
Browse content similar to 23/01/2014. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Alex Jones and Matt Baker. | :00:16. | :00:23. | |
Tonight's guest is an actress and former paid up member of the Young | :00:24. | :00:26. | |
Ornithologist's Club. AUDIENCE: Ooh! Ooh, indeed. We are | :00:27. | :00:32. | |
putting her to the test. Tony, can we have the first bird impression of | :00:33. | :00:35. | |
the show, please. He's good, isn't he. Caroline | :00:36. | :00:46. | |
Quentin, name that bird? It's tricky. I've got two, I'm swinging | :00:47. | :00:52. | |
between two. Between a robin and a blackbird. I will go robin. I'm | :00:53. | :00:57. | |
clapping early. Let us see if you are right? YES! I like that robin. I | :00:58. | :01:08. | |
couldn't contain my excitement. You get so excited. I love a bird call. | :01:09. | :01:18. | |
Nice to see you. Lovely to see you both. We will put Caroline | :01:19. | :01:22. | |
on-the-spot throughout the show. By the end of the programme you should | :01:23. | :01:27. | |
be able to recognise what these five familiar garden birds look like. | :01:28. | :01:31. | |
Look away. I'm not looking at. Caroline will also be talking about | :01:32. | :01:36. | |
her new play, Oh, What A Lovely War. First, Lucy has been to visit a | :01:37. | :01:46. | |
village that has become an Ireland. An island. Here we are in so | :01:47. | :01:52. | |
Somerset. I'm meeting a community who have suddenly become islanders. | :01:53. | :01:56. | |
It's causing them a lot of inconvenience. The village of | :01:57. | :02:02. | |
Muchelney was cut off from surrounding towns and villages by | :02:03. | :02:06. | |
floods three weeks ago. This is actually the main road into the | :02:07. | :02:11. | |
village. You can just see that object, that's actually a car. | :02:12. | :02:15. | |
That's its roof. Lies in what is effectively a large basin. Rainwater | :02:16. | :02:20. | |
from the surrounding higher ground runs down into it causing it to | :02:21. | :02:27. | |
flood. The 190 villages here are reliant on a boat provided by the | :02:28. | :02:31. | |
council. This is one of the first of the day. The boat is used to | :02:32. | :02:35. | |
transport, food, medical supplies and even animals. He doesn't like | :02:36. | :02:41. | |
the water. It takes an hour to get from home to the school. The kids | :02:42. | :02:46. | |
are getting cold, wet. After 4.00pm there is no boat. You are stranded. | :02:47. | :02:54. | |
# The village church is a collection point for food and post. Are there | :02:55. | :03:02. | |
postives that have come out of this? The community has come together on | :03:03. | :03:04. | |
Sunday we had a time in the service where people can write down the good | :03:05. | :03:08. | |
things that have happened. Friendship, met good neighbours. The | :03:09. | :03:13. | |
children enjoyed the tractor rides. It's beautiful, yet it's tragic. | :03:14. | :03:23. | |
Peter and his wife Liz had only just finished repairing damage from the | :03:24. | :03:24. | |
flood last year when they were hit finished repairing damage from the | :03:25. | :03:29. | |
again. This time it was even worse. The name Muchelney, means big or | :03:30. | :03:37. | |
great island in saxon. Isn't the clue in the name. Britain is an | :03:38. | :03:40. | |
island. You don't expect it to flood. An island is out of water. | :03:41. | :03:46. | |
Are you feeling now that you are knee deep in water again? The | :03:47. | :03:49. | |
Environment Agency should have dredged the river. They failed to do | :03:50. | :03:53. | |
it. This flood is going on much longer than is perhaps necessary | :03:54. | :03:58. | |
because they are enable to get rid of the water. No-one from the | :03:59. | :04:01. | |
Environment Agency has visited the village. It's hard to believe they | :04:02. | :04:07. | |
take it seriously. The Environment Agency agreed to talk to us about | :04:08. | :04:11. | |
the villagers' concerned, but declined to come to the village. I | :04:12. | :04:16. | |
took the villagers' concerns to them. Why aren't you dredging? It's | :04:17. | :04:22. | |
so flat. If you lower the wed bed you Inamoto crease storage and speed | :04:23. | :04:27. | |
up flow as bit. When we is have something like 85 million tonnes of | :04:28. | :04:32. | |
water coming past here, in a four week period, that will make little | :04:33. | :04:40. | |
difference, the problem is, if you accelerate it gets worse downstream. | :04:41. | :04:45. | |
It would have made no difference? No. There are many things that would | :04:46. | :04:50. | |
have a greater benefit. The point is, it hasn't been part of the | :04:51. | :04:53. | |
answer because you didn't do the dredging? They still would have | :04:54. | :04:59. | |
flooded if we'd done the drijing. -- dredging. . Seeing the roof of that | :05:00. | :05:03. | |
car going through the water. Extraordinary. You live in Devon... | :05:04. | :05:09. | |
I pass the Sommer set Levels on the train, to and from London, you can | :05:10. | :05:12. | |
see, my husband said, "I remember when all this was fields." Just a | :05:13. | :05:21. | |
huge lake. Those poor people, just done their house. Terrible. | :05:22. | :05:25. | |
Caroline, you are in the revival of the old musical, Oh, What A Lovely | :05:26. | :05:30. | |
War. The this surely is all part of the centenary of the Great War? It | :05:31. | :05:34. | |
is. It's 50 years since Joan Littlewood's production was produced | :05:35. | :05:38. | |
at Strafford East Centre where we are remounting it. We are sticking | :05:39. | :05:42. | |
pretty much to the original concept of the show and script. Tery | :05:43. | :05:47. | |
Johnson, our director, has put modern tweaks in. It has a modern | :05:48. | :05:53. | |
edge, it's very much in keeping with that original production. OK. For | :05:54. | :05:57. | |
those who then aren't familiar with it as a musical. Can you describe | :05:58. | :06:00. | |
what it is about? It's difficult to describe really because it's based | :06:01. | :06:12. | |
on a on a pier show and based around the world war one shows that people | :06:13. | :06:17. | |
will know, Pack Up Your Troubles and Goodbye, those beautiful songs. The | :06:18. | :06:21. | |
story is told of how the war started, what happened, who joined, | :06:22. | :06:25. | |
it's from a political and personal perspective. It's very much from the | :06:26. | :06:31. | |
soldiers' point of view. OK. As far as your role is concerned, or roles? | :06:32. | :06:38. | |
Yes. There is me, Tom, Olly, all the guys. I play lots of different | :06:39. | :06:43. | |
things. My main role is really a variety singer. A recruitment | :06:44. | :06:48. | |
officer in a very tight dress. We will talk about the satire side of | :06:49. | :06:54. | |
it in a moment. Talk about the corset in a moment. It was a West | :06:55. | :07:00. | |
End hit, global hit and a Hollywood film by Richard Attenborough. Let us | :07:01. | :07:01. | |
look at it now. # A third Sob Officer jumped right | :07:02. | :07:18. | |
over to other Sob Officer back... # They were only playing leapfrog | :07:19. | :07:23. | |
# They were only playing leapfrog # They were only playing leapfrog | :07:24. | :07:31. | |
# When one Sob Officer jumped right over another sub officers back... | :07:32. | :07:35. | |
#. I left a room full of boys bending | :07:36. | :07:41. | |
over and jumping over each other. That is showbusiness, I suppose. I | :07:42. | :07:45. | |
can't continue with this story. The image is wonderful. They were lined | :07:46. | :07:50. | |
up and bouncing over each other rehearsing that number. Used | :07:51. | :07:57. | |
traditional songs to be satirical? Yes. To lift the spirits. When you | :07:58. | :08:05. | |
are in a trench, up to your waist in mud, and there are rats everywhere | :08:06. | :08:10. | |
and you're frightened, and a lot of them untrained, I think those songs | :08:11. | :08:13. | |
were used to bolster their spirits. Back in the day when it came out in | :08:14. | :08:20. | |
the 60s, there wasn't much satire around about the Great War. It was a | :08:21. | :08:25. | |
real risk is It was. In that British way, it had been made very sacred. | :08:26. | :08:30. | |
One wasn't allowed to criticise ones superiors in those days. I think | :08:31. | :08:35. | |
Joan Littlewood's company really challenged some of that. The show | :08:36. | :08:41. | |
is, to this day, very funny. I mean, properly funny, and very moving. And | :08:42. | :08:48. | |
kind of sexy and... It's a show for the people. I mean, it's very | :08:49. | :08:52. | |
embracing. That is the twist you were saying that has been put on it | :08:53. | :08:55. | |
for today's modern audience? Yes. were saying that has been put on it | :08:56. | :08:58. | |
It's there in the original, but some of it has been tweaked a bit to make | :08:59. | :09:02. | |
it even more accessible for a whole new generation, some of whom, like | :09:03. | :09:06. | |
my children, will only know very little really about the First World | :09:07. | :09:09. | |
War. It's a way of educating them, but in a kind of gentle way. On that | :09:10. | :09:14. | |
topic of children going to see it and learning, Michael Gove spoke out | :09:15. | :09:19. | |
and said children shouldn't necessarily learn about the Great | :09:20. | :09:24. | |
War through satire? I would like to say, thank you Michael, our ticket | :09:25. | :09:28. | |
sales went through the roof! Really, I don't need to be here to sell it, | :09:29. | :09:34. | |
Michael Gove has done it for me. He is entitled to that opinion. He | :09:35. | :09:38. | |
voiced it. He is in the business of being heard and selling his version | :09:39. | :09:42. | |
of events. He is perfectly entitled to do that. I don't... I don't agree | :09:43. | :09:48. | |
with him. I think it's a beautiful piece of theatre. And, I think most | :09:49. | :09:52. | |
of us would struggle to say that there isn't a time to reflect on the | :09:53. | :09:58. | |
terrible carnage and waste of human life. That's my feeling about it. | :09:59. | :10:04. | |
Lovely, OK. Oh, What A Lovely War opens at the Theatre Royal, | :10:05. | :10:07. | |
Stratford East in London on 1st February. The songs from that play | :10:08. | :10:13. | |
began life in the musical halls that were hugely popular at the time of | :10:14. | :10:18. | |
the First World War. One of them, Pack Up Your Troubles In Your Old | :10:19. | :10:22. | |
Kit Bag became such a huge global hit that even the German soldiers | :10:23. | :10:25. | |
Kit Bag became such a huge global started singing it on the other side | :10:26. | :10:25. | |
Kit Bag became such a huge global of no-man's land. | :10:26. | :10:34. | |
# Pack up your trouble in your old kit back and smile, smile... # | :10:35. | :10:40. | |
Pack Up Your Troubles is the song at the heart of the launch of the BBC's | :10:41. | :10:46. | |
World War I centenary. Written by two Welsh brothers in the early days | :10:47. | :10:51. | |
of the war, the words and tune are still familiar to us a century | :10:52. | :10:55. | |
later. Back then the writers did not expect it to catch on. The song | :10:56. | :10:59. | |
would have been performed in music halls like this one. During the | :11:00. | :11:03. | |
First World War musical halls thrived on the home front when | :11:04. | :11:06. | |
people headed out for entertainment and song. These were the days before | :11:07. | :11:12. | |
radio, people would have to turn to their own talents to share music. | :11:13. | :11:19. | |
The piece of kit that made this song accessible was this, the piano. The | :11:20. | :11:24. | |
60 years leading up to 1914 were a golden era for piano production. | :11:25. | :11:29. | |
These would have been in every pub, in every house, you could hire them | :11:30. | :11:33. | |
for a few shillings a week. Whereas today we download songs or buy CDs, | :11:34. | :11:39. | |
in those days sheet music was the most popular way to get hold of a | :11:40. | :11:44. | |
song. People gathered around a piano for a sing song would have been | :11:45. | :11:48. | |
familiar. This is an original copy of the sheet music of the song. | :11:49. | :11:51. | |
These sold in their thousands. Pack Up Your Troubles was a huge success. | :11:52. | :11:59. | |
# Pack up your troubles in your old kit bag... # | :12:00. | :12:03. | |
Popular on the home front, it was a firm favourite for soldiers on the | :12:04. | :12:08. | |
western front. It spread didn't stop there. The song went global and was | :12:09. | :12:14. | |
released on record in the UK and United States and featured in a | :12:15. | :12:15. | |
successful Broadway musical. But what was it that made this song | :12:16. | :12:33. | |
so popular? How did Pack Up Your Troubles become the viral hit of | :12:34. | :12:37. | |
World War I? To answer that very question is the man himself, Mr | :12:38. | :12:41. | |
Gareth Malone. Hello, how did it become so popular? It's an | :12:42. | :12:45. | |
immediately easy song I think for people of that era to recognise. | :12:46. | :12:53. | |
It's very... Musical. The two brothers wrote it in 6. 8 time. Had | :12:54. | :13:04. | |
a little. Put it in a drawer marked "duds" they dragged it out for a a | :13:05. | :13:08. | |
marching competition which won. It was then a huge hit. It was in a | :13:09. | :13:13. | |
different key? G Major. It's a nice simple key. One sharp. Anyone could | :13:14. | :13:18. | |
play it on frontline if you had a fiddle or a bango, nice easy key. | :13:19. | :13:24. | |
The words themselves actually resonated, didn't they, with the | :13:25. | :13:31. | |
soldiers? Very much. Everyone had a kit bag. The second line is "why you | :13:32. | :13:39. | |
have a Lucifer" a match would light under any circumstances. Probably | :13:40. | :13:44. | |
chemicals. We don't have them any more. Things that were familiar. | :13:45. | :13:49. | |
People would end up postcards saying "pack up your Troubles." Eliza | :13:50. | :14:03. | |
Dolittle did a version. Is is this an original? Be careful. If you slow | :14:04. | :14:09. | |
it down. It was sung in the darkest of times? It was. At the moment it | :14:10. | :14:13. | |
says, "with a is the use of worrying, it never was worthwhile", | :14:14. | :14:33. | |
like a sermon. The boat sank and they needed great need of it. Are | :14:34. | :14:37. | |
you having difficulty with your songs. Could Gareth at this point | :14:38. | :14:41. | |
help you out? Oh, gosh, yes. Shall we have a sing song? I'm not sure if | :14:42. | :14:50. | |
you know any of the songs we are doing inlet show. I only know Pack | :14:51. | :14:54. | |
Up Your Troubles. . The boys do this one. It's not really a girl's song, | :14:55. | :14:58. | |
is it? No. That film you made there, it was a cut down version of | :14:59. | :15:03. | |
something you made for iWonder a brilliant new learning tool? Started | :15:04. | :15:06. | |
for the 100 years since the First World War. The BBC created this | :15:07. | :15:10. | |
resource. There are videos. There is... It's a website that can work | :15:11. | :15:15. | |
on your tablet or phone or your desk top - Not just music. No, there is | :15:16. | :15:24. | |
stuff about plastic surgery. I'm doing one about the real war horses. | :15:25. | :15:31. | |
My great grandfather took all the artillery to the frontlines with the | :15:32. | :15:37. | |
mules. It's remarkable. We tap in? Go to the web address, | :15:38. | :15:42. | |
bbc.co.uk/ww1, then you will see all these pages come up. Like Gareth | :15:43. | :15:46. | |
says you have films there. So much information you can read. Great way | :15:47. | :15:52. | |
to watch a great new way to watch TV, I think. Films are there | :15:53. | :15:58. | |
indefinitely? It will build and build. If you don't want to watch | :15:59. | :16:03. | |
anything on there you can go to the theatre to see Oh, What A Lovely | :16:04. | :16:07. | |
War. There you are. That is the other option. Another idea. The web | :16:08. | :16:10. | |
address is bbc.co.uk/ww1. That is where you can find everything to do | :16:11. | :16:14. | |
with the BBC's four year season marking the Great War. Have a look. | :16:15. | :16:21. | |
Thank you very much to Gareth, you are playing later? Yes, the whole | :16:22. | :16:27. | |
song. I will join in. Try and stop me. | :16:28. | :16:31. | |
We are now going back to Tony for the second bird impression. Tony, | :16:32. | :16:36. | |
take it away. It was a remarkable performance. | :16:37. | :16:59. | |
Caroline, name that bird. That is one of my favourite birds but I | :17:00. | :17:03. | |
think it has had some cigarettes because it sounded a bit throaty. I | :17:04. | :17:08. | |
think it is a blackbird. Or a thrush. Let's see if you are right. | :17:09. | :17:16. | |
Well done! Plenty more to come where that came from. I couldn't contain | :17:17. | :17:25. | |
myself. He would be terrible spy. Not many people would complain about | :17:26. | :17:30. | |
hearing a blackbird in the morning. But the same cannot be said about | :17:31. | :17:36. | |
seagulls. Seagulls are controversial creatures. | :17:37. | :17:40. | |
Too many people, they are noisy hooligans, famous for nicking your | :17:41. | :17:45. | |
chips. But there is more to these scavengers to meet the eye. They | :17:46. | :17:50. | |
tend to get lumped together as seagulls but there are 11 different | :17:51. | :17:54. | |
species regularly recorded around the British Isles. One of them, the | :17:55. | :18:05. | |
black backed gull has been studied by an ornithologist. It used to have | :18:06. | :18:13. | |
20,000 pairs but today there are more like 400. They are doing well | :18:14. | :18:16. | |
20,000 pairs but today there are in urban areas but in rural areas | :18:17. | :18:22. | |
they are struggling. The study colony is on the Suffolk coast. As | :18:23. | :18:29. | |
an ex-military testing ground, with the odd unexploded mine knocking | :18:30. | :18:33. | |
about, they are not the easiest place to work. First of all, via la | :18:34. | :18:41. | |
has to get hold of them. The plan is the bird walks in but cannot get | :18:42. | :18:48. | |
out. We have caged all the nests in this area and we just need to wait | :18:49. | :18:53. | |
until a gull wanders in. 20 minutes later, we have bagged a bird. Look | :18:54. | :19:02. | |
at that, and adult lesser black backed gull. Fabulous. This was the | :19:03. | :19:10. | |
first 19 gulls that the owner's team court. They are weighed and | :19:11. | :19:20. | |
measured. It is their blade like weeks which make an impression on | :19:21. | :19:29. | |
me. Hopefully it should just take off back to the colony. Or run off! | :19:30. | :19:39. | |
And it is. No harm to the bird. Just a bit of damage to me. But there is | :19:40. | :19:45. | |
far more to Viola's research than simple measurements. She has been | :19:46. | :19:50. | |
using some state-of-the-art GPS tags to get to know this colony inside | :19:51. | :19:56. | |
out. We can get information every three seconds. What does that tell | :19:57. | :20:01. | |
you about where they are going? The most interesting aspect is the | :20:02. | :20:06. | |
bird's migrate rude behaviour. Some stay in East Anglia. Others go to | :20:07. | :20:12. | |
Africa. Some go to Africa in 15 days flat and hang out on the beach all | :20:13. | :20:19. | |
winter. Others take five months to reach their destination. I expect | :20:20. | :20:23. | |
the ones which take very fixed journeys and do not wander around a | :20:24. | :20:28. | |
lot are possibly older. The older ones like the package holiday, the | :20:29. | :20:33. | |
same location every year but the young ones are the intrepid | :20:34. | :20:36. | |
explorers getting off the beaten track? This is incredible data to | :20:37. | :20:41. | |
have uncovered that the data reveal something even more extraordinary. | :20:42. | :20:45. | |
This is a male bird which we tagged as part of a pair early in the | :20:46. | :20:49. | |
breeding season. He is not going very far to forage. These dots | :20:50. | :20:56. | |
represent GPS points. A typical day sees him visiting the nearest town, | :20:57. | :21:04. | |
Aldeburgh five miles away. He's probably scavenging fish and chips | :21:05. | :21:10. | |
or the odd ice cream. But later in the day his behaviour completely | :21:11. | :21:15. | |
changes. He's flying out to sea, go halfway to the Netherlands. We can | :21:16. | :21:20. | |
only assume he is foraging for fish. What is triggering this change? This | :21:21. | :21:27. | |
data is from early June, peak hatching time. Basically, he wants | :21:28. | :21:33. | |
the best food for his chicks. They are swapping battered fish for the | :21:34. | :21:39. | |
fresh stuff. He was not the only one to change. Leftovers in towns can | :21:40. | :21:43. | |
sustain fully grown birds but developing chicks need the best | :21:44. | :21:48. | |
possible nutrition. We did take them for granted but they are spectacular | :21:49. | :21:53. | |
birds with an undeserved reputation and incredible individual | :21:54. | :21:57. | |
characteristics. I think it is time that we paid them a bit more | :21:58. | :22:03. | |
attention. How was your arm? The thing is, they | :22:04. | :22:11. | |
have a massive hook on the bill. You do not want them to pull away | :22:12. | :22:16. | |
because the hook will break down your arm. Nice! Caroline likes | :22:17. | :22:25. | |
them, Matt likes them but that is to .521. So we have been testing your | :22:26. | :22:37. | |
knowledge, Caroline. We have not lost the plot completely. There is a | :22:38. | :22:43. | |
reason why we are doing this? A recent survey from gardeners world | :22:44. | :22:48. | |
magazine found astonishingly few of us knew the common songs of garden | :22:49. | :22:55. | |
birds. Five birds they tested. Only 25% knew the robin. 32% know the | :22:56. | :23:02. | |
beautiful iconic call of the blackbird which we will be hearing | :23:03. | :23:05. | |
in a couple of weeks. The most commonly recognised bird was the | :23:06. | :23:14. | |
wood pigeon. Astonishingly good! 55%. That is not a wood pigeon on | :23:15. | :23:22. | |
the screen, that is a London pigeon. Good spot! That is a feral | :23:23. | :23:32. | |
town pigeon. 30% knew the house sparrow, the cockney chippy. Tony, | :23:33. | :23:42. | |
take it away. That is brilliant. It is like there is one in the room | :23:43. | :23:49. | |
with us. That is the first one he learned as a five-year-old lad. And | :23:50. | :23:54. | |
the most common bird on bird tables is the blue tit. Only 11% knew it. | :23:55. | :24:05. | |
Tony, come and have a seat. That is fantastic. Goodlad, Tony. Really | :24:06. | :24:17. | |
nice! We have one last test. This is unusual, it is not a garden bird. | :24:18. | :24:27. | |
We ask you to name that bird. It is a corncrake. Yes! The celebrations | :24:28. | :24:45. | |
are remarkable. I promise you know one told me that. I am thrilled! | :24:46. | :24:51. | |
This is the perfect film for Alex and me. It involves sheepdogs. And | :24:52. | :24:57. | |
hairdos. Brilliant. Today I am in Warwickshire at the | :24:58. | :25:02. | |
International sheepdog championships. I could do with one | :25:03. | :25:06. | |
to round the kids up from the park when I leave. This is the lovely | :25:07. | :25:11. | |
Judith and she is the boss, I believe. Is that right? Presumably, | :25:12. | :25:19. | |
you have got a sheepdog. No, I do not have a dog. I do not have a | :25:20. | :25:24. | |
field. A border collie needs to work. It is a working dog. It is not | :25:25. | :25:34. | |
a pet. We have 60 competing in the singles competition. Then we have | :25:35. | :25:37. | |
eight competing in the brace or doubles competition when they run | :25:38. | :25:42. | |
two dogs. It is a fantastic thing to achieve to be supreme champion. Take | :25:43. | :25:49. | |
a look. That is fabulous, thank you very much! A pleasure. It looks | :25:50. | :25:57. | |
pretty straightforward to me. Maybe I shouldn't whistle. No, probably | :25:58. | :26:08. | |
not. This is Jenny and she is the health and is a steward here. I | :26:09. | :26:12. | |
believe you have got six dogs of your own. I have, four sheepdogs. Do | :26:13. | :26:21. | |
you train them from being a puppy. You start putting the commands on | :26:22. | :26:29. | |
them. Come by, means left. Clockwise. And go buys the other | :26:30. | :26:38. | |
way. I'm not sure they will recognise you. Take look. Very nice. | :26:39. | :26:56. | |
You from Zona? Relief? Guess. -- you are from Arizona. We do not have | :26:57. | :27:04. | |
sheep in Arizona. They would not last. This is Cornelius. I did the | :27:05. | :27:14. | |
doubles, the brace competition. Why is it called the brace? Because | :27:15. | :27:21. | |
there are two dogs. You have to tend sheep and you have to divide them | :27:22. | :27:26. | |
five and five. You put five in one pen with one dog and five in the | :27:27. | :27:31. | |
other pen with the other dog. Is it different sheep? Every competitor | :27:32. | :27:35. | |
gets different sheep. You have different commands for different | :27:36. | :27:41. | |
dogs. They will have different whistle commands. You blow the | :27:42. | :27:46. | |
whistle for one dog, the other dog doesn't respond. If you and your dog | :27:47. | :27:52. | |
wins, does the value of the dog increase? Of course. If it is world | :27:53. | :27:58. | |
champion they will be paying between five and ?10,000 probably. How was | :27:59. | :28:06. | |
that? That is fine. I weighed to me. That is it, that is it. Stay, down. | :28:07. | :28:14. | |
There you go, I have got the hang of this. Good cameraman! | :28:15. | :28:18. | |
I wonder how long he stayed there for! That is nearly it for tonight. | :28:19. | :28:24. | |
Oh, What A Lovely War is at the theatre Royal Stratford East. Now | :28:25. | :28:32. | |
Gareth will sing us out. # Pack Up Your Troubles in your old | :28:33. | :28:36. | |
kit-bag. # And smile, smile, smile. | :28:37. | :28:40. | |
# While you've a lucifer to light your fag. | :28:41. | :28:43. | |
# Smile, boys, that's the style. # What's the use of worrying? | :28:44. | :28:48. | |
# It never was worth while, so. # Pack Up Your Troubles in your old | :28:49. | :28:51. | |
kit-bag. # And smile, smile, smile. #. | :28:52. | :29:01. |