Browse content similar to 27/06/2014. Check below for episodes and series from the same categories and more!
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Hello. Welcome to The One Show with the worthy farm house and a little | :00:44. | :00:51. | |
Ginger pig. Our very gorgeous Welsh rarebit. This farm hosts the | :00:52. | :01:04. | |
biggest, coolest and maddest festival in the world. A few hours | :01:05. | :01:10. | |
ago, the whole site was powered down. There was a lightning storm. | :01:11. | :01:15. | |
We stopped rehearsals. And we thought, oh, my goodness me, what is | :01:16. | :01:22. | |
going to happen? It was another minor blip in the history that is | :01:23. | :01:27. | |
Glastonbury. They did not care and we got used to it. This is what is | :01:28. | :01:34. | |
coming up tonight. And insight into how this dairy farm works in | :01:35. | :01:39. | |
conjunction with over 300,000 muddy feet traipsing across the land. We | :01:40. | :01:54. | |
help to build a stage. We explore more Somerset landmarks and recreate | :01:55. | :01:58. | |
an incredible caving feet in Wookey Hole. We got exclusive access to | :01:59. | :02:08. | |
Blondie. Lily Allen is currently on the stage playing live. Coming up, | :02:09. | :02:22. | |
we have Lars who has just blown in. We had to say be in on Sunday. -- | :02:23. | :02:36. | |
Kasabian.. Please welcome Ricky Wilson from the Kaiser Chiefs and Ed | :02:37. | :02:47. | |
Sheeran. You? You kicked off Glastonbury this morning on the | :02:48. | :02:50. | |
radio. You were very nervous because you took on the challenge rather | :02:51. | :02:58. | |
admirably of covering Dolly Parton 's 95. How do you think it went? I | :02:59. | :03:05. | |
think it went OK. I did not realise it was going to be filmed so I did | :03:06. | :03:11. | |
not bother learning the words. I was holding them. There you are. I am | :03:12. | :03:20. | |
sure you knew the words. You just wanted to make sure. We only found | :03:21. | :03:26. | |
out on Wednesday. There is a connection of you with Dolly Parton | :03:27. | :03:31. | |
because you are following her on the Pyramid stage on Sunday afternoon. | :03:32. | :03:36. | |
How does one follow her? I am going to whip out a short skirt and a low | :03:37. | :03:43. | |
cut top and get my jugs out. She will absolutely nailed it! | :03:44. | :03:46. | |
cut top and get my jugs out. She will It is a very daunting thing | :03:47. | :03:56. | |
watching her. What is the plan? Come on as soon as I can after her. The | :03:57. | :04:06. | |
crowd will be whipped into a frenzy. It would be a fantastic atmosphere. | :04:07. | :04:08. | |
I did a It would be a fantastic atmosphere. | :04:09. | :04:12. | |
I did Festival when tiny temper was about to go on stage. -- Tiny | :04:13. | :04:24. | |
Tempah. Matt is out in the field. It is a lock muddier than it was a | :04:25. | :04:26. | |
couple of hours ago. Where are you? It is looking very, very muddy | :04:27. | :04:44. | |
indeed. There are amazing thing is to see. The most incredible | :04:45. | :04:48. | |
spectacle of all was what took place about half an hour ago. We had an | :04:49. | :04:54. | |
electrical storm, or a series of electrical storms coming across | :04:55. | :04:57. | |
here. Thunder and lightning with torrential rain coming in. Then the | :04:58. | :05:02. | |
most beautiful rainbow right across the sky over here. In this | :05:03. | :05:08. | |
particular part of Glastonbury, this is part of Michael Eavis' as | :05:09. | :05:13. | |
promised. He said in 1970, what I will bring you is freaks and funny | :05:14. | :05:18. | |
stuff. It is all here and I am glad the rain has cleared. I am glad the | :05:19. | :05:23. | |
electrical storm has gone, the lightning and thunder has gone. If | :05:24. | :05:27. | |
you stick with me, I will show you some freaks and funny stuff and I | :05:28. | :05:30. | |
think you will enjoy it. Come back and see us in a little bit. The | :05:31. | :05:41. | |
rainbow appeared just over our rights shoulder. Alex told me not to | :05:42. | :05:52. | |
point because they disappear. All this happening here is because of | :05:53. | :05:57. | |
the Eavis family. The farmhouse where they live, the family home, is | :05:58. | :06:01. | |
just down the track, whether cows live. They live in the mootel. Emily | :06:02. | :06:17. | |
is responsible for running the whole shebang every year. We went to meet | :06:18. | :06:21. | |
her dad, Michael, without whom none of this would be happening. It was | :06:22. | :06:30. | |
1984 when I brought Billy Bragg damn him for his first Glastonbury | :06:31. | :06:36. | |
appearance. Now, and every year, more than 180,000 people come for | :06:37. | :06:41. | |
festival fun and music. We all know about Michael Eavis, the Glastonbury | :06:42. | :06:47. | |
Festival organiser. How many of us know about him, the farmer? This is | :06:48. | :06:57. | |
still a working dairy farm will stop --. . How are you doing? | :06:58. | :07:02. | |
still a working dairy farm will stop --. . I have not seen you for years. | :07:03. | :07:09. | |
Some people would think, when you have an operation like the | :07:10. | :07:11. | |
Glastonbury Festival and the money it generates, why do you bother | :07:12. | :07:19. | |
being a farmer? It is all about the cows. The cows come first. The whole | :07:20. | :07:27. | |
thing is about the cows. Seriously! Sky his relationship with this patch | :07:28. | :07:32. | |
of some set farmland stretches back to the 19th century. It has been in | :07:33. | :07:39. | |
my family for 150 years. My family settled in this valley. It is | :07:40. | :07:46. | |
beautiful. When did you take it over? I was 19 when my father died | :07:47. | :07:51. | |
of cancer. I picked up his enthusiasm. It has been my home for | :07:52. | :07:59. | |
ever. There is no better life on this earth than being a dairy farmer | :08:00. | :08:04. | |
in the middle of Somerset. The dairy herd is central. The cow is a | :08:05. | :08:11. | |
beautiful animal. I think we had better go and meet the cows. | :08:12. | :08:16. | |
Glastonbury may be an award-winning visit Festival but this year it is | :08:17. | :08:21. | |
Michael 's cows that are grabbing the praise. The herd has been | :08:22. | :08:27. | |
nominated for an award? We have been short listed for the UK dairy Farmer | :08:28. | :08:32. | |
of the year. That is more important than winning the NME award. Can I | :08:33. | :08:44. | |
introduce you to Stephen? You are in charge of it all, are you? What | :08:45. | :08:48. | |
happens to be cows during the Festival? They are all inside. Their | :08:49. | :08:58. | |
accommodation is 5-star. Does the music have any effect on the cows? | :08:59. | :09:08. | |
They seem to enjoy it. I would imagine they will like Dolly Parton. | :09:09. | :09:13. | |
For the past 40 years, balancing the Festival with the farm has become an | :09:14. | :09:19. | |
obsession with Michael Eavis. This year we reckon he has finally | :09:20. | :09:22. | |
cracked one of the less glamorous issues. This is the premier long | :09:23. | :09:29. | |
drop. It is the best long drop we have built in the last 44 years. | :09:30. | :09:35. | |
They are toilets. You can see the depth in there. It takes all the | :09:36. | :09:46. | |
excrement for at least a week. I hope no one sees us standing | :09:47. | :09:50. | |
together in a toilet because people might talk. It goes into arable land | :09:51. | :09:57. | |
eventually and it all goes back into the soil structure. It is a | :09:58. | :10:03. | |
connection between the Festival and your beloved farmland. Absolutely. | :10:04. | :10:08. | |
There have been times when the impact of the Festival has pushed | :10:09. | :10:17. | |
the farm to the brink. It is the most beautiful valley. I can see why | :10:18. | :10:24. | |
you have such affection for it. It can get nasty. When it rains heavy | :10:25. | :10:32. | |
rain, it is no good. It costs more after a muddy festival. It is | :10:33. | :10:37. | |
important to get every single metal tent peg up. It finds its way into | :10:38. | :10:42. | |
the silage. Have there been any occasions when you thought you would | :10:43. | :10:52. | |
not do the Festival again? On the Monday morning after the festival, | :10:53. | :10:55. | |
there is a fleeting moment when I think, is it really worth it? | :10:56. | :11:00. | |
Millions of people love it so much. How can I stand in the way of that? | :11:01. | :11:08. | |
He has proved that having a Festival is good for you. He is 78 years old | :11:09. | :11:14. | |
and he does not look it at all. Does good looking you'd run in the | :11:15. | :11:20. | |
family? Yes, it does. Here is Emily Eavis. Just before the show started, | :11:21. | :11:27. | |
we had a full on power down. We thought, Glastonbury is over for | :11:28. | :11:34. | |
another year. Not at all. We are back. It was quite dramatic. Things | :11:35. | :11:39. | |
are running slightly behind but we can cope with it. We have amazing | :11:40. | :11:44. | |
drainage here and the ground is still quite dry. Do you have to make | :11:45. | :11:52. | |
the call for a power down? There have been lots of phone calls going | :11:53. | :11:58. | |
on. All the electricity off and wait to see what happens next. How often | :11:59. | :12:05. | |
would that happen? It happened in 2005. It has happened a couple of | :12:06. | :12:10. | |
times through the years. It is not regular. I think Wimbledon will deal | :12:11. | :12:14. | |
with it tomorrow. It is moving across. Do not talk about the | :12:15. | :12:22. | |
tennis. They have knocked us off BBC One. We are on BBC Two now. Your dad | :12:23. | :12:29. | |
has been running Glastonbury since 1971. He had Glastonbury before he | :12:30. | :12:35. | |
had you effectively. When did you take over the reins? I've started | :12:36. | :12:39. | |
working on it properly when I was 19. We worked very well together. We | :12:40. | :12:49. | |
cover different ground. My dad is into loose and roads and | :12:50. | :12:52. | |
infrastructure and I get really into the design, the ideas, the build and | :12:53. | :12:57. | |
the various other bits. We come to meant each other that he is still | :12:58. | :13:01. | |
very much involved. The line-up is your baby. You like stirring things | :13:02. | :13:07. | |
up a bit. So Bruce Forsyth last year Metallica. Do you like stirring | :13:08. | :13:16. | |
things up a little bit? We book what we think is good life. That is what | :13:17. | :13:21. | |
it is all about. It is not about record sales or anything else. It is | :13:22. | :13:27. | |
not about radio. It is what is about -- it is about what is really | :13:28. | :13:32. | |
brilliant live. Metallica are amazing live. A lot of people will | :13:33. | :13:35. | |
come along tomorrow night and think, wow, I cannot leave! We have played | :13:36. | :13:43. | |
with them in Festival is all around Europe and they always bring a show. | :13:44. | :13:47. | |
It is what they do. It is what they are built for. They are one of the | :13:48. | :13:53. | |
best live bands in the world. What is the problem? It definitely was | :13:54. | :14:00. | |
controversial. Alex from the Artic monkeys think it is a terrible idea. | :14:01. | :14:11. | |
I do not think he said that. They are going to nail it. What do you | :14:12. | :14:16. | |
think about Metallica? There's a reason they have been around so | :14:17. | :14:19. | |
long. It is because they are good. People like them. I think my mum and | :14:20. | :14:23. | |
dad don't come to festivals, they could watch it and enjoy it. There | :14:24. | :14:29. | |
have been rumours that Prince would play this year at Glastonbruy. Is | :14:30. | :14:33. | |
any of that true? No. Definitely not. I can say it here. I have said | :14:34. | :14:39. | |
it before. I will say next year - no. How do you play | :14:40. | :14:44. | |
negotiation-ping-pong with Prince? Has it happened? There have been | :14:45. | :14:49. | |
conversations with him for years. Personally I would not put any money | :14:50. | :14:53. | |
on him playing. I don't think it will ever happen. Pulp played a | :14:54. | :14:58. | |
couple of years ago. Anything good this weekend? Normally the surprises | :14:59. | :15:03. | |
are the bands who like to come here for the weekend, who come | :15:04. | :15:08. | |
irregardless of the weather. We have loyal people, they are the ones who | :15:09. | :15:14. | |
go, "Can we do something? " Not normally the ones who don't know | :15:15. | :15:18. | |
anything about it. There might be stuff open the... We opened the | :15:19. | :15:26. | |
Other Stage. There'll be more to come? There are all surprises. You | :15:27. | :15:33. | |
have ten years to get Prince. Congratulations, you have had your | :15:34. | :15:38. | |
license extended for another ten years at Glastonbruy. | :15:39. | :15:45. | |
Which council do we thank? Mendip District Council. Who is going to | :15:46. | :15:51. | |
take away the license? You would have 180,000 people at your door. | :15:52. | :15:56. | |
Very muddy people at your door. We will ask all our guests tonight to | :15:57. | :16:00. | |
pick your dream act for the sort of fantasy festival. We have a board | :16:01. | :16:07. | |
and everything. If you would like to write your dream act - dead or | :16:08. | :16:09. | |
alive, by the way. Very nice! | :16:10. | :16:19. | |
Go on. Pass it on. I have changed my mind since you asked me before. I'm | :16:20. | :16:24. | |
going to go for... The Clash. Some dead, some alive. | :16:25. | :16:32. | |
Emily, your dream line-up. Of course Emily can make this happen. If it is | :16:33. | :16:38. | |
dead or alive I probably can't make this happen. Jimi! | :16:39. | :16:44. | |
Good luck with the rest of the weekend. Thank you for having me. We | :16:45. | :16:56. | |
are joined tonight by the lovely Fearne Cotton, who will go backstage | :16:57. | :17:01. | |
to tell us how much work goes into Glastonbruy to bring it to you at | :17:02. | :17:03. | |
home. I am back stage. This is the | :17:04. | :17:12. | |
900-acre site. Chris and Alex are here. We are down | :17:13. | :17:18. | |
here in the BBC Compound. Thank you, my glamorous assistant. These are | :17:19. | :17:22. | |
some of the 18 trucks we have here, helping to make all the magic | :17:23. | :17:27. | |
happen. We have 55 cameras on the stages. We walk over a small stream | :17:28. | :17:33. | |
here which caused problems in 2005 when it flooded massively. It is | :17:34. | :17:38. | |
looking OK today. Over here you see six live streams from six of the | :17:39. | :17:42. | |
stages and some lovely chaps in there. Hello, guys. You all right? | :17:43. | :17:50. | |
Give us a wave! Lovely! We'll have 250-hours worth of TV, radio, live | :17:51. | :17:57. | |
streaming and on-line footage. We will give you a guide of what you | :17:58. | :18:03. | |
can see and when. We will chat to Jo Whiley in a bit. Also Guy Garvey | :18:04. | :18:06. | |
from Elbow. Thank you, Fearne. And Ed, just | :18:07. | :18:19. | |
tuning up. You are going to play for us later. | :18:20. | :18:25. | |
I thought that is why I am here! I have no idea. They tell me nothing! | :18:26. | :18:35. | |
Is this just a father/son picnic. . When I was in school, when I was | :18:36. | :18:44. | |
six, people said you were my dad. What do you think? I can't see the | :18:45. | :18:53. | |
autocue we vont got! As Michael mentioned earlier, a lot | :18:54. | :18:58. | |
of people bring their tents and leave them here. A tent is for life, | :18:59. | :19:01. | |
not just for festivals! I'm Amber and... And I'm Colin. We | :19:02. | :19:14. | |
have taken our tent across the world for 40 years now. I showed it to | :19:15. | :19:19. | |
Colin, he said, who on vert you brought -- what on earth have you | :19:20. | :19:25. | |
bought that for? I said we don't have to pay for hotels. Let's try | :19:26. | :19:29. | |
it. This one here we've had 15-18 years. We have travelled from the | :19:30. | :19:35. | |
Arctic to the Antarctic. We have had to tie it down to every bit of bush. | :19:36. | :19:41. | |
Do you remember when you gave me my ring. That was in the grand cannon. | :19:42. | :19:47. | |
The wind would rush up and we would have to brace ourselves to hold on | :19:48. | :19:51. | |
to the tent. Being in a tent you go to quieter, more remote locations. | :19:52. | :19:55. | |
You then get the opportunity of seeing a lot more wildlife. My face | :19:56. | :20:02. | |
was up against this side of the tent. It was below freezing. I hear | :20:03. | :20:07. | |
a noise outside and realise there was a big, old black bear. I could | :20:08. | :20:14. | |
hear him sniffing. His fur was brushing the side of the tent as he | :20:15. | :20:20. | |
walked off. I laid there motionless, before I woke him up and he didn't | :20:21. | :20:25. | |
experience it. I never heard a thing! It was scary! I tell you! | :20:26. | :20:32. | |
My family are camping mad. Harry is my craziest child. I camped in a | :20:33. | :20:44. | |
tent for a year to raise money form my gymnastics club for a new | :20:45. | :20:48. | |
extension. I stayed in there every day, including Christmas and my | :20:49. | :20:53. | |
birthday. It started off as a joke, but he's so determined in everything | :20:54. | :20:57. | |
he does that he managed to stick it for the whole year. It was scary | :20:58. | :21:02. | |
because I thought a tree might fall down or lightning might hit me or | :21:03. | :21:07. | |
something. It was really scary. If there was a weekend camping for the | :21:08. | :21:12. | |
Scouts and we would say, we are too busy, that could cause an argument | :21:13. | :21:16. | |
and they wouldn't take no for an answer. You are away from everybody. | :21:17. | :21:21. | |
You are away from technology. If I had to choose between a computer and | :21:22. | :21:26. | |
my tent, I would choose my tent. I am not good at computers and I get | :21:27. | :21:32. | |
bored of them. I like camping. I do not do it often. It hurts her back | :21:33. | :21:38. | |
and she snores too loudly. I'm John. I am Michelle. 2010, it | :21:39. | :21:46. | |
was the second year I had been to Glastonbruy. Unbeknown to me at the | :21:47. | :21:53. | |
time, she was there with her friend, Emma. We spent the rest of the week | :21:54. | :21:58. | |
today. Without a tent and without being where we were in Glastonbruy, | :21:59. | :22:03. | |
I don't think we would have met each other at all and I don't think we | :22:04. | :22:08. | |
would be where we are now, would we? Putting up the tent teaches you to | :22:09. | :22:15. | |
work together more. And I suppose... Have more patience with each other. | :22:16. | :22:20. | |
This current tent I think we've had for about four years. Three years. | :22:21. | :22:25. | |
We've only been together four. And it is all right. It stood up to | :22:26. | :22:33. | |
quite a good battering one summer. It has done us proud. We are trying | :22:34. | :22:38. | |
to save up for a wedding. It is cheaper camping. We enjoy it, don't | :22:39. | :22:40. | |
we? Look after your tent and your tent | :22:41. | :22:47. | |
will look after you. We had such problems putting ours up. We have | :22:48. | :22:53. | |
the poshest in the world and the strongest... It would seem! Let's | :22:54. | :23:00. | |
not do any more! We have two generations here. Representing the | :23:01. | :23:05. | |
20s, we have Ed Sheeran. In his 30s, we have Mr Ricky Wilson from the | :23:06. | :23:09. | |
Kaiser Chiefs. Now let's go beyond that - the next | :23:10. | :23:14. | |
generation will be represented by Mr Lars Ulrich from Metallica. | :23:15. | :23:24. | |
Hello. How are you? I am the old generation. I said the next | :23:25. | :23:34. | |
generation. I didn't say the old generation. I flew in on your | :23:35. | :23:42. | |
chopper. Your pilots are soberring up. So you flew through the storm? | :23:43. | :23:55. | |
All the handlers on the ground were saying, "You flew in this weather? " | :23:56. | :24:00. | |
We brought the sun and the dry weather. What did Glastonbruy look | :24:01. | :24:06. | |
like from the air? There was lightning, we thought it was | :24:07. | :24:10. | |
pyrotechnics. It looked pretty cool and coming in | :24:11. | :24:14. | |
and seeing a little bit of this in the distance, it was absolutely | :24:15. | :24:18. | |
fantastic. We were convinced you were not going to get here. Here you | :24:19. | :24:21. | |
are! We bring the sun. There you go! | :24:22. | :24:28. | |
Lots of people would say that Metallica are the controversial band | :24:29. | :24:33. | |
of choose this year. How do you feel about that? We are happy to be here | :24:34. | :24:38. | |
and it is about time there was a hard rock band that came in and | :24:39. | :24:42. | |
shock up the foundations a bit. We are not the first band here to show | :24:43. | :24:47. | |
up with amplifiers and electric guitars and it will all be fine. | :24:48. | :24:53. | |
Everybody will survive. Everybody out there will have a good time. | :24:54. | :24:57. | |
Everybody will return home safe and happy on Monday. No worries! | :24:58. | :25:01. | |
Of course this has happened before. We know you are speaking the truth. | :25:02. | :25:09. | |
Let's look at Reading in 2008. OK, this is some of what's in store | :25:10. | :25:14. | |
tomorrow evening on the main stage, at the Pyramid Stage. | :25:15. | :25:19. | |
Was Reading for you? Reading is always great. We have done it three | :25:20. | :25:25. | |
or four times. We have done Leeds now, done Leeds twice, maybe. It is | :25:26. | :25:30. | |
a good festival. We have obviously played up at Donnington a couple of | :25:31. | :25:34. | |
times and we played pretty much every country's version of | :25:35. | :25:39. | |
Glastonbruy on and off for 20 years. This is one festival which has | :25:40. | :25:46. | |
eluded us, but we are here. What is also happening is Wimbledon. We are | :25:47. | :25:55. | |
not going to Wimbledon. This is 1955, to footage you may not have | :25:56. | :25:56. | |
seen. Have a look at this. Now, this is actually your dad | :25:57. | :26:06. | |
winning the third round. Wow! Oh, my God! I have never seen | :26:07. | :26:12. | |
that before! You may not know that, but that is | :26:13. | :26:24. | |
Lars' dad in Wimbledon Wimbledon. We burnt that on to a DVD to take home | :26:25. | :26:31. | |
with you. I am not sure he has seen it. He's 86. A couple of years ago I | :26:32. | :26:35. | |
was fortunate enough to buy him the house across the street from where I | :26:36. | :26:40. | |
live. We live right next to each other and we see each other every | :26:41. | :26:46. | |
day. You can take it back to San Francisco now. Not until you give us | :26:47. | :26:56. | |
name of your band for our fantasy festival. I am Danish, I grew | :26:57. | :27:02. | |
newspaper the Danish version of Glastonbruy. In 1979 Bob Marley | :27:03. | :27:12. | |
headlined and most of the album Babylon was recorded. Right here you | :27:13. | :27:18. | |
can put that. How do you spell Bob! | :27:19. | :27:26. | |
Looking good so far. Yes, I would buy a ticket for that! OK, dead or | :27:27. | :27:32. | |
alive though and very much alive and kicking off on the Pyramid Stage, | :27:33. | :27:38. | |
behind us, one of the biggest bands, one of the most iconic band since | :27:39. | :27:46. | |
Glastonbruy has been around - Blondie. What is it like with those | :27:47. | :27:50. | |
guys? play Glastonbury. This year marks 40 | :27:51. | :28:08. | |
years since the band first formed. I was lucky enough to go backstage and | :28:09. | :28:10. | |
watch them play. It has taken 33 years and finally I | :28:11. | :28:32. | |
am backstage with Blondie. Why did you want to play at Glastonbury? We | :28:33. | :28:39. | |
do a lot of festivals. This one has a very high spiritual content. It is | :28:40. | :28:48. | |
pretty awesome. I understand the word Glastonbury is high gaily | :28:49. | :29:01. | |
format. Is that right? No. You are still making music. How important is | :29:02. | :29:07. | |
that to you? I would not do it if we were not still making music. New | :29:08. | :29:17. | |
music. You are the coolest people on the planet. What I think we would | :29:18. | :29:21. | |
like to know is how cool you think each other is? She is up there. He | :29:22. | :29:33. | |
recently described me as a good-looking nerd. She has this... I | :29:34. | :29:47. | |
was flattered. She has a focus on a specific thing. How cool is Chris? | :29:48. | :29:53. | |
Above ten. 100%. We will go to 11. Obviously you guys started in the | :29:54. | :30:16. | |
1970s, the early 70s. For some reason, I regard you as British | :30:17. | :30:22. | |
property. We were in the US for a long time but lots of people thought | :30:23. | :30:28. | |
we were UK-based. You had a new age sound. We love you. We like it here. | :30:29. | :30:36. | |
I have been in London more times than I have been in Los Angeles. It | :30:37. | :30:46. | |
is one of our biggest markets. That does sound a bit consumerist. We | :30:47. | :30:50. | |
have kids and so I need to keep working. Thank you. Brilliant. More | :30:51. | :31:00. | |
Blondie straight after us on BBC Four. I have a text in from Alex 's | :31:01. | :31:07. | |
mum. She said, be careful. Without your health, you have nothing. | :31:08. | :31:13. | |
Fearne Cotton, what are you up to now, my friend? I am about to tell | :31:14. | :31:21. | |
you what you can see over this weekend on the BBC. Most | :31:22. | :31:24. | |
festivalgoers will have a schedule of what they want to go and see full | :31:25. | :31:27. | |
if you are watching at home on the television, say you are feeling | :31:28. | :31:32. | |
fruity, you might want to go to BBC Three and watch Lana Del Rey, who is | :31:33. | :31:37. | |
fantastic live. What about Jack White? He will be on at 8pm on | :31:38. | :31:45. | |
Saturday. How about BBC Four? Robert Plant is playing at 8pm on Saturday | :31:46. | :31:51. | |
and Bryan Ferry on Saturday. On BBC Two, you have Metallica at 9:30pm on | :31:52. | :31:58. | |
Saturday and the one and only Dolly Parton. Rumours are there will be a | :31:59. | :32:02. | |
flash dance where everyone will have learned the routine. Jo Whiley is | :32:03. | :32:07. | |
just sitting here very casually waiting to go on television later. I | :32:08. | :32:12. | |
must ask the Glastonbury veteran about your very own tips for this | :32:13. | :32:20. | |
weekend. I really love John Grant. And Dolly Parton. Who is not going | :32:21. | :32:26. | |
to see her on the site? Sam Smith is on at the same time but I think | :32:27. | :32:29. | |
everyone will be there for Dolly Parton. You have loved the festival | :32:30. | :32:36. | |
for a long time. How does this compare? It is a proper event in | :32:37. | :32:42. | |
people 's lives, a holiday. I was speaking to Paolo Nutini earlier on | :32:43. | :32:46. | |
and he is well up for it. I am excited about what he will do. Simon | :32:47. | :32:57. | |
Gray have a great show tonight. -- have a great show tonight. Here is | :32:58. | :33:03. | |
Guy Garvey. Head of your set tonight and you have become the Glastonbury | :33:04. | :33:07. | |
Sunset bad. That sounds like a retirement home. It is a lovely | :33:08. | :33:14. | |
moment for you to play at that time of day. How are you feeling about | :33:15. | :33:20. | |
it? You'll AI would get nervous. It is the warmest crowd in the world. | :33:21. | :33:30. | |
-- I always get nervous. It is your first number one album. Who would | :33:31. | :33:39. | |
have thought it? Will you have time to enjoy what Glastonbury have to | :33:40. | :33:49. | |
offer? I am not sure. Would you watch Metallica and Dolly Parton? | :33:50. | :33:57. | |
Inspired choices. They will both get the great reaction. I think we will | :33:58. | :34:01. | |
see scenes during Metallica that Glastonbury has never seen. The sun | :34:02. | :34:11. | |
has come out for your set. It is all down to you guys. Elbow are | :34:12. | :34:16. | |
responsible for the sun. We love it. You had better get ready for your | :34:17. | :34:24. | |
set. Break a leg. Back to you. I love a bit of Elbow. Guy Garvey from | :34:25. | :34:32. | |
Elbow. High expectations of Metallica. He says they will rock | :34:33. | :34:37. | |
the joint. We would love an inflatable at the festival. It is a | :34:38. | :34:46. | |
small version of our inflatable. It is going to get a little bigger as | :34:47. | :34:49. | |
the festival progresses. There you go. Worthy of the farm. The BBC or | :34:50. | :34:59. | |
weekend this weekend, you have BBC One, BBC Two, BBC Three and BBC | :35:00. | :35:04. | |
Four. Also coverage on the red button and the internet with Radio | :35:05. | :35:12. | |
One Xtra, Radio 2 and the special Glastonbury app. I suppose you are | :35:13. | :35:20. | |
veterans here. You have laid here so many times. Tonight will be the | :35:21. | :35:26. | |
fifth time we have played. It is not that many that I have enjoyed | :35:27. | :35:30. | |
everyone. It keeps getting better. It is brilliant. I love it. Lets see | :35:31. | :35:37. | |
how it all began with Glastonbury and the Kaiser Chiefs. | :35:38. | :35:47. | |
Who was the lead singer? That was my older brother. Rock and roll has | :35:48. | :36:20. | |
been good to you. You look better, you look slimmer. Yes. It has been | :36:21. | :36:31. | |
good to me. Have you be rewritten your plan? Were you having a riot? | :36:32. | :36:36. | |
Did you think it was about scalability? Did you have to change | :36:37. | :36:42. | |
something? I was having a very good time in 2005. I still having a very | :36:43. | :36:47. | |
good time but more on stage than off, if you know what I mean will | :36:48. | :36:52. | |
stop where are the Kaiser Chiefs going? You have a new single. What | :36:53. | :36:58. | |
is it called? Meanwhile Up In Heaven. I was trying to write a | :36:59. | :37:08. | |
serious song about things... The ban was almost taken away from us when a | :37:09. | :37:15. | |
former member left. -- the band. Sometimes it takes something taken | :37:16. | :37:19. | |
away from you to realise you need it in your life. There is nothing wrong | :37:20. | :37:23. | |
with a near miss. It is a wake-up call. 33 years together in | :37:24. | :37:32. | |
Metallica. Have you ever split up? We have been very close to splitting | :37:33. | :37:37. | |
up. We had a rough patch about ten, 12, 15 years ago. We were trying to | :37:38. | :37:42. | |
get to know each other really for the first time and sort of spent a | :37:43. | :37:45. | |
little bit of time working certain things out. It has been smooth | :37:46. | :37:49. | |
sailing for the better part of the last ten years. You cannot split | :37:50. | :38:03. | |
up, it is just you on your own. Sky I may have a split personality! | :38:04. | :38:09. | |
There is no splitting up in Glastonbury. A very antics setting, | :38:10. | :38:15. | |
especially for one couple. -- romantic setting. You are going to | :38:16. | :38:24. | |
be part of something incredibly special here but we have to keep it | :38:25. | :38:30. | |
a secret. I you up for being part of the flash mob? It is happening right | :38:31. | :38:35. | |
now. She said yes. She said yes. She said | :38:36. | :38:56. | |
yes! And she said yes. Congratulations, | :38:57. | :39:15. | |
Amanda. When is the wedding? Next year at Glastonbury. Will you play | :39:16. | :39:27. | |
our wedding? It is where we are going and we get the Pyramid Stage. | :39:28. | :39:30. | |
We are going straight to your wedding. We can find that. | :39:31. | :39:41. | |
Congratulations, well done! I am sure more relationships will occur | :39:42. | :39:47. | |
over the weekend. Over the years, since 1971 when it started, | :39:48. | :39:53. | |
Glastonbury has been responsible for many marriages and several thousand | :39:54. | :39:57. | |
divorces. Moving straight along, when the festival is in full flow | :39:58. | :40:01. | |
like this, the population is bigger than Oxford and Dundee. The site is | :40:02. | :40:07. | |
bigger than Middlesbrough and the Isle of Wight. It is not just | :40:08. | :40:10. | |
growing outwards, it is growing upwards. After the festival, the | :40:11. | :40:20. | |
party is just beginning. Festival goers in the know make a beeline to | :40:21. | :40:28. | |
a place called Block nine. It is run by two set designers who decided to | :40:29. | :40:32. | |
create a unique music venue for the festival. Bringing this slice of the | :40:33. | :40:43. | |
Big Apple to Somerset starts well in advance of the festival opening. I | :40:44. | :40:46. | |
went along to see how it all comes together. With all due respect, | :40:47. | :41:01. | |
where are we? Here we have the New York traffic lights with fully | :41:02. | :41:05. | |
operational don't walk signs. These will be dancers pages. Do you panic | :41:06. | :41:15. | |
a bit? It is kind of a giant jigsaw puzzle. In my mind, we aren't | :41:16. | :41:18. | |
downtown New York in 1989. puzzle. In my mind, we aren't | :41:19. | :41:26. | |
downtown A second set is also under construction. It is called the | :41:27. | :41:31. | |
London underground. That is a serious amount of scaffolding. It is | :41:32. | :41:36. | |
18 tonnes. This will become a replica of an East London tower | :41:37. | :41:41. | |
block. This is the underground tube train. This one only weighs one | :41:42. | :41:50. | |
tonne and is made out of plywood. Am I right in thinking this will get up | :41:51. | :41:57. | |
to there? It looks like it has smashed through the building. Let's | :41:58. | :42:04. | |
do it. A 60 tonne crane lists the tube onto the scaffolding. I need to | :42:05. | :42:11. | |
keep it straight and steady. I do feel a bit inadequate. He has loads | :42:12. | :42:17. | |
more kit than me will stop slowly but surely, the carriage rises into | :42:18. | :42:27. | |
position will stop -- position. A tonne of cheap train is hanging | :42:28. | :42:32. | |
right there. Not exactly in my hands but in the crane 's hands. I feel | :42:33. | :42:40. | |
responsible. It is up there. It looks good. We are Lee happy. | :42:41. | :42:46. | |
responsible. It is up there. It looks good. We are Lee It went very | :42:47. | :42:51. | |
smoothly. All good. -- we are really happy. A mammoth operation follows | :42:52. | :42:58. | |
to get it ready. The end result is breathtaking. This is amazing. The | :42:59. | :43:08. | |
last time I was here, it was like a field with scaffolding in it. It | :43:09. | :43:13. | |
looks like New York. As for London Underground - that is generous! Am I | :43:14. | :43:20. | |
actually in Somerset? A lady offered to show me around. | :43:21. | :43:26. | |
Welcome to the download. Beautiful! Are you going to show me around? | :43:27. | :43:36. | |
Yes. Let's teach you how to Vogue, darling! | :43:37. | :43:52. | |
It's absolutely heaving in there. It is brilliant! Right, I am going to | :43:53. | :44:01. | |
check out the London Underground! This is the weirdest thing! | :44:02. | :44:08. | |
Have a look in here! I am inside a fridge! | :44:09. | :44:08. | |
Look at the fridge! That was the most bizarre entrance | :44:09. | :44:14. | |
to a club ever! It is my first time at Glastonbruy. | :44:15. | :44:31. | |
I have to say I am truly blown away here at the events at Block Nine. If | :44:32. | :44:38. | |
you thought it was all about mud and bands - think again! There is so | :44:39. | :44:40. | |
much more to it than that! Come a long way since 1971 when it | :44:41. | :44:49. | |
started. Just 1500 people came, it was ?1 to get in. There was free | :44:50. | :44:56. | |
milk from the dairy and T-rex played on the main stage. Michael couldn't | :44:57. | :45:09. | |
afford to pay T-rex, so he paid Mark Bolan in milk! He got paid in milk. | :45:10. | :45:14. | |
There you go! Are you getting paid in milk | :45:15. | :45:19. | |
tomorrow? I am going to pick up that thread, yes! | :45:20. | :45:28. | |
Metallic-lactos! Nearly had a joke there! | :45:29. | :45:31. | |
I am mounted on th marvellous mechanical beast! It is part of the | :45:32. | :45:44. | |
things that Michael Eavis promised all the years ago. Yes, a pint of | :45:45. | :45:51. | |
milk was that promise, as was reasonably priced food. But this | :45:52. | :46:00. | |
freakery - it is worth remembering it is a performing art festival. Is | :46:01. | :46:04. | |
this actually art? Let's look at some of it and you can make up your | :46:05. | :46:12. | |
mind at home. For instance, Captain Kid - is it art or not art? OK, they | :46:13. | :46:19. | |
think it is art. Thank you very much Captain Kid. How about this guy - | :46:20. | :46:30. | |
famous Rubber Band Boy. Two times record holder. It is amazing, | :46:31. | :46:34. | |
upsetting in many ways. The question we want to know the answer to, is it | :46:35. | :46:41. | |
art or not art? Art! They say it is art. OK, let's look | :46:42. | :46:48. | |
at this remarkable gentleman, Mr Manx. Yes, he eats a sword. Sorry if | :46:49. | :46:55. | |
you have had your tea. With all these stunts, can I remind you not | :46:56. | :46:59. | |
to try them at home or anywhere else. It is incredible! Is it art or | :47:00. | :47:08. | |
not art? Art! OK! Yes, I think we have proved conclusively that it is | :47:09. | :47:12. | |
art. How about this - people putting the art into Dolly Parton. It is the | :47:13. | :47:19. | |
Dolly Mob, they are from a performing group. They are paying | :47:20. | :47:24. | |
musical tribute to Dolly Parton, who performs here on Sunday. I think it | :47:25. | :47:32. | |
is art. Do you think it is art? Art. There is a definition of art. If | :47:33. | :47:36. | |
people would queue up to see it, it is art. If they would pay to see it, | :47:37. | :47:42. | |
it is art. But if you saw it in a skip, it wouldn't be art. | :47:43. | :47:48. | |
Right! So you would cue to see Dolly dance - that is art. By the way - | :47:49. | :47:53. | |
the sword thing, don't try it at home. Anywhere! If you find yourself | :47:54. | :47:59. | |
talking about it, it is art already. We would not take this sofa out. We | :48:00. | :48:05. | |
could because it is drenched, so we took the inflatable green sofa out | :48:06. | :48:10. | |
to see how you were enjoying Glastonbruy. | :48:11. | :48:17. | |
-- Glastonbury. This year tickets sold very quickly. | :48:18. | :48:26. | |
I have not long to see how quickly people snapped up the tickets. You | :48:27. | :48:28. | |
people snapped up the tickets. normally work in a warehouse and | :48:29. | :48:32. | |
here you are, liberated. Why is it so special to you? It is an | :48:33. | :48:37. | |
escapism. It is escaping the real world. It is about chilling out, | :48:38. | :48:42. | |
being yourself, being with lots of cool people. You are an teaks | :48:43. | :48:48. | |
dealer. I am. When I think of antiques dealers, I don't think of a | :48:49. | :48:55. | |
guy like yourself! You work in construction. Have you | :48:56. | :49:00. | |
put your tent up? It was so easy for me. I sat with a can of cider. What | :49:01. | :49:11. | |
does glastonbury mean to you? When I think of the green and pleasant land | :49:12. | :49:17. | |
- that is what I think of. The left fields, the green field, the weird | :49:18. | :49:21. | |
tents that is what I think of when I sing the words in Jerusalem. | :49:22. | :49:29. | |
What does it mean to you? I think it means an opportunity for | :49:30. | :49:33. | |
everybody to express themselves in every way they would like. So many | :49:34. | :49:39. | |
of the bapds I don't know, but -- bands I don't know, but it is more | :49:40. | :49:43. | |
about the people. I thought it was just me who didn't know all the | :49:44. | :49:48. | |
bands. I don't know - we're old! We're not old! | :49:49. | :49:55. | |
It is not just any old mud, it is Glastonbury mud! That is the mud you | :49:56. | :50:01. | |
want at the end of the summer! Blimey - the sun has really come | :50:02. | :50:07. | |
out. You'll be burning now! Factor 50 for | :50:08. | :50:14. | |
Christof! Ed Sheeran is with us. You have a | :50:15. | :50:25. | |
farm - you are a fellow farm owner. I moved from the countryside, I | :50:26. | :50:29. | |
moved back and now I live in the countryside. Tell us about your | :50:30. | :50:33. | |
farm? It doesn't have any animals on it. It there is a field, there is | :50:34. | :50:40. | |
flooding. You told me I need to get two goats. Like-for-like. What about | :50:41. | :50:49. | |
a llama? That is fine. One of those fake micropigs they sell you that | :50:50. | :50:54. | |
grow into a big pig. There is no such thing as a micropig. They get | :50:55. | :50:59. | |
big and evict you out of your own house. Is it because you harbour | :51:00. | :51:04. | |
dreams of having your own festival on your farm? No. Ed-Fest! | :51:05. | :51:12. | |
No, I like living where I am living. I wouldn't mind 180,000 people doing | :51:13. | :51:17. | |
their business in port ta toilets. That would be interesting to have. | :51:18. | :51:30. | |
You have cornered the market because your album is number one. The deluxe | :51:31. | :51:38. | |
album is number one and your album is number two. Congratulations. | :51:39. | :51:43. | |
Don't blame it on the week. You are a busy man here. What does the | :51:44. | :51:48. | |
weekend hold in store for you? I have the day off tomorrow, which is | :51:49. | :51:53. | |
a rarity. I will sleep. Sunday I am playing at 6pm on the main stage. I | :51:54. | :52:00. | |
did the Rudimental set today. I did my song and they got taken off the | :52:01. | :52:06. | |
stage. Ed will play us out by the way. There is stone hedge down the | :52:07. | :52:13. | |
road. What about Wookey Hole? Our friend, Andy, went down there to do | :52:14. | :52:15. | |
something interesting. Deep in Somerset are the caves of | :52:16. | :52:22. | |
Wookey Hole. They were formed 200 million years ago by the co-rogues | :52:23. | :52:27. | |
of limestone. Eventually the river merges here at | :52:28. | :52:34. | |
Wookey Hole and the archaeological evidence has shown that people have | :52:35. | :52:38. | |
lived in and around these caves for 50,000 years. It is man's | :52:39. | :52:45. | |
exploration of the watery depths which has brought me here today. | :52:46. | :52:50. | |
Visitors come from all over the world to explore the subterranean | :52:51. | :52:58. | |
caves. This was at far as anyone could go - this is chamber three. | :52:59. | :53:03. | |
There was a belief that as the river flowed on its underground | :53:04. | :53:07. | |
one-and-a-half mile journey it could have carved out more like this one | :53:08. | :53:10. | |
and the challenge was on to find them. So, in 1935, a group led by | :53:11. | :53:18. | |
Graham Balcombe made one of the first ever cave dives, into the | :53:19. | :53:23. | |
depths of the third chamber to see what lay beyond. Snoo know, nearly 8 | :53:24. | :53:33. | |
-- Now, nearly 80 years on I will repeat that. This is a privilege, | :53:34. | :53:39. | |
but a real challenge. It is bulky and very heavy. Peter is from the | :53:40. | :53:46. | |
Historical Diving Society. The helmet, they were made of copper and | :53:47. | :53:54. | |
bronds. Weighs about -- bronze. Wiegs about 18 kilos. When you add | :53:55. | :53:59. | |
the boots they come in at eight kilos each. 12 stone, plus. That is | :54:00. | :54:06. | |
more than I weigh. There is a hose about 30 metres | :54:07. | :54:12. | |
long. There was a lot more pipe, so I hope there's enough to get me to | :54:13. | :54:15. | |
chamber four. There is a communication line, so I can speak | :54:16. | :54:20. | |
to the team top-side. There is a secondary purpose as well. The | :54:21. | :54:24. | |
telephone line also acts as the safety line. If all else fails, we | :54:25. | :54:31. | |
can pull you out on. That Even today cave diving can be dangerous. Back | :54:32. | :54:36. | |
then these pioneers were venturing into deep, dark water, with little | :54:37. | :54:40. | |
knowledge of what lay beyond. I am all kited up. | :54:41. | :54:51. | |
-- kitted up. The depth of the water eventually | :54:52. | :55:02. | |
goes down to around three metres. For a while I will be able to walk | :55:03. | :55:08. | |
on the river bed. Although the air is pumped from the surface, I have | :55:09. | :55:11. | |
to regulate it myself. As I venture further in, I find the | :55:12. | :55:31. | |
flow is stronger than I anticipated. Luckily there is a rope to help me | :55:32. | :55:36. | |
pull myself along. Of course that wouldn't have been here on that | :55:37. | :55:39. | |
first dive. You have 15 feet left. I am virtually on my belly. I can | :55:40. | :55:57. | |
see chamber four. I think I have a problem. You have no more hose left. | :55:58. | :56:10. | |
Although I cannot surface in chamber four, my camera man can. Getting the | :56:11. | :56:19. | |
view that would have been experienced on that very first dive. | :56:20. | :56:23. | |
There should be renewed respect for the amount of physical and mental | :56:24. | :56:29. | |
effort and bravery required for those first divers who pioneered | :56:30. | :56:33. | |
these caves. As equipment has improved, a further 21 chambers have | :56:34. | :56:37. | |
been found. The exploration goes on as people continue to push the | :56:38. | :56:43. | |
boundaries of cave diving at Wookey Hole. A lovely film. That is almost | :56:44. | :56:51. | |
it from The One Show's special Glastonbury programme. Thank you for | :56:52. | :56:56. | |
being here. On the main stage, BBC Two, from 9pm. Ricky Wilson has been | :56:57. | :57:03. | |
here too. BBC Three, tonight, 9.45pm. Ed Sheeran, Sunday | :57:04. | :57:09. | |
afternoon, also on BBC Three. Enjoy all the coverage across the BBC. To | :57:10. | :57:19. | |
play us out is Ed Sheeran. He is a singing Thinking Out Loud. | :57:20. | :57:25. | |
# When your legs don't work like they used to before | :57:26. | :57:30. | |
# And I can't sweep you off your feet | :57:31. | :57:32. | |
# Will your mouth still remember the taste of my love | :57:33. | :57:37. | |
# Will your eyes still smile from your cheeks | :57:38. | :57:42. | |
# Darling I will # Be loving you till we're 70 | :57:43. | :57:53. | |
# Baby my heart could still fall as hard | :57:54. | :57:58. | |
# At 23. # And I'm thinking about how | :57:59. | :58:03. | |
# People fall in love in mysterious ways | :58:04. | :58:12. | |
# Maybe it's all a touch of a hand # Me, I've fallen in love with you | :58:13. | :58:15. | |
every single day # And I just want to tell you I am | :58:16. | :58:24. | |
# That baby now # Take me into your loving arms | :58:25. | :58:33. | |
# Kiss me under the light of 1,000 stars | :58:34. | :58:36. | |
# Place your head on my beating heart | :58:37. | :58:42. | |
# I'm thinking out loud # Maybe we found love | :58:43. | :58:44. | |
# Right where we | :58:45. | :58:48. |