Browse content similar to 22/03/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to the one show with Matt Baker and Angela Scanlon. | :00:18. | :00:24. | |
Tonight we are running 15 minutes late due to the extended news | :00:25. | :00:28. | |
coverage of today's events in Westminster. Shortly we looking | :00:29. | :00:32. | |
forward to chatting to our two guests, James Blunt and comedian Joe | :00:33. | :00:36. | |
Lycett. We shall be with you very shortly but first you don't need to | :00:37. | :00:41. | |
be a maths teacher to know that the skills are struggling to make the | :00:42. | :00:44. | |
sums add up when it comes to funding -- schools. As the government | :00:45. | :00:48. | |
prepares a new funding formula ministers have detailed some of the | :00:49. | :00:51. | |
cost-cutting measures they have been considering. They include shortening | :00:52. | :00:55. | |
the school day, selling school land and asking parents for donations and | :00:56. | :01:02. | |
those parents are not happy. The anger felt by parents, teachers | :01:03. | :01:06. | |
and children towards the Government's plans to change the way | :01:07. | :01:09. | |
schools are to be funded in England has spilled out into the streets of | :01:10. | :01:17. | |
East Cheshire. In this country our children deserve the chance of a | :01:18. | :01:21. | |
good well rounded education. Schools here are facing cuts that | :01:22. | :01:25. | |
would leave them amongst the lowest funded in the country. What do we | :01:26. | :01:29. | |
want? More than 1000 people turned up today, what of very angry and | :01:30. | :01:33. | |
passionate parents. When do we want it? Now! Basically | :01:34. | :01:39. | |
we are killing our country. Give every right to the education -- | :01:40. | :01:44. | |
child the right to the education they deserve. Parents in this area | :01:45. | :01:48. | |
have the right to be angry. One of the big issues is some schools are | :01:49. | :01:52. | |
increasingly turning to parents for more and more contributions. There | :01:53. | :01:56. | |
is a lot of fundraising at the school I am at to pay for essential | :01:57. | :02:00. | |
things. We give money regularly for books, books are not a luxury, they | :02:01. | :02:04. | |
are essential thing is wearing out and the school can't afford to | :02:05. | :02:08. | |
replace them. We give ?10 a year direct debit. Trips to museums and | :02:09. | :02:12. | |
things like that, anything extra curricular needs paying for. I don't | :02:13. | :02:16. | |
want them to miss out but at the same time I don't know if I could | :02:17. | :02:20. | |
justify paying more for education. Haven't we got a responsibility to | :02:21. | :02:31. | |
put our children. We do that anyway, we pay taxes, we contribute, and I | :02:32. | :02:33. | |
volunteer at the school, parents do a lot. It is not right and it's not | :02:34. | :02:36. | |
fair. Our children are worth more than this. | :02:37. | :02:43. | |
Although schools are a scheme parents for voluntary contribution | :02:44. | :02:51. | |
isn't a new idea according to this woman who runs a school social media | :02:52. | :02:55. | |
funding group in London it's getting worse. Parents are asked to make | :02:56. | :03:00. | |
direct debit regular monthly contributions ranging from ?25 to | :03:01. | :03:05. | |
?50. Have there been any extreme cases you have heard? Yes, a couple | :03:06. | :03:10. | |
of examples of schools where they have a deficit in the budget and | :03:11. | :03:13. | |
reaching out to parents to ask them to make contributions to pay off | :03:14. | :03:18. | |
that deficit and the suggested minimum contribution was ?250. | :03:19. | :03:22. | |
Parents can't keep raising this sort of money. Up-and-down the country | :03:23. | :03:26. | |
frustrated parents say they are being asked to pay for things like | :03:27. | :03:30. | |
sports gear, new lockers and even selling equipment. Parents like | :03:31. | :03:35. | |
Vanessa who lives in Wokingham. We now have parents going into the | :03:36. | :03:39. | |
classrooms to replace teaching assistants. And, of course, you want | :03:40. | :03:43. | |
to contribute, it is your child's education but where does it stop? | :03:44. | :03:49. | |
And Sue Mortimer in Devon. They asked for a voluntary donation, a | :03:50. | :03:53. | |
minimum of ?5 a month to help the shortfall of funding they already | :03:54. | :03:57. | |
have at school. My worry is the schools in the rich areas will have | :03:58. | :04:04. | |
the money but this is one of the more deprived areas and there will | :04:05. | :04:08. | |
be fewer parents able to pay. The government says the aim of the new | :04:09. | :04:11. | |
funding formula is to address existing unfairness between schools | :04:12. | :04:15. | |
and funding is at record levels. The Government are saying we are | :04:16. | :04:20. | |
given new ?40 billion, isn't that enough? The Government keeps saying | :04:21. | :04:24. | |
they are spending more than ever before but they don't finish the | :04:25. | :04:27. | |
sentence which is that the people numbers are higher than they have | :04:28. | :04:30. | |
ever been so the relevant fact is spent per pupil and that is going | :04:31. | :04:34. | |
down. There is no denying the strength of | :04:35. | :04:38. | |
feeling here today and with online petitions and social media gathering | :04:39. | :04:42. | |
momentum it looks like the sort of things are going to happen a lot | :04:43. | :04:46. | |
more. Parents have a voice and they intend to use it. | :04:47. | :04:54. | |
Say no to budget cuts! Thank you. Before today's dramatic | :04:55. | :04:58. | |
events at Westminster Theresa May and Jeremy Corbyn clashed in Prime | :04:59. | :05:01. | |
Minister's Questions over the proposed changes to the funding for | :05:02. | :05:05. | |
schools in England with the consultation period now closed. We | :05:06. | :05:10. | |
will have to wait and see how the situation unfolds. | :05:11. | :05:12. | |
If you have any other examples of how you have been asked to | :05:13. | :05:15. | |
contribute to your child's School let us know at the usual address. | :05:16. | :05:21. | |
Look who has joined us on the sofa, please welcome James Blunt and Joe | :05:22. | :05:23. | |
Lycett. APPLAUSE | :05:24. | :05:29. | |
Welcome. Thank you. One was in the army and one is dressed in | :05:30. | :05:35. | |
camouflage. Yes! Did you coordinate? No, I don't think I would have done | :05:36. | :05:41. | |
well in the Army. Would you teach me how to be in the Armed Forces? I'm | :05:42. | :05:45. | |
sorry but not everyone can be in the Army. It was my dream! You are a | :05:46. | :05:52. | |
much bigger man than me so you probably could be. I could wrestle | :05:53. | :05:56. | |
you to the ground, yes. That sounds fun! Listen, Joe. Too soon!? We have | :05:57. | :06:06. | |
a bit of a bone to pick with you. Make sure that is clipped on. Do you | :06:07. | :06:12. | |
learn that in the Armed Forces? Thank you so much. This is quite a | :06:13. | :06:16. | |
moment I feel we are interrupting. Now, for some time, Joe, I have been | :06:17. | :06:23. | |
used as a source of comedy for some people, for you in particular. This | :06:24. | :06:28. | |
is all about some fake news then. I've been trying to sell stories | :06:29. | :06:31. | |
about you to newspapers about things that you haven't done. Yes, this was | :06:32. | :06:37. | |
a story that I think you sold to a certain tabloid newspaper. Tried! | :06:38. | :06:43. | |
Tried, let's take a look. When I spotted Matt Baker from the BBC One | :06:44. | :06:48. | |
show on his phone in the street he seemed angry about something and at | :06:49. | :06:51. | |
one point he was so angry that to my amazement he tried to kick a pigeon. | :06:52. | :06:55. | |
LAUGHTER I'm flattered to be a source of your | :06:56. | :06:58. | |
comedy but where does this come from? And whiny? I've been looking | :06:59. | :07:04. | |
forward to this. Basically, I thought the image of you kicking it | :07:05. | :07:07. | |
pigeon would be really funny because you are so lovely that you would | :07:08. | :07:11. | |
obviously never do that and come across so well on screen and as a | :07:12. | :07:15. | |
human I thought it would be funny the image of you kicking a pigeon. I | :07:16. | :07:19. | |
tried to sell it to the Sun newspaper and they said, can we see | :07:20. | :07:23. | |
a picture of it? I said here is a cropped version and sent them a | :07:24. | :07:25. | |
picture of a pigeon. LAUGHTER | :07:26. | :07:32. | |
Which they didn't buy. They didn't buy that and then they sent a | :07:33. | :07:37. | |
picture of you and asked if I had a picture of you kicking a pigeon and | :07:38. | :07:41. | |
they offered ?1000. So if you fall on hard times. I will give you a | :07:42. | :07:47. | |
ring. Just give The Sun a ring and you will be fine. Brilliant, I love | :07:48. | :07:51. | |
that. How about this for a scary animal story, a snake got left | :07:52. | :07:56. | |
behind by a passenger on an Alaskan plane and it got loose in the cabin, | :07:57. | :08:01. | |
and the flight attendant had to catch it. I know! I can see Joe's | :08:02. | :08:05. | |
face. It wasn't Ben Innes but it caused panic. You'd be worried | :08:06. | :08:11. | |
regardless. You don't want that on your flight. Sitting on an easy | :08:12. | :08:16. | |
chair and there is a lie and there! -- it wasn't venomous. There are no | :08:17. | :08:21. | |
pigeons in this but there are chickens. | :08:22. | :08:27. | |
A worrying moment. This recent archive shows an engine failure just | :08:28. | :08:31. | |
after take-off from Manchester Airport. Across the world it's | :08:32. | :08:37. | |
estimated that 100,000 aircraft take-off and land each day and they | :08:38. | :08:44. | |
share the air not only with each other but with hundreds of billions | :08:45. | :08:48. | |
of birds, and sometimes the two collide. Every year 1500 bird | :08:49. | :08:55. | |
strikes are recorded in the UK alone. Most planes hit by birds land | :08:56. | :09:02. | |
safely but sometimes it's more serious. And so before a plane is | :09:03. | :09:09. | |
built its materials are put through rigorous testing. The rather | :09:10. | :09:15. | |
absurdly named chicken guns have been features of aircraft testing | :09:16. | :09:20. | |
since the 1950s. They used to fire recently deceased chickens at speeds | :09:21. | :09:25. | |
of up to 400 miles an hour into aircraft engines, bodies and | :09:26. | :09:28. | |
windscreens to replicate a bird strike. This remarkable footage from | :09:29. | :09:34. | |
2012 shows the true extent of a bird strike. America still uses this | :09:35. | :09:42. | |
testing method but in the UK we use gelatin packs. The first stage of | :09:43. | :09:46. | |
the process is to put the materials you are going to make your aeroplane | :09:47. | :09:51. | |
out of two the test. Doctor Steven Reid and Simon Bates test materials | :09:52. | :09:56. | |
in the engineering department at Bristol University. They use much | :09:57. | :09:59. | |
smaller impacts than chicken guns to test materials before they get to | :10:00. | :10:04. | |
the chicken dung stage. Service machine here is the impact tower we | :10:05. | :10:09. | |
have an impact head with the material set up underneath. This | :10:10. | :10:12. | |
would look at how one of these materials would behave under an | :10:13. | :10:17. | |
impact event, like a bird strike. The weight of impact is equivalent | :10:18. | :10:23. | |
to that of a bird strike. Yes, look, it has punched a neat hole. In this | :10:24. | :10:27. | |
case we have ruptured straight through all of the fibres in the | :10:28. | :10:30. | |
risen and blown out on the back surface. On an aircraft we would | :10:31. | :10:34. | |
want to have some further impact protection, for example an aluminium | :10:35. | :10:38. | |
or titanium coating to absorb and dissipate the energy from an event | :10:39. | :10:45. | |
like this. It is a big old dense but it didn't go through. Yes, so unlike | :10:46. | :10:49. | |
the carbon fibre we don't have a catastrophic failure of the | :10:50. | :10:53. | |
material. You can see how it has brought in material from around the | :10:54. | :10:57. | |
site and we have a lot of what we call plastic de formation. But the | :10:58. | :11:00. | |
materials are not the only thing is put through their paces. Today, | :11:01. | :11:05. | |
pilots are trained on high-tech simulators to train them for the | :11:06. | :11:10. | |
worst. But what happens when a bird strike takes out an engine? With The | :11:11. | :11:15. | |
Help of a flight simulator I'm going to find out for myself. Gentleman. | :11:16. | :11:22. | |
Hello. Hello, Martin. Right, are ready to take off? We are ready. | :11:23. | :11:30. | |
Let's do it. Something happened. Rotate. | :11:31. | :11:38. | |
Positive climb. Engine fire. What's happening? What happened is | :11:39. | :11:43. | |
we had an indication of an engine fire perhaps as the result of a bird | :11:44. | :11:49. | |
strike. But we are still flying perfectly safely? Perfectly safely, | :11:50. | :11:52. | |
we have three other engines and as you can see the plane is under | :11:53. | :11:55. | |
control flying away. Most passengers would be blissfully | :11:56. | :12:00. | |
unaware of the bird strike as the pilots shot down the damaged engine. | :12:01. | :12:04. | |
And now what would happen? We would decide what the best course of | :12:05. | :12:07. | |
action would be, to go back to Heathrow in this case. As a | :12:08. | :12:11. | |
precaution pilots will land the plane at the nearest available | :12:12. | :12:14. | |
airport. But what if that's not an option? In 2009 both engines on | :12:15. | :12:22. | |
flight 1549 were taken out of. At this moment captain Sullenberger | :12:23. | :12:28. | |
performed an incredible emergency landing on the Hudson River saving | :12:29. | :12:34. | |
all passengers and crew. If you are taking to the skies soon, pause to | :12:35. | :12:38. | |
think although testing that goes into keeping us safe, all of which | :12:39. | :12:44. | |
mean that if you are on a collision course for a bird, it's the bird | :12:45. | :12:51. | |
that's going to come off worse. James, you got your pilot license at | :12:52. | :12:55. | |
16. Have you ever had any hairy encounters with some feathered | :12:56. | :13:00. | |
friends? No, I haven't. The planes I've been flying our smaller. Single | :13:01. | :13:07. | |
engines, yes? We have a brilliant photo of the present that you got | :13:08. | :13:11. | |
your dad but it came in kit form. It came in 2000 pieces and I gave it to | :13:12. | :13:16. | |
my dad and my dad made it in about 18 months, my mum was happy because | :13:17. | :13:22. | |
it kept him out of the house. Why does it have Yelp on the side? You | :13:23. | :13:30. | |
can choose your own numberplates. We fly around and we are like plane | :13:31. | :13:35. | |
spotters flying around at home. That maiden voyage must have been... That | :13:36. | :13:46. | |
was the maiden voyage. My dad is like Biggles. You have a new album | :13:47. | :13:51. | |
out on Friday called the afternoon love and you announced it in an | :13:52. | :14:04. | |
unusual manner -- The Afterlove. Be afraid, be very afraid. Did it get a | :14:05. | :14:08. | |
big response? Very bit, I was quite frightened. What is the vibe of this | :14:09. | :14:15. | |
particular album? It is more diverse than the stuff I've done before. I | :14:16. | :14:21. | |
know I am known as a man with a guitar singing miserable songs so | :14:22. | :14:23. | |
there is a little less misery. Misery sells so I like that but | :14:24. | :14:29. | |
there is some upbeat stuff and it's a bit more diverse. Was that a | :14:30. | :14:34. | |
conscious decision? Yes, if it did the same stuff I would kill myself. | :14:35. | :14:40. | |
It is a bit of a change and I think it will surprise people, there are | :14:41. | :14:43. | |
some songs on there that if you like my old stuff you will love it and if | :14:44. | :14:47. | |
you have not liked James Blunt's music I'm confident you will dig a | :14:48. | :14:51. | |
couple of songs on there. Do you think because you are now a family | :14:52. | :14:55. | |
man it is a different chapter in your life? I don't think so, I've | :14:56. | :15:01. | |
done four albums and for the faith I thought I've got a lot of experience | :15:02. | :15:05. | |
and worked with some amazing people on this album, I've worked with a | :15:06. | :15:08. | |
guy you might have heard of called Ed Sheeran. Who? I know, he is | :15:09. | :15:16. | |
little-known. Is it true you taught him to ski in return for writing | :15:17. | :15:26. | |
lessons? I taught him how to ski and he taught me how to write songs. I | :15:27. | :15:31. | |
think I got the better deal. It is a song called Make Me Better At and it | :15:32. | :15:36. | |
is a sweet song and I've written with the lead singer of The Wet | :15:37. | :15:45. | |
Republic. We wrote in his hotel room in the Carinthia and while we were | :15:46. | :15:50. | |
writing the song at 9:30pm somebody came and banged on the door and told | :15:51. | :15:56. | |
us to shut up which he was surprised about but I'm used to it. He banged | :15:57. | :16:01. | |
on the door, it is him and the guy that wrote that song in 2005. They | :16:02. | :16:07. | |
were embarrassed. I'm pretty cool with it. And then we recorded it in | :16:08. | :16:11. | |
his dressing room at the Roundhouse. I've been all over the place. I've | :16:12. | :16:15. | |
had a dream team of people to work with and it is a cool album as a | :16:16. | :16:19. | |
result. Talking of people in your life as well, Carrie Fisher was a | :16:20. | :16:24. | |
great friend of yours, wasn't she? Yes, absolutely. When I first got a | :16:25. | :16:28. | |
record deal she put me up in her house in Los Angeles and I've lived | :16:29. | :16:31. | |
there ever since when I've been in Los Angeles, I recorded Goodbye My | :16:32. | :16:39. | |
Lover and it is a Tragedy she has died. I am saddest that my little | :16:40. | :16:45. | |
son won't get to know his godmother but I have to say she was back at | :16:46. | :16:50. | |
the top of her game in Star Wars so she went out with a bang. I'm proud | :16:51. | :16:56. | |
of her. Happy memories. That song must mean so much knowing that you | :16:57. | :17:00. | |
recorded it at her house and the lyrics and everything. I have so | :17:01. | :17:04. | |
many ridiculous memories, Debbie Reynolds from singing in the rain | :17:05. | :17:07. | |
lived on the property and she used to shout about me, hey, Charlie, you | :17:08. | :17:14. | |
I'd say, I'm not Charlie. She'd say, do you want a drink anyway? Amazing | :17:15. | :17:21. | |
place to live. Absolutely wonderful. You will be performing later on and | :17:22. | :17:24. | |
we are very much looking forward to that. Joe Root, Red Nose Day, 48 | :17:25. | :17:31. | |
hours away? Yes, Friday, it's come so quick. Incredible. Here's another | :17:32. | :17:37. | |
good reason to donate. Miranda Hart has met some young people whose | :17:38. | :17:45. | |
donation meant they stop the cycle of self harm. I think we're getting | :17:46. | :17:50. | |
so much better at talking about issues around emotional well-being | :17:51. | :17:53. | |
and thank goodness, because one in four of us will experience a mental | :17:54. | :17:55. | |
health issue. Five years ago Cas found herself in | :17:56. | :18:00. | |
a position where she needed help and simply didn't know what to do. I | :18:01. | :18:05. | |
think I started self harming when I was 11 or 12. The first difficulty | :18:06. | :18:10. | |
at school was being bullied. The most I did in one day with seven or | :18:11. | :18:14. | |
eight times. For me, self harming was like a release for any emotions | :18:15. | :18:20. | |
you have. I felt so depressed and so numb to everything, I didn't want to | :18:21. | :18:23. | |
get out of bed, I didn't really want to do anything. I got the point | :18:24. | :18:27. | |
where I was really suicidal, where I was like... I need help now and if I | :18:28. | :18:31. | |
don't do it now, I don't know what's to happen. Often self harm is of | :18:32. | :18:37. | |
response to something else going on, it's like a release. The trouble is, | :18:38. | :18:41. | |
the more you do it, the more addictive it becomes. About a | :18:42. | :18:44. | |
quarter of all young people have self harmed. | :18:45. | :18:49. | |
It kind of went downhill when my mum and dad split up. I had friendship | :18:50. | :18:54. | |
issues, I didn't really have anyone to talk to about anything. I think I | :18:55. | :18:59. | |
was 12 or 13 when I started self harming, which became progressively | :19:00. | :19:02. | |
worse throughout the years. The more you do it, the more you become | :19:03. | :19:06. | |
resistant to it, so you have to do it more to get the feeling you had | :19:07. | :19:10. | |
when you first started doing it. If I didn't reach out for help I would | :19:11. | :19:12. | |
be... It's really important for these | :19:13. | :19:30. | |
young people to have a place where they can come and feel supported and | :19:31. | :19:35. | |
feel part of a community and feel accepted. That's something the wish | :19:36. | :19:42. | |
centre offers. It's one of the only face-to-face providers of self harm | :19:43. | :19:47. | |
support in the UK. What we've seen if it is peer support that makes a | :19:48. | :19:50. | |
difference for young people going through self harm. There are not | :19:51. | :19:55. | |
many places that are specifically targeting it. It's a support | :19:56. | :19:59. | |
network. Support for self harm because that is quite rare. When you | :20:00. | :20:03. | |
come here, everyone understands what you're going through and if you need | :20:04. | :20:06. | |
to talk to somebody desperately, you can just text one of the people here | :20:07. | :20:13. | |
and sell reply. -- they will reply. It's nice. You don't have scars on | :20:14. | :20:20. | |
your... You have your tattooed. As much as I said I wanted a tattooed | :20:21. | :20:25. | |
to cover them, I kind of don't. It means a lot because I've been there, | :20:26. | :20:28. | |
I've been through it and I'd come out the other side. You should never | :20:29. | :20:33. | |
be in Paris that, it's OK to have scars, everyone has their individual | :20:34. | :20:36. | |
battles whether they are physical or mental. When I look into the future | :20:37. | :20:41. | |
I see a lot clearer how my life could play out. I've got plans. I'm | :20:42. | :20:45. | |
going to college. I'm a lot more hopeful about the future. | :20:46. | :20:50. | |
I don't think it's a stretch to say that this is a life-saving and | :20:51. | :20:55. | |
incredible life improving service that so many people. Do you think | :20:56. | :20:59. | |
without the Wish Centre things would be different? I doubt notified be | :21:00. | :21:04. | |
here without it, it changed my perspective on everything. At the | :21:05. | :21:08. | |
moment I've begun to help run the group. It's really strange going | :21:09. | :21:12. | |
back and... I was that exactly where they were sat five years ago. You're | :21:13. | :21:17. | |
amazing. LAUGHTER You are, you're amazing. You've been | :21:18. | :21:19. | |
through a lot and you're coming out the other side. Now you're paying | :21:20. | :21:22. | |
back. How much it helps me, I hoped it | :21:23. | :21:26. | |
could help someone else. No young people should have to go through | :21:27. | :21:29. | |
such deep anxiety and depression on their own that they get to this | :21:30. | :21:32. | |
stage of self harming. Your donations help support projects like | :21:33. | :21:36. | |
these. If you feel passionate about me, please, please donate tonight. | :21:37. | :21:44. | |
Thank you so much. There you are, your donations really | :21:45. | :21:51. | |
make a difference. A big thank you to Cass and Jo. If you've been | :21:52. | :21:53. | |
affected by any of those issues, go to our website where you can get | :21:54. | :21:57. | |
links to help and advice. This is one of the reasons Comic Relief | :21:58. | :22:01. | |
needs your help. At least 40% of your donations will be spent right | :22:02. | :22:05. | |
here in the UK and the rest go to projects in the poorest communities | :22:06. | :22:09. | |
in Africa. Remember wherever you live in the UK, you're likely to be | :22:10. | :22:14. | |
within just 20 miles of a Comic Relief funded project. James and | :22:15. | :22:17. | |
Joe, would you do the honours and give the numbers. | :22:18. | :22:22. | |
To donate ?5... To donate ?10... Those will cost you the donation and | :22:23. | :22:32. | |
a standard message charge on all of your donation will go to Comic | :22:33. | :22:35. | |
Relief stops are you must be 16 or over and please ask the bill payer's | :22:36. | :22:40. | |
permission. The terms and conditions or more information or to donate | :22:41. | :22:43. | |
however much want online go to the website. Joe, you are involved in | :22:44. | :22:54. | |
hosting. We will be meeting a baby very shortly. You have been | :22:55. | :22:57. | |
preparing since you were a baby for this? Not quite baby, but yeah... At | :22:58. | :23:04. | |
school I always watched it as a kid. It's kind of mad I'm doing it, there | :23:05. | :23:08. | |
must be a clerical error, I should be doing! But yes, at school, at 1.I | :23:09. | :23:14. | |
used to spray red paint on my head and have red hair for it. I should | :23:15. | :23:18. | |
have done it on my nose but I thought the hair was better. The | :23:19. | :23:21. | |
deputy head that I had to wash it out. I went to the toilet and this | :23:22. | :23:25. | |
sort of turned to a bright ginger, which is a lovely colour. Nothing | :23:26. | :23:29. | |
wrong with that. But it went down my neck so I had a ginger neck. I bet | :23:30. | :23:35. | |
you are a nightmare at school. I talked a lot but it was generally | :23:36. | :23:41. | |
quite a good child. Why do you say that? I just thought in general. | :23:42. | :23:47. | |
LAUGHTER I'm not going that! Talking at | :23:48. | :23:50. | |
school, let's look at this. I personally would hate to go to | :23:51. | :23:59. | |
school with Mahal you have to -- imagine if they say that what have | :24:00. | :24:04. | |
you brought you? They start with Sal AMG says, I have brought in this | :24:05. | :24:09. | |
patio mache cat. They say OK, anyone else, Malala, did you bring | :24:10. | :24:17. | |
anything? Yes, this Nobel Peace Prize. LAUGHTER | :24:18. | :24:22. | |
On Friday, what will you be doing? It sounds like I've made this up | :24:23. | :24:28. | |
just for now. I am running a Pizza Express and the head chef is Mickey | :24:29. | :24:35. | |
Flanagan and the chef is foul from date of because people say I look | :24:36. | :24:39. | |
like her even though she's a 66-year-old woman. What is the plan? | :24:40. | :24:44. | |
I don't know. They want it more anarchic this year and I love it | :24:45. | :24:48. | |
when it's sort of anarchic at live gigs. There will be customers in | :24:49. | :24:52. | |
there and we will be serving pizza. Actual pizza? Mickey Flanagan is | :24:53. | :24:58. | |
making them so I hope they eat before they get there. You have a | :24:59. | :25:02. | |
pizza pedigree, you have a restaurant? Yes, a restaurant at the | :25:03. | :25:06. | |
top of a mountain which I share with Lawrence Dallaglio and Kyle Fogerty. | :25:07. | :25:12. | |
We are the three Amigos who have a restaurant at the top of a mountain. | :25:13. | :25:18. | |
Healthy food, what is the name? What is on the James Blunt pizza? It is | :25:19. | :25:28. | |
small but spicy! LAUGHTER Joe, from small but spicy, I hope | :25:29. | :25:33. | |
you are serving some of them, what are you doing today as part of Comic | :25:34. | :25:36. | |
Relief? I am covered in mud and I have got | :25:37. | :25:40. | |
on your sofa, and sorry. I've been to a project in Dudley, I'm from the | :25:41. | :25:44. | |
Midlands but I don't like it because I'm better! I was in Dudley today, | :25:45. | :25:48. | |
an amazing project called the Sycamore adventure Centre. Comic | :25:49. | :25:52. | |
Relief have funded them in part. It was wonderful. They have these | :25:53. | :25:56. | |
go-karts, which is why I'm covered... There is a picture of me | :25:57. | :26:00. | |
looking ludicrous on a go-kart. It was brilliant. I've been to Malawi a | :26:01. | :26:08. | |
few days ago do there. When you see it, you realise how amazing the work | :26:09. | :26:11. | |
they are doing with every pound is. Great to see what they're up to. | :26:12. | :26:14. | |
This great anticipation about Friday night. It's coming from the O2 and | :26:15. | :26:20. | |
comedians have said the whole idea is to just go with the flow and see | :26:21. | :26:24. | |
what happens. What an environment for you. As an up-and-coming | :26:25. | :26:28. | |
comedian. Yes, it's so exciting. I want to get it right for the | :26:29. | :26:33. | |
charity. If it was just for fun, there's less pressure, but the | :26:34. | :26:37. | |
actual fact that it matters so much, you want to get it right. I spoke to | :26:38. | :26:41. | |
Mickey today and he's well up for going to fall bonkers so we're going | :26:42. | :26:45. | |
to do some mad things. What a wonderful line-up. Originally Comic | :26:46. | :26:49. | |
Relief was all about comics and it's kind of comeback. Go. Does it feel | :26:50. | :26:55. | |
like element of pressure because of that, going back to the glory days? | :26:56. | :26:59. | |
Yes, totally. It should be funny and it should India people to donate. | :27:00. | :27:04. | |
There amazing people from my generation and amazing people | :27:05. | :27:09. | |
from... The first people doing it. We've heard a rumour about some sort | :27:10. | :27:17. | |
of take on La La Land. The other day I was on roller -- roller-skates. I | :27:18. | :27:28. | |
was carried around by young attractive men and I thought, I | :27:29. | :27:30. | |
could get used to it. They were doing a parody of the La La Land | :27:31. | :27:35. | |
opening and I think it will be really funny. I haven't seen the | :27:36. | :27:39. | |
final edit but I nearly fall over so that's funny enough! Apart from | :27:40. | :27:45. | |
wheeling around, do you think? I do a little... A little number, you are | :27:46. | :27:50. | |
teasing us! Shall we find out what that little baby is doing here in | :27:51. | :27:55. | |
the studio? The theme this year is make your last count. You've been | :27:56. | :27:58. | |
sending your laughing videos into us all week. We have thoroughly enjoyed | :27:59. | :28:00. | |
this! Laughter really is the best | :28:01. | :28:20. | |
medicine, isn't it? We have invited three more laughing viewers in to | :28:21. | :28:23. | |
introduce their own laughter. Let me introduce you all. How you doing? Hi | :28:24. | :28:28. | |
cat, as mum, tellers little bit about Oscar. I think we have a | :28:29. | :28:34. | |
little bit of a giggle, almost. Are we going to get a giggle? He is | :28:35. | :28:40. | |
eight months. He's very easily amused. Good. He find quite a few | :28:41. | :28:44. | |
things funny and I think you have a clip of him laughing in the bath. A | :28:45. | :28:48. | |
beautiful boy, guess we have, laughing in the bath. Here we go. | :28:49. | :28:55. | |
That hearty laugh came off the back of uh-oh. His word of the week is | :28:56. | :29:16. | |
sockies, do you want to give it a go? Sockies. LAUGHTER | :29:17. | :29:22. | |
I think I terrified him! Oscar, you play with that red nose, shove it in | :29:23. | :29:26. | |
your mouth, put it on your nose, whatever. Thank you. Have a nice | :29:27. | :29:31. | |
little cuddle. Chris, where you from? Sway in the new Forest. Can | :29:32. | :29:37. | |
you introduce your clip please. Is very wet weekend in the two K with | :29:38. | :29:41. | |
my mate Steve. APPLAUSE | :29:42. | :29:54. | |
We are going to have to leave the gag there because they cannot say | :29:55. | :29:58. | |
this on family telly, can we? Not really. Thank you Chris. Colin, | :29:59. | :30:07. | |
where you from? I'm an apprentice carpenter from Southend. Very good, | :30:08. | :30:09. | |
introduce your clip for us. This is me on a tea break being entertained | :30:10. | :30:11. | |
by the lads. LAUGHTER | :30:12. | :30:24. | |
Oh dear! APPLAUSE Thank you all very much indeed. More | :30:25. | :30:28. | |
laughs through the course of the rest of the week. Women have been | :30:29. | :30:32. | |
serving in the Fire Service the decades but it's only recently | :30:33. | :30:34. | |
they've been given the top job. Lucy has been to meet a pioneering | :30:35. | :30:39. | |
commissioner hoping to inspire a new generation of firefighters. | :30:40. | :30:42. | |
At the start of this year Danny became the first woman in the London | :30:43. | :30:51. | |
Fire Brigade's 151 year history to be appointed Fire Commissioner. One | :30:52. | :30:55. | |
of my aims is to show people you can join as a firefighter, like I did, | :30:56. | :30:59. | |
and come up through the ranks and you can run this brilliant | :31:00. | :31:02. | |
organisation, and actually a woman can do as well as a man. As one of | :31:03. | :31:07. | |
the highest ranked female officers in the country, Dani is in charge of | :31:08. | :31:14. | |
102 fire stations and nearly 4700 uniformed firefighters. So what do | :31:15. | :31:17. | |
people make of her appointment? Are you aware that Chief Commissioner | :31:18. | :31:21. | |
for the whole of London Fire Service is a woman Marcelo Melo. No. What | :31:22. | :31:28. | |
you think? Great. Think they can do the job as good as a man, it's a | :31:29. | :31:32. | |
quality now. The world is changing, people should change with it. Dani | :31:33. | :31:37. | |
may have public support now but her rise to the top hasn't been easy. | :31:38. | :31:41. | |
I'm here to meet her at Lewisham Fire Station, where she became the | :31:42. | :31:44. | |
first woman ever make station officer. | :31:45. | :31:50. | |
this is about the teamwork aspects of everyone here knows this bit of a | :31:51. | :31:55. | |
job and understand what everyone else is doing and can do all of it. | :31:56. | :31:59. | |
When she began her career 30 years ago attitudes in the service were | :32:00. | :32:03. | |
very different. It may be quite sad because I went to the first station | :32:04. | :32:07. | |
and three of the guys put in to transfer before I got there because | :32:08. | :32:10. | |
they didn't want to work with a woman and I was surprised people | :32:11. | :32:13. | |
didn't accept someone is just being a firefighter because I had done the | :32:14. | :32:19. | |
same training. There were other more practical challenges, Danny shows me | :32:20. | :32:22. | |
the station's sleeping quarters. When I joined it was one big | :32:23. | :32:27. | |
dormitory. Mine wasn't like this with lockers, it was a huge room | :32:28. | :32:30. | |
with pull-down bed is. You were in there with the guys? There was ten | :32:31. | :32:35. | |
guys in the dormitory and me. Throughout the 80s only 60 women | :32:36. | :32:39. | |
joined the brigade, today there are 324. Now we've got about 7% of the | :32:40. | :32:48. | |
workforce who are women. The female facilities are also | :32:49. | :32:54. | |
improving. So, this is the women's dormitory so we obviously now have | :32:55. | :32:57. | |
segregated sleeping areas. Every time we build a new fire station now | :32:58. | :33:04. | |
we plan to have it really segregated so they can sleep in separate areas. | :33:05. | :33:08. | |
This is nowhere near the height of your ambition. This is nowhere near | :33:09. | :33:12. | |
but we want there to be more women firefighters so we need to make sure | :33:13. | :33:16. | |
the uniform is right, the accommodation is right and the | :33:17. | :33:18. | |
workplace is right so that very important. She has big plans for the | :33:19. | :33:23. | |
future of the brigade and it seems those working beneath her are in | :33:24. | :33:27. | |
full support. What is it like having a female boss? It is no different to | :33:28. | :33:30. | |
having a male boss but it's good for the progression of the brigade. If | :33:31. | :33:35. | |
you think how high she has got and the experience she has got to get | :33:36. | :33:39. | |
where she is today and she is so approachable. She is warm, friendly | :33:40. | :33:42. | |
and caring. She's an inspiration, someone to look up to. But sadly | :33:43. | :33:49. | |
even today Dany says not everyone has been quite so supportive. On my | :33:50. | :33:53. | |
promotion there was the inevitable stuff like you were always going to | :33:54. | :33:56. | |
get the job because you were the woman on the panel and its political | :33:57. | :33:59. | |
correctness gone mad and then there are a lot of people saying, are you | :34:00. | :34:03. | |
really capable? Lots of it is retired firefighters from years gone | :34:04. | :34:07. | |
by because it was very different in their day. It's not just about | :34:08. | :34:10. | |
fighting fires, the role has changed from firefighters from the community | :34:11. | :34:14. | |
engagement to the rescue side. That's the brilliant thing about the | :34:15. | :34:17. | |
role of a firefighter, you never know when, what your day will hold. | :34:18. | :34:23. | |
What is your goal for women in the Fire Service, 50-50 split? That | :34:24. | :34:26. | |
would be brilliant because that is what the population of London looks | :34:27. | :34:31. | |
like and I will be happy when we are truly a workforce where anyone can | :34:32. | :34:34. | |
join and there are no barriers and people can come to work and be | :34:35. | :34:37. | |
themselves and be the very best they can be for protecting London. That's | :34:38. | :34:42. | |
why today Dany is meeting with some young cadets to help challenge | :34:43. | :34:47. | |
stereotypes and inspire future firefighters. What advice would you | :34:48. | :34:51. | |
give to a young female who wants to join the fire brigade? The first | :34:52. | :34:54. | |
step is joining your local cadet scheme and we are hoping to get far | :34:55. | :34:58. | |
more cadet scheme is running across London. Do you believe that fire | :34:59. | :35:02. | |
cadets has encouraged more girls to join the Fire Service? I hope so and | :35:03. | :35:05. | |
looking at you around here I want that to be the case and I try and | :35:06. | :35:09. | |
get a lot of cadet things because I want to say all of the cadets, | :35:10. | :35:13. | |
especially to some of the girls, I think it is the best job in the | :35:14. | :35:16. | |
world and it has given me some of the most fantastic opportunities. If | :35:17. | :35:19. | |
you can go to work and go home that day knowing you have saved someone's | :35:20. | :35:23. | |
life there is no better feeling, you cannot buy that feeling. | :35:24. | :35:28. | |
What a great spokesperson. Absolutely. Firefighters Julie, | :35:29. | :35:31. | |
Nikki and Jena have joined us, thank you for coming in. Julie, this was a | :35:32. | :35:38. | |
second career for you, wasn't it? I joined the Fire Service to work for | :35:39. | :35:44. | |
the media team 15 years ago and seeing operational female | :35:45. | :35:45. | |
firefighters really inspired me and I used to look at them and say I | :35:46. | :35:52. | |
could do that and I am a firefighter now, White watch. How would you | :35:53. | :35:55. | |
describe being on the front line when you are in the heat of it? My | :35:56. | :36:01. | |
watch? Yes. Really supportive, it sounds cliched but we are a family | :36:02. | :36:07. | |
and we support each other and I love it. Nicky, you've got two jobs, | :36:08. | :36:12. | |
haven't you? Yes, my day job is a hairdresser and when I'm not in the | :36:13. | :36:17. | |
salon I'm on call in the community in Lindenhurst. It is a contrast of | :36:18. | :36:22. | |
the two but I absolutely love both, luckily. A real mix, and what did | :36:23. | :36:26. | |
your family think of that mix? I think my mum was worried to start | :36:27. | :36:30. | |
off with but I said to her I wouldn't be put in a situation where | :36:31. | :36:35. | |
they thought it was going to be risky. I know that's part of the | :36:36. | :36:40. | |
job, but not to worry. They have been so supportive and so proud. | :36:41. | :36:46. | |
Jena, Dany such an inspiration and hearing her talk and all of the | :36:47. | :36:49. | |
generations that will be inspired by her. She has always been an | :36:50. | :36:53. | |
inspiration for me when I joined 15 years ago, I joined the women in the | :36:54. | :36:57. | |
Fire Service network and she has was been at the end of the phone when | :36:58. | :37:01. | |
you have needed a bit of advice, a bit of mental ring, she has always | :37:02. | :37:05. | |
been there. I am sure they will be lots of budding firefighters | :37:06. | :37:10. | |
watching that. -- mentoring. I'm sure you will be excited about this, | :37:11. | :37:18. | |
James will be performing live tonight, you'd better get warmed up | :37:19. | :37:20. | |
because it's four minutes away. Carrie Grant has met up with another | :37:21. | :37:23. | |
hit maker to discover how she made her dreams come true. 25 years ago | :37:24. | :37:27. | |
three ambitious young people right at the very start of their careers | :37:28. | :37:31. | |
came together at just the right time. Daring to dream they could | :37:32. | :37:34. | |
make it big in the music industry they wrote and recorded a song about | :37:35. | :37:39. | |
just that. The end result became an anthem for the 90s. | :37:40. | :37:44. | |
# Dreams can come true # The singer Gabrielle grew up in | :37:45. | :37:48. | |
south London with a passion for music but little self-confidence | :37:49. | :37:51. | |
having been bullied at school because of a problem with one eye. | :37:52. | :37:55. | |
When I was younger it wouldn't open because the eye muscle was kind of | :37:56. | :37:59. | |
dead so it would wink on its own and I'd go to school and I would have | :38:00. | :38:04. | |
girls being really which she saying, why are you winking at me? Strangers | :38:05. | :38:09. | |
would come up to you and ask what is wrong with you I? But encouraged by | :38:10. | :38:16. | |
an endless teacher Gabrielle wrote about her experiences. It's because | :38:17. | :38:18. | |
of her I enjoyed writing poems I later turned into songs. Although I | :38:19. | :38:23. | |
didn't have the confidence I have and continue to have that love of | :38:24. | :38:29. | |
music and performing. Working in a club singing covers Gabrielle | :38:30. | :38:32. | |
decided to try and record one of her own songs. Dany came to my little | :38:33. | :38:41. | |
studio -- Gabrielle. We recorded a demo. Back then music producer Tim | :38:42. | :38:46. | |
Lawes was working out of a shed making dance records. As soon as she | :38:47. | :38:51. | |
started singing I just thought wow. Tim liked my voice and somehow ended | :38:52. | :38:55. | |
up getting a call-back that he wanted to work with me. So do you | :38:56. | :38:58. | |
want to hear the original demo we made? | :38:59. | :39:03. | |
I sound really young. I had various backing tracks and this particular | :39:04. | :39:10. | |
one stood out to me as may be the one she could collaborate with me | :39:11. | :39:15. | |
on. I went home and went into the book I had filled with lyrics. She | :39:16. | :39:20. | |
came back with what I thought was a poem at that stage and we started | :39:21. | :39:24. | |
playing with a few melodic ideas, she sang it, and it was born really. | :39:25. | :39:34. | |
It was about just wanting your dreams and desires to come true. It | :39:35. | :39:42. | |
was lovely to hear that back. In the early 90s he was a young talent | :39:43. | :39:46. | |
scout looking for the next big thing and then he heard the demo of | :39:47. | :39:51. | |
Dreams. I'm absolutely gobsmacked, it was really enchanting, a really | :39:52. | :39:56. | |
distinctive voice and a perfect song and I just kept playing it over and | :39:57. | :40:00. | |
over again. I met up with her, I got her number, it seemed simple, I | :40:01. | :40:06. | |
found her up and we agreed we would work together. It was such an | :40:07. | :40:10. | |
amazing thing to go through because people believed in you even though | :40:11. | :40:12. | |
you didn't believe in yourself. He signed | :40:13. | :40:16. | |
he signed Gabrielle and Dreams was released. The stroke of genius was | :40:17. | :40:27. | |
Gabrielle's eye patch. I put it on and felt like this different person, | :40:28. | :40:31. | |
I felt like I could go into character. That work because | :40:32. | :40:33. | |
everyone always talked about the song with the girl with the eye | :40:34. | :40:37. | |
patch. The success of Dreams was the turning point of all of their | :40:38. | :40:40. | |
careers and it was the highest chart debut by a female artist and | :40:41. | :40:45. | |
Gabrielle went on to become a multi-award-winning | :40:46. | :40:48. | |
singer-songwriter. Gabrielle wasn't writing about things in the | :40:49. | :40:51. | |
abstract, she was writing about her and what makes pop music work. He is | :40:52. | :40:57. | |
now President of Columbia records and Tim is a successful record | :40:58. | :41:00. | |
producer who's worked with artists like Lighthouse Family. Today that | :41:01. | :41:09. | |
he and Gabrielle outperforming the track the first time writing it. | :41:10. | :41:15. | |
Dreams really set up my career for me and I will be forever thankful. | :41:16. | :41:21. | |
What I love is how much of a narrative to both Gabrielle's life | :41:22. | :41:27. | |
and to my life the song has. It did what it said on the tin. | :41:28. | :41:33. | |
# Dreams can come true # You know you've got to have hope # | :41:34. | :41:40. | |
Having so many insecurities, having the idea I was considered a nobody, | :41:41. | :41:44. | |
to have that success, it was the most amazing thing, just, you know, | :41:45. | :41:50. | |
that feeling, vindication. # Dreams can come true # | :41:51. | :42:01. | |
You were doing a bit of routine. Joel, thank you, nice to see you. | :42:02. | :42:07. | |
Good luck with Comic Relief. Friday night, 7pm, BBC One. We will be here | :42:08. | :42:11. | |
tomorrow talking to Arlene Phillips and Maureen Lipman. Now to sing is | :42:12. | :42:16. | |
out with Bartender from his new album out on Friday, its James | :42:17. | :42:18. | |
Blunt. APPLAUSE | :42:19. | :42:21. | |
# And I wonder what he said because she's crying | :42:22. | :42:26. | |
# When they're heading from the whiskey and the wine | :42:27. | :42:32. | |
# I know that I have said things I regret when I'm sober | :42:33. | :42:35. | |
# Cause we always hurt the ones we love the most | :42:36. | :42:38. | |
# I messed up and I know it if I hurt you girl I'm sorry | :42:39. | :42:42. | |
# But it's good to see the girl I used to know | :42:43. | :42:44. | |
# Maybe we can stick to holding hands | :42:45. | :42:48. | |
# If we keep on drinking we're gon' fall back in love | :42:49. | :42:54. | |
# We must not be thinking 'cause we can't get enough | :42:55. | :43:02. | |
# We can talk about a future, we don't wanna reminisce | :43:03. | :43:23. | |
# Because we both know it was me who got it wrong | :43:24. | :43:26. | |
# Baby listen now, they're playing our song | :43:27. | :43:31. | |
# Maybe we can stick to holding hands | :43:32. | :43:35. | |
# If we keep on drinking we're gon' fall back in love | :43:36. | :43:44. | |
# We must not be thinking 'cause we can't get enough | :43:45. | :43:54. | |
# And it's closing time, back to yours or mine? | :43:55. | :44:17. | |
# After all this time, you still blow my mind | :44:18. | :44:26. | |
# If we keep on drinking we're gon' fall back in love | :44:27. | :44:29. | |
# We must not be thinking 'cause we can't get enough | :44:30. | :45:07. | |
Hello, I'm Sarah Campbell with your 90 second update. | :45:08. | :45:11. |