Browse content similar to 24/01/2012. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Matt Baker. And Alex Jones. | 0:00:12 | 0:00:15 | |
Many of our viewers will remember tonight's guest for a series of | 0:00:16 | 0:00:20 | |
revealing roles in films like Walkabout and Logan's Run. After a | 0:00:20 | 0:00:24 | |
hugely successful 40 year career, she is more likely to be wearing a | 0:00:24 | 0:00:28 | |
wimple than her birthday suit. It is Jenny Agutter. Lovely to meet | 0:00:28 | 0:00:36 | |
you. You have taken quite a shine to the wimple. What is that? In you | 0:00:36 | 0:00:45 | |
have taken a shine to the wimple. On a was told I -- I was told that | 0:00:45 | 0:00:52 | |
she would try it on. It is good to see a man in a wimple. Oh, right! | 0:00:52 | 0:00:56 | |
It is quite liberating, going in knowing that every day your | 0:00:56 | 0:01:02 | |
character wears the same thing. Liberating, you say? It is quite | 0:01:02 | 0:01:08 | |
liberating. Do you find it liberating? Yes! Quite nice. You | 0:01:08 | 0:01:12 | |
don't have to worry about your hair. You look a bit weird. I think you | 0:01:12 | 0:01:21 | |
should take it off. You are frightened children. OK! It is | 0:01:21 | 0:01:28 | |
really nice to be made up and look glamorous and all the rest of it, | 0:01:28 | 0:01:32 | |
but went you are filming all the time and you have to get up very | 0:01:32 | 0:01:35 | |
early, it is nice to know that you do not need an extra two hours to | 0:01:35 | 0:01:40 | |
look good. What shall I wear? The habit. I will put the wimple on and | 0:01:40 | 0:01:45 | |
no make-up and that is it. That must be really nice. Call The | 0:01:45 | 0:01:49 | |
Midwife has been a huge hit. It has only been on a couple of weeks and | 0:01:49 | 0:01:53 | |
it is already the most popular new BBC drama for a decade. Let's go | 0:01:53 | 0:01:57 | |
live to Edinburgh Royal Infirmary and see what it is like in a 21st | 0:01:57 | 0:02:02 | |
century maternity unit. Have you met any newborn babies yet, Lucy? | 0:02:02 | 0:02:06 | |
have and I might meet some more before the end of the show. They | 0:02:06 | 0:02:11 | |
don't come to order. I am relaxing by the pool, the birthing pool. | 0:02:11 | 0:02:15 | |
Bean bags, fluffy couches for the fathers to relax while the women do | 0:02:15 | 0:02:19 | |
the hard work. This is the Royal Infirmary state-of-the-art birthing | 0:02:20 | 0:02:25 | |
suite. There is everything here. It is a far cry on the surface from | 0:02:25 | 0:02:30 | |
the 1950s era of Call The Midwife but the ethos is still the same. To | 0:02:30 | 0:02:35 | |
deliver a happy, healthy babies. On that note, Shona, you are in charge | 0:02:35 | 0:02:39 | |
tonight as head midwife. It is pretty busy here. How many babies | 0:02:39 | 0:02:43 | |
do you deliver every year? Last year in the Royal Infirmary there | 0:02:43 | 0:02:48 | |
were just under 7000 babies. That is 17 per day. You really are busy | 0:02:48 | 0:02:54 | |
so I will leave you to it. Our team has been following things all day. | 0:02:54 | 0:02:59 | |
Look at this. It is the beginning of the morning | 0:02:59 | 0:03:03 | |
shift and this midwife is checking up on Tracey. She has been in | 0:03:03 | 0:03:07 | |
labour for eight hours. She has just received additional pain | 0:03:07 | 0:03:11 | |
medication and Linda is on the lookout for complications. We have | 0:03:11 | 0:03:15 | |
to keep a close eye on the baby's heartbeat and the contractions. We | 0:03:15 | 0:03:19 | |
have to make sure she is not contracting too much. The midwives | 0:03:19 | 0:03:25 | |
and doctors took care of me very well. It is just that things happen | 0:03:25 | 0:03:29 | |
and complications arise. I am waiting for two more powers to try | 0:03:29 | 0:03:33 | |
to have a natural birth. If it does not happen then I have to have a | 0:03:33 | 0:03:38 | |
Caesarean section. Later on we will find out whether it was a boy or a | 0:03:38 | 0:03:42 | |
girl. Very exciting. I have my scrubs here. I watched Call The | 0:03:42 | 0:03:46 | |
Midwife on Sunday so I think I can help to deliver a baby. Don't think | 0:03:46 | 0:03:51 | |
so. Are you sure you are up to that? That is a tall order. Almost | 0:03:52 | 0:03:58 | |
certainly not. They would never let him loose. OK! We will come back | 0:03:58 | 0:04:01 | |
later on. They earlier this month we asked you to get in touch if you | 0:04:01 | 0:04:05 | |
had noticed that your street light was getting turned off during the | 0:04:05 | 0:04:09 | |
night. Hundreds of you have be e- mailed in from Cornwall up to | 0:04:09 | 0:04:18 | |
Scotland. Mike is unhappy. His father-in-law is 77 and he had to | 0:04:18 | 0:04:26 | |
give him the torch to get him home, it was like the blackouts during | 0:04:26 | 0:04:33 | |
the war. And Richard says that he is in favour of saving night-time | 0:04:33 | 0:04:37 | |
light pollution. Of the Council but we know about, these are the ones | 0:04:37 | 0:04:44 | |
that told us that they switched off their lighting between midnight and | 0:04:44 | 0:04:47 | |
5 o'clock in the morning. Nobody in Northern Ireland, that's | 0:04:47 | 0:04:54 | |
interesting. We report from Bingham. Like many places in Great Britain, | 0:04:54 | 0:04:58 | |
Bingham has had its night-time street lighting reduced, plunging | 0:04:58 | 0:05:07 | |
them up when into darkness for most of their round. -- the milk men. | 0:05:07 | 0:05:11 | |
How has this affected your work? makes things more dangerous. You | 0:05:11 | 0:05:14 | |
can't see obstacles in the way. There have been a few accidents at | 0:05:15 | 0:05:20 | |
work. How dark is it? In certain areas it is like walking into a | 0:05:20 | 0:05:25 | |
forest. Pitch black. You cannot see two feet in front of you. It makes | 0:05:25 | 0:05:31 | |
the job harder. The street lights going of makes the job harder. | 0:05:31 | 0:05:37 | |
can see how dark it is. It is completely black. This is what we | 0:05:37 | 0:05:47 | |
0:05:47 | 0:05:48 | ||
have to contend with. We cannot even see the house in front of us. | 0:05:48 | 0:05:51 | |
I can understand why people would feel anxious and scared walking | 0:05:51 | 0:05:56 | |
home. I would not want to do it. The council says that they do not | 0:05:56 | 0:06:03 | |
switch off the lights in high-crime areas or accident blackspots. Lots | 0:06:03 | 0:06:06 | |
of consultation takes place before a decision is made to switch off | 0:06:06 | 0:06:11 | |
the street lights. According to the council, everything is done to | 0:06:11 | 0:06:16 | |
minimise the impact on local residents. Bingham resident Fiona | 0:06:16 | 0:06:19 | |
feels so strongly about the impact of the likes going of that she has | 0:06:19 | 0:06:27 | |
started a petition to get them switched back on. -- the lights | 0:06:27 | 0:06:31 | |
going off. It is completely black and you cannot see to the end of | 0:06:31 | 0:06:35 | |
your drive. People feel vulnerable in their homes. There was a spate | 0:06:35 | 0:06:38 | |
of break-ins. One neighbour was broken into while they were | 0:06:38 | 0:06:42 | |
sleeping in bed. They came in through the side door of the house. | 0:06:42 | 0:06:47 | |
It is a long way down the back of their house and it is quite dark. | 0:06:47 | 0:06:51 | |
It is extremely dark down the street right now so it gave the | 0:06:51 | 0:06:54 | |
burglars ample time to get in through the side door. Nobody | 0:06:54 | 0:07:00 | |
noticed that they were there because the lights were off and we | 0:07:00 | 0:07:03 | |
could not see anything. She is so worried about another break-in that | 0:07:03 | 0:07:11 | |
she has taken action. We have fitted the security lights after | 0:07:11 | 0:07:15 | |
the burglary. We wanted extra security so that we could see down | 0:07:15 | 0:07:20 | |
the side of the house and our neighbours can, too. Although they | 0:07:20 | 0:07:23 | |
believe that the lack of street lighting is responsible for an | 0:07:23 | 0:07:27 | |
increase in crime, the police so that is not the case. Looking at | 0:07:27 | 0:07:32 | |
the figures, across Bingham there has been a 68% decrease in | 0:07:32 | 0:07:39 | |
burglaries. Do you think the likes being switched off, people just | 0:07:39 | 0:07:43 | |
believed bad things can happen, it is perception of reality? They | 0:07:43 | 0:07:49 | |
think it is a possible perception that it is very dark and so there | 0:07:49 | 0:07:53 | |
is more chance of things happening and people being out and up to no | 0:07:53 | 0:07:56 | |
good. But looking at the figures for anti-social behaviour and crime, | 0:07:56 | 0:08:02 | |
that does not tally up. I think it is just perception. Another reason | 0:08:02 | 0:08:04 | |
councils before switching off the lights is to reduce carbon | 0:08:04 | 0:08:13 | |
emissions. -- another reason councils give. But as more people | 0:08:13 | 0:08:18 | |
drive instead of walking, carbon emissions could actually increase. | 0:08:18 | 0:08:25 | |
At this news they did, the staff begin work at 4:30am. -- at this | 0:08:25 | 0:08:29 | |
newsagent. One of our members of staff used to walk in and the other | 0:08:29 | 0:08:32 | |
would drive. But now that one is having to go out of their way to | 0:08:32 | 0:08:37 | |
pick up the other one because they cannot walk that far. We won't let | 0:08:37 | 0:08:42 | |
them because it is too dangerous. Bingham council estate that tough | 0:08:42 | 0:08:45 | |
economic times mean they have no choice but to turn off the lights | 0:08:45 | 0:08:50 | |
to save money. It is a commonsense approach. You don't need the lights | 0:08:50 | 0:08:54 | |
on downstairs when you go to bed at night. There are very few people | 0:08:54 | 0:08:59 | |
about so do we want to spend �1.5 million a year lighting the empty | 0:08:59 | 0:09:03 | |
streets? Last night I actually went out in darkness to see what it | 0:09:03 | 0:09:08 | |
would feel like. Lots of people mentioned it being eerie, and I | 0:09:08 | 0:09:14 | |
admit that it was, at the sounds, not being able to see in front of | 0:09:14 | 0:09:19 | |
me. Can you understand how people are feeling? We are working hard to | 0:09:19 | 0:09:23 | |
reassure people. It is about being aware that there has not been an | 0:09:23 | 0:09:26 | |
increase in crime and anti-social behaviour. They are as safe as they | 0:09:26 | 0:09:30 | |
were when the street lights were on. The council say that this decision | 0:09:30 | 0:09:35 | |
is not definitive. If crime and NT social behaviour increases, they | 0:09:35 | 0:09:42 | |
will switch them back on. -- anti- social behaviour. We had lots of | 0:09:42 | 0:09:47 | |
emails during that film saying that lots of people are in favour. What | 0:09:47 | 0:09:51 | |
do you think, Jenny? I would not want to turn them off in London but | 0:09:51 | 0:09:55 | |
there is something lovely being in the country and having a starlit | 0:09:55 | 0:10:02 | |
night. Maybe we do need torches. So long as you cannot fall down a hole, | 0:10:02 | 0:10:09 | |
or you are not been an urban area. Where I am from, we swap torches | 0:10:09 | 0:10:13 | |
because there are no lights. I bet you have got loads of torches. | 0:10:13 | 0:10:18 | |
you can get wind-up torches. You squeeze them and they keep going. | 0:10:18 | 0:10:23 | |
We will move on to Call The Midwife, incredibly successful. It is based | 0:10:23 | 0:10:28 | |
on Jennifer Worth's memoirs. 8 million people are watching. What | 0:10:28 | 0:10:34 | |
do you think the key to its success is? Well, you never know. When you | 0:10:34 | 0:10:38 | |
are making it, you have no idea. I was taken with the story. I knew | 0:10:38 | 0:10:42 | |
that it was a best-selling novel and everybody was enjoying Jennifer | 0:10:42 | 0:10:47 | |
Worth's work. But if you think of the subject matter, it is not an | 0:10:47 | 0:10:52 | |
obvious choice. Partly there are some really interesting stories in | 0:10:52 | 0:10:57 | |
the 50s. There is a very good writer on the script. It is an | 0:10:57 | 0:11:02 | |
interesting and fun cast and also the guests have been very good. It | 0:11:02 | 0:11:07 | |
is completely different. People are intrigued by the idea of not having | 0:11:07 | 0:11:11 | |
a doctor's story, detective story, a thriller. It is actually about | 0:11:11 | 0:11:15 | |
people at a certain time. People you do not know about but they | 0:11:15 | 0:11:20 | |
touch on your life in some way. Let's have a look at this Sunday's | 0:11:20 | 0:11:24 | |
episode. This is the convent and the midwives are complaining about | 0:11:24 | 0:11:28 | |
the state of the houses that they have to visit. I can't go back | 0:11:28 | 0:11:33 | |
there, not with those things crawling about. Calm down. They do | 0:11:33 | 0:11:36 | |
not invest human beings. As for never going back there, it is out | 0:11:36 | 0:11:40 | |
of the question. The comfort is not important. You have a job to do and | 0:11:40 | 0:11:50 | |
0:11:50 | 0:11:52 | ||
you will do it. The wimple suited you more! I was | 0:11:52 | 0:12:00 | |
not going to say that! It is based on MAM was, of course. The nuns and | 0:12:00 | 0:12:05 | |
midwives are based on real people. You met your character's cousin. | 0:12:05 | 0:12:11 | |
was extraordinary. I met somebody who knew the character that I | 0:12:11 | 0:12:18 | |
played's cousin. I spoke to her and she told me what the real one and | 0:12:18 | 0:12:22 | |
was like. It is a little bit removed. The book Take That Away | 0:12:22 | 0:12:27 | |
and the scripts take it a bit further. -- take it away. It is | 0:12:27 | 0:12:35 | |
Jennifer Worth's story and it is based on three things that happened. | 0:12:35 | 0:12:40 | |
The difference between the nuns and the characters that are in it, this | 0:12:40 | 0:12:46 | |
is awful, she says she cannot go back there, and the nuns have no | 0:12:46 | 0:12:49 | |
judgment about the way people are living and what they are doing. It | 0:12:49 | 0:12:53 | |
is just a matter of dealing with that. Going back to the earlier | 0:12:53 | 0:12:57 | |
question, for those that have been through childbirth, it is such a | 0:12:57 | 0:13:05 | |
vivid experience. As soon as you see somebody going through it, you | 0:13:05 | 0:13:12 | |
instantly snapped back. Yes. You have had two children and each one | 0:13:12 | 0:13:17 | |
makes you think how amazing the event is. That same with Miranda | 0:13:17 | 0:13:25 | |
Hart, the breech armour on Sunday. Everybody was sucked into it. -- | 0:13:25 | 0:13:34 | |
the breech birth. When we were for -- filming, more of the men were | 0:13:35 | 0:13:38 | |
talking about childbirth and the women. They were shoved out of the | 0:13:38 | 0:13:43 | |
way in the 50s, so that has changed. When my brother had his first child | 0:13:43 | 0:13:48 | |
32 years ago, he was so excited. My husband was there as well. To be | 0:13:48 | 0:13:52 | |
part of that is fantastic. Unfortunately we have not got time | 0:13:52 | 0:13:55 | |
for another club. The midwives at the Royal Infirmary in Edinburgh | 0:13:55 | 0:14:02 | |
have got a question for you. Yes, a collection of midwives. Is that a | 0:14:02 | 0:14:08 | |
chorus? Elaine, would you like to ask Jenny your suggestion for | 0:14:08 | 0:14:12 | |
another series? Will we see multiple births? We don't want | 0:14:12 | 0:14:20 | |
twins, we want three! Or I can say is that Sister Julienne did not | 0:14:20 | 0:14:23 | |
actually have to handle any births in this one but it was alluded to | 0:14:23 | 0:14:26 | |
the fact that when there was a difficulty she would be there. | 0:14:26 | 0:14:30 | |
Perhaps in the next series there will be a multiple birth and I will | 0:14:30 | 0:14:36 | |
have to deal with it. Who knows? We will see. Thanks to the midwives. | 0:14:36 | 0:14:43 | |
We will be back. Back to Edinburgh later on. Call The Midwife shows | 0:14:43 | 0:14:47 | |
how expectant mothers coped in the 50s, but Ruth Goodman has been | 0:14:47 | 0:14:57 | |
looking further back to the Today's technology makes pregnancy | 0:14:57 | 0:15:01 | |
and birth relatively safe for the mother and child. In Victorian | 0:15:01 | 0:15:07 | |
times, it was very different. On average, a Victorian wife spent 12 | 0:15:07 | 0:15:11 | |
years either pregnant or breast- feeding, with that on average five | 0:15:11 | 0:15:17 | |
births each. Of course, many of those would not make it to their | 0:15:17 | 0:15:21 | |
first birthday is a live. Judith Flanders is an author and social | 0:15:21 | 0:15:25 | |
historian who has studied Victorian life in detail. How was pregnancy | 0:15:25 | 0:15:29 | |
seen in Victorian times? It was a lovely event as long as you were | 0:15:29 | 0:15:34 | |
married and did not mention it. It was hidden as much as possible. | 0:15:34 | 0:15:38 | |
Clothing helped you hide it. At the end of the century, a woman was | 0:15:38 | 0:15:42 | |
wearing approximately 37lbs of clothing. So it could hide an awful | 0:15:42 | 0:15:48 | |
lot. For in the early Victorian period, pregnancy and birth was a | 0:15:48 | 0:15:53 | |
woman's business. But in the mid- 19th century, one book brought | 0:15:53 | 0:15:59 | |
enormous change. Advice to a wife was a self-help manual. But it was | 0:15:59 | 0:16:06 | |
written by a man, a surgeon called Henry. It was the first doctor's | 0:16:06 | 0:16:11 | |
book ever, not just of his day. He was the first to write childbirth | 0:16:11 | 0:16:17 | |
books to give his professional expertise. People like him were | 0:16:17 | 0:16:24 | |
part of that movement to switch it from pregnancy being a woman's | 0:16:24 | 0:16:32 | |
thing to being a medical condition. I like the way everything is put | 0:16:32 | 0:16:37 | |
down. If something happens, see a doctor. If it doesn't, see a doctor. | 0:16:37 | 0:16:44 | |
If you are not sure, see a doctor. I have come to unauthentic | 0:16:44 | 0:16:48 | |
Victorian kitchen to try a few Victorian remedies out. Toothache | 0:16:48 | 0:16:53 | |
is a frequent sign of pregnancy, pregnancy often being destructive | 0:16:53 | 0:16:58 | |
to the teeth, destroying one with every child. He gives a whole range | 0:16:58 | 0:17:04 | |
of things to help with the toothache. This one is the simplest. | 0:17:04 | 0:17:10 | |
Take a piece of brown paper. And some brandy, and scatter a load of | 0:17:10 | 0:17:15 | |
pepper. And this is laid to the cheek. It is supposed to stay there | 0:17:15 | 0:17:19 | |
for several hours. How much it helps the toothache, I am not sure. | 0:17:19 | 0:17:27 | |
This is a good one about stomach problems. We need powdered rhubarb. | 0:17:27 | 0:17:32 | |
Half a dram. Carbonate magnesium, essence of ginger, compound | 0:17:32 | 0:17:37 | |
tincture of cardamoms and peppermint water. This is not quite | 0:17:37 | 0:17:42 | |
medicine. Many of these ingredients are genuinely helpful and would be | 0:17:42 | 0:17:47 | |
recommended today. But my favourite recipes considerably less good for | 0:17:47 | 0:17:51 | |
you. A glass of champagne for the morning sickness. Perhaps the | 0:17:51 | 0:17:59 | |
scariest part in Victorian times was the birth itself. This | 0:17:59 | 0:18:02 | |
expertise from the London School of Hygiene and Tropical Medicine. She | 0:18:02 | 0:18:06 | |
wants to show me a collection of Victorian birthing instruments that | 0:18:06 | 0:18:10 | |
sent shivers down my spine, as does the prospect of being a poor | 0:18:10 | 0:18:15 | |
Victorian mother, as pain relief was reserved for the rich. | 0:18:15 | 0:18:19 | |
Chloroform was one of the major advances in the practice of | 0:18:19 | 0:18:24 | |
obstetrics. Only doctors could give it. That meant that only the women | 0:18:24 | 0:18:27 | |
who could afford the services of the doctor could afford the | 0:18:27 | 0:18:31 | |
benefits of chloroform. Hygiene standards were poor, and the higher | 0:18:31 | 0:18:36 | |
death rates associated with birth were often the fault of the doctors | 0:18:36 | 0:18:42 | |
themselves. Doctors attended people with infections, of course, and | 0:18:42 | 0:18:46 | |
then brought the infection into the birthing chamber. This would have | 0:18:46 | 0:18:52 | |
been the obstetrician's tool box in 1850. And it is exactly these | 0:18:52 | 0:18:57 | |
things that moved infection from one woman to another? Yes. And the | 0:18:57 | 0:19:01 | |
danger was that the mum would develop an infection and die. | 0:19:01 | 0:19:05 | |
of them are gruesome. People often ask, would I really like to live in | 0:19:05 | 0:19:11 | |
the past? Well, this is one of the reasons why the answer to that is | 0:19:11 | 0:19:19 | |
emphatically No. Well, you have obviously researched the '50s for | 0:19:19 | 0:19:23 | |
your role in Call The Midwife. Would you like to go further back | 0:19:23 | 0:19:27 | |
to the Victorian era? That was extraordinary. When you look at how | 0:19:27 | 0:19:32 | |
far we have come, when I read the script for Call The Midwife, it | 0:19:32 | 0:19:39 | |
seemed much further back than the '50s. It felt very historical, with | 0:19:39 | 0:19:44 | |
all the equipment. It seemed so removed from today. Makes you | 0:19:44 | 0:19:49 | |
wonder where it is going in the next decades. It was amazing to see | 0:19:49 | 0:19:54 | |
those women in Edinburgh. Good news. It is day two of Mike Dilger's week | 0:19:54 | 0:19:58 | |
hopping out at Tiggywinkles animal rescue centre. | 0:19:58 | 0:20:02 | |
Last night, we rescued a fallow deer that had been caught up in a | 0:20:02 | 0:20:07 | |
barbed-wire fence. The first 24 hours are critical when Nadir comes | 0:20:07 | 0:20:13 | |
in. Due to their ordeal, they are prone to stress, and resulting | 0:20:13 | 0:20:17 | |
symptoms can kill them. It is the morning after the night before, and | 0:20:17 | 0:20:21 | |
we are here with bated breath. How is our dear doing? Let's have a | 0:20:21 | 0:20:30 | |
look. Looks like it is doing OK. He made it through the night. He is | 0:20:31 | 0:20:40 | |
0:20:41 | 0:20:41 | ||
looking good. That is a great sign. Our dear has got fight. Will he | 0:20:41 | 0:20:46 | |
make a good recovery? I am confident. He is happy and tried to | 0:20:46 | 0:20:52 | |
jump out of the door. Delighted. But there is still concern about | 0:20:52 | 0:21:00 | |
the injury to his leg, and I will check on him later. The vets and | 0:21:00 | 0:21:04 | |
nurses at this Wildlife Centre will go to extraordinary lengths to get | 0:21:04 | 0:21:11 | |
an animal on the road to recovery. Tiggywinkles receive around three | 0:21:11 | 0:21:15 | |
tawny owls a week, many of which are the result of car accidents and | 0:21:15 | 0:21:19 | |
need special treatment to nurse them back to health. Fortunately, | 0:21:19 | 0:21:24 | |
the staff here really do give a hoot. Since since this one was hit | 0:21:24 | 0:21:30 | |
by a car, it has had problems with his vision. So we have travel 30 | 0:21:30 | 0:21:34 | |
miles for a special appointment with veterinary of pathologist | 0:21:34 | 0:21:42 | |
David. You can see a cataract. There is a detached retina behind | 0:21:42 | 0:21:48 | |
the lens. There is no way we can laser that back in position. Tall | 0:21:48 | 0:21:51 | |
and the owls have superb night vision and can see in near pitch | 0:21:51 | 0:21:54 | |
black, but as they used their hearing to hunt as well, it might | 0:21:54 | 0:21:59 | |
not all be bad news. Does that mean for the owl is effectively blind? | 0:21:59 | 0:22:05 | |
Totally blind in this I. But with time to adjust in captivity to site | 0:22:05 | 0:22:14 | |
in only one night, it is possible he could hunt in the wild again. | 0:22:14 | 0:22:19 | |
During the spring and summer, rescuing abandoned juvenile badgers | 0:22:19 | 0:22:22 | |
is one of the most regular call- outs, as they are too young to | 0:22:22 | 0:22:26 | |
survive on their own. But after months of care, they are strong | 0:22:26 | 0:22:30 | |
enough to fend for themselves. One of this year's intake really stands | 0:22:30 | 0:22:39 | |
out from the crowd. That is astonishing! It is a beautiful | 0:22:39 | 0:22:45 | |
animal. So he is colouring is due to a genetic variation. He is not a | 0:22:45 | 0:22:51 | |
beano, because he does not have those pink eyes, but to have an | 0:22:51 | 0:22:55 | |
all-white badger is incredibly rare. It's unfortunately, they stand out | 0:22:55 | 0:23:00 | |
like a sore thumb. That worries me. People like to shoot white animals | 0:23:00 | 0:23:04 | |
and stuff them and have them as a trophy. As a consequence, he will | 0:23:04 | 0:23:10 | |
not be released back into the wild. Instead, he will remain here in a | 0:23:10 | 0:23:15 | |
specially built badger enclosure. The other four, you are going to | 0:23:15 | 0:23:19 | |
build an artificial badger sett, and they can come and go as they | 0:23:19 | 0:23:29 | |
please. I will get my shovel. have a much bigger shovel for you. | 0:23:29 | 0:23:34 | |
This is building a badger sett, industrial style. It will be like a | 0:23:34 | 0:23:38 | |
halfway house. Although built on the centre's Land, the badgers will | 0:23:38 | 0:23:42 | |
be free to go into the wild. I have no idea what I am doing. A simple | 0:23:42 | 0:23:47 | |
badger sett is made up of two tunnels, with one big sleeping | 0:23:47 | 0:23:56 | |
chamber. This is how you do it properly. That is looking white. | 0:23:56 | 0:24:00 | |
Presumably the badgers will come out at dusk, feed in the paddock | 0:24:00 | 0:24:04 | |
and then when it comes to dawn, they will shoot like rats down a | 0:24:04 | 0:24:09 | |
drainpipe. Straight back into the badger sett. Let's hope the badgers | 0:24:09 | 0:24:14 | |
will remain as a family group. But if they leave, the badger sett will | 0:24:14 | 0:24:23 | |
be used again next year. Four badgers, one new home. Lovely. | 0:24:23 | 0:24:28 | |
Tomorrow, a polecat gets a new home and we will have one in the studio. | 0:24:28 | 0:24:32 | |
My favourite moment last year was you put your hand in the box and | 0:24:32 | 0:24:35 | |
touchy the Little ferret. Which I thought was a cat. | 0:24:35 | 0:24:42 | |
Any way, I'd back to the Edinburgh Royal Infirmary maternity ward now | 0:24:42 | 0:24:46 | |
and our wannabe midwife. Lucy, we have had suggestions for a group of | 0:24:46 | 0:24:53 | |
midwives. How about an expectation. For a delivery. Why didn't I think | 0:24:53 | 0:24:58 | |
of those? Obviously, this is an ultra-modern hospital, but cast | 0:24:58 | 0:25:05 | |
your mind back to the 1950s. Then, the average number of babies born | 0:25:05 | 0:25:10 | |
was 806,000. Now it is 807,000. But in the '50s, half of those were | 0:25:10 | 0:25:15 | |
born at home. Now it is fewer than 5%. A mother in the '50s would have | 0:25:15 | 0:25:20 | |
spent about ten days in hospital recuperating. Now, she is out in 24 | 0:25:20 | 0:25:26 | |
hours, some apparently within six hours. I am joined now by Lindsay | 0:25:26 | 0:25:32 | |
Reid, midwifery royalty and an expert on the history of midwifery. | 0:25:32 | 0:25:39 | |
This is a 1950s midwifery kit. What is the most obvious difference? | 0:25:39 | 0:25:44 | |
What stands out completely, literally, is this stethoscope. | 0:25:44 | 0:25:52 | |
looks primitive, made from wood. You could get them in plastic. They | 0:25:53 | 0:25:57 | |
were used for listening to the foetal heart via the mother's | 0:25:57 | 0:26:03 | |
abdomen. I know that, because I saw Miranda Hart's character do it. I | 0:26:03 | 0:26:08 | |
am just going to go across to so Celia. You are a student of | 0:26:08 | 0:26:13 | |
midwifery. And this is what you would use instead of that object. | 0:26:13 | 0:26:17 | |
Yes, it is battery operated and utilises ultrasound waves to listen | 0:26:17 | 0:26:21 | |
to the baby's habit. Would you rather use this? Yes, because | 0:26:21 | 0:26:28 | |
everyone else can listen in. It is more inclusive. Earlier, we caught | 0:26:28 | 0:26:35 | |
up with Tracy, who had eight hours in labour. This is what happened. | 0:26:35 | 0:26:38 | |
A Tracy Edwards is still waiting for her first child to be born. She | 0:26:38 | 0:26:46 | |
has been in labour overnight, and she is being examined by the doctor. | 0:26:46 | 0:26:53 | |
Your baby is facing the ceiling. So your baby is in an oar -- a more | 0:26:53 | 0:26:59 | |
awkward position. We need a Caesarean section. It will be safer. | 0:26:59 | 0:27:04 | |
With childbirth, you can't predict. You can have a plan, but the plan | 0:27:04 | 0:27:08 | |
can just crumble and the next thing you know, you have to follow what | 0:27:08 | 0:27:14 | |
the doctors say and the midwives say. Whatever is good for the baby | 0:27:14 | 0:27:18 | |
and yourself. These midwives, different types of childbirth are | 0:27:18 | 0:27:23 | |
everyday eventualities, and within the hour, Tracey's baby is safely | 0:27:23 | 0:27:28 | |
in his mother's arms. I am feeling very happy that he is finally here | 0:27:28 | 0:27:38 | |
0:27:38 | 0:27:39 | ||
with us. Safe and sound. I know what we need to see. Would you like | 0:27:39 | 0:27:49 | |
0:27:49 | 0:28:02 | ||
gorgeous. And being quite a vocal. How are you feeling? A bit tired, | 0:28:02 | 0:28:09 | |
but fine. You look fantastic. And it all went well? Absolutely. It | 0:28:09 | 0:28:19 | |
0:28:19 | 0:28:20 | ||
was perfect. The midwives were amazing. How cuties she?! She is | 0:28:20 | 0:28:25 | |
really cute. I am obsessed, so I have to ask. Did you watch Call The | 0:28:25 | 0:28:30 | |
Midwife on Sunday? We did, and my waters broke ten minutes after the | 0:28:30 | 0:28:37 | |
programme. She is so amazing. On behalf of everyone at The One Show, | 0:28:37 | 0:28:47 | |
0:28:47 | 0:28:49 | ||
Of so cute! Good luck to all expectant mums and dads, especially | 0:28:49 | 0:28:54 | |
the mums. Now, the Avengers is coming up. What is it like to be | 0:28:54 | 0:29:00 | |
back on a Hollywood blockbuster? is a tiny role. But the whole | 0:29:00 | 0:29:05 | |
rigmarole of being in Hollywood with Samuel L Jackson... | 0:29:05 | 0:29:08 | |
Thank you to all of you who have been e-mailing and about street | 0:29:08 | 0:29:11 | |
lights. People in the countryside are saying townies should stop | 0:29:11 | 0:29:15 |