Browse content similar to 24/11/2011. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with Matt Baker. And Alex Jones. | :00:20. | :00:24. | |
Our guest, the actor who taught Harry Potter how to fly and is | :00:24. | :00:28. | |
about to teach Marilyn Monroe how to act. She has previously played | :00:28. | :00:33. | |
her door, a leprechaun, a talking piece of skin, and one of the best- | :00:33. | :00:40. | |
known sitcom mums on British telly. It is Zoe Wanamaker. You played | :00:40. | :00:46. | |
Cassandre, a piece of skin, in Doctor Who. That must have been | :00:46. | :00:53. | |
challenging. It was great. Did it stretch you as an actor? Yes, | :00:53. | :01:00. | |
tremendously, I loved it. My Family came to an end in September. Do you | :01:00. | :01:05. | |
think it was time? I think so. We had great fun doing it and it was | :01:05. | :01:09. | |
always a surprise when we were commissioned to do more. We always | :01:09. | :01:15. | |
had good fun. I think it had had its time. 11 years is a long time | :01:15. | :01:19. | |
and you said you were glad you would not have to sit on the sofa | :01:19. | :01:24. | |
again because it was uncomfortable. I wanted to get rid of it. I beg | :01:24. | :01:30. | |
for it to disappear. It cut you off right there, and if his atomic you | :01:30. | :01:35. | |
were like that. Yours is better because it makes you sit up. -- and | :01:35. | :01:41. | |
if you sat on it. Later, more tips from Arthur Smith on how to write a | :01:41. | :01:44. | |
best-selling novel and we will be chatting to Zoe about her new film | :01:44. | :01:51. | |
which tells the story of Marilyn Monroe's visit to the UK in 1956. | :01:51. | :01:54. | |
And Alex is incredibly excited because she will be wearing one of | :01:54. | :02:00. | |
Marilyn Monroe's dresses. She had her eyes down and everything. | :02:00. | :02:05. | |
know. Before that, Anita Rani looks at the enduring legacy of the | :02:05. | :02:10. | |
biggest blonde bombshell of them all. | :02:10. | :02:14. | |
Marilyn Monroe, one of the most famous faces of the 20th century, | :02:14. | :02:20. | |
and now the subject of a new movie. As well known for her life off- | :02:20. | :02:24. | |
camera as on screen, Marilyn starred in 30 films and was married | :02:24. | :02:28. | |
three times. But what was Marilyn really like, and why does her | :02:28. | :02:34. | |
legacy live on the almost 50 years later? Marilyn Monroe arrived in | :02:34. | :02:39. | |
London with her new husband and playwright, Arthur Miller, to make | :02:39. | :02:43. | |
The Prince And The Showgirl. The film starred and was directed by | :02:43. | :02:47. | |
revered actor Laurence Olivier. would come on the set and you would | :02:47. | :02:50. | |
hope that she would remember her line said it would all go well. You | :02:50. | :02:55. | |
would think, my goodness, I hope she is going to be all right. Once | :02:55. | :03:01. | |
she got the flow and whatever it is, it was fine. What was the | :03:01. | :03:05. | |
atmosphere like concept? She was always late. You can imagine, | :03:05. | :03:10. | |
people get frustrated. You think, what are we going to do, we have to | :03:10. | :03:14. | |
keep on schedule. What was her relationship with Sir Laurence | :03:14. | :03:19. | |
Olivier? He was patients himself with her and he would surely her | :03:19. | :03:23. | |
long, but the tension was there. She wanted to be a great actress | :03:23. | :03:28. | |
and she certainly picked a great man to help her. She was like a | :03:28. | :03:32. | |
child, but she was magic when she appeared, that is the point. She | :03:32. | :03:38. | |
was magic in front of the camera. And it is part of this time that a | :03:39. | :03:42. | |
week with Marilyn focuses on, featuring the seven days missing | :03:42. | :03:47. | |
from the original diaries of a third assistant director, Colin | :03:47. | :03:53. | |
Clark. We decided to take you on an adventure. It was a week in which | :03:53. | :03:57. | |
their friendship grew and she played hookey from the set. Michele | :03:57. | :04:02. | |
Morgan has spent years researching Marilyn, publishing several books | :04:02. | :04:06. | |
about her. I have seen the movie and you have read the diaries. Do | :04:06. | :04:12. | |
you believe Colin Clark's story? Whether the diaries that he kept | :04:12. | :04:16. | |
were entirely true or embellished somewhat, I don't think we will | :04:16. | :04:19. | |
ever know. She must have had some determination because she came from | :04:19. | :04:24. | |
nothing and became the most famous woman on the planet. To go from | :04:24. | :04:28. | |
being in an orphanage to be in the world's most famous movie star, she | :04:28. | :04:32. | |
had a lot of guts and ambition. Once she decided to do something, | :04:32. | :04:38. | |
there was no stopping her. Marilyn won several awards in her acting | :04:38. | :04:42. | |
career, including the Golden Globe, but never the much coveted Oscar. | :04:42. | :04:48. | |
The ultimate question, was she a talented actress? I think she was a | :04:48. | :04:51. | |
talented actress to convince us that she was like the movie persona | :04:51. | :04:55. | |
of Marilyn Monroe, because in real life I think she was very different | :04:55. | :05:00. | |
but we were totally convinced that her blonde personality is her real | :05:00. | :05:06. | |
personality. What was her enduring appeal? Certainly the vulnerability | :05:06. | :05:11. | |
that we see in Marilyn Monroe has added to the iconic status over the | :05:11. | :05:15. | |
years. But I don't think anybody has got close to actually telling | :05:15. | :05:20. | |
us who the real Marilyn Monroe was. Marilyn Monroe continues to | :05:20. | :05:24. | |
mesmerise new generations, thanks to a life that was equally as | :05:24. | :05:31. | |
fascinating and as flawed as the park as any of the roles she played. | :05:31. | :05:35. | |
You play her acting coach, Paula Strasberg, but really she is much | :05:35. | :05:45. | |
:05:45. | :05:46. | ||
more than that. I think so. Her husband started an acting school, | :05:46. | :05:56. | |
which was basically taken from the way of work for actors which was | :05:56. | :05:59. | |
completely different from declamatory acting, people hanging | :05:59. | :06:03. | |
on to the curtains and being completely over-the-top. He started | :06:03. | :06:10. | |
a method of working for actors to actually try to touch base with | :06:10. | :06:13. | |
their characters and transform themselves into the character. | :06:13. | :06:18. | |
Paula Strasberg's husband took that into his own method. And a lot of | :06:18. | :06:23. | |
actors, particularly in the 1940s and 1950s, got involved with that. | :06:23. | :06:28. | |
Was that what she was struggling with? I think Marilyn felt she was | :06:28. | :06:35. | |
not a proper actress. Therefore, she took up the method to try to | :06:35. | :06:40. | |
make herself a better actor. So I think when she came to London, she | :06:40. | :06:43. | |
was an American working with Laurence Olivier, who was the | :06:43. | :06:50. | |
greatest star actor in the world. And she was the greatest film | :06:50. | :06:55. | |
actress in the world. And that chemical combination should have | :06:55. | :07:05. | |
:07:05. | :07:05. | ||
been wonderful. Because Marilyn was struggling, trying to be a method | :07:05. | :07:10. | |
actress, Paula was there to help her through that. It is difficult | :07:10. | :07:15. | |
when she is playing a little chorus girl. I said she is more than that. | :07:15. | :07:21. | |
Let's have a look at you trying to convince her that she is great. | :07:21. | :07:28. | |
were superb, Marilyn, divine. Have faith in your talent. He was | :07:28. | :07:33. | |
disappointed in me. You are a great actress. All my life I have prayed | :07:33. | :07:38. | |
for a great actress who I could help and guide. Like this. I prayed | :07:38. | :07:43. | |
to God on my knees and he has given me you. You are that great actress, | :07:43. | :07:50. | |
man in. Trust yourself, trust your talent. Get up. Not until you admit | :07:50. | :07:57. | |
you are great. Do you, as an actress, think that | :07:57. | :08:04. | |
Marilyn Monroe was a good actress? Yes, I do. That is what Lawrence | :08:04. | :08:10. | |
Olivier was struggling with. Her instincts were funny, and she was | :08:10. | :08:14. | |
bright. I think she was really bright and she doubted that. She | :08:14. | :08:20. | |
had great doubt in her talent and her belief that what she had innate | :08:20. | :08:26. | |
sleep was good enough. But I think a lot of performers have that | :08:26. | :08:33. | |
problem, people have that problem. Everybody has that problem. For | :08:34. | :08:41. | |
Marilyn, it was about becoming the character she played and finding | :08:42. | :08:46. | |
confidence in that. But she was also sick at the time. Marilyn was | :08:46. | :08:51. | |
sick during the filming of that. There is a possibility that she | :08:51. | :08:55. | |
lost her baby during that time. All of that was going on, plus her | :08:55. | :09:00. | |
feeling insecure. She was surrounded by British actors. | :09:00. | :09:05. | |
out tomorrow, My Week With Marilyn. Arthur Smith is on a mission, | :09:05. | :09:10. | |
finding out how to write a best- selling novel. Last week he | :09:10. | :09:13. | |
discovered he needed good characters and settings but also | :09:13. | :09:18. | |
had to choose a pen name beginning with C. Even after all that, there | :09:18. | :09:27. | |
is the small matter of getting it Many of our greatest best-selling | :09:27. | :09:30. | |
authors must have been shocked to learn that writing a book was a lot | :09:30. | :09:36. | |
easier than getting it published. So, if I were to write a potential | :09:36. | :09:41. | |
bestseller, how do I get myself spotted? Stephen Kelman is a new | :09:41. | :09:45. | |
author who was not just spotted but shortlisted for this year's Booker | :09:45. | :09:51. | |
Prize. I did what we are told to do as aspiring writers, which was to | :09:51. | :09:56. | |
try to find myself and agent. I did that by buying a copy of the | :09:56. | :09:59. | |
Writers' and artists' Yearbook and getting a list of agents from that | :09:59. | :10:04. | |
and sending off my three sample chapters and my covering letter. | :10:04. | :10:08. | |
The first three rejected it for various reasons. 4th time around I | :10:08. | :10:13. | |
struck gold with my eventual agent. After six months of polishing, we | :10:13. | :10:18. | |
sent it to publishers. Within a week, there were 12 knocking on the | :10:18. | :10:23. | |
door, wanting to snap up the rights. You must have been amazed at the | :10:23. | :10:29. | |
trajectory of a man in his flat on his own. There you are at literary | :10:29. | :10:33. | |
parties end up for awards. Yes, it was a long dream of mine since I | :10:33. | :10:38. | |
was six, the only thing I had ever wanted to do. His success rested on | :10:38. | :10:41. | |
publishing editors picking his manuscript from the hundreds they | :10:41. | :10:47. | |
receive each week. What makes one stand out? I will firstly consider | :10:47. | :10:51. | |
how it has been pitched by the agent. If the story they are | :10:51. | :10:55. | |
telling me has grabbed me, that will make me want to look at it. If | :10:55. | :10:59. | |
in the opening pages I have been grabbed by the voice or the set-up, | :10:59. | :11:04. | |
I will put that on to the top of my pile and read it as quickly as I | :11:04. | :11:07. | |
can. Whether you like it or not must be decided sometimes on how | :11:07. | :11:13. | |
you are feeling on that day. Yes, it could be that if one comes along | :11:13. | :11:16. | |
set in South Africa in 1870 and I have read three prior to that set | :11:16. | :11:22. | |
in the same pot of the world at the same time, I may be feeling set-up | :11:22. | :11:26. | |
-- fed up. It is not any fault of the novelist, but for that reason I | :11:26. | :11:31. | |
think editors should remain humble. Also, authors should keep hope and | :11:31. | :11:34. | |
keep trying, because who knows what is going on in the mind of the | :11:35. | :11:39. | |
editors, or on their desk? Publishing comes from the age of | :11:39. | :11:44. | |
the printing press. With the Internet, maybe that is a thing of | :11:44. | :11:50. | |
the past. Perhaps I should publish myself. Self-publishing is not a | :11:50. | :11:54. | |
new thing. A lot of people have had books published, vanity publishing. | :11:54. | :11:59. | |
It is interesting that one or two people have sold over a million | :11:59. | :12:05. | |
copies without the books ever being imprint. So I could effectively | :12:05. | :12:09. | |
published myself. Yes. There are always exceptions but you would | :12:09. | :12:16. | |
probably languish on Amazon at number 553,026. But if you did | :12:16. | :12:19. | |
something to promote it, you would probably see your book moving up | :12:19. | :12:24. | |
the chart. And he should know. 14 years ago, his company spotted the | :12:24. | :12:28. | |
potential of the then unknown Harry Potter. But even Harry Potter did | :12:28. | :12:34. | |
not fly officials immediately. boss set us a target to sell 30,000 | :12:34. | :12:39. | |
by Christmas and we would get a set -- a case of champagne. We just | :12:39. | :12:42. | |
scraped it. When the second one came, the retailers did not jump up | :12:43. | :12:48. | |
and down on it, so we promoted the books. The painted a train red. JK | :12:48. | :12:50. | |
Rowling arrived at King's Cross station and we got a fantastic | :12:50. | :12:55. | |
amount of media coverage. That started to kick things off. After | :12:55. | :12:58. | |
you have written your first bestseller, the question is, can | :12:58. | :13:03. | |
you write another? Stephen Kelman is facing the challenge of the | :13:03. | :13:08. | |
second book. It has come with a few added pressures. The expectations | :13:08. | :13:13. | |
are different. Most of all, I don't want to disappoint people. I don't | :13:13. | :13:18. | |
want to disappoint myself. I want to prove that I can repeat whatever | :13:18. | :13:22. | |
success the first one has had. have published your bestseller. All | :13:22. | :13:26. | |
that you have to do now is to write the next one, and the one after | :13:26. | :13:32. | |
that, and the one after that. luck with that. Zoe, talking about | :13:32. | :13:39. | |
Harry Potter, you played Madam Hooch. Hogwarts flying instructor. | :13:39. | :13:45. | |
What a claim to fame. In the first Harry Potter film. That was good | :13:45. | :13:50. | |
fun. That photograph was my first day of filming. I walked onto the | :13:50. | :13:54. | |
green and I saw these kids standing there with broomsticks. I thought | :13:54. | :14:02. | |
it was the best thing ever. Because it is the book. That, I suppose, | :14:02. | :14:06. | |
when you read a book and then it comes to life like that, it is very | :14:06. | :14:11. | |
joyous. You have had an incredible career, but your parents, both | :14:11. | :14:18. | |
actors, did not want you to go into the profession. No. Why? Your dad | :14:18. | :14:24. | |
was so successful. I think they know it is a very precarious and | :14:24. | :14:30. | |
competitive situation to throw yourself into. Especially for a | :14:30. | :14:34. | |
girl. I think for a woman, it gets harder and harder as you get older. | :14:34. | :14:39. | |
Also, I think they were scared I was not very good. Which is a | :14:39. | :14:48. | |
What was the turning point? I think because I really, really wanted to | :14:48. | :14:52. | |
do it. I really wanted to do it. I went to | :14:52. | :15:00. | |
art school. I did... I went to a secretary course for a while. I | :15:00. | :15:04. | |
just really wanted to do it. I think when that happens you can't | :15:04. | :15:09. | |
stop anybody. If they want to do it, then on your own head. | :15:09. | :15:15. | |
Somebody else who is passionate is Marty Jopson. N and so far, Marty | :15:15. | :15:19. | |
Jopson has played with begun powder and dapled with dynamite. Tonight | :15:19. | :15:25. | |
he finds out how to launch a projectile using explosives. It is | :15:25. | :15:31. | |
not brain surgery, is it? No, it is rocket science. | :15:31. | :15:35. | |
Today rockets launch satellites into space, flares into the sky and | :15:35. | :15:40. | |
even landed us on the moon, but what is a rocket? It is an | :15:40. | :15:44. | |
explosion, a controlled and contained explosion, but still, a | :15:44. | :15:51. | |
big, noisy explosion. Paul Mulvihill is a pyrotechnics | :15:51. | :15:55. | |
expert who has studied the history of rockets. We have come to a | :15:55. | :16:02. | |
testing range to see how a 1,000- year-old Chinese weapon of war | :16:02. | :16:07. | |
rocket called a Ground Rat would scare off the enemies. | :16:07. | :16:15. | |
The bamboo would have begun powder pushed into the end with a diffuse | :16:15. | :16:23. | |
it would scare off the enemy. Ready? 5, 4, 3, 2, 1... It is still | :16:23. | :16:29. | |
doing something?! The Ground Rat was effective in early warfare. It | :16:29. | :16:35. | |
works in the same way as all rockets. From this little toy to | :16:35. | :16:43. | |
the latest rocket being developed by NASA. A rock set a tube that | :16:43. | :16:48. | |
shoots gases out of one end. That action pushes the body out of the | :16:48. | :16:54. | |
body of the rocket in the other direction. It is Newton's Law. | :16:54. | :17:01. | |
As I pump air into this plastic bottle, there is so much air, the | :17:01. | :17:05. | |
air rushes out and the rocket body bit flys in the other direction | :17:05. | :17:12. | |
like this... That's rocket science. A British military colonel called | :17:12. | :17:21. | |
William Congrieve saw its potential. The disused buildings in Waltham | :17:21. | :17:27. | |
Abbey, uepbl recently, Dave Simms worked here, it makes him a proper | :17:27. | :17:30. | |
rocket scientist. So, where did you get the | :17:30. | :17:36. | |
inspiration for the rocket? Indians used rockets against the | :17:36. | :17:40. | |
British in India it did cause casualties. I guess he thought that | :17:40. | :17:46. | |
would be useful for us too. He worked night and day for five | :17:46. | :17:50. | |
years, perfecting the design in 1806. | :17:50. | :17:56. | |
This is a mark II rocket. With an iron case. | :17:56. | :18:01. | |
There is a pressed charge inside. So this is all begun powder? | :18:01. | :18:07. | |
Correct. That propels it forward. At the top end, contained in a | :18:07. | :18:13. | |
thicker case, this would explode. So that was the bomb at the end? | :18:13. | :18:18. | |
Exactly. Stabilised by a pole that make it is years to aim, the rocket | :18:18. | :18:24. | |
uses two explosives, one to proel and one to explode, making it | :18:24. | :18:29. | |
devastating. Used against Napoleon, the rocket soon spread to other | :18:29. | :18:33. | |
wars. The most famous use was in a battle | :18:33. | :18:38. | |
with the Americans that we had at Fort McHenry, it is commemorated in | :18:38. | :18:47. | |
the American National Anthem. # The rockets red flare | :18:47. | :18:54. | |
# Bursting into air... # Paul and I are making something a bit like | :18:54. | :18:59. | |
this Congrieve rocket. We are using a pre-made begun powder rocket | :18:59. | :19:03. | |
motor. That's the motor, we are attaching | :19:03. | :19:06. | |
that to a stick or something? bamboo stick. | :19:06. | :19:13. | |
So, that will go on the side there? Yes. | :19:13. | :19:16. | |
Well, we should give it a whirl, I suppose. | :19:16. | :19:26. | |
:19:26. | :19:27. | ||
# Setting off a rocket. # Slot it into this here... Perfect fit. | :19:27. | :19:37. | |
:19:37. | :19:39. | ||
Here we go. 5, 4, 3, 2, 1! Welcome at that! That was brilliant! It was | :19:39. | :19:47. | |
good, wasn't it? A firework display in the daytime. You can't beat it. | :19:47. | :19:54. | |
Now, another fan of the rockets is here. Dan Snow, by the 20th century, | :19:54. | :20:01. | |
other nations were winning the rocket race? As so often, the | :20:01. | :20:08. | |
Americans, probably the father of modern rockets, a guy called Robert | :20:08. | :20:16. | |
Goddard. He worked with liquid pro pull shone. | :20:16. | :20:22. | |
That went 2.5 seconds in the air, it went 50m and crashed into a | :20:22. | :20:27. | |
cabbage patch. Basically, that was the beginning of something big. In | :20:27. | :20:32. | |
his life he was ridiculed, it is only know we are regarding him as | :20:32. | :20:35. | |
the great generator of the whole thing. Who had the lead in the | :20:35. | :20:41. | |
Second World War? The Germans weren't so. The Americans did early | :20:41. | :20:47. | |
running, sorry, the Germans invested loads. The V2 rockets, | :20:47. | :20:54. | |
thousands of them were launched against Britain in 1934. One in | :20:54. | :21:00. | |
November 1934 it killed two people. It terrifying rocket. You could not | :21:01. | :21:06. | |
shoot them down. There was nothing you could do. Developed by Tom | :21:06. | :21:11. | |
Werner. After the war his Nazi credentials were forgotten about | :21:12. | :21:16. | |
and he masterminded America's rockets. | :21:16. | :21:19. | |
The man on the moon, a lot of it is down to him. | :21:19. | :21:23. | |
On to another bombshell of a different type, Alex, it is time | :21:23. | :21:30. | |
for you to get changed. I can't wait. | :21:30. | :21:35. | |
Marilyn's dress, off you go. Before, that 2012 Olympics, some of | :21:35. | :21:41. | |
the UK's athletics are seeing their dreams failing before they finish | :21:41. | :21:47. | |
their training. Bozboz has wondered what the 1988 | :21:47. | :21:51. | |
Olympics Committee would say about that. | :21:51. | :21:56. | |
A world-class stadium, the state- of-the-art facilities and a luxury | :21:56. | :22:01. | |
athletes' village. That is what the whopping �9 billion budget is to | :22:01. | :22:04. | |
bring to 2012 Olympics. Now, with all of this money being | :22:04. | :22:08. | |
spent it would be nice to think that everything possible is being | :22:08. | :22:12. | |
done to help Britain's top sports men and women prepare for this once | :22:12. | :22:17. | |
in a lifetime opportunity. 00 metre runner, Richard Buck has | :22:17. | :22:22. | |
had success on the track winning four major medals. | :22:22. | :22:28. | |
But after the glory... Despair. UK Sport invest more than �100 million | :22:28. | :22:33. | |
a year to support our elite athletes, but UK Athletics, the | :22:33. | :22:36. | |
body that decides which athletes get the funding say that they can | :22:37. | :22:44. | |
only back those with a realistic chance of fining -- finishing in | :22:44. | :22:48. | |
the top eight of their athletic event. That means for some, like | :22:48. | :22:52. | |
Richard, their dream means they don't get out of the starting | :22:52. | :22:57. | |
blocks. 2012 Olympics disease not think | :22:57. | :23:03. | |
that Richard has it in him to win one. From next month his funding | :23:03. | :23:08. | |
comes to an end. I lost �10,000 in cash and extras | :23:08. | :23:13. | |
such as medical insurance. It is like losing your job, but you have | :23:13. | :23:18. | |
to turn up to work but not get paid. I am picking up extra work and | :23:18. | :23:23. | |
training crazy hours in the morning and the evening. It is not easy. | :23:23. | :23:27. | |
When you look at people with the funding, they don't have to | :23:27. | :23:32. | |
compromise their training funding. Richard is not the only one | :23:32. | :23:42. | |
suddenly facing a cash crisis. The brutal reality of being an | :23:42. | :23:46. | |
Olympic hopeful. If you are not good enough, you will not get a | :23:46. | :23:51. | |
penny. That is what happened to Sophie Johnston. She is ranked | :23:51. | :23:55. | |
British number two in her judo weight, but faces her toughest | :23:55. | :23:59. | |
fight so far. Competing for selection for next year's Olympics, | :23:59. | :24:04. | |
having lost her funding from British Judo worth �7,000. | :24:04. | :24:11. | |
When I got the phone call I was devastated. It will make it very | :24:11. | :24:15. | |
difficult financially. How will you feel if you don't know | :24:15. | :24:19. | |
make it? Hmm... I would be devastated. | :24:19. | :24:23. | |
It has literally been everything in my life that I've been working | :24:23. | :24:27. | |
towards. I started judo when I was seven. I went to full-time training | :24:27. | :24:32. | |
at 18. I have been working towards this for a long time. | :24:32. | :24:38. | |
Training 24/7 does not come cheap. Sophie's funding helped to pay for | :24:38. | :24:42. | |
her to train with the other athletes in the gym. | :24:42. | :24:48. | |
It is hardly a glamorous life? not really. 18 of us live here in | :24:48. | :24:53. | |
the house sharing facilities. You are competing against people | :24:53. | :24:58. | |
with funding? I have to work inbetween to earn the money. It is | :24:58. | :25:02. | |
hard, but I'm determined to give it all that I can, obviously, to win a | :25:02. | :25:07. | |
medal at the Olympics next year. Which athletes get lottery funding | :25:07. | :25:11. | |
is reviewed every year, but by the time that next year's funding | :25:12. | :25:15. | |
decisions are announced, the Olympics are over. Both are | :25:15. | :25:19. | |
determined not to give up on their dream, so they are looking for | :25:19. | :25:25. | |
sponsorship while working more hours and trying to train. Can both | :25:25. | :25:30. | |
find inspiration from an earlier generation of athletics? Dorothy | :25:30. | :25:39. | |
and John both kpweeted in the 1948 -- competed in the 19 48 Games. | :25:39. | :25:45. | |
I was working, I would do an hour or so running and then go home and | :25:45. | :25:51. | |
work at the same time. Training camps were unheard of back in 1948. | :25:51. | :25:57. | |
Training went as far as a weekend at Butlins holiday camp. John | :25:57. | :26:01. | |
captured this on his camera. It was more of a social gathering. | :26:01. | :26:05. | |
We met people there we would not have met otherwise before the | :26:05. | :26:09. | |
Olympics it was enjoyable, but it was all very primitive. | :26:09. | :26:14. | |
I can't say that I have any sympathy for the ones who have lost | :26:14. | :26:19. | |
their funding. I believe it's a gift. God's gift | :26:19. | :26:25. | |
that I was able to run. So why should I accept money for it? A | :26:25. | :26:32. | |
medal is sufficient. Back in Loughborough, Richard is | :26:32. | :26:36. | |
not feeling sorry foyer himself. He is keeping body and soul together | :26:36. | :26:40. | |
by stacking shelves in a supermarket. Is there a worry that | :26:40. | :26:43. | |
the performance drops off as you are here rather than at the track? | :26:43. | :26:48. | |
There is always a worry, but it means I have to work harder here | :26:48. | :26:53. | |
and harder on the track to beat these people. It's the Olympics, no | :26:53. | :26:58. | |
matter how hard it gets I will keep pushing for it. It is my dream. | :26:58. | :27:03. | |
Good luck to all of our athletes working hard getting ready for 2012 | :27:03. | :27:09. | |
Olympics. Now, has Alex managed to get into | :27:09. | :27:15. | |
Marilyn Munroe's dress? So many questions spring to mind. Alex, are | :27:15. | :27:22. | |
you there? I'm here, honey bunny! Well, the leg's in. Oh, my word, | :27:22. | :27:32. | |
:27:32. | :27:34. | ||
look at that! Looking good, Al. How does it feel? It feels amazing. Who | :27:34. | :27:40. | |
would have thought I would be in a Marilyn Munroe's dress? Nice boys. | :27:40. | :27:46. | |
Well, Andrew Hansford has written a book about all of the dresses, | :27:46. | :27:50. | |
Dressing Marilyn. Tell us about this, Andrew? You look amazing in | :27:50. | :27:55. | |
this. Stunning. I have not seen it on anybody before. | :27:55. | :28:00. | |
This is actually marl ministerial marl's dress? Yes. | :28:00. | :28:03. | |
-- this is actually Marilyn Munroe's dress? Yes. | :28:03. | :28:10. | |
It is incredible. When it was new there would have been metal in it | :28:10. | :28:17. | |
to pop it out. Let's have a look at Marilyn in the | :28:17. | :28:24. | |
dress... See I'm not quite pulling it off like Marilyn? This is the | :28:24. | :28:29. | |
prototype? The prototype was the first. Created so she could run | :28:29. | :28:33. | |
around. So the fabric would have been different? No, it is exactly | :28:33. | :28:39. | |
the same. My goodness, amazing. What about this one? This is my | :28:39. | :28:42. | |
personal favourite. This was made for her it was made for a friend, | :28:42. | :28:49. | |
not a movie. It is more emotive. In particular Marilyn style she went | :28:49. | :28:55. | |
out, it was raining and she got a tyre mark up the side of it. You | :28:55. | :29:02. | |
can see there. There is a lipstick stain also on the bottom! Now, I | :29:02. | :29:07. | |
tried this dress on too, which was marvellous! This one fitted like a | :29:07. | :29:12. | |
glove, but how much would the dresses cost? I could not say. Very | :29:12. | :29:16. | |
few have been sold. It is a difficult one. The white dress did | :29:16. | :29:21. | |
sell a few months ago for $4 .3 million. | :29:22. | :29:24. | |
I'm so glad I did not drop coffee on this. | :29:24. | :29:28. | |
Well, that is all we have time for, My Week With Marilyn is out | :29:28. | :29:31. |