives in a nursing home in Essex. 87 | :34:52. | :35:01. | |
today! Very good this is the Doris in Paul's lives. This because Storm | :35:02. | :35:05. | |
Doris is on the way. It was on the news earlier on, Rob, there you go. | :35:06. | :35:12. | |
With all this talk of delivering and working with children, | :35:13. | :35:14. | |
we thought we'd honour a true unsung hero. | :35:15. | :35:16. | |
Here's Michael Moseley on how one man's eureka moment has helped | :35:17. | :35:19. | |
If you visit a neonatal intensive-care unit, there's one | :35:20. | :35:27. | |
condition you will see more than any other. It affects eight out of ten | :35:28. | :35:34. | |
premature babies. This is baby Clara. She was born premature. After | :35:35. | :35:40. | |
she was born she developed a yellow contigency to her skin, a sign her | :35:41. | :35:44. | |
liver was struggling to clean her blood. It's known as jaundice. It's | :35:45. | :35:49. | |
common. Two of my kids had jaundice in severe cases it can be | :35:50. | :35:53. | |
life-threatening. These days it can be cured by nothing more than blue | :35:54. | :36:03. | |
light. The simple but ingenious treatment is thanks to the | :36:04. | :36:08. | |
pioneering work of a doctor called, Dick Cremer. When he was a junior | :36:09. | :36:13. | |
doctor in the 1950s the treatment was much more extreme for jaundice. | :36:14. | :36:23. | |
Dr Fox is a consultant. She would have had invasive treatment called | :36:24. | :36:29. | |
an exchange blood tran fusion. -- transfusion. Cremer knew they were | :36:30. | :36:34. | |
traumatic for the babies and parents. Katherine is Cremer's | :36:35. | :36:40. | |
daughter. He was a neo register for the first time. Part of his role was | :36:41. | :36:45. | |
to do exchange transfusion in very tiny babies and he was apprehensive | :36:46. | :36:49. | |
about that. One of the reasons he was keen be to avoid transfusions | :36:50. | :36:52. | |
was because there were deaths of babies that they couldn't explain. | :36:53. | :36:57. | |
Cremer was determined to find a better treatment. Jaundice in babies | :36:58. | :37:05. | |
is caused by the build-up of waste product in blood called bilirubin. | :37:06. | :37:11. | |
Inspiration for a different way to remove this toxic build-up came from | :37:12. | :37:17. | |
a senior nurse Cremer worked with. Nurse Ward was a believer in fresh | :37:18. | :37:21. | |
air and sunshine. She took babies out of their incubators and into the | :37:22. | :37:27. | |
garden. After one particular walk in the sunshine with a jaundice baby, | :37:28. | :37:34. | |
Nurse Ward showed Cremer and the other doctors something remarkable. | :37:35. | :37:38. | |
Where the baby's skin was exposed to the sun light the signs of jaundice | :37:39. | :37:43. | |
were fading. No-one knew if the blood itself was affected. The | :37:44. | :37:48. | |
crucial breakthrough came when the blood sample from a jaundice baby | :37:49. | :37:53. | |
was left on a sunny window sill. There was a surprising change in the | :37:54. | :37:58. | |
serum, the watery component of blood. Sally Brady is a clinical | :37:59. | :38:05. | |
biochemist. For a baby with jaundice, bilirubin is orange, their | :38:06. | :38:08. | |
serum will look orange like this sample. The sample left on the | :38:09. | :38:13. | |
window sill, when they analysed it the serum was green. That is | :38:14. | :38:19. | |
different. The sunshine converted bilirubin to this pigment. It isn't | :38:20. | :38:23. | |
dangerous to babies. Cremer had cracked the chemistry. Now he needed | :38:24. | :38:27. | |
to turn this discovery into a treatment. He knew he couldn't rely | :38:28. | :38:31. | |
on the British sunshine. He started looking for an alternative. Cremer | :38:32. | :38:41. | |
and colleagues tested all sorts of lightbulbs. In the end it was blue | :38:42. | :38:46. | |
fluorescent light that proved to be best at breaking down the toxic | :38:47. | :38:51. | |
bilirubin. Cremer's team designed a light machine to treat jaundice and | :38:52. | :38:55. | |
it revolutionised treatment of this condition. He was so modest, I think | :38:56. | :39:00. | |
it didn't occur to him it was something that would end up in | :39:01. | :39:03. | |
hospitals all over the world affecting quite so many millions of | :39:04. | :39:08. | |
babies as it subsequently did. I assume you are quietly proud? I'm | :39:09. | :39:13. | |
loudly proud. Little Clara is responding well to her treatment, | :39:14. | :39:18. | |
it's remarkable that a simple light can cure such a serious condition. | :39:19. | :39:22. | |
Michael is here now. How is baby Clara doing? Really well. One of | :39:23. | :39:32. | |
three triplets. There she is, looking cheerful. A team of | :39:33. | :39:38. | |
triplets. We are doing research for you tonight, Helen. Doing my job for | :39:39. | :39:46. | |
me. How do you do your research as far as midwife is concerned? We have | :39:47. | :39:51. | |
a brilliant midwifery adviser on set to talk through everything with us, | :39:52. | :39:56. | |
really. Then when we did the caesarean I was offered to watch | :39:57. | :40:01. | |
one. Because I'm squemish I couldn't I watched YouTube videos. That's it | :40:02. | :40:08. | |
really. You might be able to help out more now. You will go through | :40:09. | :40:12. | |
the history of how various inventions came about in the world? | :40:13. | :40:16. | |
The great ones. The incubator. Premature babies. That was invented | :40:17. | :40:19. | |
in France. British and American doctors didn't see any point in them | :40:20. | :40:23. | |
in keeping babies alive who were young, let them go was kind of the | :40:24. | :40:29. | |
view. Martin Couney, entrepreneur, he decided he would build and use | :40:30. | :40:33. | |
them. That is him there as an older guy. He is holding the babies up | :40:34. | :40:37. | |
like puppets. He was quite a character. Those are very small. | :40:38. | :40:43. | |
Quite a character! The thing was, babies cost quite a lot to keep | :40:44. | :40:52. | |
going $15. The best way to do it was to exhibit them. You can go and see | :40:53. | :40:58. | |
the Living Babies. Get a candy floss. That is how he raised money? | :40:59. | :41:08. | |
Absolutely. He dressed them up in big clothes so they looked tiny. | :41:09. | :41:13. | |
It's controversial. This was very popular, as you can imagine.s since | :41:14. | :41:17. | |
the medical profession was largely ignoring him he estimates he saved | :41:18. | :41:22. | |
around 7,000 to 10,000 as a result of this technique. He came to Earl's | :41:23. | :41:33. | |
Court, did an exhibition here. How that is doing healthcare now. Have | :41:34. | :41:39. | |
you to go to a carnival and film it! He did it for 40 years. Really? What | :41:40. | :41:49. | |
is the story with baby monitors? Charles Lindbergh, 19 30s. That is | :41:50. | :41:54. | |
the man. His older son is kidnapped from the house and this obviously | :41:55. | :42:06. | |
created anger throughout the States. He is concerned and denines and gets | :42:07. | :42:11. | |
his staff to build a baby monitor. That is not Charles. That is the man | :42:12. | :42:16. | |
who wanted to - An early baby monitor. Can you imagine using that. | :42:17. | :42:24. | |
Radio Nurse. It did not take off. It Costello $2,000 back then. Here we | :42:25. | :42:28. | |
had the Baby Nurse. He fed it through the electrical system as | :42:29. | :42:31. | |
well. It would take another 40 years before anyone took it seriously. | :42:32. | :42:35. | |
That was where the stuff comes from. It evolved quite a lot now. He kept | :42:36. | :42:40. | |
picking up other conversations. That was a major flaw. You would get the | :42:41. | :42:46. | |
radio and the traffic report from the cops. It wasn't perfect. You | :42:47. | :42:50. | |
used to listen in to what babies were doing. Now you can see what | :42:51. | :42:54. | |
they are up to. There are some very - We are not sure whether or not | :42:55. | :42:59. | |
this is real. Have you seen this. The core strength on this baby is | :43:00. | :43:06. | |
remarkable. I'm sure it's not real. That looks more comedy than reality. | :43:07. | :43:11. | |
I remember those days! You have a new series on the science of food. | :43:12. | :43:16. | |
That is right. You have been sampling breast milk? I have. It's | :43:17. | :43:21. | |
been a long time since I sampled breast milk. Finger in. Producer's | :43:22. | :43:27. | |
friend donated it. Down it goes. What did you find out? Really that | :43:28. | :43:34. | |
it's a lot sweeter than cows milk. I break it down there. It contains | :43:35. | :43:39. | |
four grams of fat to eight grams of sugar. Would you give it a go, your | :43:40. | :43:46. | |
face says might not. These are breast milk cocktails you brought | :43:47. | :43:50. | |
for us! One for everyone in the audience. It's delicious. It's | :43:51. | :44:00. | |
different. Have you drank it? My breast milk is delicious. What is | :44:01. | :44:11. | |
interesting about this is the fact that if you look at that ratio two | :44:12. | :44:17. | |
to one of sugar to fat. We don't love sugar in the sense we don't get | :44:18. | :44:21. | |
a bowl full. If you mix them together in that race owe you get | :44:22. | :44:26. | |
ice-cream, chocolate, chocolate biscuits and cake. They have the | :44:27. | :44:30. | |
ration owe of two units of carbs to one of fat. My God. I could have | :44:31. | :44:34. | |
made all of those things! There you are. And shared it out. The things | :44:35. | :44:38. | |
you learn on the One Show. Thank you, Michael. The Secrets of Your | :44:39. | :44:51. | |
Food starts Friday 9.00pm on BBC Two. | :44:52. | :44:53. | |
Back to the Shetland Islands, where Albert and Ernie are trying | :44:54. | :44:56. | |
And, I'm afraid, they're having a bit of mare. | :44:57. | :45:02. | |
I've brought Albert and Ernie on a trip to the island of their | :45:03. | :45:08. | |
ancestors, the Shetland Islands, to discover the history of this hardy | :45:09. | :45:12. | |
breed. They feel very at home, they are grooming each other. Is it my | :45:13. | :45:18. | |
turn? Good boy! During the 19th century, the increased popularity of | :45:19. | :45:21. | |
Shetland ponies as pets and the numbers needed to work down coal | :45:22. | :45:25. | |
mines led to a reduction of quality stallions left on the islands. The | :45:26. | :45:32. | |
Shetland ponies society was formed to protect their purity. Bernie has | :45:33. | :45:38. | |
a passport show that he is pure bred. Steve Rendell has been looking | :45:39. | :45:44. | |
into his ancestry. He traces right the way back through to the very | :45:45. | :45:50. | |
beginning of the studbook. He goes right back to Jack, that was is that | :45:51. | :45:53. | |
the Lord Londonderry stood in Shetland. It was from the 1870s | :45:54. | :46:02. | |
onwards. Probably the most prolific stallion in the breed. We can say | :46:03. | :46:07. | |
that his ancestors come from Shetland? Even know he wasn't born | :46:08. | :46:10. | |
here, he is certainly part of the rich heritage of the island. We are | :46:11. | :46:15. | |
going to a small island to the west on the mainland. We are going to | :46:16. | :46:18. | |
meet some of his distant cousins. In order to get there, we need to | :46:19. | :46:24. | |
travel by boat, not something they are used to. Good boy. It seems | :46:25. | :46:29. | |
Ernie is not completely on board with the plan. | :46:30. | :46:33. | |
He says, I'm scared. Good lad. Crofters would regularly squeeze | :46:34. | :46:44. | |
them onto boats to transport them from island to island. Good to go. | :46:45. | :46:51. | |
Because I like a challenge, we are all going to spend the night out | :46:52. | :46:54. | |
here, giving Albert and Ernie H Anstey and integrate with the | :46:55. | :46:57. | |
Shetland ponies that live freely on the island. The herds take three | :46:58. | :47:03. | |
weeks to form, so I'm not expecting them to be best buddies by the | :47:04. | :47:07. | |
morning. Hopefully they will get to experience a bit of what life would | :47:08. | :47:11. | |
have been like in the Shetlands. After the initial family welcome, | :47:12. | :47:15. | |
one of them is not so keen on the new arrivals and tempers fray. The | :47:16. | :47:21. | |
one that keeps seeing them off, it is her job to make the decisions for | :47:22. | :47:28. | |
the hook. At the moment, they are being pushed away. Hopefully they | :47:29. | :47:33. | |
will be able to get closer and she will not be so desperate to push | :47:34. | :47:37. | |
them away. My priority is to find somewhere to sleep. My sleeping | :47:38. | :47:41. | |
quarters don't look much. I've just got a bag with my sleeping bag | :47:42. | :47:45. | |
inside. It's really nice, I've got the ponies over there. Shetland | :47:46. | :47:49. | |
ponies, like all horses, only need a couple of hours of sleep a day, and | :47:50. | :47:55. | |
they tend to power nap for 15 minutes at a time. It's going to be | :47:56. | :47:57. | |
a restless night. That is the lead mare. That is what | :47:58. | :48:12. | |
it was like for the rest of the evening. I had an incredible night | :48:13. | :48:17. | |
last night. It was really windy. All I could hear was the ponies making | :48:18. | :48:22. | |
lots of squeaking, socialising. It's been incredible seeing Albert and | :48:23. | :48:25. | |
Ernie out in the wild, with their friends. Although they have bonded | :48:26. | :48:31. | |
with some of the herd, it is time to say farewell. It has been absolutely | :48:32. | :48:35. | |
amazing, seeing them here, in their native land, where they are supposed | :48:36. | :48:40. | |
to be, in the Shetland Islands. It is certainly a tough and rugged | :48:41. | :48:43. | |
place to live. You can see why they have adapted so well to their | :48:44. | :48:46. | |
environment. As for Albert and Ernie, they know a different life. | :48:47. | :48:50. | |
That life is back home in Devon with me. | :48:51. | :48:55. | |
Quite a journey home. Looks like they had a lovely time. They picked | :48:56. | :49:03. | |
up some souvenirs? According to the holiday snaps, these lovely jumpers. | :49:04. | :49:10. | |
It's more of a cardigan, you can see the nice buttons down the front. | :49:11. | :49:19. | |
That should be illegal. How much dog is in those ponies? What percentage? | :49:20. | :49:27. | |
There was no reference of dog, I can say that with good authority, we | :49:28. | :49:31. | |
have one on our farm. There he is, with his winter coat. Helen, let's | :49:32. | :49:37. | |
talk about your new play. It is called Love in Idleness. Trevor Nunn | :49:38. | :49:43. | |
is directing it. You have come from rehearsals. A quick change. It is a | :49:44. | :49:50. | |
take on Hamlet? There is a rough theme of that through the play. It | :49:51. | :49:54. | |
is set at the end of the Second World War. It's about a brilliant, | :49:55. | :49:58. | |
young, handsome man called Michael, who is 18. He comes back from being | :49:59. | :50:02. | |
evacuated to Canada. He comes back home to see father has died, his | :50:03. | :50:08. | |
mother is living with a war cabinet minister, a Tory. Michael is a | :50:09. | :50:15. | |
strong socialist. There is a strong political theme that is probably | :50:16. | :50:20. | |
quite relevant. I play Sir John Fletcher's younger wife, a bit of a | :50:21. | :50:27. | |
money grasping naughty lady, Lady Diana Fletcher. She gets intertwined | :50:28. | :50:37. | |
in the, the comedy of it all. Trixie, delivering babies and being | :50:38. | :50:41. | |
fabulous, and then this character of a minx? She is bit of a one. Lovely | :50:42. | :50:52. | |
cast. Great cast, Anthony head, good old Trevor directing. It | :50:53. | :50:55. | |
interesting, the fact that you like to keep that stage side of things | :50:56. | :50:59. | |
going, as well as TV drama. Is that the same with you, Sharon? You have | :51:00. | :51:04. | |
done some onstage as well. How do you think they relate? Well, I have | :51:05. | :51:09. | |
only done a little tiny bit of stage. I like that, I liked the | :51:10. | :51:16. | |
immediacy of it. It is nice to get a response from an audience that is | :51:17. | :51:24. | |
right there. Also, it is a pain. Isn't it? Every night, the same | :51:25. | :51:32. | |
thing. It is nice when you do short runs, this is a six week run. When | :51:33. | :51:38. | |
it is six years, obviously... You are looking like piggy in the | :51:39. | :51:45. | |
middle. You do more stand-up? If I am on a stage, I like to be saying | :51:46. | :51:49. | |
things that I thought in this terrible, sick mind of mine. That is | :51:50. | :51:55. | |
very important, and I have to do that or I die. You won't be doing a | :51:56. | :52:03. | |
turn on the West End? No. All the best with the rehearsals. I know you | :52:04. | :52:08. | |
are at the stage where it is all... But I am sure it will be OK. Two | :52:09. | :52:10. | |
weeks, it will be fine. Our next film is about | :52:11. | :52:13. | |
a very serious subject. In 2012, the Supreme Court ruled | :52:14. | :52:15. | |
that people convicted of sexual offences and placed on the sex | :52:16. | :52:18. | |
offenders' register for life had As a result, 15 years | :52:19. | :52:20. | |
after being released from prison, sex offenders in England and Wales | :52:21. | :52:25. | |
can now apply to be And for many, that is | :52:26. | :52:27. | |
extremely worrying. I am on my way to meet two amazing | :52:28. | :52:42. | |
young women, both survivors of abuse, who have bravely waved their | :52:43. | :52:48. | |
anonymity to speak to The One Show. The nice and 87, when they were just | :52:49. | :52:53. | |
five and six years old, Kate Taylor and Ceri Jones were reviews that | :52:54. | :52:56. | |
their school in the north of England. Going to court on | :52:57. | :52:59. | |
prosecuting him didn't really help us. But getting him put on the sex | :53:00. | :53:03. | |
offenders register for life meant we were protecting other children. At | :53:04. | :53:08. | |
least we knew he could not do it to somebody else. But a chance phone | :53:09. | :53:12. | |
call to the police led to cater finding out that her abuser had | :53:13. | :53:17. | |
applied to appeal. I said, he can't, the judge put him on the sex | :53:18. | :53:21. | |
offenders register for the rest of his life. That is when they told me | :53:22. | :53:25. | |
that in 2012 the law had changed. It knocked me off my feet, completely. | :53:26. | :53:28. | |
It was not what I was expecting to hear. He took away our human rights | :53:29. | :53:35. | |
at six years old. He is being given human rights to come of this | :53:36. | :53:38. | |
register. He should stay on for the rest of his life. Finding out the | :53:39. | :53:42. | |
abuser had applied to be removed from the register was hard enough. | :53:43. | :53:51. | |
For Kate the news was made more disturbing by the fact the victims | :53:52. | :53:56. | |
may have never known about the appeal. They said they had not been | :53:57. | :54:00. | |
able to locate us. South Yorkshire Police said they had been in the | :54:01. | :54:04. | |
process of identifying victims when they were contacted by Kate and that | :54:05. | :54:08. | |
they always seek to obtain victim views when an application like this | :54:09. | :54:12. | |
is made. But it is not mandatory. The Home Office guidelines say that | :54:13. | :54:16. | |
the decision to contact victims should be made on a case-by-case | :54:17. | :54:22. | |
basis. Then Kate contacted the other victims. He got in touch with them | :54:23. | :54:26. | |
all and they were interviewed by the police? The result was? The police | :54:27. | :54:31. | |
came to see me and said that he was not going to be allowed off. Is that | :54:32. | :54:37. | |
now for life? No, in eight years he gets to apply again. Kate and Kerry | :54:38. | :54:44. | |
are angry that the abuser has the right to appeal to be taken off the | :54:45. | :54:48. | |
register, and they are dismayed that victims are not automatically | :54:49. | :54:52. | |
notified of any appeal. Both decisions are taken by a local | :54:53. | :55:00. | |
police force. Michelle from the council for the management of sexual | :55:01. | :55:04. | |
and violent offenders explains how it works. The rationale as to if | :55:05. | :55:11. | |
they come off the register is whether or not they pose a risk of | :55:12. | :55:16. | |
harm to the community. If they don't, they will probably be allowed | :55:17. | :55:20. | |
to come off registration. According to latest figures, there are 52,770 | :55:21. | :55:26. | |
sex offenders on the register. Just over 1200 have applied come off it. | :55:27. | :55:34. | |
687 of those were approved. Michelle agrees that too few victims have | :55:35. | :55:38. | |
been contacted. We have recognised there are lot victims that were not | :55:39. | :55:46. | |
involved in the process and we want to improve that. The police say they | :55:47. | :55:51. | |
are now introducing a new system. We have revamped the process and it is | :55:52. | :55:54. | |
about to be launched, where the victim can come in at any time to | :55:55. | :55:58. | |
the police force with express wishes of whether they want to be | :55:59. | :56:03. | |
contacted. For Kate and Kerry, it is a step in the right direction. But | :56:04. | :56:06. | |
they want the public to be made aware of the change in the law and a | :56:07. | :56:10. | |
legal requirement for the police force to contact victims when an | :56:11. | :56:14. | |
appeal is made. They are also backing a campaign to encourage more | :56:15. | :56:18. | |
discussion of this issue in schools. Sex abuses such a taboo subject, two | :56:19. | :56:31. | |
in three children never say anything. But we are talking now. | :56:32. | :56:39. | |
Very brave to waive their anonymity. Why was the offender not named? In | :56:40. | :56:44. | |
this case, there happens to be another teacher with the same name. | :56:45. | :56:47. | |
We do not want them wrongly accused, so we chose not to name the | :56:48. | :56:52. | |
offender. Since this has been come in, hundreds of people have been | :56:53. | :56:56. | |
taken off the register. What does that mean? When you are on the | :56:57. | :56:59. | |
register, you have to register details with the local police force | :57:00. | :57:02. | |
within three days of your conviction, or being released from | :57:03. | :57:06. | |
prison. That means you have to give your name, date of birth, address, | :57:07. | :57:10. | |
but also whether you live with a child, in the same building as a | :57:11. | :57:14. | |
child, things like your bank account details, passport. Plus, if you are | :57:15. | :57:17. | |
going to be away for more than seven days you have to notify the police. | :57:18. | :57:21. | |
You have to tell them if you are going abroad and giving details of | :57:22. | :57:25. | |
travel plans. When you come off the register, you don't have to do any | :57:26. | :57:29. | |
of that, you don't have to furnish them with that information. But you | :57:30. | :57:32. | |
still have a criminal record, so if a sex offender came off the register | :57:33. | :57:37. | |
but applied for a job in a position of trust, a teacher, working with | :57:38. | :57:41. | |
vulnerable people, that conviction would still be flagged up. What is | :57:42. | :57:47. | |
the criteria of coming off the list? Who decides? The local police force | :57:48. | :57:50. | |
will make the review decision. They will look back at the original | :57:51. | :57:55. | |
offence, how serious it was, the age of the victim, the difference in age | :57:56. | :57:59. | |
between the offender and the victim. There will also take very careful | :58:00. | :58:08. | |
notice of any evidence that came with the case in the first place. | :58:09. | :58:12. | |
They will talk to local authorities, parole officers, people with | :58:13. | :58:15. | |
day-to-day contact with the offender now. They will take the decision | :58:16. | :58:20. | |
very seriously. It is a rigorous review, conducted by people high up | :58:21. | :58:24. | |
in the police. Ultimately, it rests with the Chief Constable. You will | :58:25. | :58:29. | |
be back tomorrow? People will have heard of the Independent Inquiry | :58:30. | :58:35. | |
Into Child Sexual Abuse. It has been beset with problems. Tomorrow we | :58:36. | :58:38. | |
have an exclusive interview with the chair of the inquiry. If you have | :58:39. | :58:43. | |
been affected by any of the issues we have been talking about tonight, | :58:44. | :58:46. | |
there is more information on the website. | :58:47. | :58:47. | |
A huge thank you to Helen, Call the Midwife continues on Sunday | :58:48. | :58:50. | |
Love in Idleness opens at the Menier Chocolate Factory on the 9th March. | :58:51. | :58:58. | |
Tickets are on sale now, go and get them! | :58:59. | :59:00. | |
Thanks too to Rob and Sharon, Catastrophe is back next Tuesday | :59:01. | :59:03. | |
We'll be back tomorrow with Ant and Dec. | :59:04. | :59:11. | |
See you then. Have a lovely evening. We are going to try to play golf | :59:12. | :59:17. | |
from the top of the building! Let's see what happens. | :59:18. | :59:19. |