Browse content similar to 26/05/2016. Check below for episodes and series from the same categories and more!
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Evening all, welcome to The One Show, with Alex Jones. And Matt | :00:34. | :00:37. | |
Baker. the fastest military | :00:38. | :00:44. | |
marching band in the world, They're very excited to be | :00:45. | :00:49. | |
performing with our guest later. He's the latest Brit to break | :00:50. | :00:53. | |
into Hollywood; his film's called Mother's Day, | :00:54. | :00:55. | |
and he's Jack Whitehall! Jack, the Rifles are big fans | :00:56. | :00:57. | |
of yours, and have invited you to march with them and play | :00:58. | :01:03. | |
a bugle solo, But that cannot happen, because you | :01:04. | :01:13. | |
have a leg injury. Will continue through the whole show? It is quite | :01:14. | :01:18. | |
difficult to concentrate... We have started! LAUGHTER | :01:19. | :01:21. | |
They have said, will you still be able to do the bugle so low? How is | :01:22. | :01:28. | |
it? Pretty good... They will stop when they get to the end, the guy on | :01:29. | :01:33. | |
the left-hand side, Mattock, he is the man who you will be bugle with. | :01:34. | :01:43. | |
Playing his bugle... LAUGHTER Bugle it up! | :01:44. | :01:52. | |
Now, Jack, later on we'll hear the story of | :01:53. | :01:54. | |
when reggae legend Bob Marley gave a surprise | :01:55. | :01:56. | |
performance at a Peckham school in 1972. | :01:57. | :01:57. | |
Jack, any famous visitors at your school? | :01:58. | :01:59. | |
I did, Chris De Burgh... Chris De Burgh went to my school, not at the | :02:00. | :02:08. | |
same time as me, and he came back to record an episode of songs of | :02:09. | :02:12. | |
praise, while I was a pupil, and... There was a bit I had to do... He | :02:13. | :02:18. | |
was doing a bit to camera, and my classroom was in the back of | :02:19. | :02:21. | |
shocked... I was a school kid out of my classroom. -- Songs of Praise. I | :02:22. | :02:26. | |
made a cameo appearance, a little cameo appearance not deemed | :02:27. | :02:30. | |
appropriate for songs of praise. Part of my anatomy that was not | :02:31. | :02:34. | |
appropriate... LAUGHTER It is not big and not clever, I was | :02:35. | :02:40. | |
young. Hilarious at the time actress at the Chris, I am sorry, if you are | :02:41. | :02:45. | |
watching. We have got some young mothers in the night. I thought that | :02:46. | :02:49. | |
you were going to say that Chris De Burgh was here tonight! I wonder | :02:50. | :02:52. | |
what on earth you made of that, he in back your son... -- your mother | :02:53. | :02:57. | |
is in the night. This is the first time I have heard of it and we will | :02:58. | :03:03. | |
be having words about it. LAUGHTER This is a whole new ball park, did a | :03:04. | :03:07. | |
celebrity ever make a surprise appearance at your school? Whole new | :03:08. | :03:09. | |
ballpark. If you've got the photo evidence | :03:10. | :03:11. | |
to prove it, send it along to [email protected] | :03:12. | :03:14. | |
or our social media. Eating disorders affect nearly three | :03:15. | :03:26. | |
quarters of a million people in the UK. Scientists are keen to find any | :03:27. | :03:31. | |
new technology which may help to understand and treat them. | :03:32. | :03:37. | |
Angellica met one patient who is desperate | :03:38. | :03:39. | |
VOICEOVER: 22-year-old Londoner Christie has anorexia. I was | :03:40. | :03:49. | |
diagnosed when I was 13, it has been nine years, I cannot remember the | :03:50. | :03:53. | |
last time that I did not count what I was eating in the day. I feel like | :03:54. | :03:58. | |
it has been nine years of constant mental torture. There are around | :03:59. | :04:07. | |
72,000 people in the UK who, like Christie, have been diagnosed as | :04:08. | :04:10. | |
having anorexia. With medical advice, she has tried various | :04:11. | :04:15. | |
treatments, including psychological therapies and medication. Today she | :04:16. | :04:20. | |
is starting the first part of a new trial which she hopes will | :04:21. | :04:22. | |
revolutionise the way that we treat anorexia. The first scan takes 30 | :04:23. | :04:29. | |
seconds. For she starts on the trial here at Kings College London, an MRI | :04:30. | :04:35. | |
scan is taken of her brain. NHS advice described anorexia as a | :04:36. | :04:39. | |
serious mental health condition. Researchers here believe that the | :04:40. | :04:43. | |
best way to treat it may lie in directly stimulating the brain. That | :04:44. | :04:52. | |
is what this trial is exploring. Transcranial magnetic stimulation | :04:53. | :04:56. | |
works by sending a magnetic field to stimulate specific areas of the | :04:57. | :05:00. | |
brain. It has already been used to treat depression but never before | :05:01. | :05:05. | |
for anorexia. Jessica McClelland, the for psychiatry and psychologists | :05:06. | :05:09. | |
and neuroscience is behind the trial. The habit and the symptoms | :05:10. | :05:15. | |
and behaviours become ingrained, automatic, unconscious. That is why | :05:16. | :05:20. | |
talking therapies may not work for individuals who have had it for a | :05:21. | :05:23. | |
long time, there is a real need to intervene at a neural level and | :05:24. | :05:27. | |
change those processes and mechanisms. Essentially you are | :05:28. | :05:31. | |
trying to change the way that the brain functions. We think that it | :05:32. | :05:36. | |
can help, the idea would be to use an intervention like this alongside | :05:37. | :05:40. | |
psychotherapy. In through here? This is the fourth of 20 sessions for | :05:41. | :05:44. | |
Christie, and getting the first look at the trial for us, Andrew Radford, | :05:45. | :05:50. | |
from the eating disorder charity, Beat. People with normal eating | :05:51. | :05:54. | |
behaviours, there are brain will fire in a certain way, but those | :05:55. | :05:58. | |
with abnormal, the pathways fix in a different order. If we can intervene | :05:59. | :06:03. | |
quickly, and stop those pathways setting themselves up in the wrong | :06:04. | :06:06. | |
way, and re-established the normal pathways, then it looks like you | :06:07. | :06:10. | |
will have a good chance of getting a recovery. First, she shown images of | :06:11. | :06:15. | |
food, and asked to rate her feelings in response to a series of | :06:16. | :06:19. | |
questions. Then it is time for the brain stimulation. On the screen, | :06:20. | :06:23. | |
you can see the target, we need to get to the centre of it. To get the | :06:24. | :06:28. | |
area of the brain that we are trying to stimulate. Three, two, one. It | :06:29. | :06:42. | |
feels like a woodpecker. It does not hurt but it feels a bit strange. | :06:43. | :06:49. | |
ELECTRONIC CLACKING. She has 25 second bursts of brain stimulation | :06:50. | :06:52. | |
over the course of 20 minutes. What is going through your mind? Can you | :06:53. | :06:57. | |
think of something? We have all had one of those moments in life where | :06:58. | :07:02. | |
you think, where am I going, what did I do to end up with this on my | :07:03. | :07:06. | |
head. LAUGHTER With expert guidance, I am allowed | :07:07. | :07:08. | |
to administer the last burst. ELECTRONIC CLACKING. There you go. | :07:09. | :07:19. | |
Thank you! With treatment over, Christie repeats the earlier test, | :07:20. | :07:24. | |
results of the trial are expected in August, the medics are saying | :07:25. | :07:26. | |
nothing until then, but Andrew is optimistic. It is like being at the | :07:27. | :07:32. | |
time when you invented vaccination, or something, watching these people | :07:33. | :07:34. | |
that have worked out what is going on, just in the hope that we will | :07:35. | :07:39. | |
have a breakthrough. And you know the breakthrough could start to | :07:40. | :07:42. | |
happen, this is really exciting. Christie has 16 more sessions of the | :07:43. | :07:47. | |
therapy. It has been promising, it is really exciting to see how it | :07:48. | :07:51. | |
develops and to know that I have been a part of it. Now, obviously, | :07:52. | :07:56. | |
this is just the beginning for Christie and the other volunteers, | :07:57. | :07:59. | |
but the team here are hopeful that stimulating the brain could yet be a | :08:00. | :08:04. | |
leap forward in the treatment of anorexia. STUDIO: It is early days | :08:05. | :08:11. | |
but it will be interesting to see the results in August, we will do a | :08:12. | :08:12. | |
catch up on it. And with us is one of the world's | :08:13. | :08:16. | |
leading TMS experts, Dr David Pitcher from | :08:17. | :08:19. | |
University of York. Apart from what we saw in the film, | :08:20. | :08:28. | |
what other illnesses is TMS being used to treat, you are doing the | :08:29. | :08:34. | |
research into how it can help. Currently very promising work in | :08:35. | :08:39. | |
depression, people who have TMS, in conversation with behavioural | :08:40. | :08:45. | |
therapy, it can help. People recovering from strokes. The work | :08:46. | :08:48. | |
that I do with my colleague Helen, we study the basic function of the | :08:49. | :08:52. | |
brain, we say, what does this particular part of the brain do, if | :08:53. | :08:57. | |
we can disrupt that, we can see that it is causally essential for doing | :08:58. | :09:00. | |
that, recognising a face, saying a word, that kind of thing. What kind | :09:01. | :09:06. | |
of proof have you got? Machines like this, all over Britain now. Every | :09:07. | :09:12. | |
psychology department in the country has one of these machines, | :09:13. | :09:15. | |
interesting and compelling way to do neuroscience. The more and more | :09:16. | :09:19. | |
research you do, obviously the more the machine will be used. Five years | :09:20. | :09:28. | |
from now what do you hope to achieve? I'm looking at autism, | :09:29. | :09:32. | |
where the brain goes wrong, where it may miss function, an autistic | :09:33. | :09:36. | |
person may not look you in the face, they will avoid eye contact. How | :09:37. | :09:40. | |
does that face area not function in the autistic person? It is not that | :09:41. | :09:44. | |
TMS makes you autistic, but we can look at the disruption, and how that | :09:45. | :09:49. | |
may mirror behaviour that an autistic person may have. We will | :09:50. | :09:51. | |
bring in your colleague, doctor Helen Nuttall. Give us an idea of | :09:52. | :10:01. | |
what is about to happen. You are going to do something with your arm | :10:02. | :10:03. | |
and how it interacts with your brain. My motor cortex is across the | :10:04. | :10:09. | |
top of my head, any thing I'm doing while I move my head, controlled by | :10:10. | :10:10. | |
the top Barack -- controlled by the part of the | :10:11. | :10:19. | |
brain goes across the top of my head. There is a partner controlled | :10:20. | :10:23. | |
the face, the hand, breathing, everything. If we deliver TMS to | :10:24. | :10:28. | |
wear it controls the arm, then it will make it not function. It will | :10:29. | :10:32. | |
go into the cortex, neurons under the brain will fire, TMS is | :10:33. | :10:37. | |
controlling them, it will make me shake, basically. You are going to | :10:38. | :10:43. | |
hold out your arm, go ahead. Which way will it go... I don't want to be | :10:44. | :10:48. | |
smashed in the face! If you want to restrain me, that is fine! Helen, | :10:49. | :10:54. | |
whenever you are ready. I'm going to place this quail on his head, on the | :10:55. | :10:59. | |
motor cortex, and you will hear some clicking noises, so if you would | :11:00. | :11:03. | |
like to do some action with your hand. Are you ready... | :11:04. | :11:05. | |
And we do that again... You are really trying to move your arm. I | :11:06. | :11:20. | |
cannot do it, the TMS has taken over that part of my brain, not that it | :11:21. | :11:24. | |
is making planned movements, it is noise in the brain, there is | :11:25. | :11:27. | |
confusion in that part of the brain. The part that controls my hand is | :11:28. | :11:34. | |
not sure what it has to do. It is completely safe? It could cause a | :11:35. | :11:38. | |
stroke in somebody with a family history of epilepsy so we never do | :11:39. | :11:42. | |
it with people like that. It is completely safe. Thank you very much | :11:43. | :11:44. | |
for joining us. not only is he launching his | :11:45. | :11:49. | |
new stand-up tour, he's also starring in his | :11:50. | :11:54. | |
first Hollywood movie. But he knows us Brits | :11:55. | :11:56. | |
will always keep him humble. This bloke comes up to me, he taps | :11:57. | :12:04. | |
me on the shoulder and says, mate, do you know who you look like? I | :12:05. | :12:09. | |
think, God, this is awkward... I must've been recognised from the | :12:10. | :12:14. | |
telly... Go on, fire away, we are all ears... Mate, you look just like | :12:15. | :12:25. | |
a fat Jack Whitehall. LAUGHTER Recognised as a fat version of | :12:26. | :12:27. | |
myself...! LAUGHTER LAUGHTER | :12:28. | :12:35. | |
A lot to talk about, talking about the new tour, coming out next year. | :12:36. | :12:38. | |
Your new tour At Large starts in 2017, | :12:39. | :12:40. | |
will it continue this theme of humiliation? | :12:41. | :12:42. | |
People like that, I have certainly try to get a lot of stories in the | :12:43. | :12:48. | |
new tour of me being the Milliyet it and put in my place, I have a | :12:49. | :12:51. | |
similar thing that happened to me to that, maybe even more human letting, | :12:52. | :12:55. | |
I was on an aeroplane not too long ago, very excited that my stand-up | :12:56. | :13:00. | |
had made it onto the in-flight entertainment system. That is | :13:01. | :13:05. | |
massive! I saw this guy watching me on the screen, I thought we had a | :13:06. | :13:09. | |
fan, perhaps he may come over for a photograph. Five minutes later, I | :13:10. | :13:14. | |
watched him switch off my stand-up, and put on the in-flight map | :13:15. | :13:18. | |
instead! LAUGHTER He would rather watch a cartoon | :13:19. | :13:24. | |
plane, than me... So that was... That felt good(!) lots of comics | :13:25. | :13:28. | |
like yourself right material based on their lives and what has | :13:29. | :13:32. | |
happened. Recently your life has been a little bit Hollywood. | :13:33. | :13:38. | |
I have talked about going to America, trying to break America, | :13:39. | :13:50. | |
very much still intact, at the moment... LAUGHTER | :13:51. | :13:55. | |
Los Angeles is a strange place to go to, especially for a Londoner, it is | :13:56. | :14:00. | |
so friendly, aggressively friendly. When you are from London, it is | :14:01. | :14:05. | |
just... You are not used to it, people think your voice is a | :14:06. | :14:08. | |
conversation starter, I have never experienced that, they will come up | :14:09. | :14:12. | |
and say, my God, you are from London, I love London. And I think, | :14:13. | :14:17. | |
well, London would not love you. LAUGHTER | :14:18. | :14:21. | |
I try. With that in mind, why are you so desperately crack America? I | :14:22. | :14:26. | |
am not, James Corden... He has got that locked down! LAUGHTER | :14:27. | :14:32. | |
There is room for the two of you. I was watching Graham Norton the other | :14:33. | :14:35. | |
night, you are in this Hollywood movie, could not believe it, how did | :14:36. | :14:43. | |
it happen? Quite weird, I got a call from my manager and he said, do you | :14:44. | :14:47. | |
want to do a film with Julia Roberts and I said, yes, I think I could | :14:48. | :14:51. | |
probably make room in my schedule for that(!)... It was all very | :14:52. | :14:59. | |
surreal. Julia Roberts, Jennifer Aniston, Kate Hudson... That is my | :15:00. | :15:05. | |
dream cast! How did it feel, first day on set, Jack Whitehall, over in | :15:06. | :15:10. | |
Los Angeles, intimidating? Were they welcoming? All very nice. A lot of | :15:11. | :15:16. | |
my scenes with Julia Roberts, I forgot my line at one point, because | :15:17. | :15:20. | |
I was staring at her! She had to prompt me, that was quite | :15:21. | :15:26. | |
embarrassing. Did they ask you to do an American accent, to start with? | :15:27. | :15:31. | |
Were you always going to be the guy from Britain? My American accent is | :15:32. | :15:35. | |
not great, I do auditions out there, I do my own voice. I did an audition | :15:36. | :15:41. | |
in America, and I prepared in an English accent, if that is OK, and | :15:42. | :15:44. | |
they said, it is not really, you have to be American. And I said, I | :15:45. | :15:50. | |
thought that perhaps he could be English. They said, you are playing | :15:51. | :15:54. | |
the young Harrison Ford. You sure Harrison Ford could not just make | :15:55. | :15:58. | |
his own accent posh English, and then we could sync up like that... | :15:59. | :16:00. | |
They told me, no... (!) That is the most adorable baby I | :16:01. | :16:12. | |
have ever seen. Could you watch while I do my set? No! That you, out | :16:13. | :16:21. | |
you go, I am rooting for you. This wasn't planned, coming out with her | :16:22. | :16:26. | |
wasn't planned, not that she wasn't planned! | :16:27. | :16:33. | |
It's brilliant, its massive and we are chuffed to have you here. | :16:34. | :16:41. | |
Tickets for the next stand-up tour, At Large, are on sale, and the movie | :16:42. | :16:47. | |
Mother's Day is out June ten. We asked earlier on if a celebrity | :16:48. | :16:51. | |
turned up at your school, Noel Edmonds was the most famous to turn | :16:52. | :16:57. | |
up at ours. It was incredible. What a day. Our favourite, you won't know | :16:58. | :17:06. | |
him, but it was a guy called Jenkins. We were really excited. | :17:07. | :17:16. | |
What does he do? He was like a pantomime character, we thought he | :17:17. | :17:22. | |
was amazing. Send in a picture to the usual address! But neither of | :17:23. | :17:28. | |
them compare to this story. The legendary Bob Marley, famous | :17:29. | :17:35. | |
throughout the world. But back in 1972 he was a struggling musician | :17:36. | :17:41. | |
living in London. Outside of Jamaica hardly anyone knew he was and | :17:42. | :17:46. | |
getting on air was tough. So he tried an unusual tactic, it all | :17:47. | :17:50. | |
started when he met art teacher Keith. I was in a nightclub and I | :17:51. | :17:56. | |
got talking to Johnny Nash and Bob Marley. Johnny had recorded a single | :17:57. | :18:02. | |
that Bob Marley had written and they were frustrated it was not hitting | :18:03. | :18:07. | |
the top 40. I suggested why don't you come down to the school in | :18:08. | :18:10. | |
Peckham where I teach and do a performance for the kids? You can | :18:11. | :18:16. | |
get them to buy your record. Did you think they would show up? Not at | :18:17. | :18:24. | |
all. But surprisingly the dead. And today Keith is back at his old | :18:25. | :18:29. | |
school. We entered the games hall and there was to mulch was clapping | :18:30. | :18:38. | |
and cheering. I am so jealous. I had my camera with me, because if I had | :18:39. | :18:42. | |
not know one would have believed the story. I have some great pictures to | :18:43. | :18:48. | |
show you. Oh my goodness. That's fantastic. Johnny was sitting on the | :18:49. | :18:56. | |
left and Bob on the right of the picture. Look at the children's | :18:57. | :19:03. | |
faces, they cannot believe it. There are no microphones. It was properly | :19:04. | :19:09. | |
acoustic. Absolutely. One of the kids cheekily asked why he was | :19:10. | :19:12. | |
wearing the hat indoors and he took it off and his dreadlocks came out | :19:13. | :19:18. | |
and he smiled, he was happy to discuss it. He said this is part of | :19:19. | :19:23. | |
my religion. A proper education for the kids. A lot better than double | :19:24. | :19:31. | |
maths! Exactly! One of the songs played that day was Stir It Up and | :19:32. | :19:44. | |
we have invited two Bob Marley fans to recreate the performance on the | :19:45. | :19:50. | |
same spot. And we have traced two old boys who were at the gig, Terry | :19:51. | :19:54. | |
and George. It seems like yesterday. It was a | :19:55. | :20:09. | |
great gig. I told people but I don't think they believed me. It was | :20:10. | :20:14. | |
fantastic for him to do that. There was a point when we were in | :20:15. | :20:28. | |
the playground and he was coming towards me and our eyes met as if to | :20:29. | :20:36. | |
say we are one. It's a deep thing. There was something special on that | :20:37. | :20:44. | |
day, I won't ever forget it. After the performance, on the way back to | :20:45. | :20:48. | |
the car he saw some students playing football and he started showing them | :20:49. | :20:56. | |
some of the skills. I watched him kicking the ball in the ear with his | :20:57. | :21:01. | |
foot, his knee and his guitar. The kids, their faces. The ball went | :21:02. | :21:07. | |
over to Johnny Nash, the Texan, and he kicked it as hard as he could and | :21:08. | :21:11. | |
it disappeared over the terrace houses. You must have been the | :21:12. | :21:17. | |
coolest teacher out there. For a few weeks I was a folk hero. Whether the | :21:18. | :21:23. | |
gate helped or not, Stir It Up reached 13 in the charts, Bob | :21:24. | :21:27. | |
Marley's first success outside of Jamaica. Within three years Bob | :21:28. | :21:34. | |
Marley would become a megastar and although he is missed today his | :21:35. | :21:37. | |
voice still echoes throughout the world including here in Peckham. | :21:38. | :21:49. | |
Brilliant, it is just like being back here in 1972. | :21:50. | :21:59. | |
Talking of being back there in the school days, we asked for your | :22:00. | :22:05. | |
photographs if a celebrity visited you at school and you did not | :22:06. | :22:11. | |
disappoint. Look at this one. This is Martin with Emlyn Hughes in 1982. | :22:12. | :22:25. | |
The Fonz in Manchester. Gordon Brown at the school in Sheffield, | :22:26. | :22:28. | |
apparently all the naughty children were sent home that day! Good old | :22:29. | :22:35. | |
Matt Baker came to visit Chris in Jersey! Still wearing the same ... | :22:36. | :22:52. | |
Shirt. Let's meet a woman who gets around a bit more slowly. | :22:53. | :23:01. | |
When you are pushing the paddle through the water, you left it up | :23:02. | :23:08. | |
and can hear it trickle. That is nice because it's close to you and | :23:09. | :23:12. | |
everything else is very distant so that is when it is just you and the | :23:13. | :23:16. | |
water. It's the ultimate soundtrack when you have the birds and the | :23:17. | :23:25. | |
water around you. I am paddle boarding 400 miles through the | :23:26. | :23:30. | |
length of Britain, 193 blocks and it will take me about four weeks to | :23:31. | :23:39. | |
complete. I am paddling every day for between ten and 12 hours. Now is | :23:40. | :23:50. | |
the sort of time, when it's this peaceful, quiet, you just switch off | :23:51. | :23:55. | |
and it's just you and the water. Yesterday was fairly torrential | :23:56. | :24:00. | |
rain, it was tough going. The knock on effect is fast flowing | :24:01. | :24:03. | |
downstream, I have been up against that with headwind as well. Every | :24:04. | :24:08. | |
paddle I am taking I am being pushed two back. I would say my body is | :24:09. | :24:16. | |
adapting to the repetitive movement of the paddling. I wake up in the | :24:17. | :24:20. | |
mornings and my hands are like clause. When I started paddle | :24:21. | :24:28. | |
boarding that is when I started to realise how big the problem with | :24:29. | :24:33. | |
plastic pollution is. It was just really sad to see all this up and | :24:34. | :24:43. | |
the network. I am taking pictures, I've seen a ridiculous number of | :24:44. | :24:49. | |
footballs. Plates, kids bicycle, plant pot. An umbrella. Things which | :24:50. | :24:56. | |
should not be in the waterways. Looks like it's come from a boat or | :24:57. | :25:06. | |
maybe it's a dog story? -- dog toy? When I am on the water and I am | :25:07. | :25:11. | |
alone I think about what I would like to eat most of the time and | :25:12. | :25:15. | |
what I will have for my next snack or meal, that keeps me going in the | :25:16. | :25:20. | |
short term. I think sometimes you can get lost in your own fault and | :25:21. | :25:25. | |
that can be one of the challenges, especially as I go on. I can imagine | :25:26. | :25:27. | |
there will be moments I get lonely. People are so friendly and nice and | :25:28. | :25:39. | |
on the canals it's much more narrow than the River, you are paddling at | :25:40. | :25:43. | |
the peace people are walking so you can have nice conversations. I have | :25:44. | :25:51. | |
always been quite adventurous, I have always taken on challenges but | :25:52. | :25:56. | |
nothing of this scale. It makes me feel alive and happy and I do it | :25:57. | :26:01. | |
because I can do it. That doesn't necessarily have to be a bigger | :26:02. | :26:04. | |
reason for anyone else, do it because you can because one day you | :26:05. | :26:06. | |
may not be able to. So Lizzie is now two thirds of the | :26:07. | :26:20. | |
way through her challenge and if you want to track you can find the link | :26:21. | :26:25. | |
on our website. We have moved outside to meet Major Jason | :26:26. | :26:28. | |
Griffiths, the director of music of The Rifles. You look great, you have | :26:29. | :26:35. | |
changed since rehearsal! How fast can you go and why do The Rifles | :26:36. | :26:41. | |
march so fast? We go so fast because years ago the prestigious regiment | :26:42. | :26:46. | |
The Rifles are renowned for being at the front of the battle. They will | :26:47. | :26:50. | |
move the quickest, they have to be skirmishing through the woods in the | :26:51. | :26:55. | |
green Gen X. To keep that tradition going we are the fastest marching | :26:56. | :26:59. | |
band in that we should march at about 140 paces per minute. The | :27:00. | :27:07. | |
faster you go the faster you have to play the music and it has to be in | :27:08. | :27:15. | |
time. Yes. And the bugle goes double which is about 180 paces so we have | :27:16. | :27:21. | |
to keep up with them. What is going to be happening at Horse Guards | :27:22. | :27:26. | |
Parade? We have sounding retreat, it's been over two decades since The | :27:27. | :27:31. | |
Band and Bugles of The Rifles and cadet bands, our sister regiment | :27:32. | :27:41. | |
from Canada, the military web squire, -- military web is squire. | :27:42. | :27:49. | |
We have two gives you the bugle, Jack. Don't mess this up! Tomorrow I | :27:50. | :27:56. | |
will be here with Elaine Paige, Russel T. Davies and ABC and Gyles | :27:57. | :27:59. | |
is my co-presenter so anything could happen. Best of luck! See you | :28:00. | :28:05. | |
tomorrow! | :28:06. | :28:08. |