Browse content similar to 28/09/2011. Check below for episodes and series from the same categories and more!
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Hello. Welcome to the One Show with Alex Jones and Matt Baker. To | :00:22. | :00:27. | |
introduce tonight's guest I think we need a bit of help. She stood up | :00:27. | :00:30. | |
to Simon Cowell, fell out with Sharon Osbourne and snogged Louis | :00:30. | :00:37. | |
Walsh. That last one's a joke by the way. Now she makes frocks, | :00:37. | :00:41. | |
tells women how to walk in high heels and amazingly how to pack | :00:41. | :00:51. | |
:00:51. | :00:59. | ||
their own bags. It's Miss Dannii APPLAUSE | :00:59. | :01:04. | |
Looking absolutely gorgeous. I wonderful introduction from Peter. | :01:04. | :01:07. | |
When I hear his voice I'm expecting to be behind the screens and then | :01:07. | :01:13. | |
the big reveal. We have to ask you, X Factor's in full swing. Do you | :01:13. | :01:17. | |
miss it? It's hard, because it was something that I was so passionate | :01:17. | :01:21. | |
about and they asked me to come back on the show. By the time we | :01:21. | :01:24. | |
had all the dates they conflicted with me working in Australia and I | :01:24. | :01:29. | |
literally would have had to fly back once a week for ten weeks in a | :01:29. | :01:36. | |
row. With a baby, I can't do that. I'm a mum. You put your priorities | :01:36. | :01:42. | |
in place. They are getting on doing the show. I hope Louis's missing me. | :01:42. | :01:47. | |
I do miss seeing what you are wearing every week. That was a | :01:47. | :01:53. | |
highlight. Have you seen in the news about Rhianna, because she got | :01:53. | :01:58. | |
into trouble on the X Factor? haven't seen the images. A farmer | :01:58. | :02:01. | |
in Northern Ireland wasn't happy with what she was doing so he | :02:01. | :02:06. | |
kicked her out of his field. She removed a few more layers, but what | :02:06. | :02:09. | |
side of the fence are you on with this? I think it's all about | :02:09. | :02:13. | |
location, location, location, isn't it? I think if you are going to do | :02:13. | :02:19. | |
something like that you need to know what the beliefs are that the | :02:19. | :02:24. | |
farmer has. Indeed. He was a bit shocked driving past in his tractor. | :02:25. | :02:29. | |
I believe he was quite religious and what she is doing is not right. | :02:29. | :02:34. | |
Our One Show farmer would have loved it. I know where he's coming | :02:34. | :02:44. | |
:02:44. | :02:45. | ||
from! We are going to talk to Danni, later. When Larry Lamb was playing | :02:45. | :02:49. | |
Archie Mitchell in EastEnders he was involved in shady dealings, but | :02:49. | :02:55. | |
he's about to tell us about a reel- life drama to rival any plot in | :02:55. | :03:00. | |
Albert Square. London's Knightsbridge, famous for its posh | :03:00. | :03:06. | |
shops and even posher shoppers. But for six days in 1975 this | :03:06. | :03:10. | |
restaurant just up the road from har records was the seen of a life | :03:11. | :03:15. | |
and death standoff between an armed gang, hostages and the police. It | :03:15. | :03:21. | |
became a national drama. The Spaghetti House siege began on a | :03:22. | :03:24. | |
Saturday night. The staff had gathered to count the takings and | :03:24. | :03:29. | |
they were chatting and having a few beers after a long night. It was | :03:29. | :03:34. | |
about to become the longest night of their lives. Three gunmen forced | :03:34. | :03:39. | |
their way into the restaurant. is a hold-up. They wanted the | :03:39. | :03:46. | |
takings, about �70,000 in today's money. For the gang from their on | :03:46. | :03:49. | |
in it all went terribly wrong. They couldn't find the money. They | :03:50. | :03:53. | |
pannicked and herded the staff into the basement. Out on the street the | :03:53. | :03:59. | |
police were on to them. An elite police unit, the special patrol | :03:59. | :04:04. | |
group, or SPG happened to be nearby and they surrounded the restaurant. | :04:04. | :04:08. | |
What happened over the next week became the model for handling a | :04:08. | :04:15. | |
spate of 70's seedges. -- sieges. Susan Bishop was the squad's only | :04:15. | :04:20. | |
female officer. It was made clear from the very beginning that we | :04:20. | :04:24. | |
would make -- wait for them to make a decision and an undertaking was | :04:24. | :04:28. | |
made if they came out, having left their guns behind, that no-one | :04:28. | :04:38. | |
:04:38. | :04:38. | ||
would be harmed. But the police had a secret weapon. A tiny fine onic - | :04:38. | :04:42. | |
- fibre optic camera was able to be sent into the room where the | :04:42. | :04:46. | |
hostages were. This was state-of- the-art new technology? I think it | :04:46. | :04:51. | |
was one of the first times to be used. Never shown before, this is | :04:51. | :04:54. | |
the extraordinary police footage of the hostages and gunmen from inside | :04:54. | :04:59. | |
the basement. They thought they were speaking in whispers in the | :04:59. | :05:03. | |
room, making plans, discussing what they should do and we could hear | :05:03. | :05:10. | |
and watch all that going on. gang didn't help their cause by | :05:10. | :05:12. | |
declaring they were Black Liberation Army revolutionaries and | :05:12. | :05:16. | |
demanding a plane to Jamaica. The police weren't having any of it. | :05:16. | :05:22. | |
They are going nowhere. We are not meeting any demands, except those | :05:22. | :05:26. | |
that are compatible with their own well-being and the well-being of | :05:26. | :05:29. | |
the hostages. The siege lend news and filled front pages every day. | :05:29. | :05:34. | |
It was the making of crime reporter Jeff Edwards. It was the one story | :05:34. | :05:44. | |
dominating the news, because it was unique. The police were on an hour- | :05:44. | :05:48. | |
to-hour basis looking at the options and trying to figure out | :05:48. | :05:54. | |
how to end it bloodlessly. Police negotiators kept the gang talking. | :05:54. | :05:58. | |
When two hostages fell ill they agreed to release them in exchange | :05:58. | :06:01. | |
for radio, coffee and cigarettes. Handing over the radio was part of | :06:01. | :06:06. | |
the plan. Now the gang could listen to the hourly news bulletins and | :06:07. | :06:15. | |
hear again and again the police would not meet their demands. The | :06:15. | :06:20. | |
tactics broke the gang's morale. That was after six long days. This | :06:20. | :06:29. | |
is the moment when the six hostages emerged into freedom. They were | :06:29. | :06:34. | |
followed by two of the gunmen. Wesley Dick and Anthony Gordon | :06:34. | :06:38. | |
Munroe were immediately arrested. The leader, I think it would be | :06:38. | :06:42. | |
fair to call him, stayed behind for a short time and then he inflicted | :06:42. | :06:47. | |
a wound on himself with one of his guns. He was eventually brought out | :06:47. | :06:53. | |
on a stretcher. He was in custody. Gang leader Franklin Davies | :06:53. | :06:58. | |
recovered and was jailed for 22 years. Wesley Dick for 18 and | :06:58. | :07:05. | |
Anthony mup row for 17. -- Munroe for 17. Theyance formed the way the | :07:05. | :07:12. | |
police would deal with sieges from that point on. -- they transformed | :07:12. | :07:16. | |
the way the police would deal with sieges from that point on. | :07:16. | :07:19. | |
police could see they could afford to wait this out. No-one was | :07:19. | :07:22. | |
injured and the right people were freed. I think the end is the best | :07:22. | :07:31. | |
end there could have been. That police operation involved 400 | :07:31. | :07:36. | |
officers and it was one of the first times that psychologists were | :07:36. | :07:41. | |
used. Amazing story there. You are here to talk about your new book, | :07:41. | :07:46. | |
which advises people on style. One man we think may need your help is | :07:46. | :07:56. | |
:07:56. | :08:01. | ||
our very own Dom Littlewood. APPLAUSE | :08:01. | :08:04. | |
LAUGHTER Very nicely done. Sit yourself down. | :08:04. | :08:14. | |
:08:14. | :08:15. | ||
What is your verdict? Yes t was slow and you took your time and | :08:15. | :08:21. | |
milked it. I ironed my shirt knowing you were going to judge me. | :08:21. | :08:29. | |
Not bad? Some wrinkles left. It's endearing. Dom is here to help sort | :08:29. | :08:35. | |
your problems out. One of which is council tax. It is. One couple have | :08:35. | :08:40. | |
contacted because -- us because they were convinced they were | :08:40. | :08:43. | |
paying too much tax on their property, so I went to work. James | :08:43. | :08:48. | |
and Zena live in Enfield and they are in council tax band E. That | :08:48. | :08:52. | |
means every year they are paying �300 more than their band D | :08:52. | :08:56. | |
neighbour, living in what appears to be a very similar house. They | :08:56. | :09:01. | |
wrote to the valuation office. response was that their details | :09:01. | :09:05. | |
were correct on the property and that we were in the correct council | :09:05. | :09:09. | |
tax banding, despite our protests that we were in a different banding | :09:09. | :09:15. | |
to that of our neighbours. All the bands are based on 90-91 valuations | :09:15. | :09:20. | |
done in quite a hurry. There was considerable scope for error. | :09:20. | :09:26. | |
is also a factor. We asked our expert to measure both properties. | :09:26. | :09:30. | |
Size in itself doesn't effect value as the only determinant, but it's | :09:30. | :09:35. | |
one thing. I wanted to know if they were roughly similar and they were. | :09:35. | :09:38. | |
Two properties roughly the same size, but one family paying much | :09:38. | :09:45. | |
more than the other. What is going on? What is going on, Dom? Well, we | :09:45. | :09:48. | |
got involved and that's what's going on. We got our own surveyor | :09:48. | :09:52. | |
to measure and got the couple to go back to the Valuation Office Agency, | :09:53. | :09:57. | |
the VOA and as a result of us getting involved now they are | :09:57. | :10:04. | |
banding has gone down to a D. They are better off �300 and they are | :10:04. | :10:09. | |
back-dating it. A big bonus of about �1,000. What have the office | :10:09. | :10:12. | |
said?. They say they will be reassigning a number of other | :10:12. | :10:17. | |
properties in the street, but also stress this: there is no evidence | :10:17. | :10:22. | |
to suggest significant errors were made when made in the early 1990's, | :10:22. | :10:26. | |
and that was known as second-gear valuations. Rumour has it that | :10:26. | :10:33. | |
people drove around in second gear in a car and said band D or E. | :10:33. | :10:38. | |
if you live in a terrace street and your neighbours are in a different | :10:38. | :10:42. | |
band, should you get it checked out? It is free to get it checked | :10:42. | :10:48. | |
out, but some houses are valued differently. Major things like lost | :10:48. | :10:53. | |
conversion -- loft and basement conversions and big conservatories. | :10:53. | :10:56. | |
They don't want to put people spending money on their properties, | :10:56. | :11:00. | |
so if you have done that or about to do it, still do it and if your | :11:00. | :11:03. | |
banding goes up it won't happen until you sell that property. | :11:03. | :11:07. | |
Moving on to a different property. Lost property. We have all done it, | :11:07. | :11:13. | |
but in particularly on aeroplanes. It can get a little messy. It's not | :11:13. | :11:19. | |
like you can nip back. It gets messy. Look at this. I was | :11:19. | :11:22. | |
travelling from Seattle to Heathrow Airport and I put my iPad and | :11:22. | :11:26. | |
headphones in a little drawer by my feet. I woke up at Heathrow Airport | :11:26. | :11:33. | |
completely forgot about the iPad and headphones. He rang Bagport the | :11:33. | :11:36. | |
company that deals with lost property at Heathrow Airport. | :11:36. | :11:41. | |
rang and rang and no response. On the website, I filled in the form | :11:41. | :11:45. | |
saying what I had lost. Ten days later still nothing had happened. | :11:45. | :11:49. | |
Nick went back to the website, found two iPads listed as lost that | :11:49. | :11:54. | |
day. It says if you want to claim one of these fill out more details. | :11:54. | :11:58. | |
He got another response saying they would be in touch within 48 hours, | :11:58. | :12:03. | |
but a month later still nothing. was like there was a wall there | :12:03. | :12:09. | |
which you couldn't get through. No response. You were saying the exact | :12:09. | :12:13. | |
same thing happened to your boyfriend? Chris last week, he was | :12:13. | :12:17. | |
flying up to Sydney and came back down to Melbourne and I said can we | :12:17. | :12:21. | |
look at something on your iPad and he remembered it was on the plane | :12:21. | :12:25. | |
in the pocket in front of him. He called up and he actually got it | :12:25. | :12:29. | |
back. That's good. Did the gentleman in the film get it back? | :12:29. | :12:33. | |
Only after we got involved. As you heard, he was making loads of calls. | :12:33. | :12:38. | |
We got involved and yes, he was reunited with it. The company have | :12:38. | :12:42. | |
given us a statement and apologise and point out they have to deal | :12:42. | :12:48. | |
with in excess of 80,000 lost items a year. By investing more in staff | :12:48. | :12:53. | |
and lines of communications, since taking over nine months ago, they | :12:53. | :12:57. | |
reckon they've reduced this by 50%, so big improvement, but we would | :12:57. | :13:01. | |
like to see 100%. Of course. How much stuff have you lost in your | :13:02. | :13:05. | |
time travelling because you've gone all over the world? I live out of a | :13:05. | :13:09. | |
suitcase, so I reckon there is a per centage of flights you are | :13:09. | :13:17. | |
going to lose your lug anage. -- luggage. You can only sometimes | :13:17. | :13:21. | |
lose one. I don't understand that. It's frustrating, but mistakes | :13:21. | :13:24. | |
happen so you have to kind of be chilled about it. The worst thing | :13:24. | :13:30. | |
you can do is scream at the people. I love the jeopardy at baggage | :13:30. | :13:36. | |
reclaim. There is nothing more devastating at -- in losing your | :13:37. | :13:46. | |
suitcase. Dom is keen to hear from other people with consumer issues. | :13:46. | :13:50. | |
Now, then, Alex, is not the only Jones in the studio with roots in | :13:50. | :13:57. | |
Wales. Is that right? My mum's a Jones and her parents went out to | :13:57. | :14:04. | |
Australia as the �10 Poms when she was ten and they relocated to | :14:04. | :14:09. | |
Queensland out there and lived out there ever since. We may be | :14:09. | :14:14. | |
related? Possibly. We'll talk more. Anita explains how the families | :14:14. | :14:24. | |
:14:24. | :14:30. | ||
were able to make a new life for From 1947 more than one million | :14:30. | :14:35. | |
Britons took advantage of a scheme. It was known as the ten pound Pom | :14:35. | :14:38. | |
and it was the largest emigration of Welsh national to say Australia | :14:38. | :14:45. | |
ever. Australian needed a population | :14:45. | :14:50. | |
after the Second World War. It was planning major industrialisation. | :14:50. | :14:54. | |
Some ten thousand more people people would have been born in | :14:54. | :14:59. | |
Wales in the 1970s that had been in the 1930s. | :14:59. | :15:03. | |
Why did they leave Wales? People in Wales may have felt they wanted to | :15:03. | :15:07. | |
go because of the hard times after the war, of rationing. They thought | :15:07. | :15:11. | |
they would have a much better life in Australia and also probably | :15:11. | :15:15. | |
thought that Australia would be a much sunnier place than being in | :15:15. | :15:23. | |
Wales reputed to have so much rain as you can see today. | :15:23. | :15:28. | |
92-year-old Basil Baker remembers the Ten Pound Pom Seem better than | :15:28. | :15:32. | |
most. Tell me about the family that lived next door. Well, they were a | :15:33. | :15:37. | |
very nice couple. Very nice indeed. And they had two kids and Julia, | :15:37. | :15:42. | |
she was the youngest. I think it was because she was getting chest | :15:42. | :15:46. | |
troubles often, it was suggested that she went to a better climate | :15:46. | :15:49. | |
and Australia was the place place apparently. | :15:49. | :15:52. | |
Did they make a success of it? obviously. | :15:52. | :15:58. | |
Why? She is not in a bad state of health now, I don't think. | :15:58. | :16:03. | |
Why? Who is she? She gets the best of attention. Well, she is Prime | :16:03. | :16:08. | |
Minister of Australia, isn't she? Julia Gillard is not the only Welsh | :16:08. | :16:12. | |
person associated with Ten Pound Poms to reach fame. It was on this | :16:12. | :16:19. | |
street and in that very building in South Wales that Carol Jones once | :16:19. | :16:23. | |
lived. Who is Carol Jones. You might not have heard of her, but | :16:23. | :16:27. | |
you have heard of her two famous daughters! | :16:27. | :16:33. | |
Dannii and Kylie's family came from a long line of slate quarrymen who | :16:33. | :16:37. | |
moved around Wales in search of work. A decline in the quarry | :16:37. | :16:43. | |
industry made the family travel south. Dannii and Kylie's | :16:43. | :16:47. | |
grandparents stayed in Wales running the local Post Office until | :16:47. | :16:51. | |
1955 when the family uprooted themselves again. This time along | :16:51. | :16:59. | |
with their daughter, Carol-an an Jones. They set sail from | :16:59. | :17:02. | |
Southampton the SS Australia on the 20th April 1955. | :17:02. | :17:12. | |
:17:12. | :17:17. | ||
This period of the Ten Pound Pom is one of the successful emigrations. | :17:17. | :17:20. | |
There were real concerns about the conditions they had out there. Some | :17:20. | :17:27. | |
loved it. Some hated it and that's true of migrants so many places | :17:27. | :17:35. | |
That's an incredible story, Dannii. Did your mum find it difficult | :17:35. | :17:40. | |
settling in Australia? She was so young so her recognise | :17:40. | :17:43. | |
recollections from a small child, she remembers she went from very | :17:43. | :17:47. | |
cold Wales to Queensland, that's the hottest part of Australia where | :17:47. | :17:51. | |
lots of people don't wear shoes. They didn't know anything about | :17:51. | :17:55. | |
like suncream and they were they were out in the burning sun and | :17:55. | :17:58. | |
they have got Welsh skin. She remembers having a strong Welsh | :17:58. | :18:02. | |
accent and wanting to fit in with the kids at school. She doesn't | :18:02. | :18:11. | |
have an accent now. Even if she couldn't, she -- even if she wanted, | :18:11. | :18:17. | |
she couldn't. My grandmother has a strong accent. She still flies back | :18:17. | :18:21. | |
to Wales. They come and visit us. We have a big connection. | :18:21. | :18:28. | |
It was a big day for your mum the day she left. It was Very brave. | :18:28. | :18:33. | |
This is a copy of the passenger list and there is your mum's name, | :18:33. | :18:37. | |
fourth down. There you go. Thank you so much. | :18:37. | :18:43. | |
Pop that down. And a DVD of the show and everything. | :18:43. | :18:49. | |
We will move on to our book is out tomorrow, of course. Lots of | :18:49. | :18:52. | |
celebrities have released style books. What do you think makes | :18:52. | :18:56. | |
yours different to the others then? I guess the big difference is that | :18:56. | :19:00. | |
I'm working with different stylists all the time. I'm working with | :19:01. | :19:04. | |
wardrobe departments, I have been on tour, I'm getting bits of | :19:04. | :19:08. | |
information from different professionals over a period of many, | :19:08. | :19:16. | |
many years. Gok Wan created his own style. I guess my book is not about | :19:16. | :19:20. | |
looking like me, but finding your style and it wasn't a natural thing | :19:20. | :19:29. | |
for me. I wasn't someone who was born with style. I wasn't the | :19:29. | :19:33. | |
Audrey Hepburn. In the book there is there is tips from when I | :19:33. | :19:36. | |
thought back, I did get there. It was difficult when you have so | :19:36. | :19:40. | |
much input with lots of different stylists to find what it is that | :19:40. | :19:45. | |
you are happy with? Yeah. You sometimes lose sight of who you are | :19:45. | :19:49. | |
and sometimes you'll meet the right person who will help you create | :19:49. | :19:52. | |
your signature style and I've had both along the way. | :19:52. | :19:56. | |
What's the best piece of style advice that you have had? It is | :19:56. | :20:00. | |
confidence. You have got to feel great about yourself and what | :20:00. | :20:04. | |
you're wearing and if you feel great about it, you will pull it | :20:04. | :20:09. | |
off. Gok Wan can wear amazing things that most other guys can't. | :20:09. | :20:13. | |
He talks about confidence too and it does change you and it does | :20:13. | :20:17. | |
change everything about the way you walk, talk, present yourself, and | :20:17. | :20:20. | |
because of that like clothing can change the way you are if you are | :20:20. | :20:25. | |
going for a job interview or how to be a mum or if you are at school, | :20:25. | :20:29. | |
running around, if you are a bride, clothing changes everything about | :20:29. | :20:32. | |
how you feel. So if there are any ladies out | :20:32. | :20:36. | |
there that are lacking in confidence, but want to be stylists, | :20:36. | :20:39. | |
are there any tips you can give them? One of the things that I | :20:39. | :20:43. | |
tried that helped me find my style and it wasn't something I read in | :20:43. | :20:48. | |
another book, I was told by anybody. I was on the computer looking up | :20:48. | :20:51. | |
pictures of style icons that I related to that had the body shape | :20:51. | :20:59. | |
as me. I'm obsessed with pictures of young Elizabeth Taylor, I can | :21:00. | :21:09. | |
look bit depending on what I wear or I can look pe look petite. Those | :21:09. | :21:15. | |
shapes will work on. I love Audrey Hepburn, but she was a straight up | :21:15. | :21:19. | |
and down figure, but clothes that worked on her, won't work on me. | :21:19. | :21:24. | |
You come from a very stylish family. Mum just found her wedding dress | :21:24. | :21:28. | |
the other day. I don't know where she found it, | :21:28. | :21:32. | |
but she should have got that Grace Kelly look about her. | :21:32. | :21:37. | |
Were you always talking about fashion when you were growing up? | :21:37. | :21:41. | |
It was my grandma and she would always sew, she had six children | :21:41. | :21:45. | |
and in order to dress everyone, you made clothes for them. She was | :21:45. | :21:50. | |
always on the sewing machine and that's how we we learned. | :21:50. | :21:53. | |
There is rumours that you will be back on TV within the next 12 | :21:53. | :22:03. | |
months. Some say on Britain's Got Talent. Which? There is a lot of | :22:03. | :22:09. | |
rumours, but there is nothing locked in. From now until Christmas | :22:09. | :22:14. | |
it is my fashion project and the book. After that we will see what | :22:14. | :22:20. | |
happens and what fits in with family. That's the big thing. | :22:20. | :22:24. | |
Dannii, we are about to feature a very stylish fish. | :22:24. | :22:30. | |
It is colour conscious, but we are not sure if the stripes goes with | :22:30. | :22:34. | |
its tentacles. You can find one of these lying on | :22:34. | :22:37. | |
on most beaches in the south of England and it is a clue to a | :22:37. | :22:42. | |
special event that happens every spring just off our shores. This is | :22:42. | :22:47. | |
a cuttlebone. It is the internal skeleton of a fascinating creature, | :22:47. | :22:51. | |
the cuttlefish. Every year the cuttlefish that lived in the | :22:51. | :22:56. | |
English Channel make a journey into shallow waters where they'll breed. | :22:56. | :23:00. | |
For the adults that come to our shores, this will be the last | :23:01. | :23:06. | |
journey they ever make. Cuttlefish only live for two years and after | :23:06. | :23:11. | |
breeding, the adults die, but they leave behind a new generation ready | :23:11. | :23:16. | |
to continue the life cycle of this mesmerising animal. | :23:16. | :23:22. | |
The South Coast of Britain is a Mecca for breeding cuttlefish. | :23:22. | :23:25. | |
Their arrival in Devon is the highlight of this man's diving | :23:25. | :23:28. | |
calendar and he shares his passion for them with me. | :23:28. | :23:33. | |
I've been coming down here for nearly 30 years to film them and | :23:33. | :23:36. | |
the cuttlefish are one of the animals that you can get up really | :23:36. | :23:41. | |
close and personal with. You can actually see all the detail in the | :23:41. | :23:47. | |
skin tones, in the the colour and especially the eye, the beautiful W | :23:47. | :23:51. | |
eye that is looking at you as well. There is this air of intelligence | :23:51. | :23:55. | |
in that stare back. It you are looking at it and it is looking at | :23:55. | :24:01. | |
you. I wonder what is it thinking about me? Is it seeing this sort of | :24:01. | :24:07. | |
air guzzling monster looking at him or is it not worried at all? I'm | :24:07. | :24:10. | |
getting excited now thinking about seeing them. It is like old friends | :24:10. | :24:17. | |
really. Losing Alan's local knowledge -- | :24:17. | :24:21. | |
using Alan's local knowledge of where the cuttlefish might be, I am | :24:21. | :24:24. | |
hoping to get a close encounter with them. | :24:24. | :24:29. | |
Fishing pots provide an ideal breeding station for cuttlefish and | :24:29. | :24:35. | |
they gather around them to mate and to lay their eggs. | :24:35. | :24:43. | |
Crikey, they're beautiful. Absolutely gorgeous. I always think | :24:43. | :24:46. | |
when you look at cuttlefish they look out of place in our waters. | :24:47. | :24:52. | |
They look as if they should be in the tropics or the med the | :24:52. | :24:57. | |
Mediterranean, but you find them here. By approaching them here, we | :24:57. | :25:03. | |
can get a good view. They have got these quite appealing faces with | :25:03. | :25:09. | |
the droopy tentacles and they never stop moving. They've got this skirt | :25:09. | :25:11. | |
stop moving. They've got this skirt which is a fin. | :25:11. | :25:21. | |
You can really appreciate this mess this mesmeric colour on their back. | :25:21. | :25:25. | |
Pigment sacks underneath their skin allow for the rainbow of colours, | :25:25. | :25:28. | |
designs and patterns that cuttlefish can produce to express | :25:28. | :25:31. | |
emotion. And they are at their most | :25:31. | :25:34. | |
emotional during the breeding season. | :25:34. | :25:38. | |
Males will display a powerful pattern of zebra stripes, warning | :25:38. | :25:44. | |
other males to stay away. Then once they've secured a female, | :25:44. | :25:48. | |
a more gentle colour pattern and a delicate embrace completes the | :25:48. | :25:55. | |
mating. The last act, these cuttlefish will | :25:55. | :26:03. | |
perform. These adults are at the end of | :26:03. | :26:08. | |
their life cycle, but what they're leaving behind them are these, | :26:08. | :26:13. | |
cuttlefish eggs. They are known as sea grapes and you can see why they | :26:13. | :26:17. | |
look like a bunch of grapes. These will hatch and then the baby | :26:17. | :26:21. | |
cuttlefish will move off to deep waters and in two years time | :26:21. | :26:26. | |
they'll come back here and breed again. | :26:27. | :26:31. | |
And when they return, Alan is sure to be back here filming the new | :26:31. | :26:41. | |
:26:41. | :26:41. | ||
generation of exotic British Dannii, did the stripes go with the | :26:42. | :26:51. | |
:26:52. | :26:56. | ||
tentacles? I am all for mismatching. We often see cuttlefish bones in | :26:56. | :27:05. | |
budgie cages? They are a good source of vitamins. | :27:05. | :27:09. | |
They look incredible. They are exotic looking. They have | :27:09. | :27:15. | |
got wonderful ripples and a dazzling colour. But they are not | :27:15. | :27:20. | |
the only exotic creatures off our coastline. We have a fantastic | :27:20. | :27:25. | |
diversity of marine life. We have our chalk reef, make not as | :27:25. | :27:30. | |
dazzling, but this was discovered a year ago. It extends for 20 miles | :27:30. | :27:35. | |
off the coast of Norfolk. It is the biggest chalk reef in Europe. It | :27:35. | :27:42. | |
has a great diversity of species. A beautiful blue lobster. | :27:42. | :27:47. | |
The Great Barrier Reef, there is lots of exotic creatures and we | :27:47. | :27:50. | |
even spotted a little mermaid in there. | :27:51. | :27:59. | |
It is probably not my best style look. The nail varnish does match | :27:59. | :28:01. | |
the wetsuit. Yes, a little bit of matching going | :28:01. | :28:05. | |
You have lots of sharks in Australia. | :28:05. | :28:09. | |
I like the sharks. We have lots of species of sharks. | :28:09. | :28:14. | |
The Basking Shark. This This one was fished out. | :28:14. | :28:19. | |
There was a guy kayaking off the north coast of Devon and he landed | :28:19. | :28:23. | |
this six foot long shark weighing over 30 kilogrammes, I think it was. | :28:23. | :28:30. | |
It was returned safely to the water. You are a fan of sharks. | :28:30. | :28:36. | |
Fishing from a kayak? Yeah. Different species of whales and | :28:36. | :28:40. | |
dolphins, we have 28 different species. I was filming for The One | :28:40. | :28:44. | |
Show and we wam with a friend -- swam with a friendly dolphin down | :28:44. | :28:47. |