28/01/2013 The One Show


28/01/2013

Similar Content

Browse content similar to 28/01/2013. Check below for episodes and series from the same categories and more!

Transcript


LineFromTo

Hello and welcome to the One Show with Alex Jones. And Matt Baker.

:00:24.:00:29.

Two Michaels on the grit tonight, one a cockney comedian about to

:00:29.:00:34.

start a best-selling toe. And once responsible for this song, it is

:00:34.:00:41.

Mickey Flanagan and Mick Fleetwood! What a night, good to see both!

:00:41.:00:48.

Nice to have you on. First of all, congratulations, 35 years since

:00:48.:00:55.

Rumours was released. I know! good. Did you think you would go on

:00:55.:01:00.

for 35 years? I do not think we ever thought about it in terms of

:01:00.:01:06.

that, but everyone in this band, people who have passed through

:01:06.:01:09.

Fleetwood Mac, there has never been anyone I would not have imagined

:01:09.:01:15.

playing somewhere, for nothing, you know. But happily we have done

:01:15.:01:20.

really well and sustained something which we had no idea could possibly

:01:20.:01:27.

last this long. So many incredible songs, and you have told one of the

:01:27.:01:32.

stories, you will tell us later. You are a big fan, and you? He was

:01:32.:01:41.

singing when you cavemen! I am available after the tour! The songs,

:01:41.:01:49.

you hear them all the time. You do! I think I got it on tape, then on

:01:49.:01:55.

final, seedy, and I'm going to download it. And the one after I

:01:55.:02:01.

pass away will be another formula. That is at Mr Estyn point, it is

:02:01.:02:05.

great for you, all these different format. -- that is an interesting

:02:05.:02:15.
:02:15.:02:22.

Seen busking on Baker Street, Mick Fleetwood, no. It is a good thing,

:02:22.:02:25.

and the Last Wave, Digital was not so good for us musicians, because

:02:25.:02:29.

everyone gave everything away for nothing. That was not so good, but

:02:29.:02:34.

it is calming down, and now we get paid. When it first started, not a

:02:34.:02:40.

good thing. With Easter few can get your hands on, there is a very

:02:40.:02:50.
:02:50.:02:51.

famous front cover, and we had a You cannot actually tell the

:02:51.:02:58.

difference! I think somebody got a little larger, well, two things!

:02:58.:03:04.

You look exactly the same. He is the pony tail attached to the

:03:04.:03:12.

beard? The balls are there as well. How coincidental, I had no idea you

:03:12.:03:18.

were doing this. If we can do it, so can you at home, send in your

:03:18.:03:22.

version of the front cover and we Washoe make them a little later.

:03:22.:03:30.

is a family show! Today we found that the preferred route for the

:03:30.:03:33.

northern extension of the new high- speed railway. Passengers will not

:03:33.:03:39.

be buying tickets until 2033, so why is it going to take so long?

:03:39.:03:43.

Back in Severn another major infrastructure project was given

:03:43.:03:47.

the go ahead, Crossrail, and Lucy has taken a trip to see how it is

:03:47.:03:50.

progressing. This Friday the tallest building in

:03:50.:03:55.

the European Union, the Shard, opens to the public. But I am not

:03:55.:03:59.

going up, I am going in the opposite direction, descending 40

:03:59.:04:09.
:04:09.:04:09.

metres below street level. I'm going to meet Elizabeth, she weighs

:04:09.:04:14.

tonnes and cost every penny. Elizabeth is one of eight vast

:04:14.:04:18.

tunnel boring machines which are currently worming their way and the

:04:18.:04:26.

London's tightly packed streets, Suez and existing Tubelines. This

:04:26.:04:30.

is Crossrail, the new 73 miles of railway from Essex and out towards

:04:30.:04:34.

Kent, right across central London and out to Berkshire and

:04:34.:04:38.

Buckinghamshire. It is the largest construction project in Europe. In

:04:39.:04:43.

all, 13 miles of new tunnels are being excavated 24 hours a day,

:04:43.:04:50.

seven days a week. And this is what is being excavated, London earth,

:04:50.:04:54.

from 40 metres below street level. This is millions of years old,

:04:54.:05:02.

never been touched. So I have met Elizabeth, and this is Peter,

:05:02.:05:06.

Crossrail's project manager at his tunnelling site. How on earth did

:05:06.:05:10.

you get her down here in the first place? Well, Elizabeth comes in

:05:10.:05:16.

sections. And they are all lowered down and then put together. It is

:05:16.:05:21.

quite an undertaking. It is a significant amount of work, and as

:05:21.:05:25.

long as you plan added, it is as safe as putting a train set

:05:25.:05:32.

together. It is a very big Train Set! You know boys and their toys.

:05:32.:05:36.

These machines represent the pinnacle of what we currently know,

:05:36.:05:40.

these are factories and the ground, completely self-contained, and you

:05:40.:05:44.

have got a big cutting disc at the front which removes the ground.

:05:44.:05:49.

That Mark is then taken all the way to the back of the machine and away.

:05:49.:05:54.

And the machine then a lift siege segment which forms around to line

:05:54.:06:00.

the tunnel. Each segment is two and a half tons, so the entire Ring is

:06:00.:06:04.

25 tons in weight, so clearly, mechanically, that is the only way

:06:04.:06:08.

you can erect these things. How far as the tunnelling? Where are you

:06:08.:06:13.

going to end up? We plan for about 90 metres per week, and our first

:06:13.:06:18.

stop is the new station at Canary Wharf, which is just over 1.2

:06:18.:06:22.

kilometres from where we are. you do not end up at Canary Wharf,

:06:22.:06:26.

somebody has made a mistake. will not end up anywhere else. We

:06:27.:06:33.

want to get there by the spring of this year. To accommodate this

:06:33.:06:38.

cavernous new station at Canary Wharf, 100 million litres of water

:06:39.:06:44.

have been removed from the dock. Now, that is the equivalent to 40

:06:44.:06:49.

Olympic a size swimming pools. Why is it that you think we need

:06:49.:06:55.

Crossrail? London as a city is still forecast to grow, by another

:06:55.:07:00.

700,000 people over the next 10 years. It will enable 200 million

:07:00.:07:04.

people per year to travel on the Underground, one million more

:07:04.:07:09.

people to be able to travel into London in less than 45 minutes. It

:07:09.:07:13.

creates huge regeneration opportunities as London starts to

:07:13.:07:16.

move out from the centre. What about for the millions of people

:07:16.:07:20.

who do not live in London thinking, oh, here we go again, another

:07:20.:07:25.

London project? I understand the argument, but London is the

:07:25.:07:29.

powerhouse of the UK economy. This time last year we employed 2000,

:07:29.:07:35.

today it is 7,000, next year it is 14,000. It is the way to create

:07:35.:07:38.

infrastructure creating growth, but at the same time it creates new

:07:38.:07:43.

jobs for people to actually work on. We are looking to make sure we give

:07:43.:07:46.

every encouragement to small and medium-sized business to provide

:07:46.:07:51.

services do as, too. So if you're not in London, you could be in

:07:51.:07:53.

Wales or Yorkshire, there are still opportunities to benefit from

:07:54.:07:58.

Crossrail. I can tell you, as a Welshman, businesses in Wales are

:07:58.:08:03.

so blind us, and that is true of Scotland, the North, and the

:08:03.:08:08.

Midlands, and will continue to see that grow. Obviously, that is going

:08:08.:08:12.

to change the place that you grow up, as an East End lad. It has

:08:12.:08:18.

changed enough already, it is never-ending. The East End just

:08:18.:08:22.

used to be working class people, and now you go there, and all walks

:08:22.:08:26.

of life come to the East End. I saw a man in top hat and flip-flops the

:08:26.:08:33.

other day. A great source of material, obviously, growing up

:08:33.:08:38.

there. When I was growing up there, it was broken, still largely

:08:38.:08:42.

damaged from the war, so we would play on the bomb debris and that.

:08:42.:08:48.

At least your parents the way you were! It has got more developed,

:08:48.:08:52.

and with every new thing, like a train station, you go, can displace

:08:52.:08:57.

get any busier? Shoreditch is unbelievable at the moment.

:08:57.:09:01.

were nodding, you knew the East End back in the day. Absolutely, we

:09:01.:09:08.

played many a time around those areas, and you are right, it has

:09:08.:09:15.

totally changed, and it is changing. If you go out in Shoreditch, any

:09:15.:09:18.

night of the week now, it is like being in the West End, you know,

:09:18.:09:22.

bars and restaurants. Very different to the place that you

:09:22.:09:25.

grew up, because you and your mates, you did not have huge ambitions at

:09:26.:09:32.

school. Ambitions?! The most ambitious kid in our class,

:09:32.:09:41.

he wanted to drive a van. He stood out flash! At the careers officer,

:09:41.:09:48.

I'm going to drive a van! He will never drive a van! No kid from this

:09:48.:09:56.

school has ever! Gone on to drive a van. His school is here to produce

:09:56.:10:06.
:10:06.:10:08.

the people who carry the staff to You did not go on to drive a van,

:10:08.:10:12.

but he did loads of different stuff before taking to the stage. It was

:10:12.:10:18.

quite late. My first job was actually carrying fish to the van.

:10:18.:10:24.

So I did literally carry fish to the van! That was my job, from the

:10:24.:10:30.

car park to the van. So I got that far, I cracked it there, and I did

:10:30.:10:34.

loads... When I left the fish market, I went to live in America,

:10:34.:10:38.

then I came back and was a window- cleaner, painter and decorator. I

:10:38.:10:43.

had a little phase at teaching, don't want to talk about it! Then I

:10:43.:10:48.

moved on, I have made furniture for a number of years, in Shoreditch,

:10:48.:10:53.

back in the day, everybody made furniture, clothing. Do you still

:10:53.:11:00.

keep your hand in with furniture- making? Not really, no! No. I would

:11:00.:11:05.

like to! I said to my wife, if I do get a hobby, it would be to go back

:11:05.:11:10.

and make furniture, but it is not going to happen. It is never going

:11:10.:11:14.

to happen! One of your trades is your cockney walk, and in case

:11:14.:11:21.

you're not sure what that means, he is to explain it. Two walks, a bit

:11:21.:11:27.

casual, yeah, nothing going on. And a slightly quicker one. I cannot

:11:27.:11:33.

hang a bout, I have got to sign on and get back to work! I am Double

:11:34.:11:40.

Dizzy! Well, this is the thing, speaking of work, Carrie Grant went

:11:40.:11:44.

back to Billingsgate Market, where we saw that lovely photo, just to

:11:44.:11:50.

see what you're all to work pars remember of you. -- Your old work

:11:50.:11:57.

pass. Anyone know this fella? Mickey Flanagan. Yeah, his dad was

:11:57.:12:02.

a lovely bloke. Do you remember him working here? Yeah, I remember him.

:12:02.:12:12.
:12:12.:12:16.

Can you do is walk? No! A flash What was he like? Like that, very

:12:16.:12:23.

smiley. A nice little character. started work late, he was easy to

:12:23.:12:31.

spot. His dad is funnier than him. If you are going to be stuck on a

:12:31.:12:39.

desert island, he would keep you going. I used to drink with Micky!

:12:39.:12:47.

Can you do is walk? Of course I can, I taught him how to do it! How are

:12:47.:12:57.
:12:57.:13:02.

you doing, son? One of our own, So you remember them. I remember

:13:02.:13:09.

Jimmy really well, he lent me his flat one weekend. Hello! Apparently,

:13:09.:13:16.

your dad is funnier. He claims he is funnier. It would be quite good

:13:16.:13:21.

to send him out, walk out to an empty room afterwards. He is quite

:13:21.:13:27.

funny. It is called back in the game, Yorkshire, give us an idea.

:13:27.:13:31.

It is probably been in the whole story up to date, because I talked

:13:31.:13:41.
:13:41.:13:41.

a lot about the past, this is more about having success and living a

:13:41.:13:46.

very grown-up life that I now have, I have a little boy. They bring a

:13:46.:13:53.

lot of material, youngsters. Standing on stage, you have got the

:13:53.:13:57.

ability to go backwards in time, he is standing with his clothes on, I

:13:57.:14:02.

say, go and Peugeot trainers on, and he comes back in the nude. I

:14:02.:14:07.

say to him, why are you in the nude? He said, well, I had a poo.

:14:08.:14:15.

There we are! Is it true that he will not be working Mondays? We see

:14:15.:14:18.

you're not keen on the beginning of the week. It has been my campaign

:14:18.:14:22.

ever since I can remember to get the whole country not to work on a

:14:22.:14:26.

Monday. I have not been very successful, but I will be promoting

:14:26.:14:30.

it. It is interesting that we have been saying for years, nobody likes

:14:30.:14:37.

Monday, so why are we going in? It doesn't make sense. It never works

:14:37.:14:43.

for me. Doesn't four and three sound more sensible? You could get

:14:43.:14:53.
:14:53.:14:55.

This is tough for me to be here today. I'm really struggling. I had

:14:55.:15:00.

to leave the pub at 10pm last night, because that's how professional I

:15:00.:15:07.

am. Good lad. Micky's tour Back In The Game starts next month. Today,

:15:07.:15:12.

one of the best selling albums of all time is being re-released in a

:15:12.:15:15.

deluxe new format. One of the most familiar tracks on it has been

:15:15.:15:21.

played in the bedroom of every aspiring bass guitarist since it

:15:21.:15:31.
:15:31.:15:34.

was first released in 1977. Matt Is that the world's most

:15:34.:15:39.

recognisable bass line? It comes from the song The Chain from the

:15:39.:15:43.

album Rumours by Fleetwood Mac and yet, The Chain was never released

:15:43.:15:48.

as a single and that isn't even the beginning of the song.

:15:48.:15:53.

At the time the song was recorded, the band's line up was Christine

:15:53.:15:59.

and John, Mick, Stevie nicks and Lindsay buckham. The chain is one

:15:59.:16:04.

of the only Fleetwood Mac songs credited to the whole band.

:16:04.:16:10.

chain refers specifically to keeping, you know, every link of

:16:10.:16:17.

the effort we made to stay together as a band. During recording,

:16:17.:16:21.

Fleetwood Mac were going through an extremely troubled time and

:16:21.:16:26.

relationships were strained. It's almost like a prayer. It really was

:16:27.:16:32.

saying, please let this still be OK. You can't think of a better song to

:16:32.:16:39.

describe the survival of Fleetwood Mac. The song was worked on with

:16:39.:16:44.

Christine and then John and myself. There were bits and pieces, concept

:16:44.:16:51.

not quite knowing what was going on. A previous song by Christine McSree,

:16:51.:16:57.

keep me there, would provide the rhythm and structure. It was put on

:16:57.:17:02.

the back burner. We couldn't figure out really what to do with it.

:17:02.:17:08.

Stevie said, let me throw the meat of the story together. So Stevie

:17:08.:17:13.

Nicks provided the majority of the lyrics. Her first version was a

:17:13.:17:17.

very different song. With some reworking from Christine it was

:17:17.:17:22.

almost there. # If you don't love me now... #

:17:22.:17:26.

The song wasn't yet complete. It needed an intro. That would come

:17:26.:17:30.

from a song Buckingham and Nicks released before they joined

:17:30.:17:35.

Fleetwood Mac. Then suddenly it just went bingo

:17:35.:17:45.
:17:45.:17:45.

and it happened. Can you remember the time you first heard... John's

:17:45.:17:55.
:17:55.:17:56.

baseline? No, I can't. But boy was it a John McVee special. John is a

:17:56.:18:01.

melodic player. If you care to actually listen to it, the bass on

:18:01.:18:08.

a lot of stuff and what he's doing on the bass is such a contribution

:18:08.:18:11.

melodically to the structure of these songs. You go, like, who was

:18:11.:18:17.

that guy? How do you feel about the connection to motor sports. It

:18:17.:18:20.

means that a lot of people are only familiar with the last third of

:18:20.:18:26.

what is a terrific song? You can't help but love it. I mean, it's just

:18:26.:18:29.

Parliament of something that happened -- part of something that

:18:29.:18:33.

happened and you can go, accept it like a lot of things you accept

:18:33.:18:38.

willingly. We would be shocked if we didn't play that in a concert.

:18:38.:18:41.

That would be one of the ones that you have to do it. You don't get

:18:41.:18:45.

tired of playing that? No, love it. Would you fancy playing it now?

:18:45.:18:55.
:18:55.:18:55.

Apology for the loss of subtitles for 50 seconds

:18:55.:19:46.

my God. Yes, sure. If you fancy it. APPLAUSE

:19:46.:19:52.

That was fantastic. Wasn't that great! We have to say

:19:52.:19:58.

that Matt surprised you with that, didn't he? Totally. They did great.

:19:58.:20:03.

They were good. I think they'll have to get the gig. Fantastic.

:20:03.:20:08.

was a surprise for you but for Matt he had been practising for six

:20:08.:20:11.

months. The Chain has become famously associated with Formula

:20:12.:20:16.

One. Is it true that next week you're doing a Top Gear lap? I am.

:20:16.:20:21.

Excited about that? I'm very excited about it. I've been

:20:21.:20:26.

boasting to the lads that run the show that I'm fairly conversant

:20:26.:20:30.

with driving fast, which was probably a really foolish thing to

:20:30.:20:34.

say, because now, for sure, I'm going to look like an idiot. You'll

:20:34.:20:39.

be giving it some steam. It's going to be fun. As well as The Chain, so

:20:39.:20:43.

many incredible songs. Let's remind ourselves of a few of them.

:20:43.:20:51.

# You can go your own way # Go your own way

:20:51.:20:55.

# Don't stop thinking about tomorrow

:20:55.:21:02.

# Don't stop, it'll soon be here # Players only love you when

:21:02.:21:10.

they're playing # APPLAUSE

:21:10.:21:15.

Classic tracks there, but the whole album was produced when there was

:21:15.:21:19.

some strains going on amongst the band, relationships were very

:21:19.:21:25.

difficult and very tense at that time. This is true. Unbelievable,

:21:25.:21:30.

and now, because we're on the road April 4th, we start in America.

:21:30.:21:33.

This package came out and it wasn't planned to go together, but it's

:21:33.:21:38.

great that it has morphed it's way together. We're get reminded by

:21:38.:21:43.

questions such as that that it was a personal journey that's not hard

:21:43.:21:48.

now, but it's interesting looking back and getding into the whole

:21:48.:21:52.

dialogue of what the hell was really going on. It was a disaster.

:21:52.:21:56.

We were all desperately unhappy. But the one thing that never

:21:56.:22:01.

happened, we never discussed breaking up, because what we were

:22:01.:22:06.

doing, we were so involved in Fleetwood Mac and the music, that

:22:06.:22:09.

the chemistry was that important to all of us, that we got through it.

:22:09.:22:14.

That was really, looking back on it, an absolute miracle. It was pretty

:22:14.:22:19.

grim. A lot of messages in the songs. All of them. If you had to

:22:19.:22:22.

find new meaning for that, or when you start playing does it take you

:22:22.:22:28.

back to those times? I'm spared that because I doesn't write the

:22:28.:22:32.

songs. My relationship with my then-wife Jennie had broken up.

:22:32.:22:36.

Five of us were in the same boat. I was just spared that I didn't have

:22:36.:22:42.

to write songs and walk on stages and be personal. So we really came

:22:42.:22:46.

up with a mutant formula, which is really what it was, when we look

:22:46.:22:54.

back, to handle that. Because underneath it all, because all the

:22:54.:23:00.

"rumours" of they don't really like each other. We adore each other

:23:00.:23:05.

except often have not been able to be together. It's a very different

:23:05.:23:09.

equation from some corporate hate affair. It's a love affair really.

:23:09.:23:13.

Touring America. Are you touring Britain? We are, yeah. Absolutely.

:23:13.:23:19.

Good news. Great. I think that's announced as we sit. We are coming

:23:20.:23:23.

and working extensively all over Europe and for sure here. Will you

:23:23.:23:26.

use separate cars and things like that? We share very nicely these

:23:26.:23:34.

days. All right. It's 200 years today since Mr Darcey first set

:23:34.:23:39.

hearts fluttering for readers of Pride And Prejudice. But there was

:23:39.:23:44.

another book in Jane Austen's house that may have held the recipe for

:23:44.:23:50.

her success.. Arthur Smith discovered.

:23:50.:23:54.

Chawton in rural Hampshire was home to one of England's greatest

:23:54.:23:58.

novelists, Jane Austin. I've come to look at one of her mostsprielzed

:23:58.:24:04.

books, not a first edition of -- most prized books, not a first

:24:04.:24:09.

edition of Pride And Prejudice but the Austin household recipe book.

:24:09.:24:15.

This is the first book of recipes that supplied the Austin dining

:24:15.:24:20.

table. It contains a few handy potions too. There's press pis here

:24:20.:24:28.

for cold sous, widgeon, pickling, brewing and a remedy for if you've

:24:28.:24:32.

been bitten by a mad dog. This is clearly a work -- the work of

:24:32.:24:36.

someone who cared for the people she lived with. The compiler of the

:24:36.:24:40.

book is Marge why Lloyd, photographed here, Jane regarded

:24:40.:24:46.

her as a big sister. When Marjah came to stay with the family and

:24:46.:24:52.

then when they moved into their permanent residence in 1809, Marjah

:24:52.:24:56.

dn martha moved in with them. She was also an unmarried woman. They

:24:56.:25:00.

were all clubbing together to help each other out. Unmarried women in

:25:00.:25:05.

this period had a hard time if they weren't well off. A lot of people

:25:05.:25:09.

think that Jane Austin was well off. But actually she came from a pretty

:25:09.:25:14.

poor background. Two unmarried women living together

:25:15.:25:22.

without much money in the 1800s, what can I expect for dinner? I've

:25:22.:25:30.

come to the pump rooms in Bath. And tonight, head chef Mark is cooking

:25:30.:25:35.

us a meal direct from the Austin family recipe book. We have a white

:25:35.:25:39.

soup, which sounds very basic. It's chicken stock, almonds, hard boiled

:25:40.:25:44.

egg yokes and some cream. That's it. Just all blended together. What's

:25:44.:25:49.

the main course? It's rump steak, potatoes, salt and pepper and beef

:25:49.:25:55.

stock, like a modern day hot pot. Pudding? A straightforward dessert.

:25:55.:25:59.

It's boiled gooz briz and sugar and water. You have passed those

:25:59.:26:03.

through a sieve and put them in a tart case and bake it off. What do

:26:03.:26:08.

you think modern diners would make of this meal? I think they would be

:26:08.:26:12.

a little bit disappointed with the lack of variety and the lack of

:26:12.:26:17.

ingredients. I don't think it would go done too well in the resstraubts.

:26:17.:26:20.

-- restaurant. Are you suggesting I'm not going to enjoy it? Take

:26:20.:26:25.

yourself back to the time and I think you'll enjoy it. Jane would

:26:25.:26:31.

normally eat her main meal at 4pm or 5pm with her mother, sister and

:26:31.:26:34.

Martha. But it wasn't silver service. All the courses were

:26:34.:26:39.

served at once. One course would have consisted of many different

:26:39.:26:43.

dishes, placed around quite a large table, if you were having a dinner

:26:43.:26:48.

party. They would be eating sweet dishes alongside the savoury.

:26:48.:26:52.

shall follow convention and start with the starter. Here we r, the

:26:52.:26:58.

white soup. Oh, it's quite a strong taste. It's quite meaty. Yes, a

:26:58.:27:02.

meaty, woody quality. How do we know this is a dish that Jane would

:27:02.:27:06.

have eaten. This is written down in the cookery book. White soup was a

:27:06.:27:11.

popular dish at the time. It's actually mentioned in Pride And

:27:11.:27:18.

Prejudice. Next it's Marjah's beef recipe. Could do with some brown

:27:18.:27:25.

sauce maybe. A good age ektive is it's hearty fayer. Yes. Not exactly

:27:25.:27:33.

sweet but sugar cost a great deal. They did have sugar but it was very

:27:33.:27:38.

expensive. That was something that the rich had. Gooseberry tart, tart

:27:38.:27:42.

and nice. Jane Austen died in 1817 aged just

:27:42.:27:49.

41. She is one of the great writers of English literature and she

:27:49.:27:53.

provided a vibrant portrait of the society she lived in. But we know

:27:53.:27:57.

relatively little about her, though today, I have learned she did enjoy

:27:57.:28:06.

a hearty male. -- meal.

:28:06.:28:09.

An exhibition called The Story of Pride and Prejudice has opened at

:28:10.:28:18.

Jane's home at Chawton in Hampshire. Earlier we asked you to recreate

:28:18.:28:22.

the Rumours album cover. There's the rudge nal and the first is this.

:28:22.:28:30.

Very good alley and many. Here's the second one. This is Chris and

:28:31.:28:40.

gentlemen neen. That's a good -- Janine. And your

:28:40.:28:46.

original balls are here. Here they are. I'm going to hold

:28:46.:28:49.

Download Subtitles

SRT

ASS