Browse content similar to 29/09/2011. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Matt Baker. And Alex Jones. | :00:20. | :00:23. | |
Tonight, we are feeling a little hot under the collar, and not just | :00:23. | :00:28. | |
because of the weather. Tonight, we are joined by a multi- talented | :00:28. | :00:33. | |
Hollywood star with a voice that could melt butter. | :00:33. | :00:43. | |
:00:43. | :00:43. | ||
# It had to be you. # I wandered around and finally | :00:43. | :00:49. | |
found the somebody who. Who is joining us on the show | :00:49. | :00:57. | |
tonight, Harry Connick Junior! Lovely to see you. Welcome to a | :00:57. | :00:59. | |
very sunny Britain. The temperatures you left were 22 | :00:59. | :01:03. | |
degrees. I bet you were not expecting this. This has caught me | :01:03. | :01:10. | |
totally off guard. Did you pack jumpers? I was expecting rain and | :01:10. | :01:18. | |
very cold weather. I feel like I am back on set in Florida. It is an | :01:18. | :01:26. | |
Indian summer. It is pretty nice. Harry's new film is based on the | :01:26. | :01:32. | |
true story of an injured dolphin called Winter. I thought you said | :01:32. | :01:39. | |
and -- a ninja dolphin! She is quite ninja-esque! We will talk | :01:39. | :01:47. | |
about that later. Also coming up, Dan Snow is here. He has got his | :01:47. | :01:52. | |
hands on some SAS secrets. First, we are continuing Miranda's series | :01:52. | :01:56. | |
of films on the work of wildlife crime fighters. She has previously | :01:56. | :02:00. | |
unseen footage from the case of a Birmingham man who has been caught | :02:00. | :02:06. | |
smuggling birds of prey. The world of wildlife crime is | :02:06. | :02:10. | |
potentially a very lucrative one, and earning a quick buck is often | :02:10. | :02:16. | |
the reason why first-time offenders get drawn in. Whether the events is | :02:16. | :02:19. | |
perpetrated by a rank amateur or a highly organised gang, bringing the | :02:19. | :02:25. | |
case to court relies on months or even years of meticulous | :02:25. | :02:29. | |
investigation by the National Wildlife Crime Unit. Last year, The | :02:29. | :02:34. | |
One Show joined the unit and a team from the UK Border Agency in a dawn | :02:34. | :02:38. | |
raid on a house in West Heath, Birmingham. For legal reasons, we | :02:38. | :02:43. | |
could not show the footage at the time. But since then, a man has | :02:43. | :02:47. | |
been successfully prosecuted for the illegal importation and sale of | :02:47. | :02:52. | |
birds of prey. Now we can finally show what happened. In his back | :02:52. | :02:58. | |
garden, the unit discovered a series of makeshift cages. They | :02:58. | :03:02. | |
were now home to seven birds of prey, illegally imported from South | :03:02. | :03:11. | |
Africa. An African legal. And a third was found dead in the freezer. | :03:11. | :03:15. | |
It was a female kestrel. And a further 12 they need to exist were | :03:15. | :03:21. | |
nowhere to be seen. Andy was the lead investigator on the case. | :03:21. | :03:24. | |
is a builder by trade. He has kept birds in the past, but nothing | :03:24. | :03:28. | |
major. He just suddenly hit the raider when he applied to import 20 | :03:28. | :03:34. | |
birds of prey from South Africa, quite rare species, not the normal | :03:34. | :03:39. | |
ones you see in the UK. Can anybody import birds into the UK? Since the | :03:39. | :03:44. | |
threat of avian influenza since about 2006, you can't legally | :03:44. | :03:49. | |
import these birds. He exploited a loophole in the regulations which | :03:49. | :03:53. | |
allows birds to be imported for conservation breeding. But selling | :03:53. | :03:58. | |
on birds imported for such breeding programmes is strictly forbidden. | :03:58. | :04:04. | |
We got a tip-off that he was advertising these birds on various | :04:04. | :04:08. | |
forums and bird trade are websites. I went on a few and located a | :04:08. | :04:13. | |
number of adverts. It was clearly him. He seemed to be taking orders | :04:14. | :04:18. | |
in advance. This was not any conservation programme. It was | :04:18. | :04:23. | |
purely for profit. But for the case to stand up in court, the unit had | :04:23. | :04:28. | |
to prove he was selling the birds on. And he was trying to cover his | :04:28. | :04:33. | |
tracks. If he loaned the birds to other breeders, it was technically | :04:33. | :04:38. | |
not a sale. So Mark Bunn asked some purchasers to sail a piece -- | :04:38. | :04:41. | |
signed a piece of paper stating that the birds were on loan. Yet at | :04:41. | :04:45. | |
the same time, he took their money. Paul Shepherd is a respected | :04:45. | :04:51. | |
breeder who bought birds from the cellar. A pair of goshawks, one of | :04:51. | :04:55. | |
only two breeding pairs known in the UK, and two American kestrels. | :04:55. | :04:59. | |
What are the conditions you need for birds like this to breed? | :04:59. | :05:05. | |
need to be happy, looked after, well-fed and left to get on with it. | :05:05. | :05:08. | |
They look in fantastic condition. Was that the case when you bought | :05:08. | :05:14. | |
them? No. They were dirty. I found them in a terrible state. I do not | :05:14. | :05:17. | |
think they had had a bath for a month. What was your reaction when | :05:17. | :05:21. | |
you got the phone call from the wildlife crime unit? Panic. I | :05:21. | :05:26. | |
thought I had bought the birds illegally. They were going to be | :05:27. | :05:32. | |
seized. Despite their illegal import and sale, the UK Border | :05:32. | :05:35. | |
Agency decided that the best prospect for these birds would be | :05:35. | :05:42. | |
to remain in Mr Shepherd's care. Not all the others fared so well. | :05:42. | :05:45. | |
Although the culprit pleaded guilty to a number of offences, three of | :05:45. | :05:48. | |
the birds he imported have never been located and he has never | :05:49. | :05:56. | |
revealed where they are. At his trial in November 2010, he was | :05:56. | :05:59. | |
sentenced to 10 months in prison, but his sentence was suspended for | :05:59. | :06:03. | |
two years, owing to the birth of his baby and the effect his | :06:03. | :06:07. | |
imprisonment would have on the family. He was a lucky man. He | :06:07. | :06:11. | |
could have faced a jail sentence of seven years for crimes of this | :06:11. | :06:15. | |
severity. The court also took into account his lack of previous | :06:15. | :06:20. | |
convictions. But the ease with which he turned to criminal | :06:20. | :06:24. | |
activity shows why the National Wildlife Crime Unit has to take | :06:24. | :06:30. | |
every tip-off they receive very seriously. And for the birds in | :06:30. | :06:35. | |
Scotland, there is a happy ending. Not only did they have a new home | :06:35. | :06:38. | |
where they are cared for, but it is hoped that they will be breeding | :06:38. | :06:46. | |
soon and will fulfil the purpose of their original import permit. | :06:46. | :06:50. | |
The that was the last of Miranda's films on the National Wildlife | :06:50. | :06:54. | |
Crime Unit. Keep up the good work. Let's talk about your new film, A | :06:54. | :06:58. | |
Dolphin's Tale. It is based on a true story. You play a marine | :06:59. | :07:02. | |
biologist who looks after the lovely Winter we saw earlier. Give | :07:02. | :07:08. | |
us a bit of the background? In real life, Winter was brought to this | :07:08. | :07:11. | |
clear water Marine aquarium in Florida and her tail had got | :07:11. | :07:16. | |
wrapped up in a crab net. So they brought her to the hospital, and | :07:16. | :07:19. | |
her pale had lost so much speculation that they had to | :07:19. | :07:24. | |
amputate it. It was an ethical dilemma for the guy that I play, | :07:24. | :07:27. | |
because on the one hand, it probably would have been easier and | :07:27. | :07:33. | |
cheaper to youth denies her. On the other hand, it was an opportunity | :07:33. | :07:36. | |
to go some place where they had never gone before, which was to | :07:36. | :07:40. | |
amputate the tail, see what her quality of life would be like. They | :07:40. | :07:46. | |
ended up developing a prosthetic tale for her, which has | :07:46. | :07:50. | |
consequently helped human prosthetics. So it is pretty neat. | :07:50. | :07:57. | |
We saw it last night in 3-D. It is a brilliant film to see in 3-D. | :07:57. | :08:00. | |
would like to see it in four dimensions and just have Winter | :08:01. | :08:10. | |
:08:11. | :08:13. | ||
sitting there. Her let's have a Delicious. My dad is jealous. He is | :08:13. | :08:23. | |
:08:23. | :08:30. | ||
usually the favourite. I am not 5th he is drinking! She is drinking, | :08:30. | :08:40. | |
:08:40. | :08:48. | ||
She wants some more. All right. Now I am jealous. I am sure lots of | :08:48. | :08:53. | |
people would be jealous that you were so close. Winter plays herself. | :08:53. | :08:58. | |
That was the cool thing. As an actor, when you are portraying | :08:58. | :09:02. | |
something or relocation that really happened, to be able to filming | :09:02. | :09:07. | |
location is a great treat. But we were with Winter herself every day. | :09:07. | :09:10. | |
It was almost overwhelming to be around this incredible animal. | :09:10. | :09:14. | |
must have learnt a lot about how to deal with dolphins and the way they | :09:14. | :09:18. | |
react to humans. I learnt about how to deal with her, because she has | :09:18. | :09:23. | |
had so many interactions with people specific to her trauma that | :09:23. | :09:27. | |
it is different. I was not giving signals to her to spin around or | :09:27. | :09:33. | |
anything. I had to hold her in my arms. We had to approach the pool | :09:33. | :09:37. | |
very carefully. We could not make any loud noises. Once I went to get | :09:37. | :09:42. | |
out of the pool, and they said no, you have to ask her permission. So | :09:42. | :09:47. | |
I learned things are specific to Winter. She is a brilliant actress, | :09:47. | :09:52. | |
with all the tricks. Is there any CGI? There is some animatronics. | :09:52. | :09:56. | |
There were things they could not get her to do, because they were | :09:56. | :10:00. | |
too hard. There was one time when they got her to flip on her side, | :10:00. | :10:04. | |
close her eye, blow bubbles out of her blowhole and sing to the bottom | :10:04. | :10:12. | |
of the pool. I could not do that! You pick up on this in the film. | :10:12. | :10:15. | |
She was swimming without the tail and it was putting stress on her | :10:15. | :10:23. | |
back. How is she now? It has been six years. On a dolphin or a whale, | :10:23. | :10:29. | |
it is not technically a tale. But they go up and down normally. And | :10:29. | :10:33. | |
she started to move up side to side to keep afloat. And she started to | :10:33. | :10:38. | |
damage her spine. So when they put the prosthetic on her, she | :10:38. | :10:43. | |
naturally goes up and down like she should. So it is corrective. She is | :10:43. | :10:48. | |
doing great. It has been an inspirational story for amputees | :10:48. | :10:54. | |
and people with children with disabilities. Amazing. So she got | :10:54. | :10:59. | |
used to the tale straight away. And it was the building of that which | :10:59. | :11:04. | |
inspired the doctor to build more prosthetics? Well, their skin is | :11:04. | :11:11. | |
really sensitive. So they have to put a sock on it. It is a clear, | :11:11. | :11:16. | |
squishy gel. They had to develop the right type of gel so that when | :11:16. | :11:19. | |
you clamp down the pits that it, it will not hurt the skin. They are | :11:19. | :11:24. | |
now using that gel on people. It is called Winter's gel. A girl came up | :11:24. | :11:29. | |
to me at the premier who had lost her leg, and she said, I am using | :11:29. | :11:34. | |
Winter's gel! It is so much more comfortable on my leg. Have your | :11:34. | :11:39. | |
children seen the film? They have. My little daughter, Charlotte - | :11:39. | :11:44. | |
there they are. That is Georgia, Gill, Kate and me. I am yelling at | :11:44. | :11:50. | |
someone. Get that camera out of a! My little one had a line in the | :11:50. | :11:55. | |
movie, so she is on top of the world. Will you be a dolphin expert | :11:55. | :12:02. | |
now? I know everything about 'em. We will give you a call. A | :12:02. | :12:05. | |
Dolphin's Tale will be in cinemas from 14th October. | :12:05. | :12:08. | |
Now, our green-fingered girl Christine Walkden has been racking | :12:08. | :12:11. | |
up an impressive number of household names who have been | :12:11. | :12:15. | |
willing to show her around their gardens. Good job she is not here, | :12:15. | :12:18. | |
otherwise she would want to poke around in your garden as well. | :12:18. | :12:23. | |
Tonight, she comes up smelling of forces -- smelling of roses with a | :12:23. | :12:27. | |
forces sweetheart. I am calling on someone who quite | :12:28. | :12:31. | |
rightly is well accustomed to receiving beautiful bouquet of | :12:31. | :12:41. | |
:12:41. | :12:43. | ||
roses. Just as well that these are not for indoors. | :12:43. | :12:46. | |
Evergreen does not begin to describe Dame Vera Lynn. She first | :12:46. | :12:50. | |
became a star more than 70 years ago, and for half of that time, she | :12:50. | :12:58. | |
has enjoyed this garden in Sussex. I always love the country. I had an | :12:58. | :13:02. | |
aunt who lived in the country and we always spelt -- spent our school | :13:02. | :13:07. | |
holidays with her. I love it here. I can see the downs in the distance. | :13:07. | :13:12. | |
I have always loved being out in the air and seeing everything | :13:12. | :13:17. | |
growing. I don't care whether it is a cultivated plant or not. If | :13:17. | :13:23. | |
things pop up anywhere, I let them grow. Excellent. Live and let live. | :13:23. | :13:27. | |
I have marigolds growing out of my veranda, but they look so pretty, | :13:27. | :13:37. | |
so I leave them. Dame Vera's the Queen Mother of Sussex, but this is | :13:37. | :13:42. | |
a long way from where she grew up. It was in her grandmother's Terrace | :13:42. | :13:48. | |
in East Ham. It was a backyard garden. My father was a plumber and | :13:48. | :13:53. | |
my mother was a dressmaker. I just took a liking to gardening. I | :13:53. | :13:58. | |
always wanted a rockery when I was little. So I collected all the | :13:58. | :14:02. | |
largest stones I could find in the garden and built myself a rockery | :14:02. | :14:08. | |
against the fence. And I put any little plant I could find lying | :14:08. | :14:13. | |
around in the rockery. I believe you used to do a bit of performing | :14:13. | :14:20. | |
in that garden? I used to sing my songs to the plants and do an exit | :14:20. | :14:26. | |
and an entrance and a curtsy to the plants! That is why they grew so | :14:26. | :14:36. | |
well. And the young hero was not just a good gardener. She was a | :14:36. | :14:41. | |
child star who made enough money by the age of 21-by her parents their | :14:41. | :14:46. | |
first home. And that was before the Second World War. I was seven when | :14:46. | :14:51. | |
I first went on stage. I earned my first salary of seven shillings and | :14:51. | :14:57. | |
sixpence. That was a lot of money in those days. That was a while ago. | :14:57. | :15:04. | |
Our forces sweetheart is now a sprightly 94. This tree is the tree | :15:04. | :15:09. | |
of heaven that Mount Batten gave me. He had won in his garden. But it | :15:09. | :15:13. | |
has never done anything. It has not got any bigger than when I first | :15:13. | :15:18. | |
planted it. It may be a bit dry for it. It has the competition of the | :15:18. | :15:28. | |
oak. There is an orchard over there. That has lovely daffodils in the | :15:28. | :15:34. | |
spring. It adds a different aspect of the garden. But the poor old | :15:34. | :15:39. | |
trees suffered in the '80s, when we had the big storm. How many trees | :15:39. | :15:44. | |
did you lose in the storm? About 80. But now, you would not notice them | :15:44. | :15:49. | |
missing, because they all pop up somewhere, baby ones. I have | :15:49. | :15:55. | |
noticed you have got some old roses in the garden. They must have been | :15:55. | :16:00. | |
planted in the '20s. They are getting ancient now. I have brought | :16:00. | :16:04. | |
you a present. I will show you a technique where you can put roses | :16:04. | :16:14. | |
:16:14. | :16:16. | ||
back where they have grown before. There was a time when you couldn't | :16:16. | :16:20. | |
plant roses where they had been, but someone came up with a clever | :16:20. | :16:24. | |
idea of planting them in fresh soil in a cardboard box. When the | :16:24. | :16:29. | |
cardboard has rotted the new rose is strong enough to withstand | :16:30. | :16:33. | |
infection. There is it is, my own little contribution to the vast and | :16:33. | :16:39. | |
varied garden. There we are. Some new roses. Lovely. They are | :16:39. | :16:44. | |
beautiful. Thank you very much. Great pleasure. I wonder if she | :16:44. | :16:54. | |
:16:54. | :16:58. | ||
will let me come back next year to see how they look? Beautiful garden | :16:58. | :17:03. | |
and voice. Dan is here. Dan, we didn't see any old footage. We | :17:03. | :17:08. | |
heard the music, but remind us of why she was a beauty? The guys | :17:08. | :17:13. | |
loved her and listening to her and it was an important part of morale | :17:13. | :17:18. | |
building. Here is footage of her in Burma. It was one of the most | :17:18. | :17:23. | |
hardest-fought campaigns and she was out there. Veterans have said | :17:23. | :17:30. | |
to me Churchill didn't defeat the Nazis, Vera Lynn sang them to death. | :17:30. | :17:37. | |
She is kind of like the Katherine Jenkins or Cheryl Cole. Those guys | :17:37. | :17:40. | |
have followed in her footsteps. Cheryl Cole has been out to | :17:40. | :17:46. | |
Afghanistan. Bob Hope in the States for going out to sing to the troops | :17:46. | :17:51. | |
in the Second World War. Harry you were in the film Memphis Belle. | :17:51. | :18:00. | |
Let's look at you. #... And wet with snow | :18:00. | :18:09. | |
# I'll be here in sunshine or in shadow oh, Danny boy I love you | :18:09. | :18:13. | |
so... # APPLAUSE | :18:13. | :18:17. | |
Lovely. It looks like you were having a nice time there. That was | :18:17. | :18:21. | |
fun. That was a fun night. That was my first movie and I was over here | :18:21. | :18:25. | |
in England. Very special time. Would you go out and entertain the | :18:25. | :18:29. | |
troops in Afghanistan? Yeah. My sister is in the army and she just | :18:29. | :18:33. | |
got back from a tour over there. God bless everybody who is | :18:33. | :18:37. | |
protecting the rest of the people in the world. I would be honoured | :18:37. | :18:44. | |
to do that. Dan, you have brought in a bit of light reading. Get some | :18:44. | :18:50. | |
of that. Have a look at that. It's a big book. It's one of the most | :18:50. | :18:53. | |
important finds in the next ten years. Extraordinary collection of | :18:53. | :18:59. | |
material about the SAS during the Second World War. It's like the | :18:59. | :19:04. | |
Navy Seals. All the secret missions were in there. It was kept by an | :19:04. | :19:06. | |
old veteran. There were pictures. It's like a scrapbook of everything | :19:07. | :19:11. | |
that happened in the war. Unbelievable. Can you buy this? | :19:11. | :19:17. | |
can. Unbelievable. It's 25 pounds weight. I won't say what it cost. | :19:17. | :19:23. | |
Is there any story in there that stood out? It blue me away. Rommel, | :19:23. | :19:26. | |
the great German commander in France. There is a picture of him | :19:26. | :19:32. | |
now. There were four SAS guys who were brought in to try to kill him | :19:32. | :19:35. | |
or bring him back to Britain and question him. I didn't know that | :19:35. | :19:40. | |
mission took place. This is from one guy? Half is from one guy and | :19:40. | :19:46. | |
now it's been published they've added other stuff. One guy did it | :19:46. | :19:52. | |
and no-one new it skitted. You keep reading it. Hopefully I'll finish | :19:52. | :19:57. | |
it by the next segment. We'll talk about dolphins then. I'm almost | :19:57. | :20:04. | |
done! Now, Harry recorded the soundtrack for When Harry Met Sally. | :20:04. | :20:11. | |
There it is. For those of you who haven't seen the film, the couple | :20:11. | :20:16. | |
have chance encounters over 12 years before realising that they | :20:16. | :20:23. | |
are indeed in love. Classic rom-com. How did you meet and fall in love? | :20:23. | :20:31. | |
All we needed was a couch like one in the fit many. We met in about | :20:31. | :20:37. | |
October 1940. The RAF came to my mother who had a large house and | :20:37. | :20:42. | |
said, "You've got three Air Force men coming." We had to look after | :20:42. | :20:48. | |
them and feed them. Yes. We went to play tennis of an evening and I | :20:48. | :20:52. | |
suppose really and truly talking and on the way home - That's right. | :20:52. | :20:58. | |
We just fell in love. Yes. What we used to do was I used to pop up and | :20:58. | :21:04. | |
get ready for bed and he use -- used to time it so as I came down | :21:04. | :21:09. | |
the stairs he came along the hall to go into his bedroom and we had a | :21:09. | :21:17. | |
good-night kiss. I used to world for the coop years ago. We went on | :21:17. | :21:20. | |
an outing. I went because somebody else couldn't go and I wasn't | :21:20. | :21:25. | |
looking for love. It was on the way back that it started, like. It went | :21:25. | :21:35. | |
:21:35. | :21:43. | ||
on from there. He was lovely. He's still lovely. When he behaves! We | :21:43. | :21:49. | |
met at an ice hockey match. We work in opposing bars and I mentioned to | :21:49. | :21:53. | |
Nicky's manager that I liked her. picked him up at a dance. I spoke | :21:53. | :21:58. | |
to him first. In first year there were traffic-light parties and they | :21:58. | :22:01. | |
gave half a card each to people and you had to find your match and we | :22:01. | :22:08. | |
were each other's match. When we met I was helping a friend in a | :22:09. | :22:16. | |
cafe and he came in that day and it sort of went on from there then. | :22:16. | :22:23. | |
Now, 54 years later. We met over the bridge on the loch in sterling. | :22:23. | :22:30. | |
No, we didn't. We met in the bar. Sorry, I remember it well! Alex was | :22:30. | :22:34. | |
just explaining the concept of a traffic-light party to Harry. | :22:34. | :22:40. | |
Sounds good. Yeah, man. I can't go any more. No, of course. Talking | :22:40. | :22:43. | |
about that, you have been married for 17 years. A long time. Give us | :22:43. | :22:49. | |
your story. How did you meet? in LA doing a CD and that album | :22:49. | :22:54. | |
that you were playing was just about to come out and I saw Jill | :22:54. | :22:59. | |
walk past the pool. I was swimming in the pool at at hot el. I saw her | :22:59. | :23:03. | |
and knew her through a friend and I jumped out and introduced myself | :23:03. | :23:12. | |
and asked her for lunch. She said no. Straightaway. I says, -- said, | :23:12. | :23:18. | |
please, ten minutes. She said OK. The first thing I did was went to | :23:18. | :23:21. | |
the record company and said please give me a copy because I was trying | :23:21. | :23:26. | |
to impress her. I wanted her to know who I was. I gave her the | :23:26. | :23:31. | |
music and I said this is what I do. Can you remember what you ate for | :23:31. | :23:35. | |
the meal? What I was wearing? Eating? I remember what I was | :23:35. | :23:42. | |
wearing. I had a green velvet suit on. It's no wonder she said no | :23:42. | :23:46. | |
originally. Green velvet. Brilliant. Obviously, there was the transition | :23:46. | :23:50. | |
from the music to the movies. What made that? I was playing at a club | :23:50. | :23:56. | |
in LA and I was about 20 years old and someone from the casting | :23:56. | :24:03. | |
department of a film Memphis Belle saw me play. He said, "Would you be | :24:03. | :24:08. | |
interested in being in a movie?" I wanted to be in a movie. I | :24:08. | :24:12. | |
auditioned and I loved it and I've done them ever since. You are | :24:12. | :24:20. | |
combining the two now, because you are on to Broadway? Yeah. It's cool. | :24:20. | :24:25. | |
The show is a great way to be an actor, because you can sing and | :24:25. | :24:30. | |
dance. I have two great dancers in front of me. Not so great yet! | :24:30. | :24:36. | |
Never will be at this rate. I feel so sick. We won't go into that. All | :24:36. | :24:43. | |
will be fine. 50 years ago the world celebrated as a five foot two | :24:43. | :24:53. | |
:24:53. | :24:53. | ||
cosmo naught became the first man in space. He said let's go in | :24:53. | :24:58. | |
Russian. He was six, two when he left. Space travel doesn't do it | :24:58. | :25:07. | |
for you. What Yuri wouldn't have realised is that he inspired a | :25:07. | :25:12. | |
seven-year-old girl in north London to reach for the stars herself. Dr | :25:12. | :25:18. | |
Maggie is one of the UK's leading space scientists. Space for me has | :25:18. | :25:21. | |
been a passion all my life. If I can't get into the space I want to | :25:21. | :25:26. | |
do the next best thing. She creates machines that travel into space. | :25:26. | :25:30. | |
She is responsible for building a variety of satellites to monitor | :25:31. | :25:36. | |
the Earth. We have had satellites in our lives for just over 50 years, | :25:36. | :25:40. | |
so technology is relatively young in technology, but it's made a | :25:40. | :25:43. | |
really major impact. Her passion for space started at a young age, | :25:43. | :25:52. | |
with a planet far, far away. Claners' planet is bleak. I think | :25:52. | :25:56. | |
when I was probably two or three I used to watch the Clangers and it | :25:56. | :26:01. | |
was my favourite TV programme. I thought I want to go out there. | :26:01. | :26:05. | |
desire to visit space continued. She wasn't always encouraged. | :26:06. | :26:10. | |
used to suffer from dyslexia, so when I told my teacher I wanted to | :26:10. | :26:14. | |
be an astronaut and go into space they said, "I don't know if that's | :26:14. | :26:21. | |
the sort of thing you do." It was at university she became inspired | :26:21. | :26:29. | |
by her science hero, the first man in space. Yuri was a pioneer and he | :26:29. | :26:33. | |
went where no-one had been before and he was launched into space just | :26:33. | :26:39. | |
over 50 years ago and he orbitted the Earth and he was in space for | :26:39. | :26:45. | |
about 108 minutes, but for mankind it was an opening. We suddenly have | :26:45. | :26:49. | |
our first astronaut and first person into space. His pioneering | :26:49. | :26:54. | |
journey in 1961 paved the way for modern space exploration. But it | :26:54. | :26:59. | |
didn't come without risks. What he did was so brave. There was a 50% | :26:59. | :27:03. | |
chance he would have been blown up on the launch pad, but even with | :27:03. | :27:07. | |
the odds he took the challenge. a young Maggie learning about him | :27:07. | :27:12. | |
made her realise that her space dreams might come true. He came | :27:12. | :27:16. | |
from a very humble background, a bit like me. We share a birthday. | :27:16. | :27:21. | |
We are born on 9th March, so it feels lying a bond was developing. | :27:21. | :27:26. | |
Although Maggie hasn't visited space, her work gets her as close | :27:26. | :27:29. | |
as possible. Her most recent project has been to build | :27:29. | :27:34. | |
satellites to monitor climate change. We can look at the effects | :27:34. | :27:38. | |
of climate change and see lakes shrinking and glaciers receding. | :27:38. | :27:42. | |
One day we hope to have a range of satellites giving us better | :27:42. | :27:45. | |
predictions of weather so for instance if there is a hurricane | :27:45. | :27:48. | |
brewing we will have a better understanding where it is likely to | :27:48. | :27:53. | |
hit and the timescale, so we can protect people. Satellites contain | :27:53. | :27:57. | |
highly sensitive equipment to record data when is sent to Earth | :27:57. | :28:02. | |
for analysis. This sets a challenge for people like Maggie who need to | :28:02. | :28:07. | |
build them robust enough to survive and the stress of the launch itself. | :28:07. | :28:10. | |
We spend ages lovingly putting this together and then we actually put | :28:10. | :28:15. | |
it through hell to make sure it will survive. We put it on a | :28:16. | :28:19. | |
vibration plate and shake it in lots of different directions and | :28:19. | :28:23. | |
put it into the chamber and suck out all the air and we take it | :28:23. | :28:27. | |
through thermal cycling. She now faces her biggest challenge yet. | :28:27. | :28:31. | |
She is helping to build the James Webb space telescope, the successor | :28:31. | :28:36. | |
to the humble. When launched in 1990, it was the largest of its | :28:36. | :28:40. | |
kind, but this one goes further. The structures it uses will be | :28:41. | :28:46. | |
three times larger than Hubble's. This one is an incredibly exciting | :28:46. | :28:51. | |
piece of machinery and it's huge. It is one million miles way from | :28:51. | :28:55. | |
Earth. This will mean that this telescope will sit four times | :28:55. | :29:01. | |
further from Earth than the moon. Just like Hubble it will peer deep | :29:01. | :29:05. | |
into space, but can new infrared technology it will be able to | :29:05. | :29:10. | |
capture even more detailed images and she believes she's developments | :29:10. | :29:16. | |
are only possible thanks to the legacy of Yuri. He would have seen | :29:16. | :29:19. | |
a view that no-one else has ever seen and that insurance spires me | :29:19. | :29:23. | |
today. I'm hoping we will get new insight into the universe that can | :29:23. | :29:30. | |
take us further than ever before. Thanks to Maggie and Marty. Who | :29:30. | :29:34. | |
inspired you? My dad. I look up to him and he's 85. Still going strong. | :29:34. | :29:40. |