Browse content similar to 28/05/2014. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Matt Baker. | :00:17. | :00:18. | |
Tonight we've discovered more rare film archive, this time of | :00:19. | :00:24. | |
Martin Luther King speaking to students in Newcastle in 1967. | :00:25. | :00:38. | |
And sitting down next to us are two actors who are both great friends. | :00:39. | :00:55. | |
It's Simon Callow and Christopher Biggins! | :00:56. | :01:00. | |
APPLAUSE What a night it's going to be! | :01:01. | :01:11. | |
What a night Good to see you. How are you? Very | :01:12. | :01:14. | |
good. Settle down, settle down. Good to see you. How are you? Very | :01:15. | :01:22. | |
exciting! We have got two old friends on | :01:23. | :01:24. | |
exciting! We have got two old seems? Yes, we are good friends. | :01:25. | :01:29. | |
Yes, if this picture seems? Yes, we are good friends. | :01:30. | :01:35. | |
go by. I'm on the right, no, the left. It was terrifying. That was at | :01:36. | :01:45. | |
Richmond. A beautiful theatre and we did Aladdin. It was great. We had a | :01:46. | :01:52. | |
scene in which... A very fetching outfit of air, Christopher. During | :01:53. | :01:58. | |
the show, we were outrageous. Did you see my legs, by | :01:59. | :02:03. | |
the show, we were outrageous. Did shapely. This must be a strange | :02:04. | :02:07. | |
experience for you watching this because normally you are lying down | :02:08. | :02:12. | |
watching this. I am. I love this show and every night, I'd lie on my | :02:13. | :02:17. | |
bed and the news comes on at 6pm and I go straight into the one show | :02:18. | :02:21. | |
bed and the news comes on at 6pm and after that, I go out. It's | :02:22. | :02:23. | |
marvellous. A lovely restful Herriot, so it's a joyful evening. | :02:24. | :02:27. | |
Do you close your eyes? Herriot, so it's a joyful evening. | :02:28. | :02:32. | |
Occasionally. If you want to lie down, you can | :02:33. | :02:33. | |
Occasionally. If you want to lie you with us. | :02:34. | :02:37. | |
A third of people in the UK admit to being racially prejudiced according | :02:38. | :02:40. | |
The Social Attitudes Survey found that the proportion had increased | :02:41. | :02:44. | |
in recent years returning to levels of 30 years ago. | :02:45. | :02:47. | |
Things were much worse in the 1960s though and it was | :02:48. | :02:50. | |
against that backdrop that the most famous anti-racist campaigner of all | :02:51. | :02:53. | |
In November 19 city seven, Doctor Martin Luther King travelled to | :02:54. | :03:06. | |
Newcastle to receive an honorary degree. I need not pause to say how | :03:07. | :03:11. | |
very delighted I am to be here today. Exhausted after 12 years | :03:12. | :03:16. | |
campaigning for equal rights for black Americans, he delivered a | :03:17. | :03:20. | |
speech that left his audience spellbound. This is the first time | :03:21. | :03:24. | |
it's been shown on national television. You give me renewed | :03:25. | :03:30. | |
courage and figure. Why would this giant of the American Society go to | :03:31. | :03:34. | |
such great lengths to receive an honorary degree from the north-east | :03:35. | :03:38. | |
of England? And what effect did his speech have on his audience? The | :03:39. | :03:41. | |
answers lie here at Newcastle University. We need to express our | :03:42. | :03:48. | |
deep and genuine appreciation to the University of Newcastle. This is | :03:49. | :03:53. | |
where the degree ceremony took place. It's very quite humbling to | :03:54. | :03:58. | |
know I'm standing exactly where Martin Luther King once was. It may | :03:59. | :04:02. | |
be true that the law can not change the heart, but it can restrain the | :04:03. | :04:10. | |
heartless. Professor Brian Ward has been searching the Civil Rights | :04:11. | :04:13. | |
movement for more than 20 years that researching. How did this honorary | :04:14. | :04:19. | |
degree come about? Newcastle look to him as someone whose work on racial | :04:20. | :04:24. | |
justice and equality is of great value, inspirational, and so I think | :04:25. | :04:28. | |
there's a genuine desire to actually bring him over here to recognise the | :04:29. | :04:31. | |
work he had done as a social activist. You are honouring me | :04:32. | :04:39. | |
today. In this meaningful way, it is of inestimable value. He was | :04:40. | :04:44. | |
exhausted, struggling to work out what the next move should be, | :04:45. | :04:48. | |
strategically, and to be fated by a city which says you're doing great | :04:49. | :04:53. | |
work, go back and carry on, was of disproportion value for him at the | :04:54. | :04:57. | |
time. The university events for him to have tea with a group of | :04:58. | :05:03. | |
students. You didn't take eyes off him from moment. He was a | :05:04. | :05:06. | |
fascinating man. I do remember him asking me what wielded and I did | :05:07. | :05:11. | |
dentistry, and he was very understanding and sympathetic and | :05:12. | :05:14. | |
didn't make any comments. He was lovely for thugs he said, that's a | :05:15. | :05:19. | |
useful profession, and then he gave you eye contact and listen to what | :05:20. | :05:24. | |
you said. It may be true that morality cannot be legislated but | :05:25. | :05:28. | |
behaviour can be regulated. I took away the fact that I thought there | :05:29. | :05:31. | |
was hope for the police said you don't have to like me, but the law | :05:32. | :05:34. | |
means you can't do anything against me. And there can be no separate | :05:35. | :05:42. | |
white path to power and fulfilment short of social disaster. That | :05:43. | :05:48. | |
speech didn't just referred to the USA but was also a warning to the | :05:49. | :05:49. | |
people of Britain that ghettos could USA but was also a warning to the | :05:50. | :05:53. | |
spring up here through economic and social dissemination. So that is a | :05:54. | :06:00. | |
challenge and a great one. Newcastle MPs was a child when he visited. | :06:01. | :06:04. | |
He's been the guiding spirit for most of her life. It's amazing to | :06:05. | :06:08. | |
think Martin Luther King came thousands of miles here to make that | :06:09. | :06:12. | |
speech, which still has such great resonance for us today. In the 60s, | :06:13. | :06:17. | |
you know, I had name-calling, windows were broken, dog muck was | :06:18. | :06:23. | |
smeared on them. There was racism. But values were what Newcastle tried | :06:24. | :06:33. | |
to honour Martin Luther King with. It must be defeated. We are not | :06:34. | :06:35. | |
there yet but I think we are It must be defeated. We are not | :06:36. | :06:39. | |
there yet but I think we a lot closer today. I can assure you that | :06:40. | :06:45. | |
this day will remain dear to me as long as the chords of memory shall | :06:46. | :06:52. | |
lengthen. Less than five months after visiting Newcastle, Doctor | :06:53. | :06:55. | |
Martin Luther King was shot by a sniper in Memphis. His assassination | :06:56. | :07:03. | |
sent shock waves around the world. Here in Britain, with a year if his | :07:04. | :07:06. | |
death, Parliament passed a new race relations act. Speed up the day | :07:07. | :07:11. | |
when, all over the world, justice will roll down like water and | :07:12. | :07:19. | |
righteousness, like a mighty stream. Thank you. | :07:20. | :07:19. | |
APPLAUSE And for more of that story you | :07:20. | :07:27. | |
can watch A King's Speech: Martin Luther King in Newcastle | :07:28. | :07:30. | |
on BBC One in the North East In the last 11 years of his life he | :07:31. | :07:42. | |
travelled over 6 million miles and did 2500 speeches. | :07:43. | :07:45. | |
Oona King, one of Britain's first black MPs, | :07:46. | :07:47. | |
A significant piece of footage. You're no relation to Martin Luther | :07:48. | :08:01. | |
King. It's extraordinary. You said how many speeches he gave. What you | :08:02. | :08:05. | |
have to remember, those words changed the course of history. And | :08:06. | :08:08. | |
they didn't just change it for black people but for white people as well. | :08:09. | :08:14. | |
And he spoke to all decent people. That was the point full survey | :08:15. | :08:17. | |
brought people together for thugs just before he was shot, he said the | :08:18. | :08:24. | |
perennial ally of racism is economic exploitation. And I think you see | :08:25. | :08:28. | |
that today. That's why UKIP appeals for the people of the economic elite | :08:29. | :08:32. | |
insecure and that's when you are more likely to be prejudiced. We | :08:33. | :08:36. | |
heard on the way into that film, because of this recent survey, one | :08:37. | :08:39. | |
third of the UK admitted to being racially prejudiced. What do you | :08:40. | :08:45. | |
think that's about society today? Obviously, it's very, very worrying | :08:46. | :08:51. | |
but actually, call me an optimist, I think it's a good thing that people | :08:52. | :08:56. | |
are honest about the way they feel. There's so much... Everyone has | :08:57. | :09:00. | |
prejudiced. There's so much unconscious bias, people are too | :09:01. | :09:04. | |
scared to talk about it was one of the attractions of someone like | :09:05. | :09:08. | |
Nigel Farage, because he will say things that mainstream party leaders | :09:09. | :09:11. | |
will not say and that's one of the challenges for mainstream parties. | :09:12. | :09:15. | |
He said he doesn't want racism in his party. He says that but, | :09:16. | :09:22. | |
personally, I think his answers on every main issue are wrong. But I | :09:23. | :09:27. | |
think he is right to express people's concern over things which | :09:28. | :09:32. | |
have changed for the I live in East End of London and their people like | :09:33. | :09:36. | |
me and immigrants, people who look like me, are there and the white | :09:37. | :09:42. | |
population, basically they have moved out. Those are white people | :09:43. | :09:47. | |
like my grandmother and grandfather. They are not racist. It's hard for | :09:48. | :09:52. | |
them to deal with that change. You can't just sweep it under the | :09:53. | :09:55. | |
carpet, which is why you need some practical policies to deal with it, | :09:56. | :10:01. | |
which is what Labour has been looking at. I don't want the party | :10:02. | :10:04. | |
but will broadcast but you have to manage diversity. The day after the | :10:05. | :10:09. | |
election results were announced, we went back to the north-east, which | :10:10. | :10:13. | |
now has its first UKIP MEP to find out what the attraction of the party | :10:14. | :10:20. | |
was. We did actually vote UKIP. I don't know... I might get lynched | :10:21. | :10:24. | |
here. I can understand why people would vote for UKIP and I think, | :10:25. | :10:30. | |
they come over as people take our jobs and things like that. People of | :10:31. | :10:34. | |
God, we are seeing more people not British. People in the region, this | :10:35. | :10:41. | |
area, which is why people voted for that. People are frustrated with the | :10:42. | :10:46. | |
other party so I think they might be looking towards UKIP as an | :10:47. | :10:50. | |
alternative suggestion. I voted last time and I will vote next year and, | :10:51. | :10:54. | |
by God, they will get in, I hope they do. We need a change in | :10:55. | :11:00. | |
Britain. We should mention that was Sunderland, new. Newcastle. -- not | :11:01. | :11:07. | |
Newcastle. I think they need to do things we have done in our party, | :11:08. | :11:11. | |
which is to deal with the facts people have their wages and a cat. | :11:12. | :11:17. | |
When you have got economic migrants illegally here, being exploited, | :11:18. | :11:20. | |
that is the first thing which goes. Then other people here, British | :11:21. | :11:23. | |
people can have their wages undercut. You have to look at how | :11:24. | :11:28. | |
public services are delivered. There are specific proposals on health, | :11:29. | :11:34. | |
education, public services. You have got to proactively manage diversity | :11:35. | :11:37. | |
instead of not talking about it because some areas of the country it | :11:38. | :11:41. | |
affect it a lot and some, it doesn't force in London, where most people | :11:42. | :11:44. | |
from different backgrounds living together, you have the least amount | :11:45. | :11:49. | |
of prejudice. And often, the highest amount of prejudice in areas where | :11:50. | :11:54. | |
there are no so-called immigrants. Thanks. We will have to leave it | :11:55. | :11:59. | |
there. I live in Hackney, so I know this is true. We have a great | :12:00. | :12:02. | |
community therefore the bits marvellous for them so many | :12:03. | :12:05. | |
different races, it's fantastic. That's what makes it interesting, | :12:06. | :12:10. | |
doesn't it? It makes it interesting to live there, wonderful. There are | :12:11. | :12:14. | |
parts of the UK where you can go all week and not see a face of another | :12:15. | :12:20. | |
colour. Very true. That's where ignorant and confusion sets in. | :12:21. | :12:23. | |
We're going to move on to the education system now. | :12:24. | :12:26. | |
Since the Education Secretary introduced fines for taking children | :12:27. | :12:31. | |
Being a mother to four children, the government to court. | :12:32. | :12:45. | |
Being a mother to four children, education is high on my list of | :12:46. | :12:49. | |
priorities. However, being together as a family is probably even higher. | :12:50. | :12:53. | |
The trouble is, you go away during the school holidays and it's very | :12:54. | :12:59. | |
expensive. Last September, changing the law meant headteachers | :13:00. | :13:01. | |
expensive. Last September, changing right to grant up to ten days | :13:02. | :13:03. | |
holiday per year to their pupils. right to grant up to ten days | :13:04. | :13:09. | |
children out of school. I know it disturbs their education but I do | :13:10. | :13:12. | |
think the system is not fair. I do get annoyed, one day never misses | :13:13. | :13:18. | |
school and the first time ever, in two years, I ask, they said no so | :13:19. | :13:25. | |
was very disappointed. Parents now face a fine of ?60 per pupil if they | :13:26. | :13:29. | |
take their children on holiday during term time. If they don't pay, | :13:30. | :13:35. | |
they could face a ?2500 fine and three months in prison. But will | :13:36. | :13:37. | |
this stop them? Last year, we three months in prison. But will | :13:38. | :13:45. | |
on holiday and we knew we were going to be fined. A massive learning | :13:46. | :13:52. | |
experience for them. I would pay the ?60 fine. The year before last, it | :13:53. | :13:57. | |
was ?8,000 for a week for six of us. The cost of a car to go in peak | :13:58. | :14:05. | |
paying extra money for holidays for them to me, their education is more | :14:06. | :14:08. | |
important. I feel, even if I take one day off, it's a massive impact | :14:09. | :14:16. | |
because of what I would miss. Karen is campaigning for a U-turn in this | :14:17. | :14:21. | |
lawful is she wants to see a return to the ten days previously allowed. | :14:22. | :14:28. | |
As parents, you know that education is about emotional intelligence, | :14:29. | :14:32. | |
about how they see the world, about experiencing different cultures and | :14:33. | :14:36. | |
not just an academic attainment. It's not just what access to cheap | :14:37. | :14:40. | |
holidays for the Karen think the rules now penalised parents for | :14:41. | :14:43. | |
taking the children out of school in special circumstances. We have had | :14:44. | :14:48. | |
reports of people who've been fined for taking their children out of | :14:49. | :14:51. | |
school when people have been dying, family weddings. Parents are very | :14:52. | :15:04. | |
angry. Tony Draper is President of the National Association Of Head | :15:05. | :15:10. | |
Teachers. The law changes, children should be in school, learning every | :15:11. | :15:14. | |
day, and if parents withdraw them from school they are denying them | :15:15. | :15:17. | |
the right to education. That lost time can never be made. How far are | :15:18. | :15:25. | |
you prepared to take this? We have tried talking to the Department for | :15:26. | :15:28. | |
Education and tend to get the same response. We intend to take this | :15:29. | :15:31. | |
through to judicial review under human rights legislation. It looks | :15:32. | :15:35. | |
as though this change is actually unlawful. | :15:36. | :15:39. | |
The Department for Education told us that holidays should not be taken at | :15:40. | :15:43. | |
the expense of a child's education and the most recent figures show | :15:44. | :15:48. | |
that 130,000 fewer pupils are regularly missing school. | :15:49. | :15:54. | |
Simon, where do you stand? You think young children should be introduced | :15:55. | :15:58. | |
to Shakespeare and all sorts at a young age? Absolutely. We all know | :15:59. | :16:02. | |
what it is to be a child, to be learning something, slowly picking | :16:03. | :16:07. | |
it up, to have pressure from your peer group to keep pace in class. If | :16:08. | :16:12. | |
you are taken out for three weeks, you have lost that time, completely. | :16:13. | :16:16. | |
How do you make it up? What is revision for that? You could learn | :16:17. | :16:20. | |
from the holiday, if they went somewhere... You know. Also, you | :16:21. | :16:24. | |
could make your child do extra work on holiday. Does that happen? I | :16:25. | :16:31. | |
don't know, it could happen. There is a lot of pressure on people, | :16:32. | :16:34. | |
nowadays, the main holidays are so expensive. It is win-lose for | :16:35. | :16:41. | |
parents. It may depend on their age and what crucial stage they are in | :16:42. | :16:46. | |
their education. It's not clear cut, in my mind. Let's move on to | :16:47. | :16:51. | |
Porridge. You are celebrating 40 years. The show still attracts | :16:52. | :16:58. | |
really high praise from people like Sir David Attenborough, David | :16:59. | :17:01. | |
Walliams, Eric idle. Why do you think the show is remembered so | :17:02. | :17:06. | |
fondly? First, you have to say that the writers were very, very | :17:07. | :17:09. | |
important writers. Writers of such quality. Then you have to say, | :17:10. | :17:16. | |
Ronnie Barker. I always say he was a comedy actor, he wasn't a comedian. | :17:17. | :17:20. | |
I know you will appreciate this, because comedians are so selfish, | :17:21. | :17:23. | |
they take everything and you never see the whole picture. Ronnie saw | :17:24. | :17:28. | |
the whole thing. If he felt one of his lines was better served by | :17:29. | :17:32. | |
someone else, he would give it to them. His generosity of spirit, and | :17:33. | :17:35. | |
it is something I learned when I worked with him, it was fantastic. | :17:36. | :17:41. | |
None of us knew, 40 years ago, 1974, we would still be here talking about | :17:42. | :17:46. | |
it. Thankfully, Gold had this wonderful documentary, on tonight, | :17:47. | :17:51. | |
after our show. Shall we look at some classic moments? Prisoners one, | :17:52. | :18:03. | |
system zero. He might be a rock star, on a drugs bust. No, he was | :18:04. | :18:10. | |
short, bold and flat-footed. Could have been Elton John! I want you to | :18:11. | :18:16. | |
fill one of those for me. From here!? Sometimes I wish I was in | :18:17. | :18:22. | |
here with you lot. Care for a glass of toilet? Did you have any trouble | :18:23. | :18:35. | |
when he got out? No, I always go straight. Straight back into crime. | :18:36. | :18:44. | |
Fantastic. Simon, you were laughing and enjoying that. But actually you | :18:45. | :18:48. | |
have never seen a full episode? I've never seen Porridge. Is the | :18:49. | :18:54. | |
friendship over? There's a good reason, you didn't have a television | :18:55. | :18:59. | |
for long enough? That's true. I worked with Richard Beckinsale, just | :19:00. | :19:05. | |
fabulous. It's absolutely true, about his acting. He really was an | :19:06. | :19:09. | |
actor. He played Churchill's Butler, didn't he? Fabulous actor. I believe | :19:10. | :19:18. | |
the best actors are comics. They have an owner in sense of how you | :19:19. | :19:21. | |
time lines, how you get the information across. They really know | :19:22. | :19:26. | |
it is all rooted in character. But he was something else. It was very | :19:27. | :19:32. | |
sad to see Richard Beckinsale, who undoubtedly would be a huge | :19:33. | :19:36. | |
international star today. His talent was extraordinary. He died of a | :19:37. | :19:41. | |
heart attack? He had an enlarged heart and keeled over and died, such | :19:42. | :19:46. | |
a shock to everybody. One of the most moving part of it was talking | :19:47. | :19:50. | |
to Kate, his daughter. Let's have a look. | :19:51. | :19:59. | |
Good evening, sir. What will it be? The usual. Care for a drink first? A | :20:00. | :20:11. | |
large one, so? Mind your own business! They love going home and | :20:12. | :20:15. | |
being proud of the fact that he managed to become this delivered | :20:16. | :20:22. | |
figure in a really short time. That's from me. And this is from | :20:23. | :20:26. | |
myself. That's from me. And this is from | :20:27. | :20:30. | |
they nice? I will have That's from me. And this is from | :20:31. | :20:34. | |
other one when I get my bandage off. They are mittens! Let's talk about | :20:35. | :20:47. | |
your character, you played Lukewarm? I was the iro. | :20:48. | :20:57. | |
I did a doctor at sea before, I was an outrageous queen, really can. | :20:58. | :21:07. | |
They said, you can't do that, nobody is like that. I can tell you there | :21:08. | :21:12. | |
are lots of people like that. When we did this, the brilliant | :21:13. | :21:15. | |
are lots of people like that. When and producer of Porridge, he said, | :21:16. | :21:17. | |
let's do something different. The only thing I did that was a vaguely | :21:18. | :21:23. | |
camp was knitting. I knitted all the way through it. But it was wonderful | :21:24. | :21:29. | |
to be involved. Ronnie Barker gave the regulars of the first series a | :21:30. | :21:37. | |
silver tankard. Our names, initials. I got Lukewarm, Slade prison, 1974. | :21:38. | :21:54. | |
My initial is P. So it's Lukewarm P! The documentary is on at 8pm tonight | :21:55. | :21:58. | |
on Gold. The online trading unlicensed and | :21:59. | :22:01. | |
fake medicines is worth billions of pounds worldwide and helps fund | :22:02. | :22:06. | |
organised crime in the UK. This month has seen one of the biggest | :22:07. | :22:09. | |
crackdowns ever on internet drug dealers. Dan Donnelly has been in | :22:10. | :22:16. | |
the thick of it in Hertfordshire. Millions of dangerous and unlicensed | :22:17. | :22:19. | |
drugs are sold illegally over the internet every year. It's a | :22:20. | :22:23. | |
multi-billion pound criminal enterprise that has serious | :22:24. | :22:26. | |
consequences for the victims. It's something Helen knows only too well, | :22:27. | :22:31. | |
desperate to lose weight she bought slimming pills that contained a | :22:32. | :22:35. | |
banned drug linked to heart attacks, seizures and even death. I have | :22:36. | :22:40. | |
horrendous pain in my chest. I felt like I couldn't breathe. Within five | :22:41. | :22:47. | |
minutes, my health deteriorated. My friend drove me to A and I was put | :22:48. | :22:50. | |
into resuscitation. I friend drove me to A and I was put | :22:51. | :22:53. | |
what sort of affects this tablet would have. The dealers that are | :22:54. | :23:00. | |
selling illegally online, they must be shut down. Slimming pills are | :23:01. | :23:04. | |
just one of a huge number of controlled drugs smuggled in through | :23:05. | :23:08. | |
the post. Danny Lee Frost is an investigator for the regulatory | :23:09. | :23:16. | |
the post. Danny Lee Frost is an agency. What have we found? This is | :23:17. | :23:22. | |
the tip of the iceberg. This one contains an active ingredient | :23:23. | :23:25. | |
withdrawn from the market in 2010 because of the risk of heart attacks | :23:26. | :23:32. | |
and strokes. A banned drug, but still found in slimming pills sold | :23:33. | :23:38. | |
online. There are more parcels of unlicensed drugs, all of which are | :23:39. | :23:42. | |
online. There are more parcels of seized and tested. Danny and his | :23:43. | :23:43. | |
team need to get to the people behind this sort of criminal | :23:44. | :23:46. | |
activity. That means working with the police on an undercover sting | :23:47. | :23:49. | |
operation. We've made five the police on an undercover sting | :23:50. | :23:54. | |
purchases from this chap. We've bought over ?7,000 worth of | :23:55. | :23:58. | |
products. Demand they are investigating has been selling | :23:59. | :24:01. | |
addictive ascription only antidepressants and sleeping pills. | :24:02. | :24:08. | |
Shockingly, the seller works on the inside of the legitimate drugs | :24:09. | :24:11. | |
industry and has access to huge amounts of controlled Edison. Who is | :24:12. | :24:17. | |
this guy? The subject of the investigation today is a licensed | :24:18. | :24:20. | |
wholesaler. What he is not licensed to do is to sell to any member of | :24:21. | :24:26. | |
the public controlled drugs in pub car parks. After the undercover to | :24:27. | :24:35. | |
has left the scene, I go in with my camera. Two men are arrested and | :24:36. | :24:39. | |
taken away by the police. In the boot of the car, boxes and boxes of | :24:40. | :24:44. | |
pills. What seems like a batch of prescription drugs. Quite a big | :24:45. | :24:48. | |
batch. The deal was being carried out on the roadside. Thousands of | :24:49. | :24:53. | |
pounds worth of drugs, stored in crisp boxes and sold out of the back | :24:54. | :24:57. | |
of two cars. He's got cancer drugs, controlled sleeping drugs. I know | :24:58. | :25:04. | |
expert, but this is not a proper pharmacy? This is not a proper | :25:05. | :25:08. | |
pharmacy. None of this should be available to the general public | :25:09. | :25:14. | |
unless it is through disruption. And yet it is being supplied to a member | :25:15. | :25:18. | |
of the public from the back of a car. Code-named Operation Pangea, | :25:19. | :25:23. | |
today's arrests are part of a week-long international operation to | :25:24. | :25:25. | |
stop the criminals that sell these drugs. At the storeroom, Danny shows | :25:26. | :25:31. | |
me the scale of what is going on. There is a reason that prescription | :25:32. | :25:35. | |
drugs are wrong prescription. That reason being dashed on conscription. | :25:36. | :25:40. | |
That reason being that there is a risk with every medicine you take. | :25:41. | :25:45. | |
You don't know what is in there. Deal to much consequence of taking | :25:46. | :25:48. | |
medicines without a health care professional involved is death. | :25:49. | :25:54. | |
Another mission is to shut down as many dodgy websites as possible. | :25:55. | :25:59. | |
This one leads the team to an address in Northamptonshire. Danny | :26:00. | :26:03. | |
is hoping to close down yet another illegal online pharmacy. Once | :26:04. | :26:07. | |
inside, it becomes clear this is more than just a family home. There | :26:08. | :26:12. | |
are enough controlled and banned drugs here for a major supply | :26:13. | :26:16. | |
operation. The police take the couple at the address away for | :26:17. | :26:21. | |
questioning. Excellent results. We have seized the product that is | :26:22. | :26:27. | |
there. We've uncovered more offences we were not aware of. We have shut | :26:28. | :26:33. | |
this internet pharmacy down. As the week goes on, there are more raids | :26:34. | :26:37. | |
and more arrests. By the time Operation Pangea is over, more than | :26:38. | :26:43. | |
?8.5 million worth of lethal medicines have been taken out of | :26:44. | :26:45. | |
circulation. A huge result. 8.5 million! I know. Extraordinary. | :26:46. | :27:00. | |
Nice to see you, with a bowl of tricks? Yes. Quite a lot of these | :27:01. | :27:05. | |
represent things I have have had patients come in and see me about. | :27:06. | :27:08. | |
They are usually really shamefaced about the fact they have bought | :27:09. | :27:12. | |
drugs from the internet. We have got some here. These are slimming | :27:13. | :27:15. | |
tablets that used to be available, but they were taken of the market | :27:16. | :27:18. | |
because they were dangerous. People can buy them online. The most | :27:19. | :27:23. | |
popular ones people bought online, once for the bedroom. This one is a | :27:24. | :27:30. | |
jelly sweet version. The bedroom? Oh, yes... | :27:31. | :27:37. | |
They come and they admit that they are getting is online? What reasons | :27:38. | :27:44. | |
are they giving you for going there? People who have taken slimming | :27:45. | :27:47. | |
tablets, it is usually because they have not been prescribed by the GP | :27:48. | :27:50. | |
for a very good reason. There is one slimming tablet available, but it | :27:51. | :27:55. | |
doesn't work on its own, you have to do it in conjunction. People want a | :27:56. | :27:59. | |
quick fix. The other one, people are embarrassed. The third most common, | :28:00. | :28:03. | |
people were taking tranquillisers and sleeping tablets. There are very | :28:04. | :28:07. | |
good reasons for not prescribing those, because they are unbelievably | :28:08. | :28:11. | |
addicted. A woman who came in with the slimming tablet, she came in | :28:12. | :28:14. | |
shaking, it turns out that the tablets contained amphetamine. They | :28:15. | :28:21. | |
were basically speed tablets. That's what they give you, isn't it? Not | :28:22. | :28:28. | |
any more, Peter! If it was OK to take them, the GP would prescribe | :28:29. | :28:33. | |
them. Some which were not routinely available on the NHS, your GP would | :28:34. | :28:37. | |
give you a private description. People find it easier, I suppose. A | :28:38. | :28:42. | |
lot of them go online, they self diagnose. You can get the bedtime | :28:43. | :28:54. | |
once for the doctor. Sleeping pills? No, the other one. Self diagnosing, | :28:55. | :29:01. | |
Wikipedia, 90% of those Wikipedia entries on health issues, there is | :29:02. | :29:07. | |
at least one mistake? Host of the mistakes they are not absolutely | :29:08. | :29:10. | |
huge, but some of the websites out there are completely unpoliced. You | :29:11. | :29:14. | |
can say anything you want. I actively encourage people to go and | :29:15. | :29:18. | |
look online, but I send them to really reputable websites. NHS | :29:19. | :29:25. | |
Choices, written by GPs and their patients. If you know what you have | :29:26. | :29:30. | |
got, it's really important. You are dealing with the condition. I want | :29:31. | :29:33. | |
people to know more about their condition. What we don't want is | :29:34. | :29:38. | |
self diagnosis. Read about it afterwards, maybe? Not all online | :29:39. | :29:42. | |
pharmacies are illegal? No, if you go to one that is registered, it has | :29:43. | :29:47. | |
the green cross you see on prescriptions, it is registered by | :29:48. | :29:51. | |
the General Pharmaceutical Council. It gives you a physical address. If | :29:52. | :29:56. | |
they offer to give you medicine without finding out about medical | :29:57. | :29:59. | |
history, don't touch them with a barge pole. If they give you | :30:00. | :30:02. | |
perception drugs without a prescription, they are not the real | :30:03. | :30:03. | |
thing. Now they are tiny, get stuck down | :30:04. | :30:09. | |
the back of the sofa and are agony Statistically there's | :30:10. | :30:13. | |
a good chance there's a bucket And, as Ruth Goodman explains, | :30:14. | :30:19. | |
it could have been a UK company It's one of the world 's most | :30:20. | :30:35. | |
recognisable toys. And the foundation of ?1 billion business | :30:36. | :30:39. | |
empire taking toys, theme parks and films. It's one of Denmark's | :30:40. | :30:44. | |
best-known products, as Danish as bacon. Or is it? In the 1940s the | :30:45. | :30:49. | |
ball they came along, a British toy company was selling an almost | :30:50. | :30:53. | |
identical brick for the company was called Kiddie craft. If it had not | :30:54. | :30:57. | |
been for a missed opportunity, children today could have been | :30:58. | :31:01. | |
flocking to Kiddie craft land or going to the Kiddie craft movie. The | :31:02. | :31:06. | |
Lego brick is the foundation of a global business empire whilst the | :31:07. | :31:11. | |
Kiddie craft owner ended up forgotten so what happened? Amanda | :31:12. | :31:16. | |
Berry child psychologist to studies what makes a good tight and bases a | :31:17. | :31:20. | |
lot of her methods on pages pioneering approach to try making. | :31:21. | :31:25. | |
He was so far ahead of the curve, watching children, watching them | :31:26. | :31:28. | |
play, and making toys which appealed to kids. He developed toys inside | :31:29. | :31:35. | |
toys. You can see examples of his work everywhere. His hours studying | :31:36. | :31:40. | |
children dead end to develop educational toys in newly developed | :31:41. | :31:46. | |
plastic, more safe and hygienic for children than the old painted and | :31:47. | :31:50. | |
wooden toys. He tested his new designs on his own twin daughters. | :31:51. | :31:56. | |
65 years on, Geraldine is seeing some of their fathers toys for the | :31:57. | :32:00. | |
first time in decades. Every developer much: He would let us play | :32:01. | :32:06. | |
with it. We were like guinea pigs. We played for hours with the bricks. | :32:07. | :32:10. | |
The self locking brick was introduced to the world in 1947, one | :32:11. | :32:15. | |
of his products. He went off to design advertise but if he didn't | :32:16. | :32:20. | |
see the potential, someone else did. Lego wanted to move into plastics | :32:21. | :32:23. | |
and seized an opportunity when a British company wants to sell them | :32:24. | :32:28. | |
and injection moulding machine. The manufacturers, included a sample of | :32:29. | :32:36. | |
his bricks. Two years after their brick hit the market, the automatic | :32:37. | :32:39. | |
binding brick was unveiled. Jim Osborne is aimed his -- owned his | :32:40. | :32:44. | |
toy shop since the 1950s and have a collection of vintage toys including | :32:45. | :32:49. | |
Kiddie craft bricks. This really does look like Lego, doesn't it? Oh, | :32:50. | :32:54. | |
yes, it is the spitting image. I think you will find the Lego will | :32:55. | :33:02. | |
click onto the Kiddie craft one. So, actually, almost compatible, yes. | :33:03. | :33:07. | |
Kiddie craft was on the market from the late 40s but of course, it was | :33:08. | :33:13. | |
never as popular. Lego took it off and took the market by storm. Lego, | :33:14. | :33:17. | |
in their own corporate video, admit they were inspired by page's type | :33:18. | :33:23. | |
and eventually paid ?45,000 for rights to the brick and took the | :33:24. | :33:28. | |
design and developed it. In 1950, they added tubes to help the bricks | :33:29. | :33:34. | |
connected better. A huge success. It was introduced at the Brighton toy | :33:35. | :33:38. | |
fair in 1960. And you have been selling at every since? Oh, yes. | :33:39. | :33:42. | |
It's the biggest name in the toy trade now. Hillary Page developed | :33:43. | :33:48. | |
other toys that were successful in their own right. But he never found | :33:49. | :33:52. | |
out just how big his little brick would become. In 1957, before Lego | :33:53. | :33:58. | |
came to Britain, he took his own life as a result of unrelated | :33:59. | :34:04. | |
business pressures. He had developed it and marketed it and went on to | :34:05. | :34:07. | |
other things. As the Kiddie craft bricks were not major part of his | :34:08. | :34:14. | |
range, he took his eye off the ball. Lego, to be fair, have produced an | :34:15. | :34:20. | |
incredible toy. Who knows what would've happened in the future. | :34:21. | :34:24. | |
Have no idea. Lego was universally loved and is made a huge empire out | :34:25. | :34:31. | |
of the humble brick but for a twist of fate, that empire could have been | :34:32. | :34:37. | |
British. And Hillary Page's name lauded all over the world as the | :34:38. | :34:45. | |
inventor of the most popular toy. I used to spend most of my mornings | :34:46. | :34:50. | |
doing exactly that. Simon, we love it when you're in a new drama. | :34:51. | :34:55. | |
There's a new one starting, Space Age. What are you doing up there? | :34:56. | :35:03. | |
I'm up there with Richard Wilson. I don't believe it! We play two | :35:04. | :35:12. | |
elderly astronauts. We're not actually astronauts at all but | :35:13. | :35:15. | |
volunteers. We are so old, there is nothing more to do with our lives so | :35:16. | :35:20. | |
we would like to do one last good thing. So we volunteered to man the | :35:21. | :35:25. | |
spaceship and go to an alien planet where we will start civilising, | :35:26. | :35:29. | |
making it possible for life, human life. So it's a very sad film in | :35:30. | :35:36. | |
some ways, in theory, but there are exciting plot developments I'm not | :35:37. | :35:44. | |
at liberty to disclose. It was a wonderful experience. It's a | :35:45. | :35:48. | |
brilliant script written by Ralf Little and Nick Moran, two actors. | :35:49. | :35:56. | |
They wrote this thing and it sat wonderfully with us. The writing is | :35:57. | :36:02. | |
fantastic. We shot it in Poland. Why? Because there was a studio | :36:03. | :36:10. | |
there built by a crazy Polish person with too much money, and he's in | :36:11. | :36:13. | |
love of science fiction and he built the whole studio like a spaceship. | :36:14. | :36:18. | |
The canteen, the corridor, it's like a spaceship, so we took the whole | :36:19. | :36:21. | |
thing over and shot in the canteen over there and really looks rather | :36:22. | :36:28. | |
better than 2001, if you ask me. Your space of a very impressive so | :36:29. | :36:32. | |
let's have a look at it. Observation, please. Bloody hell! | :36:33. | :36:42. | |
This is the closest we get to a windscreen. Where are we? Let's have | :36:43. | :36:49. | |
a look, shall we? Navigation, please. That is where we started. | :36:50. | :36:56. | |
That is where we are now. And that's where we are going. Home sweet home. | :36:57. | :37:03. | |
Not long now. APPLAUSE | :37:04. | :37:11. | |
You said it sits very comfortably on the end of your time and, my word, | :37:12. | :37:15. | |
are you a big fan of science fiction? | :37:16. | :37:22. | |
No. Not at all. I know nothing about science fiction so it is rather | :37:23. | :37:28. | |
exciting for me. Whole New World full Richard Wilson is very, sort of | :37:29. | :37:33. | |
Patrick Stewart, isn't it? Don't you think? Is it just the two of you in | :37:34. | :37:45. | |
it? Well... Well, yes. My hands are tied. You and Richard have been | :37:46. | :37:52. | |
friends since the 1980s. What trouble did you get up to in Poland? | :37:53. | :37:58. | |
Trouble? It is a very tight ship, only one week we were there, and it | :37:59. | :38:07. | |
was -12 degrees. Fun is hard at -12 degrees, but we did manage to | :38:08. | :38:12. | |
stagger into a few excellent Polish eateries. Vodka is the antidote to | :38:13. | :38:15. | |
that. It's like filling up your carburettor with it. We had a | :38:16. | :38:21. | |
delightful time, vodka and work, that was it. Richard said he was | :38:22. | :38:26. | |
slightly concerned, as he gets older, of remembering lines. I don't | :38:27. | :38:32. | |
know how you feel about this. Worrying about Richard not | :38:33. | :38:36. | |
remembering? Richard has a fantastic memory. He really is a wonderful | :38:37. | :38:43. | |
superb technician. I mean, you know, it's just a question of time. Every | :38:44. | :38:48. | |
actor has some sort of technique for remembering lines. We couldn't | :38:49. | :38:51. | |
survive without it a question of time. Every actor has some sort of | :38:52. | :38:53. | |
technique for remembering lines. We couldn't survive without it for them | :38:54. | :38:56. | |
you just have to give yourself time to do it properly. Is that what you | :38:57. | :38:59. | |
do, Christopher? I hate learning lines. If it awful, boring thing. | :39:00. | :39:04. | |
Early on, if you a good script, it was easy, I Claudius, because it | :39:05. | :39:11. | |
sort of comes naturally. But sometimes, things are really tough | :39:12. | :39:17. | |
and as you get older, tougher. Of course, in film very often, you | :39:18. | :39:21. | |
don't really rehearse but in the theatre, you rehearse for three | :39:22. | :39:26. | |
weeks. It's embedded in you then. It's the hardest, most important | :39:27. | :39:32. | |
thing for an actor, if you lose your memory you're in big trouble. I | :39:33. | :39:35. | |
don't know why nowadays wouldn't have little openings other side of | :39:36. | :39:42. | |
your brain and put a microchip in. And when you go to France, you speak | :39:43. | :39:47. | |
French Brindley. Or you can put your lines, the Tempest. -- French | :39:48. | :39:49. | |
Brindley. -- brilliantly. Space Age is on Sky Arts 1 on June | :39:50. | :39:57. | |
5th at 9pm. Now, the weather this half-term | :39:58. | :40:03. | |
has been a bit of a wash out. So if you're looking to entartain | :40:04. | :40:06. | |
the kids indoors, Phil has just | :40:07. | :40:09. | |
the thing to inspire you all. The story | :40:10. | :40:12. | |
of an art master who did some of his best work with only scissors | :40:13. | :40:15. | |
and coloured pieces of paper. Matisse is one of the founding | :40:16. | :40:26. | |
fathers of modern art. A master of colour, his bold vivid paintings | :40:27. | :40:30. | |
span over half a century. But in 1941, at the age of 71, at the | :40:31. | :40:35. | |
height of his fame, the French artist was diagnosed with cancer and | :40:36. | :40:40. | |
was unable to paint for that looked like his career and his life were | :40:41. | :40:48. | |
over but he didn't give up. We can and often confined to a wheelchair, | :40:49. | :40:52. | |
he came up with a revolutionary technique -- week. He did this with | :40:53. | :40:56. | |
just a pair of scissors and some paper. He swapped his paintbrush for | :40:57. | :41:02. | |
scissors and created new works with strips of painted paper called | :41:03. | :41:07. | |
cutouts. Now the largest ever exhibition of cutouts is on display | :41:08. | :41:10. | |
at the Tate modern and it's on track to become one of its most popular | :41:11. | :41:16. | |
exhibitions of all time. We had exclusive behind-the-scenes access | :41:17. | :41:20. | |
before the opening. Some of these are the last cutouts ready for | :41:21. | :41:23. | |
installation for that now, these works are absolutely priceless. So | :41:24. | :41:27. | |
it's no wonder that this part of the process is run with military | :41:28. | :41:33. | |
precision. The exhibition has been five years in the planning and this | :41:34. | :41:38. | |
man is one of the curators. The scale of it, it's huge. How did a | :41:39. | :41:45. | |
frail man, an old man, do this? He had some help. He had assistants | :41:46. | :41:52. | |
working with him. They would paint under his very strict supervision, | :41:53. | :41:58. | |
very large sheets of paper. Was the bedridden, in a wheelchair? A bit of | :41:59. | :42:04. | |
both. He came up with this system, a little | :42:05. | :42:06. | |
bedridden, in a wheelchair? A bit of both. He came up with kind of desk | :42:07. | :42:08. | |
bed made so he could work from his bed. His 1952 cutouts are arguably | :42:09. | :42:15. | |
some of the most famous and popular works of modern Art in the world. | :42:16. | :42:21. | |
Each piece is carefully unpacked I team of art handlers before the | :42:22. | :42:23. | |
curators decide where each piece should hang. It's a bit like buying | :42:24. | :42:29. | |
a painting and getting at home and sticking it up on the front wall. | :42:30. | :42:32. | |
You have a sit down, think where it goes on the principles are the same | :42:33. | :42:35. | |
except these are modern masterpieces. They look very sort of | :42:36. | :42:41. | |
simplistic and familiar. Why were they so radical at that time? What | :42:42. | :42:46. | |
makes them so important as he made lots of paintings in the 1920s, 30s, | :42:47. | :42:51. | |
but here he is working from memory. What we see is not a specific woman, | :42:52. | :42:57. | |
but a very radical sympathy case in female form. And he's doing all of | :42:58. | :43:03. | |
this summer just cutting into paper. One of the final cutouts was the | :43:04. | :43:08. | |
snail, part of the permanent collection at the Tate, which is | :43:09. | :43:12. | |
being restored especially for this exhibition. This is a very famous | :43:13. | :43:18. | |
piece, the snail. You can recognise its snow the spiralling forms. You | :43:19. | :43:23. | |
can see the marks where it has been cut. It's full of life and colour. | :43:24. | :43:28. | |
It's amazing this was the last bit of work he did before he died. Yes, | :43:29. | :43:33. | |
it's quite incredible when you think that this was made one year before | :43:34. | :43:37. | |
his death. And, you know, it's like a burst of joy, colours, everything. | :43:38. | :43:44. | |
It almost feels like everything up to now has exploded. It opened up | :43:45. | :43:50. | |
new Explorer eateries in art but he was dismissed by the critics. In the | :43:51. | :43:53. | |
1950s they were too radical for the art world. Mitty is made making | :43:54. | :43:59. | |
masterpieces look easy but is it? The one shows that the great British | :44:00. | :44:03. | |
public challenge and let's see how they got on -- Matisse. The | :44:04. | :44:09. | |
inspiration makes you think you can do it too but actually, it's not | :44:10. | :44:15. | |
very easy. People believe drawing and painting as art but cutouts are | :44:16. | :44:21. | |
also included in that. If you're getting sick of scissors, just start | :44:22. | :44:32. | |
ripping it up. Matisse said of his cutout years, only what I created | :44:33. | :44:39. | |
after my illness represents my true self, free and liberated. In the | :44:40. | :44:43. | |
face of death, he made art that was full of life. His inspiration to | :44:44. | :44:46. | |
afraid to try something new. afraid to try something new. | :44:47. | :44:50. | |
That's the point, I think, just have a go! It's good it brought all those | :44:51. | :44:56. | |
people together. They had a great time. If you do like Matisse and you | :44:57. | :45:01. | |
can't get to London, there are other ways to see it? There is Matisse | :45:02. | :45:07. | |
lies, at a cinema near you. Tuesday the 17th of June, 7:15. You'll be | :45:08. | :45:14. | |
shown around by the director of the Tate. There will be rare archive of | :45:15. | :45:19. | |
Matisse, interviews with his friends and lots of other things going on. | :45:20. | :45:23. | |
At last is about 90 minutes. If you can't get there, go to the cinema. | :45:24. | :45:27. | |
You were just saying you would love to be an art dealer? I have been | :45:28. | :45:32. | |
collecting art for 45 years. Wallpaper is not something we have | :45:33. | :45:36. | |
in our house, we have paintings. I just can't stop. I've got too, | :45:37. | :45:39. | |
because we don't have enough room. We were talking about not buying | :45:40. | :45:43. | |
from galleries because they charge so much. Just buying from friends. | :45:44. | :45:48. | |
You see something and think, oh, I'll have that. It's so joyous to | :45:49. | :45:52. | |
look around our house and think of all of the things... Certain things | :45:53. | :45:56. | |
bring back memories. Why we bought something, you know? It's wonderful, | :45:57. | :46:02. | |
art is fantastic. Some sad heart News, last Friday there was a big | :46:03. | :46:08. | |
fire in the Glasgow School of Art. Such a beautiful building. Terrible. | :46:09. | :46:15. | |
Designed by Charles Macintosh, grade one listed. This is the library, the | :46:16. | :46:21. | |
jewel in the crown of the building. On the upside, 90% of the exterior | :46:22. | :46:26. | |
and 70% of the interior has been saved. Some of the priceless archive | :46:27. | :46:30. | |
of material and furniture has been saved as well. The students did not | :46:31. | :46:37. | |
come off too well. This is some of their stuff coming out. They have | :46:38. | :46:40. | |
been given bursaries to carry on their work. An absolute tragedy. As | :46:41. | :46:47. | |
many people pointed out, most art colleges are physically hideous. | :46:48. | :46:50. | |
This is one of the most beautiful buildings in the world. Every single | :46:51. | :46:55. | |
item was designed by Mackintosh himself. Every door knob, every book | :46:56. | :47:01. | |
case, every shelf. The library is amazing. They are going to rebuild | :47:02. | :47:09. | |
it. He gave such a wonderful ways of how... Everything, the plans are | :47:10. | :47:12. | |
there. They will be able to recreate it. A lot of his work is around, if | :47:13. | :47:22. | |
they are a bit stuck. Tragic. We are about to see the band James | :47:23. | :47:26. | |
performed. While they warm up, there they are, here is John Sergeant, | :47:27. | :47:31. | |
giving his own electric informants. -- performance. | :47:32. | :47:37. | |
The wind in your face, the sun on your back. Cycling is great fun on | :47:38. | :47:43. | |
the flat. The hills can be a problem. But not for me today. I'm | :47:44. | :47:56. | |
not on a push bike, I'm on an e-bike. There's a motor in the front | :47:57. | :48:09. | |
wheel that gives it a bit of oomph. It's catching on in Britain. All | :48:10. | :48:16. | |
Stamford runs one of the largest e-bike distributors. It's like a | :48:17. | :48:21. | |
bike, but it's not? As you pedal, the electric motor kicks in. When | :48:22. | :48:27. | |
you stop, it stops. But not like a motorbike? No, it has to stop | :48:28. | :48:33. | |
assisting you at 50 mph to comply with legislation that makes it a | :48:34. | :48:37. | |
bike. When you drop below that, it will kick in to assist you. The | :48:38. | :48:42. | |
e-bike revolution is being propelled mainly by the over 50s. These | :48:43. | :48:46. | |
enthusiasts are really sold on the idea. E-bike, that stands for | :48:47. | :48:54. | |
excitement? What is the advantage for you? And 77 and I've been able | :48:55. | :48:58. | |
to continue cycling despite arthritic knees. I've got | :48:59. | :49:06. | |
fibromyalgia. You run out of energy very quickly. If it happens when I'm | :49:07. | :49:10. | |
on a walk, I can't get back. On a powered bike, I can. We have been | :49:11. | :49:17. | |
here before. Sir Clive Sinclair has launched his latest creation, an | :49:18. | :49:22. | |
electric bicycle. It's far more advanced than it appears. But it | :49:23. | :49:26. | |
flopped. People didn't seem to like the small wheels or scooter like | :49:27. | :49:31. | |
appearance. Only 2000 were sold after it launched in 1992. Now it is | :49:32. | :49:38. | |
a collectors item. The new breed of e-bike has a better range, better | :49:39. | :49:42. | |
batteries and, on some models, you can choose when to in gauge the | :49:43. | :49:45. | |
motor by simply flicking a switch. To the casual observer, it looks | :49:46. | :49:51. | |
like an ordinary bike. Could they catch on and revolutionise urban | :49:52. | :49:57. | |
transport? Cycling expert Carlton Reid is a fan. If you want to go out | :49:58. | :50:01. | |
with a strong partner, you can keep up with them. If you want to go to | :50:02. | :50:05. | |
work and you don't want to get sweaty, well, you can hop on your | :50:06. | :50:11. | |
e-bike. If you want to go up hills, get up on the hills, it's far better | :50:12. | :50:18. | |
than on a standard bike. Let's put that to the test. These lads and | :50:19. | :50:25. | |
lasses are members of cycling clubs. They do 80 miles without breaking a | :50:26. | :50:32. | |
sweat. I'm not even a fair weather cyclist. They might have muscle | :50:33. | :50:37. | |
power, but I've got a motor. This is a tricky slope. The Lycra lot are | :50:38. | :50:47. | |
probably going easy on me. But sailing past them is still a bit of | :50:48. | :50:53. | |
a thrill. You don't think it's cheating for me to be on this? Not | :50:54. | :50:59. | |
at all. We got overtaken by someone on a e-bike, going up the hill, he | :51:00. | :51:04. | |
sailed past as we were puffing and panting. He went, morning! We | :51:05. | :51:10. | |
weren't bothered by it. I think it's great, if it gets people out cycling | :51:11. | :51:13. | |
and people can get involved with that, I'm all for it. Evened the | :51:14. | :51:18. | |
traditional cyclists, wherein the special gear, they think it is good. | :51:19. | :51:22. | |
There is one catch. They are pricey. An average model sets you | :51:23. | :51:28. | |
back about ?1000. The typical cyclist only spends around ?200 for | :51:29. | :51:35. | |
a standard bike. You are talking a fair bit of wedge above the average | :51:36. | :51:40. | |
price, that's a huge barrier to the sales in this country. Despite that, | :51:41. | :51:44. | |
I must say, I'm impressed. The chance to ride in the fresh air | :51:45. | :51:48. | |
without getting sweaty or out of rest, it might just make e-bikes a | :51:49. | :51:54. | |
winner. My type of bike! A bit of help. When | :51:55. | :51:59. | |
you are going up a hill, it's brilliant. Tim Booth from James is | :52:00. | :52:01. | |
here! You came to talk to us just before | :52:02. | :52:09. | |
you get out there. We were just saying, as he sat down, your band | :52:10. | :52:13. | |
has been through an incredible amount. What were the biggest | :52:14. | :52:17. | |
challenges you come up against? The biggest challenges? Ego is back, I | :52:18. | :52:24. | |
think. Every band is like a dysfunctional family. We have had | :52:25. | :52:30. | |
times when we have loved each other and hated each other. Luckily, we | :52:31. | :52:34. | |
are in a place at the moment where we love each other. The fans are | :52:35. | :52:40. | |
delighted. We've got the biggest turnout we have had for a while. For | :52:41. | :52:48. | |
Simon and myself! They are getting very excited. You've got some very | :52:49. | :52:52. | |
dedicated fans. How dedicated have they been over the years? Always | :52:53. | :52:57. | |
amazing. You will find there are people here from South America just | :52:58. | :53:01. | |
for this one concert, Canada, from across the world. We haven't played | :53:02. | :53:07. | |
for a year. It's very touching. You were asking me earlier, there was a | :53:08. | :53:11. | |
lady that run a psychiatric hospital in Cornwall. She said the favourite | :53:12. | :53:18. | |
album of the inmates, the patients, was Laid. Their favourite song was | :53:19. | :53:26. | |
Out To Get You. Another lady came across from America and brought the | :53:27. | :53:33. | |
ashes of her daughter for us to take and scatter in different places. | :53:34. | :53:37. | |
It's a very personal connection. I think that aspect comes from... My | :53:38. | :53:42. | |
lyrics are quite as honourable. I'm not necessarily writing about how | :53:43. | :53:45. | |
good I am in bed, which a lot of bands seem to be writing about. I'm | :53:46. | :54:00. | |
usually writing about how crap I am. In terms of a live band, we change | :54:01. | :54:05. | |
it every night. A thrilling live band, trumpets and violins. We | :54:06. | :54:11. | |
change it every night. No gig is the same. You'll see us in Athens and | :54:12. | :54:15. | |
Manchester and it will be a totally different concert. So many of the | :54:16. | :54:19. | |
songs seem to strike a chord with everybody. We'll have a listen to | :54:20. | :54:20. | |
your single, Moving On. # I'm on my way, soon be moving on | :54:21. | :54:28. | |
my way # Leave a little light on, leave a | :54:29. | :54:31. | |
little light on # I'm on my way, on my way, on my | :54:32. | :54:39. | |
way, on my way Leave a light on, leave a | :54:40. | :54:42. | |
little light on It's an incredibly emotional video. | :54:43. | :54:57. | |
What was the story behind it? My mum died, and we have this great | :54:58. | :55:03. | |
animator that we knew as a friend, called Ainsley Henderson. I | :55:04. | :55:09. | |
basically talked to him about how I had gone back to LA, I got into my | :55:10. | :55:17. | |
mum's hospital, she was 90, I got into bed with her and sang to her, | :55:18. | :55:22. | |
and she died in my arms. It was beautiful. It was clearly a birth. | :55:23. | :55:28. | |
Nobody tells you that. This song, Moving On, it's about the more | :55:29. | :55:36. | |
positive aspects of dying. A friend died recently, she is in that song | :55:37. | :55:40. | |
somewhere, and that was a more painful death. But this song is | :55:41. | :55:44. | |
about losing somebody that you love. It's incredible, the best video we | :55:45. | :55:49. | |
have made, he will win a BAFTA for this. I plugged this one, because I | :55:50. | :55:56. | |
was blown away, I wept when I saw this video. So did two members of | :55:57. | :56:01. | |
our office. Your fans are desperate for you to get out there, so off you | :56:02. | :56:09. | |
go, to get ready. Now, we are having a festival theme this time next | :56:10. | :56:13. | |
week. We want to hear your festival stories. Perhaps you have been going | :56:14. | :56:18. | |
since the very beginning, perhaps you are organising your own | :56:19. | :56:21. | |
festival. It doesn't have to be a music festival. Maybe you'd like to | :56:22. | :56:25. | |
come and pitch a tent here, just for fun? Maybe not! Send us an e-mail at | :56:26. | :56:32. | |
the usual address. Fans to Christopher. The documentary | :56:33. | :56:35. | |
celebrating 40 years of Porridge continues tonight on Gold. Thanks to | :56:36. | :56:40. | |
Simon as well. Space Age is on Sky Arts 1 on June the 5th. Tomorrow, we | :56:41. | :56:45. | |
will be in North Wales, in Caernarfon, for the latest web of | :56:46. | :56:48. | |
the Commonwealth Batten's journey, with Hank Marvin, can you believe? | :56:49. | :56:53. | |
We have heard screaming fans, that must mean he is in position. We will | :56:54. | :57:00. | |
see you tomorrow. Now, playing Sit Down, let's hear it for James. | :57:01. | :57:06. | |
# I'll sing myself to sleep A song from the darkest hour | :57:07. | :57:13. | |
# Secrets I can't keep Inside of the day | :57:14. | :57:21. | |
# Swing from high to deep Extremes of sweet and sour | :57:22. | :57:28. | |
# Hope that God exists I hope, I pray | :57:29. | :57:37. | |
# Drawn by the undertow My life is out of control | :57:38. | :57:45. | |
# I believe this wave will bear my weight, so let it flow | :57:46. | :57:50. | |
# Oh, sit down Oh, sit down | :57:51. | :57:53. | |
# Oh, sit down Sit down next to me | :57:54. | :57:59. | |
# Sit down, down, down, down, down In sympathy | :58:00. | :58:22. | |
# Those who feel the breath of sadness | :58:23. | :58:24. | |
# Those who find they're touched by madness | :58:25. | :58:30. | |
# Those who find themselves ridiculous | :58:31. | :58:37. | |
# In love, in fear, in hate, in tears | :58:38. | :58:57. | |
Hello, I'm Ellie Crisell with your 90 second update. | :58:58. | :59:12. | |
More pressure for Lib Dem leader Nick Clegg. Lord Oakeshott has | :59:13. | :59:15. | |
resigned from the party, claiming it's heading for disaster. He'd | :59:16. | :59:17. |