Browse content similar to 27/05/2016. Check below for episodes and series from the same categories and more!
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Now time for the One Show with Alex Jones and tonight's guest presenter. | :00:25. | :00:34. | |
And that was when David Niven said to me... Are you listening to me? | :00:35. | :00:42. | |
Yes, yes. Stick with me, I know stuff. Thank God for engine noise. | :00:43. | :00:52. | |
# shoot that poison arrow to my heart, shoot that poison arrow. # | :00:53. | :01:02. | |
Shoot that poison arrow to my heart, shoot that poison arrow! | :01:03. | :01:08. | |
Hello and welcome to the One Show. And, yes, ABC are back from the 80s | :01:09. | :01:12. | |
and they will be playing live later. And here with me to kick off the | :01:13. | :01:18. | |
bank holiday weekend, I am delighted to say is our very own Gyles | :01:19. | :01:22. | |
Brandreth. Lovely to see you. I am as excited to be here as if I was | :01:23. | :01:29. | |
Doctor Who's newest assistant. I am very glad you are my wing man, | :01:30. | :01:33. | |
however, I think you would be the first to admit, it is sometimes | :01:34. | :01:38. | |
difficult to get a word in edge ways. I don't agree with that at | :01:39. | :01:45. | |
all... Just in case, I have got a Brandreth product. I prod and you | :01:46. | :01:53. | |
stop. You will have nothing to fear, I will be on my best behaviour. As | :01:54. | :01:59. | |
are our two guests. One is a marvellous, Miller fluent talent run | :02:00. | :02:05. | |
theatre. The other is a wonderful writer and televisual top dog, | :02:06. | :02:10. | |
responsible for creating dashing characters in Doctor Who, of course, | :02:11. | :02:16. | |
I remember William Hartnell... It is Russell T Davies and Elaine Paige! | :02:17. | :02:23. | |
Gyles, as we know is the keeper of amazing facts. We start with a fact | :02:24. | :02:28. | |
each about Elaine and Russell. I know quite a bit about Elaine | :02:29. | :02:31. | |
because we are old friends. The first time I saw her she was | :02:32. | :02:37. | |
absolutely its dark naked on the stage in cat macro hair. That long | :02:38. | :02:45. | |
ago! I seem to remember that once upon a time the great American film | :02:46. | :02:49. | |
star Dustin Hoffman gave you some useful mentoring advice about | :02:50. | :02:57. | |
auditions? I said I do not like singing in the mornings and he said | :02:58. | :03:01. | |
you must demand that you only sing after lunch. I said it is all right | :03:02. | :03:06. | |
for you, you are the famous Dustin Hoffman, I cannot pull rank. But for | :03:07. | :03:13. | |
my audition for Evita, I remember that what he said, and I said, I | :03:14. | :03:19. | |
cannot audition until after lunch. She said, you must be mad. But it | :03:20. | :03:27. | |
must have worked. It changed your life. I am happy does a I have never | :03:28. | :03:35. | |
seen Russell T Davies naked. But I have seen him once on Playschool. | :03:36. | :03:42. | |
Yes, I dabbled. This is what he looked like on that classic series. | :03:43. | :03:50. | |
I will give him a big smile. He has scored the winning goal for his | :03:51. | :03:57. | |
team. I am really happy, I just won a match for my team. Why only one | :03:58. | :04:05. | |
episode? I got cast and I did one episode and I literally left the | :04:06. | :04:11. | |
studio and said, never again! How you do this job? You are geniuses. | :04:12. | :04:17. | |
And that was Picasso's touch with the pen. That was me drawing with my | :04:18. | :04:24. | |
actual hand. You two have teamed up because you are in a star-studded | :04:25. | :04:27. | |
production of A Midsummer Night's Dream written by yourself, Russell. | :04:28. | :04:33. | |
And with a bit of help from Shakespeare. Shakespeare's Globe was | :04:34. | :04:39. | |
the setting for the finale of BBC Radio to's 500 words competition | :04:40. | :04:43. | |
which has inspired children across the country to put pen to paper. | :04:44. | :04:50. | |
After more than 60 million words and 50 finalists, this is Charlie | :04:51. | :04:53. | |
Hickson with how this year's story ended. | :04:54. | :05:02. | |
All the world's stage. Well, this bit certainly is. It is | :05:03. | :05:06. | |
Shakespeare's Globe Theatre. The perfect stage for 50 young finalists | :05:07. | :05:11. | |
who will find out if their story has been chosen in the 500 Words | :05:12. | :05:22. | |
competition. I have been chosen as a judge alongside royalty, no less. | :05:23. | :05:28. | |
What A full place to find a winner in Shakespeare's 450th anniversary | :05:29. | :05:36. | |
year. There are two categories. The first winner of old is nine-year-old | :05:37. | :05:46. | |
Evie Fowler with a hilarious league gruesome story about a pig turning | :05:47. | :05:53. | |
the tables on a butcher. He could live without fear. Bacon, ham and | :05:54. | :06:02. | |
pork chops. Other winners in the younger category where Katie and | :06:03. | :06:10. | |
Fergus. I have always loved writing and what I was looking for in these | :06:11. | :06:13. | |
stories was first of all, really good stories but you need | :06:14. | :06:19. | |
interesting and compelling characters and you need a really | :06:20. | :06:24. | |
strong central idea. To do that in 500 words is a really tall order. | :06:25. | :06:32. | |
The winner of the older category is 12-year-old Ned Marshall. My name is | :06:33. | :06:44. | |
Jacob Carter. I am innocent. This man will repeat his actions if he is | :06:45. | :06:52. | |
found innocent. We see through you, hashtag guilty. Oh, my goodness me! | :06:53. | :06:59. | |
He scrubs up well. What have you been reading recently, anything by | :07:00. | :07:06. | |
Ian Fleming at all? Just checking! The Silver award winning story is... | :07:07. | :07:15. | |
Other winners were Clara and Ben. House apprised were you when they | :07:16. | :07:21. | |
said your story had won? Really surprised. My dad had prepared me so | :07:22. | :07:25. | |
much more losing and he said we would get a treat if I lost. You | :07:26. | :07:32. | |
will both win 500 books for your school and Chris Evans' height in | :07:33. | :07:38. | |
books. That is a lot because he is very tall. I will get another shelf. | :07:39. | :07:47. | |
Use it as a mattress. That is a good idea, a book bed. | :07:48. | :07:51. | |
I listened to it all morning on the way to Oxford and the standard was | :07:52. | :07:56. | |
incredible. You were gripped. Russell has done something very | :07:57. | :08:01. | |
bold, taken the greatest story ever told, A Midsummer Night's Dream, and | :08:02. | :08:05. | |
turned it into an electric television film. What have you done | :08:06. | :08:09. | |
and why? It is a play I have loved all my life. When I was 11 years | :08:10. | :08:16. | |
old, I was cast in this play and it changed my life. The community | :08:17. | :08:22. | |
theatre made me who I am today, it is to blame, basically! I always | :08:23. | :08:29. | |
wanted, for 30 or 40 years, I wanted to make this version. I think | :08:30. | :08:33. | |
sometimes Shakespeare is on late at night, it is for adults. This is for | :08:34. | :08:40. | |
kids and everyone watching it. It is quite a shocking opening and there | :08:41. | :08:44. | |
has been some controversy in the newspapers because of girl on girl | :08:45. | :08:50. | |
kissing. Oh, Gyles! Straight in there. People say he is a very good | :08:51. | :08:57. | |
man, Russell T Davies, but is he fit to handle the Bard? In real | :08:58. | :09:04. | |
Shakespearean circles they are not concerned. Every generation, every | :09:05. | :09:09. | |
school makes their own version. If there were 20 schools putting it on | :09:10. | :09:13. | |
tonight, there would be 20 versions. People are meant to come in and put | :09:14. | :09:19. | |
their own spin on it. If I am macro and also, it is very acceptable this | :09:20. | :09:24. | |
version. If you are not into Shakespeare or it frightens you, if | :09:25. | :09:28. | |
you are at school it does, this is one of those productions that it | :09:29. | :09:35. | |
trucks along and it is very accessible and understandable. | :09:36. | :09:40. | |
Elaine, you have filled one of Russell's dreams by being part in | :09:41. | :09:50. | |
this production? Together at last! I saw Elaine on stage in Caps in 1981. | :09:51. | :10:05. | |
I was 18. -- cats. She is playing a part which used to be played by a | :10:06. | :10:10. | |
man and you have turned her into a girl. And there is the wonderful | :10:11. | :10:18. | |
Bottom played by Matt Lucas. And you are playing the Rude Mechanicals. | :10:19. | :10:28. | |
And Bottom gets turned into a donkey. We will see how you get on | :10:29. | :10:40. | |
down in the Lindley Dell. Oh, monstrous! We are haunted! Thou | :10:41. | :10:58. | |
art translated. What do I see an the? | :10:59. | :11:07. | |
APPLAUSE It is such fun. It is wonderful, a | :11:08. | :11:18. | |
must see Shakespeare. Elaine, how did you approach the cheques be? Did | :11:19. | :11:23. | |
you find it difficult? It is one of those things initially when Russell | :11:24. | :11:28. | |
asked me to do it I thought, crikey, this is a first. I have never done | :11:29. | :11:33. | |
Shakespeare before. Obviously, I know the play a bit, so I read the | :11:34. | :11:39. | |
play again but I enlisted help from a dear friend, A full classical | :11:40. | :11:50. | |
actor Nicholas Grace. He helped me and told me to tap out the meter on | :11:51. | :11:55. | |
my leg. He said it was a wonderful way to learn it. He devoted a few | :11:56. | :12:01. | |
hours of his time to help me. I am glad he did because when you get | :12:02. | :12:06. | |
down onto the set, it is all about the pictures, lighting and whatever. | :12:07. | :12:09. | |
You have to have done your homework and know what you are doing. It is | :12:10. | :12:18. | |
pretty straightforward because this character has written the play, is | :12:19. | :12:22. | |
directing it and is trying to produce this play for the Duke and | :12:23. | :12:27. | |
Duchess on their wedding day at night. Bottom was the one who tries | :12:28. | :12:33. | |
her patients because he thinks he can play every role. Once you get | :12:34. | :12:39. | |
the hang of it, it is wonderful. Well, we look forward to seeing it. | :12:40. | :12:45. | |
It is Monday night, 8:30pm on BBC One. We have not got time for your | :12:46. | :12:50. | |
Shakespeare fact. We will get it another day. Before Russell came | :12:51. | :12:55. | |
along with Doctor Who, well, he was famous in the old days for high | :12:56. | :13:00. | |
impact but no budget special effects. -- low-budget. Can I tell | :13:01. | :13:13. | |
you my Jon Pertwee story? Definitely not! Today, most visual effects are | :13:14. | :13:21. | |
created inside a computer bit even blockbuster designers like to get | :13:22. | :13:24. | |
back hands on a bit of string and some sticky tape now and again. | :13:25. | :13:35. | |
I am a visual effects supervisor. One of the biggest kicks I get is | :13:36. | :13:39. | |
when the audience think they are seeing something real when they are | :13:40. | :13:44. | |
absolutely not. One day we could be blowing up a huge building in the | :13:45. | :13:48. | |
middle of London. And then the following day we could be adding a | :13:49. | :13:55. | |
CG polar bear into a shot so there is a big variety on a day-to-day | :13:56. | :14:00. | |
basis. James Bond's Casino Royale has a great mix of models and real | :14:01. | :14:06. | |
full-scale effects. In fact, it was so successful that we got a series | :14:07. | :14:10. | |
of complaints from people. They were convinced it was real. A great | :14:11. | :14:16. | |
compliment. I have been in the film industry now for 34 years. All of | :14:17. | :14:20. | |
this, I must admit, I owe to one man who kick-started my career. My first | :14:21. | :14:29. | |
job was as a projectionist but I took a real passion for seeing the | :14:30. | :14:33. | |
special effects and films, and that was the kind of thing I always | :14:34. | :14:40. | |
wanted to do. I heard from one of my schoolmates that his dad made these | :14:41. | :14:43. | |
mini films with special effects and I thought, I would like to meet him. | :14:44. | :14:51. | |
I had been using the garage for a number of years. It has been the | :14:52. | :14:56. | |
German officer's unit, a set for the laugh this monster. Steven turned up | :14:57. | :15:04. | |
one day and we came up with a great idea about making a film about Pearl | :15:05. | :15:07. | |
Harbor with models. When I told my mum and dad and everyone that we | :15:08. | :15:12. | |
were working on the warming of Pearl Harbor in Ian's back garden, there | :15:13. | :15:14. | |
were quite a few raised eyebrows. This is where my dreams kicked off, | :15:15. | :15:20. | |
you could say. It means a lot to me. How are you? Nice to see you again. | :15:21. | :15:41. | |
Wow. It's not changed a lot since you were here. No. Amazing to think | :15:42. | :15:48. | |
of the models we shot in here. Fires and explosions. The smoke effect was | :15:49. | :15:51. | |
a cigarette. It was a cigar! Remember when we stuck some | :15:52. | :16:05. | |
aeroplanes on glass? Against real sky. I must admit, I haven't seen | :16:06. | :16:14. | |
the film for a long time. Have you got a copy? I think you would be | :16:15. | :16:18. | |
surprised how good it is, considering the time we made it. | :16:19. | :16:24. | |
Wow. Portobello beach? It is. The models on the wires in the garden. | :16:25. | :16:41. | |
That was a good shot. The paintings. On glass. It gave me confidence to | :16:42. | :16:47. | |
move other things. I knew you could achieve stuff at a certain level and | :16:48. | :16:51. | |
it helped open a few doors for me. Which I am grateful for. You are one | :16:52. | :16:56. | |
of the few people I ever met that lived a dream. You dream that you | :16:57. | :17:02. | |
wanted to do this, a very hard business to get into, and you | :17:03. | :17:08. | |
succeeded and you reached the top. It would be nice to do, for old | :17:09. | :17:12. | |
times sake, one final visual effects shot. The old camera, like that, and | :17:13. | :17:19. | |
then turn it like this. So it looked like the plane was flying | :17:20. | :17:22. | |
horizontally. We should try something like that. That would look | :17:23. | :17:25. | |
quite good. This is Colonel... Cut. After all | :17:26. | :17:48. | |
these years, it's like turning back the clock. Isn't it amazing what you | :17:49. | :17:55. | |
can do in the garage? Can I tell you something? You cannot, my friend! | :17:56. | :18:03. | |
Russell, we knew you used to delight in adding as many special effects as | :18:04. | :18:08. | |
possible to the episodes of Doctor Who. Is there one in particular that | :18:09. | :18:14. | |
stands out as the one? My greatest special effect was getting Elaine | :18:15. | :18:21. | |
Paige to stand up! How rude! The second episode was in the end of the | :18:22. | :18:25. | |
world, when the world blew up, 4 billion years in the future. We blew | :18:26. | :18:30. | |
the Earth. Billie Piper, Christopher Eccleston, happy days. Or just. They | :18:31. | :18:39. | |
were my favourite! You can't beat Tom Baker! You must have stories | :18:40. | :18:48. | |
about him. I will prod you! It is time to step back into the '80s, so | :18:49. | :18:53. | |
get out your gold lame jacket and roll up your sleeves. Music | :18:54. | :19:02. | |
# Shove that poison arrow. # That's the look of love. | :19:03. | :19:13. | |
# The look of love. # Look of love! | :19:14. | :19:21. | |
Lovely to have you with us. Lovely to be here. The new album is | :19:22. | :19:30. | |
revisiting the Lexicon Of Love in 1982. What made you go back? A | :19:31. | :19:36. | |
couple of years ago I was playing at the Royal Albert Hall, with Ann | :19:37. | :19:41. | |
Dudley Campbell up to and playing the songs from the Lexicon Of Love. | :19:42. | :19:47. | |
It would be nice to be an habit the songs and see what had happened to | :19:48. | :19:52. | |
the characters, in 2016. On the original album, a lot of heartfelt | :19:53. | :19:56. | |
emotional songs. What do we get in part to? 34 years later, do you get | :19:57. | :20:04. | |
smarter as you get older or more stupid? I am in my 50s and I am | :20:05. | :20:11. | |
wondering... Down the long and winding road, maybe I have learned | :20:12. | :20:17. | |
about love. We really want the XYZ of love. You have been married for | :20:18. | :20:22. | |
more than 30 years, which in your industry... It could be unique. What | :20:23. | :20:28. | |
is the secret? How do you keep love alive for 30 years in your industry? | :20:29. | :20:35. | |
After 30 years, most guys know, you are always wrong basically! Never | :20:36. | :20:41. | |
take any other position. It keeps things running smoothly with Julie. | :20:42. | :20:47. | |
On the whole, the women are right, listen to them! If you have a happy | :20:48. | :20:54. | |
wife, you have a happy life. The way to get a happy wife, you say, yes, | :20:55. | :21:00. | |
dear. The two strongest words in the language. Yes, dear. And thank you. | :21:01. | :21:06. | |
Well, we you link to the next part, dear? ABC I going to be singing | :21:07. | :21:13. | |
their new single outside shortly. Do you remember the 60s, Gyles? Do I? | :21:14. | :21:23. | |
When it comes to airline food, we are long way from the days of 1960s | :21:24. | :21:27. | |
luxury, with a carvery served at your seat. Today, it is designed to | :21:28. | :21:34. | |
be as fast, but not as fast as the challenge we set two Michelin | :21:35. | :21:40. | |
starred chef Tom Kitchin. I am on a flight unlike any other. You have | :21:41. | :21:45. | |
heard of long haul and short-haul, this is microbe haul. This flight | :21:46. | :21:50. | |
between the Orkneys is the short is in the world -- the shortest in the | :21:51. | :21:57. | |
world, as little as 47 seconds. The man responsible for trips between | :21:58. | :22:01. | |
the islands for the trip to school, the dentist and the weekly shop is | :22:02. | :22:09. | |
Captain Dave Miller. I have done this about 5000 times in the last 25 | :22:10. | :22:15. | |
years. Pilots are responsible for looking after the passengers, making | :22:16. | :22:20. | |
sure they are strapped in. It sounds like Captain Miller has got | :22:21. | :22:23. | |
everything covered. There's just one thing missing. The in-flight | :22:24. | :22:30. | |
catering. So the One Show set me the near impossible task of coming up | :22:31. | :22:33. | |
with an in-flight meal that can be served in just 90 seconds. Whatever | :22:34. | :22:41. | |
I do, it cannot be served hot. And there's no time for fiddling with | :22:42. | :22:47. | |
cutlery. And it can't be too messy. Simple, right? | :22:48. | :22:51. | |
The passengers, the diners, on today's flight include Baker Louise. | :22:52. | :23:02. | |
We use the plane in bad weather to deliver our stuff. It is our | :23:03. | :23:10. | |
delivery van. Student Daniel. I get the flight to school. Shop owner | :23:11. | :23:17. | |
Charis. I use it for the dentist or to go to hospital. I use it to go to | :23:18. | :23:25. | |
town for meetings and appointments. And taxi driver, crew member and | :23:26. | :23:32. | |
undertaker Graham. I am looking forward to Tom's food, I have a | :23:33. | :23:35. | |
great appetite and it has my mouthwatering. What do the | :23:36. | :23:41. | |
passengers make my chances? It is too short comedy won't have enough | :23:42. | :23:46. | |
time. The odds are stacked against him, but I'm looking forward to it. | :23:47. | :23:54. | |
A three course lunch? Spot on. I wish I was as confident as Graham. | :23:55. | :23:59. | |
After a lot of experimenting, with a start of file a pastry and smoked | :24:00. | :24:04. | |
salmon, pulled pork and cabbage roll for the main, and a straw Baz room | :24:05. | :24:09. | |
for the desert. Obviously no trolley on this plane. We are going to wait | :24:10. | :24:15. | |
until the plane levels out and Captain Miller gives us the thumbs | :24:16. | :24:21. | |
up. All eyes are on the captain as we prepare to take off. | :24:22. | :24:28. | |
Covering just over a mile in 90 seconds, these guys have got their | :24:29. | :24:38. | |
work cut out. They are really going for it. Graham | :24:39. | :24:50. | |
is on his pudding. We are nearly there. | :24:51. | :24:54. | |
Have we succeeded? Time to see if there is any leftovers. Box number | :24:55. | :25:07. | |
one. Box number two! Aux number three. A couple of pieces of | :25:08. | :25:12. | |
cabbage. Four and five, empty as well! You all managed it! Well done. | :25:13. | :25:16. | |
Do they not feed you around here? Amazing result, and the food gets | :25:17. | :25:28. | |
the thumbs up too. Top quality. The fastest and best airline meal I have | :25:29. | :25:35. | |
ever had. I have a bit of indigestion now. A successful speedy | :25:36. | :25:38. | |
feed. Enough to give you heartburn. A fax | :25:39. | :25:50. | |
from you, Gyles. The chairman of American Airlines saved $40,000 by | :25:51. | :25:54. | |
removing one organise macro from each salad in first class. That is a | :25:55. | :26:06. | |
fact. -- removing one olive. Thank you, Elaine Paige and Russell. You | :26:07. | :26:10. | |
can see A Midsummer Night's Dream on Monday at 8:30pm on BBC One. Thank | :26:11. | :26:16. | |
you, Gyles, in your lame jacket. It has been a pleasure. We will be back | :26:17. | :26:22. | |
on Monday with Sian Williams. This is ABC, from Lexicon Of Love II, | :26:23. | :26:30. | |
singing the two. -- singing Viva Love. | :26:31. | :26:36. | |
# You think the world will melt if you whistle. | :26:37. | :26:45. | |
# There's a certain spring in your stride. | :26:46. | :26:49. | |
# You face the future like a heat-seeking missile. | :26:50. | :26:53. | |
# You've got yourself a smile a mile wide. | :26:54. | :26:58. | |
# When lightning strikes you don't look for shelter. | :26:59. | :27:36. | |
# You're floating free, gravity defied. | :27:37. | :27:39. | |
# It's hell for leather on a helter skelter. | :27:40. | :27:43. | |
# So steel your nerves for a bright white knuckle ride. | :27:44. | :27:49. |