Browse content similar to 28/03/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Matt Baker. | :00:17. | :00:19. | |
Tonight, what happens when a star of Star Wars meets the new stars | :00:20. | :00:23. | |
Tonight's guest is a British actor who recently found fame as | :00:24. | :00:30. | |
the Rogue pilot in Star Wars Rogue One. | :00:31. | :00:33. | |
He also starred alongside Jake Gyllenhall in | :00:34. | :00:35. | |
Well to The One Show. Did you see the semifinal last night? Are you | :00:36. | :01:09. | |
aware of Monkman versus Seagull? Don't tell me, I have to watch it | :01:10. | :01:15. | |
back. You actually went to Christ Church College. They won in 2008, | :01:16. | :01:20. | |
were you tempted to get involved? They never invited me, I am still | :01:21. | :01:27. | |
hurting. Maybe they will take me on their team. Is it right you were | :01:28. | :01:37. | |
more into opening clubs in Oxford? Did you DJ? Yeah, basically, I | :01:38. | :01:43. | |
started off as a rapper. And I was doing that in London before I went | :01:44. | :01:46. | |
to university so when I got there, I thought I've got to find a way of | :01:47. | :01:53. | |
doing it. I spotted a gap in the market, and it helped me pay my way | :01:54. | :01:58. | |
through university. And you're still doing it today, are you not? Bits | :01:59. | :02:08. | |
and pieces? I am. I am releasing a new EP, and I'm playing the | :02:09. | :02:12. | |
festivals. And were going to be talking about your new film, City of | :02:13. | :02:16. | |
Tiny Lights, later on. Right now, we are talking about the new ?1 point | :02:17. | :02:18. | |
that came out today. Soon your old-fashioned | :02:19. | :02:21. | |
squid, nugget, goldie - whatever you like to call it - | :02:22. | :02:22. | |
will be replaced by this, Today is the day the new pound coin | :02:23. | :02:46. | |
is officially launched. I am in Manchester. With a little help from | :02:47. | :02:49. | |
my friends, were going to try to find out how easy they are to get | :02:50. | :02:54. | |
hold of. I'm in Glasgow and we will be trying to find out if the | :02:55. | :02:59. | |
infrastructure is ready for us to spend the new coins. I'm in London | :03:00. | :03:02. | |
where I'll be asking people what they think of them. 9am in Glasgow. | :03:03. | :03:12. | |
Coins are arriving at the bank of Scotland. Has there been any | :03:13. | :03:15. | |
interest? Massive queue at the front door this morning. Wow. I haven't | :03:16. | :03:22. | |
seen one yet, can I have a look? Of course, that's what like. It reminds | :03:23. | :03:30. | |
me of the old threepenny bit. These old ?1 coins, are they redundant and | :03:31. | :03:36. | |
worthless? Not at all. You can use it until the 15th of October. | :03:37. | :03:42. | |
Meanwhile, Angelica has managed to pick some up at the Trident Square | :03:43. | :03:48. | |
branch in London. In Manchester, it hasn't been so straightforward. | :03:49. | :03:52. | |
Having tried lots of banks already in Manchester, I've got my hands on | :03:53. | :03:57. | |
the brand-new pound coin. Brilliant. This is it. It has 12 sides made up | :03:58. | :04:02. | |
of two different colours and has a hologram at the bottom so when you | :04:03. | :04:07. | |
look at it in one direction, you see the ?. Move it in another direction, | :04:08. | :04:13. | |
you see the number one. This is aimed at stopping counterfeit coins. | :04:14. | :04:16. | |
It is lighter than the old pound coin and I like it. It seems it | :04:17. | :04:23. | |
isn't just us one show reporters making the trip to the bank trying | :04:24. | :04:28. | |
to get our hands on the pound coin. Thank you. Are coin collector? No. | :04:29. | :04:37. | |
There are others who don't even realise the new pound coin is out | :04:38. | :04:44. | |
today. No idea. Most people are unawares. Do you like it? Yes. Are | :04:45. | :04:55. | |
we ready for the new pound coin? First of all, parking meters. The | :04:56. | :04:59. | |
British parking association told us the majority of parking meters | :05:00. | :05:09. | |
should be ready. Let's give it a go. It's clear from our experience today | :05:10. | :05:14. | |
that there is still a way to go. No. They could be some frustrated | :05:15. | :05:24. | |
parkers in Manchester today. It doesn't want to take my money. | :05:25. | :05:30. | |
Despite the fact businesses of have had three is to prepare for the | :05:31. | :05:33. | |
changeover, not everyone is ready and the whole process isn't cheap, | :05:34. | :05:41. | |
either. In Glasgow, it's costing ?200,000 to convert 1,000 parking | :05:42. | :05:44. | |
machines to accept the new pound coins. What about supermarkets? The | :05:45. | :05:52. | |
moment of truth. Brilliant! Tesco say they are having to keep trolleys | :05:53. | :05:56. | |
and locked in a small number of stores while it converts them to the | :05:57. | :06:01. | |
new pound coin. Angelica has no problem at Sainsbury's. Although | :06:02. | :06:07. | |
most places seem ready to accept the pound coin, we haven't found many | :06:08. | :06:11. | |
people spending them yet. Angelica asked the chief executive of the | :06:12. | :06:16. | |
Royal Mint to worry. We are planning to release half a billion new pound | :06:17. | :06:36. | |
coins. Today is day one so that people should see the new pound coin | :06:37. | :06:38. | |
in the changeover in the next couple of weeks and months. We have had | :06:39. | :06:38. | |
mixed results today. Maybe you should just have one of these in | :06:39. | :06:40. | |
your back pocket just in case. I'm old enough to remember when the | :06:41. | :06:54. | |
old pound coin first came out back in 1983. You old person! Margaret | :06:55. | :07:00. | |
Thatcher was Prime Minister back then! There hasn't been a | :07:01. | :07:04. | |
significant upgrade since then. So we have a slightly bigger coin. It's | :07:05. | :07:10. | |
also thinner as well, just. And it is bimetallic. I've had a couple of | :07:11. | :07:19. | |
hours to have a look at it and I must say I am not bonding with it. | :07:20. | :07:27. | |
It looks like a wonky euro coin. See if you can bond with it, Riz. | :07:28. | :07:33. | |
Whether you want to bond or not, it has a 2016 date on it. This is 2017 | :07:34. | :07:38. | |
and it becomes legal tender today but they've been making these coins | :07:39. | :07:43. | |
last year so the collector 's item is the 2016 coin, if you get hold of | :07:44. | :07:48. | |
one. They are being flogged the ?200 on eBay! We heard on film that there | :07:49. | :07:56. | |
have been some issues with supermarket trolleys, parking | :07:57. | :07:58. | |
meters. Are there any other issues we need to look out for on the | :07:59. | :08:04. | |
horizon? As we have seen, people are having problems spending these | :08:05. | :08:08. | |
coins. They've been in circulation for ten hours but they're not | :08:09. | :08:12. | |
working in certain machines. The Royal Mint says they've been working | :08:13. | :08:16. | |
with all these manufacturers for the best part of the last 12 months to | :08:17. | :08:19. | |
make sure they are ready to go. 80% of them are there already according | :08:20. | :08:24. | |
to their figures. The important date is 15th of October when they say | :08:25. | :08:28. | |
100% of these vending machines will be able to accept the new ?1 coin. | :08:29. | :08:34. | |
That's when your round pound goes out of circulation. Don't worry if | :08:35. | :08:39. | |
you have forgotten to spend your round pound because after 15th of | :08:40. | :08:44. | |
October, you can trade it in like-for-like, pound for pound at | :08:45. | :08:49. | |
the bank. Children In Need wants everyone else's old coins. | :08:50. | :08:54. | |
With the new pound being launched today, there are millions | :08:55. | :08:58. | |
of coins in jam jars, piggy banks and down sofas right | :08:59. | :09:01. | |
across the UK and we've got 200 days to round them all up. | :09:02. | :09:05. | |
Children In Need are launching Pudsey's Round Pound Countdown. | :09:06. | :09:09. | |
We'll keep you posted on The One Show on how you can get | :09:10. | :09:12. | |
involved and use those forgotten pounds to help change the lives | :09:13. | :09:14. | |
of thousands of children across the UK. | :09:15. | :09:16. | |
Thank you. Thanks again. Let's talk about your new film, City of Tiny | :09:17. | :09:31. | |
Lights. You play a private detective, and it is set in modern | :09:32. | :09:35. | |
day London but you suddenly become embroiled in a dark world, street | :09:36. | :09:41. | |
crime, corrupt businesses, religious extremists. Tell us about it. We | :09:42. | :09:49. | |
will be familiar with the classic detective movies, like Chinatown, | :09:50. | :09:53. | |
Mona Lisa. It's kind of as classic as Star Wars is as classic superhero | :09:54. | :10:00. | |
movies. This is in the mould of one of those films. We will be familiar | :10:01. | :10:03. | |
with this kind of film but the twist is it is set in modern day London | :10:04. | :10:09. | |
and why shouldn't it be? London is as exciting as Los Angeles or New | :10:10. | :10:14. | |
York or Chicago, where the old films are set. These times are as | :10:15. | :10:24. | |
interesting, you could say, as many generations have lived through. It | :10:25. | :10:29. | |
is a classic detective kind of film noir set in modern day London. How | :10:30. | :10:32. | |
would you describe your character and why did you want to play him? | :10:33. | :10:37. | |
Well, my character isn't a high-flying detective. He is looking | :10:38. | :10:41. | |
for pupils lost pets and working out if husbands are cheating on wives, | :10:42. | :10:46. | |
this kind of thing. One day, a lady comes in and says my friend has gone | :10:47. | :10:50. | |
missing. When he starts digging that story, and tries to put together | :10:51. | :10:56. | |
that case, he delves into his own past. And it takes into some stuff | :10:57. | :11:00. | |
way beyond his pay grade. He finds himself in at the deep end. I the | :11:01. | :11:06. | |
character to have a whole heart even though he's a detective who | :11:07. | :11:11. | |
sarcastic, grumpy, chain-smoking, heavy drinking, he has a lot of | :11:12. | :11:15. | |
heart, soul and warmth. I connected to that. Here's the moment you're | :11:16. | :11:21. | |
reunited with your old flame played by Billie Piper. | :11:22. | :11:30. | |
You're going to need stitches. I'll be all right. Do you feel confused? | :11:31. | :11:38. | |
No more than usual. Look at us. We're old. Speak for yourself. What | :11:39. | :11:51. | |
happened to us? I don't know, you left. What was I supposed to do? | :11:52. | :11:54. | |
Stay. Ms Stevens? Thanks. APPLAUSE. | :11:55. | :12:15. | |
From that clip, there is a lot of history between the two characters. | :12:16. | :12:27. | |
There is, yeah. As I said alongside this kind of film noir element, it | :12:28. | :12:32. | |
is a film about friends and family, friendships that have drifted, | :12:33. | :12:35. | |
friendships that could've been, family fading away. There is a heavy | :12:36. | :12:40. | |
sense of mastalgia in the film, nostalgia for people and also for | :12:41. | :12:46. | |
the city you know? I think there is a kind of strong emotional core at | :12:47. | :12:51. | |
the heart of what is an exciting, modern day thriller. It is | :12:52. | :12:58. | |
multilayered. I hope so. And it's out one week on Friday. Let's talk | :12:59. | :13:01. | |
about Star Wars. We mentioned it at the start. This was a part, Bodhi, | :13:02. | :13:10. | |
the Imperial pilot, that you desperately wanted. I can be quite | :13:11. | :13:16. | |
obsessive. When you're on a film set, time is ticking, every minute | :13:17. | :13:20. | |
on a film set costs money, so you only get a certain number of takes | :13:21. | :13:24. | |
many have to move on otherwise you fall behind schedule. But when I can | :13:25. | :13:28. | |
do auditions at him, there's no one to stop me so Gareth Edwards called | :13:29. | :13:32. | |
me up and asked me to audition, he gave me his e-mail address, that was | :13:33. | :13:37. | |
a mistake. Over the next four days, I sent him a couple of takes. Didn't | :13:38. | :13:42. | |
get a response so I waited. I sent him a couple of more takes, why not? | :13:43. | :13:49. | |
I had some ideas over lunch, so I thought I'd send him a few more. Got | :13:50. | :13:56. | |
to dinner time, something else got in my mind. Over the next four days, | :13:57. | :14:01. | |
I sent him 14 takes. We have some of those audition tapes, actually, so | :14:02. | :14:07. | |
let's take a look. They shouldn't... If you had... Can you not just bluff | :14:08. | :14:14. | |
your way through? What did I tell you? What did I tell you? Wow! It | :14:15. | :14:28. | |
worked! You got the part. Yeah... I need to stop doing that, someone | :14:29. | :14:35. | |
save me from myself. We have some budding drama students in the | :14:36. | :14:40. | |
audience... Maybe help them out a little bit. They don't want any | :14:41. | :14:47. | |
lessons from the! I'm lucky he didn't take out a restraining order | :14:48. | :14:55. | |
on me. This is a masterclass on how to deal with auditions. We've got | :14:56. | :15:01. | |
some props. We've got some goggles, flowers, put them on to above your | :15:02. | :15:06. | |
head to get into character, we've got some motivation. Here is how the | :15:07. | :15:10. | |
scene starts. You are the hero and everyone around you is celebrating | :15:11. | :15:15. | |
your safe return, OK? Here we go, action. Thank you, thank you very | :15:16. | :15:24. | |
much! Thank you, people! I wish I could see you and I could thank you | :15:25. | :15:30. | |
properly. You get the phone call from a galaxy far, far away and | :15:31. | :15:36. | |
you're dreading it. Is that Darth Vader? Sorry, can't hear you, you | :15:37. | :15:43. | |
are a bit breathy. You turn to the dark side. As much as I hate | :15:44. | :15:48. | |
fighting for the dark side, they have some cool weapons. | :15:49. | :15:54. | |
APPLAUSE. Put it onto DVD, we are sending that to Hollywood. | :15:55. | :16:04. | |
Now, with Article 50 triggered tomorrow we could all soon | :16:05. | :16:07. | |
You know the rules - no smiling, neutral expressions only. | :16:08. | :16:13. | |
As Emma recently found out, the only rule used to be "anything goes!" | :16:14. | :16:24. | |
The British passport is one of the most powerful document in the world. | :16:25. | :16:30. | |
If you have got one you have the liberty to travel to 173 countries | :16:31. | :16:35. | |
without applying for a visa beforehand. But with Brexit on the | :16:36. | :16:40. | |
horizon our passports and ability to travel freely around the world could | :16:41. | :16:43. | |
change was up and not for the first time. | :16:44. | :16:50. | |
This is the oldest piece of evidence that we have of passports being used | :16:51. | :16:54. | |
in the British Isles. It is an act of Parliament from 1414 from the | :16:55. | :17:00. | |
reign of King Henry V of England. He calls them safe conduct letters and | :17:01. | :17:04. | |
they could only be issued by the king. The main function was to | :17:05. | :17:09. | |
prevent subjects from being slain, robbed or spoiled while travelling. | :17:10. | :17:14. | |
For centuries letters like these could be issued to anyone, British | :17:15. | :17:20. | |
or not. And that resulted in a notorious abuse of the system. | :17:21. | :17:29. | |
In 1858 Italian revolutionary porcini used to British passport to | :17:30. | :17:35. | |
enter France and throw a bomb under the coach of Emperor Napoleon III. | :17:36. | :17:39. | |
The French tighten their border security and British passports from | :17:40. | :17:43. | |
then on were only issued to the British. But as the railways opened | :17:44. | :17:48. | |
up foreign travel, Continental security relaxed again. By about | :17:49. | :17:53. | |
1862 years ago to Italy, to France, Belgium, Denmark, Sweden, without a | :17:54. | :17:57. | |
passport. That is a huge turnaround. What changed customer they were | :17:58. | :18:03. | |
looking at ways to do away with passports altogether. To get away | :18:04. | :18:06. | |
from their idea of regulated travel through Europe. But with the | :18:07. | :18:10. | |
outbreak of World War I came paranoia about spies. From 1915 any | :18:11. | :18:15. | |
British person entering or leaving the country had to have a passport | :18:16. | :18:18. | |
bearing their photographs and description. But unlike today you | :18:19. | :18:29. | |
could dress and pose how you wanted. Young man there, 19 years old, | :18:30. | :18:35. | |
emigrating to Canada. To find a new life. That is a big decision for a | :18:36. | :18:41. | |
19-year-old. It is huge, Ukip get a greater sense of his character, or | :18:42. | :18:45. | |
even what he is experiencing than from a modern photograph. I think | :18:46. | :18:50. | |
you do. A blue cover-up was added in 1920 and replaced by a burgundy | :18:51. | :18:55. | |
European Community won in 1998. Someone who has seen many of these | :18:56. | :18:59. | |
changes and more passports than most, is BBC world affairs editor | :19:00. | :19:06. | |
John Simpson. I remember once, the night of the channel and square | :19:07. | :19:10. | |
massacre in China. We were filming what was going on and the secret | :19:11. | :19:18. | |
police arrived. To prevent us. And my translator, my Chinese translator | :19:19. | :19:22. | |
made the mistake of opening the door of the room in the hotel where we | :19:23. | :19:27. | |
were staying and they grabbed him immediately and pulled out and I | :19:28. | :19:31. | |
pulled out my passport and waved it at them and said, British passport. | :19:32. | :19:36. | |
And they let him go. And they went away and did not stop us. So all | :19:37. | :19:43. | |
those famous pictures we got off the man with a shopping bag standing in | :19:44. | :19:47. | |
front of the tanks, or because of a British passport. And have you had | :19:48. | :19:52. | |
any incident we have lost a passport? I've only lost a passport | :19:53. | :19:57. | |
once, I think. It was under fairly rough conditions. It was in Angola, | :19:58. | :20:04. | |
so long time ago, during the war in the 1970s. How did you feel? I felt | :20:05. | :20:08. | |
bad because at that stage I thought no passport, no lie. I've learned | :20:09. | :20:14. | |
long since that is not the case and you still exist as a human being, | :20:15. | :20:18. | |
you know, regardless of whether you have one of these are not. With our | :20:19. | :20:22. | |
relationship with the EU poised to change the future power of the | :20:23. | :20:27. | |
passport is hard to predict. I have an 11-year-old son and I would love | :20:28. | :20:33. | |
it if he could just go anywhere he likes and not have people trying to | :20:34. | :20:40. | |
restrict. And I hope one day, wondering, that is what we will do. | :20:41. | :20:46. | |
It is interesting how things have changed. Your experience of waving | :20:47. | :20:52. | |
your British passport had not been quite so positive. I'm really lucky | :20:53. | :20:59. | |
to be a British citizen, I think we all are and should appreciate that. | :21:00. | :21:03. | |
It certainly helps in many ways helping us travel. But my experience | :21:04. | :21:09. | |
has been a bit strange. We are living in scary times and sometimes | :21:10. | :21:14. | |
we overreact, you know, living in this age of terror and we alienate | :21:15. | :21:18. | |
or suspect entire communities or people who look a certain way. So | :21:19. | :21:22. | |
every time I get on a plane to go abroad and especially America, I get | :21:23. | :21:26. | |
pulled aside for a second search before boarding. Which is kind of | :21:27. | :21:31. | |
weird. How does it make you feel? It feels kind of like you are being | :21:32. | :21:39. | |
singled out and it is racial profiling ultimately which is not | :21:40. | :21:42. | |
that helpful ultimately. It is not intelligence led, they are just | :21:43. | :21:48. | |
going all you lot, you are people to be suspected. It builds especially | :21:49. | :21:53. | |
weird when the present swap anew for explosives also asking for a selfie. | :21:54. | :22:02. | |
And recently you have been lecturing in Parliament about how ethnic | :22:03. | :22:06. | |
minorities are represented in film and television as well. And you have | :22:07. | :22:11. | |
said there are three stages that you will find yourself in through your | :22:12. | :22:14. | |
career. It is just something I observed watching the journey of | :22:15. | :22:23. | |
women on film and television, or black people or Asian people. The | :22:24. | :22:28. | |
portrayal of people from the gay community. Often you start with | :22:29. | :22:35. | |
stereotypes, quite obvious character jurors pottering quite lazy | :22:36. | :22:38. | |
stereotypes about those characters. -- caricaturist full-back then | :22:39. | :22:42. | |
hopefully move beyond that and the story is about the sexuality of a | :22:43. | :22:46. | |
character, there is the city or race. But may challenging some of | :22:47. | :22:52. | |
those stereotypes so not completely free from the way you look all your | :22:53. | :22:57. | |
identity but challenging some of the stereotypes. And the third stage is | :22:58. | :23:01. | |
when you break free of that completely and you're just a person, | :23:02. | :23:10. | |
just a character like the character from City of Tiny Lights. And we | :23:11. | :23:13. | |
start to see each other as human beings instead of types. We live in | :23:14. | :23:16. | |
divided times and it is important to relate to each other as human beings | :23:17. | :23:18. | |
as best as we can. Riz's new film City of Tiny Lights | :23:19. | :23:20. | |
is way too urban for our bug He's much happier in a Countryside | :23:21. | :23:24. | |
of Tiny Lights, illuminated In the summer evenings are | :23:25. | :23:36. | |
illuminated by some very unusual insects. | :23:37. | :23:43. | |
Glow-worms, not actually worms but Beatles, only the females glow, | :23:44. | :23:48. | |
producing light to attract a mate. But the attraction to light is | :23:49. | :23:51. | |
putting these extraordinary creatures under threat. In a case of | :23:52. | :23:56. | |
mistaken identity glow-worm males are often attracted to some | :23:57. | :23:59. | |
streetlights. The artificial brilliance outshining the tiny glow | :24:00. | :24:04. | |
of the females and meaning that the males in the females just never get | :24:05. | :24:08. | |
to meet. # Light up, light up. Light | :24:09. | :24:14. | |
pollution is a big issue for the UK glow-worms. In many places over 80% | :24:15. | :24:18. | |
of streetlights are left on all night. I've come down to Somerset | :24:19. | :24:25. | |
where they are tackling this problem by turning out their streetlights | :24:26. | :24:28. | |
wherever they can. The good news for the glow-worms and glow-worm | :24:29. | :24:33. | |
spotters. I'm teaming up with camerawoman and glow-worm addict. | :24:34. | :24:42. | |
Hello. Hello. How did you get into glow-worms? Growing up in India when | :24:43. | :24:51. | |
I was a child I used to see so many of these magical creatures. When I | :24:52. | :24:55. | |
moved to the UK I wanted to know if there was an equivalent and then I | :24:56. | :24:59. | |
discovered the glow-worms. We're in a pretty good spot, how many do you | :25:00. | :25:04. | |
think that we will see. I think at least tonight. 40! Definitely. I do | :25:05. | :25:11. | |
not think I've ever seen 40 in one place. And we already have the ball | :25:12. | :25:18. | |
rolling. There is one just here. That is just incredible. Look at | :25:19. | :25:24. | |
that. Little glowing segments, really quite bright. Surprisingly | :25:25. | :25:29. | |
bright. That has to be one of the most magical things you can see in a | :25:30. | :25:33. | |
hedgerow in England. That is our first glow-worm and I think I should | :25:34. | :25:37. | |
put back exactly where we found her and see if we can find any more. | :25:38. | :25:44. | |
Our timing, about half an hour after sunset is perfect to catch the | :25:45. | :25:48. | |
females going. But what I would love to find is one of the rarely seen | :25:49. | :25:55. | |
males. I saw a light over here that has got dimmer and now it is not | :25:56. | :26:03. | |
shining at all but I did see one. Oh look, yes. They're mating. I have | :26:04. | :26:06. | |
never seen that before. It is amazing. The mail is half the size. | :26:07. | :26:14. | |
Yes, they are tiny. So she has crawled out onto the grass just buy | :26:15. | :26:21. | |
the edge of the path, she has been successful and mail has come in and | :26:22. | :26:25. | |
she will mate they do not make for very long. I do not think so, he | :26:26. | :26:30. | |
will be off soon and she will go back down into her help and prepared | :26:31. | :26:34. | |
to lay her eggs. Each of the females collate up to 150 eggs, they will | :26:35. | :26:39. | |
hatch and emerged as blase next spring. She puts all her energy into | :26:40. | :26:44. | |
the eggs and knocked into flying around so she can produce a lot of | :26:45. | :26:48. | |
eggs but she then has to attract the mail to her. If you look at the | :26:49. | :26:55. | |
males, when you see their eyes, they have very big eyelids like a | :26:56. | :27:00. | |
baseball cap. And apparently that is to protect them from the moonlight | :27:01. | :27:03. | |
so they do not get distracted and only look at the females. All | :27:04. | :27:10. | |
beautifully planned. Well it is not every night that you come out and | :27:11. | :27:14. | |
see something you had never seen before. And that is a very special | :27:15. | :27:20. | |
thing indeed. With the majority of the population unable to truly | :27:21. | :27:24. | |
experience the night sky because of light pollution, perhaps these tiny | :27:25. | :27:28. | |
glow-worms have shown us that sometimes it can be good to be left | :27:29. | :27:39. | |
in the dark. Thank you, George. Spoiler alert if | :27:40. | :27:44. | |
you did not see University Challenge last night, we are about to talk | :27:45. | :27:48. | |
about it. Time for a quiz but first your opponents, the team captains | :27:49. | :27:53. | |
from the epic University Challenge semifinal last night. Eric Monkman | :27:54. | :28:00. | |
and Bobby Seagull. My name is Bobby Seagull. My name is Eric Monkman. | :28:01. | :28:05. | |
You all know the rules, fingers on Seagull. My name is Eric Monkman. | :28:06. | :28:08. | |
the buses, your first starter for ten. The Gunpowder Plot. Correct. | :28:09. | :28:16. | |
1936. Correct. Demilitarised zone. Correct. No, it was Kimberly. | :28:17. | :28:34. | |
Correct. You guys are very, very clever. | :28:35. | :28:43. | |
Welcome to the show. Safe to say that you are friends. We have a | :28:44. | :28:49. | |
picture of you hugging it out, everything is fine. And as friends | :28:50. | :28:52. | |
you're going to be joining forces to play against us, Cambridge against | :28:53. | :28:59. | |
Oxford. We gave you 24 hours to swot up on all things related to Riz | :29:00. | :29:04. | |
Ahmed. Time to test your knowledge now and see if you know more about | :29:05. | :29:08. | |
his life than he dials. Fingers on the buses, let's play. | :29:09. | :29:10. | |
Which "Episode" in the Star Wars saga is Return of the Jedi? | :29:11. | :29:18. | |
Riz was the star of series The Night Of, | :29:19. | :29:36. | |
Steven won an Oscar for writing which film? | :29:37. | :29:43. | |
That was cheating! Schindler's List. Yes, well done. | :29:44. | :29:49. | |
Riz spent a month shooting Nightcrawler | :29:50. | :29:51. | |
The beautiful Maggie. Very good. We are out of time. You just smashed | :29:52. | :30:10. | |
it. Well done. These guys are amazing. That is all we have time | :30:11. | :30:21. | |
for today. Good luck with your new film. | :30:22. | :30:22. | |
City of Tiny Lights is out on Friday 7th April. | :30:23. | :30:24. | |
We're not here tomorrow, but I'll be back on Thursday | :30:25. | :30:26. | |
with Angela and we'll be joined by John Legend, Sir Steven Redgrave, | :30:27. | :30:29. | |
James Cracknell, Sophie Rayworth and comedian Mark Watson. | :30:30. | :30:32. |