Browse content similar to 29/07/2016. Check below for episodes and series from the same categories and more!
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I've heard they're officially the best band in the world. | :00:21. | :00:35. | |
Hello and welcome to the One Show with Alex Jones. | :00:36. | :00:46. | |
And the chief is back - it's Ricky Wilson! | :00:47. | :00:49. | |
It's like a two-for-one offer tonight | :00:50. | :00:52. | |
though because you've brought the rest of the Kaiser Chiefs | :00:53. | :00:54. | |
with you and you'll be doing your day job. | :00:55. | :01:01. | |
I a own dressing room this time. -- I don't get my own dressing room | :01:02. | :01:07. | |
this time. looking forward to giving | :01:08. | :01:09. | |
you a tune. They are very showbiz! | :01:10. | :01:16. | |
CHUCKLES Well the Kaiser Chiefs | :01:17. | :01:21. | |
are big but not as big as double decker buses | :01:22. | :01:23. | |
and is stomping through Cornwall. Before then we must | :01:24. | :01:27. | |
welcome our guest tonight. She's about to star in a much-loved | :01:28. | :01:30. | |
children's classic. Very apt as her career | :01:31. | :01:33. | |
reads just like I have a fairy tale book here. | :01:34. | :01:43. | |
We really love a story. Bit of dust. | :01:44. | :01:44. | |
CHUCKLES Once upon a time in a faraway | :01:45. | :01:46. | |
land...Scotland... A young woman was working | :01:47. | :01:49. | |
as a waitress in a cocktail bar That's a song. | :01:50. | :01:52. | |
Don't sing it, I'm the singer. Things started badly | :01:53. | :01:58. | |
when she got herself caught up But before long she was in | :01:59. | :02:00. | |
the money and walking the boardwalk with the big | :02:01. | :02:06. | |
boys of Atlantic City. Like all good fairy stories there's | :02:07. | :02:11. | |
a happily ever after - she became a bona | :02:12. | :02:14. | |
fide Disney Princess! Thank you for having me. Your first | :02:15. | :02:16. | |
time here. Kelly - surely all eight | :02:17. | :02:31. | |
year old girls dream of being a Disney Princess - | :02:32. | :02:33. | |
you managed it in Brave - How great was it, because she was a | :02:34. | :02:44. | |
feisty character, wasn't she? Feisty, liked being outdoors. I | :02:45. | :02:49. | |
never had the Princess dream when I was growing up. Really? No, I was | :02:50. | :02:59. | |
infatuated with Calamity Jane, which is the greatest musical ever, but I | :03:00. | :03:04. | |
watched it a lot. I wanted to be Calamity. But I think she came quite | :03:05. | :03:08. | |
close. Definitely. We'll be talking to Kelly later | :03:09. | :03:09. | |
about her new film - the classic children's adventure | :03:10. | :03:12. | |
Swallows and Amazons, which sees a group | :03:13. | :03:13. | |
of children set sail in the Lake District | :03:14. | :03:16. | |
for a summer adventure. We want to see your pictures - | :03:17. | :03:17. | |
if you were in a group of friends back in the day who all hung out | :03:18. | :03:23. | |
together - like the Swallows and Amazons - | :03:24. | :03:28. | |
and you gave yourself a name. I wasn't in a gang, it was just me | :03:29. | :03:33. | |
and my mate Craig. the name you gave yourselves - | :03:34. | :03:43. | |
and we'll show some of them later. Maybe I will think of one. If you | :03:44. | :03:51. | |
are travelling through Cornwall this week, there is only one thing you | :03:52. | :03:54. | |
need to be looking out for, and that is a 34 foot man. How far does he | :03:55. | :04:05. | |
walk? Nobody knows. How far had he come from? Nobody knows. How was he | :04:06. | :04:12. | |
made? Nobody knows. Wherever there is a hole in the world, there is a | :04:13. | :04:19. | |
Cornwall at the best of it. -- bottom of it. | :04:20. | :04:29. | |
We have constructed the largest mechanical puppets ever made in | :04:30. | :04:33. | |
Britain. -- puppet. We want to know about the movement. | :04:34. | :05:04. | |
There was clicking and crunching. And his beautiful structure against | :05:05. | :05:09. | |
the Cornish background. I love the way his feet stamped in time with | :05:10. | :05:13. | |
the song. And the fact his eyelashes go up and down. It made things come | :05:14. | :05:19. | |
to life, like a real human. Very clunky, doesn't move smoothly, then | :05:20. | :05:24. | |
you have got the parts of the Man Engine which are made to represent | :05:25. | :05:27. | |
the mining heritage. I remember working on those when I was in the | :05:28. | :05:34. | |
minds. When it came to its full height, he was actually saying, look | :05:35. | :05:41. | |
at what we were. I was brought up listening to the explosions | :05:42. | :05:43. | |
underground, so it means a lot to me, to be a part of this project. | :05:44. | :05:49. | |
You get the clamping and the hissing in the air. The original Man Engine | :05:50. | :05:59. | |
was invented here. It was an extraordinary invention which lifted | :06:00. | :06:04. | |
miners up and down the mines, which would have taken hours and hours on | :06:05. | :06:08. | |
ladders. There is something really spectacular and celebratory about | :06:09. | :06:14. | |
it. And mournful. Because many men have lost their macrolides. I would | :06:15. | :06:20. | |
be on shift one Sunday afternoon. We got a call that somebody had been | :06:21. | :06:26. | |
killed. I don't know if the kids really appreciate the actual | :06:27. | :06:32. | |
hardship. It is a good reminder of all the life and work that went into | :06:33. | :06:36. | |
the mining community. The struggles they made all of these times. We | :06:37. | :06:44. | |
want to use the inspiration of mining when it was literally the | :06:45. | :06:48. | |
silicon valley of the 19th century. This is where steam power was | :06:49. | :06:52. | |
invented. We want to use that inspiration for our young people to | :06:53. | :06:56. | |
lift up their chins and have a pride in their identity. They are built to | :06:57. | :07:04. | |
be robust. Built to last. Hopefully the Man Engine will last for a long | :07:05. | :07:10. | |
time. It is really impressive, isn't it? | :07:11. | :07:13. | |
I could not have made one. Man Engine will be making his way | :07:14. | :07:17. | |
through Cornwall. Well you're playing a mum | :07:18. | :07:23. | |
of five in your new movie - an adaptation of | :07:24. | :07:26. | |
Swallows and Amazons. Ricky says he has a relevant factor. | :07:27. | :07:33. | |
Sorry, I was doing a Matt Baker, showing some flash. My dad used on | :07:34. | :07:38. | |
the lawn of the author of Swallows and Amazons. -- used to. Did he say | :07:39. | :07:49. | |
he was a nice guy? That was all the information I got given this | :07:50. | :07:52. | |
morning. -- used to mow. Here's you waving the children | :07:53. | :08:00. | |
off on their adventure It's very important to keep a record | :08:01. | :08:08. | |
of Voyager for prosperity. All aboard. -- of voyage for prosperity. | :08:09. | :08:23. | |
Come back in one piece or Mr Jack will have your guts for garters. | :08:24. | :08:34. | |
APPLAUSE They were not back before the. -- | :08:35. | :08:42. | |
tea. But it was a happy ending. I loved | :08:43. | :08:47. | |
the film. It made me feel like I wasted my life, I should have done | :08:48. | :08:50. | |
that. Haven't we all. | :08:51. | :08:52. | |
I never came across the book. Even though I spent a lot of my life in | :08:53. | :09:06. | |
the library. It wasn't on my radar. I read the script. I think it is | :09:07. | :09:12. | |
just a lovely adaptation. I went to meet Philippa, the director. I | :09:13. | :09:18. | |
thought it would be a lovely summer. I thought I would make some | :09:19. | :09:23. | |
brilliant memories. They stick very closely to the original story but | :09:24. | :09:26. | |
there is an added twist, isn't there? Tell us about that. In the | :09:27. | :09:34. | |
book there are robbers, but in the film they are spies. It brings it a | :09:35. | :09:40. | |
bit up-to-date. Do you think a film set in the 1930s would resonate with | :09:41. | :09:45. | |
kids today? I think so. What I loved about watching the film was how it | :09:46. | :09:50. | |
is entirely focused on the children's story. Lots of grown-up | :09:51. | :09:54. | |
actors, but we are peripheral. The kids are just come you know, they | :09:55. | :09:58. | |
are a real family. They bicker, squabble, they are heartbreaking. | :09:59. | :10:03. | |
One of the older brothers annoyed at the younger brother. I have been | :10:04. | :10:07. | |
there. And the effect it has on adults, we | :10:08. | :10:11. | |
watched it together and we both sort of said, when we have children it | :10:12. | :10:14. | |
would be nice... Not us together. | :10:15. | :10:21. | |
Not necessarily, it is only our third programme together. But we | :10:22. | :10:24. | |
would introduce them to a life outdoors, let them go off on | :10:25. | :10:28. | |
adventures, did you have the same feeling? I can't get my kids into | :10:29. | :10:32. | |
the back garden. I really do try. I'm talking about my older son, I | :10:33. | :10:38. | |
will be embarrassing him, but he likes the indoors life. The little | :10:39. | :10:43. | |
one, he just needs a field to run around. What was your childhood | :10:44. | :10:49. | |
like? Did you go outdoors a lot? I was like my elder son. I can't be | :10:50. | :10:54. | |
angry at him too much because he gets it from me. The old sort of | :10:55. | :11:00. | |
camping in people's back gardens, sort of experiences. You are more of | :11:01. | :11:05. | |
a house cat. Yeah. CHUCKLES | :11:06. | :11:18. | |
But you will be doing another project about AA Milne. Yes, a book | :11:19. | :11:26. | |
based on Christopher Robin. Who do you play? I play a nanny. You do a | :11:27. | :11:33. | |
good nanny. I do downstairs staff very well. Swallows and Amazons will | :11:34. | :11:37. | |
be in cinema on the 19th of August. When teenagers leave the nest | :11:38. | :11:45. | |
and fly off to university you can usually bet there's a few things | :11:46. | :11:48. | |
they don't tell their parents. One father however, regrets | :11:49. | :11:51. | |
not knowing what his Dear Michael, Adams is my bald spot | :11:52. | :12:01. | |
will keep me warm in the summer. Writing has always been in me, it's | :12:02. | :12:05. | |
something I've done since I was a child, I thought it was a lovely | :12:06. | :12:07. | |
thing to do with Michael when he went after university. He suggested | :12:08. | :12:13. | |
I take pieces of hair and stick them to the bald patch. I thought it was | :12:14. | :12:17. | |
a nice way of sharing gossip from home, some nice stories, jokes about | :12:18. | :12:21. | |
his brothers and sisters, and just a nice way of keeping things going. | :12:22. | :12:27. | |
I've always been a happy person. My childhood was always really good. I | :12:28. | :12:30. | |
had my brother and sister around, and my mum and dad, we had family | :12:31. | :12:32. | |
holidays all the time. It was about 2007 when I started to | :12:33. | :12:48. | |
get really depressed. His hair was changing, his whole manner was | :12:49. | :12:52. | |
changing, and he was getting slimmer. Something which was so | :12:53. | :12:56. | |
alien to us. It was beyond our experience or anything we could ever | :12:57. | :12:59. | |
imagine. We just were not aware of it for a long time. They didn't | :13:00. | :13:05. | |
really want to confront it, I guess. It wasn't probably until I was | :13:06. | :13:09. | |
really, really bad, and I was physically, like, my body was | :13:10. | :13:12. | |
breaking down. I wasn't really talking to them very much. As | :13:13. | :13:17. | |
Michael got worse, I thought he was a lazy great lump, and I thought he | :13:18. | :13:22. | |
was a complete waste of space, and I thought he would never get a job, | :13:23. | :13:27. | |
and the reality was, of course, he was depressed. And the anorexia was | :13:28. | :13:31. | |
ruining him and I didn't see it for so long. They are not nasty letters, | :13:32. | :13:37. | |
they are not full of displeasure, it is more a sense of frustration and | :13:38. | :13:41. | |
wanted to shake him, and wanting him to actually get up and do something, | :13:42. | :13:46. | |
just a sense of frustration. As I was getting worse, he would slip in | :13:47. | :13:51. | |
things like... All you need to do now is start eating and everybody is | :13:52. | :13:55. | |
happy, that and a job. It is easy to look back and think, perhaps I | :13:56. | :14:00. | |
should not have said that. By that time, wasn't even reading his | :14:01. | :14:03. | |
letters any more, I would just ignore them. Michael decided not to | :14:04. | :14:07. | |
come to his grandmother's funeral. That enraged me. You should be in | :14:08. | :14:13. | |
some sort of institution, you do not function, you do not work, what you | :14:14. | :14:17. | |
do for me is inadequate. You seem to have no thought for anyone around | :14:18. | :14:20. | |
you. In the letter it sounds like I am raging. At the same time, I think | :14:21. | :14:28. | |
that at that point if you went and got professional help that would | :14:29. | :14:34. | |
have helped him. -- I think I was thinking at that point if he went. I | :14:35. | :14:41. | |
felt like my body was dying. When he was in hospital. He dropped down to | :14:42. | :14:47. | |
about six, seven stone. It was appalling. Devastating. I go back | :14:48. | :14:51. | |
all of the things I should have done. If you have had a son who was | :14:52. | :14:57. | |
13 stone, was Hampson, girls were looking at him as he walked by, and | :14:58. | :15:01. | |
then you see him lying on effectively his deathbed, it is just | :15:02. | :15:04. | |
the worst nightmare of your life. -- was handsome. It was only when he | :15:05. | :15:11. | |
went into rehab that the letters perhaps took on a softer, more | :15:12. | :15:15. | |
caring touch, when I realised actually I need to be a slightly | :15:16. | :15:21. | |
different title father. -- type of father. | :15:22. | :15:26. | |
It is better to talk. See you Friday, my number one son. Love dad. | :15:27. | :15:37. | |
We wish Michael and Iain all the best in the future. | :15:38. | :15:44. | |
You could work on a shopping channel! | :15:45. | :15:55. | |
Welcome bassist Simon and Peanut - | :15:56. | :15:58. | |
Now Ricky, I know you're the front man and everything, but tonight | :15:59. | :16:03. | |
you're the One Show presenter so we've written the questions | :16:04. | :16:05. | |
Read exactly what is on the card. He has not seen them. Is this what | :16:06. | :16:22. | |
you're going to wear? I will check you are seeing the right ones. This | :16:23. | :16:33. | |
is classed as your Love album so who loves me the most? What a generous | :16:34. | :16:40. | |
question. I think it is these ladies. I am sorry, it has to be | :16:41. | :16:50. | |
somebody from the band. It is all of us. Equally. I will let that go for | :16:51. | :16:59. | |
now. Our new single is Parachute. If like the lyrics the band was | :17:00. | :17:02. | |
involved in a midair emergency and only had one Parachute which member | :17:03. | :17:08. | |
of the band would you give it to? It is like going on Blind date! That | :17:09. | :17:15. | |
question goes to contestant number two. In those situations you can get | :17:16. | :17:20. | |
parachutes which people can share. I think we would all stay together. He | :17:21. | :17:28. | |
is good. He will be presenting soon. Aim for the water. Question 34 | :17:29. | :17:35. | |
contestant number three, you're on this road this summer touring | :17:36. | :17:41. | |
European festivals, be honest, what is my most annoying habit? He is | :17:42. | :17:47. | |
early for everything. Then he is annoyed that everyone else is only | :17:48. | :17:53. | |
on time. I think being on time is being a quarter of an hour late. How | :17:54. | :17:59. | |
much of an eagle do I have? LAUGHTER -- and ego. You would have to get | :18:00. | :18:12. | |
some stories on top of this to hit those heights. I still love you. | :18:13. | :18:23. | |
Don't worry. You will be playing the festival along with Travis, who your | :18:24. | :18:34. | |
husband Dougie plays with. Go and get it ready, make sure my | :18:35. | :18:41. | |
microphone is plugged in. You can actually go. Go! CHEERING | :18:42. | :18:47. | |
APPLAUSE They are all right really? Let's get | :18:48. | :18:55. | |
back to you, Kelly, a moment which launched your career is | :18:56. | :18:57. | |
Trainspotting and we have do talk about that, let's remind ourselves | :18:58. | :19:02. | |
of you in that role. The truth is you are a quite sensitive type but | :19:03. | :19:05. | |
if I am prepared to take a chance I might get to know the inner EU, | :19:06. | :19:09. | |
witty, adventurous, passionate, loving, loyal, taxi! A little bit | :19:10. | :19:17. | |
crazy, a little bit bad? Don't ask girls just love that? You had just | :19:18. | :19:26. | |
left school when you got that part, how did you get it? It was an open | :19:27. | :19:32. | |
casting call, it was really sort of, talking about fairy tales early on, | :19:33. | :19:36. | |
it was kind of like a fairy tale come to life. I went to an open | :19:37. | :19:41. | |
casting call and they held them in Glasgow and Edinburgh and thousands | :19:42. | :19:46. | |
of people rolled up. Bit by bit they got the numbers down and it was | :19:47. | :19:52. | |
between two of us. You saw it on a flyer? Yes, they handed them out, I | :19:53. | :19:57. | |
was handy two individually by different people and I was very | :19:58. | :20:00. | |
quietly thinking about drama school but I was a bit frightened to voice | :20:01. | :20:06. | |
it. Then I got handed separately the Flyers. We just sort the flyer, you | :20:07. | :20:11. | |
are the new Patricia Arquette or Kate Moss, amazing. It says right at | :20:12. | :20:20. | |
the bottom... You will not get the photograph back. But it was worth | :20:21. | :20:25. | |
it, obviously. We have a film coming out about cooking and I thought you | :20:26. | :20:28. | |
might be interested in these photographs I found. I have never | :20:29. | :20:34. | |
seen those biscuits before in my life! What has been committed? I you | :20:35. | :20:48. | |
are not a great cook? I am a bit forgetful, I wonder off and | :20:49. | :20:52. | |
multitask. Of his two restaurants here in Aidan | :20:53. | :21:13. | |
Brunger. -- Aidan Brunger. Today I am in the other kitchen, the one at | :21:14. | :21:18. | |
home, to get a flavour of all the things he likes to eat when he is of | :21:19. | :21:23. | |
duty. I have been invited for dinner with Tom and his family including | :21:24. | :21:27. | |
the two-year-old twins and his wife Michaela and business partner. Do | :21:28. | :21:36. | |
you get to cook much at home? The restaurant is closed on Sunday and | :21:37. | :21:39. | |
Monday so generally I cook at home then because I love it so much but | :21:40. | :21:44. | |
during the week it is Michaela who cooks. How do you find cooking at | :21:45. | :21:50. | |
home? I feel more confident when I am on my own and he is not looking | :21:51. | :21:54. | |
over my shoulder, I do totally different things to what he does, it | :21:55. | :22:01. | |
is much more simple. When you are a kid with a super chef for a dad you | :22:02. | :22:07. | |
learn to hit him where it hurts. They are reaching that cheeky age, | :22:08. | :22:11. | |
they will go into school and parties, daddy, if you are not nice | :22:12. | :22:18. | |
to me I am going to McDonald's! Today there is no fast food in sight | :22:19. | :22:22. | |
as we head to the regular fishmonger. Michaela will be an | :22:23. | :22:27. | |
kitchen duty and hard Swedish heritage puts a new spin on a family | :22:28. | :22:32. | |
favourite. I thought we should cook lasagne I like to make, smoked | :22:33. | :22:38. | |
salmon, spinach, a bit of a Scandinavian recipe. That sounds | :22:39. | :22:44. | |
delicious, would you cook that in Scandinavia? Yeah, I liked to eat it | :22:45. | :22:48. | |
when I was younger and my kids love it. One is then for certain, she | :22:49. | :22:54. | |
knows her audience. What should we have for lunch? Salmon and pasta. | :22:55. | :23:11. | |
Who is going to cook it? Money. -- money | :23:12. | :23:17. | |
I have a feeling this row could run and run but now it is time for | :23:18. | :23:23. | |
Michaela to pick up our ingredients. This is where you get all your fish? | :23:24. | :23:29. | |
Yes, we get a lot of the house and the restaurant. What are you getting | :23:30. | :23:37. | |
today? Looking to get some smoked salmon please. My husband would have | :23:38. | :23:43. | |
said take the whole slice, I love the fact you have sliced it already, | :23:44. | :23:48. | |
maybe I can go for that? It might be the easy option but I would do the | :23:49. | :23:55. | |
same, as mums are not daft. Michaela tells me about how her recipe has | :23:56. | :24:01. | |
taken on a life of its own outside of the home. We were working on the | :24:02. | :24:08. | |
cookbook and Tom said put it in the book and it made it. It is funny if | :24:09. | :24:17. | |
we are together and people come up and comment to Tom that they | :24:18. | :24:22. | |
especially like it! He might be of duty but the second he here is | :24:23. | :24:28. | |
sizzling he cannot help but stick his nose in. How is it going? Don't | :24:29. | :24:35. | |
forget a touch of salt. He has two Michelin stars, we should probably | :24:36. | :24:40. | |
trust him. As Michaela puts the finishing touches to the lasagne the | :24:41. | :24:45. | |
Big brothers arrive home from school to help set the table. Then, | :24:46. | :24:51. | |
service. We have been working hard on making this all day, I think we | :24:52. | :24:56. | |
should just dig in, what do you think? Yeah! Yeah! Absolutely | :24:57. | :25:06. | |
delicious. It is Gammy. I didn't like it. I loved it! What did you | :25:07. | :25:14. | |
think, Tom, anything you would change? Nothing I would change, I | :25:15. | :25:24. | |
think it's a great dish. She might not have any Michelin stars but she | :25:25. | :25:27. | |
certainly gets the thumbs up from her boys. All five of them. | :25:28. | :25:33. | |
Thank you, I thought it looked delicious. There you are. He is not | :25:34. | :25:44. | |
sure. We asked you for pictures of you hanging out in a group like | :25:45. | :25:49. | |
Swallows And Amazons. This was a gang from the 80s. I have got | :25:50. | :25:58. | |
another one from 1959. Beautiful picture, another from the 1950s. It | :25:59. | :26:04. | |
looks like Swallows And Amazons. Off you go to do your day job. Thank you | :26:05. | :26:10. | |
to Kelly for joining us tonight, it has been wonderful to have you and | :26:11. | :26:14. | |
thank you to Ricky, I will be back on Monday with Matt Baker, Bryce | :26:15. | :26:18. | |
Dallas Howard and LeAnne Rimes will be here. We will leave you with The | :26:19. | :26:23. | |
Kaiser Chiefs performing their brand-new single, Parachute. Have a | :26:24. | :26:24. | |
fantastic weekend, goodbye. # Over, over and over 'til | :26:25. | :26:30. | |
you go and lock your heart # Open, totally broken when you've | :26:31. | :26:35. | |
tumbled through the dark # Hold me, hold me closer 'til | :26:36. | :26:45. | |
you're breaking up, don't leave # Folded, I've folded it over, | :26:46. | :26:50. | |
great times that start again # And I was the light | :26:51. | :26:57. | |
that shined on every day # And I wasn't like | :26:58. | :27:08. | |
that for you always # But if we've only | :27:09. | :27:18. | |
# Nowhere, nowhere is home unless we both live in the same place | :27:19. | :27:42. | |
# Older, shoulder to shoulder cause we don't have separate ways | :27:43. | :27:49. | |
# Hold me, hold me closer 'til we're breaking up, don't leave | :27:50. | :27:56. | |
# Folded, I've folded it over, great times that start again | :27:57. | :28:03. | |
# And I was the light that shined on every day | :28:04. | :28:10. | |
# And I was the light that followed you always | :28:11. | :28:18. | |
# But if we've only got one parachute | :28:19. | :28:22. |