Browse content similar to 23/12/2011. Check below for episodes and series from the same categories and more!
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That is where the bells came from. Hello, friends, and welcome to your | :00:21. | :00:26. | |
Christmas Eve Eve One Show with Alex Jones. And Chris Evans. | :00:26. | :00:35. | |
Tonight's show is tinselled packed and filled with Christmas cheer. | :00:35. | :00:39. | |
are going to unite the nation with Christmas carolling from across the | :00:39. | :00:46. | |
UK, with singers from Wales... # We wish you a merry Christmas. | :00:46. | :00:50. | |
Northern Ireland. # We wish you a merry Christmas. | :00:50. | :00:55. | |
And Scotland. # We wish you a merry Christmas. | :00:55. | :01:02. | |
And England. # And a happy new year. | :01:03. | :01:08. | |
It all came together. We have also got Christmas Carol Kirkwood, with | :01:08. | :01:17. | |
the all-important Christmas weather forecast. And we have Christmas Jay | :01:17. | :01:21. | |
Rayner, with a special Christmas pudding. A plus, Bear Grylls will | :01:21. | :01:25. | |
tell us where he is taking Miranda Hart this Christmas. Plus the | :01:25. | :01:35. | |
:01:35. | :01:40. | ||
undisputed king of Christmas telly, it is only Sir David Jason. Good | :01:40. | :01:50. | |
:01:50. | :01:52. | ||
evening, sir. Merry Christmas to you. David Jason, everyone. Later, | :01:52. | :01:55. | |
with your permission, we will talk about your new show, The Royal | :01:55. | :02:02. | |
Bodyguard. We must talk about Only Fools And Horses. Absolutely. | :02:02. | :02:07. | |
we must talk about Christmas. Where is your jumper? Did you not get the | :02:07. | :02:12. | |
e-mail? No. I and the poor relation. Are you prepared for Christmas? | :02:12. | :02:19. | |
yes. A very quiet, as normal. Just spend it with the family, my wife | :02:19. | :02:28. | |
and daughter. And her mother. your fridge stocked? Absolutely. We | :02:28. | :02:32. | |
battened down the hatches and Lochore the doors and switch on the | :02:32. | :02:37. | |
telly and open a glass or two and have a very relaxing time. I hope | :02:37. | :02:41. | |
that is what a lot of people will do. If you are young and good- | :02:41. | :02:46. | |
looking like you, you are probably out head-banging. She does that a | :02:46. | :02:51. | |
lot. Anyway, the supermarkets will be back tomorrow with Christmas | :02:51. | :02:55. | |
food shoppers, but if you have got it already done and dusted and are | :02:55. | :03:01. | |
in the seasonal smug zone, send us a photo. We want to see your full | :03:01. | :03:05. | |
festive fridges and freezers, with you standing by, proud as punch. If | :03:05. | :03:11. | |
I was way ahead of the game, I would be like this. We want to show | :03:11. | :03:16. | |
as many as we can, so get them in. Throughout this year, we have been | :03:16. | :03:18. | |
following the life changing work performed by plastic surgeons at | :03:18. | :03:23. | |
the Royal Free Hospital in London. Tonight, Dr Mark Porter meets a boy | :03:23. | :03:27. | |
who had been born without the ability to smile. But hopefully, | :03:27. | :03:31. | |
that will soon be a thing of the past. | :03:31. | :03:36. | |
When Joe was first born, we noticed straightaway that there was a | :03:36. | :03:40. | |
difference in his facial expression. A five-year-old Joe Henson as Moby | :03:40. | :03:46. | |
syndrome. He has nerves missing on both sides of his face. Show me | :03:46. | :03:56. | |
:03:56. | :03:57. | ||
your teeth. I had to do it like this. He loves school, loves his | :03:57. | :04:05. | |
friends. He is a very sociable little boy. He does know that he is | :04:05. | :04:09. | |
slightly different, because he cannot use this part of his muscle, | :04:09. | :04:15. | |
but he gets on with it. When he smiles, you will see one side | :04:15. | :04:20. | |
smiling, so it will be lopsided. The other side will be static. | :04:20. | :04:23. | |
Tomorrow, Joe is having pioneering plastic surgery to transplant | :04:23. | :04:28. | |
muscle from under his arm into both sides of his face. This will | :04:28. | :04:37. | |
hopefully give him the ability to smile. We are going to hospital. | :04:37. | :04:43. | |
knows that the doctor is going to fix his face, and he will make this | :04:43. | :04:49. | |
bit worker, he says. It was a hard decision, because you have to think, | :04:49. | :04:54. | |
do you want to put him through the pain of the operation? But you have | :04:54. | :04:59. | |
to think long term. The older he gets, the less likely his brain can | :04:59. | :05:05. | |
adapt to using the nerve control to areas of his face. I don't want him | :05:05. | :05:09. | |
to turn round when his 16 and so, why didn't you have this done? It | :05:09. | :05:15. | |
would break my heart. So we will do everything we can for him. It is | :05:15. | :05:22. | |
the day of the operation, and the family have mixed emotions. | :05:22. | :05:25. | |
might go through this and there might be a not -- not a lot of | :05:25. | :05:35. | |
difference, so to put him through When it is completely out of your | :05:35. | :05:42. | |
control, you feel a bit helpless. Joe's surgery will be performed by | :05:43. | :05:49. | |
a Royal Free consultant surgeon who is one of the world's leading | :05:50. | :05:59. | |
facial we animation specialists. everybody is happy, we can start. | :05:59. | :06:04. | |
He makes the first incision on Gera's face. He needs to find two a | :06:04. | :06:11. | |
blood vessels and a nerve in less than -- less than 2 mm in diameter. | :06:11. | :06:18. | |
Meanwhile, another surgeon removes a muscle from Joe's underarm. It | :06:18. | :06:24. | |
will be attached to his face using microsurgery. The clock is ticking, | :06:24. | :06:32. | |
as the muscle will not survive long outside his body. This is such a | :06:32. | :06:38. | |
complex procedure that this is the only surgeon in the world to | :06:38. | :06:42. | |
operate on both sides of the face in one continuous operation. He | :06:42. | :06:48. | |
begins on the other side of Joe's face. Only around 50 patients in | :06:49. | :06:56. | |
the world have had this operation. So it is a rare chance for | :06:56. | :07:02. | |
colleagues to watch. Everyone looks happy. You can see the blood coming | :07:02. | :07:06. | |
out from the muscle, so that is a good indication that things are | :07:06. | :07:11. | |
working. Little Joe Henson has been through a complex operation | :07:11. | :07:21. | |
:07:21. | :07:22. | ||
involving two muscle transplants. Joe's family know they may not see | :07:22. | :07:26. | |
results for some months, but there are already signs that the new | :07:26. | :07:30. | |
nerves are beginning to work. looking at Joe, you can see a | :07:30. | :07:39. | |
change in his face. A bit more symmetrical around his mouth area. | :07:39. | :07:44. | |
He can now blow through a straw and make bubbles in a cup, which he | :07:44. | :07:54. | |
:07:54. | :07:57. | ||
finds funny. We are hoping that that smile gets bigger and wider, | :07:57. | :08:01. | |
and his mouth gets to open more fully. But it is a long process, | :08:02. | :08:08. | |
and it will take time. He can definitely pronounce words are a | :08:08. | :08:13. | |
lot better than he could. He has been through a lot. I am proud of | :08:13. | :08:20. | |
the way he has adapted. It is just little things, but we think we made | :08:20. | :08:26. | |
the right choice. That was filmed a couple of months ago, and Joe's mum | :08:26. | :08:30. | |
and dad say there is more of a smile on the horizon every day. And | :08:30. | :08:35. | |
just in case Santa is watching, he wants a racing car for Christmas. | :08:35. | :08:45. | |
:08:45. | :08:46. | ||
He can ride in one of mine any time. David Jason is with us. Sir David, | :08:46. | :08:52. | |
how are you? You have a new show on the BBC on Boxing Day. It is a show | :08:52. | :08:55. | |
called The Royal Bodyguard. It is the birth of a new Jason -- David | :08:55. | :09:00. | |
Jason character, which in TV land is a massive thing. Tell us about | :09:00. | :09:10. | |
:09:10. | :09:10. | ||
the character. He is an ex-military man. And he made such a mess of his | :09:10. | :09:17. | |
career that he ended up being a car park attendant at Buckingham Palace. | :09:17. | :09:22. | |
I can't tell you exactly what happens, because that is the | :09:22. | :09:27. | |
opening of the first episode. But he saves the Queen because of | :09:27. | :09:33. | |
something he does. And because he saved her, she then says, this is | :09:34. | :09:37. | |
the man that I want to look after me. He must be my bodyguard. Of | :09:38. | :09:44. | |
course, she does not realise that he is a full of the first water. | :09:44. | :09:54. | |
Everything he does is an absolute catastrophe. I could not even get | :09:54. | :10:04. | |
:10:04. | :10:07. | ||
the word out. Anyway, to get back to be point. He then becomes her | :10:07. | :10:14. | |
personal bodyguard and. I was doing it again. Have you been on the | :10:14. | :10:21. | |
Christmas sherry? Anyway, the adventure starts, and he saves the | :10:21. | :10:26. | |
Queen. Every episode, he goes through these amazing feats where | :10:26. | :10:29. | |
he makes a complete mess of everything. But at the end of the | :10:29. | :10:36. | |
day, he succeeds. And because he succeeds, he lives to fight another | :10:36. | :10:46. | |
:10:46. | :10:48. | ||
episode. It is not subtle. Is it like Inspector Crusoe? Yes. Years | :10:48. | :10:53. | |
ago, when that was on, poor old Peter Sellers was brilliant, but he | :10:53. | :11:00. | |
unfortunately passed away. I was desperate to do the part. But I did | :11:00. | :11:06. | |
not have anything like the profile they needed. So years passed, and | :11:06. | :11:12. | |
this script came up. And when I read it, I thought, this is the | :11:12. | :11:19. | |
same character. It is the nearest I would get. It is a cross between | :11:19. | :11:24. | |
him and Mr Bean. It is very family orientated. Great fun, and we have | :11:24. | :11:34. | |
Watch me and learn. This room has remained unoccupied for the last | :11:34. | :11:38. | |
three weeks, as requested by Special Branch, while they can do | :11:38. | :11:45. | |
to their security operations. We have complied with all requests. | :11:45. | :11:55. | |
:11:55. | :11:56. | ||
One, two. Are you all right? Yes, of course I am. I am fine. Just | :11:56. | :12:06. | |
:12:06. | :12:08. | ||
checking for hiding places under the bed. Let's look at the shows | :12:08. | :12:12. | |
you have been involved in - Darling Buds of May, Touch of Frost, Open | :12:12. | :12:18. | |
All Hours. You seem to have a nose for a hit, David. How much does | :12:18. | :12:23. | |
this one smell like a hit? You have asked me the million dollar | :12:23. | :12:32. | |
question. The answer to that is, if I did know the answer, I would be | :12:32. | :12:38. | |
massively rich. But there is not anyone who knows that it will be a | :12:38. | :12:42. | |
success. There is a famous Hollywood film producer who said, | :12:42. | :12:51. | |
nobody knows nothing. We have enjoyed it. As I did with open all | :12:51. | :12:56. | |
hours and Frost and everything. But I now leave it to the audience to | :12:56. | :13:00. | |
make their decision. If they enjoy it and keep watching, I have done | :13:00. | :13:08. | |
my job. If not, I have made a boo- boo. But it does look great. With | :13:08. | :13:11. | |
Only Fools And Horses, you said the first series was OK but it did not | :13:11. | :13:21. | |
:13:21. | :13:22. | ||
hit the ground until the second series. Yes, this is the problem we | :13:22. | :13:32. | |
:13:32. | :13:33. | ||
may have. Not the problem you may have. You are not in it. Nowadays, | :13:33. | :13:39. | |
they do not give it time. Thank you very much, I knew that. What | :13:39. | :13:47. | |
happens is, you come into a new show, it doesn't matter what it is. | :13:47. | :13:54. | |
And whilst we are watching it, as an audience, we are thinking, do we | :13:54. | :14:00. | |
like it? Who is that bloke? Why does he do that? And slowly, you | :14:00. | :14:06. | |
start to learn and you go actually, that was not bad. Next time, you | :14:06. | :14:11. | |
start to go, he becomes. You start to feel comfortable with the | :14:11. | :14:17. | |
characters. You get to know them. We just had a classic example with | :14:17. | :14:22. | |
open all hours and Only Fools and horses. All those characters in | :14:22. | :14:30. | |
Only Fools And Horses, we had such a fantastic team. If Figure comes | :14:30. | :14:35. | |
on... You are laughing already. And that is a learning process that the | :14:35. | :14:39. | |
audience learns and identifiers, and then they feel comfortable and | :14:39. | :14:48. | |
The Royal Bodyguard begins on Boxing Day had 9:30pm on BBC One. | :14:48. | :14:52. | |
His new show. At the end of the show we will be going around the | :14:52. | :14:57. | |
country uniting the UK by singing a Carroll. Let's meet the Northern | :14:57. | :15:04. | |
Ireland Office. Good evening, Belfast. Hello from Belfast. Hello, | :15:04. | :15:14. | |
:15:14. | :15:15. | ||
how long has your choir been together? 137 years. Is that all? | :15:15. | :15:20. | |
Is it freezing in Belfast? My nose is freezing but everything else is | :15:20. | :15:30. | |
:15:30. | :15:51. | ||
not too bad. How about a quick That sounded good already. Belfast, | :15:51. | :15:56. | |
thank you. Continuing the theme, Gyles Brandreth has picked In The | :15:56. | :16:00. | |
Bleak Midwinter, not so much for the song, but rather for the | :16:00. | :16:08. | |
bittersweet story of the woman who Walk down any high street at this | :16:08. | :16:13. | |
time of year and you will hear a cacophony of Christmas music | :16:13. | :16:17. | |
beckoning you in to spend, spend, spend. But towering above that | :16:17. | :16:27. | |
:16:27. | :16:28. | ||
jingle Bells music is a song that evokes the heart of Christmas. | :16:28. | :16:34. | |
# In the bleak midwinter. # In the bleak midwinter is one of | :16:34. | :16:38. | |
Britain's favourite carols. The tune is by Gustav Holst, but the | :16:38. | :16:42. | |
lyrics are by Christina Rossetti, daughter of an Italian Refugee who | :16:42. | :16:47. | |
grew up in Victorian London. Christina was devoutly religious. | :16:47. | :16:51. | |
She is sometimes thought of almost as a saintly figure. But look | :16:51. | :16:55. | |
behind the public image and you find a contradictory personality, | :16:55. | :17:03. | |
racked by paradox. I have come to dictate's high-security warehouse | :17:03. | :17:08. | |
to meet Christina's biographer. -- the Tate Museum's high-security | :17:08. | :17:14. | |
warehouse. Why have you brought me here? We have come to see two | :17:14. | :17:17. | |
paintings by Dante Rossetti, her brother, one of the most famous | :17:17. | :17:21. | |
Pre-Raphaelite painters. This is the enunciation, and that is | :17:21. | :17:25. | |
Christina Rossetti posing as a model for the Virgin Mary. You get | :17:25. | :17:30. | |
an idea from that of how beautiful she was as a young girl. Also a bit | :17:30. | :17:35. | |
haunted. She does not look particularly happy. So repeatedly | :17:35. | :17:39. | |
she is asked to portray the ultimate perfect, virtuous woman. | :17:39. | :17:43. | |
Quite a role to live up to. Absolutely impossible and she had | :17:43. | :17:47. | |
great difficulty with it because she was a passionate, rebellious | :17:47. | :17:52. | |
Italian Girl. As a young woman, Christina put devotion to God | :17:52. | :17:56. | |
before everything. Suppressing her emotions, she turned down numerous | :17:56. | :18:01. | |
suitors, but the strain was taking its toll. She was torn by the | :18:01. | :18:06. | |
conflict between the divine and the flesh. It is a paradox that the | :18:06. | :18:09. | |
poet who wrote In The Bleak Midwinter also wrote one of the | :18:09. | :18:13. | |
most erotic poems in the English language, Goblin Market. It is now | :18:13. | :18:18. | |
regarded almost as emotional pornography, it is so explicit. | :18:18. | :18:22. | |
remember reading it at school and it is a fairytale. But it operates | :18:22. | :18:28. | |
at another level, too. I will just see if this is suitable for you. | :18:28. | :18:34. | |
Actually, it is not suitable for you! The conflict within her lead | :18:34. | :18:38. | |
her to an emotional breakdown. Increasingly shy and reclusive, her | :18:38. | :18:42. | |
poetry became heavy with desolate imagery, the most famous being In | :18:42. | :18:47. | |
The Bleak Midwinter. They say Christmas is always just round the | :18:47. | :18:54. | |
corner and here it is. # In the bleak midwinter | :18:54. | :19:04. | |
:19:04. | :19:15. | ||
# Frosty winds made moan if # Water like a stone | :19:15. | :19:25. | |
:19:25. | :19:28. | ||
# Snow had fallen, snow on snow # Snow on snow. # | :19:28. | :19:32. | |
what is happening in a writer's life colours everything that they | :19:32. | :19:36. | |
write. This was written at a very bleak point in her life. She had | :19:36. | :19:39. | |
just broken her engagement to a man she loved deeply because of | :19:39. | :19:44. | |
religious differences and she suffered terribly because of it. | :19:44. | :19:48. | |
joy and a bleak midwinter together. Yes, and it resonates with us | :19:48. | :19:52. | |
because Christmas is the most colourful, joyful festival in the | :19:52. | :19:57. | |
whole calendar. And yet it comes at the bleakest, coldest point of the | :19:57. | :20:07. | |
:20:07. | :20:09. | ||
year. The angelic Christina Rossetti | :20:09. | :20:16. | |
never married. She died in 1894, aged 64. It was only after her | :20:16. | :20:21. | |
death that her poem was set to music, which is sad, because she | :20:21. | :20:25. | |
never heard it sung, or came to know how Britain loved her | :20:25. | :20:35. | |
:20:35. | :20:43. | ||
Lovely singing and a good scarf From Gyles. Send more of your | :20:43. | :20:48. | |
fridge pictures. If you are sorted for Christmas, what is chilling in | :20:48. | :20:54. | |
your fridge? This is Charlie chickenpox. I do not know if he has | :20:54. | :20:58. | |
chicken pox or if that is his surname. I could live with these | :20:58. | :21:03. | |
people because they have all of the stuff that I really like. A bit of | :21:03. | :21:08. | |
Branston, some cheese, a bit of cream. If you could live with them, | :21:08. | :21:14. | |
I could live with him, because this is mostly beer. Look how proud he | :21:14. | :21:20. | |
is. Steve, you need some food at some point. David, what do you | :21:20. | :21:26. | |
have? Mind is not as nice as all that, but this is clearly with her | :21:26. | :21:34. | |
family's fridge. Will have they got? Milk? It looks like serial. | :21:34. | :21:37. | |
will be a white Christmas in their house, but only from the milk. You | :21:37. | :21:41. | |
have heard about the bleak midwinter but how about not such a | :21:41. | :21:47. | |
bleak midwinter. If you do not believe me, here is Carol Kirkwood. | :21:47. | :21:51. | |
It is certainly not going to be called on Christmas Day, but it | :21:51. | :22:01. | |
Very windy on Christmas Day with heavy rain and the risk of flooding | :22:01. | :22:05. | |
across Scotland. For central and eastern areas, some sunshine, | :22:05. | :22:10. | |
including Aberdeen Show. Strong winds across Scotland. Northern | :22:10. | :22:13. | |
Ireland might break the temperature record as we head into Christmas | :22:13. | :22:18. | |
Day. Quite wet across Wales but for the rest of England and the east of | :22:18. | :22:23. | |
Wales, dry weather and even some sunshine. But for Santa clause, it | :22:23. | :22:27. | |
is looking fantastic, no problems with his journey. We should all get | :22:27. | :22:37. | |
Come and join us on the sofa. a bit disappointed that it will not | :22:37. | :22:42. | |
be colder. You do not want it hot on Christmas Day, do you? It is not | :22:42. | :22:49. | |
going to be hot! Hibbard be a unseasonably warm. Last year was | :22:49. | :22:57. | |
almost the coldest ever. Last year was almost the record, just 0.1 of | :22:57. | :23:03. | |
a degree above it. But we have also had some warm temperatures. In 1920 | :23:03. | :23:10. | |
in Kineton, Devon, the temperature on Christmas Day was 15.6. Almost | :23:10. | :23:18. | |
T-shirt weather. It was shared by Leith in 1896. We have had plenty | :23:18. | :23:25. | |
of wind. Speak for yourself! It was windy in December. On the eighth of | :23:25. | :23:30. | |
December, a gust of wind of 165 mph was recorded, which is pretty high | :23:30. | :23:36. | |
but not a record. The record was a gust of 173 mph. You would not be | :23:36. | :23:46. | |
:23:46. | :23:46. | ||
able to stand in that. How is your singing voice? Not too shabby. | :23:46. | :23:54. | |
about Carol Kirkwood for Strictly next year? With you, David. | :23:54. | :24:02. | |
could be partners. Not for long. You would be all right. She is | :24:02. | :24:07. | |
ready to rock. Only Fools and horses run for an incredible 22 | :24:07. | :24:12. | |
years and has never been off the TV, really. It is still much loved, so | :24:12. | :24:17. | |
we sent Alex Rowley free trip down memory lane, Gorky Street, to its | :24:17. | :24:27. | |
:24:27. | :24:31. | ||
This is Chapel Market in north London which featured in the | :24:31. | :24:35. | |
opening titles, and like all the other locations in Only Fools And | :24:35. | :24:40. | |
Horses, it is nowhere near Peckham. But it looks like the perfect place | :24:40. | :24:50. | |
:24:50. | :24:54. | ||
to go in search of a real-life Del Boy. Have a look! All the original. | :24:54. | :24:58. | |
Of course, one of the most memorable aspects of the series was | :24:58. | :25:04. | |
still boy's catchphrases. Rodney, you plonker. Hit his off the back | :25:04. | :25:11. | |
of a lorry, works 100%. More than the catchphrases and locations, it | :25:11. | :25:17. | |
was the comic situations that John Sullivan put the trotters in that | :25:17. | :25:22. | |
makes the series unforgettable. goes into a a bar and he is trying | :25:22. | :25:28. | |
to impress some women. He has transfixed on the ladies. We are on | :25:28. | :25:38. | |
:25:38. | :25:44. | ||
to a winner. Play it cool. Nice and He completely blows his chances. | :25:44. | :25:48. | |
Typical, classic. Even though he lives in a council flat, he can | :25:48. | :25:55. | |
still pull a nice sort. That is a nice dream. Because it is not | :25:55. | :26:02. | |
reality. They will have a bit of rough, but do they marry them? | :26:02. | :26:12. | |
:26:12. | :26:14. | ||
is happening? I have not got the Every time you watch it, there are | :26:14. | :26:18. | |
bits that you think you must have missed. It is still very funny. | :26:18. | :26:22. | |
Such hilarious moments helped Only Fools And Horses become the most | :26:22. | :26:28. | |
watched sitcom of all time. In 1996 it got 24 million viewers, almost | :26:28. | :26:35. | |
40% of the population. It is safe to say that Only Fools And Horses | :26:35. | :26:40. | |
is still as popular as it has ever been. Take it away. | :26:40. | :26:50. | |
:26:50. | :26:55. | ||
# God bless Hooky Street # Long live Hooky Street | :26:56. | :27:05. | |
# Bookie streaked # Hookey Street. # | :27:05. | :27:14. | |
Put your back into it. Come on. And that car really did breakdown, | :27:14. | :27:22. | |
honestly. It is fair to say that the success was mostly down to the | :27:22. | :27:26. | |
fact that people genuinely cared about the characters. John | :27:26. | :27:30. | |
Sullivan's writing was probably as much about the tragedy as the | :27:30. | :27:37. | |
comedy. You are absolutely right. As I was saying earlier, the | :27:37. | :27:39. | |
audience began to love the characters, each individual | :27:39. | :27:46. | |
character. But the most important part of the whole thing was John | :27:46. | :27:51. | |
Sullivan. His ability to write for those characters. He came from that | :27:51. | :27:57. | |
part of the world. He was brought up in Peckham. But the people that | :27:57. | :28:02. | |
he met, friends of his that he knew, he brought into Fools and horses. | :28:02. | :28:08. | |
But he was just quite a genius. He wrote every single one of those | :28:08. | :28:13. | |
himself, one man. Unbelievable. You could not do that in America. They | :28:13. | :28:20. | |
have dozens of writers. But he just managed to do it. Earlier, you told | :28:20. | :28:24. | |
us a lovely story about what happened when the original grandad | :28:24. | :28:30. | |
died. Yes, what happened was that we were filming, in the middle of | :28:30. | :28:35. | |
filming. Bless him, he fell down the stairs and had a heart attack | :28:35. | :28:41. | |
and unfortunately he died. We stopped filming. We did not know | :28:41. | :28:47. | |
what to do. We went to see the heads of the BBC at the time. They | :28:47. | :28:50. | |
were so desperate for us to continue that they said they would | :28:50. | :28:56. | |
get a lookalike and carry on. We said, no, we could not do that. | :28:56. | :29:01. | |
John Sullivan was particularly strong about this. I remember him | :29:01. | :29:07. | |
saying at the meeting, he said, we did not want him to die. Nobody | :29:07. | :29:12. | |
wants anyone in their family to die, and we certainly don't. So he said, | :29:12. | :29:19. | |
I am going to write the episode about the family's loss of grandad, | :29:19. | :29:22. | |
and I'm going to do it out of respect for him, because we loved | :29:22. | :29:30. | |
him. So he went home and within a week, back came the script. But the | :29:31. | :29:35. | |
magic of John Sullivan, he could not stop himself from making some | :29:36. | :29:42. | |
wonderful gags, which he achieved. My favourite one, which we will all | :29:42. | :29:48. | |
remember, is that I gave, I took the hat, his hat, off the front of | :29:48. | :29:53. | |
the car and gave it to Rodney, and I said, Rodney, you throw his hat | :29:53. | :29:57. | |
into the grave, which he did. We were all emotional and upset. As we | :29:57. | :30:07. | |
left, the priest came out and said, as anybody seen my hat? Genius. He | :30:07. | :30:14. | |
pours Union, like a fisherman. -- he pulls you in. Time to chicken | :30:14. | :30:18. | |
with the choir will be taking on the Scottish leg of our around the | :30:18. | :30:28. | |
:30:28. | :30:34. | ||
Hello! IUD choirmaster? I am. you beat Northern Ireland's 137 | :30:34. | :30:38. | |
years together as a choir? Unfortunately not, because we have | :30:38. | :30:44. | |
only been together for three years. You still have a lovely bit of | :30:45. | :30:51. | |
tinsel on your top. What have you done in the past? We will perform | :30:51. | :30:58. | |
to anyone who wants to come and listen to us. We're are a Community | :30:58. | :31:02. | |
Choir. Feel free to join us. I noticed you are in a red jumper. | :31:02. | :31:08. | |
You don't want Chris. That is dear me invite I have had this Christmas. | :31:09. | :31:16. | |
Later, we will all be singing O Little Town Of Bethlehem. They were | :31:16. | :31:20. | |
it will be on the screen. And if you would like to print them | :31:20. | :31:30. | |
:31:30. | :31:30. | ||
off, they are online for the very keen. Now, there is plenty of telly | :31:30. | :31:35. | |
to watch over Christmas, including The One Show Best of 2011 on | :31:35. | :31:38. | |
December 30th. But there is only one man whose show will tell you | :31:38. | :31:43. | |
have to traverse a glacier, upset about a waterfall walk across an | :31:43. | :31:47. | |
active volcano. That man is Bear Grylls, and this Christmas he takes | :31:47. | :31:55. | |
Miranda Hart right to the edge. Keep gripping the hand. Honestly, I | :31:55. | :32:02. | |
am having a complete out-of-body experience. I cannot believe I am | :32:02. | :32:08. | |
doing this. I know this is normal for you. It must be weird but | :32:08. | :32:18. | |
:32:18. | :32:23. | ||
someone is so scared. But this is literally my worst nightmare. | :32:23. | :32:33. | |
:32:33. | :32:37. | ||
Grylls is here with us this evening. Bear Grylls, Sir David Jensen. | :32:37. | :32:40. | |
Which other celebrities have you taken out and what have you put | :32:40. | :32:43. | |
them through? Or we have done a few of them. We took Will Ferrell to | :32:43. | :32:48. | |
the Arctic, which was an adventure. And Jake Gyllenhaal, who we took to | :32:48. | :32:53. | |
Iceland. And then we did this with Miranda in the Alps. And we took | :32:53. | :32:58. | |
another lost to the jungle a few weeks ago. Is he still there? -- | :32:58. | :33:02. | |
Jonathan Ross. But they did brilliantly. It is always scary to | :33:02. | :33:06. | |
step out of your comfort zone and trust someone with your life. But | :33:06. | :33:11. | |
they did brilliantly. So total respect, and I think the shows are | :33:11. | :33:17. | |
great. What was Miranda's fear? When was she most out of her | :33:17. | :33:21. | |
comfort zone? She was out of her comfort zone the whole time. You | :33:21. | :33:25. | |
normally see people like Miranda or Jonathan Ross on a chat show | :33:25. | :33:30. | |
ordering a sitcom. But you see the real person when you are up a | :33:30. | :33:33. | |
mountain with someone. She had a lot of fears, bless her. She was | :33:33. | :33:42. | |
very scared of heights, scared of small places, big places. She did | :33:42. | :33:47. | |
have a tell-tale sign when she got really scared. She would break wind. | :33:47. | :33:52. | |
So I always had a warning that this was getting scary. She was | :33:52. | :33:56. | |
brilliant. I have total respect for her. She did some properly scary | :33:57. | :34:03. | |
stuff. Let's have a look. Put all your weight on the rope. Lean back. | :34:03. | :34:09. | |
You are not going anywhere, because I have got you. Lean back. Now you | :34:09. | :34:14. | |
can ease your arm. Can I just say this? Just off camera, there is a | :34:14. | :34:24. | |
:34:24. | :34:25. | ||
very strong chance that there is no way am doing that. David, you love | :34:25. | :34:29. | |
a bit of devilry. You are a big diver. But I would not want to do | :34:29. | :34:36. | |
what he does. He is terrifying. That was my next question. You have | :34:36. | :34:41. | |
more brain cells than me. You love diving. But that is different from | :34:41. | :34:47. | |
throwing yourself out of aircraft and hurtling down and what was that | :34:47. | :34:54. | |
stuff you were eating last time? It made me ill just to look at it. | :34:54. | :34:57. | |
Someone did complain to said they had their dinner on their lap while | :34:57. | :35:03. | |
there were watching. That was me! It was something like a raw goat | :35:03. | :35:08. | |
testicle, and this person threw up on their dinner and had to complain. | :35:08. | :35:15. | |
Who would you like to get your hands on up there? We have a hot | :35:15. | :35:25. | |
:35:25. | :35:26. | ||
list. Next challenge! I will keep it quiet. We have a couple of great | :35:26. | :35:30. | |
ones to announce soon. You love parachuting as well. And you live | :35:30. | :35:34. | |
on an island. David could fly you to your island, and you could | :35:35. | :35:38. | |
parachute out of his helicopter, because you are a qualified | :35:38. | :35:45. | |
helicopter pilot. So are you. it is your interview. Talking about | :35:45. | :35:51. | |
that, the one thing that would interest me is the diving. That is | :35:51. | :35:58. | |
one area where I do have a comfort. It does push you a bit beyond your | :35:58. | :36:04. | |
limits. When you come face-to-face with certain creatures, not actors, | :36:04. | :36:12. | |
I have to say...! But it is intriguing and can give you quite a | :36:13. | :36:22. | |
:36:23. | :36:25. | ||
turn. Bear, good luck. Boxing Day, Channel 4. It is not up against you, | :36:25. | :36:31. | |
David. Although we are quite close. You can record things so easily now. | :36:31. | :36:36. | |
Now, they say a dog is for life, not just for Christmas. In which | :36:36. | :36:40. | |
case the Sullivan family from the Brecon Beacons have had enough | :36:40. | :36:43. | |
puppies for 15 lifetimes. And they are Dalmatian puppies, which is why | :36:43. | :36:52. | |
we sent Lucy de Ville to meet them. You may have noticed that I have | :36:52. | :36:57. | |
changed my image a bit today, modelling it almost entirely on the | :36:57. | :37:01. | |
villain from 101 Dalmatians, that cold hearted woman who tried to | :37:01. | :37:05. | |
round up all the Dalmatian puppies to turn them into a new fur coat. | :37:05. | :37:10. | |
Rest assured, this is almost entirely nylon and the large litter | :37:10. | :37:14. | |
of puppies and on my way to see will only be stroked, cuddled and | :37:14. | :37:22. | |
adored during this production. Come on, you nincompoop! I am late. The | :37:22. | :37:26. | |
tale of the two dogs and their spotty puppies being chased is | :37:27. | :37:32. | |
undoubtedly a family favourite. The film helped to revolutionise | :37:32. | :37:36. | |
animation when in the late 1950s, Disney experimented with Xerox | :37:36. | :37:40. | |
technology. This meant during production, they did not have to | :37:40. | :37:46. | |
animate all of the docks and all of the spots. That is enough of that. | :37:46. | :37:55. | |
Back to normal. Now, where are those puppies? K Sullivan's dogs | :37:55. | :38:00. | |
had their first litter of pups a month ago. From the look on her | :38:00. | :38:08. | |
face now, it came as a surprise. They are asleep! Oh, my goodness, | :38:08. | :38:17. | |
that is so cute. What was it like when they were borne? They said, | :38:17. | :38:25. | |
you have 15th. It was a shock. has life be like since the arrival? | :38:25. | :38:32. | |
Busy, chaotic. Feeding and cleaning all the time. Joining in this | :38:32. | :38:40. | |
Dalmatian caper is One Show vet Joe. Joe! What have you come as? As a | :38:40. | :38:45. | |
character from the film, like you said. We have done that. Come and | :38:45. | :38:53. | |
see the Dalmatians anyway. Why are they a spotty Dog? It is a fashion | :38:53. | :38:57. | |
thing. Originally, the first Dalmatians were probably a bit | :38:57. | :39:05. | |
spotty and people thought, that looks nice. So they have been bred | :39:05. | :39:11. | |
like that. The genetics of the spot is link to another genetic trait, | :39:11. | :39:21. | |
which his deafness. You can't take this one home. So sweet! Ones I | :39:21. | :39:31. | |
:39:31. | :39:46. | ||
Who is this? Is he your special one? Yeah. Well, the puppies have | :39:46. | :39:54. | |
made their evening viewing choice. Excellent decision. And we have | :39:54. | :40:00. | |
found the 101 Showed Dalmatians. The family are still taking | :40:00. | :40:04. | |
suggestions for names for the pets. Go to their Facebook page. Now, we | :40:05. | :40:10. | |
want more of your full smug festive fridges. David, what have you got? | :40:10. | :40:18. | |
You have enough here for a fortnight! Stephen from Liverpool. | :40:18. | :40:27. | |
We have another family in Derbyshire, Daisy and Jack. This is | :40:27. | :40:33. | |
a whole country. You think there are too many biscuits here. It is | :40:33. | :40:38. | |
because she is snow been in the Highlands. Bless you. So it is a | :40:38. | :40:42. | |
white Christmas. Hayden and Lily are eight, but it is their birthday | :40:42. | :40:50. | |
tomorrow. But his them with their mum. Happy birthday. Time now for | :40:50. | :40:54. | |
the last Foodie Friday of 2011. To tell us what Jay Rayner has got, | :40:54. | :41:04. | |
:41:04. | :41:05. | ||
here is the Cardiff polyphonic choir. | :41:05. | :41:15. | |
:41:15. | :41:15. | ||
# Gloria, Jay's Christmas pudding! The sun is shining, the trees are | :41:15. | :41:20. | |
green, it is the middle of summer. But here in deepest Derbyshire, | :41:20. | :41:26. | |
there is a bit of Christmas just around the corner. This is the | :41:26. | :41:30. | |
Matthew Walker factory, the world's oldest Christmas pudding maker. | :41:30. | :41:37. | |
They have been producing goods here since 1899. Today, they supply over | :41:37. | :41:42. | |
70% of the UK market. That is around 90 million puddings a year. | :41:42. | :41:45. | |
The best puddings are made months an advance, which is why they take | :41:45. | :41:54. | |
a year to do their Christmas cooking. This is the first factory | :41:54. | :41:59. | |
I have been in that has insisted on one of these, a beard snoods. It is | :41:59. | :42:03. | |
a good look. Most of the puddings you see in your local supermarket | :42:03. | :42:08. | |
are made here. You might be called puddings taste the same, but the | :42:08. | :42:13. | |
factory produces over 200 different varieties, something for everyone. | :42:13. | :42:17. | |
General manager Bill Mackey takes me on a talk. First stop, the | :42:17. | :42:22. | |
mixing Hall, where over half a million tons of dried fruits are | :42:22. | :42:30. | |
used every year. We always start with vine fruits. Then that mixing | :42:30. | :42:34. | |
bowl will generate its way down the room, and have the other | :42:34. | :42:38. | |
ingredients added. For many consumers, the most important | :42:38. | :42:42. | |
ingredient in their Christmas pudding is did the alcohol. This | :42:42. | :42:46. | |
company uses over 1 million litres a year, making it one of the | :42:46. | :42:50. | |
largest buyers of booze outside the drinks industry. The alcohol is an | :42:51. | :42:56. | |
important part of it. We use strong flavoured alcohols to come through, | :42:56. | :43:02. | |
because they mellow with the fruit. Personally, I think the best drink | :43:02. | :43:08. | |
his brandy. I agree, the brandy gives the flavour. We do not buy | :43:08. | :43:13. | |
the finest brandy, because that has a gentle flavour. We by cognac, | :43:14. | :43:18. | |
which is still quite rough. That is what you need to compete with the | :43:18. | :43:24. | |
other flavours. But the use of alcohol is not just about taste. It | :43:24. | :43:29. | |
is an extremely effective natural preservative, which kills bacteria. | :43:29. | :43:33. | |
The Traditional puddings have a shelf-life of up to four years, | :43:34. | :43:38. | |
whilst the alcohol-free variety keep for only six months. The first | :43:38. | :43:40. | |
recipes for its Christmas pudding date back to the Middle Ages. But | :43:40. | :43:45. | |
then, it was a savoury dish, a kind of porridge with mutton or beef, | :43:46. | :43:49. | |
and 88 pudding with meet like partridge or pheasant. The | :43:49. | :43:54. | |
Christmas pudding we have today comes back to the Victorian era. We | :43:54. | :44:04. | |
:44:04. | :44:08. | ||
I have seen enough. It is time to get my hands dirty and make my own | :44:08. | :44:13. | |
One Show Christmas pudding. I have decided to go with an orange theme. | :44:13. | :44:18. | |
Orange shreds, some mixed peel, some cherries, because I like them, | :44:18. | :44:24. | |
and a bunch of other staff. As with any recipe, the important thing is | :44:24. | :44:33. | |
what to leave out. Editor of sherry, madam? I get busy combining the | :44:33. | :44:39. | |
selected ingredients, with high hopes that it all comes together. | :44:39. | :44:44. | |
That is the One Show Christmas pudding, ready to go to the steamer. | :44:44. | :44:50. | |
Now, my pudding is ready to be cooked. The factory uses a secret | :44:50. | :44:55. | |
steaming process to cook the puddings. My pudding will be | :44:55. | :44:59. | |
steaming for about three hours. Normally you can eat them within 12 | :44:59. | :45:04. | |
hours of having steamed them, but to get the full flavour effect, we | :45:04. | :45:08. | |
will leave mine to mature for four months, which means my work here is | :45:08. | :45:13. | |
done and I might as well push off. When Christmas comes round, the | :45:13. | :45:23. | |
flavours will have fully matured, ready for us to tuck in. | :45:23. | :45:33. | |
:45:33. | :45:35. | ||
So, Jay is here. I have a present. It is a beard snood. I am like a | :45:36. | :45:40. | |
very cold Santa. This is the Christmas pudding. Would you like | :45:40. | :45:50. | |
:45:50. | :45:50. | ||
to try it? David, are you a pudding man? I will try. I am hoping it has | :45:50. | :45:56. | |
matured properly and you have a real depth of flavour. In my | :45:56. | :46:00. | |
experience, if it has been festering for four months, it could | :46:00. | :46:09. | |
be dangerous. I would not say this has been festering. It should be | :46:09. | :46:15. | |
good. This would keep you going for a while, wouldn't it? I am | :46:15. | :46:19. | |
generally pretty wary of delicacies, but this is amazing. I hate to say | :46:20. | :46:24. | |
it, but that is beautiful. other one is coming home with me | :46:24. | :46:30. | |
for Christmas Day. You put some orange liqueur in this. Can you put | :46:30. | :46:35. | |
different liqueur in them? You can put anything in them. It adds as a | :46:35. | :46:41. | |
preservative but also adds flavour. If you name the liqueur, they | :46:41. | :46:46. | |
probably make a Christmas pudding full of it. In pudding terms, this | :46:46. | :46:52. | |
is brand new. You have the oldest one in the world here. This was | :46:52. | :46:57. | |
sent to the sailors in the war in 1900, the Boer War. It is now in | :46:57. | :47:00. | |
the Connexion of the National Museum of the Royal Navy. It was | :47:00. | :47:07. | |
found in the back of someone's cupboard. She was known as the | :47:07. | :47:10. | |
friend of the Navy, and she sent these two sailors to look after | :47:10. | :47:15. | |
them and make sure they were well fed. But there was no booze. | :47:16. | :47:21. | |
Temperance, she believed in the temperance movement, so no alcohol. | :47:21. | :47:25. | |
The sailors enjoyed that in 1899, but how does the modern military | :47:25. | :47:31. | |
provide Christmas for the troops? Earlier, Staff Sergeant Nick Savell, | :47:31. | :47:35. | |
master chef at Camp Bastion in Afghanistan, showed Caroline Wyatt | :47:35. | :47:40. | |
around his kitchen. If you think cooking for your | :47:40. | :47:44. | |
family and extended family is bad on Christmas Day, meet the man | :47:44. | :47:49. | |
cooking for 5000 people. We are feeding just over 4000 through the | :47:49. | :47:53. | |
main kitchen and 500 in the forward operation bases. A couple of | :47:53. | :47:57. | |
warrant officers will jump on a helicopter with the Russians, fly | :47:57. | :48:00. | |
out, dropping off, and they were have won our window to feed them, | :48:00. | :48:06. | |
and then get picked up and come back here. Just over 1000 kilos of | :48:06. | :48:12. | |
potatoes, around 500 kilos of carrots, 750 kilos of sprouts. | :48:12. | :48:19. | |
have Christmas pudding. 40 boxes of them. Traditional roast turkey, | :48:19. | :48:22. | |
chestnut and hazelnut stuffing, sausages, bacon and all the | :48:22. | :48:27. | |
traditional parts. Do you look forward to Christmas Day? Yes, we | :48:27. | :48:32. | |
look forward to feeding the guys. We endeavour to come up with the | :48:32. | :48:35. | |
best result. If we can cheer them up with a nice Christmas dinner, | :48:35. | :48:41. | |
that is what we tried to do. And a very merry Christmas to the Queen's | :48:41. | :48:46. | |
first Dragoon Guards. Jay Rayner, star of Christmas celebrity | :48:46. | :48:52. | |
mastermind on December 27th on BBC One. None of your rubbish. Your | :48:52. | :48:58. | |
chosen subject? The musicals of Stephen Sondheim. It is almost time | :48:58. | :49:02. | |
for our Christmas carols. First, we are off to a church in | :49:02. | :49:07. | |
Leicestershire which could be about to host its last Christmas. | :49:07. | :49:11. | |
Many of Britain's 40,000 churches are among the oldest buildings in | :49:11. | :49:16. | |
the UK. Keeping historical churches like this looking beautiful can | :49:16. | :49:20. | |
come at a great cost. Maintenance fees can run into hundreds of | :49:20. | :49:23. | |
thousands of pounds. And as traditional church attendance | :49:23. | :49:28. | |
continues to drop, more and more churches are falling into ruin. In | :49:28. | :49:31. | |
many cases, a drastic transformation is the only | :49:31. | :49:38. | |
salvation. St James is the Church of the quiet village in | :49:38. | :49:42. | |
Leicestershire. Built in the 13th century, it was in regular use | :49:42. | :49:46. | |
until four years ago when a large piece of plaster fell from the | :49:46. | :49:51. | |
ceiling and narrowly missed the vicar. A structural survey deemed | :49:51. | :49:55. | |
it unsafe for regular use, and because the congregation was small, | :49:55. | :49:59. | |
the diocese could not afford the repairs, so the church had to close | :49:59. | :50:03. | |
its doors at and it has remained derelict ever since. But before it | :50:04. | :50:08. | |
becomes too dangerous to even enter, we have invited the residents of | :50:08. | :50:11. | |
the village to come together for what could be the very last | :50:11. | :50:17. | |
Christmas carol service ever to be held in this 750 year-old church. | :50:17. | :50:21. | |
Architect Peter is part of the team responsible for monitoring the | :50:21. | :50:25. | |
structural condition of the Church. Where is the piece of plaster that | :50:25. | :50:30. | |
fell on the vicar? It fell from behind the poppet, down behind the | :50:30. | :50:34. | |
vicar as he was in the middle of service. -- the pulpit. It was | :50:34. | :50:38. | |
plastered with hard Victorian plaster which cannot accept the | :50:38. | :50:42. | |
movement. As the Church has flexed, the plaster worked loose and | :50:42. | :50:50. | |
dropped off. How much does it cost to repair? �250,000. That must be | :50:50. | :50:55. | |
difficult to find. A foray small village, that is a lot of money. | :50:55. | :50:59. | |
make the church safe for tonight, we need to cordon off the back of | :50:59. | :51:03. | |
the nave. We need to check beneath the pews for rotten boards, and | :51:03. | :51:11. | |
finally, the vicar and the choir will need to wear hard hats. Time | :51:11. | :51:15. | |
to leave Peter Lowe alone and rustle up some help from the local | :51:15. | :51:21. | |
village. Hello. 7pm tonight, we have a carol service. It could be | :51:21. | :51:27. | |
the last ever. 7pm. The Church has no running water and no lavatories, | :51:27. | :51:32. | |
so Elaine, who lives nearby, has opened her doors to anyone caught | :51:32. | :51:36. | |
short. With no heating, she is making a giant vat of mulled wine | :51:36. | :51:43. | |
to keep everyone warm. The vicar of the parish is Sue Patterson. Is it | :51:43. | :51:48. | |
a common problem that medieval churches are falling into disrepair. | :51:48. | :51:51. | |
Medieval buildings are no joke to look after. They are wonderful, | :51:51. | :51:55. | |
queued atmosphere, a sense of the presence of God, fantastic, I would | :51:55. | :52:00. | |
not swap it for anything but they are a huge burden. Everyone thinks | :52:00. | :52:04. | |
the Government provides funds, but that is not the case. Is the Church | :52:04. | :52:08. | |
still relevant to the community? Often it is the only community | :52:08. | :52:11. | |
building you have. People need somewhere to go to, so more and | :52:11. | :52:15. | |
more we are reinventing the church and putting it as a community | :52:15. | :52:20. | |
resource. We have the church for tonight. Would you be prepared to | :52:20. | :52:25. | |
host it? Yes. We are going to be wearing hard hats. If you see | :52:25. | :52:30. | |
anything falling, do not think white Christmas, just run. It is | :52:30. | :52:33. | |
time to start lighting and decorating the church. One of the | :52:33. | :52:37. | |
locals has donated a Christmas tree to liven up the doorway and to hide | :52:37. | :52:43. | |
a large crack in the west window. Before long, the choir arrives and | :52:43. | :52:46. | |
begin practising. And soon enough, the first few villagers start to | :52:46. | :52:52. | |
arrive. Hello, take his seat. You got married here, didn't you? How | :52:52. | :52:59. | |
long ago? 27 years. When the bells of St James rang regularly. Can you | :52:59. | :53:04. | |
remember the last time you were in this church? When I was christened. | :53:04. | :53:10. | |
You were the last one. No children got christened after you. As the | :53:10. | :53:15. | |
last of the congregation take their place, it is a full house. This | :53:15. | :53:18. | |
service is happening in a church which is structurally unsound. You | :53:18. | :53:23. | |
may not have noticed, but the hard hats are here for a purpose because | :53:23. | :53:33. | |
:53:33. | :53:35. | ||
we are sitting in the dangerous area. | :53:36. | :53:39. | |
It is easy to forget, but actually churches like this are not just for | :53:39. | :53:43. | |
Christmas. This is a place we come to declare our love, to remember | :53:43. | :53:48. | |
those who have passed away, a place we come to name our children. But | :53:48. | :53:51. | |
they are also the place that is the centre of the community, the place | :53:51. | :53:56. | |
where we find faith. I hope this is not the last service of this church, | :53:56. | :54:01. | |
but if it is, at least we gave it a good send-off. How -- Happy | :54:02. | :54:07. | |
Christmas. We are downstairs and his is time for our carol-singing. | :54:07. | :54:11. | |
This is real snow, because we do not take things on the BBC, ask | :54:11. | :54:16. | |
David Attenborough! -- we do not fake things. We have to say thank | :54:16. | :54:21. | |
you to the guests. Let's talk to the choir's first. No, let's talk | :54:22. | :54:30. | |
to the guests first. All right. Thank you, David Jason. Bear Grylls | :54:30. | :54:35. | |
on Channel 4. Jay Rayner, the day after. And Carol Kirkwood with the | :54:35. | :54:42. | |
weather. You are representing England in awe of this. Are you | :54:42. | :54:51. | |
ready to do your best? Yes. How did you meet and is it true you are | :54:51. | :54:59. | |
getting married? May be when we are a bit older. You are leading the | :54:59. | :55:05. | |
Welsh squad, finishing off in style. Trying to. Do you feel the | :55:05. | :55:11. |