Browse content similar to 28/07/2016. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Standing in format, Giles is here, as we reveal the authors who | :00:40. | :00:42. | |
successfully predicted the future. It's a little bit spooky. So is | :00:43. | :00:44. | |
finding snow caves, not in Antarctica, but in Scotland, in | :00:45. | :00:45. | |
July. If you've been glued to your TV | :00:46. | :01:00. | |
every Tuesday night for the last five weeks firmly holding onto one | :01:01. | :01:03. | |
of these, even though there is nothing spookier right now than it | :01:04. | :01:05. | |
tonight's jest. From the living and the dead, it's Colin Morgan. He | :01:06. | :01:11. | |
doesn't look so terrifying in the flesh. Congratulations on the | :01:12. | :01:18. | |
series, it's a huge hit, people know you from that, and from Merlin as | :01:19. | :01:23. | |
well. Humans. I first saw you on stage and thought you were brilliant | :01:24. | :01:27. | |
when I went to see my friend Roger Allen at the Globe in the Tempest. | :01:28. | :01:31. | |
You were aerial, the sprite, you seem to specialise in these half | :01:32. | :01:34. | |
human, half unnatural creatures, does it | :01:35. | :01:51. | |
reflect your own nature? I'm fascinated by this character is | :01:52. | :01:54. | |
because they present a challenge, a type of transformation you have to | :01:55. | :01:57. | |
undertake as an actor. No matter how unreal the situation, the character | :01:58. | :01:58. | |
doesn't know it's an unreal situation, you have to find the | :01:59. | :02:01. | |
truth for them and live in that world. Make the unreal real. The | :02:02. | :02:04. | |
transformation in The Living and the Dead is phenomenal. We looking | :02:05. | :02:06. | |
forward to talking about the final which is on next Tuesday. We go from | :02:07. | :02:07. | |
the freaky to the fraudulent. Tachograph are installed in lorries | :02:08. | :02:23. | |
to make sure the drivers take regular breaks. They can cause | :02:24. | :02:25. | |
accidents. It doesn't stop operators from breaking the law. As Nick | :02:26. | :02:27. | |
Wallace reports. This is cat and mouse on wheels. It's a waiting | :02:28. | :02:33. | |
game. Waiting to pick the right vehicles. I'm on the M6 with Paul | :02:34. | :02:37. | |
Harding from the driver and vehicle standards agency. In our sights, | :02:38. | :02:39. | |
truckers, using high-tech devices to override the on-board | :02:40. | :02:58. | |
tachographs. He's in. He didn't want to come in. When a suspect truck is | :02:59. | :03:04. | |
pulled over, the vehicle inspector goes straight for its tachograph. | :03:05. | :03:15. | |
Criminals are using sophisticated gadgetry which could be buried | :03:16. | :03:17. | |
anywhere inside the truck. The only way to detect it is see if it's | :03:18. | :03:21. | |
training tiny amounts of electricity from the tachograph power supply. | :03:22. | :03:27. | |
I've been completing a test on the tachograph system, it's drawing 12.7 | :03:28. | :03:31. | |
when it should only be drawing ten, I suspect there may be a switch on | :03:32. | :03:36. | |
this one. There is extra power being drawn. It's not conclusive proof of | :03:37. | :03:40. | |
fraud. The tachograph readings are next to be checked. Mark is taking | :03:41. | :03:43. | |
some readings from the driver's tachograph, there | :03:44. | :03:56. | |
seems to be discrepancies. He's having a chat to see if he can tell | :03:57. | :03:59. | |
him what's going on. The Polish trucker is driven from Denmark. If | :04:00. | :04:02. | |
he doesn't admit anything, his lorry will be taken apart bit by bit. Find | :04:03. | :04:04. | |
out what happens later. With a fifth of serious accidents on our main | :04:05. | :04:08. | |
roads and motorways down to tiredness, the tachograph is key to | :04:09. | :04:09. | |
keeping commercial drivers and other road users safe. Peter Hearn | :04:10. | :04:25. | |
is the operations director. We're constantly looking to stay one step | :04:26. | :04:27. | |
ahead of the people developing these devices. As we uncover things, | :04:28. | :04:29. | |
people are changing the device. Cameras watching over our motorways | :04:30. | :04:32. | |
have automatic number plate recognition software. Images are | :04:33. | :04:37. | |
flashed back to base. The team is looking for individual trucks or | :04:38. | :04:41. | |
fleet operators with a history of poor vehicle maintenance, tax | :04:42. | :04:47. | |
dodging or tachograph fraud. The truck being examined fits the | :04:48. | :04:52. | |
profile of others, where Taca tachograph cheats were found. He is | :04:53. | :04:57. | |
handed over this on-board diagnostic plug which switches the tachograph | :04:58. | :05:04. | |
on and off. He has confessed to having something on the cab he | :05:05. | :05:06. | |
shouldn't. The blood effectively makes all of the truck's safety | :05:07. | :05:14. | |
features worthless. -- the plug. To prove fraud they need to see the | :05:15. | :05:18. | |
switch in action. The symbol in the top left-hand corner is a bed and | :05:19. | :05:24. | |
symbolises rest. It should change to a circle when the lorry moves. As | :05:25. | :05:32. | |
you can see, it's still recording rest. It's the proof they need. | :05:33. | :05:36. | |
While the lorry is stripped down to recover the rest of the device, the | :05:37. | :05:40. | |
driver is fined ?580 and faces being up to ?1500 for a new tachograph. | :05:41. | :05:50. | |
This is done with knowledge of a vehicle system, this is not somebody | :05:51. | :05:53. | |
cutting wires, it's quite complex. Devices being inserted into the | :05:54. | :06:01. | |
vehicle's brain. 51 cheats have been caught here this year, a fraction of | :06:02. | :06:04. | |
the huge number caught nationally. We found around 1400 last year. | :06:05. | :06:09. | |
Those are the ones you detected. Vehicle examiner Mark takes me | :06:10. | :06:15. | |
through some of the finds. Tell me what we're starting with. This is a | :06:16. | :06:19. | |
collection of magnets, about 50 year, all found individually on | :06:20. | :06:25. | |
drugs. Each one of these would cheat a tachograph. This is more | :06:26. | :06:29. | |
sophisticated. A second sensor hidden within the truck. Operated by | :06:30. | :06:34. | |
this key fob, so they could switch the tachograph on and off. This is | :06:35. | :06:42. | |
inside an actual unit itself. This is the light is one we've been | :06:43. | :06:44. | |
finding, these switch is fitted within the tachograph itself, making | :06:45. | :06:48. | |
it harder to find. But also operated with a key fob. As somebody recently | :06:49. | :06:56. | |
qualified to drive a bus... What? You can drive a bus? Bendy bus, | :06:57. | :07:05. | |
double-decker, coach, whatever you want. How long can you drive without | :07:06. | :07:07. | |
being arrested? Nine hours. He can't drive a bus but he can ride a horse. | :07:08. | :07:14. | |
They are more reliable on the whole. You on this new series everybody is | :07:15. | :07:19. | |
looking, it's reaching its climax, it's dark and gruesome and grim, yet | :07:20. | :07:22. | |
it begins with you playing this benign, inelegant gentleman farmer. | :07:23. | :07:31. | |
Like Matt Baker. Without the matte finish. There is a dark end to this. | :07:32. | :07:39. | |
Nathan is a pioneering psychologist, married to Charlotte, played by | :07:40. | :07:45. | |
Charlotte Spencer. They inherit the family home of Mason and move to | :07:46. | :07:49. | |
make a new life. There is a lot of and dealt with trauma and grief, | :07:50. | :07:52. | |
particularly for Nathan, attached to the homeland area. A series of | :07:53. | :07:57. | |
paranormal, possibly cytological events... My darling wife is | :07:58. | :07:59. | |
watching it from behind the sofa. It's quite jumpy | :08:00. | :08:16. | |
show. From the beginning, there is a character called Harriet who appears | :08:17. | :08:19. | |
in the first. She sees a presence, a ghost, I spilled my tea everywhere | :08:20. | :08:21. | |
in the dressing room earlier because I petrified. How did those | :08:22. | :08:23. | |
occurrences have an effect on Nathan? Underneath everything for | :08:24. | :08:25. | |
him he has unresolved grief from losing his son several years ago. | :08:26. | :08:30. | |
For someone like him, so based in science that if the prospect of an | :08:31. | :08:37. | |
afterlife exists, then the prospect of a connection with his son exists. | :08:38. | :08:40. | |
What you see through the series is this gentleman farmer, descending | :08:41. | :08:47. | |
into the depths of a kind of despair, madness. This is the 1890s, | :08:48. | :08:54. | |
when Doctor Jekyll and Mr Hyde came to the scene, Dracula invented, | :08:55. | :08:56. | |
people leading double lives. Good point. A big theme of the show is | :08:57. | :09:03. | |
what lies beneath should be kept beneath. Do you know why you're so | :09:04. | :09:08. | |
at home with this part. When is your birthday? The 1st of January. People | :09:09. | :09:12. | |
born on the cusp of the year have some of | :09:13. | :09:28. | |
the past and future in their make-up, this is why you were born | :09:29. | :09:31. | |
to play this kind of a role. It's a good team. It makes relationships | :09:32. | :09:33. | |
difficult. What happens with you and Charlotte? The marriage becomes more | :09:34. | :09:35. | |
strange as a man consistently drawn to the past, the dead, to live in | :09:36. | :09:46. | |
the present, for him, with the living, is a tough thing. She is the | :09:47. | :09:49. | |
grounding force, she's the one who can keep him there, it becomes | :09:50. | :09:51. | |
increasingly difficult to keep the marriage together. It starts off | :09:52. | :09:53. | |
sweetness and life, the climax happens in the finale, next Tuesday, | :09:54. | :09:55. | |
let's have a look. You're afraid of giving birth, of motherhood, so you | :09:56. | :10:07. | |
project this infant is a urged on to me, making me the thing you fear, | :10:08. | :10:10. | |
which is not only unfair, but stupid! You're so clever because you | :10:11. | :10:12. | |
found a profession where you could feel less damage because everyone | :10:13. | :10:22. | |
else is damaged more. Now down here you have to face it, there's | :10:23. | :10:24. | |
something wrong with your mind. Doctor Charlotte. So young and yet | :10:25. | :10:27. | |
so wise. In your heart and soul. I can't... Can't what? Recall what I | :10:28. | :10:34. | |
liked about you. APPLAUSE I know it's what we call acting, but | :10:35. | :10:43. | |
that deep fruity voice, where does it come from? It's amazing. It's a | :10:44. | :10:46. | |
challenge. What drew you to them, why are you doing the script? It's | :10:47. | :10:51. | |
the script, the characters, guttural instinct when you read something, | :10:52. | :10:55. | |
there is an unspoken calling, that comes from the character. You | :10:56. | :11:14. | |
must play me! They have do intimidate you, they have to make | :11:15. | :11:18. | |
you scared to do it because I think that is the driving force behind | :11:19. | :11:20. | |
things, the challenge. You terrify us, I can tell you. You can catch | :11:21. | :11:23. | |
the finale of The Living and the Dead Tuesday at 9pm on BBC One. | :11:24. | :11:26. | |
Watch the entire series on BBC iPlayer. It's also on DVD from the | :11:27. | :11:28. | |
8th of August. Nowadays we are rarely found far from our friends, | :11:29. | :11:30. | |
watching videos, booking flights, taking photos of our dinner. Some | :11:31. | :11:33. | |
spend more time on our phones than we do talking to each other. Now | :11:34. | :11:36. | |
smart technology spreading into the home. There we are! Modern. Delete. | :11:37. | :11:49. | |
Smart home Tech. These days just filling the Catalan switching it on | :11:50. | :12:03. | |
is so passe. Get the Apple. Now you need to download an app and brew by | :12:04. | :12:12. | |
Bluetooth. Internet enables tallies. Fridges that can order food. | :12:13. | :12:18. | |
Quickstart guide. Heating you can control from your phone. It makes | :12:19. | :12:23. | |
sense, it can save you money. Half of us are expected to be doing it | :12:24. | :12:28. | |
within five years. Is it any good? Let's put this smart tech to the | :12:29. | :12:35. | |
test. On the people studies show least interested. Pensioners. We've | :12:36. | :12:41. | |
asked 31 show families to try a range of smart gadgets. With Frank | :12:42. | :12:48. | |
and Annie Barclay get a better night of sleep with his phone operated | :12:49. | :12:51. | |
monitor that analyses your sleeping habits? Norah and her friend Lindsay | :12:52. | :12:54. | |
are smarting a smartphone enabled home security camera which claims to | :12:55. | :12:59. | |
tell the difference between a burglar and family member. First, | :13:00. | :13:07. | |
Linda and Dave Corfield have a go with the coffee machine you control | :13:08. | :13:10. | |
from your phone. Can they work it and will they like it? They are | :13:11. | :13:13. | |
trying to get to grips with making Coffey through a Bluetooth app, it's | :13:14. | :13:22. | |
taking a while. -- making coffee. Time to enjoy the coffee. For ?160 | :13:23. | :13:29. | |
they can schedule Coffey time in advance or make it remotely. Making | :13:30. | :13:33. | |
coffee from the garden now, prepare for blast off, anything coming | :13:34. | :13:40. | |
through? I'm astonished. What impressed you then? When you're | :13:41. | :13:47. | |
rough and ready like this, you like your mug of instant, maybe we're not | :13:48. | :13:55. | |
the right market to aim it at. How's Norah getting on with the fancy | :13:56. | :14:01. | |
security camera? Also costing ?160, it can be programmed to recognise a | :14:02. | :14:04. | |
family member or alert you to an intruder. It's all set up, we've got | :14:05. | :14:11. | |
to try it. I'm excited now! Will the camera clock and uninvited guest. | :14:12. | :14:18. | |
Just let myself in... Look here. Look! Alex. We knew you were coming. | :14:19. | :14:27. | |
That's brilliant, isn't it? I was hoping to do some petty thievery in | :14:28. | :14:31. | |
your house, there's no chance now. You've got me banned to rights. You | :14:32. | :14:37. | |
were pretty impressed by this piece of smart technology. Yes, very | :14:38. | :14:40. | |
impressed with this, it's really a good thing. Meanwhile... | :14:41. | :14:45. | |
Instructions must be inside somewhere. ... Frank and Annie's | :14:46. | :14:50. | |
?130 gadget promises a better night of rest, tracking bedroom light, | :14:51. | :14:56. | |
noise and temperature. We've got problems, it doesn't fit into my | :14:57. | :15:01. | |
phone. If it doesn't go into your phone, how do you do it? There's got | :15:02. | :15:06. | |
to be another thing. No, there isn't anything else. | :15:07. | :15:13. | |
What a palaver. At bedtime, what will the monitor revealed? I am in | :15:14. | :15:22. | |
frank and Annie's bedroom, and I'm using night vision to watch them | :15:23. | :15:25. | |
sleeping while they use their gadget. In the morning we will be | :15:26. | :15:31. | |
able to see exactly what's going on. Hello, Alex! Sorry. How did you find | :15:32. | :15:39. | |
the sleep tracker? What did it tell you? It's supposed record when | :15:40. | :15:43. | |
people snore and things that but as I don't snore... Has it changed your | :15:44. | :15:52. | |
life? Frank does snore. It is like a graph going up and down. That is the | :15:53. | :15:57. | |
noise level. That's good because he claims he wasn't but he was | :15:58. | :16:03. | |
according to that. Maybe it was you? No! Thumbs down for the sleep | :16:04. | :16:10. | |
monitor. It hasn't solved the age-old problem of it's not me, it's | :16:11. | :16:14. | |
you. Our couples don't seem convinced. Perhaps they are the | :16:15. | :16:19. | |
wrong generation, after all some people may have felt the same the | :16:20. | :16:25. | |
first time they were exposed to an electric toaster. Thanks to everyone | :16:26. | :16:32. | |
who took part. Classic One Show viewers. Someone has texted me to | :16:33. | :16:36. | |
say, why did you not properly die your shirt! I'm speechless! I just | :16:37. | :16:45. | |
don't like this new technology, I don't want to have do learn a new | :16:46. | :16:49. | |
password. You are very good on Twitter. We loved the second series | :16:50. | :16:54. | |
but at the end there was a big cliffhanger because you were shot, | :16:55. | :16:58. | |
your character, along with Jamie Dornan. Big shame. I hope that is | :16:59. | :17:06. | |
not too much of a spoiler. The third series, are we going to see you? | :17:07. | :17:12. | |
Well, we are locked down on how much we can say. Do you at least make an | :17:13. | :17:19. | |
appearance at the beginning? We pick up right where series to left off. | :17:20. | :17:25. | |
You are straightaway picked up. You heard it here first. That is the | :17:26. | :17:32. | |
mystery and the excitement. Good. As many occupied your bags for the | :17:33. | :17:36. | |
annual summer getaway, you will no doubt want a good book to while away | :17:37. | :17:41. | |
the hours on the beach, how about the book ranked 46th best in the | :17:42. | :17:48. | |
20th century? It has now been made into a BBC TV series set in the... | :17:49. | :18:00. | |
Set in 1907. It is topical. The secret agent is a tale of spies and | :18:01. | :18:08. | |
terror set in Victorian London. Toby Jones's character runs a CD shop | :18:09. | :18:13. | |
with his wife. He is really a secret agent spying on an anarchist cell. | :18:14. | :18:20. | |
We need to show that our intention is to sweep away the whole of social | :18:21. | :18:26. | |
creation. It all goes wrong when he is forced to carry out a terror | :18:27. | :18:30. | |
attack in order to provoke a government crackdown. What about the | :18:31. | :18:36. | |
observatory? It's a tense tale based on the 19 are several -- 1907 novel | :18:37. | :18:45. | |
by Joseph Conrad, best known for heart of darkness, which Apocalypse | :18:46. | :18:50. | |
now is based on. The secret agent itself is based on what was probably | :18:51. | :18:56. | |
the first-ever international terrorist attack at the Greenwich | :18:57. | :19:02. | |
Observatory. On the 15th of February 1894 a French anarchist blew himself | :19:03. | :19:07. | |
up right here. With a bomb that he was holding, exploded in his hands. | :19:08. | :19:14. | |
Officially he was labelled an antiestablishment agitator but this | :19:15. | :19:18. | |
professor thinks that there could be more to it. One of the stories that | :19:19. | :19:22. | |
was set up among the anarchists was that he had been betrayed by a | :19:23. | :19:25. | |
double agent anarchist who was working for the establishment. And | :19:26. | :19:33. | |
that he was being tricked into it. He was the victim of a plot cooked | :19:34. | :19:41. | |
up by a double agent? Exactly. His eyes were naturally heavy and he had | :19:42. | :19:44. | |
an air of wallowing fully dressed all day on an unmade bed. He faces a | :19:45. | :19:51. | |
dilemma, plant a bomb or have his real identity revealed. Attempting | :19:52. | :19:54. | |
to keep watch on all of this is Chief Inspector Heat. A man | :19:55. | :20:02. | |
preoccupied with the darkest of characters. If I'm such a fantasist, | :20:03. | :20:12. | |
Chief Inspector, explain this. Conrad was Polish, born in 1857, he | :20:13. | :20:17. | |
wrote so well about anarchists because his parents where exiled as | :20:18. | :20:21. | |
revolutionaries, orphaned at 11 he later moved to London. While the | :20:22. | :20:26. | |
secret agent is one of the most important novels of the 20th century | :20:27. | :20:30. | |
it made its biggest impact after 9/11, because it seemed to foretell | :20:31. | :20:36. | |
modern terrorism. What is one to say of an act of destructive ferocity so | :20:37. | :20:42. | |
absurd as to be in comprehensibility inexplicable, almost unthinkable, in | :20:43. | :20:46. | |
fact, mad? It's extraordinary. Conrad is writing this 110 years ago | :20:47. | :20:52. | |
and yet it could be about the world we know now in 2016. Writer Tony | :20:53. | :20:58. | |
Marchand is a man who has transformed this into a TV drama. | :20:59. | :21:02. | |
You have turned it into three hours of television, what is the process? | :21:03. | :21:07. | |
You need a healthy disrespect for the novel otherwise you would be too | :21:08. | :21:11. | |
in awe of it to touch it. The job is really to read it and read it and | :21:12. | :21:18. | |
get as acquainted with it as Conrad himself was and then throw it away | :21:19. | :21:24. | |
and eventually because you have two right your own scripts based on the | :21:25. | :21:28. | |
novel and look for the points of conflict and drama but ultimately | :21:29. | :21:33. | |
it's the story of how our family is caught up in these machinations of | :21:34. | :21:37. | |
spies, double agents, suicide bombers, anarchists. The real hero | :21:38. | :21:44. | |
of the piece is a woman who is desperate to make her marriage work | :21:45. | :21:47. | |
and her family work and because of that it is relatable. The | :21:48. | :21:51. | |
universality in terms of Conrad is that he writes so well about family | :21:52. | :21:57. | |
dynamics. On the screen, not on the page, the secret agent is a | :21:58. | :22:02. | |
thrilling mix of deception, human frailty and international | :22:03. | :22:05. | |
skulduggery. It's a must see, and a must read as well. Well, he was | :22:06. | :22:13. | |
rather good, wasn't he? I tell you who is rather good, Lucy Pike Tory | :22:14. | :22:18. | |
with two more tales that are spookily predictive of the future. | :22:19. | :22:22. | |
Yes, I think these are really spooky. The first is called Stand on | :22:23. | :22:30. | |
Zanzibar which was published in 1969, and the British author is | :22:31. | :22:35. | |
writing about the year 2010, modern-day America, basically. It's | :22:36. | :22:39. | |
frighteningly... Practically an account of how we live. There is the | :22:40. | :22:44. | |
stuff people are using, driving electric vehicles and using laser | :22:45. | :22:48. | |
printers and have on demand TV and film. But what about the cultural | :22:49. | :22:55. | |
and context and the backdrop? Society is plagued by terrorism, | :22:56. | :23:01. | |
mass shootings, and on a lighter note there is lots of cultural | :23:02. | :23:04. | |
things that are happening, people still get married but very few, the | :23:05. | :23:08. | |
prevalent trend is for casual hookups. Swiping right and left. | :23:09. | :23:17. | |
What is that about? We will explain later. Detroit was once flourishing | :23:18. | :23:23. | |
but now in decline but they have electronic dance music. He predicted | :23:24. | :23:30. | |
Detroit rave culture in 1969 and if you're not commenced his genius | :23:31. | :23:35. | |
there is one other killer fact, one other world leader who is | :23:36. | :23:37. | |
universally adored, what is his name? | :23:38. | :23:44. | |
Two letters different! This was written in 1969. That is amazing. It | :23:45. | :23:51. | |
is totally amazing. Are you making this up? I do not make things up. | :23:52. | :23:59. | |
Let's start with the opening sentence, she was the largest craft | :24:00. | :24:02. | |
to float and the greatest of the works of men. That was written by | :24:03. | :24:07. | |
Morgan Rudd bets on to describe a ship, he is describing it in terms | :24:08. | :24:11. | |
of luxury, equal to a first-class hotel, it is 800 foot long, British | :24:12. | :24:20. | |
owned, too few lifeboats, it set sail in April and it sinks by | :24:21. | :24:24. | |
hitting an iceberg on the starboard side around midnight in the North | :24:25. | :24:30. | |
Atlantic. What am I talking about? 14 years before the Titanic Morgan | :24:31. | :24:37. | |
Robertson wrote this novel called the wreck of the Titan. We are | :24:38. | :24:46. | |
officially freaked out. That is brilliant. It may be the 1st of | :24:47. | :24:50. | |
August on Monday but the last film is all about snow. Here it is. For | :24:51. | :24:56. | |
most people the winter is a dim and distant memory. All thoughts of snow | :24:57. | :25:03. | |
and ice are banished in favoured of the -- in favour of the long-awaited | :25:04. | :25:09. | |
summer sunshine. But in the Scottish Highlands the last remnants of | :25:10. | :25:12. | |
winter can stay well into July and beyond. Patches of snow and even | :25:13. | :25:18. | |
stunning snow caves linger in the Scottish mountains through most of | :25:19. | :25:22. | |
the summer. Ian Cameron leads a volunteer survey team who count | :25:23. | :25:27. | |
every patch each August. I've got to say, I'm really surprised to be out | :25:28. | :25:31. | |
here so late in the year looking for snow patches. How many have you | :25:32. | :25:37. | |
found? It varies enormously, last year we found 670 patches of snow | :25:38. | :25:42. | |
across Scotland. And that's in August? It's a huge amount but last | :25:43. | :25:46. | |
year was unusual, summer was miserable. Not nice at all, it was | :25:47. | :25:52. | |
cool and overcast. How difficult is it to find these snow patches quit | :25:53. | :25:57. | |
Mark later in the year when they start to recede, it can be very | :25:58. | :26:03. | |
difficult indeed. -- snow patches? They hide in some inaccessible | :26:04. | :26:07. | |
places. Elsewhere in the UK snow is all but gone by June, but snow | :26:08. | :26:12. | |
patches can remain all year round in the Cairngorms which is home to five | :26:13. | :26:17. | |
of the UK's six highest mountains. Ian coordinates the survey in his | :26:18. | :26:23. | |
spare time by recruiting volunteers and co-authoring a report for the | :26:24. | :26:29. | |
Royal meteorological Society. They aim to understand the link between | :26:30. | :26:32. | |
snow cover and variations in climate. After an hour of hard | :26:33. | :26:38. | |
hiking, up to around 1000 metres, I am the tin to helping with the | :26:39. | :26:42. | |
survey. How deep can these patches get? In other parts like Ben Nevis, | :26:43. | :26:47. | |
in winter you are looking at 25 metres deep, so we are looking at a | :26:48. | :26:54. | |
small block of flats. Up close this is quite something but the real | :26:55. | :26:57. | |
magic is in hidden caves which are sometimes found beneath them. Our | :26:58. | :27:05. | |
timing should be perfect. It is warm enough for just the right amount of | :27:06. | :27:09. | |
melting. Finally we hit the jackpot, a cave that Ian thinks will be | :27:10. | :27:17. | |
stable enough to explore. CHUCKLES Wow. Look. My goodness. Here we go, | :27:18. | :27:26. | |
this is exactly what we were hoping for. This is amazing. It is | :27:27. | :27:32. | |
phenomenal. This is a proper tunnel. How does it form? We are seeing snow | :27:33. | :27:37. | |
which has fallen probably around eight or nine months ago, and now | :27:38. | :27:42. | |
that summer is upon us, it starts to warm and what you find is that as | :27:43. | :27:46. | |
the rock warms up the snow melts away from it and you make a gap and | :27:47. | :27:50. | |
it creates these incredible shapes. The hexagonal shapes are called | :27:51. | :27:57. | |
ablation hollows, they are formed when warm wind blows across the snow | :27:58. | :28:00. | |
and the melt is now well underway, but the snow may persist through the | :28:01. | :28:04. | |
summer. In the last two centuries, there have only been five years when | :28:05. | :28:09. | |
all of the snow melted in Scotland. In a way, this is the closest thing | :28:10. | :28:15. | |
that the UK has two ablation? Obviously the UK does not have place | :28:16. | :28:18. | |
years and it hasn't for many thousands of years but when you see | :28:19. | :28:22. | |
something like this, you really get a sense of what it might be like as | :28:23. | :28:26. | |
the final Galatians were melting away, and this really is a window | :28:27. | :28:31. | |
into the past. What can we really learn from the snow patches? -- | :28:32. | :28:35. | |
final Galatians. That is best answered in 50 years when people | :28:36. | :28:40. | |
look back and they can draw their own conclusions. It has been a | :28:41. | :28:45. | |
privilege to take part in the survey and who knows what secrets his work | :28:46. | :28:49. | |
will reveal in the years to come. Weren't they pretty? You can't beat | :28:50. | :28:55. | |
snow. That's it for tonight, thanks to Colin. The final episode of the | :28:56. | :29:01. | |
living on the dead -- The Living and the Dead... It is spectacular. | :29:02. | :29:07. | |
Thanks for stepping in, tomorrow Ricky Wilson will be back and he is | :29:08. | :29:10. | |
performing at the end of the show. And we will have actress Kelly | :29:11. | :29:14. | |
Macdonald with us. Not to be missed. Goodbye. | :29:15. | :29:23. | |
MUSIC: Not Gonna Break Me by Jamie N Commons | :29:24. | :29:27. |