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Welcome to the One Show with Matt Baker. And Alex Jones. Now tonight, | :00:24. | :00:27. | |
how to stop your identity being stolen with Gloria Hunniford. Hang | :00:27. | :00:36. | |
on a minute. That's Angela Rippon. It's me. Cheeky! And we'll find out | :00:36. | :00:40. | |
which one of our viewers will win the chance to create their dream | :00:40. | :00:44. | |
garden at the Hampton Court Palace Flower Show courtesy of The One | :00:44. | :00:50. | |
Show and the RHS. It's an exciting night. They look tense.An comedian | :00:50. | :00:54. | |
Reginald D Hunter starts his new tour right here in the studio, | :00:54. | :00:56. | |
but... LAUGHTER | :00:56. | :01:02. | |
He's looking more anxious than usual don't you think. That will be | :01:02. | :01:09. | |
why. That is Nikita the eagle. She's huge. She's swooped in to | :01:09. | :01:14. | |
help her find her missing mate. Luckity our guests tonight will | :01:14. | :01:21. | |
make Nikita feel right at home. # Welcome to the Hotel California | :01:21. | :01:25. | |
# Such a lovely place # Such a lovely place # | :01:25. | :01:29. | |
APPLAUSE From The Eagles it's Glenn Frey and | :01:29. | :01:32. | |
Joe Walsh. APPLAUSE | :01:32. | :01:39. | |
Brilliant. That's welcome back to The One Show. It's nice to have you | :01:39. | :01:44. | |
here. It's a very sad day, guys for British music today, because this | :01:44. | :01:48. | |
morning a band called JLS announced that they were breaking up. Matt | :01:48. | :01:53. | |
only stopped crying just before. I've just pulled myself together. | :01:53. | :01:59. | |
Where were you when you heard the news. They're doing a farewell tour | :01:59. | :02:03. | |
and greatest hits. What advice would you have for them as a band | :02:03. | :02:07. | |
that has broken up in the past. How will they feel after the tour, what | :02:07. | :02:11. | |
advice do we have for them? It's not that big a deal. We break up | :02:11. | :02:18. | |
all the time. JLS fans will be happy to hear that. They might | :02:18. | :02:22. | |
reconnect. I think you should break up for a long time. You know what I | :02:22. | :02:28. | |
mean? Don't mess around.Like we broke up for 14 years. That worked | :02:28. | :02:33. | |
really well for us. It's all in this brilliant documentary which we | :02:33. | :02:37. | |
will talk more of as the evening progresses. JLS fans it goes | :02:37. | :02:41. | |
without saying, my niece, she isn't happy. It got us thinking, which | :02:41. | :02:46. | |
other bands breaking up have caused the most heartache? | :02:46. | :02:52. | |
The Beatles split up in 1970, the Jam in 1982. In 1996 Take That | :02:52. | :02:57. | |
split up. A terrible year for Matt. Now JLS have broken up, shock, | :02:57. | :03:02. | |
horror. What happens when our favourite bands split up. I was | :03:02. | :03:06. | |
upset when destiny's child broke up in particular. When the Jackson | :03:06. | :03:12. | |
five broke up I was feeling pretty void and upset. No more dressing up | :03:12. | :03:18. | |
like Mel B. Wondering who is going to fill that space in music. Hi got | :03:18. | :03:23. | |
all of their T-shirts. I had Ronan, Stephen, all on there, then I | :03:23. | :03:26. | |
thought great one for every day of the week an then they broke up and | :03:26. | :03:29. | |
I thought oh, I can't wear them any more because it makes me too sad. | :03:29. | :03:34. | |
was very hurt, very hurtment Why do you think it is that people get so | :03:34. | :03:38. | |
affected? You don't quite know why you have this feeling inside you | :03:38. | :03:43. | |
because part of you -- it becomes part of you. Together as girls, you | :03:43. | :03:47. | |
weep about it. When they broke up, it leaves you nowhere to go. | :03:47. | :03:57. | |
:03:57. | :03:58. | ||
that a tear I can see? Not quite. Do you need a hug? Actually, I do. | :03:58. | :04:02. | |
The perfect track for that as well. When you were growing up, lads, | :04:02. | :04:07. | |
which bands were you really upset about when they split up? | :04:07. | :04:13. | |
Beatles. Beatles. Were you incredibly upset, obviously there | :04:13. | :04:16. | |
are JLS people out there that are distraught today. Your fans will | :04:16. | :04:20. | |
have been the same when you split up the first time. I think we went | :04:20. | :04:25. | |
out with a bit of a whimper. Really? What makes you say that? | :04:25. | :04:30. | |
They went out with a bang. We just sort of stopped. Everything, the | :04:30. | :04:34. | |
Beatles meant so much, it was not just the music with them. It was a | :04:34. | :04:39. | |
phenomena that we were all part of this movement. It's what got you | :04:39. | :04:44. | |
started as well. You saw them on the television. Yeah. We were sad | :04:44. | :04:52. | |
when the Beatles broke up. other bands spring to mind? | :04:52. | :05:01. | |
band called The Band. Yeah.They were a national treasure that band. | :05:01. | :05:07. | |
The last waltz was beautiful, but that was their last show. I just | :05:07. | :05:11. | |
always said they weren't done yet. You guys are still together and | :05:11. | :05:16. | |
we'll be talking about your past and your future throwout the show | :05:17. | :05:20. | |
tonight. Angela Rippon is back on the consumer warpath to protect the | :05:20. | :05:24. | |
rights of One Show viewers. Isn't that right? Too right Alex. This | :05:24. | :05:27. | |
time it's the fraudsters, who are stealing people's identities to | :05:27. | :05:31. | |
borrow money from a company that claim that they're straight talking, | :05:31. | :05:39. | |
but they don't always seem to be listening. They're the best known | :05:39. | :05:43. | |
payday loans company in the business. Wonga.com, straight | :05:43. | :05:47. | |
talking money. It seems that not all the money that flows through | :05:47. | :05:51. | |
their system is as straight as the company might like. Some people who | :05:51. | :05:55. | |
have never used a payday loan company have faced demands from | :05:55. | :06:00. | |
Wonga for repayment or had money taken from their bank account. | :06:00. | :06:03. | |
Thanks to fraudsters they've been saddled with someone else's debt. | :06:03. | :06:07. | |
As a result they're being chased for hundreds, in some cases, | :06:07. | :06:12. | |
thousands of pounds, that they don't actually owe. Victoria was a | :06:12. | :06:17. | |
victim of fraud. She was baffled to receive a missed payment letter | :06:17. | :06:23. | |
from Wonga.com saying that she owed them over �500, when she hadn't | :06:23. | :06:28. | |
borrowed a penny. She didn't find it easy to put things right. How | :06:28. | :06:33. | |
long did it take for them to respond to you? They said I had to | :06:33. | :06:37. | |
ring the police for a crime log number. They said it would be 48 | :06:37. | :06:41. | |
hours, after I called them back. Hi to ring them again, they told me | :06:41. | :06:46. | |
they had lost my phone number. And that I would wait another 48 hours | :06:46. | :06:52. | |
for them to sort things out again. Eventually Wonga called Victoria | :06:52. | :06:55. | |
and confirmed that the account mysteriously opened in her name and | :06:55. | :07:00. | |
with her contact details had been closed down. But just two months | :07:00. | :07:06. | |
later, she received another letter from Wonga, demanding repayment of | :07:06. | :07:11. | |
�263 for a new loan, which, again, she had not taken out. If somebody | :07:11. | :07:14. | |
had tried to open another account, why didn't it flash up on the | :07:14. | :07:18. | |
screen saying this account was done for fraud again. This fraud expert | :07:18. | :07:22. | |
believes it's not uncommon that with some companies it seems that | :07:22. | :07:26. | |
the account that the money is paid into could not be the one from | :07:26. | :07:30. | |
which it's going to be paid back. So even though you have never had | :07:30. | :07:34. | |
the money, if a fraudster has used your details, it could be you | :07:34. | :07:38. | |
that's asked to pay up. How can you open up an account if the name that | :07:38. | :07:42. | |
you are giving is not the same as the bank account that you are going | :07:42. | :07:45. | |
to put the money into? The name doesn't have any relationship to | :07:45. | :07:49. | |
the bank account number. It's not something that a bank is going to | :07:49. | :07:52. | |
check. They're just interested in the number itself of the account. | :07:52. | :07:56. | |
It could be Joe Blogs. At the end of the day, the bank is going to | :07:56. | :08:00. | |
put money into that account. This year, the Office of Fair Trading | :08:00. | :08:05. | |
warned the top 50 payday loan companies that they must have | :08:05. | :08:08. | |
adequate procedures to prevent identity fraud. They even closed | :08:09. | :08:14. | |
down one payday loan company, MCO Capital and fined them �500,000, | :08:14. | :08:18. | |
partly for failing to make sufficient ID checks. However, | :08:18. | :08:22. | |
online pay day lenders insist they do have the right checks in place | :08:22. | :08:29. | |
to protect their consumers. Nadia wouldn't agree. Criminals somehow | :08:29. | :08:34. | |
got hold of her debit card details which she only discovered when | :08:34. | :08:38. | |
Wonga took almost �1,000 from her account to pay off two loan that's | :08:38. | :08:42. | |
she knew nothing about. She wasn't satisfied with their response. What | :08:42. | :08:47. | |
was your reaction? I was pretty upset to be honest. Partly because | :08:47. | :08:51. | |
I just was astounded that it was allowed to happen. Did they explain | :08:51. | :08:54. | |
how it was that your card details were being used for someone else to | :08:54. | :08:59. | |
get money in your name? There was no explanation whatsoever from | :08:59. | :09:04. | |
Wonga. They just issued a standard statement saying they do take | :09:04. | :09:08. | |
security measures. But ultimately, it seems like they are issuing | :09:08. | :09:12. | |
loans to unscrupulous people and then not insisting that the same | :09:12. | :09:17. | |
card details be used to pay back the loans. Nadia's bank refunded | :09:17. | :09:23. | |
the stolen money. But she still wants answers as to how Wonga could | :09:23. | :09:30. | |
let her card details be exploited. Wonga claim only 0.1% of | :09:30. | :09:32. | |
transactions on their site are fraudulent. I wanted to know | :09:32. | :09:35. | |
exactly what they're doing to tackle this sort of fraud and what | :09:35. | :09:39. | |
they say to people like Nadia and Victoria, who are disappointed with | :09:39. | :09:42. | |
how their problem was handled. The company didn't want to be | :09:42. | :09:48. | |
interviewed. But I gave them a call to find out more. Are you confident | :09:48. | :09:54. | |
that you have in place enough security to ensure that the public | :09:54. | :09:58. | |
are protected? They stressed that what's happening here is criminal. | :09:58. | :10:02. | |
And though they're confident that they're doing all they can to stop | :10:02. | :10:07. | |
it, fraudsters will always find new ways to beat the system. Now it's | :10:07. | :10:11. | |
just the vulnerability. You know your details are out there | :10:11. | :10:14. | |
somewhere and that it could be Wonga, I'm not sure who else, | :10:14. | :10:18. | |
basically anyone can access your card details and then be paying off | :10:18. | :10:26. | |
a loan on someone else's behalf. You are adamant not to let this lie. | :10:26. | :10:29. | |
Wonga have now made a further statement. What have they said now? | :10:29. | :10:32. | |
As you'd expect, they say they're working closely with the police and | :10:33. | :10:36. | |
experts to ensure that criminal cannot go on using their website in | :10:36. | :10:40. | |
this way. They've also got selective software that actually | :10:40. | :10:43. | |
declines two thirds of first-time applications. They also went on to | :10:43. | :10:48. | |
say they do now have a dedicated team to deal with cases like Nadia | :10:48. | :10:51. | |
and Victoria, but they do acknowledge that they could have | :10:51. | :10:55. | |
handled their cases better and they do regret any additional stress | :10:55. | :10:59. | |
that was caused to them. They're holding their hands up. Yes. This | :10:59. | :11:02. | |
is a very stressful situation. Nadia and Vicky, like lots of other | :11:03. | :11:06. | |
people, have written, reported the fraud, but yet these letters keep | :11:06. | :11:10. | |
coming. What can they do now then? I tell you the first thing that | :11:10. | :11:14. | |
every household should do, invest in buying a shredder. They're not | :11:14. | :11:18. | |
very expensive, but it could be the best investment you've ever made. | :11:18. | :11:21. | |
It's quite cathartic. It's good for you. It's like pressing those | :11:21. | :11:29. | |
bubble things. It's great. It's so liberating. And you should treat | :11:29. | :11:32. | |
any of your personal details that give access to your money like the | :11:32. | :11:37. | |
crown jewels, protect them. If you have any piece of paper with | :11:37. | :11:40. | |
details of your bank, credit card, mortgage of anything you have | :11:40. | :11:45. | |
bought online and through the post, shred it because any time you let | :11:45. | :11:49. | |
down your defences the criminals will find a way in. You have also, | :11:49. | :11:53. | |
you really must, you just have to keep going on at companies like | :11:53. | :11:57. | |
Wonga and the rest of them and say you know, that this is fraudulent. | :11:57. | :12:01. | |
But you must also get in touch with every other company with whom you | :12:01. | :12:04. | |
have any kind of commercial transaction and say to them, I've | :12:04. | :12:08. | |
been the victim of fraud, you must keep an eye out on everything on my | :12:08. | :12:12. | |
account just in case there's some sort of unusual action. The other | :12:12. | :12:17. | |
thing to do, if you don't get any satisfaction, you can make a formal | :12:17. | :12:20. | |
complaints to the financial ombudsmen. It wasn't long before | :12:20. | :12:24. | |
that film started, you were saying, this is the real deal. I presume | :12:24. | :12:30. | |
you've been victims of fraud in the past? Well, we're both broke, so | :12:30. | :12:34. | |
nobody... LAUGHTER | :12:34. | :12:40. | |
They've tried hard. They've failed. That's why we're here. You won't | :12:40. | :12:47. | |
get much from this lot. I bought an expensive dinner at a restaurant | :12:47. | :12:52. | |
and they gave me back somebody else's card and they gave him mine. | :12:52. | :12:56. | |
We both used them for a couple of days before we caught it. I'm | :12:56. | :13:03. | |
telling you, I paid for some weird stuff. Your credit card was having | :13:03. | :13:07. | |
more fun than you. When you got your statement back, did you see | :13:07. | :13:14. | |
what he was buying? Equally as weird? Yeah. OK. There's a study | :13:14. | :13:18. | |
out yesterday by Ofcom and it said maybe you boys aren't very good | :13:18. | :13:20. | |
with this either, about protecting your passwords and how to come up | :13:20. | :13:25. | |
with really hard ones. They discovered that 55% of the people | :13:25. | :13:29. | |
in it country use exactly the same password for every single online | :13:29. | :13:35. | |
account, bad idea guys. Change it. Also, apparently one in four of us | :13:35. | :13:42. | |
can't actually remember the password. So, viewers, for the | :13:42. | :13:46. | |
eagles and everybody else, we want to you get involved in this. We | :13:46. | :13:50. | |
know that you've all got brilliant ideas when it comes to things like | :13:50. | :13:54. | |
passwords. What we want is for you to get in touch with us on the | :13:54. | :13:57. | |
programme before the end of the programme, e-mail us with any tips | :13:57. | :14:02. | |
you have got on how you can really make a very, very difficult, hard | :14:02. | :14:05. | |
to crack password and more importantly, how you can remember | :14:05. | :14:09. | |
it. Then I will read out some of them at end profit Graeme. We have | :14:09. | :14:14. | |
a couple of friends here who might find that useful. Keep talk -- at | :14:14. | :14:17. | |
the end of the programme. We might have a couple of friends here who | :14:17. | :14:21. | |
might find that useful. Sophie Morgan knows all too well | :14:21. | :14:26. | |
the risks of driving too fast, after being in a crash as a | :14:26. | :14:29. | |
teenager which left her paralysed. That makes her investigation into | :14:29. | :14:39. | |
:14:39. | :14:39. | ||
the craze of illegal street car Police released this footage of | :14:40. | :14:46. | |
cars being raced on public roads at up to 120mph. It helped convict 250 | :14:46. | :14:49. | |
people, all of whom were banned from driving and fined for taking | :14:49. | :14:55. | |
part. But events like this are | :14:55. | :14:58. | |
surprisingly common, as I have discovered when making Licence to | :14:58. | :15:02. | |
Kill. A film about why traffic accidents are the single biggest | :15:02. | :15:10. | |
killer of young people. Across the country large groups regularly meet | :15:10. | :15:14. | |
up at weekends or late at night to show off or race their supercharged | :15:14. | :15:21. | |
cars and bikes. Car cruises, like this one, are arranged online. The | :15:21. | :15:25. | |
locations change so they can stay one step ahead of the police. It's | :15:25. | :15:29. | |
pointless meeting there, police are all over it. They have been for the | :15:29. | :15:34. | |
last year. Police blocked everyone in. My mate's MG got taken off him. | :15:34. | :15:38. | |
It's obviously illegal because all the messages are panicking about | :15:38. | :15:42. | |
where the police are going to come. I want to try and understand these | :15:42. | :15:52. | |
:15:52. | :15:53. | ||
drivers' need for speed and see if they realise the dangers of driving | :15:53. | :15:54. | |
too fast. Something I discovered for myself | :15:54. | :15:57. | |
ten years ago. Aged 18 I was a total wild child and my driving was | :15:57. | :16:00. | |
just as crazy. Six months after passing my driving test I was | :16:00. | :16:05. | |
speeding. I misjudged a corner, and the car tpreuped -- flipped over. | :16:05. | :16:10. | |
I woke up in hospital confused and completely terrified. It was then | :16:10. | :16:16. | |
that I realised that I couldn't feel my body and that I was | :16:16. | :16:19. | |
paralysed. I have lived with the consequences of my own bad driving | :16:19. | :16:23. | |
ever since. As I set off for a car cruise in Manchester on an | :16:23. | :16:27. | |
industrial estate, I don't get the sense that everyone going takes the | :16:27. | :16:33. | |
risks seriously. I am really nervous about this. | :16:34. | :16:38. | |
Ever since my accident I've been scared of speeding and there's | :16:38. | :16:48. | |
:16:48. | :16:53. | ||
going to be a lot of speeding It's crazy! | :16:53. | :16:59. | |
This is madness. I feel like I have been transported to another world | :16:59. | :17:05. | |
where rules and fear don't exist. Look, look! | :17:05. | :17:09. | |
It was hard to hear above the noise, but I want to know what brings | :17:09. | :17:17. | |
people to these skraepbts. Do you - - events. Do you race? Got a police | :17:17. | :17:26. | |
mark on my car. Speed's like a drug really. You can't stay at 30mph. | :17:27. | :17:36. | |
:17:37. | :17:41. | ||
You look for a race? Yeah, gets the adrenalin rush going. I was an | :17:41. | :17:43. | |
inexperienced kid driving badly. This is different, you know, this | :17:43. | :17:48. | |
is a different environment. It scares me. Not everyone here | :17:48. | :17:53. | |
tonight has come to race. You can see, just because you have come | :17:53. | :17:58. | |
down doesn't mean you are going to be going up and down. Looking at | :17:58. | :18:05. | |
other people going past. As the night wears on some drivers take | :18:05. | :18:12. | |
more and Morris bgs. -- more risks. They're behaving as if they're | :18:12. | :18:22. | |
:18:22. | :18:23. | ||
It's dangerous. The bikes are more dangerous? Of course.So you are | :18:23. | :18:28. | |
not scared of having an accident? No. What if you weren't killed but | :18:28. | :18:31. | |
were in a state and you couldn't ride a bike again. I was paralysed, | :18:31. | :18:35. | |
that doesn't bother you, you are not thinking about that? No. That | :18:35. | :18:39. | |
would be awful. Probably take my life. You would kill yourself.I | :18:39. | :18:45. | |
wouldn't want to be like that. just annoy me now. That slap in the | :18:45. | :18:49. | |
face when life happens, hasn't happened to them but I fear for the | :18:49. | :18:52. | |
day when thoef face the consequences of having fun. As | :18:52. | :18:56. | |
things get wilder, it feels like a miracle the night passes without | :18:56. | :19:04. | |
disaster. Not all such events do. And you can see more on Licence to | :19:04. | :19:08. | |
Kill which airs tonight at 9.00pm on BBC Three. You were saying | :19:08. | :19:11. | |
watching that, you remember being crazy as youngsters but now you | :19:11. | :19:17. | |
watch that from a father's perspective. A parent's perspective, | :19:17. | :19:25. | |
yeah. The adolescence is temporary insanity anyway and I only started | :19:25. | :19:29. | |
looking back on my own when I had adolescent kids and you start | :19:29. | :19:33. | |
thinking, what did you do when you were 15? What did you do when you | :19:33. | :19:42. | |
were 17? You know, Joe and I looked and went, oh! We weren't exactly | :19:42. | :19:47. | |
thinking safely and stuff. They say the - part of your brain that | :19:47. | :19:50. | |
doesn't stop growing, especially in men, until they're about 24 and | :19:50. | :19:55. | |
it's the part that has to do with executive functioning, getting | :19:55. | :19:59. | |
organised, what's dangerous. Stuff like that. But you know, it's like | :19:59. | :20:04. | |
- we said, you know, you feel like you are bulletproof when you are 17, | :20:04. | :20:08. | |
it can't possibly happen. Do you say that to your children now? | :20:08. | :20:11. | |
Obviously, they're going to look back, I don't know if they've seen | :20:11. | :20:16. | |
this documentary, but there's wild stuff. It's frustrating being a | :20:16. | :20:21. | |
parent and trying to save your kids' time. Right, yeah. That's | :20:21. | :20:25. | |
interesting. When they see some of the things that you have shown in | :20:25. | :20:29. | |
the documentary how do you react to that? It's awkward because you have | :20:29. | :20:35. | |
done it, so why can't they do it? It's that type of thing. For sure, | :20:35. | :20:38. | |
you know, this is a story that's taking place all over the world, | :20:38. | :20:45. | |
wherever young people drive. You just sort of hope everybody gets | :20:45. | :20:50. | |
through it. I can't believe they wouldn't be able to crack down on | :20:50. | :20:54. | |
this. Exactly. Let's have a little look back at some of the highlights | :20:54. | :21:00. | |
from what's been just the most incredible... More other dangerous | :21:00. | :21:10. | |
:21:10. | :21:10. | ||
driving! Here is the lovely good # Take it easy | :21:10. | :21:20. | |
:21:20. | :21:21. | ||
The question was, who can handle it? Who could function? Who could | :21:22. | :21:31. | |
:21:32. | :21:34. | ||
show up? That tension had a lot to do with | :21:34. | :21:39. | |
the artistic fire, having that dynamic. It was important in making | :21:39. | :21:49. | |
:21:49. | :21:56. | ||
the music. # Take it to the limit one more | :21:56. | :22:06. | |
:22:06. | :22:09. | ||
APPLAUSE AND CHEERING Yes! As we saw there... I am exhausted. I am | :22:09. | :22:14. | |
so tired now. I bet you are after all that! As we saw, the | :22:14. | :22:18. | |
documentary really is a mixture of interviews with Eagles, pags and | :22:18. | :22:22. | |
present -- past and present, and it's interspers--ed with footage of | :22:22. | :22:27. | |
you messing about back stage, on stage from back in the day. Did you | :22:27. | :22:30. | |
know that you had all that footage to hand and those brilliant | :22:30. | :22:33. | |
photographs or was any of you responsible for keeping a record of | :22:33. | :22:38. | |
it? We knew for a long time we wanted to do the history of The | :22:38. | :22:41. | |
Eagles, we didn't know when we were going to start the project for sure. | :22:41. | :22:47. | |
From the time we got back together in 94 we had cameras in every place, | :22:47. | :22:53. | |
but in the early 70s we just got very very -- lucky. Henry had a | :22:53. | :23:02. | |
camera he brought to a photofoot for all the gun fighting. And Kodak | :23:02. | :23:08. | |
came out with a camera in 74, I bought one and Don and we took them | :23:08. | :23:13. | |
on the road and started filming everything and we would be on stage | :23:13. | :23:18. | |
and Irvine would be filming us playing. Is this stuff you put in a | :23:18. | :23:21. | |
drawer then and didn't see for years? Irvine had it and it was | :23:21. | :23:25. | |
really in his closet, just a tub full of these little video | :23:25. | :23:31. | |
cassettes that you popped into this old time thing. Then the people | :23:31. | :23:35. | |
that made the film started to unearth all this other stuff, like | :23:35. | :23:41. | |
us playing with Linda Ronstadt. We were able to find a tremendous | :23:41. | :23:45. | |
amount of footage from the 70s which really visually makes the | :23:45. | :23:49. | |
story much more interesting as a film. The question is, I suppose, | :23:49. | :23:54. | |
how do you go about putting a documentary like this in order? How | :23:54. | :23:57. | |
do you sort out all the stills and footage? Did you have a hand in it | :23:57. | :24:06. | |
at all, Joe? Glenn really handpicked a guy to do it. We made | :24:06. | :24:11. | |
a great hire, the Guy's name is Alex. Originally, they sent me a | :24:12. | :24:17. | |
bunch of documentaries of different bands to look at and I was | :24:17. | :24:21. | |
uninspired so I said to people in our office, send me reels of the | :24:21. | :24:26. | |
guys who won the Academy Award for the Best Documentary the last five | :24:26. | :24:32. | |
years and there was this guy Alex, who won an award for Taxi to The | :24:32. | :24:38. | |
Dark Side about Guantanamo and another about the Enron scandal. | :24:39. | :24:42. | |
And his reel was just - you couldn't take your eyes tauf. I | :24:42. | :24:46. | |
said what about this guy? I don't care what he knows about music, he | :24:46. | :24:51. | |
is a great story-teller, I can't take my eyes off every frame. Can I | :24:51. | :24:56. | |
meet him? I went to New York and we met Alex. He's done a fantastic job. | :24:56. | :24:59. | |
He sits you down and you talk about each other and the events that | :24:59. | :25:03. | |
happened. What was the one thing that another Eagle said that really | :25:03. | :25:08. | |
surprised you or were you all so open that you had no secrets? | :25:08. | :25:12. | |
thing Joe said that really blew my mind and it was a speech he made in | :25:12. | :25:16. | |
part one, you know, we were talking about how events started happening | :25:17. | :25:23. | |
to us so fast and so - multiple things were crashing into us and he | :25:23. | :25:28. | |
said, it was chaos but when you looked back on it it looked like a | :25:28. | :25:34. | |
finely crafted novel. I thought, man, does that really clock a lot | :25:34. | :25:39. | |
of what happened to us. You have to write a song about that now, surely. | :25:39. | :25:43. | |
That's a great title for a song or some food for thought. It all | :25:43. | :25:46. | |
started for you in London, it was your first album. You came over | :25:47. | :25:52. | |
here because of the producer, he wouldn't come to you. Yeah, that's | :25:52. | :25:59. | |
right. We wanted to record with a British producer because we loved | :25:59. | :26:03. | |
the bass and drum sound on the British records and Glenn said he | :26:04. | :26:07. | |
would produce us, but you have to come to London. We came to London | :26:07. | :26:14. | |
and stayed on Kings Road. Did you like it? Yes, we loved it win we | :26:14. | :26:17. | |
came over -- when we came over here, we couldn't believe we were in | :26:17. | :26:23. | |
London. A lot of good things were happening, 71, 72, 73. It was a big | :26:23. | :26:32. | |
music scene, we got to meet the guy in The Faces and we got to you meet | :26:32. | :26:37. | |
all the British rock stars, it was very cool. When we were over here | :26:37. | :26:41. | |
Joe was over here. He wasn't in The Eagles, but he came over way early | :26:41. | :26:47. | |
too and toured with The Who. Yeah. And studied under Keith Moon. | :26:47. | :26:51. | |
kind of always wanted that kind of more rockier side of it. It was a | :26:51. | :26:56. | |
big shot in the arm when Joe joined The Eagles, no doubt about that. | :26:56. | :27:06. | |
:27:06. | :27:07. | ||
are going to talk more as we go on. The Eagles are still going strong | :27:07. | :27:09. | |
and we will hear more about future plans later on. If the tension | :27:09. | :27:16. | |
wasn't enough before, it's rising now, because our garden design | :27:16. | :27:21. | |
finalists are still - still have a wait before we find out whose | :27:21. | :27:25. | |
garden garden design will be shown at Hampton Court Palace. That | :27:25. | :27:32. | |
decision it down to our judges. Christine Walkden saw them put our | :27:32. | :27:41. | |
competitors through their paces. We have received nearly 300 entries, | :27:41. | :27:48. | |
and the junction have -- judges have three worthy finalists. Young | :27:48. | :27:54. | |
mum Helen from London, Michelle an architect from Sussex, and artist | :27:54. | :27:59. | |
Vicky from Northamptonshire. Today's finals are in two parts. | :27:59. | :28:06. | |
First, they have to put their designs to the judges. | :28:06. | :28:12. | |
Judges, what are we looking for? Louise? It's the passion of the | :28:12. | :28:15. | |
amateur. That's what the competition is for. What do you | :28:16. | :28:20. | |
want? Creativity. The enthusiasm and imagination that's gone into | :28:20. | :28:24. | |
the design of the garden. Dave, an RHS man, what are your | :28:24. | :28:29. | |
expectations? For me, it's the wow factor. We want something that's | :28:29. | :28:34. | |
going to amaize visitors. Each contestants has two minutes to sell | :28:34. | :28:38. | |
their idea. The previous was to create a family friendly garden for | :28:38. | :28:41. | |
the Hampton Court Palace Flower Show and first up it's Helen with a | :28:41. | :28:46. | |
garden that's full of adventure for children. It's a garden full of the | :28:46. | :28:56. | |
fondest memories from my childhood and a garden with a big sense of | :28:56. | :29:00. | |
scale scale. Next is Michelle with a garden she says has spaces that | :29:00. | :29:08. | |
are flexible for all the family. But can she convince the judges? | :29:08. | :29:13. | |
There's a den surrounded by lots of tall planting and edible climbers | :29:13. | :29:16. | |
that creates a lovely space for children to play and hide. Finally, | :29:17. | :29:23. | |
it's Vicky with a garden full of imagination. Here we have a Wendy | :29:23. | :29:28. | |
house with a slide around the outside. I wanted it to have the | :29:28. | :29:33. | |
idea that you have been shrunk down and are placed on a forest floor. | :29:33. | :29:37. | |
The judges have a lot to think about. But to help them make up | :29:37. | :29:40. | |
their minds the final task for the finalists is a planting challenge. | :29:40. | :29:44. | |
We are asking them to create a springboard with plants they | :29:44. | :29:48. | |
haven't seen until now. What we are interested in is seeing how they | :29:48. | :29:57. | |
Ladies, you have 60 minutes. Start now! | :29:58. | :30:01. | |
The challenge is not as straightforward as it looks. The | :30:01. | :30:05. | |
contestants have a lot of plants to choose from. All of which require | :30:05. | :30:08. | |
different growing conditions, so they'll have to be really careful | :30:08. | :30:18. | |
:30:18. | :30:21. | ||
Michelle is choosing purples and pinks to create a vibrant display | :30:21. | :30:24. | |
and she's also thinking about positioning the bigger plants at | :30:24. | :30:32. | |
the back. Vicky wants her boreder to look established and has | :30:32. | :30:37. | |
selected contrasting shades reflecting her artistic flair. | :30:37. | :30:46. | |
Ladies, you're halfway. Helen has decided she's planting a flower bed | :30:46. | :30:53. | |
as you would at home with plenty of space for things to grow. Finalists, | :30:53. | :31:03. | |
:31:03. | :31:03. | ||
you have ten more minutes! Five, four, three, two, one. Stop, | :31:03. | :31:09. | |
please! The judges must take into consideration both the designs for | :31:09. | :31:13. | |
the Hampton Court Palace Flower Show and the contestant's | :31:13. | :31:18. | |
performances in the planting challenge. What did you think of | :31:18. | :31:23. | |
Helen's work? I like the design. I thought she did really well in her | :31:23. | :31:27. | |
pitch. She let herself down with the planting. I agree. I think it | :31:27. | :31:33. | |
was totally sparse. With Michelle's garden design, the amount of gravel | :31:33. | :31:37. | |
that she had on the floor compared to the amount of planting material | :31:37. | :31:43. | |
is a worry. What did you think of her planting? The plants would work | :31:43. | :31:50. | |
well together and you would see that in a normal garden. Vicky's | :31:50. | :31:54. | |
garden felt very cohesive, both the design and planting, it felt like | :31:54. | :31:57. | |
it was part of the same package. With her design, I'm worried about | :31:57. | :32:00. | |
the amount of structures and materials that would need to go | :32:00. | :32:04. | |
into the garden. Personally, I think all three of these designs | :32:04. | :32:12. | |
would look great at Hampton Court. And the judges are still talking. I | :32:12. | :32:14. | |
actually think they're finding it quite tough. | :32:14. | :32:21. | |
APPLAUSE Do you know, I sound like Bruce | :32:21. | :32:24. | |
here, but they're all my favourites. They really are. Helen, Michelle | :32:24. | :32:29. | |
and Vicky, we don't want to worry you, OK, but whoever wins, I can | :32:29. | :32:32. | |
tell you, you have got some hard work ahead of you. What has the | :32:33. | :32:40. | |
winner let herself in for? Welcome to the Harrogate Flower Show. It | :32:40. | :32:43. | |
doesn't officially open to the public until tomorrow, but we've | :32:43. | :32:49. | |
been granted a sneak peak. Helen, Michelle and Vicky there is the | :32:49. | :32:55. | |
calibre of garden we expect. This was designed by Lizzie Tulip. What | :32:55. | :33:00. | |
goes into creating a garden like yours? A lot of hard work actually. | :33:00. | :33:03. | |
Yes, there's about eight months of planning and preparation an design | :33:03. | :33:06. | |
work gone into the garden. We've been on site for about two weeks | :33:06. | :33:11. | |
constructing. We have a ten-metre dry stone wall that's in the garden. | :33:11. | :33:15. | |
Two weeks is a lot to achieve actually. I have an amazing team of | :33:15. | :33:20. | |
people behind me. That would be my tip, get a great team of people. | :33:20. | :33:24. | |
These hands have definitely done some hard work. They're green | :33:24. | :33:28. | |
fingers. Now tell me about those wooden balls that you have. They're | :33:28. | :33:35. | |
not wooden. They're willow. It's a type of wood. Willow spheres by an | :33:35. | :33:40. | |
artist called Rachel Carter. The idea is that they are woven in | :33:40. | :33:44. | |
between the planting to pull all the spaces together. It looks | :33:44. | :33:47. | |
marvellous. You've done a great job and it's beautiful. We appreciate | :33:47. | :33:50. | |
it. Well done. Lizzie has been coming to the Harrogate Flower Show | :33:50. | :33:55. | |
for years, but there are some novices here, including Rachel, who | :33:55. | :33:59. | |
has created this. This is the wedding gift garden. What a lovely | :33:59. | :34:04. | |
idea. Where did that come from? particularly inspired bit idea of | :34:04. | :34:08. | |
creating a garden as a wedding gift. This is created around the sybolism | :34:08. | :34:14. | |
of connected rings. We've got the lovely timber deck and then the | :34:14. | :34:18. | |
beautiful soft green lawn ring and of course, we have the beautiful | :34:18. | :34:23. | |
sphere sun dial. It's beautiful, so creative. Alex, Matt, apparently | :34:23. | :34:27. | |
later they want me to do some flower arranging. Just because I | :34:27. | :34:30. | |
have green finger nails does not mean I have green fingers. We'll | :34:30. | :34:37. | |
see about that later. Put on some gloves. The Beatles garden sounds | :34:37. | :34:42. | |
good. Were you out with the Beatles the other night there? Were you | :34:42. | :34:52. | |
:34:52. | :34:56. | ||
with Paul and Ringo? Yeah. Come on. That is so cool. Yes! Ringo is my | :34:56. | :35:04. | |
brother in law. Is he?Yeah. Your proper brother in law? Yes. My wife | :35:05. | :35:14. | |
:35:15. | :35:15. | ||
is his wife's sister. I and my wife and Barbara were all at chez | :35:15. | :35:22. | |
stadium togtd -- shea Stadium together, where we saw the Beatles. | :35:22. | :35:26. | |
Was it a good lunch? No, we didn't meet each other for a long time | :35:26. | :35:29. | |
after. But I was screaming and crying with the rest of the girls, | :35:29. | :35:35. | |
I tell you. Any way, Paul was in town. Yeah, we had dinner. | :35:35. | :35:39. | |
Everybody thought we were up to something. But basically, I just | :35:39. | :35:47. | |
sat there and they talked. We want to play more of the Eagles music. | :35:47. | :35:50. | |
This is the end of hotel California. This was a bit of a battleground | :35:50. | :36:00. | |
:36:00. | :36:14. | ||
It went on for like seven-and-a- half minutes. It was like the | :36:14. | :36:17. | |
longest song. The record company was saying cut it down to four | :36:17. | :36:20. | |
minutes, but every time it was played, you'd have this battle with | :36:20. | :36:29. | |
Don, how would you know who had won? Well, when it got time to put | :36:29. | :36:37. | |
guitars on, we decided that each of us would make individual statements | :36:37. | :36:44. | |
in the body of the song and at the end we would have a go at it. He | :36:44. | :36:49. | |
and I were always kind of competitive. That was a good energy | :36:49. | :36:54. | |
because we really did push each other. We really did. We were | :36:54. | :36:59. | |
competitive. You were out Alpha males in that documentsary -- | :36:59. | :37:03. | |
documentary. There were a bunch of Alpha males in the band. We knew we | :37:03. | :37:08. | |
wanted that ending to go for a long way. We knew we had a couple of | :37:08. | :37:12. | |
guitar players that could burn it. When we cut the track, we kept | :37:12. | :37:16. | |
playing the verse progression over and over again. OK yeah, that's one | :37:16. | :37:20. | |
solo. Then there'll be another solo there. Then maybe you can play | :37:20. | :37:27. | |
something back-and-forth together there. Then Joe said, let's do some | :37:27. | :37:32. | |
da-da-la. Henley and I were working on lyrics and we would tell the | :37:32. | :37:35. | |
guys on the band, go out to dinner tonight, take a break, we're | :37:35. | :37:41. | |
working on this, we'll let you know when we're done. And Joe and felled | :37:41. | :37:44. | |
felled told Henry and I, we're working on something, why don't you | :37:44. | :37:49. | |
take a break and go to dinner. Come back and we'll figure something out | :37:49. | :37:53. | |
and that's exactly how that happened. We left the studio about | :37:53. | :37:58. | |
3pm and came back about 11pm at night. Two thirds of the ending had | :37:58. | :38:07. | |
been kind of figured out. decided to play together at the end | :38:07. | :38:14. | |
because that way neither of us would win. Nice. It's a fairway. | :38:14. | :38:19. | |
The history of The Eagles is out on DVD on money. Now The One Show hot | :38:19. | :38:23. | |
air balloon hasn't been out for a little white. Well, that is why | :38:23. | :38:28. | |
Mike Dilger decided to fire it up again and cast his eagle eye over a | :38:28. | :38:35. | |
centuries' old mystery. Dartmoor is Britain's most in tact prehistoric | :38:35. | :38:38. | |
landscape with evidence of human activity dating as far back as the | :38:38. | :38:43. | |
Stone Age. Scattered amongst these pre-historic sites are the remains | :38:43. | :38:49. | |
of a much later, but quite extraordinary farming boom. Across | :38:49. | :38:54. | |
the country, mysterious mounds like these cause debate amongst | :38:54. | :38:58. | |
archaeologists up until the 1930s. Many suggesting they must be | :38:58. | :39:02. | |
ancient burial mounds or long barrows. But these lumps of rge and | :39:02. | :39:07. | |
rock are actually the remnants of man-made rabbit warns, known as | :39:07. | :39:12. | |
pillow mounds. What we're looking at here is actually a landscape | :39:12. | :39:17. | |
that's been entirely created by humans in the past. 8,000 years ago, | :39:17. | :39:21. | |
the top of Dartmoor was covered by trees. Slowly humans have removed | :39:21. | :39:28. | |
that tree cover. Towards the end of this clearance, the climate started | :39:28. | :39:32. | |
to cool, changing how the land could be used. Because of the | :39:32. | :39:36. | |
climate change, the peat started to build up. Our soil now is very | :39:36. | :39:41. | |
peaty. That peat was no good for growing crops and things. Without | :39:41. | :39:45. | |
being able to grow vital food, most people move add way from the | :39:45. | :39:49. | |
moorland and onto pastures new. But that wasn't the end of farming here | :39:50. | :39:55. | |
on Dartmoor. 2,000 years later when the Normans invaded they brought | :39:55. | :39:58. | |
with them a type of farming which Britain had never seen before, | :39:58. | :40:04. | |
rabbit farming. Although rabbits are everywhere now, they're not | :40:04. | :40:07. | |
native to the UK. The Romans brought them over in small numbers, | :40:07. | :40:12. | |
but it was the norm afpbs who imported them on a large scale -- | :40:12. | :40:16. | |
Normans who imported them on a large scale to be farmed. Liz has | :40:16. | :40:22. | |
been living and working on Dartmoor all her life. What the warreners | :40:22. | :40:27. | |
did, they needed to create a dry home for the rabbits. They piled up | :40:27. | :40:33. | |
big bolders of granite. That's what we have here. They would infill | :40:33. | :40:36. | |
with soil and rocks and turf the top to keep it weather proof. | :40:36. | :40:41. | |
There's a Trench here. Sure, that goes all the way round. That's a | :40:41. | :40:47. | |
common feature of all the pillow mounds. Without these warrens the | :40:47. | :40:49. | |
rabbits wouldn't have been able to survive because the conditions are | :40:50. | :40:54. | |
too wet. By creating the perfect home for them, with food, it meant | :40:54. | :40:58. | |
they had no need to go elsewhere. And it was so successful, the | :40:58. | :41:07. | |
fences weren't even needed to keep them in. They couldn't use it | :41:07. | :41:13. | |
because it's above ground. It is a very sociable animal, good source | :41:13. | :41:19. | |
of meat and fur and breeding like the proverbial. The best way to | :41:19. | :41:22. | |
truly appreciate how important this trade was for Dartmoor is to get | :41:22. | :41:29. | |
above it. So we're heading up in The One Show balloon. This is the | :41:29. | :41:34. | |
first time Liz has seen Dartmoor from the air. From above, we get a | :41:34. | :41:38. | |
unique view of the prehistoric landscape. You can see all those | :41:38. | :41:41. | |
lumps there, this area is incredible for the density of | :41:41. | :41:46. | |
pillow mounds. We have more here on Dartmoor than anywhere else in the | :41:46. | :41:50. | |
worldment Where are they --World. Why are they on slopes? They need | :41:50. | :41:55. | |
to be free draining. Rabbits hate water. If they were across the | :41:55. | :41:59. | |
slope, they would gather water. Down slope the water runs down them | :41:59. | :42:06. | |
and past them and keep the bunnies nice and warm rplt Warm. Rabbit | :42:06. | :42:09. | |
warrening continued on Dartmoor until the 1950s when myxomatosis | :42:10. | :42:14. | |
and an act brought in against the invasive species put an end to any | :42:14. | :42:22. | |
ideas for a future for the industry. Whilst the rabbit is considered a | :42:22. | :42:27. | |
serious agricultural pet by many farmers, as a field biologist I'm | :42:27. | :42:30. | |
pleased they're still part of this landscape just like the pillow | :42:30. | :42:33. | |
mounds they used to live in down below. | :42:33. | :42:40. | |
We got out there before Mike had landed. Joe said, the only problem | :42:40. | :42:45. | |
with hot air ballooning is, "You don't land. You crash." The Eagles | :42:45. | :42:47. | |
are here talking about their document aefrplt we love the scene | :42:47. | :42:51. | |
where you're in the desert and inspired by this spiritual | :42:51. | :42:57. | |
encounter. Let's have a look. I had to go to the bathroom. So I | :42:57. | :43:03. | |
left the camp site and I hear the guys yelling from the camp fire, | :43:03. | :43:10. | |
"Eagle!" I look up and it's soaring right above me, huge wing span. I'm | :43:10. | :43:13. | |
like scuffling to get my pants back up, I'm slipping, I fall down. And | :43:14. | :43:23. | |
the birds kind of goes, eagles huh? I don't think. So Well, the reason | :43:23. | :43:27. | |
we're keeping our voice down is because we would like to bring you | :43:27. | :43:31. | |
closer. I'm sure many TV programmes have done this to you before. This | :43:31. | :43:36. | |
is Nikita. Kris is behind. Hello. Good to see you from Warwick castle. | :43:36. | :43:44. | |
Tell us the story about Nikita Miquita is missing Stanley, one of | :43:44. | :43:48. | |
our -- Nikita is missing Stanley, one of our eagles. He's gone absent | :43:48. | :43:51. | |
without leave. He flew off maybe, we give the birds a lot of freedom. | :43:51. | :43:56. | |
They soar around the sky, just like your bird on the film there. But he | :43:56. | :44:00. | |
was about three quarters of a mile down wind and then gradually | :44:00. | :44:05. | |
drifted away and then got lost effectively. He's been feeding | :44:05. | :44:09. | |
himself on dead rabbits and dead sheep and pretty much anything he's | :44:09. | :44:15. | |
finding. We are missing him. Nikita here sits and pines away for him. | :44:15. | :44:20. | |
She's missing him. Have there been any sightings of Stan? We've had | :44:20. | :44:24. | |
hundreds and hundreds of sightings of him. On a lot of occasions we | :44:24. | :44:30. | |
can go out and see him, and he's sitting in a tree and it's | :44:30. | :44:34. | |
incredibly frustrating not to be able to get him back. He's like one | :44:34. | :44:37. | |
of our children because he's been there for ten years. If he's doing | :44:37. | :44:42. | |
all right and if he is thriving, is there a chance you will leave him? | :44:42. | :44:45. | |
We would like to get him back, that's the thing. Of course, he | :44:45. | :44:49. | |
does seem to be doing very well. It just really depends on where he | :44:49. | :44:57. | |
goes. White tail see gulls natural -- eagles habitat is the coast. In | :44:57. | :45:01. | |
Northamptonshire, currently, where our last sighting was, there isn't | :45:01. | :45:06. | |
a lot of fish. Just dead sheep. Glenn, this is Kris's last-ditch | :45:06. | :45:10. | |
attempt to get Stanley back, will you down the barely there of camera | :45:10. | :45:15. | |
four give us a heart-felt message, to see if any viewers know where | :45:15. | :45:20. | |
Stan is. Stan, from one Eagle to another, I'm asking you please, | :45:20. | :45:26. | |
come home. Nikita misses you, Kris misses you and the visitors to | :45:26. | :45:31. | |
Warwick castle miss you. If that's not going to work, I don't know | :45:31. | :45:35. | |
what will happen. Nikita is responding to that. If you think | :45:35. | :45:45. | |
:45:45. | :45:49. | ||
you've seen Stan, please let us Our next guest is an American | :45:49. | :45:52. | |
stand-up. She's looking at us!He can't help but point out the | :45:52. | :45:57. | |
differences between us. I was back in Georgia recently, | :45:57. | :46:02. | |
first thing they want to do is ask me about Britain. First question. A | :46:02. | :46:10. | |
lot of white people? I bet there's a lot of white people over there. I | :46:10. | :46:15. | |
say, man, this is where they make white people. Britain has more of a | :46:15. | :46:19. | |
class issue and I had to explain a class system is what you use to | :46:19. | :46:27. | |
discriminate against people who look like you. And Reginald D | :46:27. | :46:33. | |
Hunter is here. APPLAUSE You look more comfortable | :46:33. | :46:39. | |
now sitting next to these Eagles than next to Nikita. Yeah, I am | :46:39. | :46:47. | |
more comfortable. Good!The dude put the bird on my hand and the | :46:47. | :46:53. | |
cameraman said we want you to look scared. Did you use to play The | :46:53. | :46:56. | |
Eagles in your household? No, I had old black parents and they were | :46:56. | :47:01. | |
Christian, there was a lot of funky black music they didn't like. My | :47:01. | :47:05. | |
sisters and stuff they had some Eagles albums and stuff and I | :47:05. | :47:13. | |
remember digging it, but when I started, that's when Mr Fry was on | :47:13. | :47:23. | |
:47:23. | :47:23. | ||
his own and I hope you don't feel disrespected. I liked it, too. | :47:23. | :47:27. | |
have been here for 16 years and based yourself here. Do you go back | :47:27. | :47:32. | |
home much? Occasionally, yes.Right. We are going to ask to you get off | :47:32. | :47:36. | |
the fence now and choose between the UK and the USA. We have | :47:36. | :47:41. | |
categories here for you. Basically, this is humour. This | :47:41. | :47:47. | |
sign here. Who's funniest, Britain or America? You are trying to make | :47:48. | :47:54. | |
it so I will never be able to go back home. Think won't see this, | :47:54. | :48:00. | |
don't worry. I work primarily in one market now. Um... Humour, | :48:00. | :48:07. | |
humour, humour! Oh, no, I don't know. I really don't. I don't | :48:07. | :48:10. | |
really - I don't think of it in those terms. You know what, I know | :48:10. | :48:18. | |
what will make you feel good, put it there on the left. Good lad. We | :48:18. | :48:24. | |
can give you a choice, music, food, sport? Or telly. Lead and I will | :48:24. | :48:33. | |
follow. Sport.OK then. Um... I am going to pick us. Yeah. I know | :48:33. | :48:37. | |
there's football fans across the country going, what, Reg is | :48:37. | :48:43. | |
choosing American sports! Is that football or soccer you are talking | :48:43. | :48:50. | |
about. I am more of a baseball man. Food. That's not even a discussion. | :48:50. | :48:55. | |
Put it with the stars over there. You are going to be kicked out soon. | :48:55. | :48:59. | |
I understand what you are saying, man, but when couples get together | :48:59. | :49:07. | |
you don't hear anybody saying, let's eat British tonight. | :49:07. | :49:11. | |
these hot topics and stuff you are talking about when you are on tour | :49:11. | :49:16. | |
and you are back on the road then. Where are you going? All over the | :49:16. | :49:19. | |
shop. Probably not going to talk about these things, because when | :49:20. | :49:23. | |
the audience come to my shows I try to put them on couldn't stapbt | :49:23. | :49:33. | |
:49:33. | :49:34. | ||
reent -- constant relentless come comedic. They told me not to talk | :49:34. | :49:39. | |
about on this show. The differences between the UK and USA is rich | :49:39. | :49:43. | |
pickings for new your routines, has been since you started, but what | :49:43. | :49:46. | |
are the main misconceptions that your family in the USA think about | :49:46. | :49:50. | |
the UK? My mother was scared for me to be living over here because in | :49:50. | :50:00. | |
:50:00. | :50:00. | ||
her mind anywhere outside of the United States is near Iraq. | :50:00. | :50:05. | |
geography is bad, but not that bad! Was she happier as the years | :50:05. | :50:14. | |
progressed? She died before the war ended, so no. OK. Reg's new tour In | :50:14. | :50:19. | |
The Midst of Crackers starts in Cheltenham on May 2nd, and | :50:19. | :50:23. | |
continues all over the UK into June. Tomato or tomato? Let's call the | :50:23. | :50:29. | |
whole thing off. We are off to Scotland where Sarah McHas been to | :50:29. | :50:34. | |
visit a man on a mission to bring back an industry that's been | :50:34. | :50:38. | |
withered on the vine for decades. Tonight we import roughly three | :50:38. | :50:43. | |
quarters of all the tomatoes we eat but that wasn't always the case. 50 | :50:43. | :50:47. | |
years ago, Scotland's cloud valley was lined with glass houses | :50:48. | :50:51. | |
producing tomatoes renowned for their flavour. And enough to feed | :50:51. | :51:00. | |
the entire country. Tomato growing on a commercial scale is carried on | :51:00. | :51:03. | |
and in this part of the country glass houses cover many acres. | :51:03. | :51:09. | |
there were hundreds of Scots tomato growers, today a handful remain. | :51:09. | :51:13. | |
Cheaper imports meant that by the end of the 1970s many of these | :51:13. | :51:20. | |
glass houses were lying empty, shells of an almost forgotten past. | :51:20. | :51:25. | |
Now a young entrepreneur is trying to give the Scottish tomato a | :51:25. | :51:29. | |
makeover. Since December, David Craig has been living on site next | :51:29. | :51:34. | |
to his greenhouse, carefully cultivating 14 varieties of | :51:34. | :51:44. | |
tomatoes, including a heritage called Ailsa Craig. Although the | :51:44. | :51:48. | |
extremely cold winter has delayed the harvest, he's finally seen the | :51:48. | :51:54. | |
fruits of his efforts. David, these are the first punnets? They are | :51:54. | :51:58. | |
indeed. How excited are you? Extremely and it's been hard work | :51:58. | :52:02. | |
but we are almost there. David will be selling tomatoes throughout | :52:02. | :52:06. | |
Scotland and also hopes to expand into northern England. There's a | :52:06. | :52:11. | |
long tradition of tomato growing in this part of the world and the | :52:11. | :52:14. | |
Clyde Valley. Do you feel you are following on from that tradition? | :52:14. | :52:19. | |
Absolutely. Do you have an element of a micro micro climate in the | :52:19. | :52:22. | |
Clyde Valley. We are learning lots of skills that have been developed | :52:22. | :52:27. | |
here for many, many years. They were at risk of dying out, so there | :52:27. | :52:30. | |
was a very strong chance that this industry would disappear in a few | :52:30. | :52:35. | |
years' time. So, we are proud to be following on from that heritage and | :52:35. | :52:41. | |
evolving it, as well. A key part of the effort is David's mentor, Jim, | :52:41. | :52:48. | |
Craig, whose family had grown fruit here since 1910 until Jim retired. | :52:48. | :52:52. | |
We are on the site of a former glasshouse. It has seen better days. | :52:52. | :52:57. | |
Yes, it's the way of most of the glasshouses around here. Most have | :52:57. | :53:02. | |
died out. In its heydey how big was the industry? Massive around here. | :53:02. | :53:09. | |
In the immediate area, 300 growing. When did it go wrong? | :53:09. | :53:13. | |
greenhouses had reached the end of their working life and as road | :53:13. | :53:16. | |
transport became better the market got squeezed out. It was easier to | :53:17. | :53:21. | |
bring things from Holland or Guernsey or even from England. | :53:21. | :53:26. | |
There's only four four growers growing tomatoes left in central | :53:26. | :53:30. | |
Scotland definitely, and most of Scotland. Have you been a mentor to | :53:30. | :53:39. | |
David. Are you managing to just guide him? Yes.Gently nudge him. | :53:39. | :53:44. | |
What do these tomatoes actually taste like? Neil is a former | :53:44. | :53:49. | |
Scottish chef of the year and he's come to try them out. They're | :53:49. | :53:53. | |
beautiful to look at. But to taste them, they're just wonderful. | :53:53. | :54:00. | |
They're so sweet. That is delicious. It seems like the Scottish tomato | :54:00. | :54:05. | |
industry isn't ready to sail into the sunset just yet. | :54:05. | :54:10. | |
Thank you very much, Sarah. Delicious tomatoes. Angela is back | :54:10. | :54:15. | |
with some - listen closely, you two, with password advice. Well, I | :54:15. | :54:18. | |
should be but I have to tell you what our viewers who are amazing, | :54:19. | :54:26. | |
we had so many people e-mailing us, our entire network has crashed. | :54:26. | :54:29. | |
It's about the best protection you can get! The whole system has | :54:29. | :54:35. | |
crashed down. We can't actually bring you too much of - but your PR | :54:35. | :54:39. | |
man, Paul, he said because the ideal way to have a really good | :54:39. | :54:42. | |
password is to have a combination of letters and numbers and he said | :54:42. | :54:46. | |
he uses old car registration numbers, cars people would never | :54:46. | :54:50. | |
know he owned. I can tell you is what you shouldn't do, make them | :54:50. | :54:53. | |
too easy, your family name or birthday or anything anybody could | :54:53. | :54:58. | |
think is your password. Make it as complicated as you can. Good advice. | :54:58. | :55:03. | |
Thank you very much. It's almost time, bekeep saying this, it's | :55:03. | :55:07. | |
almost time for Helen Michelle and Vicky to find out whose design is | :55:07. | :55:12. | |
going to be featured at the Hampton Court Palace Flower Show this year. | :55:12. | :55:20. | |
Let's go back to Anita in the marquee. | :55:21. | :55:25. | |
As if by magic, I am putting in the final flowers. I have been under | :55:25. | :55:31. | |
the watch watchful eye of San ra. - - Sandra. Brilliant.You have a | :55:32. | :55:35. | |
special exhibition sell brighting - - celebrating the 50th anniversary | :55:35. | :55:38. | |
of the release of the first Beatles album. We have.How long have you | :55:38. | :55:42. | |
taken to plan this display? started planning about last | :55:42. | :55:50. | |
September. Quite a while.Yes, we have had on paper. How many worked | :55:50. | :55:56. | |
on it? About 26.Let's have a look. Here it is. Hello, ladies! All hard | :55:56. | :56:04. | |
at work. Over here we have I am The Walrus and over there Strawberry | :56:04. | :56:09. | |
Feels. In -- Fields. In the middle The Yellow Submarine. Let's put the | :56:09. | :56:12. | |
final piece on. The Harrogate Flower Show opens tomorrow, are you | :56:12. | :56:15. | |
going to be ready? We are, just about. Well done T looks gorgeous | :56:15. | :56:19. | |
to us. That's it from here in Harrogate. Michelle, Helen and | :56:19. | :56:27. | |
Vicky, best of luck to you. We are all here on the edge of the sofas | :56:27. | :56:31. | |
and waiting the winner to be named, and also Chris fine and Adam Frost | :56:31. | :56:35. | |
are here. What will you be doing from now until the Hampton Court | :56:35. | :56:39. | |
Flower Show? I will be ensuring that the winner makes the right | :56:39. | :56:45. | |
selection of plants so it complements the design and people | :56:45. | :56:49. | |
go wow when they see it. Adam? will be doing what she tells me, I | :56:49. | :56:55. | |
think. Sensible!I will be just making sure this thing gets - it's | :56:55. | :56:58. | |
an amazing prize. I am going to make sure it's a pleasure, this | :56:58. | :57:01. | |
journey is going to be a pleasure for whoever wins. Our lovely | :57:01. | :57:07. | |
finalists have been waiting all night. Glenn, put them out of their | :57:07. | :57:17. | |
:57:17. | :57:18. | ||
misery and reveal the winner. boy! A lot of pressure. The winner | :57:18. | :57:28. | |
:57:28. | :57:30. | ||
is... Vicky! APPLAUSE AND CHEERING Yes! Vicky, Vicky! Step forward, - | :57:30. | :57:33. | |
your garden will be on show at Hampton Court Palace. How about | :57:33. | :57:38. | |
that. Well done. Adam, could you step forward into the garden and | :57:38. | :57:45. | |
just tell us about the challenges with this one. Wow! I feel a bit | :57:45. | :57:50. | |
like the Mad Hatter. Best way to describe this garden, everything is | :57:50. | :57:55. | |
going to be larger than life. This side we have a slide and I am | :57:55. | :57:59. | |
underneath this massive toadstool and seats underneath. This is all | :57:59. | :58:05. | |
about atmosphere. How the landscape will make this larger than life is | :58:05. | :58:07. | |
going to be the most difficult challenge but I am sure we will | :58:07. | :58:14. | |
give it a good go. It's vibrant. Like Vicky's hair. You got tearful | :58:14. | :58:17. | |
there, how are you feeling? It's brilliant. Thank you so much. | :58:17. | :58:20. | |
Everyone was wonderful and it was wonderful meeting brilliant people, | :58:20. | :58:23. | |
as well. It's going to be great seeing the garden brought to life. | :58:23. | :58:28. | |
I am looking forward to it, it's something I have always wanted to | :58:28. | :58:33. | |
do, to get the opportunity is amazing. Congratulations again. And | :58:33. | :58:36. | |
we will be following the progress of Vicky's garden over the next few | :58:36. | :58:39. | |
months and revealing it live from Hampton Court Palace in July. | :58:40. | :58:46. | |
Thanks to Glenn, to Joe, to Reg and to Angela. The History of The | :58:46. | :58:50. |