Browse content similar to 22/02/2018. Check below for episodes and series from the same categories and more!
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Hello and welcome to
The One Show with Matt Baker. | 0:00:17 | 0:00:22 | |
And Angellica Bell. | 0:00:22 | 0:00:23 | |
We've got two of the UK's top
criminal barristers here tonight | 0:00:23 | 0:00:26 | |
who have prosecuted and defended
in some high profile cases and now | 0:00:26 | 0:00:29 | |
they have a new job. | 0:00:29 | 0:00:34 | |
Working with families whose
relatives were tried and hanged | 0:00:34 | 0:00:37 | |
for historic crimes which they might
have been innocent of. | 0:00:37 | 0:00:41 | |
Our first guest has played
a murderer and a murder victim | 0:00:41 | 0:00:45 | |
but he's recently been showing
us his funny side. | 0:00:45 | 0:00:48 | |
The jury's out on his
singing though. | 0:00:48 | 0:00:56 | |
# I never thought I could feel this
way and I have got to say... He has | 0:00:57 | 0:01:05 | |
to make toast under another woman's
Grill. This tastes better than bath | 0:01:05 | 0:01:09 | |
water. He demands a helicopter to
Alton Towers? | 0:01:09 | 0:01:18 | |
# Everybody deserves a happy ending,
but we don't even try. | 0:01:18 | 0:01:26 | |
I don't think it is that bad. It is
Christopher Ecclestone. We have all | 0:01:26 | 0:01:32 | |
enjoyed you. Looe that was character
saying. I have got a good voice, but | 0:01:32 | 0:01:39 | |
he has not. Have you enjoyed playing
that? We laugh along with you. I | 0:01:39 | 0:01:46 | |
never play roles like that, I am
always a misery guts, so it has been | 0:01:46 | 0:01:51 | |
a joy to play that. All those lines
written by the writer, it is about | 0:01:51 | 0:01:56 | |
the writer. Would you like to do
more comedy roles? Yes, I would like | 0:01:56 | 0:02:03 | |
to keep it out of my personal life
and into my working life. | 0:02:03 | 0:02:11 | |
and into my working life. You come
from the north-west of England. | 0:02:13 | 0:02:14 | |
You come from the
north-west of England. | 0:02:14 | 0:02:16 | |
Not everything is blooming
for the property market there, | 0:02:16 | 0:02:18 | |
because some housing developments
just aren't what they seem. | 0:02:18 | 0:02:20 | |
One story we've been
following for a while has seen homes | 0:02:20 | 0:02:23 | |
being sold that were substandard
and in some cases didn't even exist. | 0:02:23 | 0:02:26 | |
Five years ago dozens of people
contacted us to complain about | 0:02:26 | 0:02:30 | |
property developer from a fresh
Start Living. There were flies and | 0:02:30 | 0:02:37 | |
maggots everywhere and they got in
the flat below. This is the open | 0:02:37 | 0:02:41 | |
sewer pipe which is disgusting. That
is disgusting. Karen told us she | 0:02:41 | 0:02:48 | |
bought a flat which was then
converted into a communal kitchen | 0:02:48 | 0:02:51 | |
for the building without her
permission. Where the bed should be | 0:02:51 | 0:02:54 | |
I have now got bridges. Others told
me their apartments had not even | 0:02:54 | 0:03:00 | |
been built, yet when I confronted
the company's director, Charlie | 0:03:00 | 0:03:05 | |
Cunningham, you was keen to put
things right. I am doing everything | 0:03:05 | 0:03:09 | |
I can at the moment to get it sorted
out. But just a few months later it | 0:03:09 | 0:03:16 | |
went bust, leaving debts of hundreds
of thousands of pounds. This is one | 0:03:16 | 0:03:21 | |
of their old buildings in Manchester
and when I was last here everyone | 0:03:21 | 0:03:25 | |
was told to get out for their own
safety. Look at it now. It is still | 0:03:25 | 0:03:29 | |
a mess. Anita bought a £60,000
one-bedroom flat here from Fresh | 0:03:29 | 0:03:39 | |
Start Living, just six months before
the building was shut down. What | 0:03:39 | 0:03:43 | |
were you told at the time about what
was happening? Nothing, I contacted | 0:03:43 | 0:03:49 | |
Charlie Cunningham. What response
did you get? No reply. After the | 0:03:49 | 0:03:56 | |
company's demise, a new company,
Absolute Living Developments, | 0:03:56 | 0:03:59 | |
brought the new building. Did that
mean with a new owner she could move | 0:03:59 | 0:04:05 | |
back in? Unfortunately not. My flat
is gutted. All my belongings have | 0:04:05 | 0:04:11 | |
gone. Where have they gone? I don't
know. Why did they trespass on my | 0:04:11 | 0:04:19 | |
property without consulting me? And
you lost money? Yes, everything, I | 0:04:19 | 0:04:25 | |
have worked hard. Others have had
the same experience and we have | 0:04:25 | 0:04:31 | |
discovered that Absolute Living
Developments was busy selling new | 0:04:31 | 0:04:33 | |
buyers off plan apartment in the
same development and they were | 0:04:33 | 0:04:40 | |
selling other flats in a location
across the way. They have also gone | 0:04:40 | 0:04:45 | |
bust, leaving millions of pounds per
worth of debt. What is going on? | 0:04:45 | 0:04:52 | |
Chris paid Absolute Living
Developments a £40,000 deposit for a | 0:04:52 | 0:04:56 | |
flat at the back of a's building,
but it has never been built. I am | 0:04:56 | 0:05:02 | |
left with uncertainty and questions
about what has happened. Chris found | 0:05:02 | 0:05:06 | |
out where his money had gone. I
thought I was paying to the | 0:05:06 | 0:05:11 | |
developers, but as it transpires the
money was transferred to another | 0:05:11 | 0:05:15 | |
company. Other buyers we spoke to
also confirm that their money was | 0:05:15 | 0:05:23 | |
sent to the corporate investment
firm DS seven. Its director is none | 0:05:23 | 0:05:30 | |
other than Mr Charlie Cunningham.
Could he really be involved in this | 0:05:30 | 0:05:33 | |
mess once again? It is not just
buyers here who so far have nothing | 0:05:33 | 0:05:41 | |
to show for their money. More than
300 buy to let investors across Asia | 0:05:41 | 0:05:45 | |
paid 50% down payment on flats in
the UK. Again, the bulk of the money | 0:05:45 | 0:05:56 | |
went to DS seven. I spent two years
waiting for this building to come | 0:05:56 | 0:06:00 | |
through. I have lost all of my
investment. It greatly undermined | 0:06:00 | 0:06:07 | |
people's confidence in the UK
property market as well as the legal | 0:06:07 | 0:06:12 | |
system. Liquidator Louise Britain is
trying to get to the bottom of what | 0:06:12 | 0:06:17 | |
happened with ALD. There is a lot of
money that has come through this | 0:06:17 | 0:06:22 | |
company. Have you got any idea at
all where any of the money has gone? | 0:06:22 | 0:06:29 | |
That is what we are looking at,
where the money came from and where | 0:06:29 | 0:06:33 | |
the money flowed through any of the
companies and banking transactions. | 0:06:33 | 0:06:38 | |
In September last year, Louise took
her findings to the High Court and | 0:06:38 | 0:06:42 | |
obtained a freezing order on the
assets of Mr Cunningham and four | 0:06:42 | 0:06:46 | |
other parties. The liquidator
alleges Mr Cunningham's company DS | 0:06:46 | 0:06:52 | |
seven received payments of over £40
million from ALD over a two-year | 0:06:52 | 0:06:58 | |
period and he personally received
£1.4 million from companies | 0:06:58 | 0:07:02 | |
associated with ALD. But does this
offer any help to the growing list | 0:07:02 | 0:07:07 | |
of creditors? The authorities should
be looking into this and try to | 0:07:07 | 0:07:13 | |
untangle this complicated web. I
want an answer from Charlie | 0:07:13 | 0:07:17 | |
Cunningham will stop we are
searching for answers. | 0:07:17 | 0:07:18 | |
searching for answers. | 0:07:18 | 0:07:20 | |
Thanks, Angela. | 0:07:20 | 0:07:23 | |
We have had a response
from Mr Cunningham. | 0:07:23 | 0:07:25 | |
He does not deny receiving some
money from Absolute Living | 0:07:25 | 0:07:28 | |
Developments but claims he was owed
it and therefore did | 0:07:28 | 0:07:30 | |
not do anything wrong. | 0:07:30 | 0:07:31 | |
He vehemently denies
all the allegations | 0:07:31 | 0:07:34 | |
made by the liquidator,
blames the downfall of the company | 0:07:34 | 0:07:36 | |
on the Malaysian directors and says
he never had anything to do | 0:07:36 | 0:07:39 | |
with the running of the business. | 0:07:39 | 0:07:41 | |
Investigations are still ongoing
and there is expected to be | 0:07:41 | 0:07:45 | |
a trial later this year. | 0:07:45 | 0:07:50 | |
No doubt Angela will keep us up to
date. Christopher, we mentioned at | 0:07:50 | 0:07:55 | |
the start of the show The A Word.
Singing like a bird. Singing like a | 0:07:55 | 0:08:03 | |
bird, but playing a widow, are you
becoming a role model? I have always | 0:08:03 | 0:08:14 | |
been a role model for mail thanks.
It is an unusual story, it is a | 0:08:14 | 0:08:20 | |
three parter and the first episode
is from the man's point of view and | 0:08:20 | 0:08:24 | |
his truth. The second episode is
from the woman's point of view and | 0:08:24 | 0:08:28 | |
territory. In divorce as there are
always at least two. The third | 0:08:28 | 0:08:34 | |
episode is the resolution of that
and it is a custody battle. But it | 0:08:34 | 0:08:39 | |
is like The A Word. It is a very
serious matter and people don't want | 0:08:39 | 0:08:48 | |
to see a soapbox. So there is a
great humour in it, which was | 0:08:48 | 0:08:52 | |
attractive to me. There are a lot of
light moments in it as well which | 0:08:52 | 0:08:59 | |
helps the pill go down. Let's take a
look at the Greg tucking in his | 0:08:59 | 0:09:04 | |
daughter for the night. I wish you
were not going. It will only be a | 0:09:04 | 0:09:10 | |
couple of hours. Go to sleep. Who
are you meeting? Just a friend. Who? | 0:09:10 | 0:09:20 | |
Miss nosy, an old friend, lie down.
I want mummy to come home. I | 0:09:20 | 0:09:33 | |
promise, I really promise. I love
that. It gets you. She is a | 0:09:33 | 0:09:42 | |
fantastic actress. Tell us more
about the character Greg. He is an | 0:09:42 | 0:09:51 | |
ordinary working man, whatever that
means. He has got a small business, | 0:09:51 | 0:09:54 | |
he is a mechanic, he adores his wife
and she decides to leave the | 0:09:54 | 0:09:59 | |
marriage for a very good reasons
which he cannot see. In a sense Greg | 0:09:59 | 0:10:03 | |
has imprisoned her by not
understanding all of her needs. But | 0:10:03 | 0:10:11 | |
he is so focused on just being a
family man that he has failed to see | 0:10:11 | 0:10:16 | |
her as an individual. Do you think
this drama will make people take | 0:10:16 | 0:10:21 | |
sides? It is celebrating a single
father and it is a woman who has | 0:10:21 | 0:10:25 | |
left the family and her home. It is
very provocative role, really. The | 0:10:25 | 0:10:31 | |
idea to society that a woman would
walk out on her children is very | 0:10:31 | 0:10:38 | |
challenging, but I think the female
character is very brave because she | 0:10:38 | 0:10:41 | |
is so unhappy that she realises if
she does not make herself happy she | 0:10:41 | 0:10:47 | |
will not be able to parent
successfully. And at the same time | 0:10:47 | 0:10:51 | |
she acknowledges the deep love that
her husband has for the children and | 0:10:51 | 0:10:56 | |
vice versa. She does not want to
wreck that, but she also wants her | 0:10:56 | 0:11:01 | |
own autonomy, so she is incredibly
heroic. Some people will judge her | 0:11:01 | 0:11:06 | |
harshly, but that always happens to
women, always. The woman always gets | 0:11:06 | 0:11:11 | |
the rougher deal, not legally, but
in terms of society and perceptions. | 0:11:11 | 0:11:17 | |
We are putting that in front of an
audience to challenge them and | 0:11:17 | 0:11:21 | |
nobody comes a rosy. They both have
great areas and both of their grey | 0:11:21 | 0:11:28 | |
areas have a foreground. We all have
them. A very interesting project to | 0:11:28 | 0:11:33 | |
be involved in if people will be
viewing it in that way. It is coming | 0:11:33 | 0:11:38 | |
to BBC One this spring. | 0:11:38 | 0:11:39 | |
It is coming to BBC One this spring. | 0:11:39 | 0:11:41 | |
When videos of screaming children
on flights go viral online, | 0:11:41 | 0:11:43 | |
it's no surprise that a quarter
of a million parents say they avoid | 0:11:43 | 0:11:46 | |
flying with their children so as not
to be "parent shamed". | 0:11:46 | 0:11:50 | |
And you are one of those. I have
never been on a flight with my | 0:11:50 | 0:11:55 | |
children. It is not that bad. | 0:11:55 | 0:11:58 | |
It is not that bad. | 0:11:58 | 0:11:59 | |
I'm sure everyone can relate to this
whether or not they have children. | 0:11:59 | 0:12:02 | |
Some people are now calling
for child-free flights. | 0:12:02 | 0:12:07 | |
Here is someone else who has not
taken my children on a plane, it is | 0:12:07 | 0:12:11 | |
my husband Michael. | 0:12:11 | 0:12:15 | |
What do the Flyers think about the
current viral videos of babies | 0:12:15 | 0:12:19 | |
crying on planes? Here comes a
screaming baby. | 0:12:19 | 0:12:29 | |
screaming baby. For some people this
is an absolute nightmare, but why? | 0:12:32 | 0:12:36 | |
After all, they are just children.
Should we expect them to be like | 0:12:36 | 0:12:41 | |
this? I am a father, I know. I have
seen it from both sides where I have | 0:12:41 | 0:12:47 | |
had passengers with children and
they have been asked to move because | 0:12:47 | 0:12:52 | |
they are not happy with the noise,
but you don't what the parents to | 0:12:52 | 0:12:55 | |
know that they don't like their
kids. I find it irritating. Have you | 0:12:55 | 0:12:59 | |
been on a flight with an upset
child? It is irritating, but we have | 0:12:59 | 0:13:06 | |
grandchildren who do the same. As a
parent myself and on flights with | 0:13:06 | 0:13:11 | |
screaming kids, you feel really
guilty and you feel more stress | 0:13:11 | 0:13:15 | |
because you are trying to quieten
your child and they are not having | 0:13:15 | 0:13:18 | |
any of it. The most annoying people
on flights are adults playing the | 0:13:18 | 0:13:22 | |
fool. Back in 2016 budget Indian
airline Indigo introduced a ban | 0:13:22 | 0:13:29 | |
which stopped anyone under the age
of 12 from sitting in certain areas | 0:13:29 | 0:13:35 | |
on the flight. What could be done
about it? Some have suggested | 0:13:35 | 0:13:40 | |
childfree zones on planes. Would
children put up with those | 0:13:40 | 0:13:43 | |
restrictions? I have been on a
flight with friends and we were in | 0:13:43 | 0:13:51 | |
the seas behind. | 0:13:51 | 0:13:57 | |
the seas behind. If you start
segregating, children will never | 0:13:58 | 0:13:58 | |
learn. | 0:13:58 | 0:14:04 | |
learn. Especially a baby screaming,
I don't know how well that would go | 0:14:04 | 0:14:08 | |
down, that might just not be
creating the right areas. How do you | 0:14:08 | 0:14:14 | |
monitor it? What about paying more
for your tickets to guarantee no | 0:14:14 | 0:14:19 | |
children on the fly? What do you
think? You would have to have less | 0:14:19 | 0:14:26 | |
flights for parents and families and
I'm not sure if that is fair. | 0:14:26 | 0:14:34 | |
Parents are the people with the
kids. There will always be something | 0:14:34 | 0:14:38 | |
that frustrates you. Just breathe
through it and get on with your | 0:14:38 | 0:14:41 | |
life. Get your own plain, simple as
that? How difficult can that be? | 0:14:41 | 0:14:51 | |
Both you and your husband have
talked about it. You have to take | 0:14:51 | 0:14:54 | |
your children on a plane. But you
have said people have said things to | 0:14:54 | 0:15:00 | |
you. Yes, they have and it made my
blood run cold. There was nearly a | 0:15:00 | 0:15:07 | |
major incident. I care for my
children. | 0:15:07 | 0:15:13 | |
children. We have a couple of
barristers here. | 0:15:15 | 0:15:17 | |
Sasha Wass and Jeremy Dein
are here, you may have | 0:15:17 | 0:15:19 | |
seen their names in the newspapers. | 0:15:19 | 0:15:21 | |
Sasha prosecuted Rolf Harris
and Jeremy defended Tulisa. | 0:15:21 | 0:15:23 | |
You are both involved in this new
BBC series. It is very, very | 0:15:23 | 0:15:26 | |
exciting. Jeremy, where does it
start, what is the idea with it? | 0:15:26 | 0:15:30 | |
There are ten death penalty cases.
They span the last 125 years. They | 0:15:30 | 0:15:39 | |
are an investigation into the
quality of the evidence, using | 0:15:39 | 0:15:42 | |
modern-day techniques. There is a
family member LinkedIn throughout, | 0:15:42 | 0:15:47 | |
and they are a fascinating insight
to the development of the criminal | 0:15:47 | 0:15:50 | |
justice process over a very long
period of time. It is quite an | 0:15:50 | 0:15:55 | |
emotive series, you look at ten
individual cases but you actually | 0:15:55 | 0:15:58 | |
have contact with family members of
those involved. That is what brings | 0:15:58 | 0:16:03 | |
it to light, because you have some
people, who have known about the | 0:16:03 | 0:16:07 | |
hanging and the stigma of what
happened all their lives, others | 0:16:07 | 0:16:10 | |
learned much more recently. But even
for those who only learned in the | 0:16:10 | 0:16:14 | |
last few years, they suddenly became
emotional, they wanted to vindicate | 0:16:14 | 0:16:18 | |
their relation. It became a passion,
a cause that they had. There is a | 0:16:18 | 0:16:23 | |
different case every programme,
let's talk about the death of | 0:16:23 | 0:16:29 | |
Frederick Bryant on Monday's
programme. From 1935, why did you | 0:16:29 | 0:16:34 | |
want to reopen this case? Charlotte
Bryant was the defendant, she was | 0:16:34 | 0:16:40 | |
hanged for the poisoning of
Frederick Bryant. This is a truly | 0:16:40 | 0:16:43 | |
fascinating case, not just because
it was a poisoning case, but because | 0:16:43 | 0:16:47 | |
the defendant was a woman, and it
involves putting the spotlight on | 0:16:47 | 0:16:54 | |
how women were perceived, and how in
particular women from the lowest | 0:16:54 | 0:16:58 | |
echelons of society were perceived.
So it is a truly fascinating case, | 0:16:58 | 0:17:03 | |
and it involves many, many facets
that I think the public will find | 0:17:03 | 0:17:06 | |
intriguing. And what evidence were
you looking at? This all turned on | 0:17:06 | 0:17:12 | |
the evidence of arsenic, because the
cause of death was arsenic | 0:17:12 | 0:17:15 | |
poisoning, so we learned a lot about
arsenic being a woman's weapon of | 0:17:15 | 0:17:20 | |
choice in those days, how was
detected, how it was administered, | 0:17:20 | 0:17:24 | |
and we were able to speak to
toxicologists, and find out an awful | 0:17:24 | 0:17:28 | |
lot about life in those days.
Arsenic was freely available. Rat | 0:17:28 | 0:17:33 | |
poison, weedkiller, anyone could get
it. Charlotte, the lady you are | 0:17:33 | 0:17:38 | |
talking about, wrote a last-minute
plea for mercy. In this series, it | 0:17:38 | 0:17:42 | |
is read by her grandson. It is
actually really difficult for me. Do | 0:17:42 | 0:17:50 | |
you want me to read it? Thank you.
She says, sir, may I respectfully | 0:17:50 | 0:17:57 | |
beg for your mercy in my case. The
date of my execution has been fixed | 0:17:57 | 0:18:03 | |
for Wednesday next, July 15. And I
am not guilty of the offence I am | 0:18:03 | 0:18:09 | |
charged with. I humbly beg for the
sake of my little children to spare | 0:18:09 | 0:18:13 | |
my life. I remain, yours
respectfully, Charlotte Bryant, and | 0:18:13 | 0:18:18 | |
that is thought to be the last time
that she wrote her name. Dear me. | 0:18:18 | 0:18:26 | |
You can clearly see this is
emotional. That letter says it all, | 0:18:26 | 0:18:30 | |
it brings home that we were dealing
with the death penalty here, and an | 0:18:30 | 0:18:36 | |
extraordinarily cruel and barbaric
concept. So in the event that you | 0:18:36 | 0:18:40 | |
all agree there has been a
miscarriage of justice, Jeremy, what | 0:18:40 | 0:18:45 | |
happens next? What steps can be
taken? Well, I think where it was | 0:18:45 | 0:18:50 | |
thought that a miscarriage of
justice might have occurred, then it | 0:18:50 | 0:18:55 | |
is open towards Mike Rowe relatives
to pursue the situation through the | 0:18:55 | 0:18:58 | |
courts. It is a very -- it is open
to the relatives to pursue the | 0:18:58 | 0:19:04 | |
situation through the courts. This
is a very complex affair, it may be | 0:19:04 | 0:19:08 | |
possible for some, not for others,
but doors are open, though there is | 0:19:08 | 0:19:13 | |
another aspect. Another aspect was
that the programme itself, and the | 0:19:13 | 0:19:18 | |
process, provided closure for the
families, because they saw what the | 0:19:18 | 0:19:21 | |
evidence was, they saw that it being
analysed again. We updated them | 0:19:21 | 0:19:26 | |
throughout the programme, and
whatever the conclusion, at least | 0:19:26 | 0:19:28 | |
they felt that their relation's case
had been properly looked at in | 0:19:28 | 0:19:33 | |
modern-day times. The emotion they
showed was quite extraordinary, | 0:19:33 | 0:19:37 | |
bearing in mind that many of his
relatives didn't know the person | 0:19:37 | 0:19:42 | |
concerned. You can understand it,
though, you can feel it. Fascinating | 0:19:42 | 0:19:47 | |
programme. I will definitely be
watching. | 0:19:47 | 0:19:51 | |
Murder, Mystery and My Family starts
on Monday on BBC One at 9.15am. | 0:19:51 | 0:19:56 | |
It is also on the iPlayer. | 0:19:56 | 0:20:00 | |
As one of Downing Street's more
colourful characters, | 0:20:00 | 0:20:02 | |
Labour MP and former Chancellor
of the Exchequer Denis Healey | 0:20:02 | 0:20:04 | |
revelled in the fun
of the political game. | 0:20:04 | 0:20:06 | |
And as his son Tim explains, | 0:20:06 | 0:20:08 | |
he was always happy
to play the fool at home. | 0:20:08 | 0:20:13 | |
One frame from my mother rang all
through my childhood, whenever dad | 0:20:13 | 0:20:18 | |
was larking around, whether it was
on or off screen, the cry was, | 0:20:18 | 0:20:25 | |
Denis, don't! Denis Healey. As
Chancellor of the Exchequer, people | 0:20:25 | 0:20:31 | |
have referred to him as the best
Prime Minister we never had. That's | 0:20:31 | 0:20:34 | |
what it means, and that is what I'm
asking for, that is what I will | 0:20:34 | 0:20:39 | |
negotiate for! My father was
irrepressible. This is a house in | 0:20:39 | 0:20:47 | |
north London where my sisters Jane,
Cress and I spent most of our | 0:20:47 | 0:20:54 | |
childhood. The owner's kindly
letting me in so I can take another | 0:20:54 | 0:20:57 | |
look. While! The configurations is
very much the same, and in some | 0:20:57 | 0:21:07 | |
strange way, the ambience is the
same. Dad had this fantastic last | 0:21:07 | 0:21:10 | |
for life. One of those things was
with any visiting friends of ours, | 0:21:10 | 0:21:16 | |
you would grab them by the arms, and
whirling them around at ferocious | 0:21:16 | 0:21:20 | |
speed! My mother, in the background,
always present. Denis, don't! He was | 0:21:20 | 0:21:28 | |
just an MP in the early days, a
bright young Labour MP, on the up. | 0:21:28 | 0:21:35 | |
In 1964, Harold Wilson made him
Defence Secretary. Ten years after | 0:21:35 | 0:21:38 | |
that, the became Chancellor of the
Exchequer, and the next move was to | 0:21:38 | 0:21:44 | |
11 Downing St. He did a lot of good
stuff, the most important thing was | 0:21:44 | 0:21:49 | |
keeping the British economy afloat
during a very troubled period. He | 0:21:49 | 0:21:53 | |
did acknowledge there was a streak
in himself of what he called brutal | 0:21:53 | 0:21:58 | |
facetiousness. He was a great
photographer, and although he was a | 0:21:58 | 0:22:02 | |
big, Floros personality, nonetheless
I think a lot of quieter tenderness | 0:22:02 | 0:22:06 | |
comes through. Nice little one here
I think we've got of us building a | 0:22:06 | 0:22:12 | |
snowman in the back garden. He loved
the outdoor life, he loved the | 0:22:12 | 0:22:17 | |
family camping holidays he took us
on. We discovered, recently, that | 0:22:17 | 0:22:22 | |
the paper girl who delivered here
was one Sarah Macauley, better known | 0:22:22 | 0:22:29 | |
today, perhaps, as Sarah Brown, the
wife of former Prime Minister, | 0:22:29 | 0:22:33 | |
Gordon Brown. This is first time I
have been this far into the house. I | 0:22:33 | 0:22:37 | |
would have been doing this paper
round at the beginning of secondary | 0:22:37 | 0:22:41 | |
school, 12 or 13 years old. All of
those papers would stack up and on | 0:22:41 | 0:22:46 | |
Sunday was the super bumper pile,
and for your dad, I think he ordered | 0:22:46 | 0:22:49 | |
every single newspaper available. Do
you missed the limelight? Having | 0:22:49 | 0:22:55 | |
been in the public eye, it never
goes away. I am Sarah Macauley in my | 0:22:55 | 0:23:02 | |
head. Did dad kept at Christmas? I
can't believe, having met your dad | 0:23:02 | 0:23:08 | |
in Morrison years, that he wouldn't
have been a great tip. Dad was a | 0:23:08 | 0:23:13 | |
really keen swimmer and often
brought us here, to the lied over. | 0:23:13 | 0:23:17 | |
He needed to unwind and one of his
great joys was swimming. He loved to | 0:23:17 | 0:23:24 | |
entertain. My sister made a murder
mystery film, involving all of us, | 0:23:24 | 0:23:30 | |
and mum and that threw themselves
into their parts with typical | 0:23:30 | 0:23:32 | |
relish. He really loved television.
I can't think of many other major | 0:23:32 | 0:23:38 | |
political figures who would have
coped so well with playing piano in | 0:23:38 | 0:23:43 | |
a TV special. And he really relished
being taken off by the | 0:23:43 | 0:23:47 | |
Impressionist, Mike Yarwood. Yes,
Harold and I had lots of fun in | 0:23:47 | 0:23:51 | |
those days, even though we hardly
had any money. Later, he made me | 0:23:51 | 0:23:55 | |
Chancellor of the Exchequer, and we
had even less money. LAUGHTER | 0:23:55 | 0:23:59 | |
We used to love walking on hamster
teeth, with dad yodelling out his | 0:23:59 | 0:24:08 | |
favourite theme tune for our jaunts,
the entry of the clowns, that famous | 0:24:08 | 0:24:12 | |
circus theme... The views from
Parliament Hill Fields are | 0:24:12 | 0:24:19 | |
absolutely fantastic. The skyline
has changed enormously since I was a | 0:24:19 | 0:24:22 | |
boy. Dad died at 98, two years short
of his hundredth birthday, and I | 0:24:22 | 0:24:31 | |
think it was his great ambition,
actually, even more than to be Prime | 0:24:31 | 0:24:35 | |
Minister, was to lift to 100. He
didn't quite make it, -- live to | 0:24:35 | 0:24:41 | |
100, but two years on we are there
now, and I can say it is happy | 0:24:41 | 0:24:45 | |
birthday, dad. APPLAUSE | 0:24:45 | 0:24:49 | |
Thank you for sharing those lovely
memories. He has inherited the | 0:24:50 | 0:24:54 | |
eyebrows, hasn't he? And the voice.
It says a lot about him that | 0:24:54 | 0:24:57 | |
although he must have had an
incredibly stressful life at work, | 0:24:57 | 0:25:00 | |
those are the memories Tim has as a
dad at home. Beautiful. What was it | 0:25:00 | 0:25:05 | |
like growing up to you as a child,
Christopher? I was very happy, I had | 0:25:05 | 0:25:10 | |
that kind of, huge amount of love
and laughter in my family. I had a | 0:25:10 | 0:25:14 | |
great childhood, really. And you
have a wonderful little from your | 0:25:14 | 0:25:20 | |
parents, Shakespeare, the complete
works. Shall I tell everyone what | 0:25:20 | 0:25:23 | |
has been happening over the last two
and a half minutes? Don't spoil it, | 0:25:23 | 0:25:27 | |
we will surprise everyone. That I
won't say anything, just take it | 0:25:27 | 0:25:31 | |
away, whatever you want to do.
Trying to get in character. Hail | 0:25:31 | 0:25:39 | |
Macbeth, Hail to the, fading of
Calder. I know I am fain have | 0:25:39 | 0:25:42 | |
glanced that power of Cawdor? Safe
from whence you owe this strange | 0:25:42 | 0:25:50 | |
intelligent and why you stop our way
upon this blasted heath. Speak, I | 0:25:50 | 0:25:56 | |
charge you. Seek to know no more.
Bit of live Shakespeare there. | 0:25:56 | 0:26:05 | |
Loving your work! You saw it here
first! I will never be as good at | 0:26:05 | 0:26:11 | |
you. I don't know. RSCH, come on.
There is good reason we are talking | 0:26:11 | 0:26:17 | |
about Shakespeare because you are
deep in rehearsal for Macbeth. Yes. | 0:26:17 | 0:26:22 | |
When I was 17 I was in an amateur
production of Macbeth, and it toured | 0:26:22 | 0:26:26 | |
round the North West of England and
there was wine, women and song | 0:26:26 | 0:26:29 | |
involved in it. I had a small part
in it and I fell in love with the | 0:26:29 | 0:26:35 | |
lifestyle, but I fell in love with
the play. It is because of that play | 0:26:35 | 0:26:38 | |
that I became an actor. At 17 I have
this ridiculous notion that one day | 0:26:38 | 0:26:43 | |
I wanted to play Macbeth. It is a
true story, it sounds American, but | 0:26:43 | 0:26:47 | |
it's not. It actually happened,
yeah. I decided I will wanted to | 0:26:47 | 0:26:52 | |
play Macbeth at the Royal
Shakespeare Company, and at 504I | 0:26:52 | 0:26:57 | |
have managed to do it. APPLAUSE
When I set off to drama school, my | 0:26:57 | 0:27:05 | |
mum and dad went to Marks &
Spencer's, which is The posh shop, | 0:27:05 | 0:27:08 | |
as you know, make bought me the
complete works of William | 0:27:08 | 0:27:12 | |
Shakespeare. The woman at the till
said, bloody hell, Shakespeare, you | 0:27:12 | 0:27:16 | |
too must be clever. My dad
apparently said, it is not for me, | 0:27:16 | 0:27:20 | |
it is my son, he is an actor. And my
mum took the Mickey because I was | 0:27:20 | 0:27:25 | |
nowhere near. My dad gave me my love
of language. My dad was a man for | 0:27:25 | 0:27:31 | |
his crosswords. He used to take his
dictionary out and he would pick a | 0:27:31 | 0:27:34 | |
word out, with the word out and say
isn't this a marvellous word? He had | 0:27:34 | 0:27:38 | |
a burning desire for language will
stop when he had his dementia, | 0:27:38 | 0:27:42 | |
sometimes if you got anxious,
because I'd played Hamlet and I | 0:27:42 | 0:27:45 | |
would sometimes do some of the
Hamblett things for him in the | 0:27:45 | 0:27:48 | |
Trafford centre and it would calm
him down. He would be so proud of | 0:27:48 | 0:27:52 | |
you. I am very proud of him,
actually, I was very proud of my | 0:27:52 | 0:27:56 | |
dad. Macbeth opens at the Royal
Shakespeare Theatre on 13th March. | 0:27:56 | 0:28:09 | |
Best of luck with it. Thank you very
much full stop one reason why people | 0:28:09 | 0:28:12 | |
love The A Word is because it is set
against the stunning background of | 0:28:12 | 0:28:15 | |
the Lake District. | 0:28:15 | 0:28:15 | |
famous for its fast flowing
becks and waterfalls. | 0:28:15 | 0:28:17 | |
Patrick's been to another
of our spectacular natural parks, | 0:28:17 | 0:28:19 | |
The Yorkshire Dales,
which is blessed with similar | 0:28:19 | 0:28:22 | |
Rivers are a constantly changing
force of nature. If every British | 0:28:25 | 0:28:28 | |
river was connected in one single,
meandering line, it would circle the | 0:28:28 | 0:28:33 | |
Earth, twice. The Yorkshire Dales
national park has some of the | 0:28:33 | 0:28:42 | |
fastest flowing rivers in the UK,
and many spectacular waterfalls. | 0:28:42 | 0:28:48 | |
This landscape is unpredictable. And
constantly changing. So only the | 0:28:51 | 0:28:58 | |
most adaptable animals can thrive
here. One bird particularly well for | 0:28:58 | 0:29:06 | |
life in the falls is the dipper.
They're dipping and bobbing is | 0:29:06 | 0:29:12 | |
thought to help them pinpoint
underwater prey, and with a meal in | 0:29:12 | 0:29:16 | |
sight, their unique river skill is
revealed. They can swim underwater. | 0:29:16 | 0:29:25 | |
Within large to preen glands, ten
times the size of other birds, they | 0:29:25 | 0:29:29 | |
can give their feathers the
essential waterproofing that they | 0:29:29 | 0:29:33 | |
need. Highly developed wing muscles
help them push against the currents. | 0:29:33 | 0:29:37 | |
Strong legs and feet provide grip,
and an additional eyelid protects | 0:29:37 | 0:29:42 | |
their eyes whilst underwater. It is
these unique adaptations that will | 0:29:42 | 0:29:49 | |
help the dippers survive the
approaching the river. Autumn has | 0:29:49 | 0:29:57 | |
arrived, and the leaves are on the
term. Injecting their burst of | 0:29:57 | 0:30:01 | |
colour into the river habitat. At
this time of year, rain is never far | 0:30:01 | 0:30:07 | |
away, and the first downfall of the
season has begun. Autumn brings with | 0:30:07 | 0:30:14 | |
it the UK's highest rainfall,
causing some rivers in the Dales to | 0:30:14 | 0:30:19 | |
rise three metres in just 20
minutes. | 0:30:19 | 0:30:26 | |
minutes. As the river rises, the
excess water of the falls comes | 0:30:26 | 0:30:28 | |
crashing down, and becomes a raging
torrent, heading straight for the | 0:30:28 | 0:30:34 | |
differs. It is such a chant up
riverbed, no matter how many times a | 0:30:34 | 0:30:41 | |
dipper dips and bobs, their
visibility is hampered, making it | 0:30:41 | 0:30:45 | |
extremely difficult to hunt, and
even they struggled to battle | 0:30:45 | 0:30:51 | |
against these new currents, and can
only stand and watch, as their meals | 0:30:51 | 0:30:56 | |
rush quickly passed. This inability
to hunt means many dippers won't | 0:30:56 | 0:31:00 | |
make it past their first year on the
river. Luckily, this autumn downfall | 0:31:00 | 0:31:06 | |
passes quickly, and the river
returns to its natural rhythm once | 0:31:06 | 0:31:09 | |
more. Allowing the dippers to
continue doing what they do best. | 0:31:09 | 0:31:17 | |
Beautiful. Beautiful. | 0:31:17 | 0:31:19 | |
Thanks to Christopher
for joining us. | 0:31:19 | 0:31:24 | |
Round of applause for Christopher.
Tomorrow, | 0:31:24 | 0:31:30 |