Browse content similar to 29/09/2016. Check below for episodes and series from the same categories and more!
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Hello, and welcome to The One Show with Matt Baker and Alex Jones. | :00:16. | :00:20. | |
As the host of Robot Wars, our guest this evening deserves a proper, | :00:21. | :00:23. | |
This bot was manufactured in County Wicklow, Ireland. | :00:24. | :00:31. | |
Height - 195 centimetres with his hair, and exactly | :00:32. | :00:37. | |
Special weapon - sardonic Irish wit and ability to speak | :00:38. | :00:44. | |
APPLAUSE Hi, Dara, good to see you. Nice to | :00:45. | :01:09. | |
see you. Fine fact that, Dara. I was scared of myself! Mighty fighting | :01:10. | :01:14. | |
machine, I must say. I was in here on Monday, and our guest said she | :01:15. | :01:19. | |
thoroughly enjoyed making the series but couldn't confirm if there was | :01:20. | :01:22. | |
going to be a second series. Can you shed any light? I could confirm, | :01:23. | :01:28. | |
but, you know, I will twinkle at you in the way that would talk... It did | :01:29. | :01:36. | |
do very well, didn't it? People really got into it, it did extremely | :01:37. | :01:40. | |
well. If you have any great ideas for robots, why not write it out and | :01:41. | :01:46. | |
who knows? They want more exciting robots. Fingers crossed, but we | :01:47. | :01:53. | |
can't say. We have thought about it. Marty Jopson, head of hydraulics,... | :01:54. | :02:00. | |
That sounds like it is going to be an amazing robot! Are we in, Dara? | :02:01. | :02:08. | |
You're in! We need cannon fodder, we always need a bad robot at the | :02:09. | :02:13. | |
start. Just show to how good the good robots are. It is great to hear | :02:14. | :02:22. | |
the night. -- it is good you're here tonight. | :02:23. | :02:23. | |
Following a spate of incidents across the UK, Polish people living | :02:24. | :02:26. | |
in Britain are becoming increasingly concerned about their | :02:27. | :02:28. | |
safety and wellbeing. Andy Kershaw has been to Leeds | :02:29. | :02:30. | |
to see how the Polish community there is feeling. | :02:31. | :02:33. | |
On this street recently, a large gang of youths left a Polish man | :02:34. | :02:39. | |
seriously injured in what police are treating as a racist attack. It is | :02:40. | :02:44. | |
not just a one-off. The Polish Embassy says it has dealt with 27 | :02:45. | :02:48. | |
xenophobic incidents in recent months, ten of those in the North of | :02:49. | :02:52. | |
England. They are only the ones that have been reported to the embassy. | :02:53. | :02:56. | |
So, what is it with all this anti-Polish and Austin is? I was | :02:57. | :03:07. | |
called... -- nasty mess. Now, half the shops are Polish. It's better if | :03:08. | :03:15. | |
you don't go out in the evening. It's better, really. Are you scared | :03:16. | :03:25. | |
of going out at night? You. -- yes. Martin is keen to take the heat out | :03:26. | :03:31. | |
of the situation here in Leeds. I love those, Polish gherkins. He is | :03:32. | :03:34. | |
one of the 800,000 polls who have come to Britain in the past 12 | :03:35. | :03:39. | |
years. When did you come here, Martin? I came to England in 2004. | :03:40. | :03:46. | |
Why did you come? Well, there was work, and there was opportunities. | :03:47. | :03:51. | |
Have you noticed that attitudes have changed more recently towards the | :03:52. | :03:57. | |
Poles? Amongst the Polish community, there is fear about this. Apparently | :03:58. | :04:02. | |
there is anger growing as well. Violence is not limited to Leeds. In | :04:03. | :04:07. | |
Harlow in Essex, this man died after being attacked in the street. The | :04:08. | :04:12. | |
Polish community there staged a silent demonstration, only for a | :04:13. | :04:17. | |
further attack on two of the Poles to be reported to the police that | :04:18. | :04:20. | |
very night. Two Polish police officers have since flown from | :04:21. | :04:26. | |
Warsaw to patrol Harlow Street in a bid to lower the temperature. Here | :04:27. | :04:29. | |
in the heart of the Polish community in Leeds, I'm keen to hear from | :04:30. | :04:35. | |
locals and Poles alike. Anything happened, and nobody even saw it. It | :04:36. | :04:39. | |
has become an issue since the referendum? Gas. There is animosity | :04:40. | :04:47. | |
towards jobs. They are prepared to work? Yes. Have you noticed hostile | :04:48. | :04:52. | |
attitudes towards the Poles have increased since the referendum? Yes, | :04:53. | :05:00. | |
it has. The right to say, what are you doing here, why don't you go | :05:01. | :05:05. | |
back? I told my family, there is no jobs of going back home after 9pm. | :05:06. | :05:10. | |
You advise them to stay off the street? Yes, you never know. At the | :05:11. | :05:15. | |
Polish Catholic centre, there is a special meeting to discuss the rise | :05:16. | :05:19. | |
in hate crime against Polish people. It has just gone 7pm and it is | :05:20. | :05:23. | |
standing room only. Police, councillors and local people are | :05:24. | :05:26. | |
here to listen and to try and ensure the Polish neighbours that the | :05:27. | :05:30. | |
recent hostility is a minority view. There are thousands of people in | :05:31. | :05:35. | |
Harlow who are welcoming, tolerant, and wanting you to be there. Next, | :05:36. | :05:40. | |
the audience gets a chance to ask some questions. Since Brexit, two of | :05:41. | :05:45. | |
my kids faced for the first time a hate crime. They have been told, | :05:46. | :05:51. | |
like, we hate polish people, they take jobs from our parents. The | :05:52. | :05:56. | |
problem starts from young people. Do you have any plan to help us? | :05:57. | :06:01. | |
Talking about prevention, it has to start in families, and it has to | :06:02. | :06:05. | |
start in schools, and it can't start soon enough. What can I do at night, | :06:06. | :06:12. | |
somebody breaks into my house? Without breaking the law? | :06:13. | :06:16. | |
Afterwards, I catch up with the mum whose kids have been told to go back | :06:17. | :06:21. | |
home by children at the school. Polish people in Leeds now scared? | :06:22. | :06:28. | |
I'm not scared, I just feel sorry, and I'm upset that, you know, we | :06:29. | :06:31. | |
came to this country to have a better life. And we picked this | :06:32. | :06:35. | |
country, we chose to do that, and now we start to think that it wasn't | :06:36. | :06:39. | |
a good choice. In meeting is never going to solve everything, but this | :06:40. | :06:44. | |
Chief Superintendent hopes it can let people know they are not alone. | :06:45. | :06:49. | |
The police and the local council and our partners take very, very | :06:50. | :06:52. | |
seriously and anyways hate incident or crime. I would appeal to anybody | :06:53. | :06:56. | |
who is sustaining that kind of issue to get in touch with us. The one | :06:57. | :07:00. | |
thing that has come up time and time again today during our filming is | :07:01. | :07:05. | |
the word Brexit. Certainly, Polish people here in Leeds feel that the | :07:06. | :07:10. | |
Vote Leave European Union back gave racists a licence to hate. And what | :07:11. | :07:16. | |
has come out of this meeting tonight is that the Polish people have gone | :07:17. | :07:20. | |
away feeling reassured that there are people who do care and are | :07:21. | :07:24. | |
prepared to listen. STUDIO: Thank you very much to Andy. | :07:25. | :07:29. | |
Lucy is here now. Let's start by defining a hate crime. Good idea. | :07:30. | :07:34. | |
There is a common definition, which has been agreed by the National | :07:35. | :07:39. | |
police Chief counsel, and the Crown Prosecution Service. That is that a | :07:40. | :07:42. | |
hate crime which is any criminal offence which is perceived by the | :07:43. | :07:45. | |
victim or another person, I will come back to that, because that is | :07:46. | :07:50. | |
important, to be motivated by hostility or prejudice. That can be | :07:51. | :07:55. | |
based on race or ethnicity, religion or belief, sexual orientation, | :07:56. | :07:59. | |
transgender identity. That would constitute a hate crime. This is | :08:00. | :08:03. | |
what we call a self defined crime. The victim of a witness or both must | :08:04. | :08:08. | |
perceive it to be a hate crime for it to be so, if that makes sense. We | :08:09. | :08:13. | |
heard in the film that that the police and the council are taking | :08:14. | :08:17. | |
this very seriously. As far as penalties are concerned, what is | :08:18. | :08:20. | |
happening with regards to punishment? Well, it will be | :08:21. | :08:23. | |
prosecuted as a standard offence. Say it was a public order offence, | :08:24. | :08:27. | |
somebody had thrown a brick through a window, that would be prosecuted | :08:28. | :08:35. | |
in court as a public order offence. If it was proved that there was a | :08:36. | :08:38. | |
hate crime element, that would be attached as a prefix. If it was | :08:39. | :08:40. | |
racially aggravated, it would be a racially aggravated public order | :08:41. | :08:43. | |
offence. There would be an uplift in the penalty. That is how it would | :08:44. | :08:46. | |
work". Now, this is an underreported crime. It has to be said, very few | :08:47. | :08:53. | |
of these go to trial. The ones that do go to trial, over 80% or actually | :08:54. | :08:58. | |
prosecuted, which is a very high amount. That's where we are at. | :08:59. | :09:03. | |
After the EU referendum, we did do an item like this and said that hate | :09:04. | :09:08. | |
crimes had spiked. What is the situation now? That's correct. If | :09:09. | :09:13. | |
you take a week before the EU referendum through to the end of | :09:14. | :09:17. | |
August, there were 3500 more reports of hate crime than they're worth of | :09:18. | :09:22. | |
the same time last year. -- found there were. That was a spike, so | :09:23. | :09:27. | |
much so that the police began to publish weekly figures. We are now | :09:28. | :09:30. | |
at the state when the level of reported hate crimes has decreased, | :09:31. | :09:34. | |
and it is what we might call above normal, just slightly above normal, | :09:35. | :09:39. | |
if that makes sense. And the police have stopped doing weekly | :09:40. | :09:43. | |
statistics. So it has returned to the level it was before. But the | :09:44. | :09:47. | |
police are at pains to point out that it is still a high priority and | :09:48. | :09:52. | |
it is still, despite that spike, and reported crime. Dara, you were | :09:53. | :09:57. | |
saying to me that you are Irish, and when you hear stories like that | :09:58. | :10:02. | |
might we are a generation and a half from when we were regarded as | :10:03. | :10:06. | |
foreign in this country. There were signed out side pubs saying no | :10:07. | :10:10. | |
Blacks, no dogs, no Irish. We are aware of this, because we still are | :10:11. | :10:17. | |
foreign when we come into your country, but now we hosted your | :10:18. | :10:23. | |
robot fighting shows and you are used to Irish people! The Poles are | :10:24. | :10:27. | |
similar, coming from a Catholic country, they are working in | :10:28. | :10:30. | |
construction work here, they send over young immigrants who wish to | :10:31. | :10:33. | |
work, which the Irish did generations ago. There is a general | :10:34. | :10:39. | |
disdain towards that kind of crime. Thank you. We're going onto a | :10:40. | :10:46. | |
subject which is very close to your heart, Dara. Saving Britain's | :10:47. | :10:51. | |
Theatre heritage. Every year, a list of historic theatre is in urgent | :10:52. | :10:55. | |
need of restoration is published by the beard is trust. We will hear the | :10:56. | :10:59. | |
story of one of them right now. This is the Palace Theatre in Plymouth. | :11:00. | :11:06. | |
I'm Ian Wren. For many years, I've walked along this street and gone | :11:07. | :11:11. | |
past this amazing theatre. And wondered, why is it being allowed to | :11:12. | :11:15. | |
fall into disrepair? It really has to be saved. This is the new Palace | :11:16. | :11:24. | |
Theatre in Plymouth, which was opened in 1898. | :11:25. | :11:32. | |
It is an architectural gem, which, amazingly, has survived. I'm Patsy | :11:33. | :11:43. | |
Willis. My father was William Willis, who was the general manager | :11:44. | :11:49. | |
of the Palace Theatre here from 1946 until 1956. The biggest act that was | :11:50. | :11:54. | |
here, although there were many, was probably Laurel and Hardy, who came | :11:55. | :11:59. | |
here in 1954. Unfortunately, they only managed to do one performance, | :12:00. | :12:03. | |
I think, because Oliver Hardy was then taken ill with a mild heart | :12:04. | :12:09. | |
attack. My father wrote a very nice letter to stand moral, and he got a | :12:10. | :12:21. | |
very nice letter back. -- to Stan Laurel. All of the great names had | :12:22. | :12:27. | |
been here. Harry Houdini performed on the stage. We are told that he | :12:28. | :12:31. | |
escaped from a box which had been made by the men from the local | :12:32. | :12:38. | |
shipyard in as little as 12 minutes. You can see as you stand here in | :12:39. | :12:43. | |
front of the stage how magnificent the original building was. The | :12:44. | :12:47. | |
extraordinary decoration around the front of the circle, looking up into | :12:48. | :12:53. | |
the gods. And of course, that magnificent dome at the top. You can | :12:54. | :12:59. | |
see very clearly the nautical theme of the theatre, with the front of | :13:00. | :13:05. | |
that box representing the stern of a ship. I have wonderful memories of | :13:06. | :13:11. | |
this place from my early childhood. It was always a very magical place | :13:12. | :13:18. | |
to be. Particularly the tunnel down stairs leading into the stalls, | :13:19. | :13:23. | |
which was dazzling, and had wonderful red carpets and golden | :13:24. | :13:27. | |
walls. It was like walking into fairyland, it was a very, very | :13:28. | :13:33. | |
special place. It's sad to see it in this state. But I'm hopeful that it | :13:34. | :13:37. | |
will eventually get back to how it was originally, which would be | :13:38. | :13:43. | |
fantastic. The beauty of this theatre is that it is recoverable. | :13:44. | :13:48. | |
Even though it's gone through so many transformations, it's been a | :13:49. | :13:52. | |
nightclub, it's been a bingo hall, there is still the original | :13:53. | :13:55. | |
magnificent theatre underneath. My name is Mark is, I'm the director | :13:56. | :14:11. | |
of music. I'm part of the team that is striving to get the building up | :14:12. | :14:15. | |
and running again -- my name is Marcus. We are aiming to create a | :14:16. | :14:19. | |
space which is multifunctional and the community can use it. We have | :14:20. | :14:24. | |
put together a choir, our focus is to perform concerts to raise funds | :14:25. | :14:27. | |
for this building. For me as a musician, the most | :14:28. | :14:37. | |
attractive and appealing feature of this building is the acoustics as | :14:38. | :14:41. | |
muck they are sublime will stop probably better than anywhere else | :14:42. | :14:44. | |
in the city. Aubel the acoustics are sublime. | :14:45. | :14:54. | |
It's going to take years to get this building to where we needed to be. | :14:55. | :15:00. | |
But I think for the sake of the community and the locals and the | :15:01. | :15:02. | |
building that is so steeped in history, it is crucial that we bring | :15:03. | :15:04. | |
this building to life. we love an old theatre, don't we? | :15:05. | :15:22. | |
We're big fans. Everyone does, they are beautiful buildings, you can | :15:23. | :15:25. | |
hear the stories coming off the walls, they are rooms in which Harry | :15:26. | :15:29. | |
Houdini played, Charlie Chaplin, any number of these up and down the | :15:30. | :15:32. | |
country. The number of theatres in the country is only in the hundreds | :15:33. | :15:37. | |
really, but the reason the body I'm involved in... I'm involved in the | :15:38. | :15:42. | |
Theatres Trust. In 1914-1976 Britain lost 800 theatres. 800? This was to | :15:43. | :15:50. | |
step into the process, try to advise, check the viability, then to | :15:51. | :15:54. | |
coordinate with local groups who wanted to campaign, like those | :15:55. | :15:58. | |
people you saw, to protect the theatres in their environment. Every | :15:59. | :16:04. | |
year the Theatres Trust publishes a list of theatres that risk register. | :16:05. | :16:08. | |
It grades in terms of beauty of the building, importance to the | :16:09. | :16:13. | |
community, and its imminent danger. Thereafter 86 theatres on this | :16:14. | :16:16. | |
register, is there a favourite for you? This covers everything from the | :16:17. | :16:24. | |
end of peer theatres to mobile theatres, Brighton hippodrome is a | :16:25. | :16:27. | |
good example of one sitting at the top for the past few years, built in | :16:28. | :16:36. | |
1897, used to be a circus theatre, now a boarded-up ruin of a building. | :16:37. | :16:40. | |
Huge dome, gorgeous building, but the community group there has now, | :16:41. | :16:45. | |
because a viability study showed it could still work, there was no need | :16:46. | :16:50. | |
to break them down into small screen cinemas and lose that big | :16:51. | :16:53. | |
auditorium... Now the local group have raised fundraising from the | :16:54. | :16:58. | |
national lottery, from the coastal communities fund, so that, we could | :16:59. | :17:05. | |
possibly restore that. That is the key, the business side, that's the | :17:06. | :17:07. | |
reason a lot of them have been closing. A lot of them close a long | :17:08. | :17:14. | |
time ago as well. They became nightclubs or bingo halls, because | :17:15. | :17:18. | |
bingo halls, at the time the theatre was forced to be viable financially, | :17:19. | :17:22. | |
the facade... They put a facade around it. When the bingo craze died | :17:23. | :17:26. | |
down, the theatre building is still there when you take down the facade. | :17:27. | :17:30. | |
If you lose the building it's gone forever and some of these are | :17:31. | :17:33. | |
astonishingly good. A lot of them have come back from those uses, | :17:34. | :17:38. | |
disappeared for 50-60 years then the community and ordered them back, | :17:39. | :17:40. | |
efforts were made, they were turned back into use. Is there one success | :17:41. | :17:46. | |
story? The one I thought was working... Verraszto I did I played | :17:47. | :17:51. | |
in the Dunfermline Alhambra, a 1920s theatre that became a cinema, which | :17:52. | :17:56. | |
became a bingo hall. For about 60 years wasn't operating as a theatre. | :17:57. | :18:01. | |
In 2008 they started a campaign to get it going again. They've got the | :18:02. | :18:05. | |
1930s Lyon side that says Alhambra. In the middle of Dunfermline. The | :18:06. | :18:11. | |
blood Dunfermline don't have to cross the Firth of Forth over the | :18:12. | :18:15. | |
Forth Bridge, to get to Edinburgh to see shows, shows come to them | :18:16. | :18:17. | |
because they've got this fantastic room that they've brought back to | :18:18. | :18:22. | |
life. Fantastic. You've got developers knocking on the door | :18:23. | :18:24. | |
because the argument of needing housing and all of that. It's | :18:25. | :18:29. | |
perfectly fine... Heritage for its own sake, how dare you change these | :18:30. | :18:33. | |
things... Just the potential of this room remains. These aren't wrecks, | :18:34. | :18:38. | |
we're not saying... These buildings that can be saved. People would say, | :18:39. | :18:42. | |
but for development, the Dudley hippodrome, with a huge community, | :18:43. | :18:46. | |
was going to be flattered for a car park at one stage, then people | :18:47. | :18:50. | |
stepped in. We've got 36 on the register, not all have community | :18:51. | :18:53. | |
groups. Some would benefit from having some community work. Some | :18:54. | :18:58. | |
have fantastic groups in Bradford, Burnley, working really really hard | :18:59. | :19:03. | |
to save their local theatre. A full list... Breaks your heart. A full | :19:04. | :19:09. | |
list can be found on our website. Yesterday we had Dara's old mate in | :19:10. | :19:20. | |
here, Lord Sugar. It's like it's the apprentice week. We've got Nick | :19:21. | :19:26. | |
Hewer now. We set him a tricky PR challenge that got him buzzing. Have | :19:27. | :19:28. | |
a look. I'm on a mission to use my | :19:29. | :19:33. | |
experience from a career in marketing and PR to attempt a | :19:34. | :19:38. | |
rebranding campaign for some of our least popular wildlife. Today's | :19:39. | :19:45. | |
subject, the wasp. I'm not actually really sure what wasps do. The first | :19:46. | :19:50. | |
thing I think of when I think of a wasp is pain, sharp pain. I don't | :19:51. | :19:55. | |
like wasps, to be honest, I get stung every other year. Wasps | :19:56. | :20:00. | |
definitely have an image problem. When a bee buzzes into your space, | :20:01. | :20:04. | |
what is your reaction? Don't hurt it! If a wasp comes near, we say | :20:05. | :20:10. | |
kill it, kill it fast. The bee has had a charmed life, but now it's | :20:11. | :20:15. | |
time to fight the wasp's corner. To find out why wasps are valuable to | :20:16. | :20:19. | |
us I've come to meet one of the UK's leading wasp experts, Doctor Sumner. | :20:20. | :20:26. | |
This is the nest of a yellow jacket wasp, isn't it astonishing? It's | :20:27. | :20:31. | |
made of paper, they collect bark from a tree, then chew it up into a | :20:32. | :20:37. | |
ball and smooth it out with their mandibles to produce this really | :20:38. | :20:41. | |
fine paper. They are incredible origami masters. It's all very | :20:42. | :20:45. | |
interesting but what has it done for us? Each individual will have been | :20:46. | :20:49. | |
doing us a service by controlling the insect pests around us. If it's | :20:50. | :20:55. | |
that plague tomato plants, caterpillars that we'll be eating | :20:56. | :20:58. | |
your lettuce leaves, because that is what they feed to their brood. OK, a | :20:59. | :21:03. | |
world without wasps would mean plagues of pests. How do I convince | :21:04. | :21:10. | |
the wider public to love the wasp? I want to make a short ad, but | :21:11. | :21:16. | |
capturing viewer attention is hard. Making sure they remember the ad is | :21:17. | :21:20. | |
even harder. I think we need something creative and unexpected. A | :21:21. | :21:24. | |
surprise ending that will have lasting impact and will change | :21:25. | :21:29. | |
people's perceptions. The wasps papermaking skills have given me an | :21:30. | :21:34. | |
idea that will involve origami expert Tony O'Hare. To put the | :21:35. | :21:37. | |
commercial together I've enlisted the help of editor Steve White. The | :21:38. | :21:43. | |
public perception is they are a nuisance, and they sting you. So | :21:44. | :21:47. | |
we've got to have some sort of softer approach. I've received | :21:48. | :21:54. | |
footage from the studio. We shot some extreme close-ups, you see what | :21:55. | :21:57. | |
amazingly engineered creatures they are. Yes. But when you blow them up, | :21:58. | :22:03. | |
really magnify them, they actually... Your intensifying the | :22:04. | :22:08. | |
fear factor. I find those rather frightening actually. Sure, we've | :22:09. | :22:12. | |
got to show what it is, but I don't think we should linger on it. All | :22:13. | :22:16. | |
you're doing is damaging your argument that is going to come later | :22:17. | :22:20. | |
on. We need something else. I'm hoping the answer is the origami. I | :22:21. | :22:26. | |
think we've got here is something rather intriguing. I think it'll | :22:27. | :22:30. | |
capture the imagination curiosity, rather. We rammed across the | :22:31. | :22:36. | |
benefits, the value of the wasp. This is a piece of genius. Now it's | :22:37. | :22:41. | |
time to show the public the finished film. | :22:42. | :23:15. | |
Has our film convinced the public? I didn't know that. After seeing this | :23:16. | :23:23. | |
I definitely feel more positive about them but it depends on the | :23:24. | :23:27. | |
next attack. Whether this positive feeling continues or not. They still | :23:28. | :23:33. | |
sting but they are more useful than I thought. They obviously do have a | :23:34. | :23:36. | |
useful purpose but I think they have bad press. I'm happy with that | :23:37. | :23:42. | |
response. Have I managed to change your mind? I hope so. | :23:43. | :23:45. | |
They are about a six out of ten, rather than two. You can't deny they | :23:46. | :23:55. | |
are beautiful to look at but whether or not you want them crawling on | :23:56. | :23:58. | |
your dinner outside is another matter. Nick Hewer is quite | :23:59. | :24:01. | |
persuasive and we hear you have the same skills because you won a | :24:02. | :24:04. | |
debating competition in the 90s. Yes, yeah I did, yeah. We dug up | :24:05. | :24:14. | |
this photo of you. LAUGHTER That's... What do you remember of | :24:15. | :24:19. | |
that trip? It was a hell of a trip. Marcus, me and Bernard were winners | :24:20. | :24:23. | |
of the national debating Championships in Ireland as | :24:24. | :24:26. | |
students. That was us flying to America, they flew us to a load of | :24:27. | :24:30. | |
American universities. We won the final, then the prize was we went to | :24:31. | :24:35. | |
America, a series of American universities, to debate against | :24:36. | :24:38. | |
their debating teams. On the same motion six times in a row so you can | :24:39. | :24:42. | |
imagine by the six the debate we pretty much knew what they were | :24:43. | :24:46. | |
going to say. We would stand up first and say, they are going to | :24:47. | :24:49. | |
tell you this... They'd be going, how do you know that? We won them | :24:50. | :24:55. | |
all. Shall we put Dara's skills to the test? We'll put a series of | :24:56. | :24:58. | |
arguments that, you have to go with them. Whether I find them personally | :24:59. | :25:05. | |
Republic or difficult? We'll find out in a moment. Bald people aren't | :25:06. | :25:12. | |
trustworthy. The Grantham if you look around, there is probably a | :25:13. | :25:16. | |
bald repairs and near you right now, look them in the eyes, do you trust | :25:17. | :25:19. | |
them, really? What is with female hair, why do they choose to do that? | :25:20. | :25:24. | |
It's inherently wrong. We were meant to have hair yet these people, these | :25:25. | :25:29. | |
bald people choose not to have hair. Why? They'll never tell us, they | :25:30. | :25:32. | |
never tell us why they don't want us to have hair. Very good. Post office | :25:33. | :25:42. | |
queues are brilliant. They are, they are brilliant. I'm doing this down | :25:43. | :25:46. | |
the lens as if I'm convincing them. I'm happy to go door-to-door on this | :25:47. | :25:50. | |
because we live in a fragmented society. And often the only time we | :25:51. | :25:56. | |
need people in our community is in a post office queue. It's good just to | :25:57. | :26:02. | |
have that quiet time to finally just... OK. The last one, it's good | :26:03. | :26:08. | |
to talk in theatres. Of course it is. Because we live in a fragmented | :26:09. | :26:14. | |
society. LAUGHTER Is good to these theatres, these | :26:15. | :26:20. | |
recently renovated theatres, did we need them? I think we needed a car | :26:21. | :26:30. | |
park myself. There is the klaxon! That is worrying, how easily I found | :26:31. | :26:36. | |
that. There's a prize you won the competition. Can you imagine hearing | :26:37. | :26:40. | |
these words at school everybody? No homework tonight, or ever! CHEERING | :26:41. | :26:48. | |
No homework ever. Pupils at one secondary school in Essex may never | :26:49. | :26:53. | |
have homework again. After the head teacher announced they are going to | :26:54. | :26:56. | |
let pupils choose how much they want to do. What do the adults think? | :26:57. | :26:59. | |
Helen has been to find out. They need to have homework, they | :27:00. | :27:10. | |
need to have a timetable, this is something, these are skills they | :27:11. | :27:13. | |
will need for the rest of their lives. It's a long time since I was | :27:14. | :27:16. | |
at school but when I was there we used to get lots of homework. I | :27:17. | :27:21. | |
think I would have been lazy if I hadn't done homework, so I would | :27:22. | :27:26. | |
think homework is a good thing. How do you find homework? Boring and | :27:27. | :27:31. | |
quite hard. Is it? We learn quite a lot at school so I don't think we | :27:32. | :27:35. | |
need it. They are under pressure, they can't do everything before they | :27:36. | :27:39. | |
go to bed. In the day they do work really hard. To come home and have | :27:40. | :27:42. | |
to do all of this what they've learned in the day again at night, | :27:43. | :27:46. | |
it seems a little bit tyres for them, they get fed up. It's good to | :27:47. | :27:50. | |
do homework at home because parents can be involved. I think it's a good | :27:51. | :27:55. | |
interaction time. Teacher can't give them all of that attention that they | :27:56. | :28:00. | |
can get with their parents at home. When I was doing homework my mum | :28:01. | :28:02. | |
used to get involved doing it with me, it was nice, it made learning | :28:03. | :28:06. | |
nice for me because I was doing it with my mum. What would you say if I | :28:07. | :28:09. | |
showed you those papers, literacy and new Morrissey? It's an | :28:10. | :28:15. | |
11-year-old Satz test. Underline the subordinate clause in each sentence. | :28:16. | :28:20. | |
What is a subordinate clause? It's not going to happen. You're finding | :28:21. | :28:25. | |
become and a nominator, my love. I've forgotten how to do it. Two and | :28:26. | :28:33. | |
a tent. We asked the right person. How about circling the conjunction. | :28:34. | :28:44. | |
Yet. Ten out of ten. In the end it becomes your homework because you | :28:45. | :28:47. | |
have to sit with them all the time and try to make sure they are doing | :28:48. | :28:51. | |
it properly. They shouldn't be overloaded with homework, I think | :28:52. | :28:57. | |
they miss out on family life. And playing with friends. On balance, | :28:58. | :29:03. | |
we've been doing homework for 100 years, I don't know how long. We are | :29:04. | :29:08. | |
all still here, so I would keep doing it. I love doing homework with | :29:09. | :29:13. | |
my children, I just enjoy it. And you, can Dara. We had to do it, so | :29:14. | :29:17. | |
they have to do it, that's the way it works. Thank you for coming. It's | :29:18. | :29:27. | |
been lovely, it really has. APPLAUSE Tomorrow Barry Gibb will be talking | :29:28. | :29:31. | |
and singing, not to be missed. See you then. APPLAUSE | :29:32. | :29:34. |