Browse content similar to 23/11/2011. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with at Lex Jones and Matt Baker. | :00:25. | :00:30. | |
Today's guest was the ultimate IT girl. That's before anyone knew | :00:30. | :00:35. | |
what an IT girl was. It's Twiggy. APPLAUSE | :00:35. | :00:39. | |
We'll talk about your album in a little while and looking at Thomas | :00:39. | :00:43. | |
Cook holidays, but first, have you heard of the internet sensation, | :00:43. | :00:49. | |
Charlie bit my finger? I have. I don't do all that very often. My | :00:49. | :00:54. | |
daughter rang me one day and said mum, you've got to look at this. | :00:54. | :01:02. | |
Actually, we often just put it on and have a giggle. It is - the baby | :01:02. | :01:08. | |
is hysterical. He's such a sweet older brother. It's not just a | :01:08. | :01:12. | |
funny clip. It's the most popular home video on the internet ever. | :01:12. | :01:22. | |
:01:22. | :01:23. | ||
Let's have a little look. Ouch! Ouch! Ouch! Ouch, Charlie! Charlie! | :01:23. | :01:33. | |
:01:33. | :01:36. | ||
That really hurt. Brilliant! The brother there, that is lilly Harry. | :01:36. | :01:41. | |
Charlie gets all the glory. But the baby's hysterical, because you | :01:41. | :01:45. | |
wouldn't think he would get the joke, but he does. He's well | :01:45. | :01:51. | |
advanced. That clip has been viewed over 390 million times. It has | :01:51. | :01:56. | |
earnt Charlie's mum and dad a pretty preny too. Over �100,000 and | :01:56. | :02:01. | |
-- penny too. Over �100,000. We'll meet them later on. At this time of | :02:01. | :02:04. | |
year, most people are spending money on the internet and they are | :02:04. | :02:11. | |
spending a lot. As much as �424 million in a single day. A quarter | :02:11. | :02:14. | |
of that is on holidays and travel. One of the reasons for going on- | :02:14. | :02:18. | |
line is to get a good deal, but as one viewer found her bargain | :02:18. | :02:20. | |
holiday with friends nearly cost her thousands more than she | :02:20. | :02:28. | |
expected. Get this - seven nights holiday in a Caribbean paradise. | :02:28. | :02:36. | |
Flights and four-star, all- inclusive accommodation. Jo-Ann and | :02:36. | :02:41. | |
her five friends would only have to pay �339 each. Wow! The wonds are | :02:41. | :02:47. | |
of booking on-line? I thought this is the bargain of a life-time, but | :02:47. | :02:51. | |
I thought it was too good to be true. I came out of the website and | :02:51. | :02:55. | |
logged off, went back on and exactly the same price came up | :02:55. | :03:01. | |
again, so I said to my partner, I'm going to book this. We got a | :03:01. | :03:03. | |
confirmation e-mail back immediately and the money was taken | :03:03. | :03:09. | |
from the bank. We got E tickets. We got the booking ticket number for | :03:09. | :03:14. | |
every seat, so everybody was very excited. They went out and bought | :03:14. | :03:19. | |
books on St Lucia. Everything ship- shape and ready to go. Well, not | :03:19. | :03:23. | |
quite. You see, three days later BA got in touch with Jo-Ann and said | :03:23. | :03:26. | |
there had been a mistake. The price quoted on the website was an error | :03:27. | :03:30. | |
and if she still wanted the holiday she would have to pay more money. A | :03:30. | :03:37. | |
lot more money. An extra �900 each. I believe that once you have | :03:37. | :03:41. | |
entered into this contract and the money has been exchanged, if you | :03:41. | :03:44. | |
bought goods in a shop you wouldn't be followed out to say, "We should | :03:44. | :03:49. | |
have charged you twice the price for that." So, Jo-Ann and her | :03:49. | :03:54. | |
friends were grounded. Unwilling to pay extra and unimpressed by the | :03:54. | :03:58. | |
BA's defence that it's all in the terms and conditions. When you | :03:58. | :04:04. | |
press the accept button you usually have to tick the box on terms and | :04:04. | :04:07. | |
conditions and that's what brings them into the contract. It is quite | :04:07. | :04:11. | |
difficult to challenge those. The courts have been very willing to do | :04:11. | :04:15. | |
so, so far. BA's terms and conditions do have clauses which | :04:15. | :04:19. | |
state they can make changes, such as the price, after the booking's | :04:20. | :04:25. | |
been made, if and obvious error has occurred. But how can you judge the | :04:25. | :04:28. | |
difference between a terrific holiday bargain and an obvious | :04:28. | :04:32. | |
error? Very difficult to draw a line. You see all sorts of offers | :04:32. | :04:35. | |
for holidays, particularly when there's lots of capacity in the | :04:35. | :04:39. | |
industry. There is huge discounting going on of this kind of magnitude, | :04:39. | :04:44. | |
so I wouldn't think that was obvious. BA did offer a �500 | :04:44. | :04:48. | |
discount, but the revised price could still have been almost �5,500 | :04:48. | :04:54. | |
more than the group first paid. So, Jo-Ann reluctantly took a refund | :04:54. | :04:58. | |
and booked another holiday elsewhere. I think they should have | :04:58. | :05:02. | |
honoured it. I admit -- they should have admitted it was an error, but | :05:02. | :05:06. | |
been strong enough to say, "We are sorry and we made the error so | :05:07. | :05:13. | |
we'll honour what you've got." After filming with Jo-Ann we spoke | :05:13. | :05:16. | |
to British Airways and they say they are sorry for the technical | :05:17. | :05:20. | |
error that led to the price and they say they contacted Jo-Ann as | :05:20. | :05:24. | |
soon as they became aware of the error. Because of the inconvenience | :05:24. | :05:27. | |
and they specific circumstances, they have now compensated her and | :05:27. | :05:34. | |
Jo-Ann has told us it was �6,021 and that is a fair bit more than | :05:34. | :05:40. | |
the �500 discount and �50 cash initially offered. Good news to all | :05:40. | :05:45. | |
travel lovers. Simon Calder is here. Everyone is looking for a good deal, | :05:45. | :05:50. | |
but how do you know it's genuine? said read all the terms and | :05:50. | :05:53. | |
conditions and I tried that with British Airways, but 11,000 words. | :05:53. | :05:57. | |
People are not going to do that, but what you have to do whether | :05:57. | :06:01. | |
buying a TV, fridge or holiday, is shop around and know what the ball- | :06:01. | :06:05. | |
park figure is. If Jo-Ann had gone on to the Virgin Holidays website | :06:05. | :06:10. | |
she would have seen a holiday like that would be around �1,000 and she | :06:10. | :06:15. | |
would know that something was very badly wrong. I'm afraid, in travel, | :06:15. | :06:18. | |
prices change by the minute and so therefore you are going to get the | :06:18. | :06:20. | |
mistakes happening and unfortunately it's not like having | :06:20. | :06:24. | |
a fridge where you have it sitting in the kitchen with beer and milk | :06:24. | :06:29. | |
in it and you don't take delivery until you turn up at Gatwick | :06:29. | :06:34. | |
Airport. We made a show about Thomas Cook started and they did | :06:34. | :06:38. | |
the eleven-mile trip to Loughborough. They threw in a ham | :06:38. | :06:46. | |
sandwich. It's great. Is Thomas Cook now doing that? It's business | :06:46. | :06:49. | |
as usual, even though the share price has fallen to about the same | :06:49. | :06:54. | |
as a ham sandwich in 1841. They have had a few problems, but it's | :06:54. | :06:58. | |
still a going concern. I've had so many people getting in touch asking | :06:58. | :07:04. | |
what they do. If you've got their holiday book, it's a proper package | :07:04. | :07:08. | |
and your money is safe. I got a call from Peter in Aylesbury saying, | :07:08. | :07:12. | |
I have got to pay �4,000 for my holiday to the Maldives, the | :07:12. | :07:16. | |
balance of the trip next March. Peter, you have to pay up, because | :07:16. | :07:20. | |
otherwise you'll lose the deposit. It is very unsettling for people | :07:20. | :07:24. | |
and for Thomas Cook staff, but basically your money is safe | :07:24. | :07:29. | |
whatever happens and of course, I trust they'll be a going concern, | :07:29. | :07:32. | |
as the company says it is, and everyone will get the holiday they | :07:32. | :07:37. | |
want. Quickly, then, as an expert would you buy a Thomas Cook holiday | :07:37. | :07:43. | |
right now? I would be. I tried to buy one half an hour ago. Just over | :07:43. | :07:47. | |
�250 in the Algarve for a week over the Easter holidays. I got almost | :07:47. | :07:54. | |
to the point and then the website fell over, but don't panic. Can you | :07:54. | :07:59. | |
get the time off though? Always on holiday. Happy holidays. Twiggy | :07:59. | :08:04. | |
went from carpenter's daughter to world-famous supermodel after being | :08:04. | :08:08. | |
spotted by a newspaper editor. Two decades editor another girl found | :08:08. | :08:14. | |
herself leaving the factory floor for high society when she was | :08:14. | :08:23. | |
immortalised by one of Britain's few female war artists. Cornish | :08:23. | :08:30. | |
landscapes and ballerinas and Kirk us paintings made Dame Laura Knight | :08:30. | :08:34. | |
very famous, but with the outbreak of the Second World War, she faced | :08:34. | :08:40. | |
new challenges. She was one of a small group of female painters | :08:40. | :08:48. | |
economist commissioned by the War Artists Advisory Committee. One of | :08:48. | :08:54. | |
her paintings featured this gun, given a fem minute twist. Ruby | :08:54. | :09:04. | |
:09:04. | :09:05. | ||
screwing a -- fem minute twice. Ruby screwing the piece here became | :09:05. | :09:11. | |
a very famous woman. She was the first woman of mastering the skill | :09:11. | :09:15. | |
here. If this task wasn't done correctly the gun could explode | :09:15. | :09:20. | |
when it was fired, so extremely critical to the process. | :09:20. | :09:29. | |
painting made her a celebrity. This is a vivid impression of how the | :09:29. | :09:36. | |
girls in the war toiled to make victory certain. It's really quite | :09:36. | :09:40. | |
an idealised picture? Yes. It's not the gritty reality of war work. | :09:40. | :09:46. | |
It's meant to make her a glamorous role model to persuade other women | :09:46. | :09:53. | |
into this line of work. In 1946 she was to create a painting unlike | :09:53. | :09:58. | |
anything she attempted before and it would capture one of the most | :09:58. | :10:03. | |
significant moments in post-war history - the Nuremberg trials. She | :10:03. | :10:11. | |
asked to be sent where 20 key surviving Nazi figures were in the | :10:11. | :10:15. | |
dock. They were charged with war crimes and crimes against humanity. | :10:15. | :10:21. | |
She was the only official British war artist present. Her original | :10:21. | :10:26. | |
sketches are kept at the Imperial War Museum. This was part of her | :10:26. | :10:28. | |
normal working method. Detailed drawings to get the scene set and | :10:28. | :10:35. | |
think through the composition. are the defendants? Dame Laura | :10:35. | :10:39. | |
Knight produced a key for us that gives an indication. In the front | :10:39. | :10:48. | |
row there we have Hess and then Ribbentrop She is within touching | :10:48. | :10:53. | |
distance. She writes home about that experience of meeting Hess' | :10:53. | :10:59. | |
eyes and talks about his mad stare and also you have Gorg and she | :10:59. | :11:04. | |
talks about him has as gross, misshapen figure. She has asked for | :11:04. | :11:09. | |
this assignment and she wants to see it through. Let's see the | :11:09. | :11:12. | |
finished work. It took her three months of work to complete her | :11:12. | :11:18. | |
remarkable painting. This is the finished picture. Yes. It's quite | :11:18. | :11:22. | |
impressive, isn't it? So much more personal, I think, in the way she | :11:22. | :11:29. | |
has approached the subject. I can see in the second row, I recognise | :11:29. | :11:34. | |
Hess, but not demonised? Absolutely not. There were many cartoons that | :11:34. | :11:38. | |
attacked the defendants at this trial, but she takes a much more | :11:38. | :11:43. | |
objective view of them. The impact is the trial, but in the background, | :11:43. | :11:48. | |
there is literally Nuremberg burning. She was obviously really | :11:48. | :11:52. | |
affected by what she had seen when she was there and felt that that | :11:52. | :11:56. | |
really had to come into the painting. Nuremberg had been | :11:56. | :11:58. | |
virtually destroyed by allied bombing raids during the war, | :11:58. | :12:03. | |
leaving many of the people homeless and starving. I think she strongly | :12:03. | :12:07. | |
felt that it was also in a way the responsibility of those in the dock | :12:07. | :12:12. | |
that this had happened. They had led the jarm an people into that | :12:12. | :12:15. | |
situation. Also -- German people into this situation. This is | :12:15. | :12:20. | |
history on canvass. I think this really cements her place as one of | :12:20. | :12:24. | |
the great war artists of the war. It is much more deeply profound | :12:24. | :12:28. | |
than any of the other works that she produced more the ministry. | :12:28. | :12:33. | |
trials continued until October 1946. The key Nazi leaders were found | :12:33. | :12:38. | |
guilty and executed. But when Dame Laura Knight left with her | :12:38. | :12:43. | |
extraordinary painting it was spring. In spite of the desolation, | :12:43. | :12:48. | |
she noted, the sunshine brings some hope. If you want to see the | :12:48. | :12:53. | |
paintings then they are part of an exhibition of women war artists at | :12:53. | :12:58. | |
the Imperial War Museum in London. Do be quick. Only on until Sunday. | :12:58. | :13:02. | |
Everybody thinks of you as a model, but you are quite -- but you quit | :13:03. | :13:07. | |
initially after four years? I did. In 1970 I did the first film with | :13:07. | :13:13. | |
Ken Russell, the Boy Friend, a musical comedy. When I started | :13:14. | :13:19. | |
doing the film it was like for me, entering the secret garden. This is | :13:19. | :13:24. | |
what I wanted to do. Was it a hard transition? I didn't plan to do it, | :13:25. | :13:28. | |
but then I didn't plan to model. I was snatched from being a | :13:28. | :13:33. | |
schoolgirl and suddenly I was going everywhere around the world as the | :13:33. | :13:39. | |
face of 1966. I kind of fell into that and meeting Ken Russell was | :13:39. | :13:42. | |
the big turning point for me, because he became my mentor and you | :13:42. | :13:45. | |
have to remember at that time, he was one of the biggest film | :13:45. | :13:50. | |
directors in the world. For him to want me to do it, it kind of gives | :13:50. | :13:56. | |
you a bit - I was scared and I went off to tap class and singing | :13:56. | :13:59. | |
lessons. I could always sing in tune. You trained really hard. | :13:59. | :14:03. | |
did. It's like what you are doing now. Of course. If you work hard | :14:03. | :14:13. | |
:14:13. | :14:25. | ||
and train. We'll look at you now in # I know that I could be happy with | :14:25. | :14:35. | |
:14:35. | :14:37. | ||
you my darling. Super timing! Do you still do it? | :14:37. | :14:41. | |
do. I still did tap dance lessons because I love them. It is really | :14:41. | :14:46. | |
good for you. They did do tap on... We are doing the Charleston this | :14:46. | :14:56. | |
:14:56. | :14:58. | ||
week. Glad I didn't! It is really good to keep fit. You feel like | :14:58. | :15:06. | |
Fred Astaire. Two Golden Globes. did, I won two Golden Globe us. | :15:06. | :15:12. | |
it a proper globe? It is a proper globe on a marble plinth. Nice to | :15:12. | :15:16. | |
have two. Let's move on to your new album, Romantically Yours. What is | :15:16. | :15:24. | |
the best song to dance to? For it is not to dance the album. There's | :15:24. | :15:28. | |
one beautiful old song called Someone to Watch Over Me which you | :15:29. | :15:33. | |
can have a nice slow dance to. There's another track that you | :15:33. | :15:37. | |
describe as the most romantic track of all time. I think it probably is, | :15:37. | :15:42. | |
it is written by my friend, Richard Marx. I think it is probably played | :15:42. | :15:47. | |
at more weddings than any other song. He wrote it for his wife 20 | :15:47. | :15:52. | |
years ago. He sings a duet with me. I am very proud of that and I love | :15:52. | :15:56. | |
him and the song. The album is a mixed bag, a lot of old stuff and | :15:56. | :16:01. | |
new staff, how did you choose the track? It was going to be a period | :16:01. | :16:08. | |
album because that is what I do. I was in Broadway in the 80s. I love | :16:08. | :16:13. | |
that period of music. They are the greatest songs. My funny Valentine | :16:13. | :16:19. | |
is on it and Someone to Watch Over Me. Then while we were putting in | :16:19. | :16:24. | |
the next, I thought I have always wanted to do right here waiting. | :16:24. | :16:28. | |
Then I wanted to do Angel of the morning and Waterloo Sunset. They | :16:28. | :16:33. | |
are old songs, but not as old. There's going to be another album | :16:33. | :16:38. | |
coming out of the ones you missed out! My list was endless! Then I | :16:38. | :16:43. | |
wanted to do one with my daughter so we picked a Neil Young song, | :16:43. | :16:48. | |
Only Love Can Break Your Heart. is a lovely album. Rheumatica yours | :16:48. | :16:57. | |
is out now. And as we mentioned earlier, one of the - one family's | :16:57. | :17:02. | |
video of a boy called Charlie biting his brothers finger has been | :17:02. | :17:05. | |
watched over 300 million times. What makes a home movie a worldwide | :17:05. | :17:15. | |
:17:15. | :17:15. | ||
Since YouTube launched in February 2005, the internet has become awash | :17:15. | :17:19. | |
with millions of video clips up loaded by the public, they racked | :17:19. | :17:25. | |
up more than 3 billion views per day. But what is surprising is that | :17:25. | :17:29. | |
people are now earning big bucks from internet films made on simple | :17:29. | :17:34. | |
camcorders like this one. I am going to try to find out the secret | :17:34. | :17:42. | |
to becoming an internet movie mogul. Uploaded in May 2007, Charlie bit | :17:42. | :17:49. | |
need has become the most watched home video clip ever. How did it | :17:49. | :17:54. | |
come about? How did you make that film? I bought a video camera when | :17:54. | :17:59. | |
the boys were born and I had been recording them at odd moments. I | :17:59. | :18:04. | |
tried to share it with the boy's godfather in America. The easiest | :18:04. | :18:09. | |
way was to put it on YouTube. be very vulgar? How much did you | :18:09. | :18:14. | |
earn? We have earned in excess of �100,000 since it has gone on | :18:14. | :18:20. | |
YouTube. A question for Harry. Did it really hurt when Charlie bit | :18:20. | :18:25. | |
you? I can't really remember it. I am not that sure, but it definitely | :18:25. | :18:31. | |
did hurt. Charlie, you are hurting the! How do you 10 internet hits | :18:31. | :18:39. | |
into cash. You really bit me! Here at Google's London headquarters, I | :18:39. | :18:46. | |
am meeting someone who will explain how free videos generate money. How | :18:46. | :18:51. | |
did they make money from their video? You just need to upload your | :18:51. | :18:55. | |
video, you get a share of the advertising revenue. Can people | :18:55. | :19:00. | |
make a living from doing this? videos on YouTube can attract | :19:00. | :19:03. | |
hundreds of millions of viewers. Almost as many people as might see | :19:03. | :19:10. | |
a Hollywood blockbuster. It can be very lucrative. One person earning | :19:10. | :19:16. | |
a successful living making films on YouTube is 21-year-old Tonbridge | :19:16. | :19:20. | |
well, aka Tom Ross Carr, who makes many blockbusters from his front | :19:20. | :19:29. | |
room in London. -- many The reason -- the reason I wanted | :19:29. | :19:32. | |
to become an internet film-maker was because I wanted it to be me | :19:33. | :19:40. | |
and my audience and cut out the middleman. Did you go into it to | :19:40. | :19:44. | |
make money? Did you know you could make money? I had no idea I could | :19:44. | :19:48. | |
make money. I was 10 when I started to get interested in this and it | :19:48. | :19:52. | |
was when I was a team that I realised I could make a living. If | :19:52. | :19:56. | |
you are good and quite lucky you can find yourself making five | :19:56. | :20:02. | |
figures a month. In a month! That can happen. What tips do you have | :20:02. | :20:07. | |
four people who want to make a viral video? You have to keep it | :20:07. | :20:13. | |
short and snappy and keep it relate double. Something people can relate | :20:13. | :20:21. | |
to. Can you help me make a viral video? I can certainly drive. -- | :20:21. | :20:31. | |
Try. You -- Tom is making two films with me but. One is about bears and | :20:31. | :20:40. | |
the other is about cats. I'm a cat and we hear at the One Show! Can I | :20:40. | :20:44. | |
be on TV? I'm out of my comfort zone, but willing to trust in Tom's | :20:44. | :20:50. | |
expertise. They are everywhere. Thank you, it was unexpectedly | :20:50. | :20:53. | |
really, really good fun and I look forward to seeing the results. | :20:53. | :21:02. | |
too. Which one would we like to see? | :21:02. | :21:09. | |
Lucy being attacked by bears or cats taking over? It has to be cats. | :21:09. | :21:18. | |
How's it going? Pretty good. you doing? Can I be on TV? I've got | :21:18. | :21:24. | |
a camera. I can't wait eat my lunch. I'm spinning. Are we alone in the | :21:24. | :21:33. | |
universe? Thank you. I spend all of my wages on hats. I'm a cat. There | :21:33. | :21:42. | |
you go! We have put both clips on the BBC YouTube channel. They have | :21:42. | :21:49. | |
been viewed by over 34,000 people. Extraordinary. We have put a link | :21:49. | :21:55. | |
on the website if you want to check it out. Why do you think it's like | :21:55. | :22:00. | |
that are so popular? I didn't get it. They had to explain what it was | :22:00. | :22:04. | |
about. They have got to be bold, bright and loud and very, very | :22:04. | :22:08. | |
short. They are viral videos so friends will pass it among | :22:08. | :22:14. | |
themselves. It is not new ones, it is not emotionally deep, it is just | :22:14. | :22:21. | |
really slapstick. In the confusion you would click to watch it again. | :22:21. | :22:25. | |
Their audience might be 15-year-old boys in Ohio, but they make these | :22:25. | :22:30. | |
films for them and everybody watches them. Some are not just | :22:30. | :22:34. | |
quirky cartoons. Some people go one there to look and knitting | :22:34. | :22:39. | |
techniques? A shouldn't have told you that. I have started to knitter | :22:39. | :22:43. | |
game and I find the patterns really, really complicated and the | :22:43. | :22:47. | |
instructions worse, but on YouTube you can see a granny who has been | :22:47. | :22:52. | |
knitting for years do a close-up. I know people who have fixed their | :22:52. | :22:58. | |
toilets, but a picture up. All from online videos. If you think of | :22:58. | :23:02. | |
people in the developing world coming on line, the transfer of the | :23:02. | :23:06. | |
knowledge and the information, how amazing. Did they show you had to | :23:06. | :23:11. | |
make your cardigan? No, it is a bit short. Are we all getting scarves | :23:11. | :23:16. | |
for Christmas? There is another clip you would like to show us. | :23:16. | :23:22. | |
This is a new online sensation. It has had 2 million views. Look at | :23:22. | :23:29. | |
these naughty children. There is some controversy over whether it is | :23:29. | :23:37. | |
fake or not. I want to see the clip of her cleaning up afterwards! | :23:37. | :23:44. | |
that one bag of flour? That is not one bag of flour. Thank you. Up to | :23:44. | :23:51. | |
the north-east now. Would Joe Crowley get on trying to get to | :23:51. | :23:55. | |
Newcastle with a sat nav or without a sat nav? We helped him out of it. | :23:55. | :24:01. | |
He was allowed a 400 year-old map. I am particularly excited about | :24:01. | :24:07. | |
today's visit to see Tom harbour in the British Library. 400 years ago, | :24:07. | :24:10. | |
renowned cartographer John Speed published the theatre of the empire | :24:10. | :24:16. | |
of Great Britain. Perhaps the ultimate old sat nav. This is | :24:16. | :24:20. | |
absolutely beautiful. What are we looking at? It is one of the most | :24:20. | :24:26. | |
special maps of English counties. Produced in around 1611 or 1612 by | :24:26. | :24:31. | |
John Speed. This is a county map of Northumberland. It is a lot more | :24:31. | :24:35. | |
besides. We have the county here and the arms of the nobles, the | :24:35. | :24:42. | |
towns. A very prominent feature going across is the wall. It is | :24:42. | :24:46. | |
important for Roman antiquities. Keen to explore Newcastle, but | :24:47. | :24:51. | |
where do I begin? You have the town plan up here and Newcastle is | :24:51. | :24:57. | |
around there. Why don't you start in Denton? Just how will I get on | :24:57. | :25:01. | |
with a 400 year-old map in modern Northumberland? I'm starting in | :25:01. | :25:04. | |
Denton, just up the road from Newcastle, but there are no roads | :25:04. | :25:09. | |
on my map. I want to locate the prominent Wall, but will the good | :25:09. | :25:13. | |
people of Denton be able to point me in the right direction? Do you | :25:13. | :25:22. | |
know it? Any idea? Never heard of it? It doesn't seem to be reading | :25:22. | :25:27. | |
any bells, but I wonder if anybody can identify who or what they were? | :25:27. | :25:34. | |
Warriors? There is a wall on your left hand side. OK. Fairly broken, | :25:34. | :25:44. | |
:25:44. | :25:44. | ||
mind! Who were they? The Scots. People do know them as the Scots or | :25:44. | :25:49. | |
warriors, clans, tribes. Picts war is Hadrian's Wall. I'm told I can | :25:50. | :25:55. | |
find it just up the road. Named after the Roman Emperor Hadrian, | :25:55. | :25:58. | |
Hadrian's Wall represented the northern frontier of the Roman | :25:58. | :26:04. | |
empire in Britain. Clearly, this won't lead me into the city. All | :26:04. | :26:07. | |
that remains of Hadrian's Wall is a few scattered fragments across | :26:07. | :26:10. | |
northern England. I will have to another feature and according to | :26:11. | :26:16. | |
this map, that would be the river. Directly south of Denton, the Tyne | :26:16. | :26:19. | |
river stands as the border between Northumberland and Durham and it is | :26:19. | :26:23. | |
one of the few features on the old map that still stands out 400 years | :26:23. | :26:31. | |
later. The cat that, it was one solitary bridge. -- Look at that. | :26:31. | :26:35. | |
It is fair to say the locals haven't been slow at putting up a | :26:35. | :26:43. | |
few replacements. The castle is just there. The key is marked there. | :26:43. | :26:48. | |
This would have been exactly where the old stone bridge was. Today | :26:48. | :26:52. | |
while it is still an iconic place to cross the river, because we are | :26:52. | :26:57. | |
right underneath the mighty Tyne Bridge. At the time of the map, | :26:57. | :27:00. | |
Newcastle was one of the richest towns in England, largely due to | :27:00. | :27:05. | |
the gold trade. The population was 10,000, significant back then but | :27:05. | :27:09. | |
only a fraction of the quarter of a million who live here today. These | :27:09. | :27:12. | |
days the ships are gone from the keys and the area is full of bars | :27:12. | :27:19. | |
and restaurants. The castle was built by Henry II in the 12th | :27:19. | :27:22. | |
century and was the scene of a great siege during the civil war in | :27:22. | :27:32. | |
:27:32. | :27:33. | ||
1644 with the royalist forces For King James and England. Look at | :27:33. | :27:37. | |
this, you can find significant stretches of the old city wall. It | :27:37. | :27:41. | |
is exactly where you would expect to find it, in the north-west | :27:41. | :27:47. | |
corner of the old city. If I follow it a bit further, I will get to | :27:47. | :27:50. | |
another part of Newcastle which also has not changed. The green | :27:50. | :27:54. | |
areas at the top of the map are part of the town more, home to | :27:54. | :27:59. | |
hundreds of cattle. The free man can trace their origins back to | :27:59. | :28:04. | |
Anglo-Saxon times. They were free men, middle-class and permitted to | :28:04. | :28:07. | |
carry guns in defence of the city and the town more is still in their | :28:08. | :28:13. | |
control today. When you first look at a map like this, it is difficult | :28:13. | :28:17. | |
to know what to make of it. But when you get into it, it is amazing | :28:17. | :28:20. | |
how many of the historic highlights still survive. Who would have | :28:20. | :28:25. | |
thought you would still be able to navigate around parts of Newcastle | :28:25. | :28:33. | |
with a 400 year-old map? He should have just rung you! We have had any | :28:33. | :28:38. | |
melt. What was it like filming on the set of the Blues Brothers? | :28:38. | :28:43. | |
Brilliant. I am a huge fan of them. What were you doing? I played the | :28:43. | :28:47. | |
girl in the Jaguar that Dan asked for a date and later on in the film | :28:47. | :28:51. |