Browse content similar to 24/10/2016. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Alex Jones. | :00:17. | :00:19. | |
Four years ago we met Bob who had a brilliant story to tell. | :00:20. | :00:23. | |
Whilst living rough on the streets of London he met a recovering drug | :00:24. | :00:26. | |
addict and helped him turn his life around. | :00:27. | :00:28. | |
Bob is a cat, his friend is called James. | :00:29. | :00:31. | |
And the book James wrote about the two of them became | :00:32. | :00:34. | |
an international bestseller spending an incredible 76 weeks at the top | :00:35. | :00:39. | |
Everyone thought it would make a great movie. | :00:40. | :00:43. | |
Please welcome the stars of A Streetcat named Bob. | :00:44. | :00:48. | |
And the man and his cat themselves, writer James Bowen and Bob! | :00:49. | :01:03. | |
We have been watching intently through the entire opening here. | :01:04. | :01:08. | |
I've been incredibly excited to meet Bob. He can do a high five. Is there | :01:09. | :01:18. | |
any chance? Give 'em a high five. Come on. For treats? High five, come | :01:19. | :01:24. | |
on. Do you know what, he's done all the acting in the movie. Show that | :01:25. | :01:36. | |
to him. High five. Aw. High five. Oh it's worked! | :01:37. | :01:42. | |
James just very quickly, last time you were on we talked about the | :01:43. | :01:46. | |
movie and loads of actors who could play you and you ended up with Luke | :01:47. | :01:50. | |
here. Are you happy? You should be? Oh, my goodness I'm so happy. Luke | :01:51. | :01:55. | |
has been so dedicated to the task. When you talk about method acting, | :01:56. | :02:00. | |
he really put his all into it and high five to you, Luke, seem proud | :02:01. | :02:07. | |
of you, mate, I couldn't have had any more praise for someone doing my | :02:08. | :02:12. | |
sort of interpretation, you know, a painting of a painting, and he just | :02:13. | :02:16. | |
did it so well. A great singer as well. Lovely voice. We are looking | :02:17. | :02:22. | |
forward to finding out how Bob was brought to the big screen later and | :02:23. | :02:27. | |
we'll have a special tribute to dad's Army creator Jim Perry who | :02:28. | :02:32. | |
died yesterday at the age of 93. Whether you believe it's a blip or | :02:33. | :02:41. | |
something more permanent, the value of the pound is rippling. It's | :02:42. | :02:47. | |
$1.21, 18% less than on the day of the EU referendum in June. We met | :02:48. | :02:51. | |
the owners of fish different businesses in one seaside town to | :02:52. | :02:54. | |
see how they view their Financial Future. | :02:55. | :02:59. | |
Welcome to sunny Blackpool. Illuminations. The shows, the night | :03:00. | :03:04. | |
life. Blackpool was one of the biggest areas in the country for | :03:05. | :03:10. | |
wanting to leave the EU. What is this? Unfunny money. There's nothing | :03:11. | :03:16. | |
funny about money in business. This is about as good as Brexit has done | :03:17. | :03:18. | |
us in our business. LAUGHTER. | :03:19. | :03:22. | |
It's no good to me at all. I'm Will, I'm the managing director | :03:23. | :03:41. | |
at Cheatham Ltd, designers and manufacturers of decorative | :03:42. | :03:46. | |
lighting. We might have supplied cruise ship lighting, a TraveLodge, | :03:47. | :03:52. | |
Holiday Express Hotel or a 5 Star top end hotel in the Middle East. | :03:53. | :03:55. | |
The question everyone is asking about the moment is, how is the | :03:56. | :03:58. | |
value of the pound affecting business and why is it important? If | :03:59. | :04:04. | |
this was the pound pre-Brexit, I guess we are about there. As a | :04:05. | :04:07. | |
manufacturing company we have a lot of goods and raw materials we need | :04:08. | :04:12. | |
to buy predominantly from China and we are buying goods in US Dollars. | :04:13. | :04:19. | |
This year we were lucky enough to forward buy at a favourable rate. We | :04:20. | :04:23. | |
maintained our pricing at that level. Come next year we have to | :04:24. | :04:27. | |
start again and who knows what will happen but we are expecting the | :04:28. | :04:36. | |
pound to weaken even further. I'm David, I'm the chairman and | :04:37. | :04:40. | |
founder of Tangerine Holdings Group. We are a manufacturer of animal | :04:41. | :04:45. | |
health products. We have everything that you would find in a Holland and | :04:46. | :04:52. | |
Barrett for Pets. We are currently exporting to approximately 40 | :04:53. | :04:56. | |
countries around the world. The fall's certainly affected our | :04:57. | :04:59. | |
purchasing pricing, no doubt about it. It's always the situation if you | :05:00. | :05:03. | |
are buying raw materials, yes, they cost you more, but it enables you to | :05:04. | :05:07. | |
export a lot easier because the cost of the goods to the people buying | :05:08. | :05:12. | |
them are a lot cheaper, so it's always been a little bit of a swings | :05:13. | :05:16. | |
and roundabouts thing and not something we have focussed on too | :05:17. | :05:19. | |
much. Business is pretty good at the moment. We all believe business is | :05:20. | :05:26. | |
going to carry on the same. I'm Harry Nixon, this is my business, we | :05:27. | :05:31. | |
supply nuts, bolts, washers. It's good. We supply the piers, from a | :05:32. | :05:42. | |
car, think of a car down to garden furniture. 90% of fasteners come | :05:43. | :05:47. | |
from the Far East, Taiwan, China. Everything is done by the dollar, as | :05:48. | :05:53. | |
you are probably aware, and the pound against the dollar is not | :05:54. | :05:56. | |
brilliant, dropping all the time. The cost of everything coming into | :05:57. | :06:00. | |
the country is increasing, my prices are rising 15%, I have to pass that | :06:01. | :06:05. | |
on to the customer which is the manufacturer manufacturing goods for | :06:06. | :06:09. | |
Joe Public. This is how much the Brexit vote is affecting my | :06:10. | :06:10. | |
business, 15%, maybe a bit more. I'm Dawn, and this is my sister and | :06:11. | :06:25. | |
business partner, Diane. We are catering equipment distributors. The | :06:26. | :06:29. | |
uncertainty at the moment with the pound, the euro, touch wood, has not | :06:30. | :06:36. | |
affected us at all at the moment. There are discussions that it will | :06:37. | :06:40. | |
affect prices January February next year. There are certain | :06:41. | :06:43. | |
manufacturers and distributors that are really quite upbeat and I would | :06:44. | :06:48. | |
certainly like to put ourselves within that cat glory. My confidence | :06:49. | :06:52. | |
in the pound is so much that even if we put it in the blender, it's going | :06:53. | :06:58. | |
to come out exactly the same. All untouched, all worth exactly the | :06:59. | :07:03. | |
same as before. And there is a report out that | :07:04. | :07:05. | |
confirms what the businesses in Blackpool there were telling us. The | :07:06. | :07:09. | |
weaker pound's meant that exports have shot up in the last three | :07:10. | :07:13. | |
months and they are expected to keep on rising. Yes. Let us talk about A | :07:14. | :07:19. | |
Streetcat Named Bob. Definitely the star of the show tonight isn't he? | :07:20. | :07:23. | |
When you came in about four years ago James, wasn't it, and you said | :07:24. | :07:27. | |
you'd love your store to be turned into a film, of course here it is, | :07:28. | :07:31. | |
did you have a lot of input to how the film was made and were you on | :07:32. | :07:37. | |
set a lot? Well, yes, I was on set a lot but it was never intended that | :07:38. | :07:40. | |
way. Usually when you sell the writes to the book, off they go and | :07:41. | :07:44. | |
make the film. I think the only other case of someone being really | :07:45. | :07:50. | |
in their film is like Stephen King when he hosts cameos and things like | :07:51. | :07:54. | |
that. I remember Luke was doing this scene from the beginning of the film | :07:55. | :07:59. | |
and I came along and he was really putting his all into it and then | :08:00. | :08:05. | |
they were doing this scene in Covent Garden and I came along, brought Bob | :08:06. | :08:10. | |
along and we were doing some shot on the millennium Britain which weren't | :08:11. | :08:14. | |
used in the final film. Later in the evening, as it was getting darker, | :08:15. | :08:18. | |
Roger the director decided that he wanted to have Luke playing the | :08:19. | :08:24. | |
guitar with Bob on the Bow Street back street. They were doing the | :08:25. | :08:29. | |
takes and Bob did every single take perfectly. Of course he did. Look at | :08:30. | :08:35. | |
him. Luke was playing absolutely fantastically as he does and I just | :08:36. | :08:40. | |
heard this whisper over my ear from the producer, I'm going to put by 2p | :08:41. | :08:45. | |
in about having Bob on, you know, and I thought to myself, oh, dear | :08:46. | :08:49. | |
here we go. The next thing I know, I was roped into coming in at 5. 30 in | :08:50. | :08:54. | |
the morning every day for seven weeks. I couldn't have said no, it's | :08:55. | :08:59. | |
essentially our film. Of course, it's your story. They've honoured us | :09:00. | :09:03. | |
by making it so we were there for them as much as they were there to | :09:04. | :09:06. | |
make our story. Obviously Luke great to be working with the real Bob but | :09:07. | :09:10. | |
what was it like to have James on set because you are telling his | :09:11. | :09:15. | |
story and it's incredibly emotional as well, the two meet and what you | :09:16. | :09:19. | |
have to go through to get through your heroin addiction as well and | :09:20. | :09:22. | |
you had to play all of that in front of James so what was it like for you | :09:23. | :09:29. | |
to play all that and see him? It was really amazing to have James theram | :09:30. | :09:34. | |
actually. You do your research and build up your character, work on the | :09:35. | :09:38. | |
voice and physicality of someone then you shoot the film. To have | :09:39. | :09:42. | |
James on set every day, it was a constant reminder of who it was that | :09:43. | :09:47. | |
I was playing. And yeah, having real Bob there, I mean, none of the other | :09:48. | :09:52. | |
cats could handle being in Covent Garden while we were filming. They | :09:53. | :09:59. | |
were very good at what they did. They were doing stunts and a lot of | :10:00. | :10:04. | |
the second unit work. But Bob is Bob, you know, so... It was strange | :10:05. | :10:10. | |
some days pretending to be James whilst pretending to have lost Bob | :10:11. | :10:14. | |
and James and Bob would be sat in the corner, we had to use our | :10:15. | :10:18. | |
imagination some days. We were crammed in the corner of the set. A | :10:19. | :10:25. | |
lot of people will be wondering where you come in, Joanne, and we'll | :10:26. | :10:29. | |
figure that out in a second but let's see you and Bob in action. | :10:30. | :10:36. | |
Don't go over there. He's not even my cat, he's followed me on to the | :10:37. | :10:45. | |
bus. Haven't you? Eh... Ain't he lovely. Is he allowed? I don't know, | :10:46. | :10:54. | |
have you paid for im? Two for one. That was a One Show friend there, | :10:55. | :11:00. | |
Nina as the bus inspector there. Go on Joanne, where do you come into | :11:01. | :11:03. | |
it, you have an important role in this? Yes, it's very much James and | :11:04. | :11:09. | |
Bob's story and Luke does the most incredible job playing James and I | :11:10. | :11:13. | |
just come in as a supporting role and play what would have been | :11:14. | :11:20. | |
James's key worker, social worker. I'm an amalgamation of A housing | :11:21. | :11:25. | |
worker and drug worker. For dramatic purposes we combined it into me. So | :11:26. | :11:31. | |
yes, that's where I come in. I'm the support system for Luke's character | :11:32. | :11:33. | |
which sounds really strange saying that when you are sat there, James, | :11:34. | :11:38. | |
but our character James, rather than the real James. So yes, that's my | :11:39. | :11:46. | |
role. Everybody can see A Streetcat Named Bob at cinemas from November | :11:47. | :11:49. | |
4th. Now James here spent over ten years | :11:50. | :11:53. | |
on the streets and figures have shown that the number of people | :11:54. | :11:56. | |
sleeping rough in England has more than doubled since 2010. As Nicky | :11:57. | :12:00. | |
and Dave demonstrate here, getting some rest when you are sleeping | :12:01. | :12:04. | |
rough can mean taking to public transport. | :12:05. | :12:08. | |
Central London at night. People are on the move and the iconic red buses | :12:09. | :12:13. | |
are in high demand. Shortly after Midnight, Nicky is | :12:14. | :12:17. | |
travelling with her boyfriend Dave who she met a year ago. Here you | :12:18. | :12:23. | |
are, here is a 24-hour one. Unlike other passengers, Nicky and Dave | :12:24. | :12:27. | |
have no real destination. They are two of London's estimated 7,000 | :12:28. | :12:31. | |
rough sleepers. In her 20 years on the streets, Nicky has learnt that | :12:32. | :12:35. | |
come night-time, buses are better than pavements. Living on the | :12:36. | :12:41. | |
streets, as a woman, is one of the scariest things ever. I woke up to | :12:42. | :12:47. | |
someone trying to get on top of me. I personally feel safer on a bus. | :12:48. | :12:53. | |
There's CCTV, there's usually people and you've got the driver. | :12:54. | :12:56. | |
Unfortunately, bus sleeping only lasts as long as the bus route. At | :12:57. | :13:03. | |
the last stop, Nicky and Dave must get up and wait for their return | :13:04. | :13:08. | |
trip outside. This is the worst bit, especially when it's windy like | :13:09. | :13:11. | |
this. But it don't phase me. As long as I can sleep. Night buses are | :13:12. | :13:18. | |
notoriously infrequent. It will be another 30 minutes before the 27 | :13:19. | :13:20. | |
will reappear. It's not known how many of London's | :13:21. | :13:30. | |
homeless sleep on buses at night. Many will do so when it's very cold, | :13:31. | :13:34. | |
wet or when they're particularly vulnerable. Last year at the New | :13:35. | :13:39. | |
Horizon's youth centre here in Central London, staff handed out bus | :13:40. | :13:42. | |
tickets to homeless young people who had nowhere else to go at the end of | :13:43. | :13:49. | |
the day. The hostels available to us have become completely depleted. One | :13:50. | :13:52. | |
young woman I know did her A-levels while she was sleeping on a bus. I | :13:53. | :13:57. | |
need to ensure young people are safe more than anything else and keeping | :13:58. | :14:06. | |
them off the street is paramount. The slumper doesn't last more than | :14:07. | :14:10. | |
40 minutes before it's time to get off the bus once again. | :14:11. | :14:17. | |
I'm so tired, I just want to get back on a bus. If we go to the | :14:18. | :14:22. | |
hospital toilet and then get on the 29 bus there, babe... | :14:23. | :14:27. | |
This is the best place to get the buses because you can go anywhere | :14:28. | :14:31. | |
from Warren Street. I would rather pay on a bus than | :14:32. | :14:42. | |
just travel, but there has been times where yes, I haven't had any | :14:43. | :14:46. | |
money and I've had to get on a bus and I've dodged the fare. But I'm | :14:47. | :14:54. | |
now paying for it in fines. ?3,000. I ain't got ?3,000. A safe night's | :14:55. | :15:01. | |
sleep on London's buses is far from guaranteed for rough sleepers. Luke | :15:02. | :15:04. | |
is one person who returned to the traditional doorway after he was | :15:05. | :15:08. | |
badly attacked by two drunken men on a night bus last year. I went to | :15:09. | :15:14. | |
sleep. Next thing I knew I was getting punched and head butted. I | :15:15. | :15:18. | |
just froze. I didn't know what to do. From now on, I sleep in shop | :15:19. | :15:24. | |
doorways and move about from place-to-place wherever I can get my | :15:25. | :15:29. | |
head down really. Oh, man, I was well enjoying that sleep. You know | :15:30. | :15:34. | |
when you've just had a little sleep and feel refreshed. Oh, wow... 17 | :15:35. | :15:41. | |
years ago, I remember, it sticks out in my mind, the best night's sleep I | :15:42. | :15:45. | |
ever had, best night's sleep ever. I couldn't have done it without my | :15:46. | :15:58. | |
partner. You know, he always makes sure that I'm safe. If we can get | :15:59. | :16:02. | |
through what we've been through, we can literally get through anything. | :16:03. | :16:11. | |
They continue to ride the number 29 bus in a circle until 6am, before | :16:12. | :16:16. | |
retiring once again to the pavements of central London. In less than 12 | :16:17. | :16:20. | |
hours it will be dark once more and they'll have to start thinking about | :16:21. | :16:24. | |
how to get through the night ahead. Maybe a shop doorway, maybe a | :16:25. | :16:26. | |
stairwell or maybe a bus. Well, a big thanks to them for | :16:27. | :16:35. | |
sharing their story and of course James a film that rings true with | :16:36. | :16:39. | |
you. It is astounding that numbers have doubled since 2010. Where do | :16:40. | :16:45. | |
you think the problem lies? In the fact they are all placed into the | :16:46. | :16:48. | |
same boat as such. There are mental issues. There are family issues. | :16:49. | :16:53. | |
There are drug issues. There are all sorts of different reasons, you | :16:54. | :16:59. | |
know. Immigration issues. Things like that. All sorts of different | :17:00. | :17:02. | |
reasons that people end up on the street. If we broke it down more for | :17:03. | :17:08. | |
each individual person, then maybe we could get a better action to the | :17:09. | :17:13. | |
root of the problem. This time of year, when it starts to get | :17:14. | :17:17. | |
incredibly cold and the nights draw in, that is when you think of those | :17:18. | :17:21. | |
who are out there. Luke, you spent some time on the streets. What was | :17:22. | :17:26. | |
your experience? What was your overriding memory of sleeping rough? | :17:27. | :17:30. | |
I just wanted to get a little sense of it really. So James took me | :17:31. | :17:37. | |
around Soho to places he busked. We went busking for the evening. You | :17:38. | :17:42. | |
showed me different doorways you had been in on Christmas mornings. In | :17:43. | :17:46. | |
the end I got cardboard and went to sleep on the pavement. The amazing | :17:47. | :17:49. | |
thing is everyone is rushing back from work, going home on the Tube | :17:50. | :17:54. | |
and if you are sitting there playing you feel invisible really. It is a | :17:55. | :17:58. | |
very vulnerable place to be on the streets. Absolutely. It would seem | :17:59. | :18:04. | |
that Bob is a very big fan of your music. Here he is being serenaded. | :18:05. | :18:14. | |
Are cats really music lovers? There is one American composer who thinks | :18:15. | :18:18. | |
he has found a sound that is pretty, well let's say cool for cats. Oh, | :18:19. | :18:24. | |
you went there! Cats, cats, cats, cats. Pussycat | :18:25. | :18:32. | |
Dolls. Stray cats, Cat Stephens and that Andrew Lloyd weber thing. None | :18:33. | :18:35. | |
of the music we enjoy is meant for cats. There is research that | :18:36. | :18:39. | |
suggests they may not even like it. That is why the a composer has | :18:40. | :18:43. | |
produced an album specifically for cats. He claims scientific research | :18:44. | :18:49. | |
shows that it really is the cat's whiskers. I figured that a sound | :18:50. | :18:55. | |
that was reward-related, that cats all heard as their brains were | :18:56. | :19:00. | |
developing was the swishing of suckling for milk. This for real? I | :19:01. | :19:06. | |
am here at the cat show in Birmingham to see what the cat | :19:07. | :19:10. | |
owners think. The idea seems ludicrous to me. Do you think it | :19:11. | :19:14. | |
might work? It is worth a try. They are very in tune to that sort of | :19:15. | :19:18. | |
thing. It is possible. She likes a few tunes. What tunes does she like? | :19:19. | :19:24. | |
She likes a little bit of John Legend. Do you think if we played | :19:25. | :19:31. | |
soothing cat music to Summer... I don't think she likes the look of | :19:32. | :19:35. | |
the cover. To see for ourselves, we have set up our very own one show | :19:36. | :19:41. | |
cat cafe and we played them some of David's music. | :19:42. | :19:49. | |
Listen, puss you... -- use. There is music playing for you | :19:50. | :19:54. | |
Button's ears are pricking up. Buttons is beginning to hear the | :19:55. | :20:01. | |
special music, creating to soothe cats around the world. | :20:02. | :20:09. | |
Is there a contented cat or a terrified cat - wondering where is | :20:10. | :20:14. | |
this music coming from? Listen to the lovely music May. A | :20:15. | :20:20. | |
few cats liked it. Most didn't. Maybe your cat is a bit more of a | :20:21. | :20:25. | |
Musow! Bob throughout that was wagging his | :20:26. | :20:31. | |
tail. It's had the same effect on you. He was wagging his tail Some | :20:32. | :20:39. | |
liked it. Some didn't. On the music theme then, when you played guitar | :20:40. | :20:44. | |
and was singing away was there one track Bob particularly liked? I | :20:45. | :20:50. | |
think he's in to it. He likes busking. He would sit on my | :20:51. | :20:55. | |
shoulders, he loves it. Get him a guitar now. A bit growly. He's had | :20:56. | :21:04. | |
enough. He wants this. Give him salmon paste. | :21:05. | :21:08. | |
Can we talk about your new film because that is based ond a true | :21:09. | :21:13. | |
story and the premise, it sounds heart-breaking, just give us a | :21:14. | :21:18. | |
flavour of the plot. Starfish is released this Friday and A Streetcat | :21:19. | :21:22. | |
Named Bob is released the following Friday. You cannot get away from me. | :21:23. | :21:26. | |
Starfish is a true story, based on the lives of Tom and Nicola Ray. | :21:27. | :21:32. | |
Basically Tom came down with sepsis one evening. Went into hospital | :21:33. | :21:36. | |
thinking he had food poisoning, went into a coma and sort of woke up five | :21:37. | :21:42. | |
months later having had his lower limbs amputated and some of his face | :21:43. | :21:45. | |
amputated as well. The first half of the film is the story of his wife, | :21:46. | :21:51. | |
who I play. Trying to cope with giving birth to their second child | :21:52. | :21:55. | |
and a young child. The second half is how they rebuild their life | :21:56. | :22:01. | |
together and then Tom is brilliantly played by Tom Riley in the film. | :22:02. | :22:05. | |
Mostly it is an incredible love story. It is one of the most | :22:06. | :22:09. | |
incredible love storiesvy ever read. It is true. They are still together | :22:10. | :22:12. | |
now. This happened in the millennium year. Their kids are teenagers. They | :22:13. | :22:17. | |
are an amazing, inspirational couple. The street cat the following | :22:18. | :22:25. | |
Friday. Your stories are real. They are not people who were around years | :22:26. | :22:29. | |
ago. I am fascinated by real stories. Talking to James is | :22:30. | :22:33. | |
incredible. I could talk to you for hours and hours. We spent a lot of | :22:34. | :22:39. | |
time on set together and stuff. I am sure he got bored of me picking his | :22:40. | :22:43. | |
brains. I am fascinated by real people. We look forward to seeing | :22:44. | :22:51. | |
them both. We often send reporters to difficult locations. Andy Torbet | :22:52. | :22:58. | |
has ventured into Snowdonia to see what is beneath the surface of a | :22:59. | :23:03. | |
flooded slate quarry. Submerged since the 1970s it is a story of | :23:04. | :23:07. | |
hard labour and death. I want to explore its secrets. Today, in these | :23:08. | :23:11. | |
peaceful and beautiful surroundings, it is hard to imagine that for 150 | :23:12. | :23:19. | |
years generations of skilled men laboured 100 metres down there. This | :23:20. | :23:26. | |
is in Snowdonia. Once empty of water this whole area used to be a quarry, | :23:27. | :23:31. | |
producing up to 17,000 tonnes of slate a year. The skilled craftsmen | :23:32. | :23:36. | |
who worked here could split just one inch of slate into six perfect | :23:37. | :23:41. | |
roofing tiles. Working here could be perilous, as workers had to descend | :23:42. | :23:46. | |
into the pit which sat below the natural water table. In 1884 several | :23:47. | :23:52. | |
drowned when the bottom of the pit flooded. A beam engine was installed | :23:53. | :23:59. | |
to pump the water out. By the 1960s plain concrete tiles were more | :24:00. | :24:05. | |
popular than slate. The pump was switched off. John Williams worked | :24:06. | :24:10. | |
there and worked there like his father before him. | :24:11. | :24:20. | |
My dad used to be a workman. They used to... A death defying job. In | :24:21. | :24:31. | |
charge of charges... Some of the walls are hundreds of feet high? | :24:32. | :24:36. | |
There were 30 of us here to the bot to. It would take half an hour for | :24:37. | :24:42. | |
some men to walk up. How do you feel now about the quarry, what is left | :24:43. | :24:48. | |
here? Well, I would like to make a museum here. I would love it. | :24:49. | :24:53. | |
And recognition for the work that went on here? Yes and to bring back | :24:54. | :24:57. | |
memories. There are calls to make quarries | :24:58. | :25:03. | |
like this one World Heritage Sites, but that will not reveal the gems | :25:04. | :25:08. | |
under the quarry's surface. These days only divers make the trip down. | :25:09. | :25:13. | |
Many don't have official permission and they face freezing conditions, | :25:14. | :25:18. | |
hazards and depths in excess of 100 metres. More than 20 people have | :25:19. | :25:22. | |
lost their lives here in the last 30 years. | :25:23. | :25:28. | |
Some believe a regulated dive centre would help keep divers safe. For | :25:29. | :25:32. | |
now, we've been given official permission to explore this once | :25:33. | :25:37. | |
thriving Welsh Atlantis. To ensure that everyone's safety, good | :25:38. | :25:41. | |
equipment and preparation are key. I've got my close circuit | :25:42. | :25:46. | |
re-breather which circles my warm breath helping to keep my core | :25:47. | :25:50. | |
temperature up, which means I can go deeper for longer. There are three | :25:51. | :25:56. | |
on the dive, me, the diving camera operator and our dive buddy, who is | :25:57. | :25:59. | |
a dive supervisor who will monitor us from the surface. It was | :26:00. | :26:05. | |
dangerous before it filled with water and it is no more dangerous | :26:06. | :26:09. | |
today. We are professionals, prepared and so we are going | :26:10. | :26:10. | |
exploring. Below water, 80 metre high pinnacles | :26:11. | :26:23. | |
loom from the depths. They were formed when workers blasted through | :26:24. | :26:29. | |
the rock to reach the slate. Many original blast tunnels remain. | :26:30. | :26:34. | |
Some still have paths inside. Others are littered with waste slate | :26:35. | :26:41. | |
which couldn't be used for roofing. Workers took cover from explosions | :26:42. | :26:47. | |
in small shelters. The slabs of stone on top protected the men | :26:48. | :26:51. | |
inside from falling rocks. We can still see the cables. And the | :26:52. | :27:00. | |
iron rods that workmen put ropes on to climb down. | :27:01. | :27:06. | |
But it is those ladders, stretching down to the bottom -- ladders, | :27:07. | :27:10. | |
stretching down to the bottom that really take my breath away. | :27:11. | :27:18. | |
The quarry men may be gone, but these icy waters preserve in tact | :27:19. | :27:22. | |
the man-made spectacles beneath the surface. | :27:23. | :27:28. | |
A big thank you to Joanne, Luke, James and Bob. | :27:29. | :27:37. | |
A Street Cat Named Bob is in cinemas from the 4th of November. | :27:38. | :27:40. | |
Before we go, a special One Show tribute to the man behind Hi-de-Hi, | :27:41. | :27:44. | |
It Ain't Half Hot Mum and Dad's Army - amongst many | :27:45. | :27:47. | |
Writer Jimmy Perry died yesterday, aged 93, and his family have told us | :27:48. | :27:50. | |
they would like to thank everyone for their kind thoughts and comments | :27:51. | :27:53. | |
at this very sad time, saying, "He was the loveliest of men | :27:54. | :27:56. | |
Jimmy also helped write the iconic theme song to Dad's Army. | :27:57. | :28:02. | |
And in his honour, it's that we will hear now, | :28:03. | :28:04. | |
PAUL HOLLYWOOD: Catch the last slice of the action. | :28:05. | :29:08. | |
The Great British Bake Off final is in just two days. | :29:09. | :29:11. |