Browse content similar to 24/01/2014. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello and welcome to The One Show with Chris Evans. And Alex Jones. | :00:16. | :00:25. | |
Tonight's guest is such a popular man that he has his own cult | :00:26. | :00:30. | |
following who take pictures of him and fold them up so he looks like | :00:31. | :00:37. | |
this! And this! And this! But we much prefer him looking like this. | :00:38. | :00:45. | |
It's Ross Kemp! I've done a few of my own. Here is Chris. Quite | :00:46. | :00:55. | |
flattering. Still handsome, I think. I look like a Muppet. What about | :00:56. | :01:06. | |
that picture though? Ross, earlier this month there was a surprise | :01:07. | :01:14. | |
return by Jane Beale came back briefly. Would you go back to East | :01:15. | :01:24. | |
Enders? If they have died, that's never stopped them coming back. | :01:25. | :01:29. | |
Never say never. I had ten years there and it was fantastic fun. I | :01:30. | :01:33. | |
still watch it occasionally when I am in the country. Of course, never | :01:34. | :01:39. | |
say never. Have you been asked back? Not yet. Later we will be asking | :01:40. | :01:49. | |
Ross about his new series, Extreme World. And we will be auditioning | :01:50. | :01:56. | |
two dogs for a role onstage in an opera. And it Burns Night tomorrow, | :01:57. | :02:00. | |
so we'll also be reviving the ancient tradition of haggis hurling. | :02:01. | :02:06. | |
Jeremy Paxman can tell us the story are based special seaside town whose | :02:07. | :02:10. | |
inhabitants found themselves under fire. On the north-east coast of | :02:11. | :02:17. | |
England, 16th of December, 1914, was a still, misty morning. The first | :02:18. | :02:26. | |
signs of anything unusual were the flashes coming from unidentified | :02:27. | :02:33. | |
ships several miles out to sea. One family realised what was happening | :02:34. | :02:37. | |
when a German shell fragment struck their house and smashed into the | :02:38. | :02:42. | |
front of the family alarm clock, stopping it forever. That was at | :02:43. | :02:51. | |
8:03am. It was the start of a voracious bombardment. -- Thoreau | :02:52. | :02:58. | |
shares. The people of Hartlepool felt the full horror of modern war | :02:59. | :03:05. | |
-- -- ferocious. Homes were death traps, but so were the streets. The | :03:06. | :03:09. | |
German shells burst on impact, sending shards of hot metal in all | :03:10. | :03:19. | |
directions at hundreds of mph. It was the first major attack on | :03:20. | :03:27. | |
Britain since 1066. Many thought the Germans were invading. Terrified | :03:28. | :03:32. | |
children had simply no idea what was happening. What did you think the | :03:33. | :03:39. | |
sound was question -- was? We did not know. My older sister ran | :03:40. | :03:45. | |
upstairs, and she said I think somebody's beating the carpets. | :03:46. | :03:51. | |
That's what she said. So she goes up, and looks out, and she runs | :03:52. | :03:57. | |
back, ma'am, the Germans are here. They are on the beach. Everybody is | :03:58. | :04:02. | |
running away. I went upstairs and looked out the bedroom window and I | :04:03. | :04:08. | |
could see the crashes out at sea. How were people reacting? Crying, | :04:09. | :04:18. | |
the women with their prams, there was hardly anybody left in | :04:19. | :04:26. | |
Hartlepool. People were scurrying along? Somebody came and said, oh my | :04:27. | :04:34. | |
daddy's had blue. That frightened me. -- had blown off. Do you | :04:35. | :04:43. | |
remember what you felt? You were seven years old. I was horrified. I | :04:44. | :04:49. | |
thought they were coming to take us and killers. I was sitting, | :04:50. | :04:53. | |
shivering. I was like that. Terrified. Thinking the German might | :04:54. | :05:01. | |
walk through the door? I thought they would come in any minute to | :05:02. | :05:06. | |
take us away. The children of Hartlepool were amongst the many | :05:07. | :05:11. | |
victims of Kaiser Wilhelm's navy that day. Three members of the Dixon | :05:12. | :05:15. | |
victims of Kaiser Wilhelm's navy family were killed by a shell | :05:16. | :05:18. | |
victims of Kaiser Wilhelm's navy they ran for it, holding hands. | :05:19. | :05:21. | |
George, his sister Margaret, and their brother Albert, aged seven. | :05:22. | :05:32. | |
Their mother's leg was blown off. Suddenly the dead of World War I had | :05:33. | :05:37. | |
different faces, the faces of British children. Four days after | :05:38. | :05:44. | |
the attack, newspaper sales soared as the public read of the horrors. | :05:45. | :05:51. | |
Over 500 wounded, 152 killed, and the eldest victim 86, the youngest, | :05:52. | :06:00. | |
only six months. For most British people, what happened here in the | :06:01. | :06:08. | |
Northeast that day was a war crime, and atrocity. A line had definitely | :06:09. | :06:11. | |
been crossed. From now on, civilians in Britain knew that they too could | :06:12. | :06:20. | |
be in mortal danger. Thank you, Jeremy, and lovely violet, who sadly | :06:21. | :06:31. | |
passed away in November, aged 106. And the first episode of Jeromy's | :06:32. | :06:38. | |
series is dedicated to you. Ross's new programme is called Extreme | :06:39. | :06:43. | |
World. If you think, how extreme can it be? Here is a clip that might | :06:44. | :06:50. | |
change your mind. Give it to me. You are holding us up? Where is your | :06:51. | :07:03. | |
round in it? Show me your gun. Sit down! Sit down! Give money. You are | :07:04. | :07:14. | |
going to kill me? Really? Are you going to kill me? Sit down. Are you | :07:15. | :07:24. | |
going to kill me? We watched that together earlier, and I've never | :07:25. | :07:30. | |
heard so many gasps in one room at the same time. Talk is through | :07:31. | :07:32. | |
heard so many gasps in one room at security. What led to that? We were | :07:33. | :07:37. | |
in Papua New Guinea, looking at what was going on in terms of the | :07:38. | :07:41. | |
violence against women, and it is collision course. Culturally, it is | :07:42. | :07:45. | |
so rich must only different languages and tribes, but it is | :07:46. | :07:49. | |
sandwiched between Indonesia, Australia and has wealth in | :07:50. | :07:54. | |
minerals. There's a lot of corruption there. We were looking at | :07:55. | :07:58. | |
the effect that has on everybody. The violence against women is off | :07:59. | :08:03. | |
the scale, I think. Those guys are rascals. They are robbers. They are | :08:04. | :08:08. | |
tribal, and they prey on everybody from tourists, or on everyday | :08:09. | :08:16. | |
people. What we hear about making a show like this, one is on similar | :08:17. | :08:22. | |
shows, is the more security you take, the less of a story you get, | :08:23. | :08:27. | |
and that is the fine balance. What was it like for you? We've been | :08:28. | :08:32. | |
making these documentaries the nine years, 58 documentaries, and we've | :08:33. | :08:36. | |
never had any security. Particularly with the gang programme. They can | :08:37. | :08:41. | |
sniff somebody that seems a bit regimented, they suspect people are | :08:42. | :08:44. | |
police officers. If you see that clip, that guy with the boom | :08:45. | :08:49. | |
microphone is the director and the sound man, and the guy shooting it | :08:50. | :08:54. | |
is the sound man, and the guy shooting it | :08:55. | :08:55. | |
presenter. That's just three guys. You travel to six different places | :08:56. | :08:59. | |
in the series, and you've seen an incredible amount of violence in | :09:00. | :09:04. | |
every place. What is the thread that connects the violence in these | :09:05. | :09:08. | |
places? It's not just violence. Extreme is a wide umbrella. It's not | :09:09. | :09:13. | |
just extreme places, it could be an extreme view, and extreme habitat, | :09:14. | :09:17. | |
anything extreme. It is such a wide term. You can use it insanely | :09:18. | :09:22. | |
different ways. We look at a crack epidemic in Rio de Janeiro. And | :09:23. | :09:28. | |
Ireland, some of the marching season behaviour is quite extreme. We want | :09:29. | :09:34. | |
to look at that, and some of the views that might be considered | :09:35. | :09:38. | |
extreme. We always make sure in the programmes we do on Extreme World | :09:39. | :09:42. | |
there is one that is based in the UK. The one thing I would say that | :09:43. | :09:50. | |
ties a lot of the programme together when we travel further afield is, | :09:51. | :09:50. | |
unfortunately, poverty around the world and the separations between | :09:51. | :09:52. | |
the haves and have-nots. Poverty, world and the separations between | :09:53. | :09:56. | |
desperation, a lack of faith in the government. Wherever you find | :09:57. | :10:00. | |
developing countries, a lot of countries that were occupied at some | :10:01. | :10:05. | |
point, and imperialist governments, they often form new governments and | :10:06. | :10:11. | |
eight generally have large corporations going in and they sweep | :10:12. | :10:17. | |
the wealth of the country away -- they generally have. And alcohol as | :10:18. | :10:19. | |
well. Bill Gates says he expects they generally have. And alcohol as | :10:20. | :10:24. | |
there to be less poor country by 2035. Having travelled around, would | :10:25. | :10:31. | |
you agree with that? There may well be less but there will still be a | :10:32. | :10:38. | |
lot out there. He knows far more about it than I do, but I would | :10:39. | :10:43. | |
lot out there. He knows far more suggest that poverty around the | :10:44. | :10:44. | |
world will still play a major part in the suffering of | :10:45. | :10:47. | |
world will still play a major part I don't know. I don't have the | :10:48. | :10:47. | |
answers. We go there and try I don't know. I don't have the | :10:48. | :10:52. | |
people in the UK about what is going on in the world. It is your 50th | :10:53. | :10:57. | |
this year. You going to make it get killed somewhere? I hope so. Now a | :10:58. | :11:02. | |
film about a dog that's pretending to be a cat. Yes, they say dogs will | :11:03. | :11:09. | |
try to please us, while cats only want to please themselves. So when | :11:10. | :11:12. | |
they had a feline role to fill on want to please themselves. So when | :11:13. | :11:15. | |
stage in Glasgow, cats were told not to bother | :11:16. | :11:17. | |
Italy in the late 16th century was the birthplace of opera, and here in | :11:18. | :11:27. | |
Glasgow, Scottish Opera are creating a corner of Rome in their | :11:28. | :11:33. | |
performance. The comedy opera was first performed in 1843 and is the | :11:34. | :11:38. | |
story of a foolish bachelor who will not let his nephew, Ernesto, marry | :11:39. | :11:42. | |
story of a foolish bachelor who will his love, but the couple tricked the | :11:43. | :11:50. | |
old man to teach a lesson. The directors will bring their own | :11:51. | :11:54. | |
vision to a classic, so how do you interpret this differently? Our | :11:55. | :12:02. | |
story does not have a barren, he is the owner of a rundown and see only | :12:03. | :12:12. | |
-- pension. He loves cats. But with a twist. He's allergic to cats. When | :12:13. | :12:24. | |
Marina Chez -- Marina organises a sham marriage, he relents, and he is | :12:25. | :12:30. | |
rewarded with a perfect gift. She raves with a fabulous present for | :12:31. | :12:38. | |
Pasquale -- arrives. He thinks it is a cat, and he knows he's allergic, | :12:39. | :12:41. | |
he cannot take it, but it is not a cat, and he knows he's allergic, | :12:42. | :12:46. | |
cat, it is a dog and a cat costume. Responsibility for pulling off the | :12:47. | :12:51. | |
disguise lies with an eight inch tall pet Chihuahua, stage name, | :12:52. | :12:56. | |
Brigid. The length of leg is three and a half. How difficult is it to | :12:57. | :13:02. | |
make a cat costume for a dog? You cannot control a dog's tale, it | :13:03. | :13:09. | |
wants to pop out all the time. The first costume had legs in it, and | :13:10. | :13:14. | |
the bulk of the fur was really difficult, and she was just not | :13:15. | :13:21. | |
comfortable. So we got rid of the legs and made more of a kind of | :13:22. | :13:22. | |
saddle costume. We were very fortunate to find a | :13:23. | :13:25. | |
saddle costume. We were very was so still and quiet and | :13:26. | :13:27. | |
saddle costume. We were very She was a good sport, I think. | :13:28. | :13:32. | |
Ladies and gentlemen of the orchestra, your second and final | :13:33. | :13:38. | |
call. Every member of the cast has a dresser, tonight I am Bridget's. | :13:39. | :13:44. | |
Doshi enjoyed getting dressed? -- Doshi? Darling, it is time to get | :13:45. | :13:53. | |
dressed. Does the tail wriggle free at all? | :13:54. | :14:05. | |
It is the dress rehearsal, and tonight's soprano is handling | :14:06. | :14:15. | |
Bridget. Is she nervous? I am, but the chances of the dog wriggling and | :14:16. | :14:20. | |
making me nervous is quite likely. You obviously sing loud as there is | :14:21. | :14:26. | |
no amplification. A huge climax to the peace, and an epic moment the | :14:27. | :14:33. | |
people on stage. Call for Bridget the dog to the stage. | :14:34. | :14:39. | |
He is telling the old man she should not have got married, and the | :14:40. | :14:47. | |
He is telling the old man she should youngsters are getting married, and | :14:48. | :14:52. | |
Bridget will soon be on the stage. Come on, we can see the shadow. | :14:53. | :15:22. | |
The performances have been convincing but has Bridget pulled | :15:23. | :15:30. | |
off her cat impersonation? I thought it was a cat, I am surprised to hear | :15:31. | :15:36. | |
it was a dog. I was trying to work out if it was real or a prop. A | :15:37. | :15:40. | |
lovely ending to a lovely evening. It was a dog in a cat costume. | :15:41. | :15:47. | |
Amazing. Before we get on with our own auditions, here are couple | :15:48. | :15:50. | |
Amazing. Before we get on with our people who will be able to tell us | :15:51. | :15:53. | |
about great dog performances. We are joined by Sarah Fisher, an | :15:54. | :15:57. | |
animal behaviour counsellor, and Toby Rose, founder of the Palm Dog | :15:58. | :16:05. | |
Awards which celebrate the best performance by a dog at the Cannes | :16:06. | :16:06. | |
Awards which celebrate the best Film Festival. | :16:07. | :16:08. | |
APPLAUSE To be, how does a dog win a Palm | :16:09. | :16:13. | |
Dog? It is like saying how does Jack | :16:14. | :16:18. | |
Nicholson win an Oscar, it is that simple. When you see a dog, on the | :16:19. | :16:24. | |
screen and there is a palpable sense of gospel, you know you're | :16:25. | :16:27. | |
screen and there is a palpable sense presence of great canine performance | :16:28. | :16:29. | |
and that is how we do it -- have you ever seen a bad job | :16:30. | :16:37. | |
performance? It can be underwhelming. If you have | :16:38. | :16:42. | |
someone who comes on the screen, rolls over and leaps up... This is | :16:43. | :16:53. | |
the dog in The Artist? Yes. When we met recently, it was emotional. He | :16:54. | :16:59. | |
is an example of star quality. He is very good, we also have a clip of | :17:00. | :17:05. | |
last year's winner. So happy you could come. He is so mean to my | :17:06. | :17:12. | |
babies, this is my family. This is baby boy. He is very old. He is deaf | :17:13. | :17:22. | |
and he is blind. That was Behind The Candelabra with Matt Damon and | :17:23. | :17:29. | |
Michael Douglas. The one who stole the show was baby boy. The emotion | :17:30. | :17:37. | |
came out across the screen and I would call it dogrisma. It is an | :17:38. | :17:44. | |
indefinable quality that asked judges picked up on. If you go to | :17:45. | :17:51. | |
the cinema and see a performance that you liked, you would have | :17:52. | :17:52. | |
witnessed dogrisma. Thank goodness for you this evening! There is a new | :17:53. | :18:00. | |
movie out today, Inside Llewyn Davis, which stars a cat. How | :18:01. | :18:06. | |
difficult are they to work with? Cats are really intelligent. If you | :18:07. | :18:10. | |
find something that is rewarding for the cat, a tasty treat, and, that is | :18:11. | :18:16. | |
what I want you to repeat, you can train a cat. Cats also tend to want | :18:17. | :18:22. | |
to do things a few times before they go off on their own adventures. A | :18:23. | :18:24. | |
to do things a few times before they bit easier to train a dog and | :18:25. | :18:27. | |
to do things a few times before they like to be part of the social scene. | :18:28. | :18:31. | |
Hence the casting of the cat as the dog in the film. We are going to | :18:32. | :18:38. | |
audition two dogs for the opera, La Boheme. What is required? The dog is | :18:39. | :18:46. | |
part of a really busy scene so we are looking for a dog that is | :18:47. | :18:49. | |
confident in a busy environment, enjoys being around lots of people | :18:50. | :18:55. | |
and one that takes your eye to the dog, so you gasp. Bring in reverse, | :18:56. | :19:07. | |
with his owner, Tricia. I think he has got the job! Tell us a bit about | :19:08. | :19:13. | |
him. He is a 14-month-old crossbreed, he is a friendly dog and | :19:14. | :19:19. | |
brings a smile to people 's faces. We are going to keep it simple. We | :19:20. | :19:25. | |
want to make sure he is happy in this environment. If you could | :19:26. | :19:28. | |
want to make sure he is happy in him to sit, follow you. Sit. Sit. Is | :19:29. | :19:38. | |
he going to do a little down? We want to see a dog that is not | :19:39. | :19:43. | |
distracted by a new environment. Canny finish with a dance? The thing | :19:44. | :19:53. | |
about Rufus, he is sort of haggis sized. Don't be mean! It goes in | :19:54. | :20:02. | |
with the theme of the week! What did you think? We are not hurling him at | :20:03. | :20:09. | |
the end of the show! Here come the lily and Deborah. First impressions? | :20:10. | :20:17. | |
Very engaging, beautiful dog, lovely coat. She is two years old. She is a | :20:18. | :20:27. | |
crossbreed and she is absolutely lovely. | :20:28. | :20:33. | |
An honour, is she semi pro? -- Hang on, is she semi pro? She has done | :20:34. | :20:46. | |
this before. You have a hard decision, you have about ten | :20:47. | :20:50. | |
seconds. Less than that, really. There is one main role and an | :20:51. | :20:55. | |
understudy. This is good, there is no loser. One of the dogs gets the | :20:56. | :21:01. | |
job and the other becomes the understudy. Please reveal who will | :21:02. | :21:06. | |
have the starring role. After long, lengthy consideration, taking into | :21:07. | :21:12. | |
consideration the dogrisma of the two young lovelies, it is after | :21:13. | :21:20. | |
deliberation we have to say Rufus. You wouldn't have thought that. I | :21:21. | :21:27. | |
think we have got a Susan Boyle situation on our hands. You | :21:28. | :21:32. | |
understudy, I am afraid, will be Chris Evans. Thank you for being | :21:33. | :21:40. | |
here. They will be on stage in Dartford on the 23rd of April. On | :21:41. | :21:46. | |
his radio show earlier this week, Chris launched radio to's breakfast | :21:47. | :21:52. | |
show Short story competition which gives children under 13 the chance | :21:53. | :21:58. | |
to write an original story using no more than 500 words. If you were | :21:59. | :22:03. | |
keen on entering but stuck for inspiration, take a look at this. I | :22:04. | :22:07. | |
have this little sister, Lola. She is small and very funny. Charlie and | :22:08. | :22:14. | |
Lola, a modern classic, loved by children and adored by mums and | :22:15. | :22:19. | |
dads. If stories like that inspire you to write and you are 13 or | :22:20. | :22:25. | |
under, sorry, mums and dads, why not enter the 500 words competition? All | :22:26. | :22:30. | |
you have to do is write a story 500 words or under. 500 words is such a | :22:31. | :22:39. | |
good exercise. You have to think about the key thing that you are | :22:40. | :22:42. | |
trying to get across. And about the key thing that you are | :22:43. | :22:49. | |
trying to say with your story. What sort of characters have you been | :22:50. | :22:54. | |
thinking about? Zombies. I am thinking of a nerd. It is always | :22:55. | :23:06. | |
good to give your hero a problem. He had teeth in someone's body and now | :23:07. | :23:14. | |
they broke. A toothless vampire! How digicam up with Charlie and | :23:15. | :23:21. | |
Lola? It -- how did you come up with? It came to me anecdotally from | :23:22. | :23:25. | |
my experiences of being a sibling. My sister was caring. I had a | :23:26. | :23:31. | |
situation with fussy eating and she helped me out with that. She has | :23:32. | :23:36. | |
big, black, round glasses. He likes playing with friends. She always | :23:37. | :23:41. | |
likes to wear colourful clothes with pets. Sometimes with breakfast he | :23:42. | :23:55. | |
eats fish and chips. If you are looking form or advice, who better | :23:56. | :24:00. | |
to ask than the under nine category winner from last year was to | :24:01. | :24:05. | |
to ask than the under nine category how did you come up with a story? I | :24:06. | :24:08. | |
to ask than the under nine category looked at the winning stories from | :24:09. | :24:08. | |
2012. I saw that most of the winning looked at the winning stories from | :24:09. | :24:14. | |
stories were sad story so I thought I would write a sad story. My granny | :24:15. | :24:16. | |
had told me stories of her I would write a sad story. My granny | :24:17. | :24:21. | |
when the peer was new and beautiful and she had danced | :24:22. | :24:25. | |
when the peer was new and beautiful ballroom. All that is left now is a | :24:26. | :24:30. | |
when the peer was new and beautiful steel skeleton, all its history, | :24:31. | :24:35. | |
lost. What advice would you give to anyone wanting to enter? | :24:36. | :24:35. | |
lost. What advice would you give to write about something that you know | :24:36. | :24:35. | |
well. Because it helps focus, write about something that you know | :24:36. | :24:41. | |
because you know a lot about it. What do you think is important to | :24:42. | :24:41. | |
make a very good story? What do you think is important to | :24:42. | :24:47. | |
problem and you have to solve it. It is either food or a good beginning. | :24:48. | :24:53. | |
A happy ending. I always like a happy ending. Thanks so much, | :24:54. | :24:59. | |
Angellica. If you would like to enter that competition, thanks to St | :25:00. | :25:03. | |
Margaret's Clitherow primary School, all of the kids and teachers and | :25:04. | :25:12. | |
librarians. Go to BBC .co .uk /500 words. | :25:13. | :25:16. | |
Why is my friend over here? I will tell you after we find out why my | :25:17. | :25:27. | |
friend is over there? Tomorrow night is Burns night so why not try some | :25:28. | :25:31. | |
barbecued haggis kid is Burns night so why not try some | :25:32. | :25:34. | |
Traditionally made from the lining of a sheep stomach | :25:35. | :25:37. | |
Traditionally made from the lining offal, it is not to everybody's | :25:38. | :25:43. | |
taste. You like it? I am not a great lover of offal, think it is awful, | :25:44. | :25:45. | |
but I like haggis, neeps and tatties. The whole proud Scottish | :25:46. | :25:53. | |
nation will probably be rising up as one. There has been a lot of element | :25:54. | :25:56. | |
nation will probably be rising up as in haggis. It is kind of the food | :25:57. | :25:59. | |
nation will probably be rising up as poverty because it is made from the | :26:00. | :26:03. | |
cheap bits of animals but now it is poverty because it is made from the | :26:04. | :26:03. | |
a noble tradition. One enterprising poverty because it is made from the | :26:04. | :26:06. | |
company has come up with barbecued poverty because it is made from the | :26:07. | :26:09. | |
haggis. They are moving haggis on. We have luxury haggis, a bit like a | :26:10. | :26:14. | |
luxury slum, frankly. Three bird haggis made with pheasant, grouse | :26:15. | :26:22. | |
and smoked duck. You ignored the haggis and you ignored | :26:23. | :26:25. | |
and smoked duck. You ignored the and UN for the potato... -- you went | :26:26. | :26:30. | |
for the potato. That is quite Christmassy. Ross can try that but | :26:31. | :26:39. | |
we need to go to Chris and Robin. Jealous of those guys. Why am I | :26:40. | :26:46. | |
holding this? We are about to haggis hurl. It goes back to when haggis | :26:47. | :26:54. | |
luncheon was thrown at the menfolk across the river. The men would try | :26:55. | :27:01. | |
to catch it in their kilt but they wear a leather pad and that is the | :27:02. | :27:06. | |
origin of the Scottish sporran, not many people know that. We are going | :27:07. | :27:09. | |
origin of the Scottish sporran, not to have a similar game, you | :27:10. | :27:12. | |
origin of the Scottish sporran, not catching for Ross, I will then hurl | :27:13. | :27:25. | |
three towards Alex. Which is the most aerodynamic? Go over there. You | :27:26. | :27:32. | |
are hurling towards Robin. He has got to try to catch it in his kilt. | :27:33. | :27:48. | |
Under Ron OK? -- under arm? Band, do you mind playing? As Robin ever done | :27:49. | :28:02. | |
this before? One, two, three. He would be no good in Extreme World, | :28:03. | :28:16. | |
would he? Make it a good one... Yes! We have done it! One-hit wonder. | :28:17. | :28:27. | |
Thank you very much. That is all for this evening. Thank you for being | :28:28. | :28:33. | |
here. Ross's show is on 9pm on sky. Extreme World. Thank you for being | :28:34. | :28:39. | |
here. Have a great weekend. We will be back on Monday. Who have we got? | :28:40. | :28:47. | |
We are keeping it a secret! Have a great weekend, happy Burns night. | :28:48. | :28:51. | |
One more time, take it away... | :28:52. | :28:52. |