Browse content similar to 26/03/2014. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Goodness me! Look at that. Hello and welcome to The One Show. More | :00:31. | :00:36. | |
Northern Soul dancing later, when we'll be talking to Lisa Stansfield, | :00:37. | :00:39. | |
who will be explaining why the Northern Soul movement is the | :00:40. | :00:46. | |
subject of a new film. Hence why we are dressed like this. But now two | :00:47. | :00:50. | |
guests whose recent projects have taken them all around the world and | :00:51. | :00:56. | |
they're also huge cat lovers. One has roamed the plains of Africa with | :00:57. | :01:00. | |
the king of the jungle. The other roams his living room. With the | :01:01. | :01:06. | |
Queen of the sofa. It's Martin Clunes and Dermot O'Leary! First off | :01:07. | :01:15. | |
- he's a pretty ferocious looking creature. Where did you find him | :01:16. | :01:26. | |
Dermot?! We've got two. My wife delivered them. They were stray cats | :01:27. | :01:32. | |
hanging around when we were on holidays. She must have tiny hands. | :01:33. | :01:43. | |
She had four kittens. How did you get them back over here? Oh, man. | :01:44. | :01:50. | |
You would not believe it. The Italian cat immigration system has a | :01:51. | :01:54. | |
lot to answer for. Is that the boy or girl? That is the little fellow. | :01:55. | :02:01. | |
They are coming up to a year old. We brought them back and went through | :02:02. | :02:06. | |
quarantine. The first time we took them to the vet. The Italians are | :02:07. | :02:11. | |
terrific. They were giving them injections and everything. The first | :02:12. | :02:18. | |
time we took them to the vet we were told they had not nearly enough | :02:19. | :02:23. | |
injections to be in the country. It is turning into animal hospital | :02:24. | :02:28. | |
this! We can't get enough of animals tonight, because George McGavin is | :02:29. | :02:31. | |
also here to tell us how he travelled the planet for some | :02:32. | :02:34. | |
amazing adventures with apes. In the papers today its been revealed that | :02:35. | :02:38. | |
drones are being used in the fight to stop elephants being poached for | :02:39. | :02:47. | |
their ivory in Kenya. Watch it happen to the ivory already in the | :02:48. | :02:51. | |
UK? The ivory trade, now internationally | :02:52. | :02:56. | |
condemned and illegal since 1989. In the UK you cannot buy anything made | :02:57. | :03:00. | |
from ivory unless it can be proved it was produced before 1947 -- 1987 | :03:01. | :03:08. | |
hurricane it is estimated more than 40,000 elephants are killed every | :03:09. | :03:13. | |
year just for their tusks. That is the equivalent of one death every 15 | :03:14. | :03:17. | |
minutes. I have made no secret of the fact that I find the ivory trade | :03:18. | :03:22. | |
is difficult to defend. But whether pieces like this should be consigned | :03:23. | :03:28. | |
to dust, I am not so sure. It was recently reported that the Duke of | :03:29. | :03:33. | |
Cambridge supported the destruction of the Royal library collection. As | :03:34. | :03:37. | |
a result, members of the public started sending their ivory to the | :03:38. | :03:40. | |
Born Free Foundation to be destroyed, too. We have got some of | :03:41. | :03:45. | |
it here. We are going to see it get trodden -- crushed. While ivory is | :03:46. | :03:51. | |
traded, could put a price on the head of every elephant. Elephants | :03:52. | :03:58. | |
will continue to die. But art experts and antiques dealers are | :03:59. | :04:02. | |
horrified. David Harper has been buying and selling ivory for 25 | :04:03. | :04:08. | |
years. We want to stop elephant poaching. But that is a piece of | :04:09. | :04:14. | |
art. And the destruction of art for any reason is bonkers beyond belief. | :04:15. | :04:21. | |
The African elephant may not have long. Some experts believe it may | :04:22. | :04:24. | |
become extinct in just over a decade. But Wood destroying existing | :04:25. | :04:28. | |
ivory collections make any difference? We have brought both | :04:29. | :04:33. | |
parties together to debate the point. Selling this continues to | :04:34. | :04:39. | |
perpetuate the idea that ivory is desirable. That demand will | :04:40. | :04:42. | |
inevitably be met by elephants being poached in Africa. I am sorry to | :04:43. | :04:48. | |
interrupt. But a very big Chinese client of mine said to me, after I | :04:49. | :04:52. | |
discussed selling the Royal collection, if they destroy their | :04:53. | :04:56. | |
collection, in his collection will double in value. It is the Chinese | :04:57. | :05:03. | |
market. It is not us. They do not yet get the message. I say we take | :05:04. | :05:07. | |
the millions of pieces of illegal ivory and we swamped the Chinese | :05:08. | :05:11. | |
market. You have got to hit them where it hurts. In the pocket. The | :05:12. | :05:17. | |
problem with this is it will further stimulate demand into a market we | :05:18. | :05:21. | |
don't know, understand or control. There is some value. The Chinese | :05:22. | :05:27. | |
puzzle board is a piece of art. Most people would think destroying that | :05:28. | :05:31. | |
piece of art that took weeks or months to create, would be obscene. | :05:32. | :05:36. | |
You say destroying it would be obscene, and I say it is obscene. It | :05:37. | :05:44. | |
is from an elephant. Some of these examples are elegant and beautiful. | :05:45. | :05:48. | |
I am an two minds about them being crushed. I have brought if you | :05:49. | :05:53. | |
pieces to this car-boot sale to see what other people think. I can see | :05:54. | :05:58. | |
the beauty but I prefer to see the ivory on an elephant. If I tell you | :05:59. | :06:03. | |
this is going to be destroyed later on today, do you think that is a | :06:04. | :06:09. | |
waste? Yes, I do. It is there now, what is the point of destroying it? | :06:10. | :06:14. | |
Is that for sale? It is a nice material. What do people find | :06:15. | :06:23. | |
attractive? He likes it. I don't understand. A piece of dead wood, | :06:24. | :06:30. | |
carved. That's interesting and bringing light to an already | :06:31. | :06:33. | |
deceased object. This is not bringing life to anything. It is | :06:34. | :06:39. | |
bringing distress. Back at the Born Free Foundation, it is time to start | :06:40. | :06:43. | |
the crush. The Born Free Foundation has been given permission by the | :06:44. | :06:46. | |
Government to begin destroying the ivory it has been given. It comes | :06:47. | :07:00. | |
from death. It is all the negative stuff. Who wants death around their | :07:01. | :07:05. | |
house, however beautifully it is carved? Frankly I would rather have | :07:06. | :07:08. | |
a live elephant than a dead ornament. Every 15 minutes and | :07:09. | :07:14. | |
elephant is killed forests tusks to turn into trinkets. What is the | :07:15. | :07:20. | |
point? Well, that is most of the ivory crushed. How do you feel? I'm | :07:21. | :07:28. | |
genuinely sad. Sad that we have thrown several hundreds of pounds | :07:29. | :07:34. | |
down the drain. I am pleased. It sends a very powerful and important | :07:35. | :07:39. | |
message. I don't think I will get you to agree. We definitely want to | :07:40. | :07:50. | |
save elements. -- elephants. The issue has highlighted an interesting | :07:51. | :07:58. | |
moral dilemma. Would destroying all ivory antiques help save the | :07:59. | :08:11. | |
elephant? You can text. If you think destroying all ivory antiques would | :08:12. | :08:21. | |
save the elephant, text yes. You will be charged at your standard | :08:22. | :08:25. | |
message read. If you have any comments, e-mail them to the usual | :08:26. | :08:30. | |
address. Martin, where do you stand on this? I am a patron of the Born | :08:31. | :08:36. | |
Free Foundation and will Travers is my boss. I am also led by people who | :08:37. | :08:42. | |
know more than I do. But the gentleman was saying he was saddened | :08:43. | :08:45. | |
that the destruction of that because it was a piece of art. Which it is. | :08:46. | :08:50. | |
But there is no danger of us running out of pieces of art. There is a | :08:51. | :08:52. | |
real danger of running out of elephants. It is rather sick to see | :08:53. | :08:59. | |
elephants carved out of ivory. It is a tremendous idea because it may | :09:00. | :09:03. | |
destroy the market. It would certainly send out a fantastic | :09:04. | :09:09. | |
message. When I was in Africa making our Mugie film, we filmed an | :09:10. | :09:13. | |
elephant that have been poached. It was about eight or nine years old. | :09:14. | :09:22. | |
It had been knocked -- some ivory had been taken off for a phone card. | :09:23. | :09:28. | |
You have got young elephants who are not being taught to be elephants. | :09:29. | :09:31. | |
They are just wandering around. The whole balance of, certainly in | :09:32. | :09:40. | |
Kenya, has been upset. There are too many hyenas because there are too | :09:41. | :09:43. | |
many corpses. The predators are being poisoned by the herdsman. It | :09:44. | :09:49. | |
is all going wrong. If somebody says really loudly and clearly, does | :09:50. | :09:51. | |
something really shocking like destroying art, it may shake things | :09:52. | :10:00. | |
up. Prince William coming on board is about the best thing that has | :10:01. | :10:06. | |
happened. People listen to the Royal family. Dermott, agri-? Yes, I do. | :10:07. | :10:14. | |
Before I watched that I wasn't sure I did. But you spoke so eloquently | :10:15. | :10:21. | |
about it. When the chap first set, destroying art. We have been brought | :10:22. | :10:25. | |
up to think that is barbaric. Obviously destroying elephants is | :10:26. | :10:29. | |
far more barbaric. Martin was just saying as the film was going, I was | :10:30. | :10:35. | |
asking him what the situation was like and he said they were just | :10:36. | :10:41. | |
running wild. Certainly in Kenya. Huge fences need to be built. That | :10:42. | :10:46. | |
is the only way they will stay alive. You referred to your Mugie | :10:47. | :10:50. | |
film. Let's shed a little bit on that. Mugie is a lion? Yes, Mugie is | :10:51. | :10:59. | |
a lion. We made a film about a guy called Tony who worked with George | :11:00. | :11:07. | |
Adamson for about 18 years. There is Mugie. He set up a camp. When I was | :11:08. | :11:14. | |
a kid I grew up on those books. Virginia has probably heard me say | :11:15. | :11:17. | |
this a million times but it was the first film I ever saw. I read the | :11:18. | :11:23. | |
books. The idea that people could have a relationship with an animal | :11:24. | :11:28. | |
has sort of coloured the rest of my life in a way. So we thought by | :11:29. | :11:34. | |
telling the story of Tony's life, with the film of born free and the | :11:35. | :11:39. | |
birth of animal conservation, you would sort of tell the history of | :11:40. | :11:44. | |
conservation. It has really changed in 25 years. It is a completely | :11:45. | :11:48. | |
different ball game. Sadly, fences have to be built. Once you get over | :11:49. | :11:55. | |
that, you think, let's build a fence because everything inside it will be | :11:56. | :12:00. | |
safe. You watched Mugie grow up. This is the moment you and Tony meet | :12:01. | :12:05. | |
her for the first time. Look, he is playing hide and Seek. | :12:06. | :12:17. | |
Look at that. He knows Jamie. Hey, Mugie. Hey, boy. He has got nice | :12:18. | :12:26. | |
claws and teeth on him now. He does bite and scratch every now and | :12:27. | :12:33. | |
again. He does bite and scratch but yet he puts his hand in his mouth. | :12:34. | :12:39. | |
Very brave! It was weird seeing Tony. When Tony stopped working with | :12:40. | :12:44. | |
George, he got thrown out of Kenya. It was such a big thing for him to | :12:45. | :12:48. | |
be back with the lion. Did you ever see VUE chip -- the YouTube clip of | :12:49. | :13:00. | |
Christian the lion? Yes. Those two chaps bought this lion cub and it | :13:01. | :13:05. | |
grew. They called Bill Travers who called George Adamson, and they made | :13:06. | :13:09. | |
it happen. Bill made this lovely film. Christian was the first lion | :13:10. | :13:17. | |
that Tony got to work with. How does that work? With that lion then be | :13:18. | :13:26. | |
released? The concept is to take them out and walk them and teach | :13:27. | :13:29. | |
them how to be Lions. Teach them how to hunt. Will not be scared of | :13:30. | :13:37. | |
humans because of the close contact? No. The worry is then not being | :13:38. | :13:43. | |
scared of humans. You have to take them a long way from humans. But it | :13:44. | :13:47. | |
can be done. Christian was fifth-generation born in captivity. | :13:48. | :13:53. | |
He was a hugely successful rehab that went wild. He recognised the | :13:54. | :14:00. | |
two guys who grew up in Chelsea. The whole model is about gene | :14:01. | :14:05. | |
preservation. The whole idea is that tens of years from now, you change | :14:06. | :14:10. | |
the way they breed The Animals entirely. Namely, they become scared | :14:11. | :14:17. | |
of man again. Keep the gene pool intact and integrate. Be troubling | :14:18. | :14:20. | |
Kenya is the human population is encroaching. But closer to home, | :14:21. | :14:33. | |
your life is spent poser to animals. We have some lovely bits of film. | :14:34. | :14:38. | |
Early mornings and late nights for you? I am on tonight when I go | :14:39. | :14:46. | |
home. Are they yours? Are you a farmer? Yeah! He does a bit of | :14:47. | :14:56. | |
everything. We have 60 of them lambing. I heard that there are only | :14:57. | :15:01. | |
nine left. So a good lambing percentage. Do you have to go round | :15:02. | :15:06. | |
with a pen and put the numbers on them? It is a two-man job. Hold it | :15:07. | :15:15. | |
still and get the other one. Do you give them names sometimes, like | :15:16. | :15:23. | |
Dave? It is so that their mums know. They look at the numbers. | :15:24. | :15:29. | |
Anyway, you can see Martin Clunes A Lion Called Mugie next Friday, the | :15:30. | :15:32. | |
4th of April. Now, today, Matt and I thought we | :15:33. | :15:36. | |
might give up television for a moment and open a One Show cafe | :15:37. | :15:43. | |
instead. So we prepare the snack. Here we go. We prepared a snack | :15:44. | :15:54. | |
each. It is act surely a crisp sandwich. And we were hoping you | :15:55. | :16:04. | |
would eat it. During the next film. Then you can tell us what you would | :16:05. | :16:08. | |
be prepared to pay for the crisp sandwich by writing it on these | :16:09. | :16:15. | |
cards. Sound all right? We are taking the concept of putting your | :16:16. | :16:18. | |
money where your mouth is on the road. | :16:19. | :16:25. | |
From two-for-one deals to early bird news, and eat as much as you like, | :16:26. | :16:30. | |
restaurants are always try to tempt us in with new promotions and with | :16:31. | :16:34. | |
good reason. They are three times more likely to fail than any other | :16:35. | :16:39. | |
business. So for a base to survive, it it has to stand out. So how about | :16:40. | :16:45. | |
this? A restaurant swaps a menu like this... For one like this. So what | :16:46. | :16:52. | |
would happen if a restaurant let its customers choose what they wanted to | :16:53. | :16:56. | |
pay? Peter was one of the pioneers of this idea in the competitive | :16:57. | :17:01. | |
London market. His first restaurant ran the ten years on a pay what you | :17:02. | :17:05. | |
want policy. Didn't people take advantage? A couple of years, it | :17:06. | :17:11. | |
happened a couple of times, yes. But the majority of people paid much | :17:12. | :17:15. | |
more than my prices. So if you had just stuck to normal prices, you | :17:16. | :17:19. | |
would have learned less money than under a pay as you like policy? | :17:20. | :17:23. | |
Definitely. I am taking Peter to the town house in Bristol, a restaurant | :17:24. | :17:29. | |
facing stiff arm petition from 50 other places on the same stretch of | :17:30. | :17:34. | |
road. For a whole be Ken, they will be conducting a radical experiment, | :17:35. | :17:37. | |
as they are going to let their customers pay whatever they think is | :17:38. | :17:41. | |
fair. Nick and Vanessa, you have agreed to do pay what you want for a | :17:42. | :17:45. | |
weekend. Are you happy to be trusting your earnings to the | :17:46. | :17:48. | |
honesty and good will of your customers? Our customers have a lot | :17:49. | :17:53. | |
of good will. So we think it will be fine. We clearly have the usual | :17:54. | :17:57. | |
doubts, especially at a weekend, when we will be busy. We are always | :17:58. | :18:03. | |
try to think of different emotions and it will be a chance to get some | :18:04. | :18:09. | |
good feed act. It is a risk, but we are happy that our customers will | :18:10. | :18:14. | |
support us. The menu here is to clean modern British, with prices | :18:15. | :18:18. | |
ranging from ?6 for the wild garlic and potato soup to ?20 for the river | :18:19. | :18:23. | |
beef . Peter is concerned about the higher-priced items, and suggest | :18:24. | :18:28. | |
taking them off the menu. Definitely, the caviar should be | :18:29. | :18:32. | |
taken away. Maybe the rebuff beef and the scallops. Why the scallops? | :18:33. | :18:39. | |
They can be quite expensive. Nick, do you have a solution to taking | :18:40. | :18:44. | |
those expensive items of? The rib of beef, we could definitely change for | :18:45. | :18:50. | |
a romp. So the prices are moved and the new menus go out, but against | :18:51. | :18:54. | |
Peter's advice, Nick has left the scallops on, insisting it is one of | :18:55. | :18:58. | |
their most popular dishes. It is time for the experiment to begin. | :18:59. | :19:04. | |
What do you think of the idea? It is a brilliant idea. It is quite | :19:05. | :19:08. | |
exciting. Interesting to see what the quality of the food is like. We | :19:09. | :19:13. | |
were a bit stunned when we first came in and saw that. I have been | :19:14. | :19:17. | |
talking to people, and a lot of them like what is going on, but some say | :19:18. | :19:20. | |
they are feeling a bit of social pressure. They are worried about | :19:21. | :19:24. | |
paying too little or too much. The interesting point will come when | :19:25. | :19:27. | |
they have to pay the bill. We just had a customer who had mackerel that | :19:28. | :19:34. | |
is normally ?8 50. They paid ?2 50. That is not great. Not a good | :19:35. | :19:40. | |
start. So we'll make's customers leave him badly out of pocket after | :19:41. | :19:45. | |
a whole weekend with no prices on the menu? | :19:46. | :19:49. | |
We will find out how that experiment went later. Shall we find out the | :19:50. | :19:53. | |
results of our experiment? Dermott and Martin were given the | :19:54. | :19:56. | |
opportunity to take into my speciality, a crisp sandwich. | :19:57. | :20:01. | |
Dermot, you have given up crisps for Lent. But we wondering how much you | :20:02. | :20:07. | |
would be prepared to pay. I have high hopes, Martin, because you | :20:08. | :20:11. | |
really enjoyed that, you see. Please reveal the price. I would go for a | :20:12. | :20:18. | |
healthy 75p. For both halves? Is that too high or too low? To load. | :20:19. | :20:25. | |
This is the One Show cafe. -- too low. I have given them up falling, | :20:26. | :20:37. | |
but I have put ?1 50. Those are no prices full -- those are London | :20:38. | :20:43. | |
prices. We have gone the ?2.05. Why the 5p? We deliberated for ages | :20:44. | :20:49. | |
earlier. I thought it should be more expensive. You have a part share in | :20:50. | :20:55. | |
a restaurant. Would you ever consider doing what they have done | :20:56. | :20:58. | |
for a weekend, where you literally put it out to customers? That would | :20:59. | :21:04. | |
terrify me. And it is not because you are not confident in the product | :21:05. | :21:07. | |
you have or the service we provide. You have a profit margins to hit so | :21:08. | :21:13. | |
that you can pay your staff. So it is scary. Plus, given the | :21:14. | :21:16. | |
opportunity, people will rob you blind. Especially you, with your | :21:17. | :21:25. | |
75p! Your Mac or at the moment is on at pounds 50, and the customer just | :21:26. | :21:33. | |
paid two quid. But I have to pay a chef to cook it. We will see. So as | :21:34. | :21:39. | |
well as your telly work, you have a brilliant show on radio to every | :21:40. | :21:43. | |
Saturday afternoon. And at this time of year, I look forward to having a | :21:44. | :21:47. | |
copy of your CDs. We have not got one here, but I have one in my car. | :21:48. | :21:54. | |
I have not got any with me. There are a lot of songs on there. We have | :21:55. | :22:00. | |
40. We do it once a year and we always figure we may as well fill it | :22:01. | :22:08. | |
up. We do about 48 shows a year and about 62 sessions. So it is a lovely | :22:09. | :22:12. | |
thing for us to do. It came from the people that listened to the show | :22:13. | :22:15. | |
when we first did it. They said, where can we get these sessions, | :22:16. | :22:19. | |
because a lot of people do covers or unusual songs. Then we started | :22:20. | :22:25. | |
putting it out. Is it weird when you meet those groups again and they | :22:26. | :22:27. | |
have not made it onto the compilation album? Do I get beaten | :22:28. | :22:38. | |
up? But there have been a few of these compilation albums. It is | :22:39. | :22:40. | |
interesting to look back and see maybe, how the tastes have evolved. | :22:41. | :22:46. | |
The me, you look back and are proud about the fact that we give a lot of | :22:47. | :22:49. | |
young, aspiring artists their first session. We gave Adele one of the | :22:50. | :22:56. | |
first sessions. Tragically, we gave anyone has one of her first oceans | :22:57. | :23:02. | |
years ago. -- a new one house. It is lovely to see how those act progress | :23:03. | :23:11. | |
full Turin Brakes are doing Chim Chim Cheree on your album. Do they | :23:12. | :23:15. | |
choose the songs? Every now and again, we will ask if they will do | :23:16. | :23:19. | |
one of their own back catalogue songs, or one of our favourites. But | :23:20. | :23:25. | |
with Turin Brakes, they did a great LP ages ago called Xerox. They just | :23:26. | :23:29. | |
did it for themselves, and they put out this. Chim Chim Cheree is such a | :23:30. | :23:37. | |
great song. It is a really nice arrangement. There was another guy | :23:38. | :23:43. | |
who Ed Sheeran grew up listening to. And he came in on his own with | :23:44. | :23:53. | |
an acoustic guitar and did the theme tune from Cheers, but he did the | :23:54. | :23:56. | |
full-length version. That is on the album. We have to talk to you while | :23:57. | :24:02. | |
you are here, because tonight is the press night of the X Factor musical, | :24:03. | :24:07. | |
I Can't Sing. What was your impression when you heard they were | :24:08. | :24:11. | |
doing a musical? You are kind of in it. There is a presenter in it. He | :24:12. | :24:18. | |
is called Liam O'Dreary. That is really unkind. He looks unkind from | :24:19. | :24:26. | |
that picture. Simon Cowell has been saying on Twitter, can't wait. That | :24:27. | :24:33. | |
is because he owns it! But best of luck to it. I love my old school | :24:34. | :24:43. | |
musicals. Phantom? I love love when it was on. You can't beat The Lion | :24:44. | :24:52. | |
King, Martin. The album is out now. Throughout | :24:53. | :24:56. | |
my's show, we are tempted to recreate the spirit of Wigan Casino | :24:57. | :25:02. | |
in 1973. That is what the outfits are about. The Northern Soul | :25:03. | :25:06. | |
movement is enjoying a resurgence. But only is there a new film out in | :25:07. | :25:10. | |
the summer, but more and more events are being held around the country. | :25:11. | :25:16. | |
In a moment, we will be chatting. You have put the crisps on the | :25:17. | :25:20. | |
floor! We will chat to Lisa Stansfield. But first, whenever we | :25:21. | :25:23. | |
need someone with a bit of rhythm, we turn to Matt... Mat all right. | :25:24. | :25:30. | |
Northern Soul is the cultural movement that refuse to die. Based | :25:31. | :25:35. | |
on recordings of black American soul music, the unlikely birthplace was | :25:36. | :25:39. | |
the ballrooms and dance halls in the north of England. Manchester, | :25:40. | :25:45. | |
Blackpool and Wigan. In the late 60s, the term Northern Soul was | :25:46. | :25:51. | |
coined by record shop owner Dave. He noticed that fans from the north of | :25:52. | :25:57. | |
England were scouring record racks for obscure and rare sounds. I have | :25:58. | :26:09. | |
come to the Ritz ballroom in Brighouse to experience Northern | :26:10. | :26:15. | |
Soul for myself. I have just met Beverly and Griff. There are some | :26:16. | :26:22. | |
overlooked so artists for whom bought and sold met -- meant a | :26:23. | :26:28. | |
researchers in their career. One of these artists was Tommy Hunt. Being | :26:29. | :26:34. | |
a soul singer, I did not know what Northern Soul was. I said, what is | :26:35. | :26:40. | |
Northern Soul? Is that a different type of music? They said, no, it is | :26:41. | :26:45. | |
a soul music by new people from the states. But it is rare records that | :26:46. | :26:53. | |
did not make it. I went to the Wigan Casino. There must have been about | :26:54. | :27:01. | |
2000 people there. Mr Tommy Hunt! And I started singing. I had never | :27:02. | :27:09. | |
felt such power of music like I felt there. But even out of the | :27:10. | :27:16. | |
limelight, the scene has still been ticking away for all these years. | :27:17. | :27:21. | |
Now, however, there is a new generation of Soul fans about to get | :27:22. | :27:26. | |
on the right track. Northern Soul is what brings mother and son Angie and | :27:27. | :27:33. | |
Joe together. Angie spins on the dance floor, Joe spins the | :27:34. | :27:36. | |
turntable. What makes a Northern Soul record? It is the beat what | :27:37. | :27:43. | |
goes through you. It doesn't matter if you can dance or not, you just | :27:44. | :27:47. | |
get on the floor and do your thing. I started taking him to the Ritz | :27:48. | :27:51. | |
when you were about 30 on Sunday afternoons. -- about 13. I will be | :27:52. | :27:59. | |
honest with you, Joe, I would not go clubbing with my mum. How does that | :28:00. | :28:05. | |
work with you guys? When we get there, he goes off and does his bit, | :28:06. | :28:10. | |
and I do mine. But he is following me now. And it is nice to share | :28:11. | :28:17. | |
that. I know that he will pass it on. I have done my bit. I think a | :28:18. | :28:26. | |
lot of them start of saying, I like that clothing. Then they start | :28:27. | :28:31. | |
getting the music. It is encouraging to see the younger generation. You | :28:32. | :28:36. | |
are doing something from nearly 40 years ago. What brought that on? We | :28:37. | :28:41. | |
both grew up on the music. Your luck is quite distinct. -- your look. You | :28:42. | :28:50. | |
can't dance to Northern Soul in tight trousers. Can you show me a | :28:51. | :29:01. | |
move I can try? You can do sidestepping, like that. I feel like | :29:02. | :29:10. | |
my dad looks at weddings. They live it, they eat it, they sleep it. It | :29:11. | :29:16. | |
make me mad sometimes, because I want to dance with them, and I | :29:17. | :29:20. | |
can't. My old legs tell me, you can look, but you can't get out no more. | :29:21. | :29:26. | |
Thank you so much for introducing me to the world of Northern Soul. It | :29:27. | :29:31. | |
has been a privilege. I'm going to go off now. Bye. | :29:32. | :29:52. | |
He is good at spinning. I love it. We are joined by Lisa Stansfield. | :29:53. | :30:05. | |
The thing that really strikes you is that it crosses all generations. We | :30:06. | :30:11. | |
saw the mother and son. It is something a 16-year-old or a | :30:12. | :30:18. | |
60-year-old can enjoy. I think even now that music touches people. It is | :30:19. | :30:22. | |
predominantly an emotional thing. It just gets you. It is not about your | :30:23. | :30:28. | |
brain, it is about your soul and it is about your heart. I really do | :30:29. | :30:36. | |
believe that. This film is very eagerly anticipated, isn't it? Yeah, | :30:37. | :30:44. | |
people chomping at the bit for it. People say if you have never been to | :30:45. | :30:50. | |
one, this is the best way? I have been friends with the lane for ages. | :30:51. | :30:57. | |
The director. She said, what do you think it is going to be like, this | :30:58. | :31:02. | |
movie? I said, the way that I envisage it is that it is going to | :31:03. | :31:06. | |
be like a Northern Saturday night Fever. When it really is. Which part | :31:07. | :31:13. | |
do you play? Everybody thinks I am going to be singing and dancing and | :31:14. | :31:21. | |
I play the mum. This is why I got really dressed up today. I don't | :31:22. | :31:29. | |
want to look like that on this show! Mum of who? I am the mum of the hero | :31:30. | :31:39. | |
of the story. I am the reason why he gets itself into trouble, really. He | :31:40. | :31:42. | |
does get himself into all sorts of scrapes. He sits with his grandad | :31:43. | :31:48. | |
all day and he never goes out. And he makes a fixed models. And I get | :31:49. | :31:56. | |
really worried about him. And I tell him to get out and go to the youth | :31:57. | :32:02. | |
club and mix with people Ron H. And so he sort to reluctantly agrees to | :32:03. | :32:07. | |
it. -- people your own age. That is it. A period piece. It is set in the | :32:08. | :32:19. | |
year I? Have a log. Watch this. That arrived this morning, asking | :32:20. | :32:25. | |
where you work. We are going to have a word with Mr Banks this | :32:26. | :32:28. | |
afternoon. Are you refusing to get involved? I was proper shown up at | :32:29. | :32:35. | |
that school today. He is becoming a weirdo. A recluse at his age. | :32:36. | :32:42. | |
Recluse is a strong word, isn't it? You stay out of this, that. I want | :32:43. | :32:48. | |
to hold my head up in this town. What about the youth club? Oh, mum. | :32:49. | :32:55. | |
I am not going. Your cousin is not scared. I am not scared! Yellow | :32:56. | :33:02. | |
Macca what is your problem then? This has inspired you to get back | :33:03. | :33:07. | |
into music, is that fair to say? The music didn't. A lot of things did. I | :33:08. | :33:14. | |
think it all came together at the same time. It was like a light bulb | :33:15. | :33:22. | |
went off. Yes, I had always been writing and I had always been | :33:23. | :33:26. | |
planning. But I thought if the opportunity does not arise, then I | :33:27. | :33:30. | |
would just sit at home and listen to my own music and be a really sad | :33:31. | :33:37. | |
person. But it did. And so I went for it. On the new album is a track | :33:38. | :33:43. | |
called carry on. It really does have a Northern Soul feel. Yes, I think | :33:44. | :33:49. | |
we did that because of the movie. It was one of the last tracks we wrote. | :33:50. | :34:05. | |
# I will carry on. # I will take it as it comes. | :34:06. | :34:16. | |
# I will carry on. # I would take it as it comes. | :34:17. | :34:26. | |
# I will keep my foot in front of the other one. | :34:27. | :34:35. | |
A Northern Soul message! You have got to get that on the next | :34:36. | :34:39. | |
compilation album. I can't believe you're meant to be that guy's mum! | :34:40. | :34:48. | |
You look the same age as him. I really do look like that. I don't | :34:49. | :34:57. | |
really look like this. More shots of Lisa, less shots of us. Lisa's new | :34:58. | :35:03. | |
album is out now. We are going to see more fantastic Northern Soul | :35:04. | :35:09. | |
dancers at the end of the show. We may even join in. Cannot wait! In a | :35:10. | :35:16. | |
moment, George McGavin will be talking about Monkey Planet. First, | :35:17. | :35:20. | |
a film about how farmers have drafted in an unusual ally to fight | :35:21. | :35:27. | |
creepy crawlies. Microscopic battles between tiny | :35:28. | :35:30. | |
predators and prey are raging across the British countryside all the | :35:31. | :35:35. | |
time. And without them, we would be overrun with pests. One aphid, if it | :35:36. | :35:42. | |
was left to reproduce unchecked, would become billions in one season. | :35:43. | :35:51. | |
Clearly the natural system works, otherwise I may be knee deep in | :35:52. | :35:54. | |
aphids and other pests. What happens if you bring the outside, in? | :35:55. | :36:02. | |
Large-scale greenhouse drawing is big business in the UK. Farmers can | :36:03. | :36:06. | |
satisfy the demand for all year round produce. It may protect them | :36:07. | :36:09. | |
from the weather but it does not protect them from the same old | :36:10. | :36:15. | |
pests. An outbreak of aphids could be devastating to us as a business | :36:16. | :36:19. | |
and to the crop. It would dramatically reduce the marketable | :36:20. | :36:23. | |
yield of tomatoes. Would you ever consider using pesticides? We try | :36:24. | :36:29. | |
not to. They are unacceptable to the public and are expensive to apply. | :36:30. | :36:35. | |
The vast majority of greenhouse farmers have turned to more natural | :36:36. | :36:40. | |
and ingenious control methods. In this little Chubut is a batch of | :36:41. | :36:44. | |
dead aphids. By sprinting them over the tomato plants, we are rather | :36:45. | :36:54. | |
bizarrely preventing infestation. -- sprinkling. This is where it gets | :36:55. | :36:59. | |
weirder. In our studio we are placing these dead aphids under a | :37:00. | :37:02. | |
micro lens. With the help of Chris from Oxford University, we are going | :37:03. | :37:06. | |
to see how they are helping foreigners. I am looking for a big | :37:07. | :37:15. | |
black mass inside the dead aphid. That looks like a lake or an | :37:16. | :37:21. | |
antenna. It is definitely moving. Inside the dead aphid, we have | :37:22. | :37:27. | |
another species of insect. That is a parasitic wasp. Emergence can take | :37:28. | :37:33. | |
hours. We want to find one that has already started the process. It has | :37:34. | :37:38. | |
started. It is chewing its way out of the aphid. The head is out | :37:39. | :37:44. | |
already. It is quite gruesome. You have got a live wasp emerging from | :37:45. | :37:50. | |
the dead remains of this aphid post. She is virtually out. One last push | :37:51. | :37:56. | |
and she is free. How did the wasp get inside a dead aphid? This wasp | :37:57. | :38:07. | |
has an uncanny ability to track down aphids. And a gruesome way of | :38:08. | :38:12. | |
dealing with them. There is a nice pile of aphids. Sensing the aphids, | :38:13. | :38:17. | |
she checked them out with her antennae. And begins the attack. Oh, | :38:18. | :38:28. | |
look. Yes! She has got it! That is quick. She then continues on a | :38:29. | :38:43. | |
rampage. Again! It is fantastic. She brings her abdomen between her legs | :38:44. | :38:46. | |
and stabs eats aphid in return -- in-turn. Their sting is what they | :38:47. | :38:56. | |
used to lay the eight inside the aphids. This is a dead aphid that | :38:57. | :39:01. | |
had an ache laid inside ten days ago. The egg has now hatched. And | :39:02. | :39:10. | |
this year is actually the larvae. It keeps its host a live so it can feed | :39:11. | :39:17. | |
on its tissues inside. But it only needs the vital organs last. It | :39:18. | :39:22. | |
keeps it alive as long as it can. Two weeks later, time for the | :39:23. | :39:27. | |
process to start again. That is just one. Imagine each wasp can lay about | :39:28. | :39:34. | |
300 or 400 eggs at a time. You can see how you can decimate aphids. By | :39:35. | :39:42. | |
utilising this natural behaviour, farmers up and down the country have | :39:43. | :39:44. | |
the helping hand of these wonderful wasps, helping to keep British | :39:45. | :39:49. | |
vegetables on our tables all year round. | :39:50. | :39:54. | |
We will talk to George in a second. A vote -- the vote is closed. We | :39:55. | :40:00. | |
asked if destroying all ivory antiques would help to save the | :40:01. | :40:05. | |
elephants. We will reveal the results later. Georges here. You | :40:06. | :40:08. | |
have been travelling all over the world. You have been looking at why | :40:09. | :40:17. | |
we love primates. What did you discover that you were not | :40:18. | :40:22. | |
expecting? I realised how much of them is in us and how much of us is | :40:23. | :40:27. | |
in them. We are just a big primate. We have art and music and history in | :40:28. | :40:32. | |
between. But basically we had the same. We love families and our | :40:33. | :40:38. | |
young. You are an insect man. I know. I am sorry. I have gone over | :40:39. | :40:45. | |
to the dark side! Primates are as close to us as you can possibly get | :40:46. | :40:51. | |
and they are stunning. You met a female who had a particular thing. | :40:52. | :40:58. | |
She liked washing yourself... This is amazing. She lived with humans. | :40:59. | :41:04. | |
She imitates stuff. She can wash herself with soap. She can unlock a | :41:05. | :41:07. | |
locked door to get food. She was stunning. Let's have a look. She did | :41:08. | :41:15. | |
like keeping herself clean. Here, orangutans and humans share. They | :41:16. | :41:24. | |
watched us and begun to experiment. This may look a bit bizarre. It | :41:25. | :41:41. | |
actually shows how smart she is. She has seen humans you every morning | :41:42. | :41:46. | |
washing. And she is basically doing exactly the same. | :41:47. | :41:59. | |
She also had great breath as well. The monkey hygiene does not stop | :42:00. | :42:04. | |
there. No. We were filming in Thailand. There are some who pick | :42:05. | :42:11. | |
human hair of tourists and amazingly what they do with it, they floss | :42:12. | :42:20. | |
their teeth. I couldn't believe it. Look at Lisa's face. You cannot | :42:21. | :42:21. | |
believe it! Standing there with one on my | :42:22. | :42:39. | |
shoulder, flossing his teeth. You could not make it up. A lot of what | :42:40. | :42:44. | |
we are going to see has never been seen? Court of all the film has not | :42:45. | :42:50. | |
been seen before. It is really new stuff. Is there one closest to us? | :42:51. | :42:58. | |
We filmed chimpanzees, the nobles, everything. Do you have a favourite | :42:59. | :43:09. | |
monkey, Dermot? Where is this going? ! I love orangutans. We have some | :43:10. | :43:20. | |
interesting sounds. We're going to play if you sounds and see if you | :43:21. | :43:24. | |
can tell us what you think it is. You will never get it. | :43:25. | :43:40. | |
That is really scary. There are over 500 to choose from. A howler | :43:41. | :43:46. | |
monkey. They avoid having a fight because they say, this is my part of | :43:47. | :43:50. | |
the forest, that is your part. I will shout at you and you will stay | :43:51. | :43:55. | |
over there. They are not that big. But they can really make a noise. | :43:56. | :44:04. | |
And the next one. 50 quid if you get this. Is a | :44:05. | :44:18. | |
leaner! -- limo! I live near the zoo. In the summer the wind blows, | :44:19. | :44:23. | |
and if it blows the right way you hear this sense. We thought it was a | :44:24. | :44:29. | |
tropical bird. It was Jimmy the given. Can we go straight to the | :44:30. | :44:45. | |
last one? That sounds like a rumbling stomach. Babylon? Very | :44:46. | :45:00. | |
good! -- baboon. We have got one more, just to see if you can get | :45:01. | :45:05. | |
this, George. Don't feel bad, there are 500 of them. Let's play it | :45:06. | :45:14. | |
anyway. 20 quid is on the line. That is a human, trying to do a chimp. | :45:15. | :45:20. | |
But which human? I think it is you! You can see George's Monkey Planet | :45:21. | :45:37. | |
from next Wednesday at nine o'clock on BBC One. I have no idea how much | :45:38. | :45:41. | |
money has just changed hands. Now, in 2007, Tim Samuels created | :45:42. | :45:49. | |
the world's oldest rock band to draw attention to the loneliness among | :45:50. | :45:57. | |
pensioners. They were a huge hit, and now Tim is back with a campaign | :45:58. | :46:00. | |
to get older men out of the house and into the pub. My name is George | :46:01. | :46:07. | |
O'Connor. I am 83. My social life now is nearly nonexistent. I can sit | :46:08. | :46:12. | |
here all day long without even the telephone ringing. I feel really | :46:13. | :46:18. | |
lonely. And more or less tied into my house. There are thousands of | :46:19. | :46:26. | |
people like George, older guys, particularly over 75, who are | :46:27. | :46:29. | |
lonely. They don't get out much during the week. Their wives have | :46:30. | :46:32. | |
often passed away and family live miles away. The idea is to do | :46:33. | :46:37. | |
something basic, find an old guy who lives in your neighbourhood, take | :46:38. | :46:40. | |
him for a pint, share some stories, see if you get on, and add something | :46:41. | :46:47. | |
new to his day. Hi, I am Tim. Nice to meet you. Believe it or not, this | :46:48. | :46:54. | |
is the first time I have in in a pub for six months. Does it get you | :46:55. | :46:58. | |
down, being stuck at home? Yes, it does. I will get up and put music | :46:59. | :47:06. | |
on, or the television. Or I go in the kitchen and start making a cake. | :47:07. | :47:11. | |
Cooking is your big thing? Cooking was my profession. Where were you a | :47:12. | :47:16. | |
cook? I can't tell you that. Official secrets? Yes, I am bound by | :47:17. | :47:23. | |
the official secrets act. You actually are? Were you cooking for | :47:24. | :47:27. | |
the government? Sort of. All I can say is that it was to do with the | :47:28. | :47:32. | |
higher officials. This is intriguing! Come on, George! Let's | :47:33. | :47:42. | |
have a point and then discover the secrets. You were probably a chef at | :47:43. | :47:46. | |
MI6. You are going to keep a poker face, aren't you? Georges my dad's | :47:47. | :47:52. | |
age. He is 45 years older than me, so for me, it is natural to speak to | :47:53. | :47:57. | |
someone of his age in that way. But will it be easy for younger guys to | :47:58. | :48:04. | |
speak to older guys? I have invited some guys who are younger than me to | :48:05. | :48:11. | |
see how they get on with older guys. Three months, and then we got | :48:12. | :48:20. | |
married. Three months? I hope you find a job for long and make a | :48:21. | :48:25. | |
success of your life. I love pizza as well. We got on about a lot of | :48:26. | :48:35. | |
stuff and he gave me some great tips for the ladies. It is great to get | :48:36. | :48:40. | |
to understand one another. Nice to have a chat and talk to people you | :48:41. | :48:43. | |
would never talk to. I was never bored, not for one moment. I don't | :48:44. | :48:47. | |
know if I bought him. I hope I didn't. I have had a very enjoyable | :48:48. | :48:54. | |
day. I don't feel lonely now. I think today has changed me a bit. It | :48:55. | :49:01. | |
is a day that I thoroughly enjoyed. Unless George is an expert liar, he | :49:02. | :49:07. | |
seemed to enjoy himself today, and I did as well. He was fascinating. It | :49:08. | :49:12. | |
seemed to make such a different to someone who does not get out of the | :49:13. | :49:15. | |
house and speak to someone for days at a time. It would be fascinating | :49:16. | :49:19. | |
to find out what he really got up to. I wonder if MI6 did have pastry | :49:20. | :49:27. | |
chefs. Let me get on to that. How wonderful. You could see the | :49:28. | :49:31. | |
happiness in the eyes. You can hear more of Tim and his campaign in | :49:32. | :49:34. | |
men's hour on Radio 5 Live this Sunday at 9pm. Earlier, we asked you | :49:35. | :49:41. | |
to vote on the issue of ivory. We asked, would destroying all ivory | :49:42. | :49:46. | |
antics help save the elephant? The results are, yes, 32%. No, it | :49:47. | :49:56. | |
wouldn't, 68%. Quite a divide. Are you surprised by that, Martin? Yes. | :49:57. | :50:04. | |
Depressed. Lots of people have been commenting on this. Terry says, | :50:05. | :50:10. | |
surely destroying ivory will only create worldwide demand. Therefore | :50:11. | :50:17. | |
leading to more deaths? Lee Mannering says, I have two pieces of | :50:18. | :50:22. | |
ivory jewellery inherited from a mother which are sentimental value, | :50:23. | :50:25. | |
but if destroying it would save one elephant, I would do it in a | :50:26. | :50:29. | |
heartbeat. Alison says, why don't they sell the current pieces of | :50:30. | :50:32. | |
ivory and put money saving living elephants? Because that keeps the | :50:33. | :50:38. | |
market alive. And no one wants to see elephants die for their ivory | :50:39. | :50:42. | |
tusks, but what a waste to destroy the ivory pieces the elephant has | :50:43. | :50:46. | |
died for? The animal would have died for nothing. Such a waste. That is | :50:47. | :50:51. | |
from Ben. Thanks to everyone for their comments. Earlier, Jay visited | :50:52. | :50:57. | |
a restaurant in Bristol that was boldly trialling a scheme where | :50:58. | :51:00. | |
diners pay what they like for their meals. Let's see how they fared. | :51:01. | :51:12. | |
The town house in Bristol is trialling a radical new system. They | :51:13. | :51:15. | |
have taken all the prices of the menus. The bills will be left blank. | :51:16. | :51:19. | |
It is up to the customers to decide how much they are going to pay. Not | :51:20. | :51:26. | |
everybody is keen on the idea. I would prefer to know what I am going | :51:27. | :51:30. | |
to pay. To try and decide how much a meal is worth is much more | :51:31. | :51:35. | |
difficult. It is a busy lunchtime service, and the experiment is in | :51:36. | :51:41. | |
full flow. Roast pork. How much? It was superb. I thought ?12. For mine, | :51:42. | :51:54. | |
I did not think the presentation was interesting, but it tasted | :51:55. | :52:01. | |
fantastic. ?57 feels like a good price for the food you have had? We | :52:02. | :52:07. | |
have probably been a bit cheap. It has been going well, but I am a bit | :52:08. | :52:11. | |
surprised by some who have not paid as much as I thought. It is the most | :52:12. | :52:16. | |
popular dish that is cause for concern. The scallops starter that | :52:17. | :52:20. | |
Nick was advised to take off the menu is barely making any money. | :52:21. | :52:29. | |
It's usual price is ?4.50. ?3. ?2. How much do you think that is worth | :52:30. | :52:33. | |
per dish? We thought about five pounds. They were done nicely, | :52:34. | :52:40. | |
cooked well. Nick will not know whether he has made a profit or a | :52:41. | :52:44. | |
loss to the end of the weekend, and there is the all-important evening | :52:45. | :52:48. | |
menu still to come. Tonight, you have got the Aluko at dinner menu, | :52:49. | :52:51. | |
which is more expensive. Are you confident it will be OK? Less | :52:52. | :52:56. | |
confident. I am worried that we may lose out at dinner time. We will | :52:57. | :53:10. | |
see. I paid ?8 for the stake. The sizes were a bit smaller than I | :53:11. | :53:17. | |
would normally expect. I had the beef rump. I paid when the pounds, | :53:18. | :53:22. | |
and it was cooked to perfection. -- ?20. As Sunday night draws to a | :53:23. | :53:32. | |
close, it is time to shut the restaurant and bring our experiment | :53:33. | :53:36. | |
to an end. The next morning, Nick and Vanessa are working out if the | :53:37. | :53:39. | |
whole thing has been a success. ?6 for the fish wrath. They were paying | :53:40. | :53:45. | |
a lot more than usual -- the fish broth. We took more on the lunches. | :53:46. | :53:56. | |
Sunday was good. Brilliant. And so, the results. They would have taken | :53:57. | :54:02. | |
7100 and ?53 if people had paid the normal prices. Instead, they made | :54:03. | :54:08. | |
?8,498, almost 20% more. It looks like only 5% of people underpaid. So | :54:09. | :54:14. | |
will they be offering their pay what you menu permanently? We made ?1200 | :54:15. | :54:20. | |
more than we normally would, but we will not do it again because it made | :54:21. | :54:23. | |
some customers feel uncomfortable. We want our customers to come and be | :54:24. | :54:28. | |
happy from start to finish. So it will not work for us. | :54:29. | :54:40. | |
Well, there we are. It paid off. We should try that in our One Show | :54:41. | :54:44. | |
cafe. But if the crisp sandwiches were anything to go by, maybe not. | :54:45. | :54:49. | |
As we said earlier, there is a new film out that celebrates the | :54:50. | :54:52. | |
Northern Soul movement. We have dressed the part and to celebrate, | :54:53. | :54:56. | |
we are joined by some Northern Soul devotees, some of which were in the | :54:57. | :55:02. | |
film. Dave, you are one of them. Northern Soul started in the late | :55:03. | :55:06. | |
70s. It has had a reserve gin is. You are only 19, so how did you get | :55:07. | :55:11. | |
into it? I was just brought up on it in our family, with the dancing. In | :55:12. | :55:20. | |
November, I won the dance Championships. That was it for our | :55:21. | :55:29. | |
family. I ran my mum and told her, and it was really good. I do every | :55:30. | :55:35. | |
weekend and it is my life. You have got the costume and the trousers, | :55:36. | :55:42. | |
like Matt. They are the best for moving. They are not tight. People | :55:43. | :55:48. | |
look at you like a widow for having them on -- like a weirdo, but it is | :55:49. | :55:55. | |
quality. Come on, let's see a few moves. Matt should try that. Hang | :55:56. | :56:05. | |
on! What do I do? Northern Soul. Elaine, you have got | :56:06. | :56:23. | |
a wonderful move. Let's see your speciality. | :56:24. | :56:35. | |
Pardon me for asking, I don't mean to ask how old you are, but were you | :56:36. | :56:44. | |
around when this started? Yes. I have been on the scene for 43 years. | :56:45. | :56:49. | |
And you have not got a northern accent. No, I am a posh southern | :56:50. | :56:54. | |
girl. How did you start? Mainly because I live in Newbury, and there | :56:55. | :57:00. | |
was an air base there, so we had a black American soul artists come | :57:01. | :57:04. | |
over. That started the element in Newbury, and we used to travel up | :57:05. | :57:09. | |
north regularly. And you are still doing it? Still doing it. Good girl! | :57:10. | :57:19. | |
Lovely. Now, you have posted a video on YouTube, and it has been an | :57:20. | :57:23. | |
absolute hit, nearly a million viewers. Tell us what you did? It | :57:24. | :57:28. | |
was me dancing down the street. I mixed two tracks together, one that | :57:29. | :57:34. | |
is in the northern soul style, and another in the charts at the moment. | :57:35. | :57:38. | |
The idea what's to tell people who don't know about Northern Soul music | :57:39. | :57:41. | |
that it is just as good as what you hear in the charts, and to give it a | :57:42. | :57:45. | |
wider appreciation. It really deserves it. It really worked. We | :57:46. | :57:52. | |
are going to finish with spinning Sam here. Watch this man go. He is | :57:53. | :58:02. | |
like a spinning top! Goodlad, Sam. Smile! Thanks to Martin and Dermot | :58:03. | :58:09. | |
O'Leary on the decks at the back, and Lisa. Tomorrow, we will be | :58:10. | :58:13. | |
talking about the return of surprise, surprise, with Holly will | :58:14. | :58:17. | |
be. Time to shuffle, everybody. Ready? Here we go! | :58:18. | :59:09. | |
Hello, I'm Ellie Crisell with your 90-second update. Gas and | :59:10. | :59:16. | |
electricity prices frozen until 2016. That's what the energy firm | :59:17. | :59:21. | |
SSE is doing. The | :59:22. | :59:23. |