Browse content similar to 28/01/2013. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with Alex Jones. And Matt Baker. | :00:24. | :00:29. | |
Two Michaels on the grit tonight, one a cockney comedian about to | :00:29. | :00:34. | |
start a best-selling toe. And once responsible for this song, it is | :00:34. | :00:41. | |
Mickey Flanagan and Mick Fleetwood! What a night, good to see both! | :00:41. | :00:48. | |
Nice to have you on. First of all, congratulations, 35 years since | :00:48. | :00:55. | |
Rumours was released. I know! good. Did you think you would go on | :00:55. | :01:00. | |
for 35 years? I do not think we ever thought about it in terms of | :01:00. | :01:06. | |
that, but everyone in this band, people who have passed through | :01:06. | :01:09. | |
Fleetwood Mac, there has never been anyone I would not have imagined | :01:09. | :01:15. | |
playing somewhere, for nothing, you know. But happily we have done | :01:15. | :01:20. | |
really well and sustained something which we had no idea could possibly | :01:20. | :01:27. | |
last this long. So many incredible songs, and you have told one of the | :01:27. | :01:32. | |
stories, you will tell us later. You are a big fan, and you? He was | :01:32. | :01:41. | |
singing when you cavemen! I am available after the tour! The songs, | :01:41. | :01:49. | |
you hear them all the time. You do! I think I got it on tape, then on | :01:49. | :01:55. | |
final, seedy, and I'm going to download it. And the one after I | :01:55. | :02:01. | |
pass away will be another formula. That is at Mr Estyn point, it is | :02:01. | :02:05. | |
great for you, all these different format. -- that is an interesting | :02:05. | :02:15. | |
:02:15. | :02:22. | ||
Seen busking on Baker Street, Mick Fleetwood, no. It is a good thing, | :02:22. | :02:25. | |
and the Last Wave, Digital was not so good for us musicians, because | :02:25. | :02:29. | |
everyone gave everything away for nothing. That was not so good, but | :02:29. | :02:34. | |
it is calming down, and now we get paid. When it first started, not a | :02:34. | :02:40. | |
good thing. With Easter few can get your hands on, there is a very | :02:40. | :02:50. | |
:02:50. | :02:51. | ||
famous front cover, and we had a You cannot actually tell the | :02:51. | :02:58. | |
difference! I think somebody got a little larger, well, two things! | :02:58. | :03:04. | |
You look exactly the same. He is the pony tail attached to the | :03:04. | :03:12. | |
beard? The balls are there as well. How coincidental, I had no idea you | :03:12. | :03:18. | |
were doing this. If we can do it, so can you at home, send in your | :03:18. | :03:22. | |
version of the front cover and we Washoe make them a little later. | :03:22. | :03:30. | |
is a family show! Today we found that the preferred route for the | :03:30. | :03:33. | |
northern extension of the new high- speed railway. Passengers will not | :03:33. | :03:39. | |
be buying tickets until 2033, so why is it going to take so long? | :03:39. | :03:43. | |
Back in Severn another major infrastructure project was given | :03:43. | :03:47. | |
the go ahead, Crossrail, and Lucy has taken a trip to see how it is | :03:47. | :03:50. | |
progressing. This Friday the tallest building in | :03:50. | :03:55. | |
the European Union, the Shard, opens to the public. But I am not | :03:55. | :03:59. | |
going up, I am going in the opposite direction, descending 40 | :03:59. | :04:09. | |
:04:09. | :04:09. | ||
metres below street level. I'm going to meet Elizabeth, she weighs | :04:09. | :04:14. | |
tonnes and cost every penny. Elizabeth is one of eight vast | :04:14. | :04:18. | |
tunnel boring machines which are currently worming their way and the | :04:18. | :04:26. | |
London's tightly packed streets, Suez and existing Tubelines. This | :04:26. | :04:30. | |
is Crossrail, the new 73 miles of railway from Essex and out towards | :04:30. | :04:34. | |
Kent, right across central London and out to Berkshire and | :04:34. | :04:38. | |
Buckinghamshire. It is the largest construction project in Europe. In | :04:39. | :04:43. | |
all, 13 miles of new tunnels are being excavated 24 hours a day, | :04:43. | :04:50. | |
seven days a week. And this is what is being excavated, London earth, | :04:50. | :04:54. | |
from 40 metres below street level. This is millions of years old, | :04:54. | :05:02. | |
never been touched. So I have met Elizabeth, and this is Peter, | :05:02. | :05:06. | |
Crossrail's project manager at his tunnelling site. How on earth did | :05:06. | :05:10. | |
you get her down here in the first place? Well, Elizabeth comes in | :05:10. | :05:16. | |
sections. And they are all lowered down and then put together. It is | :05:16. | :05:21. | |
quite an undertaking. It is a significant amount of work, and as | :05:21. | :05:25. | |
long as you plan added, it is as safe as putting a train set | :05:25. | :05:32. | |
together. It is a very big Train Set! You know boys and their toys. | :05:32. | :05:36. | |
These machines represent the pinnacle of what we currently know, | :05:36. | :05:40. | |
these are factories and the ground, completely self-contained, and you | :05:40. | :05:44. | |
have got a big cutting disc at the front which removes the ground. | :05:44. | :05:49. | |
That Mark is then taken all the way to the back of the machine and away. | :05:49. | :05:54. | |
And the machine then a lift siege segment which forms around to line | :05:54. | :06:00. | |
the tunnel. Each segment is two and a half tons, so the entire Ring is | :06:00. | :06:04. | |
25 tons in weight, so clearly, mechanically, that is the only way | :06:04. | :06:08. | |
you can erect these things. How far as the tunnelling? Where are you | :06:08. | :06:13. | |
going to end up? We plan for about 90 metres per week, and our first | :06:13. | :06:18. | |
stop is the new station at Canary Wharf, which is just over 1.2 | :06:18. | :06:22. | |
kilometres from where we are. you do not end up at Canary Wharf, | :06:22. | :06:26. | |
somebody has made a mistake. will not end up anywhere else. We | :06:27. | :06:33. | |
want to get there by the spring of this year. To accommodate this | :06:33. | :06:38. | |
cavernous new station at Canary Wharf, 100 million litres of water | :06:39. | :06:44. | |
have been removed from the dock. Now, that is the equivalent to 40 | :06:44. | :06:49. | |
Olympic a size swimming pools. Why is it that you think we need | :06:49. | :06:55. | |
Crossrail? London as a city is still forecast to grow, by another | :06:55. | :07:00. | |
700,000 people over the next 10 years. It will enable 200 million | :07:00. | :07:04. | |
people per year to travel on the Underground, one million more | :07:04. | :07:09. | |
people to be able to travel into London in less than 45 minutes. It | :07:09. | :07:13. | |
creates huge regeneration opportunities as London starts to | :07:13. | :07:16. | |
move out from the centre. What about for the millions of people | :07:16. | :07:20. | |
who do not live in London thinking, oh, here we go again, another | :07:20. | :07:25. | |
London project? I understand the argument, but London is the | :07:25. | :07:29. | |
powerhouse of the UK economy. This time last year we employed 2000, | :07:29. | :07:35. | |
today it is 7,000, next year it is 14,000. It is the way to create | :07:35. | :07:38. | |
infrastructure creating growth, but at the same time it creates new | :07:38. | :07:43. | |
jobs for people to actually work on. We are looking to make sure we give | :07:43. | :07:46. | |
every encouragement to small and medium-sized business to provide | :07:46. | :07:51. | |
services do as, too. So if you're not in London, you could be in | :07:51. | :07:53. | |
Wales or Yorkshire, there are still opportunities to benefit from | :07:54. | :07:58. | |
Crossrail. I can tell you, as a Welshman, businesses in Wales are | :07:58. | :08:03. | |
so blind us, and that is true of Scotland, the North, and the | :08:03. | :08:08. | |
Midlands, and will continue to see that grow. Obviously, that is going | :08:08. | :08:12. | |
to change the place that you grow up, as an East End lad. It has | :08:12. | :08:18. | |
changed enough already, it is never-ending. The East End just | :08:18. | :08:22. | |
used to be working class people, and now you go there, and all walks | :08:22. | :08:26. | |
of life come to the East End. I saw a man in top hat and flip-flops the | :08:26. | :08:33. | |
other day. A great source of material, obviously, growing up | :08:33. | :08:38. | |
there. When I was growing up there, it was broken, still largely | :08:38. | :08:42. | |
damaged from the war, so we would play on the bomb debris and that. | :08:42. | :08:48. | |
At least your parents the way you were! It has got more developed, | :08:48. | :08:52. | |
and with every new thing, like a train station, you go, can displace | :08:52. | :08:57. | |
get any busier? Shoreditch is unbelievable at the moment. | :08:57. | :09:01. | |
were nodding, you knew the East End back in the day. Absolutely, we | :09:01. | :09:08. | |
played many a time around those areas, and you are right, it has | :09:08. | :09:15. | |
totally changed, and it is changing. If you go out in Shoreditch, any | :09:15. | :09:18. | |
night of the week now, it is like being in the West End, you know, | :09:18. | :09:22. | |
bars and restaurants. Very different to the place that you | :09:22. | :09:25. | |
grew up, because you and your mates, you did not have huge ambitions at | :09:26. | :09:32. | |
school. Ambitions?! The most ambitious kid in our class, | :09:32. | :09:41. | |
he wanted to drive a van. He stood out flash! At the careers officer, | :09:41. | :09:48. | |
I'm going to drive a van! He will never drive a van! No kid from this | :09:48. | :09:56. | |
school has ever! Gone on to drive a van. His school is here to produce | :09:56. | :10:06. | |
:10:06. | :10:08. | ||
the people who carry the staff to You did not go on to drive a van, | :10:08. | :10:12. | |
but he did loads of different stuff before taking to the stage. It was | :10:12. | :10:18. | |
quite late. My first job was actually carrying fish to the van. | :10:18. | :10:24. | |
So I did literally carry fish to the van! That was my job, from the | :10:24. | :10:30. | |
car park to the van. So I got that far, I cracked it there, and I did | :10:30. | :10:34. | |
loads... When I left the fish market, I went to live in America, | :10:34. | :10:38. | |
then I came back and was a window- cleaner, painter and decorator. I | :10:38. | :10:43. | |
had a little phase at teaching, don't want to talk about it! Then I | :10:43. | :10:48. | |
moved on, I have made furniture for a number of years, in Shoreditch, | :10:48. | :10:53. | |
back in the day, everybody made furniture, clothing. Do you still | :10:53. | :11:00. | |
keep your hand in with furniture- making? Not really, no! No. I would | :11:00. | :11:05. | |
like to! I said to my wife, if I do get a hobby, it would be to go back | :11:05. | :11:10. | |
and make furniture, but it is not going to happen. It is never going | :11:10. | :11:14. | |
to happen! One of your trades is your cockney walk, and in case | :11:14. | :11:21. | |
you're not sure what that means, he is to explain it. Two walks, a bit | :11:21. | :11:27. | |
casual, yeah, nothing going on. And a slightly quicker one. I cannot | :11:27. | :11:33. | |
hang a bout, I have got to sign on and get back to work! I am Double | :11:34. | :11:40. | |
Dizzy! Well, this is the thing, speaking of work, Carrie Grant went | :11:40. | :11:44. | |
back to Billingsgate Market, where we saw that lovely photo, just to | :11:44. | :11:50. | |
see what you're all to work pars remember of you. -- Your old work | :11:50. | :11:57. | |
pass. Anyone know this fella? Mickey Flanagan. Yeah, his dad was | :11:57. | :12:02. | |
a lovely bloke. Do you remember him working here? Yeah, I remember him. | :12:02. | :12:12. | |
:12:12. | :12:16. | ||
Can you do is walk? No! A flash What was he like? Like that, very | :12:16. | :12:23. | |
smiley. A nice little character. started work late, he was easy to | :12:23. | :12:31. | |
spot. His dad is funnier than him. If you are going to be stuck on a | :12:31. | :12:39. | |
desert island, he would keep you going. I used to drink with Micky! | :12:39. | :12:47. | |
Can you do is walk? Of course I can, I taught him how to do it! How are | :12:47. | :12:57. | |
:12:57. | :13:02. | ||
you doing, son? One of our own, So you remember them. I remember | :13:02. | :13:09. | |
Jimmy really well, he lent me his flat one weekend. Hello! Apparently, | :13:09. | :13:16. | |
your dad is funnier. He claims he is funnier. It would be quite good | :13:16. | :13:21. | |
to send him out, walk out to an empty room afterwards. He is quite | :13:21. | :13:27. | |
funny. It is called back in the game, Yorkshire, give us an idea. | :13:27. | :13:31. | |
It is probably been in the whole story up to date, because I talked | :13:31. | :13:41. | |
:13:41. | :13:41. | ||
a lot about the past, this is more about having success and living a | :13:41. | :13:46. | |
very grown-up life that I now have, I have a little boy. They bring a | :13:46. | :13:53. | |
lot of material, youngsters. Standing on stage, you have got the | :13:53. | :13:57. | |
ability to go backwards in time, he is standing with his clothes on, I | :13:57. | :14:02. | |
say, go and Peugeot trainers on, and he comes back in the nude. I | :14:02. | :14:07. | |
say to him, why are you in the nude? He said, well, I had a poo. | :14:08. | :14:15. | |
There we are! Is it true that he will not be working Mondays? We see | :14:15. | :14:18. | |
you're not keen on the beginning of the week. It has been my campaign | :14:18. | :14:22. | |
ever since I can remember to get the whole country not to work on a | :14:22. | :14:26. | |
Monday. I have not been very successful, but I will be promoting | :14:26. | :14:30. | |
it. It is interesting that we have been saying for years, nobody likes | :14:30. | :14:37. | |
Monday, so why are we going in? It doesn't make sense. It never works | :14:37. | :14:43. | |
for me. Doesn't four and three sound more sensible? You could get | :14:43. | :14:53. | |
:14:53. | :14:55. | ||
This is tough for me to be here today. I'm really struggling. I had | :14:55. | :15:00. | |
to leave the pub at 10pm last night, because that's how professional I | :15:00. | :15:07. | |
am. Good lad. Micky's tour Back In The Game starts next month. Today, | :15:07. | :15:12. | |
one of the best selling albums of all time is being re-released in a | :15:12. | :15:15. | |
deluxe new format. One of the most familiar tracks on it has been | :15:15. | :15:21. | |
played in the bedroom of every aspiring bass guitarist since it | :15:21. | :15:31. | |
:15:31. | :15:34. | ||
was first released in 1977. Matt Is that the world's most | :15:34. | :15:39. | |
recognisable bass line? It comes from the song The Chain from the | :15:39. | :15:43. | |
album Rumours by Fleetwood Mac and yet, The Chain was never released | :15:43. | :15:48. | |
as a single and that isn't even the beginning of the song. | :15:48. | :15:53. | |
At the time the song was recorded, the band's line up was Christine | :15:53. | :15:59. | |
and John, Mick, Stevie nicks and Lindsay buckham. The chain is one | :15:59. | :16:04. | |
of the only Fleetwood Mac songs credited to the whole band. | :16:04. | :16:10. | |
chain refers specifically to keeping, you know, every link of | :16:10. | :16:17. | |
the effort we made to stay together as a band. During recording, | :16:17. | :16:21. | |
Fleetwood Mac were going through an extremely troubled time and | :16:21. | :16:26. | |
relationships were strained. It's almost like a prayer. It really was | :16:27. | :16:32. | |
saying, please let this still be OK. You can't think of a better song to | :16:32. | :16:39. | |
describe the survival of Fleetwood Mac. The song was worked on with | :16:39. | :16:44. | |
Christine and then John and myself. There were bits and pieces, concept | :16:44. | :16:51. | |
not quite knowing what was going on. A previous song by Christine McSree, | :16:51. | :16:57. | |
keep me there, would provide the rhythm and structure. It was put on | :16:57. | :17:02. | |
the back burner. We couldn't figure out really what to do with it. | :17:02. | :17:08. | |
Stevie said, let me throw the meat of the story together. So Stevie | :17:08. | :17:13. | |
Nicks provided the majority of the lyrics. Her first version was a | :17:13. | :17:17. | |
very different song. With some reworking from Christine it was | :17:17. | :17:22. | |
almost there. # If you don't love me now... # | :17:22. | :17:26. | |
The song wasn't yet complete. It needed an intro. That would come | :17:26. | :17:30. | |
from a song Buckingham and Nicks released before they joined | :17:30. | :17:35. | |
Fleetwood Mac. Then suddenly it just went bingo | :17:35. | :17:45. | |
:17:45. | :17:45. | ||
and it happened. Can you remember the time you first heard... John's | :17:45. | :17:55. | |
:17:55. | :17:56. | ||
baseline? No, I can't. But boy was it a John McVee special. John is a | :17:56. | :18:01. | |
melodic player. If you care to actually listen to it, the bass on | :18:01. | :18:08. | |
a lot of stuff and what he's doing on the bass is such a contribution | :18:08. | :18:11. | |
melodically to the structure of these songs. You go, like, who was | :18:11. | :18:17. | |
that guy? How do you feel about the connection to motor sports. It | :18:17. | :18:20. | |
means that a lot of people are only familiar with the last third of | :18:20. | :18:26. | |
what is a terrific song? You can't help but love it. I mean, it's just | :18:26. | :18:29. | |
Parliament of something that happened -- part of something that | :18:29. | :18:33. | |
happened and you can go, accept it like a lot of things you accept | :18:33. | :18:38. | |
willingly. We would be shocked if we didn't play that in a concert. | :18:38. | :18:41. | |
That would be one of the ones that you have to do it. You don't get | :18:41. | :18:45. | |
tired of playing that? No, love it. Would you fancy playing it now? | :18:45. | :18:55. | |
:18:55. | :18:55. | ||
Apology for the loss of subtitles for 50 seconds | :18:55. | :19:46. | |
my God. Yes, sure. If you fancy it. APPLAUSE | :19:46. | :19:52. | |
That was fantastic. Wasn't that great! We have to say | :19:52. | :19:58. | |
that Matt surprised you with that, didn't he? Totally. They did great. | :19:58. | :20:03. | |
They were good. I think they'll have to get the gig. Fantastic. | :20:03. | :20:08. | |
was a surprise for you but for Matt he had been practising for six | :20:08. | :20:11. | |
months. The Chain has become famously associated with Formula | :20:12. | :20:16. | |
One. Is it true that next week you're doing a Top Gear lap? I am. | :20:16. | :20:21. | |
Excited about that? I'm very excited about it. I've been | :20:21. | :20:26. | |
boasting to the lads that run the show that I'm fairly conversant | :20:26. | :20:30. | |
with driving fast, which was probably a really foolish thing to | :20:30. | :20:34. | |
say, because now, for sure, I'm going to look like an idiot. You'll | :20:34. | :20:39. | |
be giving it some steam. It's going to be fun. As well as The Chain, so | :20:39. | :20:43. | |
many incredible songs. Let's remind ourselves of a few of them. | :20:43. | :20:51. | |
# You can go your own way # Go your own way | :20:51. | :20:55. | |
# Don't stop thinking about tomorrow | :20:55. | :21:02. | |
# Don't stop, it'll soon be here # Players only love you when | :21:02. | :21:10. | |
they're playing # APPLAUSE | :21:10. | :21:15. | |
Classic tracks there, but the whole album was produced when there was | :21:15. | :21:19. | |
some strains going on amongst the band, relationships were very | :21:19. | :21:25. | |
difficult and very tense at that time. This is true. Unbelievable, | :21:25. | :21:30. | |
and now, because we're on the road April 4th, we start in America. | :21:30. | :21:33. | |
This package came out and it wasn't planned to go together, but it's | :21:33. | :21:38. | |
great that it has morphed it's way together. We're get reminded by | :21:38. | :21:43. | |
questions such as that that it was a personal journey that's not hard | :21:43. | :21:48. | |
now, but it's interesting looking back and getding into the whole | :21:48. | :21:52. | |
dialogue of what the hell was really going on. It was a disaster. | :21:52. | :21:56. | |
We were all desperately unhappy. But the one thing that never | :21:56. | :22:01. | |
happened, we never discussed breaking up, because what we were | :22:01. | :22:06. | |
doing, we were so involved in Fleetwood Mac and the music, that | :22:06. | :22:09. | |
the chemistry was that important to all of us, that we got through it. | :22:09. | :22:14. | |
That was really, looking back on it, an absolute miracle. It was pretty | :22:14. | :22:19. | |
grim. A lot of messages in the songs. All of them. If you had to | :22:19. | :22:22. | |
find new meaning for that, or when you start playing does it take you | :22:22. | :22:28. | |
back to those times? I'm spared that because I doesn't write the | :22:28. | :22:32. | |
songs. My relationship with my then-wife Jennie had broken up. | :22:32. | :22:36. | |
Five of us were in the same boat. I was just spared that I didn't have | :22:36. | :22:42. | |
to write songs and walk on stages and be personal. So we really came | :22:42. | :22:46. | |
up with a mutant formula, which is really what it was, when we look | :22:46. | :22:54. | |
back, to handle that. Because underneath it all, because all the | :22:54. | :23:00. | |
"rumours" of they don't really like each other. We adore each other | :23:00. | :23:05. | |
except often have not been able to be together. It's a very different | :23:05. | :23:09. | |
equation from some corporate hate affair. It's a love affair really. | :23:09. | :23:13. | |
Touring America. Are you touring Britain? We are, yeah. Absolutely. | :23:13. | :23:19. | |
Good news. Great. I think that's announced as we sit. We are coming | :23:20. | :23:23. | |
and working extensively all over Europe and for sure here. Will you | :23:23. | :23:26. | |
use separate cars and things like that? We share very nicely these | :23:26. | :23:34. | |
days. All right. It's 200 years today since Mr Darcey first set | :23:34. | :23:39. | |
hearts fluttering for readers of Pride And Prejudice. But there was | :23:39. | :23:44. | |
another book in Jane Austen's house that may have held the recipe for | :23:44. | :23:50. | |
her success.. Arthur Smith discovered. | :23:50. | :23:54. | |
Chawton in rural Hampshire was home to one of England's greatest | :23:54. | :23:58. | |
novelists, Jane Austin. I've come to look at one of her mostsprielzed | :23:58. | :24:04. | |
books, not a first edition of -- most prized books, not a first | :24:04. | :24:09. | |
edition of Pride And Prejudice but the Austin household recipe book. | :24:09. | :24:15. | |
This is the first book of recipes that supplied the Austin dining | :24:15. | :24:20. | |
table. It contains a few handy potions too. There's press pis here | :24:20. | :24:28. | |
for cold sous, widgeon, pickling, brewing and a remedy for if you've | :24:28. | :24:32. | |
been bitten by a mad dog. This is clearly a work -- the work of | :24:32. | :24:36. | |
someone who cared for the people she lived with. The compiler of the | :24:36. | :24:40. | |
book is Marge why Lloyd, photographed here, Jane regarded | :24:40. | :24:46. | |
her as a big sister. When Marjah came to stay with the family and | :24:46. | :24:52. | |
then when they moved into their permanent residence in 1809, Marjah | :24:52. | :24:56. | |
dn martha moved in with them. She was also an unmarried woman. They | :24:56. | :25:00. | |
were all clubbing together to help each other out. Unmarried women in | :25:00. | :25:05. | |
this period had a hard time if they weren't well off. A lot of people | :25:05. | :25:09. | |
think that Jane Austin was well off. But actually she came from a pretty | :25:09. | :25:14. | |
poor background. Two unmarried women living together | :25:15. | :25:22. | |
without much money in the 1800s, what can I expect for dinner? I've | :25:22. | :25:30. | |
come to the pump rooms in Bath. And tonight, head chef Mark is cooking | :25:30. | :25:35. | |
us a meal direct from the Austin family recipe book. We have a white | :25:35. | :25:39. | |
soup, which sounds very basic. It's chicken stock, almonds, hard boiled | :25:40. | :25:44. | |
egg yokes and some cream. That's it. Just all blended together. What's | :25:44. | :25:49. | |
the main course? It's rump steak, potatoes, salt and pepper and beef | :25:49. | :25:55. | |
stock, like a modern day hot pot. Pudding? A straightforward dessert. | :25:55. | :25:59. | |
It's boiled gooz briz and sugar and water. You have passed those | :25:59. | :26:03. | |
through a sieve and put them in a tart case and bake it off. What do | :26:03. | :26:08. | |
you think modern diners would make of this meal? I think they would be | :26:08. | :26:12. | |
a little bit disappointed with the lack of variety and the lack of | :26:12. | :26:17. | |
ingredients. I don't think it would go done too well in the resstraubts. | :26:17. | :26:20. | |
-- restaurant. Are you suggesting I'm not going to enjoy it? Take | :26:20. | :26:25. | |
yourself back to the time and I think you'll enjoy it. Jane would | :26:25. | :26:31. | |
normally eat her main meal at 4pm or 5pm with her mother, sister and | :26:31. | :26:34. | |
Martha. But it wasn't silver service. All the courses were | :26:34. | :26:39. | |
served at once. One course would have consisted of many different | :26:39. | :26:43. | |
dishes, placed around quite a large table, if you were having a dinner | :26:43. | :26:48. | |
party. They would be eating sweet dishes alongside the savoury. | :26:48. | :26:52. | |
shall follow convention and start with the starter. Here we r, the | :26:52. | :26:58. | |
white soup. Oh, it's quite a strong taste. It's quite meaty. Yes, a | :26:58. | :27:02. | |
meaty, woody quality. How do we know this is a dish that Jane would | :27:02. | :27:06. | |
have eaten. This is written down in the cookery book. White soup was a | :27:06. | :27:11. | |
popular dish at the time. It's actually mentioned in Pride And | :27:11. | :27:18. | |
Prejudice. Next it's Marjah's beef recipe. Could do with some brown | :27:18. | :27:25. | |
sauce maybe. A good age ektive is it's hearty fayer. Yes. Not exactly | :27:25. | :27:33. | |
sweet but sugar cost a great deal. They did have sugar but it was very | :27:33. | :27:38. | |
expensive. That was something that the rich had. Gooseberry tart, tart | :27:38. | :27:42. | |
and nice. Jane Austen died in 1817 aged just | :27:42. | :27:49. | |
41. She is one of the great writers of English literature and she | :27:49. | :27:53. | |
provided a vibrant portrait of the society she lived in. But we know | :27:53. | :27:57. | |
relatively little about her, though today, I have learned she did enjoy | :27:57. | :28:06. | |
a hearty male. -- meal. | :28:06. | :28:09. | |
An exhibition called The Story of Pride and Prejudice has opened at | :28:10. | :28:18. | |
Jane's home at Chawton in Hampshire. Earlier we asked you to recreate | :28:18. | :28:22. | |
the Rumours album cover. There's the rudge nal and the first is this. | :28:22. | :28:30. | |
Very good alley and many. Here's the second one. This is Chris and | :28:31. | :28:40. | |
gentlemen neen. That's a good -- Janine. And your | :28:40. | :28:46. | |
original balls are here. Here they are. I'm going to hold | :28:46. | :28:49. |