Browse content similar to 25/08/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Alex Jones... | :00:15. | :00:16. | |
And, back by popular demand, it's my favourite singing | :00:17. | :00:19. | |
Tonight we're joined by a comedy double-act - | :00:20. | :00:33. | |
one of whom has said, "We did some of our best stuff | :00:34. | :00:36. | |
when we couldn't stand the sight of each other." | :00:37. | :00:38. | |
So for the sake of their new sitcom let's hope they really hate each | :00:39. | :00:44. | |
One thing is for sure, they never miss a merchandising opportunity. | :00:45. | :00:59. | |
Talking David Mitchell doll, 28,000 world vocabulary in different | :01:00. | :01:09. | |
settings. Thank you for that contribution to proceedings. What | :01:10. | :01:16. | |
are my special features? It says you come with a spare T-shirt. You | :01:17. | :01:25. | |
obviously have a brilliant relationship, do you ever wind each | :01:26. | :01:30. | |
other on purpose? We did the voices for evil robot in Doctor Who, and I | :01:31. | :01:35. | |
did them separately. I knew what ever I did, David would have to do | :01:36. | :01:38. | |
the same kind of thing. I deliberately did it a very camp. I | :01:39. | :01:47. | |
remember that! Did you go with that? I just did mine very camp as well. I | :01:48. | :01:54. | |
couldn't have gone totally different, I would say the | :01:55. | :01:56. | |
characterisation of the two robots was quite similar. Can you do the | :01:57. | :02:04. | |
voice? Just sort of camp, like that. No, do the voice! | :02:05. | :02:10. | |
Ella Eyre will also be singing for us. | :02:11. | :02:14. | |
She's currently in the top 10 with Came Here for Love, | :02:15. | :02:17. | |
and she'll give us her new single Ego before we go home. | :02:18. | :02:20. | |
Now, settle down, buckle up and please return your tray | :02:21. | :02:22. | |
Rory Reid has met a man who has "single-handedly" stopped at nothing | :02:23. | :02:28. | |
The saying goes, you can't keep a good man down. And it couldn't apply | :02:29. | :02:40. | |
more than two Steve Robinson. He is one of life's go-getters. A | :02:41. | :02:46. | |
mechanic, an inventor, successful motivational speaker, he has tried | :02:47. | :02:49. | |
snowboarding, skiing, canoeing and he is an award-winning pilot. He | :02:50. | :02:53. | |
puts this list of achievements down to the fact that he lost his right | :02:54. | :02:59. | |
arm when he was just 18 years old. I was the top student at the technical | :03:00. | :03:03. | |
College, studying to be a motor mechanic. They lined me up for a job | :03:04. | :03:07. | |
in the Formula 1 pits. The last day of my final term, I went out on my | :03:08. | :03:12. | |
motorbike. In the afternoon, I lost my right arm. I had a midair | :03:13. | :03:15. | |
collision and the motorbike went into my chest and did loads of | :03:16. | :03:18. | |
internal damage, and it ripped my arm off. Steve began intense | :03:19. | :03:24. | |
rehabilitation. But with only one arm, his dreams of working in | :03:25. | :03:28. | |
Formula 1 were over. Instead, he put his energy and remaining arm into | :03:29. | :03:35. | |
fixing motorbikes, old jukeboxes and one armed bandit arcade machines. | :03:36. | :03:40. | |
It's a bit of a joke, people used to call me the one armed bandit. You | :03:41. | :03:45. | |
didn't let your disability get in the way? The fact I had to push | :03:46. | :03:47. | |
myself harder than anybody else, that is how I got into loads of | :03:48. | :03:52. | |
weird and wonderful things, like being a break dancer. People said I | :03:53. | :03:55. | |
couldn't do that with one arm, it was like a red rag to a bowl. I had | :03:56. | :03:59. | |
to do it. He used his determination to prove you can't keep a good man | :04:00. | :04:05. | |
like him down. On the ground, that is! I was looking on the internet, | :04:06. | :04:10. | |
and I saw an article for a flying scholarship for disabled people. I | :04:11. | :04:14. | |
thought, what have I got to lose? To his surprise, he was accepted. In | :04:15. | :04:19. | |
2014, he began flying lessons. To operate the controls he needed to | :04:20. | :04:22. | |
wear a prosthetic arm for the very first time. But this artificial limb | :04:23. | :04:29. | |
was not up to the job. We were doing some flying at 3500 feet. I said to | :04:30. | :04:33. | |
my instructor, you've got control. He said, no, you've got to learn to | :04:34. | :04:40. | |
fly with one arm. I said, no, John! You've got control! My arm has | :04:41. | :04:48. | |
fallen off! It had, it was on the floor of the aircraft. It was scary, | :04:49. | :04:53. | |
but it was funny. Determined to fly, he spent the next eight months in | :04:54. | :04:56. | |
his workshop coming up with this. It looks like something out of a | :04:57. | :05:04. | |
Terminator movie. To ensure it won't come off, he fixes it to a self-made | :05:05. | :05:08. | |
rigid jacket that he wears like a waistcoat. This is actually what is | :05:09. | :05:13. | |
connected to my jacket, on my shoulder. Then it reconnects onto | :05:14. | :05:20. | |
that. Thanks to his own bear home-made arm, he gained his private | :05:21. | :05:24. | |
pilots license and is now a regular at his local club. So, this is the | :05:25. | :05:31. | |
ride. You have your jacket on. How long does it take to fit? Just a | :05:32. | :05:37. | |
couple of seconds. Does it have to be approved by someone? It have to | :05:38. | :05:40. | |
be passed by a medical flight examiner. It meant I could do my | :05:41. | :05:46. | |
first solo flight. It clamps onto one of the two throttle controls. As | :05:47. | :05:52. | |
I move around, there is no movement transferred to the throttle while it | :05:53. | :05:56. | |
is in the unlocked position. When I lock that, any movement of my | :05:57. | :06:01. | |
shoulder is transferred through to the throttle. Basically, it is just | :06:02. | :06:04. | |
doing that on take-off, full power on take-off, and when we come to | :06:05. | :06:08. | |
land, we are adjusting the throttle all of the time as I control the | :06:09. | :06:12. | |
stick. So I'm actually flying the aircraft by twisting my body. Shall | :06:13. | :06:14. | |
we do that? Take me up! We are that! That was easier than | :06:15. | :06:36. | |
you thought, wasn't it? Soon we're gliding along. You're using your arm | :06:37. | :06:41. | |
for the throttle? His aluminium arm is ingenious and it cost less than | :06:42. | :06:48. | |
?100 to make. Here we go! But this is just the beginning. This is my 3D | :06:49. | :06:54. | |
printed arm that arrived yesterday. It is far lighter, so futuristic. | :06:55. | :07:02. | |
Looks amazing, doesn't it? You are unstoppable. Anything is possible if | :07:03. | :07:05. | |
you put your mind to it. Unbelievable! | :07:06. | :07:08. | |
Have you used it? I have, but it has a few problems. Just a fuel. When I | :07:09. | :07:17. | |
push forward to put the throttle on and pull-back to take it off, | :07:18. | :07:22. | |
there's about two inches of play. When nothing is happening in that, | :07:23. | :07:27. | |
it's quite scary. You want immediate power. You have to be going around | :07:28. | :07:34. | |
straightaway. He was pretending to be cool in that plane, but was he? | :07:35. | :07:39. | |
He was quite nervous. I was buckled in with the prosthetic arm, Rory was | :07:40. | :07:44. | |
stirred by the wing, looking down. He had a pretty scared looking face! | :07:45. | :07:51. | |
I felt quite sorry for him. He was probably not one who had been in an | :07:52. | :07:54. | |
aircraft with a one armed pilot before. I said, are you OK? He said, | :07:55. | :07:59. | |
I'll be all right. I said, don't worry, I'll look after you. He | :08:00. | :08:03. | |
should have looked after me, he is bigger than me. Would you take these | :08:04. | :08:09. | |
two? I'd take them both, I'll take anybody up. I'm in! When you have | :08:10. | :08:14. | |
done it, coming thing, why didn't I do this before? I'm fascinated, | :08:15. | :08:21. | |
before you had the accident, were you right or left-handed? | :08:22. | :08:25. | |
Right-handed. So you have the trauma of losing your arm and had to learn | :08:26. | :08:29. | |
to do everything again with your left hand? It's pretty hard. The | :08:30. | :08:32. | |
hardest thing is doing a one-handed handstand. I did actually practice | :08:33. | :08:40. | |
that. I used to take a dog for a walk, I was the nutcase on the | :08:41. | :08:43. | |
field, try to do a handstand. I didn't need to do it, but I wanted | :08:44. | :08:47. | |
to because it was a problem. I became a problem solver. It is not | :08:48. | :08:51. | |
just about solving problems with you. You actually face your fears | :08:52. | :08:58. | |
head-on. You didn't like flying before you started? I needed | :08:59. | :09:01. | |
hypnotherapy to go on a flight to Spain with some friends. I would be | :09:02. | :09:06. | |
the guy sat in the seat, praying. Please don't let it crash. I was | :09:07. | :09:10. | |
terrified. You can't really keep that up when you are a pilot, can | :09:11. | :09:20. | |
you? It would be a good, comedy good, the sketch, wouldn't it? | :09:21. | :09:26. | |
My other fear was of horses. Now I compete in dressage and I came fifth | :09:27. | :09:34. | |
in the qualifiers. Had roles of your time, you say, I went and trained to | :09:35. | :09:39. | |
be a pilot, I was scared of horses so I thought I would do dressage? | :09:40. | :09:44. | |
Doesn't everybody do that? There must be a problem because you need | :09:45. | :09:52. | |
two hands for the reins? It is so precise, to give instructions? Yes, | :09:53. | :10:01. | |
I decided to make my own. You make your own reins, your own arm? If it | :10:02. | :10:05. | |
doesn't exist, you've got to make it. It's like a bar, and you just | :10:06. | :10:11. | |
twist the bar, the horse can feel the movement. Hopefully it will go | :10:12. | :10:14. | |
left when you say left. They don't always go left. Sometimes they do | :10:15. | :10:17. | |
what they want to do, and that is pretty scary. Do you want to do that | :10:18. | :10:23. | |
in the Olympics? What would stop you? I need a decent quality | :10:24. | :10:27. | |
dressage horse. You need somebody to sponsor you? What a great plug! We | :10:28. | :10:36. | |
could talk all night. Absolutely fascinating. Thanks for coming in. | :10:37. | :10:38. | |
Thanks for having me. David and Robert,the | :10:39. | :10:41. | |
two of you are back together in a new comedy - | :10:42. | :10:43. | |
appropriately named Back. Here you are as Stephen and Andrew, | :10:44. | :10:45. | |
meeting at the graveside Anyway, there is something that I | :10:46. | :11:01. | |
need... To say. That I was... Never able to... I can't believe Dan has | :11:02. | :11:10. | |
gone. I mean, dad, the best dad, gone. Yes, dad. My dad has gone. | :11:11. | :11:22. | |
Don't mind me, I was just remembering the wonderful times with | :11:23. | :11:23. | |
dad. Dear, sweet dad. Do I know you? You are at your father's grave, and | :11:24. | :11:41. | |
he turns up. He is saying that he is his father as well? Explain the | :11:42. | :11:49. | |
premise. Transpires that Andrew, Rob's character, he not saying he is | :11:50. | :11:53. | |
my little brother, he is a foster brother. My parents used to have a | :11:54. | :11:59. | |
lot of foster children. He was fostered by my parents for five | :12:00. | :12:04. | |
extremely precious, important months in his teenage years. Stephen | :12:05. | :12:11. | |
massively resented the foster kids, but Andrew was one of the | :12:12. | :12:13. | |
favourites. He has done all of these groovy things, he has had a drama | :12:14. | :12:19. | |
workshop in Berlin. He comes back metropolitan and suave and makes | :12:20. | :12:25. | |
Stephen's life a total mystery by working his way into the affections | :12:26. | :12:32. | |
of his family. Andrew, your character is sort of the baddie? He | :12:33. | :12:38. | |
might be either very reckless and needy, a people pleaser that puts | :12:39. | :12:42. | |
people in danger because he wants everybody's approval, or he might | :12:43. | :12:47. | |
actually be the devil. He has this implacable streak of malice. He is | :12:48. | :12:55. | |
much nastier than anything in Peep Show. Every now and again, you are | :12:56. | :13:00. | |
trying to figure out if Andrew is just a little bit awful, or if he is | :13:01. | :13:05. | |
really, really evil indeed. Stephen is not in a very good place in his | :13:06. | :13:09. | |
life. Recently divorced, his career has fallen apart, he drinks too | :13:10. | :13:19. | |
much. He remodelled the pub badly. Everything he touches turns to... | :13:20. | :13:29. | |
Let's say non-gold. He sort of has very few aspirations. Andrew comes | :13:30. | :13:32. | |
and tries to take what life he has away from him, and Stephen, when he | :13:33. | :13:36. | |
protests about it, he just looks like a paranoid loser. Where did the | :13:37. | :13:45. | |
idea come from? It is written by Simon Blackwell. I have no idea, it | :13:46. | :13:48. | |
came from the strange things in his head. Clearly with you two in mind? | :13:49. | :13:55. | |
He wrote it with us in mind. He is hilarious. He wrote some episodes of | :13:56. | :14:03. | |
Peep Show and he worked on Veep, so he knows what he is doing. You did | :14:04. | :14:09. | |
Peep Show for 12 years. This is brand-new. Is it daunting to be | :14:10. | :14:13. | |
launching a brand-new sitcom? That was so well loved and received, it | :14:14. | :14:17. | |
is quite a big deal to come back with something different, brand-new, | :14:18. | :14:21. | |
nobody knows about it? How are you feeling? Blimey... We were feeling | :14:22. | :14:33. | |
fine until you... We are very proud of it, we think it is funny. Peep | :14:34. | :14:38. | |
Show, we were proud of that. But it was about young men, soon after | :14:39. | :14:42. | |
university. Which is why we stopped playing them. If it had been a | :14:43. | :14:48. | |
cartoon, we could keep doing it, but the visual evidence of ageing... You | :14:49. | :14:57. | |
get to play yourselves as kids in Back? It is lovely seeing the 80s | :14:58. | :15:03. | |
style. It was 80s, wasn't it? I have made you older than you are? | :15:04. | :15:09. | |
Sometimes it is children, but then suddenly you appear, morphed into | :15:10. | :15:25. | |
them? Every now and again, you see your ten-year-old self. I think that | :15:26. | :15:29. | |
is quite nice, really. We often feel like that, going around pretending | :15:30. | :15:33. | |
to be grown-ups, and something happens occasionally and you think | :15:34. | :15:36. | |
you are ten again, I don't know? Do I have to pretend to know what to | :15:37. | :15:42. | |
do? And they both have very, very different memories of this time. | :15:43. | :15:45. | |
Stephen's memories are downbeat and depressing, vague. Andrew has | :15:46. | :15:53. | |
Technicolor, precise memories of this idyllic five months he spent. | :15:54. | :15:57. | |
The way they project different things on the figure of this dead | :15:58. | :16:03. | |
father, whose funeral we saw them at... Brilliantly played by Matthew | :16:04. | :16:04. | |
Holebas. The whole cast is good. You worked a lot at Edinburgh. A | :16:05. | :16:19. | |
long time ago. In the 20th century. One after the other. Don't forget | :16:20. | :16:27. | |
Back starts on Channel 4, sixth September. | :16:28. | :16:31. | |
Your friendships goes back over 20 years. You know each other pretty | :16:32. | :16:37. | |
well. Do you openly talk to each other and react to each other. Like | :16:38. | :16:47. | |
feelings? It's completely banned. This may be interesting then. | :16:48. | :16:52. | |
Here's Mobeen with two men who got through their lowest moments | :16:53. | :16:55. | |
Men offer suffer alone because they are unable to open up about their | :16:56. | :17:09. | |
feelings. This condition can be helped by closer relationships | :17:10. | :17:14. | |
between men. If you saw men hugging in the 1980s you would assume they | :17:15. | :17:20. | |
were gay, but now we have seen the bromance. Carl fell into depression | :17:21. | :17:26. | |
when he lost his job and his relationship broke down. I went to | :17:27. | :17:33. | |
see a doctor and I had severe depression and general anxiety | :17:34. | :17:38. | |
disorder. When did you enter a bromance? After university, I needed | :17:39. | :17:43. | |
someone to live in London. Carl had a spare room. So I moved in. It was | :17:44. | :17:48. | |
over the next year that we realised we had loads in common. We really | :17:49. | :17:52. | |
like each other. That is when we started to support each other. | :17:53. | :17:56. | |
During that year we both had quite a difficult time. I was visibly in a | :17:57. | :18:02. | |
bad place and someone had put in the effort to sort of get me off my feet | :18:03. | :18:07. | |
and say, let's go and do something for 15 minutes and take your mind | :18:08. | :18:16. | |
off of it. How are bromances helping mental issue? Issues such as | :18:17. | :18:22. | |
self-harm, breakdown, young men can talk about these issues and have the | :18:23. | :18:26. | |
deep and meaningful conversations they were not able to have 30 years | :18:27. | :18:31. | |
ago. It is about shared interests. They must be emotionally at the | :18:32. | :18:38. | |
till. There must be physical intimacy and love in that | :18:39. | :18:41. | |
relationship. After his father committed suicide George was forced | :18:42. | :18:46. | |
to commit his own anxiety and depression. I felt I had no way of | :18:47. | :18:53. | |
what was going on in my head. The big turning point was when I needed | :18:54. | :18:56. | |
a place to live because of things that were going on at home. We lost | :18:57. | :19:00. | |
our family home and Alex said I could stay with him at his mum's | :19:01. | :19:04. | |
place. We were always best friends. He almost saved my life. I didn't | :19:05. | :19:09. | |
know what I was going to do. We started boxing when we were both | :19:10. | :19:14. | |
about 16. There was quite a long walk down from the gym to my mum's | :19:15. | :19:19. | |
house because of all the physicality of boxing and training you were more | :19:20. | :19:24. | |
relaxed and we could talk about things. It was so important to have | :19:25. | :19:28. | |
him there, not judging me. Not changing the way he acted around me. | :19:29. | :19:33. | |
It didn't affect our friendship - if anything, it made our friendship | :19:34. | :19:37. | |
stronger. What is so important with us is I have never been ashamed to | :19:38. | :19:41. | |
speak about how I felt or what was going on. In other situations maybe | :19:42. | :19:48. | |
I would. I think our friendship is different from regular friendships | :19:49. | :19:51. | |
because Alex knows sort of what I thought at the darkest times and you | :19:52. | :19:59. | |
were there at the darkest times. Men are opening up to one and other | :20:00. | :20:05. | |
like never before. With this type of close friendship having positive | :20:06. | :20:08. | |
results and improving mental health, that can only be a good thing. | :20:09. | :20:11. | |
Thank you. Are you somebody who can open up? I imagine you can! I don't | :20:12. | :20:21. | |
want to talk about it. Do you think it is important and it's about the | :20:22. | :20:25. | |
way children maybe are talked to and approached when they are very young. | :20:26. | :20:30. | |
You know and made to feel it is OK to cry, OK to feel... Certainly with | :20:31. | :20:35. | |
boys. What you say to a boy when you tell him to man up or act like a man | :20:36. | :20:39. | |
is usually stop feeling these unwanted feelings. Stop expressing | :20:40. | :20:44. | |
this pain, this grief or fear. It is not an entirely good idea to tell | :20:45. | :20:48. | |
them that. It doesn't prepare you for adversities. My mother died when | :20:49. | :20:52. | |
I was 17. I had a lot of people saying if you want to talk, just | :20:53. | :20:57. | |
talk. I felt very grateful for the kindness, but I experienced it as | :20:58. | :21:01. | |
pressure because talking won't help. Talking... What's the point talking | :21:02. | :21:07. | |
about it. I was specifically trained not to do that. Did you have a | :21:08. | :21:12. | |
friend who you could turn to? All my friends tried to help. They didn't | :21:13. | :21:17. | |
know what to do with me really. I have male friends I can talk to now. | :21:18. | :21:22. | |
But none of them are David. I have made that very clear! | :21:23. | :21:27. | |
In writing! LAUGHTER | :21:28. | :21:32. | |
And I have this lovely wife. The mistake that men make sometimes, not | :21:33. | :21:37. | |
this lovely wife, I mean an actual female wife. I think the mistake | :21:38. | :21:42. | |
lots of men make is they load all of that on their partner stiems and | :21:43. | :21:48. | |
they forget -- sometimes and their same-sex friendships fall away a | :21:49. | :21:49. | |
bit. Fine until the wife dies. They do... Sometimes... Or they | :21:50. | :22:02. | |
leave you, or whatever! You were talking earlier about | :22:03. | :22:07. | |
Edinburgh. A couple of weeks ago I was in Edinburgh doing my radio show | :22:08. | :22:10. | |
live from the fringe - the best time. It is the most exciting place | :22:11. | :22:15. | |
to be in August. There is only a few days left to enjoy the festival. | :22:16. | :22:20. | |
This year has been a very important one. | :22:21. | :22:28. | |
This year is Edinburgh Festival will be 70. Each year it is turned into | :22:29. | :22:35. | |
an epicentre where many of our greatest stars were born. When I was | :22:36. | :22:40. | |
21, certainly one of the most important turning points in my | :22:41. | :22:43. | |
career. I wish to register a complaint! | :22:44. | :22:51. | |
So this fellow who was tall with big blue eyes came along and it was Hugh | :22:52. | :22:56. | |
Lawrie. We instantly hit it off. Hello... Hi. It was everything I had | :22:57. | :23:03. | |
dreamed of as a child. It showed me the world of entertain. | :23:04. | :23:10. | |
There was night when nobody came. We had no audience. Somebody came up | :23:11. | :23:17. | |
and said, would you like to do TV? Your own show. That's what happened | :23:18. | :23:22. | |
in Edinburgh. How did it all begin? After the war, in 1947, the arts | :23:23. | :23:26. | |
were seen as a way to heal the nation. And this spirit of optimism | :23:27. | :23:30. | |
was going to play out here, in the city of Edinburgh. These streets, | :23:31. | :23:35. | |
over the last 70 years, have witnessed a coming together of | :23:36. | :23:39. | |
artists, writers, musicians and that strangest breed of all - comedians, | :23:40. | :23:45. | |
in what was a triumph of iedism. Like most young performers I never | :23:46. | :23:49. | |
thought what lay behind it all, why it exists, why it was ever thought | :23:50. | :23:56. | |
of. What was the spirit of 1947? The festival had been the idea of a | :23:57. | :24:05. | |
remarkable man. Rudolp Binge was an Austrian due and believed to turn to | :24:06. | :24:10. | |
art in darkened times. I started to work on it in 1945, when the war | :24:11. | :24:17. | |
hadn't quite ended, so the challenge was getting artists who had never | :24:18. | :24:21. | |
heard of Edinburgh. It was quite a task. It was a mad idea in #19d 47. | :24:22. | :24:27. | |
Britain was still -- 1947. Britain was still struggling after the war | :24:28. | :24:31. | |
and to travel outside the UK was impossible. It must have been a hard | :24:32. | :24:36. | |
sell for the people of Edinburgh to tell them they were going to put on | :24:37. | :24:38. | |
a party and invite the world. Food had to be brought into the city. | :24:39. | :24:42. | |
Flowers arrived by the truck load. The bigger problem was there was | :24:43. | :24:48. | |
nowhere for anyone to stay and a rumour the Americans expected en | :24:49. | :24:51. | |
suite bathrooms of which there were none. They thought of chartering a | :24:52. | :24:56. | |
ship or a permanently housed train to house people. In the end they | :24:57. | :25:01. | |
made a plea to the people of Edinburgh to find 10,000 beds and | :25:02. | :25:05. | |
they did. Across the city people opened their homes and enough beds | :25:06. | :25:11. | |
were found. The festival was to become a plagues of drawing together | :25:12. | :25:15. | |
different nationalities. It would bring the establishment and the | :25:16. | :25:18. | |
anti-establishment face-to-face. Even at that first year, those who | :25:19. | :25:23. | |
were not invited took things into their own hands. | :25:24. | :25:32. | |
A whole new phenomenon was born. Thank you! | :25:33. | :25:37. | |
You can chart the course of Edinburgh from this arts festival, | :25:38. | :25:42. | |
which was arts with a capital A - ballet and classical music and the | :25:43. | :25:46. | |
underthing - fringe, which was low, as opposed to high art and you can | :25:47. | :25:53. | |
watch how that takes over. The fringe challenged the high-brow | :25:54. | :25:57. | |
sensibilities, who roots were in classical arts and created a new | :25:58. | :26:02. | |
space where anyone could come and be discovered. Clive Anderson, | :26:03. | :26:12. | |
Reece-Jones... Now, 70 years after it began, the Edinburgh Festival | :26:13. | :26:15. | |
sets the tone for British come dif and the arts and brings the world to | :26:16. | :26:20. | |
our doorstep. Like so many comedians and performers I owe my career to | :26:21. | :26:25. | |
Edinburgh. I think we all have a lot to thank it for. | :26:26. | :26:32. | |
And you can watch Jack's documentary, Festival Tales: | :26:33. | :26:36. | |
Edinburgh at 70, on BBC Two tomorrow night at 9pm. | :26:37. | :26:39. | |
Back starts on Channel 4 on Wednesday 6th September at 10pm. | :26:40. | :26:44. | |
when some of the stars of Holby City will be here. | :26:45. | :26:57. | |
Now, to play us out it's Ella Eyre with her new single, | :26:58. | :27:00. | |
# I see you thinking that you're killer | :27:01. | :27:19. | |
# But could you love someone else like you love yourself right now? | :27:20. | :27:22. | |
# I wonder if you'd even notice, yeah | :27:23. | :27:25. | |
# I wonder could a girl like me get your heart | :27:26. | :27:28. | |
on your sleeve somehow, yeah yeah yeah | :27:29. | :27:30. | |
# Know it's something I should try to hide | :27:31. | :27:37. | |
# It's too late and I don't wanna lie | :27:38. | :27:39. | |
# I guess I thought that I'd knew better | :27:40. | :28:07. | |
# I'd never let a guy I met get inside of my head like this, oh | :28:08. | :28:22. | |
# I see you acting like you're modest, modest | :28:23. | :28:25. | |
# But you're too pretty, let's be honest, honest | :28:26. | :28:27. | |
# Hoping you were a different type to the one track | :28:28. | :28:29. | |
# Know it's something I should try to hide | :28:30. | :28:33. | |
# It's too late and I don't wanna lie | :28:34. | :28:36. |