Browse content similar to 29/10/2015. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Alex Jones. And Angellica Bell. | :00:20. | :00:25. | |
We are joined by the actress who married a king and became the Queen | :00:26. | :00:30. | |
of grazed. Please welcome Priscilla Presley. -- Queen of Graceland. | :00:31. | :00:39. | |
Great to see you again. You are back in the UK, doing panto. It is a | :00:40. | :00:44. | |
great chance for you to see your daughter and grandchildren is. Yes, | :00:45. | :00:49. | |
if they come! They are still in the States. They are excited that I am | :00:50. | :00:53. | |
doing panto, it is Aladdin this time. They came to see me when I was | :00:54. | :00:58. | |
doing snow-white and the 7 dwarfs. They came four times. They have been | :00:59. | :01:04. | |
begging to come and see me. They are trying to work it out. We will see. | :01:05. | :01:12. | |
This is a random question. But... Is there any room in grey slant for a | :01:13. | :01:17. | |
little piece of pottery? Well, we will make some room. We will make a | :01:18. | :01:24. | |
room for rate. Not a room, but some room. We have got a picture of a | :01:25. | :01:32. | |
room in Graceland here. We were thinking maybe on the mantelpiece? | :01:33. | :01:37. | |
Or on the dresser behind? The cream one? That will be nice. Let's take a | :01:38. | :01:43. | |
look first. Don't want to speak too soon. Luckily, Sara Cox is here to | :01:44. | :01:51. | |
tell us about her new show, The Great British Pottery Throw Down. We | :01:52. | :01:56. | |
have got Adam, Pip and Stuart in from the studio. Welcome to The One | :01:57. | :02:01. | |
Show. Are you going to make a fabulous creation? Something | :02:02. | :02:08. | |
special. Welcomer your pottery will be union Graceland. That pottery | :02:09. | :02:14. | |
looks very familiar from something I think I was in... We have got the | :02:15. | :02:22. | |
clip! Why did I have a feeling... They are going to make something fit | :02:23. | :02:27. | |
for Graceland. They have got 20 minutes. So, potters, it... One for | :02:28. | :02:34. | |
the money, two for the show, three to get ready... And they are off. | :02:35. | :02:40. | |
Hopefully they will come up with something nice. I hope so. I'll keep | :02:41. | :02:48. | |
my fingers crossed. We like to think of the UK as green and pleasant but | :02:49. | :02:52. | |
the truth is it looks like we are going to run out of trees. Trish | :02:53. | :02:56. | |
Adudu went to Scotland to investigate a growing problem. In | :02:57. | :03:02. | |
the UK, trees are being harvested at a record rate with 12 million tonnes | :03:03. | :03:06. | |
of timber being cut down last year. It is a site that many might feel is | :03:07. | :03:12. | |
an environmental disaster. Did you know that these trees were planted | :03:13. | :03:16. | |
to be chopped down, and it was all part of a plan in the 60s to boost | :03:17. | :03:27. | |
the British wood industry. Realising that we were going to run out of | :03:28. | :03:32. | |
timber, the government gave tax breaks to landowners if they planted | :03:33. | :03:37. | |
trees for harvesting. Now more than 50 years later, and production is at | :03:38. | :03:42. | |
an all-time high. Here in Lockerbie, the timber is used in anything from | :03:43. | :03:46. | |
building homes to sandwich packaging. Stuart Goodall from the | :03:47. | :03:51. | |
Confederation of forest industries shows me round. I'm blown away, just | :03:52. | :03:57. | |
how big the operation is. The logs are being turned into planks. How | :03:58. | :04:01. | |
does this end up as a sandwich wrapper? Nothing is wasted. Every | :04:02. | :04:07. | |
log is scanned and the technology identifies the maximum number of | :04:08. | :04:12. | |
pieces of sawn timber we can get from that log. The bits which are | :04:13. | :04:19. | |
not used will end up producing anything like a sandwich wrapper | :04:20. | :04:26. | |
that you have. Even though UK timber is booming, Stuart says that demand | :04:27. | :04:32. | |
is outstripping supply. We are still only providing 20% of the wood | :04:33. | :04:37. | |
products that the UK consumed. 80% is imported. How it to protect the | :04:38. | :04:48. | |
80%? It is vital. The sector supports 40,000 jobs and contributes | :04:49. | :04:53. | |
?20 million to the economy. Forestry Commission forecasts show that, | :04:54. | :04:58. | |
although the action will rise in the next ten years, it will be in | :04:59. | :05:03. | |
decline in 15. Mills like this are huge local employers and they will | :05:04. | :05:07. | |
be repeating for a diminishing supply of timber, so it is vital | :05:08. | :05:13. | |
that we plant new forests. In 2009, the government signed up to increase | :05:14. | :05:18. | |
the amount of trees planted, yet today the country has an average of | :05:19. | :05:23. | |
just 13% of woodland cover, less than half the global average. Stuart | :05:24. | :05:28. | |
takes me to see a freshly planted woodland. Andrew born is the | :05:29. | :05:33. | |
district forest manager. Trees as far as the eye can see. There are | :05:34. | :05:40. | |
1.2 million trees on the site over 480 hectares, so it is big. You | :05:41. | :05:44. | |
might think that planting trees would be simple. Far from it. These | :05:45. | :05:51. | |
days, woods are not just planted but designed. The problem is getting | :05:52. | :05:55. | |
permission to plant them. It takes an awful long time to do that. We | :05:56. | :06:00. | |
have had a case where it took two years and we went through 19 | :06:01. | :06:04. | |
different versions of the design. The landowner was frustrated. In the | :06:05. | :06:10. | |
60s, they planted these trees and we are benefiting. Why can't we have an | :06:11. | :06:16. | |
easy process now? In the 60s, you applied for permission on a side of | :06:17. | :06:22. | |
a 4 paper. Now, it is a 100,000 word report, consulting with 20 or 50 | :06:23. | :06:27. | |
different organisations. It is out of hand. Forestry Commission told us | :06:28. | :06:35. | |
they spent ?71.8 million last year helping people to plant, manage and | :06:36. | :06:40. | |
improve forests in England and Scotland, but Stuart and Andy say | :06:41. | :06:44. | |
that is not enough. They need to get the system working smarter, get | :06:45. | :06:48. | |
round the table and agree things. At the moment, it takes far too long. | :06:49. | :06:54. | |
We had to plant new forests now, because it takes 35-40 years to grow | :06:55. | :07:00. | |
them. Clearly, this isn't a fast turnaround industry but, today, we | :07:01. | :07:05. | |
are going to do our bit for the future. It is exciting, we've got 50 | :07:06. | :07:09. | |
trees and we are going to prompt -- plant our very own forest for The | :07:10. | :07:14. | |
One Show. They may not look much at the moment, but given time they will | :07:15. | :07:20. | |
grow into soaring Scottish spruces. How long will the forest take to | :07:21. | :07:26. | |
harvest, guys? 40 years. 40 years! I wonder if we will be on air... Good | :07:27. | :07:28. | |
luck! wonder if we will be on air... Good | :07:29. | :07:35. | |
Come on, Trish. 2055, we will be back to let everyone know how the | :07:36. | :07:39. | |
forest is doing. They will wheel me out on a mobility scooter. I will | :07:40. | :07:46. | |
look the same. Oh, you will. Priscilla, you are here because you | :07:47. | :07:52. | |
helped create this album, Elvis, If I Can Dream. Elvis would have been | :07:53. | :07:59. | |
80. Yes. Coincidentally, it is the 80th birthday year and we have been | :08:00. | :08:05. | |
working on this album for two years. The producer approached me two years | :08:06. | :08:13. | |
ago when I was here, doing panto. We became friends. One afternoon, we | :08:14. | :08:18. | |
were having tea and he said, can I ask you a question? I want to run an | :08:19. | :08:22. | |
idea by you. I was thinking, oh, boy! So many people say they have | :08:23. | :08:28. | |
ideas. I was kind of hoping it would be good. Anyway, he said he would | :08:29. | :08:33. | |
like to do an album of Elvis with the Royal Philharmonic Orchestra. | :08:34. | :08:38. | |
Immediately, I thought, oh, my God, this would be something Elvis would | :08:39. | :08:43. | |
love to do. I didn't want to seem too excited and I told him to check | :08:44. | :08:48. | |
out that he knew how to work with the orchestra. Some of the artists | :08:49. | :08:53. | |
he had worked with. I googled him and I loved all the work he did, so | :08:54. | :08:57. | |
I called him up and said, I really like it, I would like to take it to | :08:58. | :09:02. | |
Sony and see what they think and tell them how important this would | :09:03. | :09:07. | |
be for Elvis's legacy, to keep him current. He would have loved to have | :09:08. | :09:12. | |
done this, especially with the Royal Philharmonic Orchestra. You can't | :09:13. | :09:16. | |
get any better than that. That is how it started. I loved the idea. We | :09:17. | :09:21. | |
spent two years in the making and here we are, and I'm very proud of | :09:22. | :09:26. | |
it. As well as the orchestra, you roped in Michael Buble, a favourite | :09:27. | :09:27. | |
of ours. It's lovely to hear his voice and | :09:28. | :10:01. | |
Michael's together. He was saying the lovely thing about this album, | :10:02. | :10:05. | |
it is the song that Elvis loved singing. He did like these songs | :10:06. | :10:12. | |
very much. Michael is singing Fever at one of his concerts and somebody | :10:13. | :10:16. | |
asked if I would like to go and I said, sure, never realising he sang | :10:17. | :10:21. | |
that. We were in the midst of doing the album and I thought, oh,, boy, | :10:22. | :10:25. | |
that would be great. Elvis loved singing that. I saw him when he was | :10:26. | :10:32. | |
18 singing it. He loved Dean Martin, the crooning voice and Michael Buble | :10:33. | :10:38. | |
has that same crooning, sexy voice. I ran it by the producer and he | :10:39. | :10:43. | |
said, that is a great idea. Let's get hold of him. I knew Michael's | :10:44. | :10:50. | |
manager, Bruce Allen, and we run it by them, and Michael did an amazing | :10:51. | :10:55. | |
job. It just looked like Jew guys having a conversation. -- two guys | :10:56. | :11:02. | |
having a conversation about Captain Hook and the contest. It was just | :11:03. | :11:09. | |
great. Their voices sound great together. What about you? What songs | :11:10. | :11:15. | |
do you particularly like? I like all of them. I have two favourites, one | :11:16. | :11:22. | |
is Bridge Over Troubled Water, the other is An American Trilogy, An | :11:23. | :11:24. | |
American Trilogy really because I brought it to him. I heard the song | :11:25. | :11:28. | |
on the radio and thought, oh, my God, this is everything Elvis | :11:29. | :11:32. | |
believed in, beloved of his country, the love the south, and the | :11:33. | :11:38. | |
love of his maker. So I bought the song and went back to the house and | :11:39. | :11:43. | |
I said, I heard this song, you might want to listen to it. Never said, | :11:44. | :11:47. | |
you should do it, because you didn't do that with him. But you suggested | :11:48. | :11:54. | |
it. I said, listen, and see what you think. He was listening and taking | :11:55. | :11:59. | |
all in, nodding, and the next thing I knew, he recording it. It is a | :12:00. | :12:06. | |
great album. It feels like Elvis is really here right now with us. Great | :12:07. | :12:11. | |
validation, I thought, was from Elvis's orchestra leader, who he | :12:12. | :12:20. | |
worked with in Las Vegas at the International Hotel. He came up to | :12:21. | :12:24. | |
me two years ago and said, I have an idea. I said, what? You said, Elvis | :12:25. | :12:31. | |
with an orchestra. I said, we already doing it. He said, he would | :12:32. | :12:37. | |
have loved that. It was a great validation. I have eyewitnesses. I | :12:38. | :12:41. | |
wanted people to know the diversity of Elvis and the fact that he wasn't | :12:42. | :12:46. | |
just rock and roll. We all love rock and roll, but it wasn't just that. | :12:47. | :12:50. | |
Is diversity injuries of music was varied. -- his diversity in John | :12:51. | :13:02. | |
Roos. There is such a variety. For fans and new fans of Elvis. Keeping | :13:03. | :13:08. | |
him current. We have to keep his legacy going, and this is something | :13:09. | :13:15. | |
that definitely does. If I Can Dream is out tomorrow. Many things can be | :13:16. | :13:19. | |
said to have had a profound effect on the world. Elvis's music is one | :13:20. | :13:26. | |
and roof protest -- Ruth Goodwin has another. Meet the humble Irish | :13:27. | :13:33. | |
lumper potato. It is a bit knobbly but it changed history. Without it, | :13:34. | :13:41. | |
this might never have happened. The great-grandfather of this president | :13:42. | :13:45. | |
left Wexford in Ireland for the United States in 1848. I am landing | :13:46. | :13:50. | |
a man on the moon and returning him to Earth. JFK's legacy is out of | :13:51. | :14:01. | |
this world. One small step for man, one giant leap for mankind. He is | :14:02. | :14:07. | |
not the only one who helped shape the modern world. Henry Ford was the | :14:08. | :14:11. | |
father of the motor car but his father left Cork in 1887. What has | :14:12. | :14:19. | |
this got to do with a potato? The failure of the lumper, which began | :14:20. | :14:25. | |
in 1845, heralded the start of the Irish potato famine, leading to the | :14:26. | :14:29. | |
greatest wave of immigration Ireland had ever seen. This year, the | :14:30. | :14:33. | |
official commemoration of the famine is here, in Newry, County Down, its | :14:34. | :14:39. | |
first time in Northern Ireland. As a Humphreys is the Irish Minister for | :14:40. | :14:44. | |
heritage. It had a huge impact on the famine. 1 million of the | :14:45. | :14:49. | |
population emigrated, 1 million died. Those effects still live on | :14:50. | :14:58. | |
today. If the famine has a central place in Irish history, does it also | :14:59. | :15:01. | |
has a central place in world history? This is probably one of the | :15:02. | :15:06. | |
reasons we have a huge Irish Dyas broke across the world. When you go | :15:07. | :15:12. | |
to America, Canada, Australia, you hear the stories of people who | :15:13. | :15:17. | |
emigrated because of it. The famine was caused by crop failure but | :15:18. | :15:21. | |
ironically it happened because the lumper was too successful. This man | :15:22. | :15:26. | |
is an expert in life here in the 19th-century. Very nutritious, a | :15:27. | :15:33. | |
couple of stone of potatoes a day with buttermilk catered for all of | :15:34. | :15:39. | |
your vitamin needs. Two fifths of the population relied totally on | :15:40. | :15:45. | |
potatoes. In 1845, a fungal disease, potato blight, hit this crop. | :15:46. | :15:50. | |
Potatoes were blackening in the fields. The phrase used by the | :15:51. | :15:54. | |
popular press was that they had turned into a mass of putrefaction. | :15:55. | :15:59. | |
If one potato was affected, the whole field was affected. For 170 | :16:00. | :16:06. | |
years, the lumper was the potato nobody wanted to grow, until now. I | :16:07. | :16:12. | |
am here to meet Michael McKillop. He believes the dreaded blight is a | :16:13. | :16:17. | |
thing of the past and he has big plans for this potato. Growing them | :16:18. | :16:22. | |
slowly, increasing them the year-on-year, because of the number | :16:23. | :16:29. | |
of seeds coming forward. It can take ten years to build up your seed | :16:30. | :16:30. | |
stocks. To go commercial. Is this potato from the 19th century | :16:31. | :16:50. | |
any good to eat? A bit of butter. It smells nice. That is a good potato, | :16:51. | :17:00. | |
isn't it? That is what I will be eating now for the rest of the | :17:01. | :17:05. | |
season. It is great to have a bit of history. Despite its troubled past, | :17:06. | :17:11. | |
the humble lump of potato has gained one last chance to redeem itself. It | :17:12. | :17:18. | |
may be coming to a dinner table near you -- lumper potato. | :17:19. | :17:23. | |
My grandad said you could get everything you needed from the | :17:24. | :17:32. | |
potato. My favourite is the roast. Chips, Chris... | :17:33. | :17:44. | |
These are from the Great British Pottery Throw Down. It is very tense | :17:45. | :17:51. | |
from the word go. Matthew has got three over here. Jim is overtaking | :17:52. | :17:57. | |
Tom. Making everything very economical. He is on seven, you are | :17:58. | :18:06. | |
on six. I have got one! Exciting times! Sara, meet | :18:07. | :18:14. | |
on six. I have got one! Priscilla, Priscilla, meet Sara. We | :18:15. | :18:15. | |
have been chatting. I Priscilla, Priscilla, meet Sara. We | :18:16. | :18:20. | |
work in Snow White. You went to panto? She said, oh no you didn't! | :18:21. | :18:29. | |
They are billing this as the new Bake Off but with clay. What are the | :18:30. | :18:36. | |
similarities and differences? Don't try and eat anything they make, that | :18:37. | :18:41. | |
is the top tip. Making is the new baking. I hope everyone loves it and | :18:42. | :18:45. | |
embraces the show as much as they did with take-off. It is made by the | :18:46. | :18:51. | |
same production team. The similarities are we have taken | :18:52. | :18:54. | |
people who are passionate about this hobby they have got, they might do | :18:55. | :18:58. | |
it in their garage on the wheel or they might do night classes, they | :18:59. | :19:02. | |
are completely passionate about it. What we have done is taken | :19:03. | :19:04. | |
are completely passionate about it. What we have done is taken hobby | :19:05. | :19:07. | |
they love and probably do to relax and we have put them against the | :19:08. | :19:11. | |
clock set challenges and filled it. There is a lot of passion and | :19:12. | :19:15. | |
excitement and creativity in there. What is different to Bake Off as it | :19:16. | :19:19. | |
takes five days to make their main make. You cannot pop it in the oven | :19:20. | :19:27. | |
for an hour. It has to go through two firings and so much can go | :19:28. | :19:31. | |
wrong. There are getting fired up to 1000 Celsius. Thousands of years ago | :19:32. | :19:37. | |
man was cloying a bit of earth art and chucking it in the fire and | :19:38. | :19:42. | |
seeing what they could make. It is really instinctive. It is quite | :19:43. | :19:46. | |
earthy? Literally, it is an exciting. Will we get as emotional | :19:47. | :19:53. | |
as we do about cakes? We do get a bit giddy about baking. It is | :19:54. | :19:57. | |
emotional. A lot of the emotion comes from one of the judges. He is | :19:58. | :20:03. | |
crying every five minutes! He is one of the best potters in the UK. He | :20:04. | :20:08. | |
makes gorgeous kitchenware. We also have Kate Maloney. She makes | :20:09. | :20:14. | |
incredible pots. Keith get so emotional. He sees all these | :20:15. | :20:18. | |
incredible people from all walks of life. Uses them when they do well | :20:19. | :20:22. | |
and he starts crying. I was saying, maybe they should get an for when | :20:23. | :20:28. | |
they make Keith Crier? Go and try and squeeze it here out of Keith. | :20:29. | :20:32. | |
They are really passionate. I think everyone will love the judges | :20:33. | :20:36. | |
because they are quite potty. They are big personalities. We know you | :20:37. | :20:45. | |
can't Potter, is that even a phrase? I potter around my kitchen! I do a | :20:46. | :20:51. | |
bit of pottering. But Priscilla, as you mentioned, you are an expert. | :20:52. | :21:00. | |
Let's have a look at the clip. MUSIC: Unchained Melody. | :21:01. | :21:10. | |
Oh, my God, so messy! We were literally filled with clay and the | :21:11. | :21:26. | |
next day my hot water went out at my home so I went home to take a shower | :21:27. | :21:31. | |
and I had no hot water and I had to stay in freezing water and it was | :21:32. | :21:35. | |
stuck to my whole body. It was so hard to get off so I don't have very | :21:36. | :21:39. | |
good memories of that! Well, though the The Great British | :21:40. | :21:44. | |
Pottery Throw Down begins next Tuesday at nine o'clock on BBC Two. | :21:45. | :21:51. | |
On Monday the One Show met people who lost thousands of pounds through | :21:52. | :21:55. | |
a talk to updated reach. They have been the target of scammers. | :21:56. | :22:05. | |
Tonight you will hear from someone who was using their personal details | :22:06. | :22:10. | |
to get into our computer. What they did not know is we set up a computer | :22:11. | :22:16. | |
for them to hack with an expert attached. The results are little bit | :22:17. | :22:19. | |
scary but also quite funny. My computer is going to crash! You are | :22:20. | :22:26. | |
doing things on my computer here. You are deleting things from my | :22:27. | :22:40. | |
desktop at the moment. We're also looking at the Vauxhall | :22:41. | :22:50. | |
Zaf8ira. They have been catching fire with little or no warning. We | :22:51. | :22:55. | |
took a burnt out Zaf8ira back to their own HQ, our own recall. | :22:56. | :23:01. | |
Halloween is two days away. We are keeping up the pressure to keep | :23:02. | :23:06. | |
costumes safe on Saturday night. All of that and Rogue Traders as well | :23:07. | :23:10. | |
straight after the One Show. Thank you, Matt. We like a puzzle to | :23:11. | :23:17. | |
solve on the One Show and Marty has found a case which even Sherlock | :23:18. | :23:21. | |
Holmes would struggle with. We are calling it the machine gun mystery. | :23:22. | :23:27. | |
In the early 1880s, William Cantona announced to his family he had | :23:28. | :23:32. | |
perfected a new invention, a rapid firing gun which he believed would | :23:33. | :23:38. | |
revolutionise warfare. Then the Victorian engineer packed his bags | :23:39. | :23:42. | |
and was never seen again. Could he have travelled to the United States | :23:43. | :23:50. | |
and assumed a new identity. Soon afterwards a man called Hiram Maxim | :23:51. | :24:02. | |
patents a new gun. It is believed the two men could be one and the | :24:03. | :24:09. | |
same. But why. William Cantelow was a pub landlord with a passion for | :24:10. | :24:14. | |
inventing things. He kept the details of his work closely guarded | :24:15. | :24:18. | |
secret. He worked in the underground tunnels underneath his pub. | :24:19. | :24:22. | |
Neighbours reported hearing strange sounds coming from the cellar. Rapid | :24:23. | :24:29. | |
gunfire was often heard that never seen. All this fell silent ones | :24:30. | :24:32. | |
Cantelow disappeared. Only his family knew of his new gun, but this | :24:33. | :24:38. | |
was the weapon which would revolutionise warfare, Hiram | :24:39. | :24:43. | |
Maxim's automatic machine gun. The leap forward in the 1880s as far | :24:44. | :24:49. | |
as we know was to exploit the energy stored in the cartridge, not just to | :24:50. | :24:54. | |
push the bullet out of the barrel, but to drive the working parts of | :24:55. | :24:58. | |
the gun back and forwards again, picking up another round, pushing it | :24:59. | :25:01. | |
into the chamber and firing it for as long as you hold down the | :25:02. | :25:06. | |
trigger. Is there a chance that Cantelow could have invented the | :25:07. | :25:10. | |
same sort of gun at exactly the same time? The mystery of his | :25:11. | :25:13. | |
disappearance has perplexed his family for more than 130 years. A | :25:14. | :25:19. | |
large sum of money is believed to have been transferred out of his | :25:20. | :25:23. | |
bank account. No one knows where it went. Shortly after Maxim arrives in | :25:24. | :25:29. | |
London, Cantelow's Sun sees a picture of him in the newspaper but | :25:30. | :25:34. | |
are convinced it is their father. After an encounter at Waterloo | :25:35. | :25:38. | |
Station, the family believes the two men are one and the same. It is a | :25:39. | :25:44. | |
story which has become part of family history. One which is | :25:45. | :25:49. | |
great-great-grandson Barry has spent more than 40 years researching. The | :25:50. | :25:54. | |
boys saw the man who they are dressed as father who said, come | :25:55. | :26:00. | |
home. Sadly, it was the point of departure for the train. The man | :26:01. | :26:06. | |
said, hello, boys, but the train was leaving, so he hopped on the train | :26:07. | :26:10. | |
and away he went. This was obviously disturbing for the boys. They | :26:11. | :26:16. | |
reported seeing the man who they would happily identify as their | :26:17. | :26:18. | |
father. The only difference would happily identify as their | :26:19. | :26:23. | |
had a slight American accent. I have brought both images to Professor | :26:24. | :26:30. | |
Mark Nixon who is a pioneer in face recognition technology. Clearly | :26:31. | :26:33. | |
there is some similarity. The hairline might be in the same place. | :26:34. | :26:36. | |
The nose appears to be hairline might be in the same place. | :26:37. | :26:39. | |
place. The mouth appears to hairline might be in the same place. | :26:40. | :26:41. | |
the same place. There some differences as well. There is a | :26:42. | :26:45. | |
lot of stuff we some differences as well. There is a | :26:46. | :26:59. | |
one more some differences as well. There is a | :27:00. | :27:06. | |
have never been explained. some differences as well. There is a | :27:07. | :27:11. | |
writes in his autobiography that a man was impersonating him in the US | :27:12. | :27:15. | |
from Britain. Was it a case of mistaken identity or was Maxim | :27:16. | :27:18. | |
putting people off the scent? mistaken identity or was Maxim | :27:19. | :27:23. | |
So, the mystery continues. Now, Priscilla, our potters have been | :27:24. | :27:25. | |
busy all show, Priscilla, our potters have been | :27:26. | :27:29. | |
something you would like to take to Graceland. They will not be offended | :27:30. | :27:30. | |
if you said I do not want any of it. Graceland. They will not be offended | :27:31. | :27:36. | |
Let's start with Alan. I have Graceland. They will not be offended | :27:37. | :27:42. | |
you a bottle. I have put a couple of handles onto jazz it up | :27:43. | :27:43. | |
you a bottle. I have put a couple of will fit in your hand luggage as | :27:44. | :27:46. | |
well. Pip has made a lovely bowl. will fit in your hand luggage as | :27:47. | :27:55. | |
something for your grits, Southern style. Good thinking! What do you | :27:56. | :28:09. | |
think, Steve? Stuart! Sorry! I have taken a vase, traditional British | :28:10. | :28:15. | |
style to take to Memphis. Perhaps in an ice cream colour. He will get | :28:16. | :28:21. | |
colour and everything. You can have all three. This is like an urn. If | :28:22. | :28:30. | |
you have a pet which is getting old, you might want to think ahead! | :28:31. | :28:37. | |
She is from the dark side! They are all really creative. I never thought | :28:38. | :28:45. | |
you would finish. We have got to go! If I dream is out tomorrow and The | :28:46. | :28:48. | |
Great British Pottery Throw Down is out next week at nine o'clock on BBC | :28:49. | :28:57. | |
Two. Tomorrow we have Paul Hollywood and Ian McKellen. Stay tuned for | :28:58. | :28:59. | |
watchdog. Bye-bye! | :29:00. | :29:01. |