Browse content similar to Best of 2011. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello, I'm Jimmy Carr and you're watching The One Show: Best of 2011. | 0:00:02 | 0:00:05 | |
Shouldn't take long, should it? | 0:00:05 | 0:00:07 | |
Thanks for that, Jimmy, but as it happens there's been a ton of good stuff to remember, | 0:00:18 | 0:00:22 | |
so, everybody, welcome to a very special holiday One Show. | 0:00:22 | 0:00:25 | |
Now, we've snuck back into the studio to pick out | 0:00:25 | 0:00:28 | |
the top 20 things we loved about the One Show in 2011. | 0:00:28 | 0:00:32 | |
And, as you can see, we've made it as comfy as we can. | 0:00:32 | 0:00:34 | |
-Here we go, Al, it's a cup of props Dave's special mulled wine. -Lovely. | 0:00:34 | 0:00:41 | |
-Mmm. -That tastes like paint. | 0:00:41 | 0:00:44 | |
Yeah, I think it might be. Anyway, coming up is stuff like this... | 0:00:44 | 0:00:49 | |
Things don't get much better through the Scottish Borders... | 0:00:49 | 0:00:52 | |
And this! | 0:00:52 | 0:00:54 | |
And you can see, that's a new ear. | 0:00:54 | 0:00:56 | |
And just a quick glimpse of this! | 0:00:58 | 0:01:00 | |
So is your favourite One Show moment on the way? Sit tight and find out. | 0:01:04 | 0:01:09 | |
Right, let's get on with it. Let the countdown begin. | 0:01:09 | 0:01:12 | |
Kicking us off at number 20, it's our wonderful wildlife spotters | 0:01:12 | 0:01:16 | |
who will do absolutely anything to get close to the action. | 0:01:16 | 0:01:19 | |
Here's some of our favourite creature features from this year. | 0:01:19 | 0:01:23 | |
Absolutely brilliant! | 0:01:32 | 0:01:33 | |
We are so close and there are loads and loads of seals. Brilliant. | 0:01:33 | 0:01:37 | |
Seals have very sensitive whiskers that can pick up movement | 0:01:39 | 0:01:43 | |
left by swimming fish and they're very inquisitive about divers' fins | 0:01:43 | 0:01:48 | |
which brings them really close to have a gentle nibble. | 0:01:48 | 0:01:51 | |
This UV light will show a bizarre feature that all scorpions have. | 0:01:56 | 0:02:01 | |
Under UV light, they all glow like a beacon. | 0:02:01 | 0:02:05 | |
I found it - look! Oh, look at that! | 0:02:08 | 0:02:10 | |
Euscorpius flavicaudis, the European scorpion. | 0:02:10 | 0:02:15 | |
This is something you never expect to find in the UK. | 0:02:15 | 0:02:19 | |
That is a absolute beauty. | 0:02:19 | 0:02:21 | |
I never thought I'd be chasing a scorpion along a wall, in Kent! | 0:02:21 | 0:02:25 | |
HE LAUGHS | 0:02:25 | 0:02:27 | |
It's just brilliant! | 0:02:27 | 0:02:29 | |
The bridge's top platform is just short of 50m high, | 0:02:29 | 0:02:32 | |
a typical height an osprey could plunge from. | 0:02:32 | 0:02:36 | |
But as I don't possess wings, | 0:02:36 | 0:02:37 | |
I've got to walk the 210 steps up. | 0:02:37 | 0:02:41 | |
Really nervous. Can't believe what ospreys put themselves through. | 0:02:41 | 0:02:45 | |
HE SCREAMS | 0:02:45 | 0:02:48 | |
Here's to some more great wildlife in 2012. | 0:02:54 | 0:02:58 | |
But some of our wildest moments happened right here in the studio. | 0:02:58 | 0:03:02 | |
Welcome back to the new look | 0:03:02 | 0:03:03 | |
Gothic One Show with Matt 'the bat' Baker... | 0:03:03 | 0:03:07 | |
And Alex 'bones' Jones. | 0:03:07 | 0:03:09 | |
Fish and chips. | 0:03:12 | 0:03:14 | |
You just launched a literacy project with Peter Andre, | 0:03:14 | 0:03:17 | |
can you name one of Peter Andre's songs and can you sing it? | 0:03:17 | 0:03:20 | |
Um, Peter Andre, he's a brilliant singer. | 0:03:20 | 0:03:24 | |
-LAUGHTER -I would say... Mysterious... Girl! | 0:03:24 | 0:03:27 | |
Give us a kiss, give us a kiss! | 0:03:31 | 0:03:33 | |
ROUGH COCKNEY ACCENT: Happy Christmas, Ange. | 0:03:36 | 0:03:39 | |
This is me, this is me, this is the real me! | 0:03:43 | 0:03:47 | |
We have a chick alert, Kate, over to you! | 0:03:48 | 0:03:51 | |
We've had a little chick hatched out of the egg over there. | 0:03:51 | 0:03:55 | |
Look at that, what are we going to call it? | 0:03:55 | 0:03:57 | |
-I reckon it's got to be Russell! -Russell! | 0:03:57 | 0:04:00 | |
Dennis The Menace celebrates his 60th birthday... | 0:04:03 | 0:04:05 | |
-Stop it, Dave! -Dave, stop it. -AUDIENCE LAUGHS | 0:04:05 | 0:04:08 | |
-Alex, you're up next. -Oh...OK. | 0:04:08 | 0:04:11 | |
Oh, in we go. | 0:04:11 | 0:04:12 | |
SHE SCREAMS, LAUGHTER | 0:04:12 | 0:04:15 | |
-What is it?! -A little baby animal, I promise, furry and cute... -Oh! Oh! | 0:04:15 | 0:04:20 | |
HE REPEATS: You'll frighten it. LAUGHTER CONTINUES | 0:04:20 | 0:04:23 | |
Oh... I think it's a rabbit. | 0:04:23 | 0:04:25 | |
-No, it's something that would attack and kill a rabbit. -A little cat. -No. | 0:04:25 | 0:04:30 | |
Is this actually going out on television? | 0:04:43 | 0:04:47 | |
-Yes, it all went out on television. Live. -Yes, it did. | 0:04:50 | 0:04:54 | |
I found loads of Christmas presents in the office, | 0:04:54 | 0:04:57 | |
that we didn't open before the break. | 0:04:57 | 0:04:59 | |
I wonder who this one's from and what's in it? | 0:04:59 | 0:05:02 | |
Maybe it's a little cat? | 0:05:02 | 0:05:04 | |
Hi, Al and Matt! Peter Kay here! Hope you had a good Christmas. | 0:05:04 | 0:05:08 | |
Sorry it's late, got your pressie here in case you get the urge | 0:05:08 | 0:05:11 | |
to throw things at each other. Here you go. | 0:05:11 | 0:05:14 | |
Knife throwing kit! Ha-ha! Have a good new year. | 0:05:14 | 0:05:17 | |
Thanks, Peter, we'll keep practising. | 0:05:17 | 0:05:21 | |
Yup, here comes number 18. | 0:05:21 | 0:05:22 | |
BOING! > | 0:05:22 | 0:05:23 | |
And it's a moment I'll always remember. | 0:05:23 | 0:05:26 | |
In January, I went to Zambia for Comic Relief | 0:05:26 | 0:05:29 | |
and met people like Joseph - a widowed father of four | 0:05:29 | 0:05:32 | |
who was having an operation to save his sight. | 0:05:32 | 0:05:34 | |
'Today Joseph will get his sight back.' | 0:05:42 | 0:05:46 | |
-Hello, Joseph. Hi, I'm Alex. Hello. Lovely to meet you. -And same to me. | 0:05:46 | 0:05:51 | |
'The cataract has built up around the lens in Joseph's eye, | 0:05:51 | 0:05:54 | |
'but it's simple for Dr Mumba to remove it. | 0:05:54 | 0:05:57 | |
'A new, plastic lens will mean Joseph can see again.' | 0:05:57 | 0:06:01 | |
It's absolutely incredible. I mean, in less than 15 minutes, | 0:06:03 | 0:06:08 | |
we hope that Joseph's sight has been restored. | 0:06:08 | 0:06:12 | |
OK... | 0:06:16 | 0:06:18 | |
..and that's it. | 0:06:19 | 0:06:21 | |
-Brilliant. -How is it? | 0:06:23 | 0:06:25 | |
Really fantastic, I can see. | 0:06:25 | 0:06:27 | |
-You can see? -I can see! -Oh, it's quite emotional. | 0:06:27 | 0:06:31 | |
LAUGHTER | 0:06:31 | 0:06:33 | |
-Ah, my daughter! -Who are these? -These are my daughters! | 0:06:33 | 0:06:37 | |
-Come on! -Aw! -My own eyes, I can see your beauty. | 0:06:37 | 0:06:42 | |
Hundreds of you came into the studio | 0:06:42 | 0:06:44 | |
to raise money, including some brave souls who stripped to their undies. | 0:06:44 | 0:06:48 | |
Let the mass wax-off commence! | 0:06:48 | 0:06:51 | |
# If you wanna be my lover you gotta get with my friends | 0:07:02 | 0:07:06 | |
# Make it last forever Friendship never ends! | 0:07:06 | 0:07:10 | |
# If you wanna be my lover you have got to give | 0:07:10 | 0:07:15 | |
# Taking is too easy But that's the way it is! # | 0:07:15 | 0:07:20 | |
-On your marks. -Drop your robes... And run! | 0:07:20 | 0:07:23 | |
KLAXON BLARES | 0:07:23 | 0:07:26 | |
MUSIC: "Yakety Sax" from The Benny Hill Show | 0:07:26 | 0:07:29 | |
That was definitely a moment to remember. | 0:07:41 | 0:07:44 | |
It was, thanks to all who came to take part, | 0:07:44 | 0:07:46 | |
and everyone who donated to help people like Joseph, | 0:07:46 | 0:07:49 | |
-and we lost a streaker! -Apparently, he's still running around here. | 0:07:49 | 0:07:53 | |
-Woo! -BOTH LAUGH | 0:07:53 | 0:07:56 | |
He must be a bit chilly! Quick, what's at 17? | 0:07:56 | 0:08:00 | |
Some of the people who appeared on our show this year | 0:08:00 | 0:08:03 | |
had incredible stories to tell. | 0:08:03 | 0:08:05 | |
Here's Joe Crowley with one of my favourite films of the year. | 0:08:05 | 0:08:10 | |
Shining amid the hills of North Wales, | 0:08:15 | 0:08:18 | |
Llyn Celyn is a cold, deep lake. | 0:08:18 | 0:08:21 | |
It may look like it's been here forever, but it hasn't. | 0:08:21 | 0:08:24 | |
Hidden beneath these troubled waters | 0:08:24 | 0:08:26 | |
lie the remains of a once happy village. | 0:08:26 | 0:08:29 | |
Capel Celyn was a traditional, Welsh-speaking village. | 0:08:29 | 0:08:34 | |
Families had lived there for generations, | 0:08:34 | 0:08:36 | |
farming the valley and attending chapel. | 0:08:36 | 0:08:39 | |
Well, it was typical of a Welsh community in the 50s and 60s. | 0:08:39 | 0:08:43 | |
Very tight, very friendly. | 0:08:43 | 0:08:45 | |
Very, very fond memories, really. | 0:08:45 | 0:08:48 | |
Time in school was a real pleasure. | 0:08:48 | 0:08:51 | |
It revolved, really, around nature and all the things you could find. | 0:08:51 | 0:08:56 | |
Yeah, there's me there. | 0:08:56 | 0:08:58 | |
-This is you? -That's me, that's really weird. | 0:08:58 | 0:09:01 | |
Very smart in your double-breasted blazer. | 0:09:01 | 0:09:04 | |
To look at these faces going back 30 years is really strange and eerie. | 0:09:04 | 0:09:08 | |
Spooky, like ghosts. | 0:09:08 | 0:09:10 | |
'The children expected that, one day, they'd farm the valley | 0:09:10 | 0:09:15 | |
'like their parents, but in 1955, the outside world came crashing in.' | 0:09:15 | 0:09:20 | |
The people of Capel Celyn received compulsory purchase orders. | 0:09:20 | 0:09:24 | |
Their entire valley was to become a reservoir. | 0:09:24 | 0:09:27 | |
Their homes, farms and memories were to be lost forever. | 0:09:27 | 0:09:32 | |
'60 miles away, Liverpool wanted extra water | 0:09:32 | 0:09:35 | |
'for post-war regeneration and had chosen the Tryweryn valley - | 0:09:35 | 0:09:39 | |
'with its narrow neck - perfect for damming.' | 0:09:39 | 0:09:42 | |
Despite local opposition, planning permission wasn't required | 0:09:42 | 0:09:45 | |
as Liverpool Corporation had the backing of a parliamentary bill. | 0:09:45 | 0:09:50 | |
It didn't really become reality | 0:09:50 | 0:09:52 | |
until you actually saw places that you thought were going to be | 0:09:52 | 0:09:57 | |
there forever coming down in front of your eyes. | 0:09:57 | 0:10:02 | |
It was greeted with disbelief that such a thing had happened, | 0:10:02 | 0:10:06 | |
but it was irreversible. | 0:10:06 | 0:10:09 | |
As the dam slowly rose, residents were permitted to exhume loved ones | 0:10:09 | 0:10:13 | |
from the graveyard before it was bulldozed. | 0:10:13 | 0:10:16 | |
My parents never spoke about it. | 0:10:16 | 0:10:18 | |
I don't think they could bring themselves to imagine such a thing... | 0:10:18 | 0:10:23 | |
would ever happen. | 0:10:23 | 0:10:25 | |
They believed, once you were dead and buried, you were in peace. | 0:10:25 | 0:10:29 | |
Capel Celyn was soon razed to the ground, but the school was left standing till last. | 0:10:31 | 0:10:36 | |
What I remember is the sound of the chainsaws coming closer and closer. | 0:10:47 | 0:10:52 | |
The bulldozers, the mud, the dust, the uncertainty, | 0:10:52 | 0:10:57 | |
the black cloud getting closer and closer and closer, | 0:10:57 | 0:11:00 | |
till, eventually, it swallowed up our school | 0:11:00 | 0:11:03 | |
and destroyed it. | 0:11:03 | 0:11:06 | |
On the day the reservoir was opened, passions ran high. | 0:11:06 | 0:11:09 | |
The loss of Capel Celyn had a profound impact | 0:11:09 | 0:11:11 | |
on Welsh national identity. | 0:11:11 | 0:11:13 | |
There was the cultural argument that villages that still held | 0:11:13 | 0:11:17 | |
to Welsh traditions were getting increasingly rare, | 0:11:17 | 0:11:20 | |
and to destroy one was an act of vandalism. | 0:11:20 | 0:11:24 | |
There was a feeling that, well, at least we've got MPs | 0:11:24 | 0:11:27 | |
to give the Welsh view. They did, but nobody took any notice at all! | 0:11:27 | 0:11:32 | |
Wales at the beginning of the 21st century is a much different place, | 0:11:32 | 0:11:36 | |
and if one looks at a single source causing that change, | 0:11:36 | 0:11:40 | |
I would say Tryweryn. | 0:11:40 | 0:11:42 | |
It was my mother that was born in the valley. | 0:11:45 | 0:11:48 | |
In their last years, well, you could see how the trauma had affected them | 0:11:48 | 0:11:53 | |
and they were just talking about the valley all the time, | 0:11:53 | 0:11:56 | |
asking, "Is the water coming? Is the home still there?" | 0:11:56 | 0:12:00 | |
It's impossible to imagine, for someone like me | 0:12:00 | 0:12:02 | |
who never knew it any other way, that it could be different, really. | 0:12:02 | 0:12:06 | |
It's difficult for me as well. | 0:12:06 | 0:12:08 | |
But despite what they've done here, it's still a very beautiful place. | 0:12:08 | 0:12:12 | |
And there's still people here, we're still here. | 0:12:14 | 0:12:18 | |
And we always will be. | 0:12:18 | 0:12:20 | |
In 2005, Liverpool City Council finally apologised | 0:12:21 | 0:12:26 | |
for what happened here. | 0:12:26 | 0:12:27 | |
Some may have forgiven them, but few will forget. | 0:12:27 | 0:12:31 | |
As the 40-year-old graffiti still says - "Remember Tryweryn". | 0:12:31 | 0:12:36 | |
The One Show wouldn't be the same without a few famous bottoms | 0:12:42 | 0:12:46 | |
sitting on our green sofa. | 0:12:46 | 0:12:47 | |
Here's just some of the best of the guests. | 0:12:47 | 0:12:50 | |
How do you fancy a film about beetles and judo? | 0:12:50 | 0:12:54 | |
I'd fight anybody who'd stop me watching it! | 0:12:54 | 0:12:56 | |
-Oooh! -I'm his biggest fan. -Thank you very much, Ruth! | 0:13:02 | 0:13:06 | |
-Thank you very much. -I'm so overcome! | 0:13:06 | 0:13:10 | |
You've let everyone down, including the pig, OK? | 0:13:10 | 0:13:14 | |
I was just thinking, actually, we could swap points, | 0:13:14 | 0:13:17 | |
cos you just have to put this scarf on your head. | 0:13:17 | 0:13:19 | |
I'll tell you this, my darling, darling doctor, | 0:13:28 | 0:13:31 | |
goodness knows where those lovely hands have been. | 0:13:31 | 0:13:33 | |
LAUGHTER | 0:13:33 | 0:13:35 | |
Facing the wrong way, come on! | 0:13:35 | 0:13:37 | |
RETCHES | 0:13:37 | 0:13:40 | |
LAUGHTER | 0:13:40 | 0:13:43 | |
-I'm going to be in a pumpkin? -You are. -I love this show! | 0:13:43 | 0:13:46 | |
It's like chatting with your nan - you don't know what's going to come out next, but I'm enjoying it. | 0:13:46 | 0:13:51 | |
There's a "Come on, England". That'll keep you nice and warm. | 0:13:51 | 0:13:56 | |
-You can put that on. -I want this on VT, OK? | 0:13:56 | 0:14:00 | |
Just to double-check, is that the right number there? | 0:14:05 | 0:14:09 | |
I always had a bit of a thing for you. | 0:14:13 | 0:14:16 | |
I did for you, but it never happened, did it? | 0:14:16 | 0:14:18 | |
-Stardom took you away from me. -There's time. | 0:14:18 | 0:14:21 | |
-I'm single. I'm not seeing anyone at the moment. -I am as well. | 0:14:21 | 0:14:25 | |
-They did end up going for a drink. -Yeah, they did. -Oh, I've lost it. | 0:14:25 | 0:14:31 | |
-It's your go. -Thanks. -More famous faces are coming up soon. | 0:14:31 | 0:14:34 | |
-Of everybody we've had on, who was your favourite? -It's a tough one. | 0:14:34 | 0:14:38 | |
Erm, I loved Sarah Millican and Miranda Hart, always good. | 0:14:38 | 0:14:42 | |
Dame Edna, brilliant. | 0:14:42 | 0:14:43 | |
-I suppose maybe Dannii Minogue was my favourite. -OK. -What about you? | 0:14:43 | 0:14:48 | |
-That's quite a wide range! I think my favourite would have to be Dolly Parton. -Oh, yeah. | 0:14:48 | 0:14:53 | |
-She was just class, wasn't she? -She was great. -Brilliant. | 0:14:53 | 0:14:56 | |
Do you know what? We've loads more presents to open. | 0:14:56 | 0:14:58 | |
-Shall we go with this one? -Let's have a look. | 0:14:58 | 0:15:01 | |
Wonder what's in here and who's it from? | 0:15:01 | 0:15:03 | |
Hi, guys, to make sure you have a great new year, | 0:15:03 | 0:15:05 | |
I've got you a classy bottle of champers. | 0:15:05 | 0:15:07 | |
If you want something a little less poncey, why not get a few beers in? | 0:15:07 | 0:15:11 | |
-Decide which one and who gets what. Happy New Year. -Happy New Year. | 0:15:11 | 0:15:15 | |
-Keep yours. -Lovely! | 0:15:15 | 0:15:17 | |
-Cheers, lads. What shall we start with? -I'll go with the champers. | 0:15:17 | 0:15:21 | |
-OK. All the best. -Cheers. | 0:15:21 | 0:15:22 | |
Whenever a big story hit the UK, The One Show was there. | 0:15:22 | 0:15:26 | |
And they don't come much bigger than our number 15. | 0:15:26 | 0:15:28 | |
During one week in August, England endured night after night | 0:15:30 | 0:15:33 | |
of destruction and looting. | 0:15:33 | 0:15:36 | |
Anita Rani met some of the victims, | 0:15:36 | 0:15:38 | |
and we saw first hand how communities came together to clean up. | 0:15:38 | 0:15:43 | |
Everything empty, | 0:15:43 | 0:15:45 | |
every single thing went. Even the shelves and everything. | 0:15:45 | 0:15:50 | |
Ceiling they rip off, the cameras took off. | 0:15:50 | 0:15:53 | |
There's nothing left in this shop. | 0:15:53 | 0:15:56 | |
This shop has been completely annihilated. | 0:15:56 | 0:16:00 | |
-This is all your livelihood? -Livelihood 11 years. | 0:16:00 | 0:16:03 | |
We work 80-90 hours a week. And end up with this? | 0:16:03 | 0:16:06 | |
Go with empty hand. | 0:16:06 | 0:16:08 | |
He took a running kick at the window. Then they all join in. | 0:16:08 | 0:16:14 | |
I'm 54 years of age. | 0:16:14 | 0:16:16 | |
For the first time in my life, | 0:16:16 | 0:16:19 | |
I now feel vulnerable. | 0:16:19 | 0:16:21 | |
I devoted my life to it. | 0:16:22 | 0:16:24 | |
This person destroyed it, destroyed our livelihood overnight. | 0:16:24 | 0:16:29 | |
My father's father must be turning in his grave. | 0:16:29 | 0:16:32 | |
When I saw it go up, I thought. "We're all dead," you know? | 0:16:32 | 0:16:37 | |
Difficult. | 0:16:37 | 0:16:39 | |
Trevor, this is the first time you've seen this footage. | 0:16:39 | 0:16:43 | |
-You're obviously very shocked and emotional. -It's terrible. | 0:16:43 | 0:16:46 | |
I was standing by it and it didn't look anything like that. | 0:16:46 | 0:16:51 | |
It felt pretty horrible, but that's just disgraceful. | 0:16:51 | 0:16:55 | |
They are unbelievable pictures. They are unbelievable. | 0:16:55 | 0:16:58 | |
Standing and seeing them like that, that's frightening. | 0:16:58 | 0:17:02 | |
That is frightening stuff. | 0:17:02 | 0:17:04 | |
The high street is closed till 1pm as investigations go on. | 0:17:06 | 0:17:10 | |
This group of people have seen it on the news, read it on Twitter, | 0:17:10 | 0:17:13 | |
they get down here and help out where they can. | 0:17:13 | 0:17:16 | |
All the hate and violence from the riots | 0:17:16 | 0:17:20 | |
has sort of brought a backlash and an anti-riot feeling. | 0:17:20 | 0:17:23 | |
It's showing community spirit at its heart. | 0:17:23 | 0:17:26 | |
I looked out and there were literally 100 people | 0:17:26 | 0:17:29 | |
walking along our road with brooms, ready to help, and bin liners. It brought tears to my eyes. | 0:17:29 | 0:17:35 | |
Fantastic support. | 0:17:35 | 0:17:36 | |
My house is full of flowers. My house is full of cards. | 0:17:36 | 0:17:40 | |
We'll have a new building, and off we go. Good comes out of bad. | 0:17:40 | 0:17:45 | |
-That's an amazing attitude to have. -That's how I look at it. | 0:17:45 | 0:17:48 | |
Away from the turmoil of the cities, The One Show's hot-air balloon | 0:17:48 | 0:17:52 | |
floated serenely over our countryside. | 0:17:52 | 0:17:55 | |
Christine Walkden used it to show us flowers | 0:17:55 | 0:17:57 | |
like we'd never seen them before. | 0:17:57 | 0:17:59 | |
You've been growing for 11 years, | 0:18:05 | 0:18:08 | |
so what does it feel like to be up here seeing them from this angle? | 0:18:08 | 0:18:12 | |
It's amazing to see the colours and to see them intermingling together. | 0:18:12 | 0:18:16 | |
We get the RAF pilots at RAF Marham, not too far away, | 0:18:16 | 0:18:19 | |
They come over very slowly and have a good look. | 0:18:19 | 0:18:22 | |
It looks like a giant deckchair. How do you get the stripes? | 0:18:26 | 0:18:32 | |
We use the latest GPS equipment to get as much in the field as we can. | 0:18:32 | 0:18:38 | |
We want to utilise the field to its utmost, | 0:18:38 | 0:18:40 | |
and all the input of chemicals and fertilisers. | 0:18:40 | 0:18:44 | |
What amazes me, having been to Holland hundreds of times. | 0:18:44 | 0:18:47 | |
This is enormous! The Dutch fields are tiny. | 0:18:47 | 0:18:51 | |
We're lucky here that we've got large arable fields, | 0:18:51 | 0:18:54 | |
doing horticulture on an arable scale, | 0:18:54 | 0:18:57 | |
trying to do it the most economic way we can. | 0:18:57 | 0:19:01 | |
-How many flowers do you think are down there? -Millions, millions. | 0:19:01 | 0:19:05 | |
We'll probably produce 20 million bulbs from these fields. | 0:19:05 | 0:19:09 | |
I actually think that was my favourite shot of the year. | 0:19:13 | 0:19:16 | |
Yeah, it was lovely. You know, I think... Oh no! | 0:19:16 | 0:19:21 | |
I think I'm getting the hang of this-ish. Here we go. | 0:19:21 | 0:19:24 | |
-That's good. -Down you come. -That's good. Wiggle the tail. Perfect. | 0:19:24 | 0:19:29 | |
Let's open some more presents before Chris gets here. | 0:19:29 | 0:19:32 | |
Hi, guys, Professor Brian Cox here. | 0:19:32 | 0:19:34 | |
Hope you have an astronomically good new year. | 0:19:34 | 0:19:36 | |
I've brought you something, it's a piece of the sun. | 0:19:36 | 0:19:39 | |
Be careful, it's hot. | 0:19:39 | 0:19:41 | |
27 million degrees Fahrenheit, about 15 million degrees Celsius. | 0:19:41 | 0:19:44 | |
Very hot. Happy New Year. | 0:19:44 | 0:19:47 | |
-"Please wear glasses provided." -OK. Here we go. -Ready? -Yeah. | 0:19:48 | 0:19:52 | |
-Wow! We can toast some crumpets on that later. -Yeah! -He's a clever boy. | 0:19:56 | 0:20:00 | |
Well done, son. Talking of which... | 0:20:00 | 0:20:03 | |
Hmm, shiny. | 0:20:05 | 0:20:06 | |
Our science team don't just blow stuff up. | 0:20:06 | 0:20:09 | |
Well, they do, but they can do other stuff as well. | 0:20:09 | 0:20:13 | |
Like crunching up entire planes. Time for our favourite bits of boffinry. | 0:20:13 | 0:20:18 | |
We're not here for the making. We're here for the breaking. | 0:20:18 | 0:20:24 | |
With just the airframe left, it doesn't take long for the team | 0:20:24 | 0:20:28 | |
to reduce this 737 to 25 tonnes of scrap aluminium. | 0:20:28 | 0:20:32 | |
With just a teensy bit of help from yours truly. | 0:20:34 | 0:20:37 | |
It's now time for the surgeons to carve | 0:20:43 | 0:20:45 | |
the rib cartilage into the shape of an ear. With no spare cartilage, | 0:20:45 | 0:20:49 | |
Mr Sabbagh and Mr O'Toole only have one chance to get it right. | 0:20:49 | 0:20:53 | |
You can see... Good. That's a new ear. | 0:20:56 | 0:20:59 | |
People don't stare at me any ore. | 0:21:01 | 0:21:03 | |
Because I've had a new operation. | 0:21:05 | 0:21:08 | |
I'm going to be like everyone else. | 0:21:08 | 0:21:11 | |
And I can wear glasses. | 0:21:11 | 0:21:13 | |
The Electric Mountain's proper name is Dinorwig, a massive hydroelectric | 0:21:13 | 0:21:18 | |
power station which can cope with sudden surges in demand. | 0:21:18 | 0:21:21 | |
It's hidden inside a mountain called Elidir | 0:21:21 | 0:21:24 | |
within Europe's largest man-made cave. | 0:21:24 | 0:21:27 | |
This is the main inlet valve, which is opening right now. | 0:21:27 | 0:21:30 | |
It's allowing 60 cubic metres of water per second. | 0:21:30 | 0:21:35 | |
You can hear it flowing from the top reservoir through this pipe. | 0:21:35 | 0:21:40 | |
The water then spins an enormous turbine in here, | 0:21:46 | 0:21:49 | |
which looks a bit like that one over there, which in turn makes | 0:21:49 | 0:21:52 | |
this huge drive shaft spin at 500 revolutions per minute. | 0:21:52 | 0:21:59 | |
And that makes an electrical generator on the floor above us | 0:21:59 | 0:22:03 | |
generate electricity. | 0:22:03 | 0:22:05 | |
When you're chatting to celebrities on the show, | 0:22:05 | 0:22:07 | |
the one thing you can be sure of is that you can't be sure of anything. | 0:22:07 | 0:22:11 | |
Here's just some of the things they've said that surprised us. | 0:22:11 | 0:22:15 | |
Here's why I'm excited. It is the same motorcycle Steve McQueen used | 0:22:15 | 0:22:19 | |
-to jump the fence in The Great Escape. -Really? | 0:22:19 | 0:22:22 | |
And then I got to sit on it, | 0:22:22 | 0:22:24 | |
cos I don't actually know how to ride a bike. | 0:22:24 | 0:22:26 | |
-So you don't know how to ride a motorcycle? -I actually don't. -The Fonz, with the jacket... | 0:22:26 | 0:22:31 | |
-That's how good I was! -LAUGHTER | 0:22:31 | 0:22:34 | |
-Is it true you lived in a tree for a short time? -Well, I did. You've done your research. | 0:22:34 | 0:22:39 | |
I lived in a tree my senior year of university. | 0:22:39 | 0:22:43 | |
I wasn't, like, in a squirrel's house or anything. | 0:22:43 | 0:22:46 | |
I actually had a platform, | 0:22:46 | 0:22:47 | |
and you know, in California then, in the Seventies, | 0:22:47 | 0:22:50 | |
-everyone was very, everyone was living in a dome or a... -Right. | 0:22:50 | 0:22:53 | |
..hut or an igloo or what have you, so I fit right in. | 0:22:53 | 0:22:57 | |
Well, I was taken into care pretty much straight from court, | 0:22:57 | 0:23:01 | |
at the age of 10½, nearly 11, and went into care homes then. | 0:23:01 | 0:23:05 | |
Eventually, by about a year in, I was settled in one place in Stoke-on-Trent. | 0:23:05 | 0:23:09 | |
The worst thing is being separated from your family. | 0:23:09 | 0:23:12 | |
You know, your siblings and your parents, and coming to terms with that. | 0:23:12 | 0:23:16 | |
I was making a film called How I Won The War with Richard Lester, | 0:23:16 | 0:23:19 | |
who did all the Beatles films. | 0:23:19 | 0:23:22 | |
And John and I, he was then married to Cynthia, | 0:23:22 | 0:23:26 | |
we stayed, I was married to Gabrielle, | 0:23:26 | 0:23:29 | |
and the four of us stayed in this house. | 0:23:29 | 0:23:31 | |
And he started, in the evening, we'd play table tennis or something, | 0:23:31 | 0:23:37 | |
but he'd sit on the end of the bed, going, "Strawberry Fields Forever." | 0:23:37 | 0:23:41 | |
-LAUGHTER Did he write...? -"Oh, I'm not sure." | 0:23:41 | 0:23:43 | |
I said, "Don't worry, that's great, John. That's coming on very well." | 0:23:43 | 0:23:48 | |
-Some unbelievable stories! -Yeah. -Is that Sigourney Weaver in our tree? | 0:23:48 | 0:23:52 | |
I don't think so. | 0:23:52 | 0:23:53 | |
Do you know what? We just had a text from Chris, he says he's on his way. | 0:23:53 | 0:23:57 | |
He's got something for us, which is nice, | 0:23:57 | 0:24:00 | |
and something about a streaker in the car park? | 0:24:00 | 0:24:03 | |
Mmm, intriguing. | 0:24:03 | 0:24:04 | |
Anyway, on with the best bits of The One Show 2011. | 0:24:04 | 0:24:07 | |
We are now up to number 11, | 0:24:07 | 0:24:09 | |
and covering amazing local stories even the locals don't know about. | 0:24:09 | 0:24:13 | |
Here's our Gyles explaining how a world-famous man of peace | 0:24:13 | 0:24:16 | |
ended up in a Lancashire mill town. | 0:24:16 | 0:24:19 | |
Mohandas Gandhi, also known as the Mahatma, meaning the Great Soul, | 0:24:21 | 0:24:25 | |
was famous the world over for promoting the creation | 0:24:25 | 0:24:28 | |
of an Indian state, uniting Hindus and Muslims, | 0:24:28 | 0:24:32 | |
and independent of British rule. | 0:24:32 | 0:24:34 | |
In the 1920s, Gandhi spearheaded an Indian boycott of foreign goods | 0:24:36 | 0:24:41 | |
in an attempt to bring production back to his country. | 0:24:41 | 0:24:44 | |
The boycott especially targeted products like textiles from Britain, | 0:24:44 | 0:24:48 | |
as the British Empire had imposed tax and trade restrictions | 0:24:48 | 0:24:51 | |
that had made many Indian industries uncompetitive. | 0:24:51 | 0:24:55 | |
In doing so, Gandhi was peacefully taking on the might of the Empire. | 0:24:55 | 0:25:00 | |
Gandhi was no stranger to Britain. | 0:25:00 | 0:25:02 | |
As a young man, he'd studied law in London. | 0:25:02 | 0:25:05 | |
But 80 years ago, during the struggle for Indian independence, | 0:25:05 | 0:25:08 | |
he returned to England to take part in round-table discussions | 0:25:08 | 0:25:11 | |
with a reluctant British government. | 0:25:11 | 0:25:14 | |
And then, in the middle of his trip, he got on a train heading north, | 0:25:14 | 0:25:18 | |
and ended up here in the small Lancashire town of Darwen | 0:25:18 | 0:25:23 | |
on Friday the 26th of September 1931. | 0:25:23 | 0:25:27 | |
Why? | 0:25:27 | 0:25:28 | |
'Jayne Waring is a local historian.' | 0:25:28 | 0:25:32 | |
-So Darwen WAS cotton mills? -Yes. | 0:25:32 | 0:25:34 | |
Built on the cotton mills, that was its sole trade. | 0:25:34 | 0:25:38 | |
And then one day, to this square, to this town hall, came Mahatma Gandhi. | 0:25:38 | 0:25:44 | |
Why? | 0:25:44 | 0:25:45 | |
Gandhi visited Darwen | 0:25:45 | 0:25:46 | |
to see how the people of Darwen were coping with the boycott. | 0:25:46 | 0:25:50 | |
He also wanted to highlight | 0:25:50 | 0:25:52 | |
that the Indian people were a lot worse off than the people of Darwen. | 0:25:52 | 0:25:56 | |
-So Gandhi came up here to see the trouble he was causing at mill. -Yes, yeah. | 0:25:56 | 0:26:00 | |
This whole town had been hit hard by the boycott. | 0:26:00 | 0:26:03 | |
India was the major recipient of textiles from this area, | 0:26:03 | 0:26:07 | |
and the drop in demand had put hundreds of people out of work. | 0:26:07 | 0:26:11 | |
As a result, the Greenfield Mill owners invited Gandhi to visit, | 0:26:11 | 0:26:16 | |
and see the effects of his boycott on the workers of Darwen. | 0:26:16 | 0:26:19 | |
Modern detached houses now sit where the mill once stood, | 0:26:19 | 0:26:23 | |
but over the road, you can find the homes | 0:26:23 | 0:26:25 | |
that the Quaker owners of the factory once built for their workers. | 0:26:25 | 0:26:30 | |
'And it was at this unlikely spot, in a top floor room | 0:26:30 | 0:26:33 | |
'at Number 3 Spring Vale Gardens, | 0:26:33 | 0:26:35 | |
'that a spiritual leader spent his first night in Lancashire.' | 0:26:35 | 0:26:39 | |
And this is the little attic bedroom where Gandhi actually slept. | 0:26:39 | 0:26:43 | |
Though I hadn't realised that Mahatma was a Liverpool supporter. | 0:26:43 | 0:26:46 | |
Fearing reprisals, the police kept a large presence around Gandhi. | 0:26:48 | 0:26:52 | |
But despite this, the townsfolk were keen | 0:26:52 | 0:26:55 | |
to see an internationally renowned leader on their streets, | 0:26:55 | 0:26:58 | |
and they gave him a warm Lancastrian welcome. | 0:26:58 | 0:27:00 | |
And more than 80 years later, there are still some who remember | 0:27:00 | 0:27:04 | |
coming face to face with the Mahatma. | 0:27:04 | 0:27:06 | |
My father sat me down and told me | 0:27:06 | 0:27:10 | |
who Gandhi was, and what Gandhi had done to the Lancashire cotton mills. | 0:27:10 | 0:27:16 | |
He was a little bit peeved. | 0:27:16 | 0:27:17 | |
He explained why Gandhi was coming, | 0:27:17 | 0:27:21 | |
and he admitted himself, which I do now, | 0:27:21 | 0:27:25 | |
that Gandhi was a very brave man. | 0:27:25 | 0:27:27 | |
What did he look like? | 0:27:27 | 0:27:29 | |
This funny man with skinny legs and ten-to-two feet, | 0:27:29 | 0:27:34 | |
he came nearer to passing, and when he saw me, he stopped. | 0:27:34 | 0:27:39 | |
And he moved towards me, stroked my hair, | 0:27:39 | 0:27:41 | |
patted my face with both hands like that. | 0:27:41 | 0:27:45 | |
Stood there looking down at me, smiling, | 0:27:45 | 0:27:49 | |
didn't say a single, solitary word. | 0:27:49 | 0:27:52 | |
And then he walked away. | 0:27:52 | 0:27:55 | |
For a 10-year-old, it didn't really mean a lot, | 0:27:55 | 0:27:59 | |
but for some reason or other, I've never forgotten that. | 0:27:59 | 0:28:03 | |
Despite witnessing first-hand the hardship his boycott was causing, | 0:28:03 | 0:28:08 | |
Gandhi was not to be swayed from his country's struggle for independence, | 0:28:08 | 0:28:12 | |
whatever the cost to the mill-workers of Darwen. | 0:28:12 | 0:28:15 | |
At the beginning of the 20th Century, | 0:28:15 | 0:28:18 | |
there were more than 79,000 looms in Darwen. | 0:28:18 | 0:28:21 | |
By the end of it, there were none. | 0:28:21 | 0:28:23 | |
Cheaper overseas labour changed the face of Lancashire forever. | 0:28:23 | 0:28:28 | |
Hey, Matt, Al! Sorry I'm late! I almost had an accident in the car park. There's a naked man around. | 0:28:34 | 0:28:39 | |
-Yeah. -You heard about this? -I know. -Unbelievable. -He must be cold. -Anyway, presents. -Thank you. | 0:28:39 | 0:28:43 | |
-Thanks. We've got one for you too. -Oh, come on, let's open them up! -Shall we open them? -So exciting! | 0:28:43 | 0:28:48 | |
-Novelty slippers! -Slippers! -Aw, they're really nice! -Yay! | 0:28:48 | 0:28:51 | |
-Lovely. -I'm going to put them on. -You work together, think together - that's how it is. Great! | 0:28:51 | 0:28:56 | |
Listen, I'm late - have I missed anything? | 0:28:56 | 0:28:58 | |
You've missed quite a lot, but don't worry, we've got lots coming up. | 0:28:58 | 0:29:02 | |
-Like this... -Whoa! Look at this! | 0:29:02 | 0:29:05 | |
A bit of this... | 0:29:05 | 0:29:07 | |
-CHEERING AND LAUGHTER -And a whole lot of this... | 0:29:07 | 0:29:10 | |
A coconut, for example, you chop it in half and it looks like a haystack. | 0:29:10 | 0:29:13 | |
Cool. Well, I'm just going to get comfy. What's next? | 0:29:13 | 0:29:16 | |
Well, who else could be at number ten but the Prime Minister? | 0:29:16 | 0:29:20 | |
And watch out for THAT question to David Cameron. | 0:29:20 | 0:29:23 | |
We thought we'd start with four quick questions. The same questions | 0:29:23 | 0:29:27 | |
your civil servants came up with to measure the nation's happiness. | 0:29:27 | 0:29:30 | |
-Right. -Right. -Prime Minister, these are | 0:29:30 | 0:29:33 | |
the exact questions being asked to 200,000 households next month. | 0:29:33 | 0:29:37 | |
-So here we go. Ready for the first one? -Fire away. | 0:29:37 | 0:29:40 | |
On a scale of zero to 10, overall how satisfied are you with your life nowadays? | 0:29:40 | 0:29:45 | |
HE LAUGHS | 0:29:45 | 0:29:47 | |
-How long have I got? -It's just a scale of one to 10, we just need a number. -Six. | 0:29:47 | 0:29:50 | |
-Six? -That's pretty good, just over half, though. A bit worrying. | 0:29:50 | 0:29:54 | |
Second question - overall, how happy did you feel yesterday? | 0:29:54 | 0:29:58 | |
-Um... What was yesterday? Monday. Before... -You were in Derby. | 0:29:58 | 0:30:02 | |
-Oh, I was in Derby. I love Derby. Quick, quick! -THEY LAUGH | 0:30:02 | 0:30:05 | |
-You were at Rolls-Royce. -I was. I had a great day, actually. It was really interesting, | 0:30:05 | 0:30:09 | |
-such an impressive place. -So is that a 10? -Better give that an eight. -Yeah, good. -OK. | 0:30:09 | 0:30:13 | |
That was lucky. I was just thinking, Monday... | 0:30:13 | 0:30:16 | |
-Thank you so much for coming on. -Really lovely to come on. -Such a wonderful evening. | 0:30:16 | 0:30:20 | |
Just very quickly, how on earth do you sleep at night? | 0:30:20 | 0:30:24 | |
-Um... I've always been able to sleep OK, actually. -OK. | 0:30:24 | 0:30:26 | |
I find it you work hard during the day, try and get your stuff done... | 0:30:26 | 0:30:30 | |
-You sleep OK at night. -..and try and put it behind you. | 0:30:30 | 0:30:32 | |
Because at the end of the day, if you're exhausted, you'll make rotten decisions. | 0:30:32 | 0:30:36 | |
There was the Prime Minister having a perfectly lovely time with your happiness rating on The One Show, | 0:30:36 | 0:30:41 | |
and then you caused a stir with that last question. Were you attempting to make a political point there? | 0:30:41 | 0:30:47 | |
Or were you genuinely asking him about his sleep patterns? | 0:30:47 | 0:30:50 | |
Let's move on to number nine, shall we? | 0:30:50 | 0:30:52 | |
This year, our history team really got hands on. | 0:30:54 | 0:30:58 | |
Here they are at their absolute historical best, | 0:30:58 | 0:31:01 | |
starting with an intriguing discovery in Northern Ireland. | 0:31:01 | 0:31:04 | |
This is actually a late 16th-early 17th century tuning peg for a harp. | 0:31:09 | 0:31:13 | |
-Oh. -That find was found literally in the gutter, just outside a blacksmith's. | 0:31:13 | 0:31:19 | |
We know that travelling harpists, travelling musicians, | 0:31:19 | 0:31:23 | |
were visiting the houses at night within this settlement, | 0:31:23 | 0:31:26 | |
and it's tempting to say that this particular harpist left one of the houses very late at night, | 0:31:26 | 0:31:30 | |
made his way back up the cobbled surface and bumped against the corner of the blacksmith's forge, | 0:31:30 | 0:31:36 | |
and lost this quite valuable item in the gutter beneath it. | 0:31:36 | 0:31:40 | |
Keeping the skin and hair clean was only part of Roman hygiene. | 0:31:40 | 0:31:44 | |
You also needed to keep the clothes clean. | 0:31:44 | 0:31:46 | |
And for that, instead of detergents, the Romans used... | 0:31:46 | 0:31:49 | |
..urine. | 0:31:51 | 0:31:52 | |
-Oh, this... -Aah. -SHE COUGHS | 0:31:52 | 0:31:54 | |
'The urine helps in cleaning, as it contains ammonia.' | 0:31:54 | 0:31:57 | |
And the idea is that you're going to stamp on the clothes, almost like a dance. | 0:31:57 | 0:32:01 | |
This is agitating the fibres, and pushing the urine into the cloth, | 0:32:01 | 0:32:07 | |
and the stains, the dirt, the smells of everyday life | 0:32:07 | 0:32:10 | |
are being lifted up into the water. | 0:32:10 | 0:32:13 | |
-This is just what a washing machine does, isn't it? -Absolutely. | 0:32:13 | 0:32:16 | |
60 years ago, jet aircraft like this one, the Hawker Hunter, | 0:32:17 | 0:32:20 | |
began to show the potential of being able to break the sound barrier. | 0:32:20 | 0:32:24 | |
But that wasn't a task for the faint-hearted. | 0:32:24 | 0:32:27 | |
My wife was asked, "Did you ever think he could get killed?", | 0:32:27 | 0:32:31 | |
and she said no, because she had no imagination. | 0:32:31 | 0:32:34 | |
You never thought you could make a hole in the ground. | 0:32:34 | 0:32:38 | |
I suppose this is what you need. | 0:32:38 | 0:32:41 | |
A bit of blind faith. | 0:32:41 | 0:32:44 | |
Our resident art expert is Phil Tufnell. | 0:32:45 | 0:32:48 | |
-No, we can't believe it, either. -And this year, he met a man | 0:32:48 | 0:32:51 | |
whose photographs are literally good enough to eat. | 0:32:51 | 0:32:54 | |
The iconic London skyline has been photographed thousands of times | 0:32:54 | 0:32:59 | |
by professionals and amateurs alike, | 0:32:59 | 0:33:02 | |
but there's one British photographer, Carl Warner, | 0:33:02 | 0:33:04 | |
who has immortalised Tower Bridge and the Gherkin in a unique way. | 0:33:04 | 0:33:10 | |
MUSIC: "London Calling" by The Clash | 0:33:12 | 0:33:14 | |
If you look closely at Carl's London skyline, | 0:33:14 | 0:33:17 | |
you can see it's made out of crackers, green beans and broccoli, | 0:33:17 | 0:33:20 | |
amongst other edible ingredients. | 0:33:20 | 0:33:25 | |
Carl makes landscapes out of food, and then photographs them. | 0:33:25 | 0:33:29 | |
I've always had a love of landscape photography, | 0:33:29 | 0:33:32 | |
but I've always worked all my life as a still-life photographer. | 0:33:32 | 0:33:36 | |
This kind of combines the two, | 0:33:36 | 0:33:39 | |
I can make my own scenes, I can travel the world through food. | 0:33:39 | 0:33:43 | |
I think it works brilliant. | 0:33:43 | 0:33:45 | |
This was the very first one I did. I started off very simply. | 0:33:45 | 0:33:49 | |
I found these beautiful Portobello mushrooms, and I looked at them and thought, "these look like trees," | 0:33:49 | 0:33:54 | |
so I brought them back to the studio, | 0:33:54 | 0:33:56 | |
put them on a big tabletop with some rice and beans, | 0:33:56 | 0:33:59 | |
-and it's down to the lighting and the camera angle, to get really low underneath them... -Yeah. | 0:33:59 | 0:34:04 | |
..to make them look like they really are trees in some alien world. | 0:34:04 | 0:34:09 | |
We can trace the use of food in art as far back as the 1500s, | 0:34:09 | 0:34:14 | |
when Italian artist Giuseppe Arcimboldo | 0:34:14 | 0:34:18 | |
first painted fruit and vegetable faces. | 0:34:18 | 0:34:20 | |
Then, from the 20th century onwards, | 0:34:20 | 0:34:22 | |
a few artists began using foodstuffs to create mosaics. | 0:34:22 | 0:34:27 | |
Carl Warner has taken this to the next level. | 0:34:28 | 0:34:31 | |
By photographing actual sets made from food, | 0:34:31 | 0:34:34 | |
his final images have a sense of depth and perspective | 0:34:34 | 0:34:37 | |
that food mosaics don't. | 0:34:37 | 0:34:39 | |
Today, we're working on the last picture for my new kids' book, | 0:34:39 | 0:34:43 | |
which is basically landscapes made out of food, | 0:34:43 | 0:34:46 | |
but predominantly one colour. | 0:34:46 | 0:34:48 | |
So this one today is going to be pink. | 0:34:48 | 0:34:50 | |
-I was fortunate to come across this wonderful Italian nougat... -Ooh, lovely. | 0:34:50 | 0:34:54 | |
..which has got a pink backing, | 0:34:54 | 0:34:56 | |
and these beautiful nuts inside, which look like a flint stone wall. | 0:34:56 | 0:34:59 | |
So over my shoulder here is Paul, making our cottage, | 0:34:59 | 0:35:04 | |
and he's actually cladding the lower part of the cottage | 0:35:04 | 0:35:08 | |
with this nougat, which gives us a very realistic look. | 0:35:08 | 0:35:11 | |
-I bet they're happy with you down the local sweet shop. -They love me down the local sweet shop, yeah! | 0:35:11 | 0:35:16 | |
Primarily, I look for things that do look like the similar, larger counterparts in nature. | 0:35:16 | 0:35:20 | |
For example, a broccoli obviously looks like a tree, and that's quite an easy one, | 0:35:20 | 0:35:24 | |
but a coconut, for example, you chop it in half, and it looks like a haystack. | 0:35:24 | 0:35:28 | |
I made a scene out of smoked salmon, where the texture of the surface of the water is very similar | 0:35:28 | 0:35:34 | |
to that of smoked salmon, which I spotted in a restaurant, | 0:35:34 | 0:35:37 | |
thought, "Ooh, look at that," you know. "'Scuse me, sir, can I have your plate of food? Look at that!" | 0:35:37 | 0:35:42 | |
-And what are the difficulties about making sets from food? -The hardest part, of course, is food perishing. | 0:35:42 | 0:35:47 | |
Coriander, for example, it's a very fragile herb, so the moment you cut it and stick it into your scene, | 0:35:47 | 0:35:53 | |
you turn around, and then 30 seconds later it's wilted. | 0:35:53 | 0:35:56 | |
So I tend to use more robust things like curly kale. | 0:35:56 | 0:35:59 | |
It lasts well under the lights, and it's great stuff, | 0:35:59 | 0:36:02 | |
cos I can use it close up as bushes, | 0:36:02 | 0:36:04 | |
but I can use it in the distance as tree canopy or rainforest canopy, | 0:36:04 | 0:36:08 | |
so I love curly kale. | 0:36:08 | 0:36:10 | |
-How do people respond to your work? -Well, I think they initially do, like, a double take, | 0:36:10 | 0:36:15 | |
on the more realistic-looking images, people see it and they think it's actually a real place, | 0:36:15 | 0:36:20 | |
and then suddenly realise that it's actually made of food, and at that point they smile, | 0:36:20 | 0:36:24 | |
and I find that's the nicest part of it, seeing their reaction. | 0:36:24 | 0:36:27 | |
Because there's so much doom and gloom around, | 0:36:27 | 0:36:29 | |
and just to see something that, you know, gives people a bit of joy, I think is a great thing. | 0:36:29 | 0:36:36 | |
I could happily live in that finished scene. | 0:36:36 | 0:36:39 | |
Carl's food landscapes are certainly full of surprises, | 0:36:39 | 0:36:42 | |
and definitely bring a huge smile to everybody that sees them. | 0:36:42 | 0:36:46 | |
-And now, proof that Matt watches The One Show when he's not on it. -Yeah. | 0:36:50 | 0:36:54 | |
The proof is that I now do food art to make my kids eat. | 0:36:54 | 0:36:57 | |
-You should have kids as well, so The One Show works for you. -Right. | 0:36:57 | 0:37:00 | |
-What about we get on with opening the presents?! -Who's this one from? -I don't know! | 0:37:00 | 0:37:04 | |
It's from David Walliams! | 0:37:04 | 0:37:06 | |
Hello, The One Show. David Walliams here. | 0:37:06 | 0:37:08 | |
Hope you're having a great Christmas. | 0:37:08 | 0:37:10 | |
I got you a little something to help you swim into the New Year. | 0:37:10 | 0:37:13 | |
Have a very happy one. Bye! | 0:37:13 | 0:37:15 | |
And thank you to David Walliams for the budgie smugglers, which I'm now wearing on my head. | 0:37:15 | 0:37:20 | |
-Ha ha! Signed! Ooh! -Lovely. Now to prove that it doesn't always go smoothly, | 0:37:20 | 0:37:23 | |
our next clip is the only time that the show has come to a full stop. | 0:37:23 | 0:37:27 | |
Yeah, but why did we choose this one? | 0:37:27 | 0:37:29 | |
Yep, a moment we will never forget. I mean, you just settle down | 0:37:32 | 0:37:35 | |
to a nice chat with Tamsin Greig, and then this happens... | 0:37:35 | 0:37:38 | |
And you just realise that, you know, | 0:37:38 | 0:37:40 | |
the women are the heart of those communities, the heart of those families. | 0:37:40 | 0:37:44 | |
You obviously have those qualities, as well, don't you? SHE LAUGHS | 0:37:44 | 0:37:47 | |
You do! | 0:37:47 | 0:37:48 | |
Well, you know, maybe my cooking could brush up a little bit. | 0:37:48 | 0:37:52 | |
FIRE ALARM SIREN | 0:37:52 | 0:37:53 | |
-Ooh! -Ooh! I think that's our fire alarm. -We've got a fire alarm. | 0:37:53 | 0:37:56 | |
-TAMSIN LAUGHS Wow. -OK... | 0:37:56 | 0:37:58 | |
-Or maybe that's me talking about... -Right, then. We'll link to a VT just in case, shall we? | 0:37:58 | 0:38:02 | |
Well, listen, while we've got the fire alarm, | 0:38:02 | 0:38:05 | |
we've got a very odd question for you. | 0:38:05 | 0:38:07 | |
-What do you get if you cross cows and bats? -Cows and bats? -Yeah. -Yeah. | 0:38:07 | 0:38:11 | |
-Battle. -OK. | 0:38:11 | 0:38:13 | |
-No. What you get is very happy bats. -SIREN RESTARTS | 0:38:13 | 0:38:16 | |
-We're going to pop out, you watch this VT. -See you in a little while. | 0:38:16 | 0:38:19 | |
CHEESY MUZAK | 0:38:19 | 0:38:21 | |
-And now, where were we? Oh, yes, welcome to The One Show with Matt Baker... -..and Alex Jones. | 0:38:30 | 0:38:35 | |
And before we start, we must apologise | 0:38:35 | 0:38:37 | |
that your One Show was interrupted last night. | 0:38:37 | 0:38:40 | |
Now, believe it or not, it was somebody cooking a baked potato | 0:38:40 | 0:38:43 | |
-in a microwave which set off all the fire alarms here. -Yes. | 0:38:43 | 0:38:46 | |
So, if you're listening down there, do you mind having your tea | 0:38:46 | 0:38:49 | |
-after 7:30pm tonight, that would be great. -Yeah. -Brilliant, | 0:38:49 | 0:38:53 | |
BEEPING Dave? | 0:38:53 | 0:38:54 | |
Dave, didn't you get the memo? | 0:38:54 | 0:38:56 | |
-Dave... -EVERYBODY: Oh, Dave! | 0:38:56 | 0:39:00 | |
I didn't get one. | 0:39:00 | 0:39:02 | |
I didn't get it. | 0:39:02 | 0:39:03 | |
Dave... | 0:39:03 | 0:39:05 | |
Thankfully we had loads more time to talk to our guests | 0:39:05 | 0:39:08 | |
on the other 231 shows this year. | 0:39:08 | 0:39:11 | |
And there were some stellar names. Here's another choice selection. | 0:39:11 | 0:39:14 | |
BOTH: It's Keanu Reeves! Excellent! | 0:39:16 | 0:39:19 | |
GUITAR RIFF, CHEERING AND APPLAUSE | 0:39:19 | 0:39:21 | |
Here we go...! | 0:39:26 | 0:39:28 | |
Have you heard of an inventor called Thomas Thomson? | 0:39:28 | 0:39:31 | |
Yes! He invented the, um, glass bottle thing. | 0:39:31 | 0:39:34 | |
LAUGHTER | 0:39:34 | 0:39:35 | |
APPLAUSE | 0:39:36 | 0:39:37 | |
INAUDIBLE | 0:39:37 | 0:39:41 | |
My real name is Ramon Estevez, and I never changed it officially. | 0:39:41 | 0:39:44 | |
The children were all baptised with that name. | 0:39:44 | 0:39:47 | |
-It's a cause for much confusion when the cops pull you over. -LAUGHTER | 0:39:47 | 0:39:50 | |
-Let's reveal the dead parrots. -Oh! The dead parrot! | 0:39:50 | 0:39:53 | |
Ooh, I'll have that one. | 0:39:53 | 0:39:54 | |
ALL: Heyyyy! | 0:40:00 | 0:40:02 | |
-Favourite Bond film other than your own? -The Spy Who Loved Me. | 0:40:04 | 0:40:08 | |
-Oh, apart from... -Apart from yours, yes. | 0:40:08 | 0:40:10 | |
Oh, were there any? | 0:40:10 | 0:40:12 | |
I am the egg man, I am the walrus, coo-coo-coochoo. | 0:40:12 | 0:40:15 | |
-Is it nice and humid in here for you? -Yes, it feels lovely. | 0:40:15 | 0:40:19 | |
That door opens and in walks an orang-utan. | 0:40:19 | 0:40:21 | |
Uh-uh-uh... | 0:40:21 | 0:40:23 | |
Has there ever been this much male hair on this sofa, do you think? | 0:40:23 | 0:40:27 | |
I thought that! | 0:40:27 | 0:40:28 | |
-We're like in the '70s or something. -I know. | 0:40:28 | 0:40:30 | |
It's like we're some really awful prog rock band. | 0:40:30 | 0:40:34 | |
-I'm non-gluten, so I'm looking at this... -What do you mean?! | 0:40:34 | 0:40:37 | |
You used to throw TVs out of the window! | 0:40:37 | 0:40:39 | |
Why on earth did I ever do this? | 0:40:39 | 0:40:42 | |
That was brutal! | 0:40:42 | 0:40:43 | |
I have no idea what you're talking about. | 0:40:43 | 0:40:45 | |
It's amazing to think we've spoken to that many people. | 0:40:53 | 0:40:55 | |
Well, we have, but only when Gyles Brandreth lets us get a word in. | 0:40:55 | 0:40:59 | |
By the way, Gyles has got some presents | 0:40:59 | 0:41:01 | |
so we'd better be nice to him. Hang on... | 0:41:01 | 0:41:03 | |
Even this is talking! | 0:41:03 | 0:41:06 | |
Hello, you beautiful people. I hope you're are having a very cool Yule. | 0:41:06 | 0:41:10 | |
As a man of many, many, many words, | 0:41:10 | 0:41:12 | |
I just had to get you some little literary goodies for the festive season. | 0:41:12 | 0:41:17 | |
Hope you enjoy them and Happy New Year! There! | 0:41:17 | 0:41:20 | |
Dear me, did you know he used to be the king of Latvia? | 0:41:21 | 0:41:24 | |
It's all right for you two, I haven't got a book. | 0:41:24 | 0:41:26 | |
Never mind that, 15 down, five more to go - Al. | 0:41:26 | 0:41:29 | |
Yeah, number five has got to be the romance of the year. | 0:41:29 | 0:41:32 | |
It's the Royal Wedding, of course. | 0:41:32 | 0:41:36 | |
Everyone remembers where they were on April 29th, | 0:41:36 | 0:41:40 | |
when Wills and Kate tied the knot. | 0:41:40 | 0:41:42 | |
I certainly do. I was at the One Show street party with you, | 0:41:42 | 0:41:46 | |
and a whole neighbourhood of wedding watchers. | 0:41:46 | 0:41:48 | |
-BOTH: -Welcome to the One Show street party! | 0:41:48 | 0:41:51 | |
# The heart is a bloom | 0:41:51 | 0:41:53 | |
# Shoots up through the stony ground... # | 0:41:55 | 0:41:58 | |
What's going to happen here...? | 0:41:58 | 0:42:01 | |
Oh, it was so close, wasn't it? | 0:42:01 | 0:42:03 | |
# No space to rent in this town... # | 0:42:03 | 0:42:06 | |
At any moment now we will be crossing live to Clarence House. | 0:42:06 | 0:42:09 | |
-Do you feel like you're on standby? -I am like a royal coiled spring waiting to burst forth. | 0:42:09 | 0:42:14 | |
# And you're not moving anywhere | 0:42:16 | 0:42:19 | |
# You thought you'd found a friend... # | 0:42:19 | 0:42:21 | |
-Who have you come as? -Chris Evans. -Chris Evans! | 0:42:21 | 0:42:25 | |
KLAXON | 0:42:26 | 0:42:28 | |
Come on, guys, come on! You've got to be quicker! | 0:42:28 | 0:42:31 | |
We didn't cheat! | 0:42:31 | 0:42:33 | |
# It's a beautiful day | 0:42:33 | 0:42:37 | |
# Don't let it get away... # | 0:42:37 | 0:42:39 | |
I think it's about time we had another | 0:42:49 | 0:42:52 | |
One Show Wildlife Highlight of the Year on this list. | 0:42:52 | 0:42:56 | |
Absolutely. | 0:42:56 | 0:42:57 | |
How about Mike Dilger witnessing a breathtaking bird display in Scotland? | 0:42:57 | 0:43:02 | |
Each winter, around 30,000 barnacle geese | 0:43:02 | 0:43:05 | |
should arrive in the Solway Firth, near Dumfries. | 0:43:05 | 0:43:09 | |
Making for a truly remarkable wildlife spectacle. | 0:43:09 | 0:43:13 | |
The geese have migrated some 2,000 miles | 0:43:13 | 0:43:16 | |
from their summer breeding grounds in the high Arctic, | 0:43:16 | 0:43:19 | |
to gorge themselves on the Solway grasses. | 0:43:19 | 0:43:24 | |
They fly in from Spitsbergen, | 0:43:24 | 0:43:26 | |
a remote island inside the Arctic Circle, | 0:43:26 | 0:43:29 | |
and return to this very spot year after year, | 0:43:29 | 0:43:31 | |
producing a breathtaking display. | 0:43:31 | 0:43:35 | |
But last winter there was a worrying drop in numbers, | 0:43:35 | 0:43:39 | |
and Brian Morrell from the Wildfowl and Wetlands Trust | 0:43:39 | 0:43:43 | |
thinks it's due to... polar bears? | 0:43:43 | 0:43:46 | |
It has been seen in the last few years | 0:43:46 | 0:43:48 | |
that the habits of polar bears are changing | 0:43:48 | 0:43:50 | |
and they're visiting some of the island nest colonies | 0:43:50 | 0:43:53 | |
of the barnacle geese up in Spitsbergen. | 0:43:53 | 0:43:56 | |
This island is usually covered in ice and snow. | 0:43:56 | 0:43:59 | |
But as the ice sheets are melting, things are changing. | 0:43:59 | 0:44:02 | |
What we think's happening is the bears are being stranded on land | 0:44:02 | 0:44:05 | |
and not able to get to the seal colonies. | 0:44:05 | 0:44:08 | |
So they're just looking for anything they can find to eat. | 0:44:08 | 0:44:10 | |
And if there's a nest with eggs in it, they're eating them. | 0:44:10 | 0:44:13 | |
One polar bear can eat over 1,000 eggs in a season. | 0:44:13 | 0:44:18 | |
And so, unsurprisingly, last year the records for young geese | 0:44:18 | 0:44:22 | |
were down by 50 per cent. | 0:44:22 | 0:44:25 | |
But this year, scientists in Spitsbergen | 0:44:26 | 0:44:28 | |
think the geese may be making a comeback. | 0:44:28 | 0:44:31 | |
To be sure, Brian must count every single goose | 0:44:31 | 0:44:34 | |
arriving to the Solway Firth. | 0:44:34 | 0:44:37 | |
I presume this massive pair of binoculars is what you use. | 0:44:38 | 0:44:44 | |
These are just ideal for the job. | 0:44:44 | 0:44:46 | |
How do you count those? | 0:44:46 | 0:44:49 | |
I must admit, it's not easy. | 0:44:49 | 0:44:51 | |
We start at one end of the flock, | 0:44:51 | 0:44:53 | |
see if we can picture what ten of them look like, | 0:44:53 | 0:44:56 | |
then using a clicker like this one, | 0:44:56 | 0:44:59 | |
and clicking off tens all the way through until you get to the end. | 0:44:59 | 0:45:03 | |
They're not staying still, | 0:45:03 | 0:45:04 | |
and more are being added the whole time. This is not easy. | 0:45:04 | 0:45:07 | |
'At this time of year, 5,000 can arrive in just one day.' | 0:45:07 | 0:45:12 | |
Finished. | 0:45:14 | 0:45:15 | |
-How do you stand? Go on. -3,090. | 0:45:15 | 0:45:19 | |
3,090?! | 0:45:19 | 0:45:22 | |
4,506. | 0:45:22 | 0:45:24 | |
'Well, either way, numbers are looking good | 0:45:26 | 0:45:29 | |
'and importantly the numbers of goslings are up too.' | 0:45:29 | 0:45:33 | |
It has been quite a good breeding season | 0:45:33 | 0:45:35 | |
for some of the barnacle geese on Spitsbergen. | 0:45:35 | 0:45:38 | |
I reckon the cliff nesting birds | 0:45:38 | 0:45:40 | |
are out of the reach of hungry polar bears. | 0:45:40 | 0:45:42 | |
'Thanks to this clever shift in their nesting locations, | 0:45:42 | 0:45:46 | |
'the geese of the Solway Firth | 0:45:46 | 0:45:48 | |
'should keep coming here in their thousands. | 0:45:48 | 0:45:51 | |
'And this means they'll continue to put on | 0:45:51 | 0:45:54 | |
'their amazing evening spectacle.' | 0:45:54 | 0:45:56 | |
The geese roost at night on the mud flats just out there. | 0:45:56 | 0:46:00 | |
At the moment, they're just behind me, | 0:46:00 | 0:46:04 | |
the other side of that gorse, feeding in a field. | 0:46:04 | 0:46:07 | |
As the light fades and dusk approaches, | 0:46:07 | 0:46:09 | |
they should rise up as one huge flock. | 0:46:09 | 0:46:13 | |
'Right now, there are just 15,000 geese here, | 0:46:13 | 0:46:18 | |
'half the final number. | 0:46:18 | 0:46:20 | |
'But when they lift off, there's no mistaking them.' | 0:46:20 | 0:46:24 | |
The vanguard have just taken off. | 0:46:24 | 0:46:28 | |
Listen to the wall of sound. | 0:46:28 | 0:46:30 | |
BIRDS CALL | 0:46:30 | 0:46:32 | |
All that noise you can hear is Mum saying, "Come on, kids, catch up." | 0:46:32 | 0:46:37 | |
And the kids returning, "Wait for me!" | 0:46:37 | 0:46:39 | |
That is why I'm into wildlife. For sights and sounds like that. | 0:46:42 | 0:46:46 | |
The backdrop of a beautiful sunset to mark the end of a beautiful day. | 0:46:47 | 0:46:53 | |
Listen to this. Whoa, look at this! | 0:46:53 | 0:46:56 | |
Right over my head. | 0:47:03 | 0:47:07 | |
Just doesn't get any better than that, does it? | 0:47:12 | 0:47:15 | |
How about that? | 0:47:17 | 0:47:18 | |
Mike Dilger at number four, | 0:47:18 | 0:47:20 | |
beating the Prime Minister and the Royal Wedding. | 0:47:20 | 0:47:23 | |
-We know he'll be thrilled. -He will be thrilled. | 0:47:23 | 0:47:25 | |
We're into that top three now. Who's going to be number one? | 0:47:25 | 0:47:28 | |
-What is that moment? -Don't know. Place your bets now. -Can't wait. | 0:47:28 | 0:47:32 | |
At three, it's time to take things outside. | 0:47:34 | 0:47:37 | |
As you can see, this year we've got our guests to do things | 0:47:37 | 0:47:40 | |
you've never seen them do before. And they thought they'd never do. | 0:47:40 | 0:47:44 | |
OK, that's good. | 0:47:44 | 0:47:46 | |
Now he's going for the bag of flour. | 0:47:46 | 0:47:49 | |
I pick the chicken! | 0:47:49 | 0:47:51 | |
Oh! | 0:47:51 | 0:47:53 | |
OK, Marvin is in the lead from pole position, | 0:47:54 | 0:47:58 | |
but he's got the outside lines... | 0:47:58 | 0:47:59 | |
Ripping it up into the lead, Oritse, the back leader. | 0:47:59 | 0:48:02 | |
The man who knows what it's like to get things together. | 0:48:02 | 0:48:06 | |
We have a real battle, oh, my goodness me. | 0:48:06 | 0:48:09 | |
Coming through! | 0:48:09 | 0:48:11 | |
CHEERING | 0:48:11 | 0:48:13 | |
And here it comes! | 0:48:15 | 0:48:17 | |
This is Joey. | 0:48:17 | 0:48:18 | |
It's the horse from the National Theatre production of War Horse. | 0:48:18 | 0:48:21 | |
Two seconds will be deducted. | 0:48:21 | 0:48:25 | |
He's over the line. | 0:48:25 | 0:48:28 | |
She's through the heart! | 0:48:28 | 0:48:31 | |
Nothing so far. | 0:48:37 | 0:48:39 | |
KLAXON | 0:48:39 | 0:48:40 | |
There's one. Come on, Rod. | 0:48:40 | 0:48:42 | |
She's got a fourth goal, yes. | 0:48:42 | 0:48:45 | |
Fourth ball. Six goals. A result. | 0:48:45 | 0:48:50 | |
7-3, that means, Alyshia, you get the special One Show trophy. | 0:48:51 | 0:48:55 | |
APPLAUSE | 0:48:55 | 0:48:58 | |
Give it a tickle, and she's got the ball! That's the way. | 0:49:00 | 0:49:03 | |
Yes! | 0:49:03 | 0:49:05 | |
Yes! | 0:49:05 | 0:49:06 | |
WHISTLE BLOWS Winner! | 0:49:06 | 0:49:09 | |
Who knew Alex Jones was so good at basketball? | 0:49:09 | 0:49:12 | |
And who knew that Rod Stewart | 0:49:12 | 0:49:13 | |
would go down like the clappers at that penalty? | 0:49:13 | 0:49:16 | |
Had it not been for Al's Welsh, womanly, warm charm with his lawyer, | 0:49:16 | 0:49:19 | |
we'd have been sued for all we're worth at the BBC. | 0:49:19 | 0:49:22 | |
However, he didn't sue us so we still have some money left | 0:49:22 | 0:49:25 | |
and that means we get to number two which is very tuneful, apparently. | 0:49:25 | 0:49:29 | |
From brass bands... | 0:49:31 | 0:49:33 | |
..and bhangra... | 0:49:35 | 0:49:37 | |
..to Barry Manilow, the show has been filled with music in 2011. | 0:49:40 | 0:49:44 | |
Here's three of our favourite studio performances. | 0:49:44 | 0:49:47 | |
And isn't Hugh Laurie good? | 0:49:47 | 0:49:49 | |
# Let me tell you about a girl I know | 0:49:49 | 0:49:53 | |
# She's my baby and she lived next door | 0:49:53 | 0:49:56 | |
# In the morning when the sun comes up | 0:49:58 | 0:50:01 | |
# She brings me coffee in my favourite cup | 0:50:01 | 0:50:04 | |
# Yes, I know, yes, I know | 0:50:04 | 0:50:09 | |
# Hallelujah, I love her so. # | 0:50:09 | 0:50:11 | |
# But if I still believe you love me | 0:50:13 | 0:50:16 | |
# Maybe I'll survive | 0:50:16 | 0:50:19 | |
# So I tell myself you're coming home | 0:50:19 | 0:50:22 | |
# Like you've done a million times | 0:50:22 | 0:50:25 | |
# And if it's all right I'll still be loving you | 0:50:25 | 0:50:30 | |
# Cos I can't break it to my heart. # | 0:50:30 | 0:50:35 | |
# I'm walking away | 0:50:45 | 0:50:46 | |
# Like Rupert Murdoch told me | 0:50:46 | 0:50:48 | |
# I'm walking away | 0:50:48 | 0:50:50 | |
# My shrink gave his OK | 0:50:50 | 0:50:52 | |
# I'm walking away | 0:50:52 | 0:50:54 | |
# The self-help book implored me | 0:50:54 | 0:50:56 | |
# I'm walking away | 0:50:56 | 0:50:58 | |
# Jubilation day. # | 0:50:58 | 0:51:01 | |
-Brrr! -So, here we are at number one | 0:51:01 | 0:51:04 | |
and it is of course the moment when... | 0:51:04 | 0:51:06 | |
Wait, Alex. | 0:51:06 | 0:51:08 | |
You've got to build up to these things, | 0:51:08 | 0:51:10 | |
you can't just blurt them out. | 0:51:10 | 0:51:11 | |
-There's still one more present to open. -The drama! | 0:51:11 | 0:51:15 | |
Hello, One Show, Sarah Millican here. | 0:51:15 | 0:51:17 | |
Just got you a belated Christmas gift. | 0:51:17 | 0:51:19 | |
Hopefully it will keep you warm on winter nights. Happy New Year. | 0:51:19 | 0:51:23 | |
-Thanks, Sarah. Don't they look wonderful? -Amazing. | 0:51:23 | 0:51:26 | |
They cover your belly up, oh, no, they don't. | 0:51:26 | 0:51:29 | |
Now for our number one highlight of the year. | 0:51:29 | 0:51:32 | |
What could it possibly be? No back-pedalling here. | 0:51:32 | 0:51:36 | |
It's Matt's incredible rickshaw ride from Edinburgh | 0:51:39 | 0:51:43 | |
all the way to London for Children in Need. | 0:51:43 | 0:51:45 | |
Well, it had to be, didn't it? | 0:51:45 | 0:51:48 | |
One man, three wheels | 0:51:48 | 0:51:50 | |
and 484 miles of open road. | 0:51:50 | 0:51:55 | |
You've got a minute and ten seconds left. | 0:51:55 | 0:51:58 | |
I want more pace on those legs, come on. Last minute. | 0:51:58 | 0:52:01 | |
Drive, drive, drive. | 0:52:01 | 0:52:03 | |
Keep it going. Max out, max out. | 0:52:03 | 0:52:08 | |
Five, four, three, two, and recover. | 0:52:08 | 0:52:13 | |
OK, Matt, ease up. Well done. | 0:52:13 | 0:52:16 | |
'I know how horrendous it's going to feel' | 0:52:16 | 0:52:19 | |
when I've got somebody in the back and I'm going up a hill. | 0:52:19 | 0:52:22 | |
You've just got to prepare yourself for that really | 0:52:22 | 0:52:25 | |
and take one step at a time. One tiny cycle at a time. | 0:52:25 | 0:52:28 | |
It's going to be hard work, it's going to be painful, | 0:52:28 | 0:52:31 | |
but I'll do my best, that's all I can do. | 0:52:31 | 0:52:35 | |
-ALL: -Three, two, one, off you go. | 0:52:35 | 0:52:38 | |
Let's go! Goodbye, Edinburgh. | 0:52:38 | 0:52:42 | |
See you later. | 0:52:42 | 0:52:44 | |
Just over a mile down, 483 to go. | 0:52:44 | 0:52:48 | |
Now I've got a piper in the back. | 0:52:50 | 0:52:52 | |
Things don't get better through the Scottish borders. | 0:52:52 | 0:52:54 | |
Yes! | 0:52:54 | 0:52:57 | |
Let's just roll on down to London. | 0:52:57 | 0:52:59 | |
One minute I was really happy, | 0:52:59 | 0:53:01 | |
and the next I was, like, hanging over the bars in tears. | 0:53:01 | 0:53:05 | |
MATT CRIES AND SNIFFS | 0:53:05 | 0:53:07 | |
# On the road again... # | 0:53:11 | 0:53:14 | |
Missed you, rain. Pudsey in the back. | 0:53:14 | 0:53:16 | |
Uphill, a wonderful cocktail at 6 o'clock in the morning. | 0:53:16 | 0:53:20 | |
We've got a mini Pudsey. Can you come the whole way to London, | 0:53:24 | 0:53:27 | |
because you are much lighter than the bigger Pudsey...? No. | 0:53:27 | 0:53:31 | |
County Durham! | 0:53:31 | 0:53:33 | |
I'm slipping. | 0:53:33 | 0:53:35 | |
-Come on, Matt. -Come on, Matt! | 0:53:35 | 0:53:37 | |
Tell him to follow my line across the road. | 0:53:37 | 0:53:39 | |
200 turns away from the highest point in the whole route. | 0:53:41 | 0:53:48 | |
-The money we've raised... Look at this. -Well done, Matt. | 0:53:48 | 0:53:51 | |
How long have you been waiting at the top of this hill for me? | 0:53:51 | 0:53:54 | |
-About an hour, at least. -I'm sorry to keep you out in the wet. | 0:53:54 | 0:53:58 | |
Thank you all. Thank you all. | 0:53:58 | 0:53:59 | |
York, here we come! | 0:53:59 | 0:54:03 | |
Let's go. | 0:54:03 | 0:54:06 | |
The last four days has just hit me like a... | 0:54:06 | 0:54:08 | |
Oh... Sharp pains in the old knees... | 0:54:10 | 0:54:13 | |
..I've got the back of my kneecap grinding against my bone. | 0:54:14 | 0:54:19 | |
It's excruciating, it makes you feel sick. | 0:54:19 | 0:54:23 | |
All these people that are waiting out to cheer me on and keep me going. | 0:54:23 | 0:54:26 | |
And I just feel so bad that I just can't get to them | 0:54:26 | 0:54:29 | |
when they're expecting me to get to them. | 0:54:29 | 0:54:32 | |
Thank you very much indeed. | 0:54:34 | 0:54:36 | |
'The people of Lincolnshire didn't let me down. | 0:54:36 | 0:54:41 | |
'It was worth every minute of pain.' | 0:54:41 | 0:54:43 | |
Somebody just told me, just today, over 100,000 pledged TODAY. | 0:54:43 | 0:54:48 | |
Today? Really? | 0:54:48 | 0:54:49 | |
Well, we've now left Lincoln behind us... | 0:54:49 | 0:54:53 | |
I am hoping to get to Peterborough by about 6:00pm if you can do that. | 0:54:55 | 0:54:59 | |
-What's your average speed? -We're doing ten miles in an hour and a half. | 0:54:59 | 0:55:02 | |
I should have brought a picnic. | 0:55:02 | 0:55:03 | |
CHEERING | 0:55:03 | 0:55:05 | |
Here we go! | 0:55:05 | 0:55:08 | |
Isn't that wonderful? | 0:55:08 | 0:55:09 | |
And into a headwind... | 0:55:10 | 0:55:13 | |
Less than 100 miles! Less than 100 miles! | 0:55:13 | 0:55:18 | |
Look at the schoolkids... | 0:55:21 | 0:55:23 | |
What lesson should you be in now? Maths? This is harder than maths. | 0:55:24 | 0:55:27 | |
Matt's ride may be well and truly over, | 0:55:44 | 0:55:48 | |
but you can still donate. | 0:55:48 | 0:55:50 | |
Just text the word Matt to 70705. | 0:55:50 | 0:55:52 | |
Texts cost £5 plus your standard network charge | 0:55:52 | 0:55:56 | |
and £5 goes to Children in Need. | 0:55:56 | 0:55:58 | |
Text lines close at midnight on 31st December. | 0:55:58 | 0:56:02 | |
For full terms and conditions visit our website at | 0:56:02 | 0:56:06 | |
bbc.co.uk/theoneshow. | 0:56:06 | 0:56:07 | |
-Amazing stuff, Matt. -I'm through, I'm through. | 0:56:11 | 0:56:14 | |
Is that Children in Need? Hi, Pudsey, how are you doing? | 0:56:14 | 0:56:17 | |
Can we give some more money to Matt cos he was so good? | 0:56:17 | 0:56:20 | |
Thank you, bye. | 0:56:20 | 0:56:21 | |
Anyway, so far you and the viewers at home | 0:56:21 | 0:56:24 | |
have raised an incredible £1,823,648. | 0:56:24 | 0:56:29 | |
It goes without saying, a massive thank you to everybody | 0:56:29 | 0:56:32 | |
who came out and supported me, made me food and got me to London. | 0:56:32 | 0:56:36 | |
Thank you so much for all of your donations. | 0:56:36 | 0:56:38 | |
Well, that's it. | 0:56:38 | 0:56:39 | |
Only a fraction of what we got up to in 2011. | 0:56:39 | 0:56:42 | |
The best thing about these highlight shows | 0:56:42 | 0:56:44 | |
is it always looks so much better than it was. | 0:56:44 | 0:56:47 | |
-You can't say that! -I know, but I just did. | 0:56:47 | 0:56:50 | |
2012 is going to be off the scale, we have the Olympics. | 0:56:50 | 0:56:53 | |
Yes, the Diamond Jubilee, of course. | 0:56:53 | 0:56:55 | |
And the best bit, Chris here is pole vaulting | 0:56:55 | 0:56:58 | |
-across the Grand Canyon for Sports Relief. -Naked! | 0:56:58 | 0:57:02 | |
Anyway, thanks for watching us all year. | 0:57:02 | 0:57:04 | |
We are back on Monday, January 9th. | 0:57:04 | 0:57:07 | |
Until then have a really happy new year, | 0:57:07 | 0:57:09 | |
we'll leave you with some more of our clever, enthusiastic | 0:57:09 | 0:57:12 | |
and often kooky, strange One Show family. | 0:57:12 | 0:57:14 | |
-Bye. -Bye-bye. | 0:57:14 | 0:57:16 | |
MUSIC: "We Are Family" by Sister Sledge | 0:57:20 | 0:57:22 | |
INAUDIBLE UNDER MUSIC | 0:57:26 | 0:57:28 | |
# We are family | 0:57:28 | 0:57:31 | |
# Get up, everybody, and sing | 0:57:32 | 0:57:36 | |
# We are family | 0:57:36 | 0:57:39 | |
# I got all my sisters with me | 0:57:40 | 0:57:44 | |
# We are family | 0:57:46 | 0:57:48 | |
# Get up, everybody, and sing... # | 0:57:48 | 0:57:51 | |
Wasn't ready. | 0:57:52 | 0:57:54 | |
Subtitles by Red Bee Media Ltd | 0:57:54 | 0:57:56 | |
E-mail [email protected] | 0:57:56 | 0:57:58 |