Browse content similar to 30/10/2015. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Now the One Show with Alex Jones and tonight's guest presenter... Smooth | :00:29. | :00:44. | |
ride, Paul? White hello and welcome to the One | :00:45. | :00:50. | |
Show with Alex Jones. And a real star co-host, Paul Hollywood! I am | :00:51. | :00:58. | |
looking forward to it. We have half hour of fun. Is Halloween a big deal | :00:59. | :01:09. | |
in the Hollywood household? We used to fill the bath with apples. My lad | :01:10. | :01:17. | |
did trick or treat now it is about having a massive sleepover with his | :01:18. | :01:21. | |
mates. We are aiming to inspire you wall ahead of Toure's night. All of | :01:22. | :01:25. | |
these One Show viewers have been very busy. They have been taking | :01:26. | :01:32. | |
part in the Great British Scary Bake Off. You have seen the cakes. | :01:33. | :01:35. | |
Initial thoughts? I really impressed. We do a lot of auditions | :01:36. | :01:46. | |
for Bake Off as you know. These cakes are all stunning and including | :01:47. | :01:49. | |
the ones that people sent in by picture. Who knew? The standard | :01:50. | :01:53. | |
baking in this country is spectacular, well done! You will all | :01:54. | :01:58. | |
be in the tent next year! As a regular viewer of Bake Off Ewan | :01:59. | :02:05. | |
Opel cannot possibly judge a competition by himself. He need | :02:06. | :02:10. | |
someone to hold his hand. We could not get Mary Berry say we have Scary | :02:11. | :02:15. | |
Berry! Terrifying! Awful, awful! That is spooky. Exactly the same as | :02:16. | :02:25. | |
Mary. Paul! But now tonight's superstar guest. Before famously | :02:26. | :02:30. | |
playing the wizard Gandalf in Lord Of The Rings he made a pretty | :02:31. | :02:32. | |
convincing vampire. Please welcome Ian McKellen! | :02:33. | :02:48. | |
CHEERING Hello, nice to see you again. You | :02:49. | :02:54. | |
were a vampire with a Pet Shop Boys. I was. They just called me up. Their | :02:55. | :02:59. | |
song was called Heart. I found along with them. I was number one in what | :03:00. | :03:05. | |
used to be called the hit parade. The top ten. You looked marvellous. | :03:06. | :03:11. | |
Thank you. However big your Halloween party is going to be this | :03:12. | :03:15. | |
weekend, it will not be as big as the one we are about to see. Iwan | :03:16. | :03:20. | |
Thomas went to Northern Ireland to find how one city's celebrations all | :03:21. | :03:26. | |
stem from one very scary real period of recent history. | :03:27. | :03:31. | |
Halloween, which has its roots in an agent pagan festival has had | :03:32. | :03:35. | |
something of a resurgence in recent years. With supermarkets piled high | :03:36. | :03:43. | |
with pumpkins and spooky cat, some people might say it is a | :03:44. | :03:46. | |
commercially driven holiday with very little real meaning left. | :03:47. | :03:51. | |
Tonight, I am in a city where Halloween holds a very special place | :03:52. | :03:55. | |
in its history, so much so that they take celebrating to another level. | :03:56. | :04:02. | |
The city coat of arms has even got a skeleton in it. Freaky! | :04:03. | :04:13. | |
This is Londonderry, Northern Ireland, home of your's biggest | :04:14. | :04:20. | |
outdoor Halloween party. Each year, 30,000 people crowd Derry's streets | :04:21. | :04:24. | |
for a three-day spectacular festival of all things coolly and spooky -- | :04:25. | :04:31. | |
rulership. Would you believe this event was born out of violence and | :04:32. | :04:36. | |
strife? In 1985, the city was in the grip of the troubles. Bombings, | :04:37. | :04:41. | |
shootings and kidnappings were part of everyday life. Strangely, it was | :04:42. | :04:43. | |
this which brought about the very first parade. Ryan Doherty was a | :04:44. | :04:49. | |
local bar manager at the time and remembers how it all started -- | :04:50. | :04:57. | |
Brian. Everybody was in fancy dress looking forward to a big party night | :04:58. | :05:02. | |
and suddenly, the police arrived in and evacuated the premises. We had | :05:03. | :05:09. | |
this mass of people walking down the street all in fancy dress. They went | :05:10. | :05:16. | |
to another big premises around the corner. So in a strange way, the | :05:17. | :05:20. | |
bomb scare of that night brought everyone onto the streets and | :05:21. | :05:24. | |
everyone was asking what it was about and it became popular. It was | :05:25. | :05:29. | |
probably the first Halloween parade. The troubles are thing of the past | :05:30. | :05:33. | |
and the Halloween parade goes from strength to strength. I am meeting | :05:34. | :05:41. | |
this family to do my costume. You take Halloween to another level. | :05:42. | :05:46. | |
Would you say Halloween is more important than Christmas? It is on a | :05:47. | :05:53. | |
par definitely with Christmas. Everyone gets involved. Can you find | :05:54. | :05:57. | |
me an outfit for tonight and make me look even more scary? Definitely. | :05:58. | :06:06. | |
This is starting to look pretty good now. The Browns are expert costume | :06:07. | :06:10. | |
designers so I am in good hands. Zombie Ewan is ready to hit the | :06:11. | :06:28. | |
streets of Derry. I certainly think I look the part. The festival has | :06:29. | :06:34. | |
kicked off and it looks amazing. Look at these costumes. You guys are | :06:35. | :06:42. | |
so excited. It is massive! This is the first time I have ever dressed | :06:43. | :06:51. | |
up! Months of preparation going to Derry's parade, the biggest in | :06:52. | :06:55. | |
Europe. I have never been here and I have never seen Halloween in the | :06:56. | :07:01. | |
world anywhere like this. No one told me about it. I don't think | :07:02. | :07:10. | |
anyone does it quite like Derry. That parade was out of this world. | :07:11. | :07:16. | |
Listen to the countdown behind me. Not only 30,000 people to see that, | :07:17. | :07:21. | |
but there are fireworks as well. I am told these will be amazing. Check | :07:22. | :07:33. | |
it out! Do you know what, I have had a cracking night tonight. It has | :07:34. | :07:37. | |
been brilliant. It is really nice to see everybody mixed together and | :07:38. | :07:41. | |
have fun. 30 years ago I have no doubt they would never have dreamt | :07:42. | :07:44. | |
this could happen. They will be doing it all again | :07:45. | :07:50. | |
tomorrow will stop good costume! You could do that. I thought he looked a | :07:51. | :07:59. | |
bit like scary male. It is not all of bout Halloween on Saturday night. | :08:00. | :08:06. | |
At nine o'clock on BBC Two Sir Ian and Anthony Hopkins star in The | :08:07. | :08:12. | |
Dresser. Meantime, we should express our | :08:13. | :08:19. | |
darker... Meantime, we should express our darker... Give me the | :08:20. | :08:33. | |
map. Don't tell me, don't tell me, I have played this part before you | :08:34. | :08:38. | |
know! I was very fortunate to watch it | :08:39. | :08:43. | |
last night. I thought it was incredible. Thank you. For the sake | :08:44. | :08:50. | |
of our viewers, can you tell us the story. Anthony is made up. He is | :08:51. | :08:55. | |
playing King Lear and I am his dresser. I am the guy in the | :08:56. | :08:59. | |
dressing room who helps him get ready and put his make up on. It is | :09:00. | :09:03. | |
a pretty bad evening because he is in the middle of a breakdown but we | :09:04. | :09:07. | |
have to get him on stage for the performance. That is the basic plot. | :09:08. | :09:14. | |
It all happened during the war when companies travelled around doing | :09:15. | :09:18. | |
plays up and down the country. The Dresser is a very famous play, it | :09:19. | :09:23. | |
has been in the West End, Broadway and a film adaptation. It was a | :09:24. | :09:28. | |
Albert Finney and Tom Courtenay. He was the original Norman, that is the | :09:29. | :09:33. | |
part I play. He played him young and I am playing him old. I did not | :09:34. | :09:41. | |
think you looked very old, to be fair! Older. How did the television | :09:42. | :09:45. | |
adaptation come about? They asked Tony to do it in the theatre. He | :09:46. | :09:51. | |
cried off the to a long time ago. He said he would do it on TV so they | :09:52. | :09:56. | |
relented. That is when I came on board. I had never worked with | :09:57. | :10:01. | |
Anthony before. It is the first time you have ever worked with him. Why | :10:02. | :10:06. | |
has it taken so long? I want to spend the rest of my life working | :10:07. | :10:11. | |
with him. He is absolutely adorable. But he lives in California, Malibu, | :10:12. | :10:15. | |
and comes over here very rarely. That may be the first and last time | :10:16. | :10:20. | |
I ever do. There he is again. I have been working my way through the old | :10:21. | :10:24. | |
boys. Anthony share was in the Hobbit. Pat Stewart, I will be | :10:25. | :10:29. | |
working with him in London in a interplay next summer. Derek Jacobi | :10:30. | :10:35. | |
in Vicious the sitcom. Michael Gambon I have not worked with. He | :10:36. | :10:44. | |
will be next on the list! We know it is called The Dresser but you do not | :10:45. | :10:50. | |
have one. Paul has got a dresser. Has he? Can't you tell how pristine | :10:51. | :11:00. | |
he is. Leave it out! It depends how arduous the events are. If it is a | :11:01. | :11:04. | |
simple play with a simple costume, you do not need anybody. Sometimes | :11:05. | :11:09. | |
you will have someone to gather the clothes up and make sure you have | :11:10. | :11:15. | |
everything you need. My dresser, Norman, has been with Sir forever | :11:16. | :11:19. | |
and they know each other terribly well. Would you like to see this as | :11:20. | :11:24. | |
a catalyst for more players going on the television? I would. Good point. | :11:25. | :11:30. | |
When I was a kid there were plays on all the time, there was the | :11:31. | :11:32. | |
Wednesday Play and play of the month. They were one-off plays. | :11:33. | :11:38. | |
Sometimes a new one or in the case of The Dresser and old one, or even | :11:39. | :11:43. | |
Shakespeare or Chekhov. People do not get to see them unless they live | :11:44. | :11:49. | |
near a theatre. The BBC say they might be interested in doing a lot | :11:50. | :11:54. | |
more of them. When you were 26, there was of course, this... | :11:55. | :12:11. | |
Just call me Wolf. I am at your door. | :12:12. | :12:18. | |
APPLAUSE You mentioned the Wednesday Play and | :12:19. | :12:23. | |
there you were playing Wolf. That was in 1956. With Jack Hawkins, the | :12:24. | :12:29. | |
great film star of his time who had throat cancer and could not speak. | :12:30. | :12:36. | |
He had to add his voice later. Quite good-looking actually. Very good | :12:37. | :12:42. | |
looking, you have not lost it! Now I have got the Halloween face. Very | :12:43. | :12:46. | |
dapper. You can see The Dresser at nine o'clock on BBC Two on Saturday. | :12:47. | :12:54. | |
If you met your partner on the dance floor and they won you ever with | :12:55. | :13:01. | |
their moves, good or bad, get in touch at the usual address. | :13:02. | :13:06. | |
Now time to meet the rickshaw riders who will be riding from lands end to | :13:07. | :13:12. | |
the East End for Children In Need. Amira will be taking on the biggest | :13:13. | :13:15. | |
challenge of her life and she is doing it all for a very special | :13:16. | :13:21. | |
person. I am Amira and this is my sister. | :13:22. | :13:26. | |
She is helping me train for the Rickshaw Challenge. My sister is two | :13:27. | :13:31. | |
years older than me and she has always tried to protect me and make | :13:32. | :13:37. | |
me feel safe. We spend a lot of time is together as best friends. We did | :13:38. | :13:43. | |
everything together. She got 12 a star grades in her GCSEs. She wanted | :13:44. | :13:48. | |
to do a double degree in maths and Russian. She would be dancing, ice | :13:49. | :13:55. | |
skating, played the piano. She was always doing something really | :13:56. | :13:58. | |
active. L was 16. We were the perfect family and then it just | :13:59. | :14:03. | |
went. She was washing her hands and then she just collapsed. I picked | :14:04. | :14:08. | |
her up and she wasn't too bad and she said, I don't know what happened | :14:09. | :14:11. | |
there, mum and that was a bit strange. I got her downstairs and we | :14:12. | :14:16. | |
were by the front door and she was putting her shoes on and she just | :14:17. | :14:20. | |
went. No warning. She just collapsed. I knew it was really | :14:21. | :14:27. | |
serious. We found that she has got an AVM, it is like when the veins in | :14:28. | :14:32. | |
your arteries and your brain got tangled. It is rare. People who have | :14:33. | :14:36. | |
got it don't realise they have got it normally and they go the whole of | :14:37. | :14:41. | |
their lives without knowing they ever had it. After the operation, | :14:42. | :14:47. | |
she was really poorly. I think that is when it really hit me. Really | :14:48. | :14:55. | |
surreal. You kind of feel like the whole world has stopped but it | :14:56. | :14:59. | |
really hasn't. Just really unbearable really at times. | :15:00. | :15:07. | |
Right from the start, the children's Trust gave my sister amazing care. | :15:08. | :15:12. | |
They let us stay close to her by setting up a room for us to stay in | :15:13. | :15:16. | |
during the 16 months we stayed here. The children's Trust is a Centre for | :15:17. | :15:21. | |
Children with brain injuries. We work very closely as a team, speech | :15:22. | :15:25. | |
and language, physiotherapists, so that we can try and maximise the | :15:26. | :15:30. | |
potential that the young people have, but also help educate and | :15:31. | :15:36. | |
support the family. Every morning, we used to give her a | :15:37. | :15:40. | |
big wash and everything and pluck her eyebrows and file her nails and | :15:41. | :15:46. | |
spend ages, just wanting to touch her and be with her. She's not able | :15:47. | :15:53. | |
to verbally communicate with us, but she would communicate in other ways | :15:54. | :15:58. | |
like her muscle tone increasing or her facial expressions. They were | :15:59. | :16:05. | |
very good at watching and being in tune with her and was very good at | :16:06. | :16:10. | |
knowing whether she was distressed or happy and knowing what she | :16:11. | :16:16. | |
wanted. Amira was the strong one, she looked after us all. Is that | :16:17. | :16:25. | |
nice... We rely on the money coming in from chair -- charities like | :16:26. | :16:33. | |
Children In Need. It's essential to enable us to get what we need. We | :16:34. | :16:38. | |
want to raise awareness of the charity and we want to be able to | :16:39. | :16:43. | |
give back to the charity. The biggest worry for the rickshaw hajj | :16:44. | :16:49. | |
is the hills and the rain. Amira is very driven and she'll do really | :16:50. | :16:54. | |
well. Everyone is behind her and cheering her on all the way. It's | :16:55. | :16:59. | |
nice for Amira to be our little shining star at the moment. She's so | :17:00. | :17:04. | |
selfless, she'll do anything for Elle. It still hurts to think of | :17:05. | :17:09. | |
what happened to Elle, she had such big dreams for her future and | :17:10. | :17:15. | |
everything is changed now. So come on everybody, dig deep for the | :17:16. | :17:21. | |
rickshaw challenge. Life can be so incredibly unfair | :17:22. | :17:27. | |
sometimes can't it, but Amira is the best sister Elle could wish for. | :17:28. | :17:31. | |
Tell people at home how they can donate, please, Ian? I will. Text | :17:32. | :17:43. | |
the word "team" to 70705, or to donate ?10, text "team" to 70710. | :17:44. | :17:56. | |
You must be 16 or over and ask the bill payer' permission. For full | :17:57. | :18:00. | |
terms and conditions and more information, go to the website. | :18:01. | :18:06. | |
The lines are open now so please get on the phone and start texting. | :18:07. | :18:12. | |
Please do. Halloween isn't the only scary thing happening this weekend | :18:13. | :18:16. | |
because in aid of Children In Need, I will be driving actual people in | :18:17. | :18:21. | |
this 1950s bus this Sunday, all the way from London to Brighton. We'll | :18:22. | :18:30. | |
explain all later on. Citizen Khan is back on tonight and he wanted us | :18:31. | :18:35. | |
to whip up some more support for Team rickshaw. Follow the six brave | :18:36. | :18:46. | |
rickshaw drives who'll be braving the conditions for Children In Need | :18:47. | :18:50. | |
right here on the one show! Mr Khan, new presenter of The One | :18:51. | :19:00. | |
Show! Thank you. Well, moving on to Paul's expertise and what Ian and I | :19:01. | :19:03. | |
have been waiting for all show, it's time knew for the Great British | :19:04. | :19:07. | |
Scary Bake Off 2015. Yes, we'll just swap over there a | :19:08. | :19:19. | |
minute. Six one show viewers have been very busy baking. Thank you | :19:20. | :19:24. | |
all, they are incredible. Scary Berry is looking after them. Not so | :19:25. | :19:29. | |
great. So you said the standard is -- you set the standard pretty high? | :19:30. | :19:35. | |
Yes, look at them all. Look at the brain case, the faces, the eyes. | :19:36. | :19:44. | |
Look at them! They will taste, as bad as they look, I hope they taste | :19:45. | :19:52. | |
well. They look stunning. Will they be tasting them? Of course. The | :19:53. | :20:10. | |
scary star baker is Louis! Right, tell us all about your cake, | :20:11. | :20:17. | |
please? It's a Victoria sponge. What is in there? There's jam. And cream? | :20:18. | :20:25. | |
Yes. Did you make these? No. The sponge itself you have decorated | :20:26. | :20:30. | |
yourself as well? Yes. I think the sponge does look good, nice layer of | :20:31. | :20:35. | |
jam. What do you reckon then, Paul? Nice | :20:36. | :20:40. | |
and moist, the cake, the bake's good, it's not overbaked and the jam | :20:41. | :20:44. | |
in the middle, did you buy that? I did. Well done! | :20:45. | :20:49. | |
You are telling the truth and I like that, well done. I'll pop you back | :20:50. | :20:55. | |
here. There you are. APPLAUSE | :20:56. | :20:57. | |
Your second star baker please? Bethany. | :20:58. | :21:10. | |
Come on over. This looks amazing. What is in the cake? It's a vanilla | :21:11. | :21:16. | |
sponge. Lovely and pink inside. A brain as well. In we get. And Paul. | :21:17. | :21:25. | |
Beautiful taste. The cream in there is excellent. The decoration is | :21:26. | :21:29. | |
absolutely superb. Yes. That looks like a brain. Fab. Well done, thank | :21:30. | :21:39. | |
you, Bethany. Well done. My third scary baker, | :21:40. | :21:50. | |
Kirsty. Thank you. Lovely. Look at that. Fantastic. We'll have to cut | :21:51. | :21:54. | |
into it unfortunately, which is a shame. A big thank you to everyone | :21:55. | :21:59. | |
else because all the cakes are amazing. Tell us what's gone into | :22:00. | :22:05. | |
the cake? Chocolate sponge with butter cream and chocolate sauce. Go | :22:06. | :22:13. | |
on Ian, in you get. That cake is delicious, oh, yep, oh, I like that | :22:14. | :22:18. | |
one, well done. Ian, over to you. Come back, you two. All three | :22:19. | :22:24. | |
finalists now. I'm in a dilemma because I prefer the look of Louis | :22:25. | :22:29. | |
and the Victoria sponge was excellent but he did sort of cheat, | :22:30. | :22:33. | |
you know. Had a bit of help with the jam. Sorry Bethany that,'s just so | :22:34. | :22:37. | |
disgusting to look at but delicious to taste. It is very. So I think I'm | :22:38. | :22:45. | |
going to go for this one. Kirsty. . Congratulations. Fantastic. Thank | :22:46. | :22:51. | |
you. Mary Berry or scary Berry bring in the trophy. Lovely. | :22:52. | :22:55. | |
Thank you very much. Congratulations. Paul, we know that | :22:56. | :22:59. | |
you know your way around the kitchen. Yes. But what about the | :23:00. | :23:04. | |
great outdoors? I'm good when it comes to that. All right, if you do | :23:05. | :23:08. | |
get lost in the great outdoors, here is a man with some great advice and | :23:09. | :23:17. | |
a great name for Halloween. More and more people are using smartphones | :23:18. | :23:21. | |
and satnavs to get around, but this reliance on technology can have | :23:22. | :23:23. | |
serious consequences for some people. Robert Jones found himself | :23:24. | :23:31. | |
perilously hanging over a cliff edge after blindly following his satnav | :23:32. | :23:37. | |
orders. Student Paula saly ended up stuck on a train track. Luckily she | :23:38. | :23:41. | |
managed to get out of her vehicle just before it was hit. | :23:42. | :23:46. | |
And a taxi driver from Norfolk ended up wheel deep in water after his | :23:47. | :23:51. | |
satnav directed him down a river. Your destination will be on the | :23:52. | :23:55. | |
left... But it's not just on our roads where people relying on | :23:56. | :23:58. | |
technology are getting lost. Dave Tate was hiking in the Lake District | :23:59. | :24:03. | |
when his smartphone stopped working. Me and two friends made an impulsive | :24:04. | :24:12. | |
decision to climb Scafell pike. We were told to do it by tea time. It | :24:13. | :24:17. | |
didn't turn out as planned. Moments after reaching the top, the weather | :24:18. | :24:22. | |
changed. Within seconds, there was hailstone, wind, rain, fog, we could | :24:23. | :24:26. | |
hardly see the edge of the mountain, we were in serious trouble. Didn't | :24:27. | :24:29. | |
you have a map or a compass with you? We'd actually totally relied on | :24:30. | :24:37. | |
my smartphone. Luckily for Dave at 3am, they were eventually rescued. | :24:38. | :24:39. | |
But someone who would have been a great help in this situation is | :24:40. | :24:45. | |
Tristan who uses nature to help him navigate. Everything we see outdoors | :24:46. | :24:49. | |
can be used as a map or a compass, from the sun to the wild flowers, | :24:50. | :24:54. | |
the birds, the stars, everything can be used to help us find our way. We | :24:55. | :24:58. | |
have arranged for Tristan to show Dave some of his techniques. The sun | :24:59. | :25:02. | |
is due south in the middle of the day every day of the year, and this | :25:03. | :25:08. | |
has a huge effect on all of wa we see around us. If you have a look at | :25:09. | :25:13. | |
this tree, can you use that to tell me which way is north? No. Trees | :25:14. | :25:19. | |
grow more abundantly on the southern side. Can you tell me which way is | :25:20. | :25:24. | |
north? That way. Great stuff. Dave is briefed on how to use nature as a | :25:25. | :25:30. | |
compass. This is very common on the south side of trees. Whenever you | :25:31. | :25:34. | |
get a sweet fruit, that is south facing. This is the south-west side | :25:35. | :25:38. | |
of the tree where the strong winds come from so the roots spread out | :25:39. | :25:43. | |
further to help hold the tree up. Dave's had the lesson. Now for the | :25:44. | :25:47. | |
test. We've hidden the car keys about a mile away and the only way | :25:48. | :25:51. | |
to find them is to follow the natural clues. | :25:52. | :25:59. | |
Don't get lost! And we'll keep a close eye on him just in case he | :26:00. | :26:03. | |
goes the wrong way. "Use the view of the sun to find south". I can see | :26:04. | :26:07. | |
the sun so we'll go for, this is south. I think he's got it. The | :26:08. | :26:12. | |
bigger roots of the tree should be pointing south-west, so we'll go | :26:13. | :26:16. | |
with this. Dave has to head south-west from the tree then look | :26:17. | :26:19. | |
for berries in order to work out which way to go next. Found the | :26:20. | :26:26. | |
fruit. That's south. That must be east. So far so good. But it's | :26:27. | :26:37. | |
getting tricky. We must now find the tree which sends him the right way. | :26:38. | :26:41. | |
Probably in the right area but he's not thought to look up. The one he | :26:42. | :26:47. | |
needs is way up in that tree. Didn't spot that, maybe it's that one. | :26:48. | :26:51. | |
Let's try this path. He's picked the right route. After about half an | :26:52. | :26:56. | |
hour, Dave manages to naturally navigate around to his finalnation. | :26:57. | :27:02. | |
This has to be it. Your car keys are on the north side. The roots on this | :27:03. | :27:08. | |
one are evenly spread out but I would still say they were longer on | :27:09. | :27:12. | |
that side. I should be stood near the car keys. He's going home! | :27:13. | :27:20. | |
Yay! Well done, Dave. How did you find it? Nature's quite | :27:21. | :27:25. | |
self-explanatory sometimes if someone explains it to you first. | :27:26. | :27:30. | |
Armed with the natural navigation skills, let's hope Dave won't find | :27:31. | :27:34. | |
himself lost in the wild again. Thanks Angelica. As it's dark, my | :27:35. | :27:39. | |
job tonight is to get everyone home safely in this beautiful vintage | :27:40. | :27:43. | |
bus. Chris Evans and I for Children In Need are driving all the way from | :27:44. | :27:47. | |
London to Brighton in this bus as part of the vintage run this Sunday | :27:48. | :27:51. | |
coming, a lot of generous people have donated a lot of money for this | :27:52. | :27:56. | |
privilege. We have past the tests, theory everything, we are going. | :27:57. | :28:04. | |
Please on the run, don't do this. Going left. Oh! Turns out that the | :28:05. | :28:10. | |
coach is a bit wider than I thought. Oh! Dearie me. If you are thinking | :28:11. | :28:18. | |
of going to Brighton on Sunday, probably best not to. That is it for | :28:19. | :28:22. | |
tonight. Thank you so much to Ian. The Dresser is on tomorrow at 9. Can | :28:23. | :28:28. | |
I get on the bus? Yes, bye. Paul, you too. Got insurance, yes, | :28:29. | :28:34. | |
excellent. On we get then. Now, we'll be back on Monday. Hugh | :28:35. | :28:39. | |
Fearnley Whittingstall is our guest, but have a great weekend, everybody! | :28:40. | :28:47. | |
Ready, everybody! Here we go. Clutch in. OK, see ya! | :28:48. | :29:06. | |
The knives are sharpened and the heat is on. It can only mean one thing. | :29:07. | :29:10. |