Browse content similar to 23/11/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to
The One Show with Matt Baker... | 0:00:15 | 0:00:19 | |
And Alex Jones, and tonight we're
joined by a man who made his name | 0:00:19 | 0:00:29 | |
in Downton Abbey,
before finding huge success | 0:00:34 | 0:00:36 | |
in Hollywood with films
like Beauty and the Beast. | 0:00:36 | 0:00:38 | |
With all that success,
I wonder how he's enjoying his | 0:00:38 | 0:00:40 | |
time in the States? | 0:00:40 | 0:00:41 | |
The crowds, the people that lined
the streets when I go out... At the | 0:00:41 | 0:00:44 | |
balls, dinners, speeches, parties.
There was never a king or emperor of | 0:00:44 | 0:00:54 | |
the earth such as he. I can't wait
to get home! | 0:00:54 | 0:00:56 | |
And here he is - home at last -
it's Dan Stevens! | 0:00:56 | 0:00:59 | |
CHEERING AND APPLAUSE | 0:00:59 | 0:01:02 | |
Thank you very much. Sorry for that
joke! Amazing, but very naughty. We | 0:01:02 | 0:01:10 | |
note you are not that much of a diva
really. Really? I did insist on a | 0:01:10 | 0:01:15 | |
specific temperature for this water,
though! Can you tell? I can. We have | 0:01:15 | 0:01:22 | |
stolen some audio from your film,
new film, you play Charles Dickens. | 0:01:22 | 0:01:25 | |
I do. We will talk about the new
film in a moment that you are back | 0:01:25 | 0:01:31 | |
today, after getting the plane from
LA, does it feel nice? Very nice, it | 0:01:31 | 0:01:37 | |
doesn't feel like Christmas without
a bit of cold, London gloom. It must | 0:01:37 | 0:01:42 | |
be nice for you to be involved in
heart-warming Christmas tale after | 0:01:42 | 0:01:46 | |
you ruined many people's Christmas
in 2012 after being killed off in | 0:01:46 | 0:01:51 | |
Downton Abbey. I hope your fans are
coming to terms with this question | 0:01:51 | 0:01:56 | |
at the rehab programme. I've gone
about inventing Christmas this time! | 0:01:56 | 0:02:04 | |
You owed us. There was a bit of work
to do. We will talk about the new | 0:02:04 | 0:02:07 | |
film later. Thoroughly enjoyed! | 0:02:07 | 0:02:11 | |
It's predicted that we'll spend
£700 million online tomorrow before | 0:02:11 | 0:02:13 | |
the high street shops have even
opened, just to get our hands | 0:02:13 | 0:02:16 | |
on the best Black Friday bargains. | 0:02:16 | 0:02:18 | |
It was the biggest shopping day
of the year last year, | 0:02:18 | 0:02:22 | |
and the pressure is on for retailers
to make the most of the sales | 0:02:22 | 0:02:25 | |
frenzy, as Matt's found out... | 0:02:25 | 0:02:28 | |
Monday morning, 7am, and workers at
the Argos distribution centre at | 0:02:33 | 0:02:38 | |
Burton on Trent are starting their
busiest week of the year. Over 2 | 0:02:38 | 0:02:42 | |
million products are expected to be
processed here in preparation for | 0:02:42 | 0:02:46 | |
the sales frenzy that is Black
Friday. It's a tough time for | 0:02:46 | 0:02:51 | |
retailers right now. Reports of
stagnant sales growth, a rise in | 0:02:51 | 0:02:57 | |
inflation and interest rates on the
up means they are working harder and | 0:02:57 | 0:03:00 | |
harder to get us to part with our
cash. But Black Friday... | 0:03:00 | 0:03:06 | |
Come on! Truckloads of items set for
a price drop have arrived from | 0:03:06 | 0:03:12 | |
manufacturers across Asia. Sorting
through the mountain of merchandise | 0:03:12 | 0:03:16 | |
is say. She usually works in
payroll, but every year she gets so | 0:03:16 | 0:03:20 | |
excited about the big day that she
volunteers to work on the warehouse | 0:03:20 | 0:03:23 | |
floor. Why would you leave your nice
cushy payroll job and come here on | 0:03:23 | 0:03:31 | |
the packing floor? I still love
doing it. The atmosphere is so | 0:03:31 | 0:03:36 | |
exciting. We all in high spirits. I
have a problem with Black Friday. I | 0:03:36 | 0:03:40 | |
don't like it. Why? My suspicion is
if they are selling it cheap at this | 0:03:40 | 0:03:45 | |
time, it should have been that price
in the first place. Give me the | 0:03:45 | 0:03:50 | |
bargain all year round. This is the
time of year I get my Christmas | 0:03:50 | 0:03:56 | |
stuff, we did it last year and got
right bargains. How much? 50- £100 | 0:03:56 | 0:04:04 | |
we saved items. As it goes through
do you think, that would be nice? I | 0:04:04 | 0:04:08 | |
just did that with the headphones.
Almost half of sales across the | 0:04:08 | 0:04:12 | |
retail industry occur in the last
three months of the year, with the | 0:04:12 | 0:04:15 | |
biggest spike on Black Friday 's win
over £2 billion was spent last year. | 0:04:15 | 0:04:23 | |
Sainsbury's, who own Argos, are
under extra pressure this year, as | 0:04:23 | 0:04:26 | |
profits have fallen by 9%. John
Rogers is their CEO. How important | 0:04:26 | 0:04:32 | |
is this Black Friday? The Black
Friday event is very important for | 0:04:32 | 0:04:36 | |
us as retailers, as it signals the
start into is Christmas. Customers | 0:04:36 | 0:04:40 | |
tell us they want to have the
opportunity to buy into some great | 0:04:40 | 0:04:45 | |
deals. Are they, or really? Which
magazine says 60% of these offers | 0:04:45 | 0:04:49 | |
actually you would be able to find
cheaper either before or after? For | 0:04:49 | 0:04:55 | |
the vast majority of these will be
the best prices you can buy these | 0:04:55 | 0:04:58 | |
items. Why can you guarantee that?
We can't guarantee because we run | 0:04:58 | 0:05:04 | |
thousands of promotions and offers
through the years. This warehouse is | 0:05:04 | 0:05:06 | |
the size of ten football pitches and
its 12 55 foot cranes, an army of | 0:05:06 | 0:05:14 | |
automated machines operate 24 hour
debt, seven days a week. Up there | 0:05:14 | 0:05:19 | |
are 74,000 boxes, containing items
that we are going to order at a rate | 0:05:19 | 0:05:26 | |
of 18 every second in the run-up to
Christmas. All I'm saying is, it | 0:05:26 | 0:05:32 | |
better be what he wanted! Alan Parry
is in charge of managing all the | 0:05:32 | 0:05:38 | |
goods coming and going through the
warehouse. In 14 years of working | 0:05:38 | 0:05:42 | |
here, he's never seen so much
activity. How did we ever survive | 0:05:42 | 0:05:46 | |
before Black Friday? It has only
been the last five years also. It | 0:05:46 | 0:05:50 | |
seems to have brought the busy
period forward, to get the presence | 0:05:50 | 0:05:54 | |
in early. Do you ever think, who
needs all this stuff customer some | 0:05:54 | 0:05:57 | |
items, yes, definitely. I have to be
positive, all these people are | 0:05:57 | 0:06:03 | |
working.
Similar themes will be running | 0:06:03 | 0:06:05 | |
across the country is all major
retailers try to cash in on this | 0:06:05 | 0:06:09 | |
American import, but with annual
sales figures falling for the first | 0:06:09 | 0:06:13 | |
time in four years, is it make or
break for the retailers? Molly | 0:06:13 | 0:06:18 | |
Johnson Jones is a retail analyst
for global data. | 0:06:18 | 0:06:21 | |
Black Friday isn't really Black
Friday any more, is it? It seems | 0:06:21 | 0:06:25 | |
like there are days either side of
it all the way to Christmas on Mars? | 0:06:25 | 0:06:28 | |
They realised they could encourage
more purchasing if they extended it. | 0:06:28 | 0:06:34 | |
That impulse buying is where you can
come a cropper, where you didn't | 0:06:34 | 0:06:37 | |
realise you needed a new television
until Black Friday comes on you see | 0:06:37 | 0:06:41 | |
one on the screen? You think my
goodness, 70% off, it's too good bid | 0:06:41 | 0:06:45 | |
to be true, I must buy it when you
didn't need any weight. Gadgets and | 0:06:45 | 0:06:49 | |
livestock products are expected to
be big sellers this year. With | 0:06:49 | 0:06:53 | |
prices for phones, games consoles,
tablets and blend is all being | 0:06:53 | 0:06:56 | |
slashed. At the Peking station, say
planes have a full proof plan for | 0:06:56 | 0:07:01 | |
this year. I'm quite careful with
what I buy, I make sure I stick to | 0:07:01 | 0:07:06 | |
my list. I want an iPad. Do you?
I've got one, it's underwhelming. | 0:07:06 | 0:07:13 | |
Really? I don't like Black Friday
but Fay cast have the right idea, | 0:07:13 | 0:07:19 | |
making a list of what you want
before handing down the discounts. | 0:07:19 | 0:07:23 | |
That way, yeah, I suppose it's all
right. Merry Christmas! | 0:07:23 | 0:07:27 | |
The Scrooge of Black Friday is with
us now. The thing is with Black | 0:07:31 | 0:07:39 | |
Friday, it's not necessarily
cheaper, is it, than other times of | 0:07:39 | 0:07:41 | |
the year? That's what Which? Found,
60% of the offerings, with bubble | 0:07:41 | 0:07:49 | |
gum bargains, can be found before or
after Black Friday cheaper than the | 0:07:49 | 0:07:53 | |
price that is advertised Ostberg is
one of those things, if you buy on | 0:07:53 | 0:07:56 | |
impulse there's a good chance you
could have got it cheaper another | 0:07:56 | 0:07:59 | |
time. You get a sense so many people
are poised, just ready to absolutely | 0:07:59 | 0:08:04 | |
go off at these deals. But for you,
your top tip is do everything | 0:08:04 | 0:08:08 | |
online, don't go to the shops? No,
and that's the reputation of Scott. | 0:08:08 | 0:08:13 | |
You see people fighting, scrapping
at the tills. There is really no | 0:08:13 | 0:08:17 | |
point. Both of the online price, for
so many reasons. The main one being | 0:08:17 | 0:08:22 | |
you are protected if you change your
mind, if you buy online, which you | 0:08:22 | 0:08:26 | |
are not necessarily in a shop. You
have 14 days to change your mind, | 0:08:26 | 0:08:31 | |
send the thing back. That buyer's
remorse that so many people say, one | 0:08:31 | 0:08:35 | |
in three purchases people say that
they make on Black Friday they then | 0:08:35 | 0:08:45 | |
regret. Well, you have 14 days to
regret it and do something about it. | 0:08:45 | 0:08:48 | |
Because you bought it and saying?
When it arrives you can make the | 0:08:48 | 0:08:50 | |
decision then. 14 days from delivery
by law, that's the crucial thing. If | 0:08:50 | 0:08:53 | |
you do in a shop, you are at the
mercy of their policy, which may | 0:08:53 | 0:08:57 | |
sake, no thank you very much, we
will give you a credit note or | 0:08:57 | 0:09:00 | |
something else but not necessarily a
refund. To be fair, some shops | 0:09:00 | 0:09:04 | |
refund if you say it's not suitable,
they do sometimes. But as you say, | 0:09:04 | 0:09:07 | |
they don't have to. They don't have
to. If they have a policy, they had | 0:09:07 | 0:09:12 | |
to stick to it. See. We know it is a
big thing in the states but is it a | 0:09:12 | 0:09:22 | |
big thing in your house, Black
Friday on Cyber Monday and all the | 0:09:22 | 0:09:24 | |
rest of it? Not really. It's a big
thing over there and it has become a | 0:09:24 | 0:09:27 | |
big thing over here. It makes me
think people don't want it so much | 0:09:27 | 0:09:30 | |
for the bargains but because they
want to ruck. Sanctions looting in a | 0:09:30 | 0:09:35 | |
way! Warming up right now. And
aggressive atmosphere. There is an | 0:09:35 | 0:09:44 | |
antidote, some have come up with an
antidote. Yes, some people make it | 0:09:44 | 0:09:48 | |
international by nothing, spend
nothing. That is a bit extreme! What | 0:09:48 | 0:09:53 | |
about a sandwich? You've probably
got enough in the house to make a | 0:09:53 | 0:09:57 | |
sandwich. You haven't seen my
fridge, to be fair! Some people say | 0:09:57 | 0:10:03 | |
make international stop spending day
and some charities say what you | 0:10:03 | 0:10:05 | |
should do is spend, buy something
that meant sure it goes to someone | 0:10:05 | 0:10:09 | |
who really needs it. That is a nice
idea. Thank you. So you won't be | 0:10:09 | 0:10:13 | |
buying anything? Definitely not! I
will check on you! | 0:10:13 | 0:10:19 | |
We'll be talking to Dan
about his new film based | 0:10:19 | 0:10:21 | |
on A Christmas Carol,
in just a tick, but it turns out | 0:10:21 | 0:10:24 | |
Charles Dickens wasn't the only
writer to be inspired by a lonely, | 0:10:24 | 0:10:27 | |
Scrooge-like character. | 0:10:27 | 0:10:28 | |
Here's Arthur Smith... | 0:10:28 | 0:10:29 | |
Who incidentally, is not a lonely
Scrooge-like character... | 0:10:29 | 0:10:39 | |
Cwmdonkin Park in Swansea,
generations of children have let | 0:10:39 | 0:10:43 | |
their imaginations run riot here.
The poet Dylan Thomas spent a bunch | 0:10:43 | 0:10:49 | |
of his childhood in this park, which
he described as a world within a | 0:10:49 | 0:10:53 | |
world.
This was Thomas' playground and | 0:10:53 | 0:10:59 | |
retreat, and the inspiration for one
of his most haunting poems. The | 0:10:59 | 0:11:05 | |
hunchback in the park, the solitary
Mr propped between trees and water, | 0:11:05 | 0:11:10 | |
from the opening of the garden
Lockstep lets the trees and water | 0:11:10 | 0:11:14 | |
enter until it goes....
It's a poem about an old outcast man | 0:11:14 | 0:11:22 | |
who seeks solace in this Green Park
but finds himself tormented by | 0:11:22 | 0:11:28 | |
sniggering schoolboys. Thomas
recorded the poem in 1953 but he had | 0:11:28 | 0:11:33 | |
written the first draft two decades
earlier as a 17-year-old schoolboy. | 0:11:33 | 0:11:39 | |
Like the Park birds, came early,
like the water, he set down, and Mr, | 0:11:39 | 0:11:45 | |
they called, had, Mr Tomovic ruined
boys from the town. | 0:11:45 | 0:11:50 | |
Antiquarian book-seller Jeff has
been collecting the poet's work for | 0:11:50 | 0:11:55 | |
45 years. Hunchback is not a word we
use now, but clearly Thomas felt a | 0:11:55 | 0:12:02 | |
huge empathy for this character?
Yes, I think he did. In Dylan | 0:12:02 | 0:12:07 | |
Thomas' life, he was always on the
side of the underdog. He loved | 0:12:07 | 0:12:11 | |
Charlie Chaplin's little character,
so for him, downtrodden people, | 0:12:11 | 0:12:17 | |
people being treated badly affected
him. Do you think this character | 0:12:17 | 0:12:21 | |
really existed? I think so. I think
in this case it was a genuine | 0:12:21 | 0:12:26 | |
response to something that was
happening in front of him. How would | 0:12:26 | 0:12:28 | |
he have seen him every day, going to
school, through the park? This park, | 0:12:28 | 0:12:34 | |
next to his home was the most
important place in his childhood. He | 0:12:34 | 0:12:38 | |
had these amusing notebooks, four
notebooks were poems. This was in | 0:12:38 | 0:12:43 | |
the notebook in 1932 and Tierney
went back to it again in 1941. If we | 0:12:43 | 0:12:48 | |
look at the notebook version, the
first few lines are almost exactly | 0:12:48 | 0:12:52 | |
the same, but then there is this
line, going daft for 57 years is | 0:12:52 | 0:12:56 | |
getting dafter. It is an awful line
in anybody's book. His clap set and | 0:12:56 | 0:13:05 | |
further on... He learnt what was
good and what was bad. I think what | 0:13:05 | 0:13:10 | |
happened to him in those nine years
is he went to London, he got | 0:13:10 | 0:13:14 | |
published, got married, he had a
child, the war was looming. All | 0:13:14 | 0:13:18 | |
these things had an affect on him,
that took him back to childhood. | 0:13:18 | 0:13:23 | |
Past Lake and Rocco Read, laughing
when he shook his paper, hunched | 0:13:23 | 0:13:28 | |
back in mockery.
Jeff has lovingly restored Thomas' | 0:13:28 | 0:13:33 | |
childhood home, just a stone's throw
from the park. It was in this | 0:13:33 | 0:13:38 | |
bedroom that Thomas, a rather
solitary teenager, started crafting | 0:13:38 | 0:13:41 | |
the Hunchback.
The old dog slept alone, while the | 0:13:41 | 0:13:50 | |
boys among willows made the Tigers
jump out of their eyes to roar on | 0:13:50 | 0:13:54 | |
the rockery stones.
Why do you think he'd noticed this | 0:13:54 | 0:13:58 | |
man in the park in a different way
to the other boys? | 0:13:58 | 0:14:02 | |
I think probably because he was
something of a loner himself. He was | 0:14:02 | 0:14:06 | |
a small, shy boy, very studious,
very wrapped up in his poetry. I | 0:14:06 | 0:14:10 | |
think a little story that
illustrates that is when his first | 0:14:10 | 0:14:14 | |
girlfriend was coming to stay, he
wrote to her and said I feel so | 0:14:14 | 0:14:18 | |
uneasy that go upstairs and hide in
the toilet when you arrive. He an of | 0:14:18 | 0:14:23 | |
people. He sees the old man being
tormented by other schoolboys and he | 0:14:23 | 0:14:28 | |
feels a part of him, rather than as
a part of the tormentors. | 0:14:28 | 0:14:34 | |
All night in the maid Park, after
the railings and shrubberies, the | 0:14:34 | 0:14:41 | |
birds, the grass, the trees, the
lake and the wild boys, innocent as | 0:14:41 | 0:14:46 | |
strawberries, followed the hunchback
to his kennel in the dark. | 0:14:46 | 0:14:51 | |
Well, the hunchback is gone, the
boys are gone and so Dylan Thomas, | 0:14:51 | 0:14:55 | |
but this view it beautiful park is
still here, and so is the beautiful | 0:14:55 | 0:14:59 | |
poem. | 0:14:59 | 0:15:01 | |
Cwmdonkin Park Almac is a good word,
isn't it? Yeah. Say that word. | 0:15:10 | 0:15:21 | |
Cwmdonkin. Where are we going with
this? This is the most wonderful way | 0:15:21 | 0:15:28 | |
of retelling the story of A
Christmas Carol. It's kind of how | 0:15:28 | 0:15:34 | |
Charles Dickens comes up with the
story and everything in between | 0:15:34 | 0:15:36 | |
because he's down on his luck at
this point, it's like a biopic at | 0:15:36 | 0:15:41 | |
this point. He has reached a rough
patch, he has been a bit of a rock | 0:15:41 | 0:15:45 | |
star and had early hits and three
books back to back haven't really | 0:15:45 | 0:15:48 | |
landed on his massively ambitious,
he has four kids with one on the | 0:15:48 | 0:15:52 | |
way, putting himself under huge
pressure and he wants to write this | 0:15:52 | 0:15:55 | |
book that takes a stab, the society
around him, the rise of rampant | 0:15:55 | 0:16:04 | |
industrial capitalism, the treatment
of the poor and the children and | 0:16:04 | 0:16:07 | |
he's very angry about a lot of
things. He decides he's going to | 0:16:07 | 0:16:10 | |
write a book that is set at
Christmas and write it in six weeks | 0:16:10 | 0:16:14 | |
by Christmas, which is completely
mad and he drives himself almost mad | 0:16:14 | 0:16:19 | |
doing it. By all accounts his
daughter would come into his study | 0:16:19 | 0:16:22 | |
and find him making these faces and
conjuring these characters in the | 0:16:22 | 0:16:26 | |
mirror. It wasn't until he came up
with the character and the voice and | 0:16:26 | 0:16:29 | |
name he could work with them and
this was whipped into one of the | 0:16:29 | 0:16:34 | |
best Christmas books of all time.
That's one of the most intricate -- | 0:16:34 | 0:16:41 | |
interesting things, the way he comes
up with the characters, and that's | 0:16:41 | 0:16:44 | |
the clip we have got, this is him
creating Scrooge. | 0:16:44 | 0:16:48 | |
Christmas. What about it? What is it
but an excuse for picking a man's | 0:16:50 | 0:16:58 | |
pocket every 25th of December? Keep
going. Everyone who goes on with | 0:16:58 | 0:17:05 | |
Merry Christmas on his lips should
be buried with a Christmas pudding | 0:17:05 | 0:17:14 | |
through his heart.
Eorpa Trail of Dickens is incredibly | 0:17:14 | 0:17:21 | |
energetic. He's quite manic, isn't
he? Did you base him on anyone in | 0:17:21 | 0:17:25 | |
particular? The hair is quite Gene
Wilder. The wig is quite something. | 0:17:25 | 0:17:32 | |
We wanted the film to be funny and
for him to have that mad energy, the | 0:17:32 | 0:17:39 | |
lady who plays our housekeeper Mrs
Fisk who is a Dickens nut and knows | 0:17:39 | 0:17:44 | |
everything about him and came up to
me the first day and said he was | 0:17:44 | 0:17:48 | |
bipolar and I haven't specifically
diagnosed him as such but the more | 0:17:48 | 0:17:50 | |
you look at his work and
biographical details, there were | 0:17:50 | 0:17:54 | |
these manic swings and energetic
periods and then periods of total | 0:17:54 | 0:17:57 | |
blank bleakness. There is as much
about the creative process and a | 0:17:57 | 0:18:03 | |
writer of getting to grips with his
work as there is about Christmas in | 0:18:03 | 0:18:07 | |
our film. We learn in the film that
in that period of time Christmas | 0:18:07 | 0:18:10 | |
wasn't really celebrated in the UK,
which I was devastated about, I'll | 0:18:10 | 0:18:14 | |
be honest. So Dickens did almost
bring it back with this book. He saw | 0:18:14 | 0:18:21 | |
something at the time that was one
of the religious festivals but not a | 0:18:21 | 0:18:25 | |
big cultural event. He saw something
in the winter solstice, the | 0:18:25 | 0:18:29 | |
remembering, the shortest day of the
year, the darkest and bleakest time, | 0:18:29 | 0:18:33 | |
the light will return, and the hope
of that and the joy and finding a | 0:18:33 | 0:18:37 | |
little laughter in the heart in that
really dark time, that is what is at | 0:18:37 | 0:18:42 | |
the core of the story that was what
was wonderful to realise that he was | 0:18:42 | 0:18:45 | |
trying to get at. Such a character,
almost like a rock star. Yes, at the | 0:18:45 | 0:18:50 | |
beginning we see him in America and
he has been well received over there | 0:18:50 | 0:18:53 | |
and he used to give these famous
readings and he was really loving | 0:18:53 | 0:18:57 | |
it. Then he came home and had a
total blank and didn't know what he | 0:18:57 | 0:19:01 | |
would do. He was inspired but I
don't know where it came from. The | 0:19:01 | 0:19:04 | |
thing is now you are in one of these
big Christmas films. So forevermore | 0:19:04 | 0:19:10 | |
you will be the man in the Christmas
film. Are you Christmassy enough to | 0:19:10 | 0:19:14 | |
take on the mantle? I hope so, I
love Christmas and it's very nice to | 0:19:14 | 0:19:18 | |
join the Canon. I guess Muppet
Christmas Carol would have to be one | 0:19:18 | 0:19:23 | |
of my favourite, it's not really
Christmas until we have watched | 0:19:23 | 0:19:26 | |
that. It is nice to celebrate that
time of year, celebrate one of my | 0:19:26 | 0:19:32 | |
favourite authors and one of our
culture's most beloved books. It is | 0:19:32 | 0:19:37 | |
beautiful. Thank you. It is really
good. Obviously you have been doing | 0:19:37 | 0:19:42 | |
your research but if you thought
Dickens' life was an open book, | 0:19:42 | 0:19:46 | |
Gyles Brandreth has managed to
uncover a few of the missing | 0:19:46 | 0:19:50 | |
chapters. | 0:19:50 | 0:19:51 | |
Look at this. The peerless Mr
Charles Dickens was a writer as lead | 0:19:51 | 0:19:56 | |
and interesting as one of his many
characters. For example, he was once | 0:19:56 | 0:20:01 | |
involved in a terrible train crash
and assisted many of the wounded | 0:20:01 | 0:20:05 | |
before help arrived. | 0:20:05 | 0:20:07 | |
And here we are at his London house.
Now, as you know, A Christmas Carol | 0:20:07 | 0:20:13 | |
isn't just a Christmas story, it's a
ghost story, and no wonder, Mr | 0:20:13 | 0:20:19 | |
Dickens was keenly interested in all
things supernatural. He was even | 0:20:19 | 0:20:23 | |
linked to the famous paranormal
investigation group The Ghost Club | 0:20:23 | 0:20:30 | |
Of London, investigating paranormal
activity and sightings of the | 0:20:30 | 0:20:32 | |
unexplained. Dickens was something
of an obsessive-compulsive. When he | 0:20:32 | 0:20:39 | |
stayed away he liked to rearrange
his hotel furniture, and at home he | 0:20:39 | 0:20:43 | |
liked to sleep with his head
pointing north because he believed | 0:20:43 | 0:20:47 | |
it improved his writing. I think we
can agree that that one worked a | 0:20:47 | 0:20:51 | |
charm. He was wonderfully theatrical
command very fond of animals. He | 0:20:51 | 0:20:59 | |
kept a pet raven called Grip, and
when Grip died he had him stuffed | 0:20:59 | 0:21:04 | |
and mounted, and then he
immortalised him as a character in | 0:21:04 | 0:21:06 | |
his novel Barnaby rush. I hope these
facts aren't leaving you flummoxed, | 0:21:06 | 0:21:16 | |
or suffering from boarding, two
words apparently created by Mr | 0:21:16 | 0:21:20 | |
Dickens, of more than 200 that
included fluffiness, Rampage and the | 0:21:20 | 0:21:26 | |
verb to manslaughter. -- Barnaby
Rudge. Are you getting sleepy yet? | 0:21:26 | 0:21:33 | |
Dickens was a great advocate of
hypnosis and attempted to use it on | 0:21:33 | 0:21:37 | |
his wife and children to cure the
ills. Dickens was fascinated by | 0:21:37 | 0:21:45 | |
magic and performed magic shows in
public, his most famous trick was | 0:21:45 | 0:21:50 | |
the pudding wonder in which he would
take a gentleman's hats and mix into | 0:21:50 | 0:21:54 | |
it flour and eggs and moments later
magically produce a Christmas Plum | 0:21:54 | 0:22:02 | |
Pudding, ready for the audience to
eat. Delicious! I know what you're | 0:22:02 | 0:22:11 | |
thinking. What the dickens? But what
the dickens has nothing to do with | 0:22:11 | 0:22:15 | |
Charles Dickens. It's a phrase from
another, William Shakespeare, who | 0:22:15 | 0:22:20 | |
used it in the Merry wives of
Winsor. Those are a few for you, | 0:22:20 | 0:22:36 | |
Dan. I've got to practice that hat
trick. Thank you, Dan, and Gyles | 0:22:36 | 0:22:40 | |
Brandreth and the Charles Dickens
Museum. Have you visited? I haven't. | 0:22:40 | 0:22:46 | |
You should visit. They might give
you a discount. You are not stopping | 0:22:46 | 0:22:52 | |
for long, you're going back to LA.
I'm shooting the second season of | 0:22:52 | 0:22:56 | |
Legion. This is one of the superhero
dramas. Kind of and it's kind of | 0:22:56 | 0:23:02 | |
amazing and it's kind of a superhero
thing and it's a weird and wonderful | 0:23:02 | 0:23:05 | |
show. Very lucky to be on that. You
look like you addressed to be part | 0:23:05 | 0:23:10 | |
of the cast with what you are
wearing. I don't just throw these | 0:23:10 | 0:23:14 | |
things together. What can I say? Who
do you play? IPlayer character | 0:23:14 | 0:23:20 | |
called David Hall, who if you are
familiar with the X-Men comics, | 0:23:20 | 0:23:23 | |
Professor Charles Xavier, I am his
illegitimate son, diagnosed as | 0:23:23 | 0:23:32 | |
paranoid schizophrenic for most of
my life but there may be something | 0:23:32 | 0:23:34 | |
else going on. That is sort of way
we start. You are having Christmas | 0:23:34 | 0:23:41 | |
in LA? Yes, the first time. Do they
have trees and stuff? They do trees, | 0:23:41 | 0:23:48 | |
they don't do Christmas pudding,
mince pies, and crackers, I | 0:23:48 | 0:23:53 | |
discovered. We are on Regent Street
and they have it all down there. I | 0:23:53 | 0:23:56 | |
could do one big sweep. I tried to
take crackers back to LA in my hand | 0:23:56 | 0:24:01 | |
luggage one year and I was told I
couldn't take them because they were | 0:24:01 | 0:24:05 | |
explosives. Which they sort of art
if you think about it. I will make | 0:24:05 | 0:24:09 | |
you a list of what you need. | 0:24:09 | 0:24:12 | |
We are taking you back to a period
in history that provided the | 0:24:12 | 0:24:15 | |
backdrop to the early days of
Downton Abbey, the First World War. | 0:24:15 | 0:24:18 | |
In 1917, German bombers flew over
London in their first-ever | 0:24:18 | 0:24:20 | |
daylight raid on the UK. | 0:24:20 | 0:24:21 | |
They were aiming for the docks,
but they missed the mark. | 0:24:21 | 0:24:25 | |
100 years ago a German bomb landed
here in Poplar, East London, | 0:24:32 | 0:24:37 | |
destroying a local primary school.
18 children were killed, most of | 0:24:37 | 0:24:41 | |
them between four and six years of
age. It was part of a daylight raid | 0:24:41 | 0:24:47 | |
that killed more than 150 people
across the capital. The horrors of | 0:24:47 | 0:24:52 | |
the bullets are notorious. But
German air raids also caused | 0:24:52 | 0:24:57 | |
significant damage here during the
First World War and the East End of | 0:24:57 | 0:25:01 | |
London was badly hit. Local
historian Stan Kaye has been looking | 0:25:01 | 0:25:08 | |
into what happened that fateful day
at Upper North Street School. | 0:25:08 | 0:25:11 | |
Clearly the school building took a
lot of damage, I mean, it has gone | 0:25:11 | 0:25:15 | |
and they have to rebuild. That is
the new school. That's the new | 0:25:15 | 0:25:20 | |
school over there. Where we are
standing now was the old school. It | 0:25:20 | 0:25:23 | |
was bombed at 11:40am in the
morning, the first daylight raid by | 0:25:23 | 0:25:28 | |
German bombers. The bomb came
through the top floor and killed a | 0:25:28 | 0:25:32 | |
young child and then came the next
one and killed another child and | 0:25:32 | 0:25:35 | |
they exploded on the ground floor.
So it went right the way through the | 0:25:35 | 0:25:40 | |
building, killing as it went. Yes,
right the way through, killing as it | 0:25:40 | 0:25:45 | |
went. Parents and relatives rushed
to the school and clawed with their | 0:25:45 | 0:25:48 | |
hands to did the children out. One
child was only identified by a | 0:25:48 | 0:25:51 | |
button that their mother had sewn on
that morning. The funeral was a big | 0:25:51 | 0:25:57 | |
affair, wasn't it? They reckon they
could have been over 100,000 people | 0:25:57 | 0:26:00 | |
lining the streets. Over 850 floral
tributes were sent from all around | 0:26:00 | 0:26:07 | |
the world. The king and queen sent
their wishes. Surviving pupil Jack | 0:26:07 | 0:26:11 | |
Brown was interviewed about his
experience by the BBC in 2007. I | 0:26:11 | 0:26:14 | |
don't really remember a bang as
such. Even when I remember the glass | 0:26:14 | 0:26:25 | |
coming in and smashing down all over
the place. I remember there was no | 0:26:25 | 0:26:31 | |
panic, no fear, because it was so
new and sudden and everything that | 0:26:31 | 0:26:36 | |
the children would just bewildered,
I think, and stunned. In 1950 the | 0:26:36 | 0:26:46 | |
school was renamed a flower primary.
Ms bleach is the current | 0:26:46 | 0:26:53 | |
headteacher. We have something
rather special here, don't we? This | 0:26:53 | 0:26:57 | |
was the logbook and diary kept by
the headteacher. Somehow survived, | 0:26:57 | 0:27:01 | |
what on earth did he say? 13th of
the sixth 1917, 11:40am, air raid, | 0:27:01 | 0:27:07 | |
bomb fell through roof and went
through floor. Rose Martin was | 0:27:07 | 0:27:13 | |
killed, and Prichard seriously ill
in hospital. Children's sobbed and | 0:27:13 | 0:27:19 | |
wailed, clinging and standing close
to their teachers. What happened the | 0:27:19 | 0:27:25 | |
next day? The children were called
back so they could take the register | 0:27:25 | 0:27:28 | |
and see who survived and who were
still missing. We know from one of | 0:27:28 | 0:27:32 | |
the survivors that as the
headteacher read the names of | 0:27:32 | 0:27:35 | |
children who were not there he was
crying and said it was the first | 0:27:35 | 0:27:38 | |
time he'd ever seen a grown man cry.
As the community mourned, a poignant | 0:27:38 | 0:27:45 | |
memorial was built as a reminder of
their loss. 100 years on Lidl | 0:27:45 | 0:27:51 | |
Dummett Edward, John and Andrew who
had relatives at the school have | 0:27:51 | 0:27:55 | |
come here to remember them. My heart
Dummett father was Henry Hollis and | 0:27:55 | 0:28:01 | |
he was at the school and he would
have been eight years old, his | 0:28:01 | 0:28:05 | |
brother William died in the bombing.
My dad had to run an errand for one | 0:28:05 | 0:28:08 | |
of the teachers. As he came back
from the shop the bomb exploded and | 0:28:08 | 0:28:14 | |
he said it was pandemonium
everywhere. -- my father was Henry | 0:28:14 | 0:28:18 | |
Hollins. The inference was divided
by a very thin partition and the | 0:28:18 | 0:28:23 | |
children on one side were the lucky
ones. Uncle George and William | 0:28:23 | 0:28:27 | |
Hollis were in the unfortunate side
in which the bomb exploded. My uncle | 0:28:27 | 0:28:34 | |
describes how the parents rushed
there. My grandmother rushed there, | 0:28:34 | 0:28:39 | |
apparently holding one shoe in her
hand, so this was cataclysmic for | 0:28:39 | 0:28:42 | |
them. This year Her Majesty the
Queen and Duke of Edinburgh attended | 0:28:42 | 0:28:49 | |
a special service to commemorate
those who lost their lives. 100 | 0:28:49 | 0:28:54 | |
years may have passed but the
Tragedy will never be forgotten. | 0:28:54 | 0:28:58 | |
And if you're interested
in World War history, | 0:29:00 | 0:29:05 | |
there's a new four-part series
starting on BBC Two tonight called | 0:29:05 | 0:29:08 | |
Blitz: The Bombs That Changed
Britain - that's at 9pm. | 0:29:08 | 0:29:16 | |
That's it for tonight -
thank you to our guest Dan Stevens. | 0:29:16 | 0:29:21 | |
The Man Who Invented Christmas
is in cinemas on 1st December. | 0:29:21 | 0:29:28 | |
Patrick Kielty's
in for Matt tomorrow. | 0:29:28 | 0:29:31 | |
We are joined by Len Goodman looking
at the best of British music. There | 0:29:31 | 0:29:37 | |
he is pointing already. Have a good
evening. | 0:29:37 | 0:29:41 |