Browse content similar to 25/03/2014. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
It is The One Show with two special guests, Miss Piggy and me! | :00:11. | :00:34. | |
Hello and welcome to The One Show with Matt Baker. And Alex Jones. | :00:35. | :00:43. | |
Tonight we are joined by two of the most famous nonhuman stars of film | :00:44. | :00:49. | |
and television, ever. The first may be small and green but he is the | :00:50. | :00:54. | |
genius of show business. The other is quite frankly the most beautiful | :00:55. | :00:59. | |
pig that I have ever seen. And you have seen a few! I am beautiful. You | :01:00. | :01:08. | |
are absolutely right. I did not see you there! I blended right in. You | :01:09. | :01:20. | |
are going to give me a heart attack! Kermit the frog and Miss Piggy! | :01:21. | :01:27. | |
Don't worry, Kermit. It is fake frog skin. I was hoping. It is not moist | :01:28. | :01:36. | |
enough to be real frog. How wonderful it is to have you both | :01:37. | :01:40. | |
here. I was reading that one of your biggest fears is not to be | :01:41. | :01:43. | |
recognised, Miss Piggy. Has this happened since you have been back in | :01:44. | :01:49. | |
Britain? No, it hasn't. I have solved that problem. I wear a mask | :01:50. | :01:53. | |
of my own face on the back of my head. So people know who it is | :01:54. | :02:01. | |
whether I am coming or going. Very good. And do you guys know what | :02:02. | :02:10. | |
Muppet means in the UK? Yes, we have heard the term. Rather derogatory. I | :02:11. | :02:16. | |
have worked with the Muppets for a long time and I tend to agree! They | :02:17. | :02:22. | |
are not all the sharpest knife in the drawer. Present company | :02:23. | :02:28. | |
excluded, of course. You have the most beautiful eyes in real life, | :02:29. | :02:35. | |
Miss Piggy. So sweet. You see, that's how you compliment a lady, | :02:36. | :02:41. | |
all right? She not only has them in real life, she has them all the | :02:42. | :02:47. | |
time. In the new Muppets movie, Kermit's nemesis is Constantine. But | :02:48. | :02:54. | |
criminals are not always the masterminds they think they are. | :02:55. | :02:57. | |
Heard about the criminal who held up a shop with his underwear on his | :02:58. | :03:02. | |
head as a disguised? By the man who robbed a bank with his getaway car | :03:03. | :03:09. | |
having his own name on the number plate? Crime does not always attract | :03:10. | :03:13. | |
the smartest candidates. The careers of some criminals have been cut very | :03:14. | :03:20. | |
short by their own stupidity. Take Matthew Draper from Swansea. He | :03:21. | :03:24. | |
broke into a car he could not actually drive off in. I think it is | :03:25. | :03:29. | |
safe to suggest he had not really thought this one through. But our | :03:30. | :03:34. | |
determined thief was not going to give up. He had a brainwave. He | :03:35. | :03:38. | |
decided to ask a passing neighbour for help. This is where the car was | :03:39. | :03:45. | |
parked but he was -- that he was trying to steer. Which car was he | :03:46. | :03:52. | |
asking you to move? The car here. He was trying to steal a car and get | :03:53. | :03:56. | |
out this way. Dmitri told his neighbour that somebody was trying | :03:57. | :04:00. | |
to make off in his car. Unable to drive off, the thief found himself | :04:01. | :04:08. | |
trapped and surrounded. Dmitri filmed the whole episode. You are | :04:09. | :04:17. | |
nicked! I started filming it. I called the police and started | :04:18. | :04:23. | |
filming it. URA photographer. What do you think of this guy who tried | :04:24. | :04:29. | |
to steal the car? He was crazy. Maybe stupid. And very desperate. | :04:30. | :04:34. | |
There was only one way Matthew Draper was leaving that car, in | :04:35. | :04:38. | |
handcuffs. He is now in prison serving a 32 month sentence. Another | :04:39. | :04:45. | |
criminal thought he had covered his tracks. No fingerprints. Wore a | :04:46. | :04:51. | |
Balaklava. How embarrassing for him then to be caught out by the fashion | :04:52. | :04:58. | |
police. Detectives are and Andy Nichol of Kent Police was trying to | :04:59. | :05:04. | |
catch a gang of robbers terrorising shopkeepers across the south-east of | :05:05. | :05:09. | |
England. They were terrifying the victims. They stalled scratchcards, | :05:10. | :05:14. | |
cigarettes and cash to the tune of ?27,000. They wore masks and we | :05:15. | :05:21. | |
could not identify anybody. The police had nothing to go on until | :05:22. | :05:25. | |
the police -- criminals got themselves in it. Two of the gang | :05:26. | :05:29. | |
were arrested on an unrelated matter. We got hold of their phones, | :05:30. | :05:34. | |
which we examined. On these we found a gold mine of evidence. Some of the | :05:35. | :05:38. | |
photos on the phones were damning. And more than a little bit | :05:39. | :05:43. | |
embarrassing as well. One of them was wearing some cartoon pyjamas. | :05:44. | :05:47. | |
They were blue with sheep all over them. They were distinctive. Those | :05:48. | :05:53. | |
trousers were actually worn during a robbery in Eastbourne. They have got | :05:54. | :06:01. | |
a picture of one of the gang wearing them in a home address. The pyjama | :06:02. | :06:07. | |
wearing rubber, Terry Sullivan, and three other gang members were | :06:08. | :06:14. | |
sentenced to 40 years in prison. We are always grateful when criminals | :06:15. | :06:17. | |
implicate themselves through their own vanity and stupidity. It made | :06:18. | :06:21. | |
our job easier and assisted the court in finding them guilty. | :06:22. | :06:33. | |
Definitely a few Muppets there. I think you're right. It is lovely to | :06:34. | :06:37. | |
have a dig around when we get guests on, and see if we can find your | :06:38. | :06:42. | |
first television appearance. We have found a gem. This is one of | :06:43. | :06:49. | |
Kermit's first incarnations, as a presenter on American television. | :06:50. | :06:57. | |
One last question of a political nature, who do you think will be | :06:58. | :07:02. | |
elected president? What is the first name for president that comes into | :07:03. | :07:08. | |
your head? Washington. Always a snappy and humorous reply. | :07:09. | :07:15. | |
You have not changed a bit. That was in 1964 before I started wearing my | :07:16. | :07:22. | |
pointy colour. You were a political commentator? I was. That guy later | :07:23. | :07:29. | |
became Hugh Edwards! Miss Piggy, Kermit always strikes me as being | :07:30. | :07:33. | |
such a level-headed guy. Despite everything that has happened to him | :07:34. | :07:38. | |
in his career. Does he always keep those web pad on the lily pad? Some | :07:39. | :07:48. | |
would say he is a tad boring. That is the love of your life. That is | :07:49. | :07:53. | |
where I come in, to spice things up a little bit. She is one spicy pig. | :07:54. | :08:05. | |
I call her barbecue in private! I have managed to stay out of trouble | :08:06. | :08:10. | |
all these years. I was in a Russian Gulag during this film. Which we | :08:11. | :08:18. | |
will talk about very soon. Before that, another film. You may want to | :08:19. | :08:22. | |
look away. It involves stuffed animals. Cute teddy bear 's? Let's | :08:23. | :08:32. | |
watch. I'm Ben Garrard, an evolutionary | :08:33. | :08:35. | |
biologist with a passion for bones and the stories they can read -- | :08:36. | :08:41. | |
reveal. I build all kinds of skeletons for museums, using bones | :08:42. | :08:45. | |
to piece together the past. For The One Show I've been given special | :08:46. | :08:48. | |
permission to examine and reconstruct some unusual remains. | :08:49. | :08:55. | |
Those of a big cat found in the wilds of Newton Abbot in Devon in | :08:56. | :08:59. | |
the early 1900. Big cats have been found roaming in the UK. The | :09:00. | :09:04. | |
dangerous wild animals act of 1976 meant many kept as pets were legally | :09:05. | :09:10. | |
set free. The passing of the act explains these wildcats. But what | :09:11. | :09:14. | |
about reports prior to 1976? Where did those cats come from? Wax Blake | :09:15. | :09:21. | |
is a pH student -- Ph.D. Student in Aberystwyth. We know there have been | :09:22. | :09:29. | |
a variety of species that have lived here over the years. The most recent | :09:30. | :09:33. | |
evidences from 1500 years ago when fossil bones are determined to | :09:34. | :09:44. | |
belong to a links. Be bones are believed to be the first recorded | :09:45. | :09:47. | |
proof of the existence of big cats in the UK since their extinction. | :09:48. | :09:52. | |
This is its stuffed skin. Museum records tell us this cat was shot by | :09:53. | :09:57. | |
a farmer in Newton Abbot after it killed two of his dogs. But tests | :09:58. | :10:01. | |
have shown it is not a native Eurasian lynx but a Canadian one. | :10:02. | :10:08. | |
What was a Canadian lynx doing in a Devonshire field? I am trying to | :10:09. | :10:17. | |
find an answer to that question. This is the first time since 1903 | :10:18. | :10:22. | |
that this skeleton has been laid out in anatomical order. This skeleton | :10:23. | :10:26. | |
has a lot of clues which tells me about the life of the animal. The | :10:27. | :10:30. | |
first thing that stands out is how big it is. This is the skull of a | :10:31. | :10:36. | |
normal house cat. This is the school of the links. That is a heck of a | :10:37. | :10:39. | |
big animal to be walking around. There are a few cats that have close | :10:40. | :10:44. | |
this big. These are the tools that do all the killing. There is more to | :10:45. | :10:48. | |
this predator's story hidden in these bones. It has lost a lot of | :10:49. | :10:53. | |
teeth in the front. That is not the most interesting part. In the wild, | :10:54. | :10:58. | |
these cats take them pray. There is lots of meat, lots of bone, lots of | :10:59. | :11:04. | |
tough, hairy hide. This keeps the teeth cleaned. This build-up is | :11:05. | :11:10. | |
plaque. This is usually a sign it was a captive animal. In the early | :11:11. | :11:14. | |
20th century travel menageries were popular in Britain and big cats were | :11:15. | :11:20. | |
often part of these road shows. But our cat was shot by a farmer. If she | :11:21. | :11:25. | |
was a captive animal, how did she end up in his gunsight? There are | :11:26. | :11:31. | |
some interesting things going on. You can see some long toes with some | :11:32. | :11:37. | |
clause. It is not the same here. You have weird, stubby little triangular | :11:38. | :11:43. | |
bone here. At some point in this animal's life its toes were cut off. | :11:44. | :11:47. | |
That is not the saddest thing. The worst thing is when we compare the | :11:48. | :11:54. | |
tibia. You can see a huge break. This was done not after the animal | :11:55. | :11:59. | |
died but way before. This is what we called blunt force from. Something | :12:00. | :12:03. | |
has hit this area so hard the whole bone has snapped. You can tell this | :12:04. | :12:08. | |
because there are early signs that the bone is trying to reform. You | :12:09. | :12:12. | |
have this bubbling on the bone which shows it is trying to heal. My best | :12:13. | :12:18. | |
guess is that this Canadian lynx was badly mistreated, and either escaped | :12:19. | :12:22. | |
or was cast out from the menagerie. She was doing her very best to | :12:23. | :12:26. | |
survive in the British countryside when she had a fateful encounter | :12:27. | :12:31. | |
with a farmer and his dogs. By looking at a pile of old bones I | :12:32. | :12:36. | |
have been able to unravel an extraordinary 100-year-old tale. And | :12:37. | :12:38. | |
reveal the hidden history behind this animal. | :12:39. | :12:47. | |
I think he actually unravel the whole cat! My goodness! I am very | :12:48. | :12:54. | |
comfortable with my place in the food chain. Remarkable. Sometimes | :12:55. | :13:00. | |
you never know what is going on inside some animals. If you want to | :13:01. | :13:04. | |
see more of Ben, the secret of bones is tonight on BBC Two. The Muppet | :13:05. | :13:11. | |
Show run a highly in their new movie. Before we talk about it, | :13:12. | :13:17. | |
let's see the moment you guys meet Dominic bad guy. | :13:18. | :13:25. | |
International tour manager. It is French. It means good man. Listen | :13:26. | :13:34. | |
up. You are hot. You are having a moment. But what is inevitable about | :13:35. | :13:41. | |
a moment? Gains. We have to go out there and capitalise on that | :13:42. | :13:47. | |
moment. I want to conquer the world, do an international tour. Show a | :13:48. | :13:54. | |
global audience what he can do. The amazing Ricky Gervais 's. He has | :13:55. | :14:01. | |
been on the show. He has been a fan ever since he was a little boy. | :14:02. | :14:04. | |
There he was in front of so many Muppets. Did he get starstruck? He | :14:05. | :14:11. | |
showed up on the set and started laughing. He has a high-pitched | :14:12. | :14:16. | |
laugh. He did get stroke once by this star. He is not going to make | :14:17. | :14:24. | |
that mistake again. Be Muppets are on a high at the beginning. Then | :14:25. | :14:29. | |
Dominic shows up. Then Constantine turns up. That's right. The world's | :14:30. | :15:06. | |
number If we can just do that... That is | :15:07. | :15:13. | |
very weird! You look exactly like that other picture. Does that mean, | :15:14. | :15:17. | |
Miss Piggy, that you also fancy Constantine? Let's get one thing | :15:18. | :15:24. | |
straight, that was just very good acting, OK? It was very good acting, | :15:25. | :15:29. | |
I have to pretend to kind of fall for Constantine in this movie. | :15:30. | :15:35. | |
Because you nearly married him. Kermit is the only frog for me. The | :15:36. | :15:43. | |
movie was filmed in Britain, and the original Muppet show was... We have | :15:44. | :15:47. | |
a very long history of being in England, we have many friends from | :15:48. | :15:51. | |
the old days that we saw during the shooting. We were up at Elstree in | :15:52. | :16:00. | |
the ATV days. Let's just remind ourselves of those early days. | :16:01. | :16:05. | |
You are a great bunch, not like the audience last week! They went an | :16:06. | :16:07. | |
audience, they were a jury! If you don't mind, cousin, I will do | :16:08. | :16:11. | |
the jokes! They showed a clip of that! If the | :16:12. | :16:37. | |
Muppet Show came back, who would you love on as guests? We would have to | :16:38. | :16:42. | |
come up with a whole new list, wouldn't we? I don't know, we try to | :16:43. | :16:47. | |
get big stars and old friends. I don't think we'd really need any | :16:48. | :16:53. | |
guest stars. You have become so huge yourself, just interview each other. | :16:54. | :16:58. | |
With all due respect, I think it would be slow for the audience if we | :16:59. | :17:02. | |
just sat on camera four hours talking. What are we doing right | :17:03. | :17:08. | |
now?! Listening, the movie opens this Friday. One of the things | :17:09. | :17:13. | |
Dominic Badguy steals in the film is a painting with a hidden message on | :17:14. | :17:18. | |
the back of it. But as Phil Tufnell has found out, great painters were | :17:19. | :17:24. | |
likely to hide their secret messages in full view, you just have to know | :17:25. | :17:27. | |
where to look. 16th century Britain was a turbulent | :17:28. | :17:33. | |
place, religion was a battle ground, disease was rife and queens were | :17:34. | :17:37. | |
getting their heads chopped off. During these unnerving times, the | :17:38. | :17:42. | |
artist of the day used subtle clues and symbols to reflect this | :17:43. | :17:47. | |
uncertainty. The most popular example of this is Hans Holbein's | :17:48. | :17:53. | |
The Ambassadors, which hangs in the national gallery in London. At first | :17:54. | :17:57. | |
glance, it is just a portrait of two powerful men. But look closer, and | :17:58. | :18:06. | |
it is a masterpiece of hidden messages and mind-bending illusions | :18:07. | :18:09. | |
that have kept experts guessing for centuries. Professor Lisa Jardine | :18:10. | :18:15. | |
knows some of the secret symbols hidden in this national treasure. | :18:16. | :18:19. | |
People love mysteries, they love riddles. The two men are looking at | :18:20. | :18:24. | |
us, saying, solve it, and in the middle of the things they want you | :18:25. | :18:29. | |
to solve. Where do we start? One of the mysteries is the lute, | :18:30. | :18:34. | |
beautifully painted, coming out of the picture towards us. Can you see | :18:35. | :18:39. | |
anything special about it? Not really. It has a broken string. That | :18:40. | :18:45. | |
meant something was wrong, out of tune. That is a religious | :18:46. | :18:50. | |
reference, given it is just above the hymnal. Religious imagery is at | :18:51. | :18:55. | |
the heart of the work. Painted in 1533, the men are French Catholics | :18:56. | :19:00. | |
in London to negotiate harmony with Henry VIII's increasingly Protestant | :19:01. | :19:06. | |
England. Can you see right up behind the curtain at the top? Hiding in | :19:07. | :19:14. | |
the top corner? What is that? It is a crucifix, it might be saying, we | :19:15. | :19:19. | |
are Catholics but we are not letting on. Or it might say, we are drawing | :19:20. | :19:25. | |
the curtain on Catholicism. So lots of hidden meanings dotted about. All | :19:26. | :19:30. | |
over. But the biggest mystery is what looks like a big smudge at the | :19:31. | :19:35. | |
bottom of the painting. What is this in the foreground? Well, it is a bit | :19:36. | :19:41. | |
of real show off painting by Holbein. It looks like nothing at | :19:42. | :19:46. | |
all, as you see it's there, or maybe a couple fish. Yes! But if you go to | :19:47. | :19:54. | |
a particular spot, you have to sit down, excuse me. You will begin to | :19:55. | :20:01. | |
see it. The painting's most extraordinary secret is this hidden | :20:02. | :20:08. | |
skull. He created using an anamorphic technique, so it is only | :20:09. | :20:13. | |
revealed from one position. It is a shocking reminder of man's | :20:14. | :20:18. | |
mortality. It is a fantastic way of grabbing at someone's attention. You | :20:19. | :20:22. | |
move closer to try to figure out what it is, it draws your eye up, | :20:23. | :20:26. | |
and you want to know what the things are. The anamorphic device showed | :20:27. | :20:31. | |
off his painterly prowess and gave him an edge over other Renaissance | :20:32. | :20:36. | |
artists. And now, more than four centuries later, similar techniques | :20:37. | :20:43. | |
are being applied to advertising. Charlie creates anamorphic adverts | :20:44. | :20:48. | |
at major sports events. Brand logos look like a distorted smudge to | :20:49. | :20:52. | |
spectators at the ground, but a carefully positioned TV camera means | :20:53. | :20:56. | |
viewers at home see a perfect 3D image. Why do grounds want the logo | :20:57. | :21:02. | |
seen from one specific position? It is a good question, because it is | :21:03. | :21:06. | |
assumed they want to see it everywhere, but ironically less is | :21:07. | :21:10. | |
more in this case. It is put in a position where the camera it's that | :21:11. | :21:15. | |
bit of the page most often, and if we can create that magic 3D effect, | :21:16. | :21:20. | |
it looks bigger and bolder and gives the sponsor maximum effect. To | :21:21. | :21:24. | |
create the logo for television, Charlie and his team used cattle | :21:25. | :21:28. | |
plotting, a specially programmed robot and good old manpower. -- | :21:29. | :21:33. | |
careful plotting. So from the balcony I should see the image | :21:34. | :21:39. | |
popped out. Yes, if it has worked. If it works, an unrecognisable blog | :21:40. | :21:44. | |
of colour should turn into a right flourish from the right spot. And | :21:45. | :21:49. | |
there it is, jumping out. I am impressed to see that Holbein's | :21:50. | :21:52. | |
optical illusion and, friendly, showing off skills are still working | :21:53. | :21:58. | |
just as well more than 400 years after he painted The Ambassadors. -- | :21:59. | :22:03. | |
frankly. It worked, look at that! He is here | :22:04. | :22:09. | |
now, and you have been looking at some precious works of art dating | :22:10. | :22:15. | |
back to 1984! It is a fantastic book, Miss Piggy's Treasury of art | :22:16. | :22:19. | |
masterpieces, I have picked out a couple of beauties. Are you into | :22:20. | :22:26. | |
art? The first one, if I can get it out... It is kind of sticky. We have | :22:27. | :22:33. | |
another Holbein, if you can see it. It is a portrait of Henry VIII, an | :22:34. | :22:40. | |
iconic portrait of Henry VIII. Holbein painted it, a very young, | :22:41. | :22:47. | |
fit chap, about 40, when he had just had a very serious jousting | :22:48. | :22:53. | |
accident. You forgot to shave that day, too. A little banana in his | :22:54. | :23:02. | |
year as well. And you have got a lovely one by Gainsborough. This is | :23:03. | :23:10. | |
a handsome one. Look at that! Oh, yes, he is handsome! The light on | :23:11. | :23:17. | |
it! Beautiful colours, a smart suit, a merchant's son in the 18th | :23:18. | :23:24. | |
century, a very handsome chap. Have you got a favourite? The favourite | :23:25. | :23:29. | |
for me, this is an absolute belter, if I can get it out again, hold on a | :23:30. | :23:35. | |
minute! It is the birth of Venus by Botticelli. She takes your breath | :23:36. | :23:45. | |
away! I am strangely attracted to that. On the left, the winds | :23:46. | :23:50. | |
caressing her hair, just blowing in the wind, beautiful. And on the | :23:51. | :23:57. | |
right there, the handmaiden covering her modesty. I am sure she is very | :23:58. | :24:05. | |
modest, too. I could just stare at that for hours. One to finish and? | :24:06. | :24:12. | |
Of course, a very famous one here, the Mona Lisa. Look at the smile. | :24:13. | :24:20. | |
Don't the ice just follow you wherever you go? They certainly | :24:21. | :24:26. | |
follow me! You would never believe that he was into cricket, would | :24:27. | :24:33. | |
you? Really? I am, too, I like roaches and mosquitoes as well, but | :24:34. | :24:40. | |
I like crickets. Brilliant! Thanks. Thank you, Phil. I'm not sure that | :24:41. | :24:44. | |
is what the Director-General had in mind when he said he wanted more art | :24:45. | :24:48. | |
on the BBC! Our guests have shown you do not have to join the human | :24:49. | :24:52. | |
race to be a successful broadcaster, and we believe in that the One Show. | :24:53. | :24:58. | |
When we want to investigate that the ban on fox hunting might be | :24:59. | :25:01. | |
relaxed, there was only ever going to be one reporter for the job. | :25:02. | :25:10. | |
Oh dear, oh dear, oh dear! Hello, welcome to my country retreat. I | :25:11. | :25:15. | |
don't know if you've noticed, but since 2004 I've been spending so | :25:16. | :25:18. | |
much more time in the countryside. However, it looks like things might | :25:19. | :25:23. | |
be about to change. I need to get to the bottom of this, find out if this | :25:24. | :25:29. | |
is what people really want! I need to go in disguise, incognito! | :25:30. | :25:39. | |
They'll never guess it's me! Parliament is debating changes to | :25:40. | :25:48. | |
the Hunting Act of 2004, changing the number of pounds. I was pleased | :25:49. | :25:53. | |
when the ban came in, I would like it to stay that way. They are a | :25:54. | :26:00. | |
complete pest, foxes. Very much against changing foxes, because it | :26:01. | :26:03. | |
would people like you in jeopardy, and we can't have that. To be honest | :26:04. | :26:08. | |
with you, all of my friends who are farmers are not fussed about the | :26:09. | :26:12. | |
amount of boxes on their property. They are more worried about dogs | :26:13. | :26:23. | |
running wild and scaring sheep. I think it is immoral, I can | :26:24. | :26:25. | |
understand the killing of animals for food, but I don't see the point | :26:26. | :26:29. | |
in doing it as a sport. My personal view is that they should be no fox | :26:30. | :26:31. | |
hunting, especially for people like you, Basil. Are you aware Parliament | :26:32. | :26:39. | |
is debating some changes to use more than two hounds up to a possible 40, | :26:40. | :26:44. | |
what you think about that? I think it is fair, they can affect | :26:45. | :26:48. | |
livestock, chickens, farmers have an issue with that. Some people do not | :26:49. | :26:52. | |
understand the situation and the whole reason behind it. Is there a | :26:53. | :26:57. | |
better way of controlling numbers? I think a shot is relatively humane, | :26:58. | :27:03. | |
it is a bit like the badgers. It is necessary for farming to have a | :27:04. | :27:07. | |
certain level of cull, it is unfortunate, but your friends are | :27:08. | :27:11. | |
not always very polite with their eating manners. Lunch later! I think | :27:12. | :27:18. | |
it is quite unfair on foxes, how would you to be chased around by | :27:19. | :27:22. | |
dogs? It is quite a cruel way to deal with it. There is very little | :27:23. | :27:27. | |
you can do with foxes, because they are quite sneaky. We have chickens, | :27:28. | :27:35. | |
so we have experienced it a bit. It is an emotive issue more than in | :27:36. | :27:40. | |
other countries. People should be able to control vermin for the | :27:41. | :27:44. | |
benefit of all of us. Relatives of mine might be safer for a little | :27:45. | :27:49. | |
while longer. I would hope so! Well, that went well, all in one piece, | :27:50. | :27:54. | |
everything still there. Porn | :27:55. | :27:59. | |
That is the other men are redcoats, I did not pay my bill at Butlins! | :28:00. | :28:11. | |
Goodlad, Basil. The latest on that is that measures to relax the | :28:12. | :28:16. | |
hunting ban in England and Wales won't now be debated in Parliament | :28:17. | :28:20. | |
this week. If you are at a loose ends during your stay in London, | :28:21. | :28:24. | |
Basil will show you a good time, give him a call. I would like to be | :28:25. | :28:32. | |
shown a good time! Excuse me? You know what, our movie is opening | :28:33. | :28:35. | |
here, it is called for celebration, Kermit, you should take me out. | :28:36. | :28:41. | |
Where should I take you? Any expensive restaurant! You could go | :28:42. | :28:51. | |
to the Shard maybe. OK, yes. That is all we have got time for, thank you | :28:52. | :28:56. | |
to Kermit and Miss Piggy. We will be back tomorrow, see what seven, good | :28:57. | :29:00. | |
night. -- see you at seven. | :29:01. | :29:02. |