Browse content similar to 30/03/2016. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello and welcome to The One Show, with Alex Jones. | :00:16. | :00:19. | |
And for one night only, I'll be playing Judy, | :00:20. | :00:21. | |
So if you are going to be Judy,, what are you cooking for dinner | :00:22. | :00:37. | |
tonight? Maybe lasagne and salad. I bought it earlier at the shop. | :00:38. | :00:39. | |
That's how it works in real life. Now, tonight's One Show | :00:40. | :00:43. | |
is all about joining forces. Soon we'll meet the Manchester | :00:44. | :00:45. | |
community that came together The Duke of Edinburgh's Award | :00:46. | :00:50. | |
community have come together We've got quite a few of them | :00:51. | :00:52. | |
in the studio tonight - And we'll see some good | :00:53. | :00:56. | |
old-fashioned community activism in Glasgow, that saw | :00:57. | :01:01. | |
locals join forces to Also coming together tonight - | :01:02. | :01:03. | |
two comic actors whose characters have often been | :01:04. | :01:07. | |
a class apart. Posh nosh. My uncle was a builder, | :01:08. | :01:22. | |
not that he built houses like ours. He couldn't have, it was built in | :01:23. | :01:27. | |
1685. Hello there, are you interested in the question of | :01:28. | :01:31. | |
women's rights? I don't know, I'll have to ask my man! Am I interested | :01:32. | :01:37. | |
in women's rights? No! STUDIO: Please welcome - | :01:38. | :01:41. | |
Elaine C Smith and Arabella Weir. We're also joined by a singer who's | :01:42. | :01:44. | |
only one letter away from presenting Hello, guys. We might get muddled | :01:45. | :02:10. | |
up. We look very similar as well. Until I start singing, and then it's | :02:11. | :02:11. | |
a no go. Arabella - just one | :02:12. | :02:13. | |
question to start with. It was your catchprase | :02:14. | :02:14. | |
on The Fast Show for many years but I really need to know - | :02:15. | :02:17. | |
does my bum look big in this? Yes... No. Do people say that all | :02:18. | :02:28. | |
the time? They either say funny thing that sound peculiar out of | :02:29. | :02:36. | |
context, are you the bum girl? I sound like a working girl who does | :02:37. | :02:44. | |
special things! Or they go, love, yes. And he means, might bum looks | :02:45. | :02:51. | |
big in this. You need a catchphrase on The One Show. But it was my | :02:52. | :02:57. | |
catchphrase on The Fast Show. It can be now. | :02:58. | :03:00. | |
Brad Pitt has been out shopping in B Q this week. | :03:01. | :03:08. | |
It was just down the road for my house in west London. He bought some | :03:09. | :03:15. | |
drills. What does he want to do with them? Who knows. We are short on | :03:16. | :03:22. | |
detail. What was the drills sized bit? It is just down the road. He's | :03:23. | :03:31. | |
like everybody else, it's a holiday weekend, and you go to your local | :03:32. | :03:35. | |
hardware store and wander around and buy things you don't want. But he | :03:36. | :03:40. | |
must get people to come in and drill for him. Not today. | :03:41. | :03:43. | |
Tonight, we want you to send in your stories, along with pictures | :03:44. | :03:46. | |
ideally - which famous faces have you seen in places you would never | :03:47. | :03:49. | |
Maybe you saw George Clooney in a charity shop. | :03:50. | :03:57. | |
Send them, along with pictures ideally, to the usual addresses | :03:58. | :04:08. | |
and we'll read some out during the show. | :04:09. | :04:10. | |
Now, when strolling the streets of your local area, you may not have | :04:11. | :04:13. | |
bumped into a celebrity, but you've probably come | :04:14. | :04:15. | |
across a few lumps, bumps and potholes - | :04:16. | :04:23. | |
Well, the locals of Levenshulme in Manchester, have come up | :04:24. | :04:25. | |
Alex Riley has got this one in the can. | :04:26. | :04:28. | |
When I heard I was making a film about graffiti I couldn't wait to | :04:29. | :04:35. | |
get my 90s gear and come down to Manchester to hang out with my home | :04:36. | :04:42. | |
girls. The women I've come to see have been making a name for | :04:43. | :04:47. | |
themselves as Granny VT artists. They have taken their spray paint on | :04:48. | :04:52. | |
the streets of Levenshulme to highlight potential hazards. -- | :04:53. | :04:57. | |
granny graffiti artist. Ladies, let's go and paint some walls. We're | :04:58. | :05:03. | |
painting pavements. Pavement? Come on. This 74-year-old grandmother, | :05:04. | :05:13. | |
Muriel Powell, is the leader of this posse known as the Inspire task | :05:14. | :05:19. | |
force. They felt compelled to act in order to make South Manchester's | :05:20. | :05:23. | |
streets safer for older people. The main thing that came up were trip | :05:24. | :05:27. | |
hazards on the pavements and potholes on the roads. We decided | :05:28. | :05:31. | |
that if we got some biodegradable paint, and we marked it, it would | :05:32. | :05:37. | |
make them aware of the hazards. Broken and uneven pavements are no | :05:38. | :05:42. | |
joke. Age UK say that across Britain more than 2300 older people trip and | :05:43. | :05:50. | |
fall on them every day. Inspire veteran, this 63-year-old, has | :05:51. | :05:53. | |
personal experience of coming a cropper. I tripped over this piece | :05:54. | :05:58. | |
of tarmac sticking up and went ahead long. I was badly bruised on my legs | :05:59. | :06:05. | |
and side. For anybody more frail, they can seriously break their legs | :06:06. | :06:10. | |
or arm. It's not just pedestrians cruising for a bruising. 60-year-old | :06:11. | :06:15. | |
Joanne is one of around 350,000 mobility scooter users in the UK, | :06:16. | :06:19. | |
and she finds getting around is made much more difficult by the state of | :06:20. | :06:24. | |
some curbs and pavements. Some of the side streets, the road surface | :06:25. | :06:30. | |
is that uneven, it makes it more painful for me. To avoid it, I have | :06:31. | :06:35. | |
to go further up the road to be able to get across, to come down. I have | :06:36. | :06:40. | |
to find somewhere where it's even to get to the other side. Today the | :06:41. | :06:47. | |
task force are focusing on one particularly notorious St. Among | :06:48. | :06:50. | |
them, 56-year-old project worker Jean Bernard. This is right outside | :06:51. | :06:59. | |
somebody's door. Some people might argue we are going over the top, but | :07:00. | :07:04. | |
it's about building a relationship with the council to say, please do | :07:05. | :07:07. | |
something about this thing we've highlighted. This retired NHS worker | :07:08. | :07:14. | |
Janet is convinced the painting has prevented accidents. I've seen | :07:15. | :07:19. | |
people walking along, and they have seen something highlighted and gone | :07:20. | :07:23. | |
around it. It probably washes off in a couple of weeks. You can't keep | :07:24. | :07:27. | |
going around and around going on top of all the hazards. What do you want | :07:28. | :07:32. | |
to happen? In an ideal world we wanted to be fixed, but we both know | :07:33. | :07:35. | |
there is only so much money available to do these things. If the | :07:36. | :07:40. | |
worst ones could be done, that would be great. Between 2013 and 2015, | :07:41. | :07:49. | |
Manchester City Council paid out over ?1.4 million in compensation | :07:50. | :07:53. | |
related to trip accidents. So we are heading back to the community centre | :07:54. | :07:58. | |
to meet a man from the council who has braced the spray-painting | :07:59. | :08:00. | |
wholeheartedly. Health and well-being lead Paul Andrews. I | :08:01. | :08:05. | |
first of all thank you for inviting me here. I'm really thrilled with | :08:06. | :08:09. | |
what you are doing and I can only support and encourage more people to | :08:10. | :08:13. | |
do the same. This actually gives us the opportunity to make sure we look | :08:14. | :08:17. | |
after some of the more vulnerable people in the community. Paul is | :08:18. | :08:21. | |
talking the talk, but has there been any action to allow older people to | :08:22. | :08:27. | |
walk the walk in safety. Have the council repaired any pavements to | :08:28. | :08:31. | |
your satisfaction? Not all of them, not yet, but we feel quite satisfied | :08:32. | :08:37. | |
that we have achieved what we set out to do. So as I hip-hop out of | :08:38. | :08:44. | |
town, it seems the Levenshulme graffiti grandmas will spray the | :08:45. | :08:49. | |
streets as long as it takes to keep the town safe. STUDIO: The e-mails | :08:50. | :08:55. | |
are flooding in. It was legal, the wall you graffitied. It's a | :08:56. | :09:00. | |
well-known graffiti wall in Salford, it was legal, the owner came out to | :09:01. | :09:06. | |
see us, and it's OK. They can stop complaining, you didn't break the | :09:07. | :09:10. | |
law. Are the pensioners contravening any bylaws or criminal laws by | :09:11. | :09:14. | |
spraying the pavement? The Green paint they use is totally | :09:15. | :09:19. | |
biodegradable, so the rain and traffic will wear it away, so they | :09:20. | :09:23. | |
find to do it, and they are providing an important public | :09:24. | :09:27. | |
service. Two weeks ago, for the first time in my adult life I fell | :09:28. | :09:31. | |
over. It was because of a slightly raised paving stone. I really hurt | :09:32. | :09:36. | |
myself, ruse to my side and damaged my hip. -- bruised my side. I just | :09:37. | :09:45. | |
want to see those bruises., on! They are a problem all over the country. | :09:46. | :09:51. | |
What's being done, Alex? Apparently last year, 6.3 million motorists | :09:52. | :09:58. | |
were the victim of pothole damage. Repairs to their cars apparently | :09:59. | :10:06. | |
cost ?684 million to put right. In December 2014, the government | :10:07. | :10:10. | |
announced it would set aside ?6 million for road maintenance. -- ?6 | :10:11. | :10:18. | |
billion between 2015 and 2021. Enough to fill 18 million potholes. | :10:19. | :10:24. | |
You totalled your car didn't you? About four weeks ago I was driving | :10:25. | :10:29. | |
home in Glasgow, and I would like those women to come to Glasgow. | :10:30. | :10:34. | |
There were no signs on the road. It was torrential rain, and it had | :10:35. | :10:38. | |
started to flood on a road that I go down regularly, under a railway | :10:39. | :10:43. | |
bridge. Quite a main road, not a little side road. The water had | :10:44. | :10:47. | |
filled the hole. I drove in, thinking, this will be all right. I | :10:48. | :10:52. | |
went in, and it stopped in the middle, and the water was rising. I | :10:53. | :10:57. | |
was crying, hysterical. I had to phone the fire engines. It was like | :10:58. | :11:03. | |
in a reliant Robin. The damage was so bad the car was written off? | :11:04. | :11:08. | |
Completely written off. And I have to say the insurance company were | :11:09. | :11:12. | |
great. You don't usually hear that, but they were fantastic. No fighting | :11:13. | :11:16. | |
or anything. Are you pleased it happen because you got a new car? I | :11:17. | :11:21. | |
did get a new car. You work around a lot on the motorbikes in London. You | :11:22. | :11:26. | |
hit a pothole on them and you feel it. I didn't get home until 3:30am, | :11:27. | :11:32. | |
I opened my car, the watered flooded in. If I had been a much older woman | :11:33. | :11:40. | |
than myself on my own, and I was able to phone my husband, he was | :11:41. | :11:45. | |
able to get me out and push the car. We realised when the breakdown | :11:46. | :11:49. | |
service came, they wouldn't come in the water to push the car because of | :11:50. | :11:53. | |
health and safety, because it could be toxic. My husband had to go back | :11:54. | :12:01. | |
in. Toxic puddle? Toxic water, its Glasgow, you don't know what's in | :12:02. | :12:05. | |
there. It was terrifying. Other than going out with aerosol is to | :12:06. | :12:09. | |
complain, what can people do? You can contact your local council, but | :12:10. | :12:14. | |
there is a new website called fix my street allowing you to alert the | :12:15. | :12:18. | |
council to the problem. There is a map on screen and you indicate | :12:19. | :12:23. | |
wedded problem is with a virtual pin. -- where the problem is. It | :12:24. | :12:29. | |
works out the local authority, you describe the incident, and it sends | :12:30. | :12:33. | |
an automatic e-mail to the local authority requesting something is | :12:34. | :12:36. | |
done about it. There is no guarantee? But it helps them go in | :12:37. | :12:38. | |
the right direction. Now here on The One Show | :12:39. | :12:41. | |
we like to send Esther out, And following the attacks in Paris | :12:42. | :12:44. | |
and more recently Brussels, US Republican front | :12:45. | :12:51. | |
runner Donald Trump have labelled Britain | :12:52. | :12:52. | |
and Europe, "not safe" - telling visitng US citizens | :12:53. | :12:56. | |
to avoid crowded places. So the question is - | :12:57. | :12:59. | |
do you feel safe here? Do you think people feel safe? Going | :13:00. | :13:14. | |
to London, going on the underground, and Paris, I would be worried. You | :13:15. | :13:19. | |
have to keep travelling. I travel a lot with my work and I will keep | :13:20. | :13:23. | |
travelling. Yes, I'm more aware of it, but I will not stop what I do. | :13:24. | :13:31. | |
Do you feel unsafe? I do. I'm worried about bombings and not nice | :13:32. | :13:34. | |
things happening. What about flying? I will not fly. I think you have to | :13:35. | :13:40. | |
carry on as normal and everyone should be united together. There is | :13:41. | :13:42. | |
a lot more security and police about. Are you more worried about | :13:43. | :13:49. | |
coming to crowded places? Maybe in London I would be, but in places | :13:50. | :13:53. | |
like Nottingham, I might not. I'm from Nottingham. We mustn't be | :13:54. | :13:57. | |
scared, otherwise we give them right. You are completely right. We | :13:58. | :14:04. | |
have to do trust the security systems and hope they do their best | :14:05. | :14:08. | |
to keep us safe. It's different when it's just you or you and your | :14:09. | :14:12. | |
partner. You take the risk, if you like. But when you have children you | :14:13. | :14:16. | |
start to think differently about where you will go and what you will | :14:17. | :14:24. | |
do. You are from Belgium... Has it changed your life? To be honest, it | :14:25. | :14:30. | |
does hit home a little bit. I think, at least for now, it will have quite | :14:31. | :14:33. | |
an impact on tourism and travelling in general. It's horrible, but you | :14:34. | :14:40. | |
can't just stop living your life because of it. Maybe people are a | :14:41. | :14:43. | |
bit too paranoid about it and it's a shame because it's like it's | :14:44. | :14:46. | |
working. That's what they want, they want everyone to be scared. I was in | :14:47. | :14:51. | |
Brussels about 18 months ago and we stayed right in the centre and | :14:52. | :14:55. | |
didn't feel threatened at all. It's a horrible business. Would you go | :14:56. | :15:00. | |
back there now? Yes, perhaps not straightaway, but we would go back | :15:01. | :15:03. | |
to support them. You think we should go to Belgium more now to make it | :15:04. | :15:07. | |
clear the terrorists are not winning? I think so. It was like | :15:08. | :15:13. | |
Paris with the attacks there. There was so much solidarity afterwards it | :15:14. | :15:14. | |
was really refreshing. Many people in the film mentioned | :15:15. | :15:24. | |
they would not feel safe necessarily in London. We have all travelled | :15:25. | :15:28. | |
into central London today, so does it cross your mind? | :15:29. | :15:33. | |
It crosses your mind but you must live your life. It never crosses my | :15:34. | :15:43. | |
mind. I don't think I do think about it. The great comfort is that | :15:44. | :15:48. | |
statistically, the chances of being caught up in one of these things is | :15:49. | :15:51. | |
vanishingly small, compared to the Blitz, it is tiny statistically | :15:52. | :15:59. | |
speaking. As people said on the film, the people who are doing this | :16:00. | :16:04. | |
are winning, but you do think about it, I came into Heathrow today, I | :16:05. | :16:10. | |
flew from Glasgow where there was a terrorist incident. You wouldn't | :16:11. | :16:15. | |
cancel a trip? Never. You go to carry on the best you can. | :16:16. | :16:17. | |
Time now to chat to Elaine and Arabella about their new sitcom, | :16:18. | :16:20. | |
it's hitting our sceens in just two days time - | :16:21. | :16:22. | |
Heller, Beth. Hi, Christine, how are you doing? Shattered, I've been up | :16:23. | :16:32. | |
all night with this bladder of mine. . Dear. It's like a field hospital | :16:33. | :16:40. | |
in here, come in for a cup of tea? I just popped round to invite you to | :16:41. | :16:44. | |
hours. I don't think so, I'm just not at my best just now. That's a | :16:45. | :16:50. | |
shame. You know me, I'm a fighter but the business with the bladder | :16:51. | :17:01. | |
has got to me. You once said something wise about sitcoms, they | :17:02. | :17:04. | |
only work if there is assemble idea at the core, that is the beating | :17:05. | :17:07. | |
heart of the sitcom, what is the concept of this one? You go. Thanks! | :17:08. | :17:16. | |
Then I will explain what you are saying. It is a street that anybody, | :17:17. | :17:22. | |
never mind in Britain, anybody in the Western world would recognise, | :17:23. | :17:24. | |
neighbours that are too close, close enough to be good friends but | :17:25. | :17:28. | |
sometimes too close, in and out of everybody's houses. You don't have | :17:29. | :17:32. | |
to be blood relations but we are a family because we all live in the | :17:33. | :17:35. | |
same street and have had shared experiences. I've known the person | :17:36. | :17:40. | |
playing her daughters since she was born. You have to rub along with | :17:41. | :17:46. | |
each other. You have to get along, you have to revert to the norm at | :17:47. | :17:51. | |
the end. You cannot say I will never talk to you again. Some neighbours | :17:52. | :17:55. | |
do end up doing that. The golden rule is to get on with your | :17:56. | :18:01. | |
neighbours. So much easier. I was going to say about the idea Rachel | :18:02. | :18:04. | |
said about the sitcom, the ones that I love are the ones like everybody | :18:05. | :18:09. | |
loves Raymond, it's about the missing sock. It is about a tiny | :18:10. | :18:16. | |
thing. Each episode of this, there is a reason we end up at age other's | :18:17. | :18:21. | |
houses. It's that simple idea. Whether you want your neighbour to | :18:22. | :18:27. | |
be there or not works really well. The freezer defrosting in this case. | :18:28. | :18:35. | |
I spent a week on a boat with Doon Mackichan, and for an entire week | :18:36. | :18:40. | |
she spoke with a Glaswegian accent. She cannot drop it? She can't, she | :18:41. | :18:46. | |
said she never comes out of character, are you the same? Do you | :18:47. | :18:51. | |
remain in character? I'm not Glaswegian, I'm from the Home | :18:52. | :18:54. | |
Counties, but I just speak in a Glasgow accent. I believed you then! | :18:55. | :19:04. | |
It's not true! Whereas I am from Scotland but don't speak with a | :19:05. | :19:08. | |
Scottish accent. Doon Mackichan is the one who does it all the way | :19:09. | :19:14. | |
through. Some people have an ear. Judy had an agent aunt who I met | :19:15. | :19:19. | |
once, all of that part of the family spoke with a broad Manchester | :19:20. | :19:24. | |
accident, and I said I didn't know you aren't was in Scotland. She said | :19:25. | :19:29. | |
she went there in 1938 for a week and came back and spoke their that | :19:30. | :19:33. | |
way ever since. An accident can control you. You have a bit of a | :19:34. | :19:40. | |
Scottish accent. I am Scottish. My parents are Scottish, I wasn't born | :19:41. | :19:43. | |
there but that was my cultural upbringing. Alex isn't really Welsh. | :19:44. | :19:50. | |
Neither is Aled! Doon Mackichan went to high school there, although her | :19:51. | :19:54. | |
parents, her dad was Scots and everything, and then she was taken | :19:55. | :19:58. | |
to Fife, not Glaswegian, a very different accent. We had a screening | :19:59. | :20:01. | |
the other night and the amount of Scots said they didn't know that | :20:02. | :20:09. | |
both Arabella and her. Aled, Too Much TV, we have to say. What would | :20:10. | :20:18. | |
you say about it? I saw it this afternoon, I really loved it. I | :20:19. | :20:23. | |
would tell you if I didn't like it, I didn't like your character much | :20:24. | :20:27. | |
but you were great! I really loved it, it is quite simple. It draws you | :20:28. | :20:30. | |
in and the characters are believable. It could be anywhere. | :20:31. | :20:35. | |
There is one about a transit van backfiring and sprouts which you | :20:36. | :20:39. | |
should listen out for. That's one of my favourite lines. It has been | :20:40. | :20:43. | |
recommissioned already, another series is in the pipeline. I don't | :20:44. | :20:47. | |
know if you can say that but you have said it. It is out there now! | :20:48. | :20:55. | |
Great writing. Not afraid as writers to let women be funny. Which is | :20:56. | :20:59. | |
unusual. Without men being in the scene. There are men in its too. It | :21:00. | :21:06. | |
passed the test, a feminist test set at universities, find a film or a TV | :21:07. | :21:12. | |
show in which there are two macro women talking, not about a man and | :21:13. | :21:16. | |
not about anything to do with men. They have to be talking about a job. | :21:17. | :21:18. | |
This passes with flying colours. Elaine and Arabella's comedy sitcom | :21:19. | :21:26. | |
Two Doors Down begins Friday 1st And on the subject of comedy | :21:27. | :21:29. | |
sitcoms, we all love them, so we might have a bit | :21:30. | :21:33. | |
of a British Comedy sitcom quiz later, with a Mastermind theme - | :21:34. | :21:36. | |
Elaine and Arabella - you've both done | :21:37. | :21:38. | |
Mastermind for real? I did very well! You did very well. | :21:39. | :21:43. | |
I didn't do quite so well. We will run the clip later. We will show | :21:44. | :21:48. | |
people exacted how well you did in half an hour. | :21:49. | :21:50. | |
Something a lot tougher than a TV quiz, is The Duke of Edinburgh's | :21:51. | :21:53. | |
Millions have completed their Bronze, Silver and Gold Award, | :21:54. | :21:56. | |
and 60 years on there's now the opportunity to take | :21:57. | :21:58. | |
We have the lovely pin. Can I have that anyway? | :21:59. | :22:04. | |
LAUGHTER Gyles went to meet some of the Duke | :22:05. | :22:06. | |
of Edinburgh's finest to take them In 1958 band of city boys from | :22:07. | :22:20. | |
Birmingham became pioneers on an epic outdoor adventure. 4-for days | :22:21. | :22:24. | |
and three nights these fearless fellows had to fend for themselves | :22:25. | :22:29. | |
in the Welsh wilderness. But this was no modern-day survival challenge | :22:30. | :22:31. | |
with pop-up tents and lightweight waterproofs. Although now in their | :22:32. | :22:43. | |
70s either Plaid, Tony Mullins, Ivan Greg and Alan Hobson, the trip still | :22:44. | :22:50. | |
seems like yesterday. 60 years ago, you were going for gold. What is the | :22:51. | :22:56. | |
challenging sadly involve? It was about 62 miles because we didn't | :22:57. | :22:59. | |
have very good map reading, to say the least, and that's the polite | :23:00. | :23:04. | |
version. You got hopelessly lost, did you? Absolutely. Founding in | :23:05. | :23:10. | |
1956 the Duke of Edinburgh's Award was set up to inspire, guide and | :23:11. | :23:13. | |
support young people, the mission that still stands to today. | :23:14. | :23:17. | |
Initially just for boys, the scheme consisted of graded awards with gold | :23:18. | :23:21. | |
being the most difficult, taking up to 18 months to complete. We were | :23:22. | :23:27. | |
part of a group in the city of Birmingham, all working-class lads. | :23:28. | :23:31. | |
All of our dads worked in factories or the equivalent. Were your parents | :23:32. | :23:35. | |
anxious about you going off into the wilds of Wales on your own? I think | :23:36. | :23:40. | |
they were anxious about what we were doing, there was no health and say | :23:41. | :23:43. | |
those days. You brought some of the kits that you had, you've kept them | :23:44. | :23:51. | |
all these years, it's amazing. This is 60 years old, biscuit. It is, | :23:52. | :23:54. | |
that is why it is harder than it used to be. This is the sleeping | :23:55. | :23:58. | |
bag. It is quite capacious, isn't it? Yes. Do you remember the food? | :23:59. | :24:08. | |
It was in tubes mostly. Tubes? Condensed milk. A tube of bright | :24:09. | :24:12. | |
yellow condensed milk. If they were lucky there was a friendly farmer to | :24:13. | :24:16. | |
boost their meagre supplies. He said, do you want some milk? Yes, | :24:17. | :24:20. | |
please. Whereupon, he gets the cup, goes to the cow, and there it was. | :24:21. | :24:28. | |
We had never seen anything like it. We didn't quite know whether we | :24:29. | :24:32. | |
ought to drink it or not! It wasn't just self-preservation skills these | :24:33. | :24:35. | |
Brummie lads got out of their expedition. All candidates who | :24:36. | :24:40. | |
achieved the Gold award were invited to achieve it personally from His | :24:41. | :24:42. | |
Royal Highness the Duke of Edinburgh. To date the dude has | :24:43. | :24:46. | |
hosted more than 500 Gold award ceremonies. The St John's ambulance | :24:47. | :24:52. | |
cadets were among the first to visit Buckingham Palace. Were you nervous? | :24:53. | :24:57. | |
I think we were. Meeting royalty, once we? Not just like a man in the | :24:58. | :25:07. | |
street. It was an honour, obviously achieving the award, and to go to | :25:08. | :25:10. | |
Buckingham Palace, it is something which will stay with us for the rest | :25:11. | :25:14. | |
of our lives. As teenagers these chaps earned their Gold awards | :25:15. | :25:18. | |
through teamwork and tenacity. Have they got the same pluck today? To | :25:19. | :25:23. | |
find out, we are putting them through their paces once again. To | :25:24. | :25:26. | |
commemorate the Duke of Edinburgh Award's 60th year, anyone of any age | :25:27. | :25:31. | |
can sign up to complete a challenge and receive the 60th anniversary | :25:32. | :25:36. | |
diamond pin. At the combine Dave Schultz 302 they are going | :25:37. | :25:43. | |
abseiling, rather than than me! -- the combined age of 302. Ready? | :25:44. | :25:48. | |
You've done the hard part, it's all downhill from here. Bye! Two down | :25:49. | :25:58. | |
and two to go. CHUCKLES | :25:59. | :26:03. | |
With the abseiling complete, I've arranged another surprise for our | :26:04. | :26:09. | |
chaps, a rather special award. Well done, gentlemen, quite an | :26:10. | :26:13. | |
achievement that. Today, unbeknownst to you, you were taking part in a | :26:14. | :26:17. | |
Diamond Challenge. And those who take part in it and succeed like you | :26:18. | :26:25. | |
get the Diamond award. That is yours, and there is yours. Receiving | :26:26. | :26:29. | |
the diamond pin is a fitting tribute to what the two Alans, Tony and | :26:30. | :26:35. | |
either have got out of the Duke of Edinburgh Award scheme over the | :26:36. | :26:39. | |
years come from lifelong friendships to shaping who they are today. | :26:40. | :26:46. | |
APPLAUSE Thank you to Gyles and the two | :26:47. | :26:53. | |
Alans, either and Tony join us now and also we have some other Duke of | :26:54. | :26:57. | |
Edinburgh Award legends, Sheila, Kari and Tori. Here we are in the | :26:58. | :27:04. | |
beautiful camp. Tony - you've got DofE | :27:05. | :27:05. | |
in your DNA haven't you? It is root and branch in your | :27:06. | :27:12. | |
family. It is indeed. It's the 60th anniversary of the award this year | :27:13. | :27:17. | |
and also my 60th year of voluntary service for the award. And in that | :27:18. | :27:21. | |
time I met my darling wife, Valerie, who is Alan's sister. Because of the | :27:22. | :27:26. | |
award? Because of the award, yes. When I say that to the duke, I said | :27:27. | :27:30. | |
he has a lot to answer for and he looks at Valerie and said it is | :27:31. | :27:35. | |
worth it. Three lovely daughters as well. Yes, my daughter has the gold | :27:36. | :27:41. | |
and my grandson has the gold which makes as the first three generations | :27:42. | :27:48. | |
to get the award. Congratulations. Alan, we heard in the film that you | :27:49. | :27:51. | |
still have your 60-year-old sleeping bag. You've brought some other | :27:52. | :27:56. | |
equipment for us to have a look at today. It's very different to the | :27:57. | :28:02. | |
equipment you can buy today, for the youngsters. This was much harder | :28:03. | :28:06. | |
work, but it's the stove that we filled with paraffin and that then | :28:07. | :28:11. | |
we had to pump it up to get pressure, but you had to light it | :28:12. | :28:19. | |
with methylated spirit first. It really stank. Yes, we used to | :28:20. | :28:25. | |
methylated spirit. I used to use it in the Scouts. We have heard from | :28:26. | :28:29. | |
the guys. Let's crossover to the girls. How different is it now to | :28:30. | :28:35. | |
get the awards than it was back in the day for winning? For a young | :28:36. | :28:40. | |
person looking at my record but now, if they saw what we had to do they | :28:41. | :28:44. | |
wouldn't recognise the award. We didn't do physical like the boys do, | :28:45. | :28:49. | |
we had to do the alternative called design for living. If I look at my | :28:50. | :28:55. | |
design for living in my book it is assessors report on personal hygiene | :28:56. | :28:58. | |
and good manners. Personal hygiene and manners! Just for the men? We | :28:59. | :29:06. | |
didn't have to do that. And an extra course on modern home nursing. Did | :29:07. | :29:11. | |
you have to do knitting? Actually I did do knitting but that was a | :29:12. | :29:16. | |
choice! Back then, we didn't have the word sexist in the language | :29:17. | :29:20. | |
really, in common language, but did you realise back then that this was | :29:21. | :29:24. | |
not fair? Absolutely. We realised the Boite's programme was much more | :29:25. | :29:31. | |
interesting but it was pre-feminist days -- the boys programme. It | :29:32. | :29:37. | |
didn't occur to me that we could even complain. How things have | :29:38. | :29:41. | |
changed, for the better! It went on like that until the 1980s. | :29:42. | :29:45. | |
Absolutely. You were one of the first women to get the gold-medal | :29:46. | :29:48. | |
and now going for the diamond as the boys have already had. What are you | :29:49. | :29:53. | |
planning to do for the challenge? The Diamond award is open to | :29:54. | :29:56. | |
anybody, you don't have to have done your Gold award to get it. I've | :29:57. | :30:00. | |
decided I'm going to swim the length of Windermere in July. What? Gosh. | :30:01. | :30:08. | |
What is that about ten miles? The way I've measured it is 11 and a | :30:09. | :30:12. | |
half will stop I'm sticking to that. I used to work in the Lake District | :30:13. | :30:16. | |
and those lakes are freezing. They are very cold. What will you do? I'm | :30:17. | :30:21. | |
reserving the right to wear a wet suit but I'm hoping to do it in | :30:22. | :30:26. | |
skins, as we call it. What is that? Just a bathing costume and swimming | :30:27. | :30:30. | |
hat and I will have a little boat beside me to feed me hot drinks | :30:31. | :30:34. | |
while I go. Well, good luck and we will think of you. Keep warm! | :30:35. | :30:40. | |
Tori, you are a poster girl from the Duke of Edinburgh Awards, you've | :30:41. | :30:44. | |
done phenomenally and we are proud of you in Wales because you were the | :30:45. | :30:47. | |
first girl from Wales to climb Everest and get to the summit, | :30:48. | :30:50. | |
phenomenal achievement. APPLAUSE | :30:51. | :30:55. | |
The youngest British woman as well. At the time I was the best British | :30:56. | :31:00. | |
female in 2007, that's right. I wouldn't have got there if I hadn't | :31:01. | :31:04. | |
done that be of Eden, that is what introduced me to climbing and | :31:05. | :31:08. | |
camping and living outdoors -- DeOssie. There was a huge sense of | :31:09. | :31:16. | |
achievement when I finished that four day walk. I thought, what's | :31:17. | :31:20. | |
next? You went for the big one! There were a few things in between. | :31:21. | :31:24. | |
What's it like at the top of the world? It's incredible, the view, | :31:25. | :31:28. | |
you can see as far as the edge of the Earth, or must the curvature of | :31:29. | :31:32. | |
the Earth you can see. It's incredibly noisy because of the | :31:33. | :31:36. | |
wind. It's very difficult to communicate to somebody who is even | :31:37. | :31:39. | |
sat right next to you. Did you use oxygen? Yes, I did. The feeling was | :31:40. | :31:46. | |
one of relief that all of the hard work and training had paid off | :31:47. | :31:49. | |
because it was an 18 month journey or more to get there. And of course | :31:50. | :31:54. | |
climbing mountains is an amazing thing to do and it doesn't have to | :31:55. | :31:57. | |
be Everest. It could be something that you could do for your Diamond | :31:58. | :32:04. | |
Challenge this year. You could do anything. What an achievement. Thank | :32:05. | :32:07. | |
you to all of you for popping in. We have loved having you. | :32:08. | :32:11. | |
One of the skills the Duke of Edinburgh Awards hopes to develop | :32:12. | :32:14. | |
is the ability to remain calm under pressure. | :32:15. | :32:15. | |
And nothing demonstrates that skill more than the amazing story | :32:16. | :32:18. | |
of Paul Kelly - who owes his life to the cool head of one | :32:19. | :32:21. | |
Paul Kelly runs an industrial cement business. At his factory near | :32:22. | :32:35. | |
Preston, huge mixes grinds together the ingredients for the building | :32:36. | :32:42. | |
trade. It's called a rhythm blender, and it's designed to fold a | :32:43. | :32:47. | |
material, like a mixer folds dough. One day to mark of his staff called | :32:48. | :32:52. | |
in sick, leaving him alone in the factory. I was chasing around, | :32:53. | :32:58. | |
putting on the mixers, ready to put them into the packaging. All of the | :32:59. | :33:01. | |
mixes were for level and guarded with a grill, except one. There was | :33:02. | :33:06. | |
powder coming up, filtering up into the atmosphere. I thought, I will | :33:07. | :33:11. | |
just throw a piece of cardboard over it. I heard the phone go, rushed to | :33:12. | :33:16. | |
get it, stepped onto the cardboard realising it was covering the hole, | :33:17. | :33:24. | |
and fell into the mixer. I was being rotated at a pace of 30 revolutions | :33:25. | :33:30. | |
per minute. Every two seconds I was being turned over. I was churning | :33:31. | :33:36. | |
around, soon realised I was going to die. Do you remember what you were | :33:37. | :33:40. | |
thinking when you fell in? I went into an area where my mind... It was | :33:41. | :33:47. | |
very light, very floaty, cotton wool type effect. The next thing, the | :33:48. | :33:55. | |
machine mixer stopped. I couldn't believe it. I found out later that | :33:56. | :34:00. | |
what caused the machine to stop was my Wellington boot acting as a | :34:01. | :34:04. | |
break, which cut the power to the motor. I immediately kicked into | :34:05. | :34:09. | |
survival, putting my elbows either side of the machine to try to lift | :34:10. | :34:14. | |
myself out, and I couldn't move. Outside, lorry driver Mick was | :34:15. | :34:18. | |
delivering sand, a process that usually takes an hour. On this day, | :34:19. | :34:23. | |
by some miracle, he left his lorry to come into the factory. I don't | :34:24. | :34:28. | |
usually leave my tank unattended, but on entering the factory and I | :34:29. | :34:33. | |
wanted to buy some stuff off Paul. I heard this funny mumbling, like, and | :34:34. | :34:39. | |
I thought, where's that coming from. I could just see this head bobbing | :34:40. | :34:44. | |
up and down. I ran up the stairs like mad, realised it was Paul. I | :34:45. | :34:49. | |
didn't know whether it was switched off or not, so I pressed the red | :34:50. | :34:54. | |
button to make sure it was OK. I looked in, thought, blimey, this is | :34:55. | :34:59. | |
a mess. I made him as comfortable as possible, tried to lift him out | :35:00. | :35:02. | |
which I couldn't do because he was trapped. I dialled 999. He climbed | :35:03. | :35:08. | |
in the mixer with me and held me until the emergency services came. I | :35:09. | :35:13. | |
can't tell you what his hands were like. He had rubber gloves on, and | :35:14. | :35:19. | |
the blood was amazing. I crossed his hands and hugged him. I was shouting | :35:20. | :35:25. | |
at him, because he was drifting in and out by this time, and I was | :35:26. | :35:29. | |
screaming at him to stay, stay with me, Paul. We could hear the klaxon | :35:30. | :35:39. | |
in the background. The paramedic wanted to get me out, I was lifted | :35:40. | :35:44. | |
out like it was on a crucifix. I was put into the air ambulance and lost | :35:45. | :35:50. | |
consciousness. Paul was flown straight to Wythenshawe Hospital | :35:51. | :35:53. | |
where he nearly died of his horrific injuries. I practically lost my left | :35:54. | :35:59. | |
leg. It was just about holding, but it severed quite close to the knee | :36:00. | :36:04. | |
joint. Lost my hand, severed around the wrist. On my right hand I lost | :36:05. | :36:10. | |
all my digits including the thumb. The surgeons reattached the fingers, | :36:11. | :36:13. | |
but I never found the little one. They took my big toe for my left leg | :36:14. | :36:22. | |
that I lost. During 30 hours of surgery, Paul required 30 units of | :36:23. | :36:29. | |
blood, the equivalent to his entire workforce giving one unit each. I've | :36:30. | :36:34. | |
gone from being a triple amputee, without the use of my hands, and | :36:35. | :36:41. | |
without a leg, to enjoying life. Without the blood donations I | :36:42. | :36:44. | |
wouldn't have survived. It's as important as Mick saving my life. | :36:45. | :36:51. | |
Amazing story. It's like falling into a combine harvester or a jet | :36:52. | :36:55. | |
engine, I can't forgive anything more potentially lethal. | :36:56. | :36:56. | |
Thanks to Paul for sharing his story. | :36:57. | :37:00. | |
If it's inspired others to give blood, there are links of how to do | :37:01. | :37:07. | |
that on the website. Let's do some famous faces in unusual places. We | :37:08. | :37:11. | |
have had some brilliant ones. You can show your first one. This is | :37:12. | :37:18. | |
Abby, who saw Harry Styles at her local supermarket shopping for a | :37:19. | :37:22. | |
barbecue. I thought it was Harry Styles who had met Helen Mirren! | :37:23. | :37:29. | |
Quite similar. Michael saw Samuel L Jackson in the pound shop in | :37:30. | :37:33. | |
Liverpool. He loved it, he was spending loads. You can in a pound | :37:34. | :37:41. | |
shop! Emily saw Orlando Bloom in a little tiny village in Northern | :37:42. | :37:45. | |
Ireland. David and Victoria Beckham were spotted in a kebab shop when | :37:46. | :37:54. | |
Victoria was pregnant with Brooklyn. It was probably cravings! | :37:55. | :37:57. | |
So Aled - this is your new album - One Voice - features a super | :37:58. | :38:00. | |
An extraordinary version of yourself. Jimmy is mend?! That would | :38:01. | :38:16. | |
have been a better idea. It's me at 15, the final album I made as a boy, | :38:17. | :38:20. | |
but it was never released because my voice broke and I got dropped by the | :38:21. | :38:26. | |
record company. This had the entire album on it, and it was my mum and | :38:27. | :38:33. | |
dad 's airing cupboard for years. It was on this DAT. One after noon we | :38:34. | :38:39. | |
were having a conversation about how Melbourne 's I made as a kid, and I | :38:40. | :38:43. | |
said it was 16. My dad said it was 17 and he took this out of the | :38:44. | :38:47. | |
airing cupboard. It was the first album I had listened to over the | :38:48. | :38:53. | |
years as me as a boy. I had 16 albums in four years, so I had never | :38:54. | :38:56. | |
really listened to them. Recording and moving on. You have completely | :38:57. | :39:00. | |
forgotten recording them, and this is a reminder. | :39:01. | :39:11. | |
We have all glazed over the fact that the record is in EF. How did | :39:12. | :39:42. | |
you feel when you listened to this 29 years later for the first time. | :39:43. | :39:46. | |
It feels like being a grandfather, and this boy is my grandchild. I've | :39:47. | :39:52. | |
never looked back at the soprano bit apart from Walking In The Air at | :39:53. | :39:59. | |
Christmas. I'm really proud, I think it's the best thing I did as a kid. | :40:00. | :40:03. | |
The top of the voice is really sparkling. My mum and I listened to | :40:04. | :40:11. | |
it with one earbud each when we found it. It was quite teary. We | :40:12. | :40:15. | |
didn't think it would work when we went to the studio. One person, and | :40:16. | :40:21. | |
two voices. So we had this hard and producer behind the glass, and they | :40:22. | :40:26. | |
were asking, did you feel that. Going back to the early days, you | :40:27. | :40:29. | |
were almost a professional tennis player. I was quite good. Pretty | :40:30. | :40:36. | |
decent. County standard. It brought you into contact with royalty. | :40:37. | :40:40. | |
Didn't you do a special private concert for Charles and Diana? I | :40:41. | :40:46. | |
forgot my words in front of the Queen, singing Memory. Rory Bremner | :40:47. | :40:51. | |
said, you haven't got one! I sent privately for the Prince and | :40:52. | :40:56. | |
Princess of Wales. Prince Charles rang me at work, I nearly put the | :40:57. | :41:00. | |
phone down, I didn't believe it. But he said he would like to hear me | :41:01. | :41:04. | |
sing before my voice broke. So we went down from north London to | :41:05. | :41:10. | |
Kensington Palace. I was so scared I couldn't open the door of the car. I | :41:11. | :41:14. | |
sang privately for them, Charles wanted a lot of Handel, Diana wanted | :41:15. | :41:21. | |
a lot of songs by the Beatles. We sang for about an hour, and I | :41:22. | :41:27. | |
proceeded to drop a glass of water on the carpet. I thought it would be | :41:28. | :41:31. | |
off to the tower, but Diana rubbed it in and said the boys did it all | :41:32. | :41:35. | |
the time. We used to have the same hairdresser, me and Diana! Richard | :41:36. | :41:41. | |
Dalton cut her hair in Kensington Palace, and I came down to London | :41:42. | :41:47. | |
and would be offered the same as eight treat. I was offered that same | :41:48. | :41:52. | |
gig, but I think I asked for too much money. It sounds lovely. | :41:53. | :41:57. | |
Aled's album One Voice is out Friday and the cathedral tour begins | :41:58. | :42:00. | |
Pre-orders of the Albemarle going very well. It's going really well. | :42:01. | :42:08. | |
Now, Arabella - Aled has been looking back at his past. | :42:09. | :42:11. | |
Now it's time for you to relive your Mastermind experience - | :42:12. | :42:15. | |
What was the name of the singer who became Cliff Barnes' love interest | :42:16. | :42:32. | |
after he stole her from JR? Pass. Pass. Pass. Past. Before her | :42:33. | :42:39. | |
marriage, Donna had been the wife of which former governor of Texas? | :42:40. | :42:49. | |
Somebody colder. Sam Colver. In which year did the shooting... I've | :42:50. | :42:54. | |
started so I will finish... APPLAUSE It's a lot more entertaining than | :42:55. | :42:57. | |
knowing all the answers. What went wrong? They said Will you do it on | :42:58. | :43:04. | |
this day, and I said yes no problem. I used to be obsessed with Dallas | :43:05. | :43:07. | |
but I thought I would check my memory, so I had the videos of | :43:08. | :43:12. | |
Dallas and was going to watch them on the Wednesday. On Tuesday night | :43:13. | :43:18. | |
there was a car waiting for me from the BBC. My agent had moved it back | :43:19. | :43:27. | |
a day. The researchers said to me that they thought I would be the | :43:28. | :43:30. | |
brightest person on the show. The other guest was Tara Palmer | :43:31. | :43:37. | |
Tomkinson. We made the question is really difficult for you. There was | :43:38. | :43:42. | |
a golfer in, and there were questions like, what is a golf | :43:43. | :43:47. | |
stick. His specialist subject was golf! Being a comedian you came out | :43:48. | :43:50. | |
of this well, because you wrote a funny article in the newspaper | :43:51. | :43:55. | |
called, does my brain look small in this? I got 25 when I went on. | :43:56. | :44:02. | |
Michael Burke was furious. We are running out of time, we were going | :44:03. | :44:06. | |
to put you through the mill again, but we can't do it. | :44:07. | :44:09. | |
We're used to sitcoms rewriting history - | :44:10. | :44:11. | |
Blackadder and Allo Allo spring to mind - but in the 1960's, | :44:12. | :44:14. | |
two young filmakers presented | :44:15. | :44:17. | |
an alternative version of the past which was much much darker. | :44:18. | :44:20. | |
Here's Joe Crowley on the trailblazing teenagers | :44:21. | :44:22. | |
Are cities are filled with monuments to Britain's literary victories, and | :44:23. | :44:37. | |
yet if Germany had triumphed in the Second World War things might have | :44:38. | :44:42. | |
looked very different. Of course, it was a reality that never came to | :44:43. | :44:45. | |
pass, that it was portrayed in a fascinating film about Britain and | :44:46. | :44:51. | |
the Second World War. It happened here, is a 1964 cult classic which | :44:52. | :44:55. | |
imagines Britain under a nightmarish Nazi occupation. One of the most | :44:56. | :45:01. | |
surprises things about this film is that it was the brainchild of two | :45:02. | :45:06. | |
teenagers. Kevin Brownlow was an 18-year-old trainee film editor when | :45:07. | :45:10. | |
he came up for the idea one day in 1956. A black Citroen screeched to a | :45:11. | :45:20. | |
halt beside me and the driver ran out to a delicatessen and shouted at | :45:21. | :45:25. | |
his companion in German. I thought that was a great subject for a film. | :45:26. | :45:29. | |
What might have happened if the Nazis had occupied. Having borrowed | :45:30. | :45:35. | |
camera Kevin assembled a team of volunteers to shoot a Nazi rally in | :45:36. | :45:40. | |
Trafalgar Square. We just got everyone we could find, including | :45:41. | :45:43. | |
passers-by, and crammed them in front of the camera and shot as | :45:44. | :45:48. | |
though there were hundreds of people, it was awful. Kevin Tindal | :45:49. | :45:53. | |
with Andrew Mollo, a 16-year-old military enthusiasts who knew how to | :45:54. | :46:01. | |
make the scenes look realistic. We have come back to recreate one of | :46:02. | :46:05. | |
the most chilling scenes. You have to be ambitious to get very | :46:06. | :46:09. | |
difficult, I don't think we had permission, we had to do it early in | :46:10. | :46:13. | |
the morning and we had to do it very quickly before anybody realised what | :46:14. | :46:17. | |
was happening. Their mock newsreel made ripples in the movie industry. | :46:18. | :46:23. | |
Stanley Kubrick gave them some film stock left over from his classic | :46:24. | :46:29. | |
Doctor Strangelove and they enlisted 22-year-old as director of | :46:30. | :46:34. | |
photography. It was an incredible opportunity to spread my wings and | :46:35. | :46:40. | |
learn a lot about filming. -- Phil Mackie, just what I dreamt of. The | :46:41. | :46:44. | |
film became a real drama about life under fascism. What is the | :46:45. | :46:52. | |
significance of this location? Our main character Pauline is coming to | :46:53. | :46:56. | |
see a doctor in a basement flat and in the flat there is an injured | :46:57. | :47:01. | |
resistance fighter. We've got to fight fascism because it's a disease | :47:02. | :47:08. | |
of the mind. It Happened Here shows that people would have had to make | :47:09. | :47:10. | |
difficult choices about which side they would be on. We can't stand on | :47:11. | :47:15. | |
the sidelines any longer. We don't accept your decisions. The | :47:16. | :47:21. | |
conventional approach for a film-maker would be to portray all | :47:22. | :47:23. | |
British people as resistance fighters. But the film was more | :47:24. | :47:31. | |
complex than that. It was a very provocative, very provocative idea. | :47:32. | :47:35. | |
Filming began on It Happened Here 60 years ago but for the film-makers it | :47:36. | :47:42. | |
still means a huge amount. What is it that you both really wanted to | :47:43. | :47:50. | |
show in this movie? I think it was that the British were very smug and | :47:51. | :47:55. | |
they tended to say it could never have happened here. And in fact, | :47:56. | :48:02. | |
it's terribly difficult to exist in an occupied country without | :48:03. | :48:06. | |
collaborating. You try and humanise it, puts on parade in rather than | :48:07. | :48:11. | |
black and white. Trying to be more realistic about human nature. It | :48:12. | :48:14. | |
Happened Here premiered in 19 sick to four and won awards in Europe and | :48:15. | :48:19. | |
the US. It could only have been made by people with a fearless take on | :48:20. | :48:22. | |
the subject and a huge passion for film-making. Peter has gone on to | :48:23. | :48:28. | |
work at the highest level of his craft and was director of | :48:29. | :48:30. | |
photography on The Empire Strikes Back. Andrew Mollo has used his | :48:31. | :48:37. | |
knowledge of military history to advise on a string of films about | :48:38. | :48:43. | |
the Second World War. And in 2011 Kevin Brownlow was awarded an | :48:44. | :48:46. | |
honorary Oscar for his work as a film historian. But it all began | :48:47. | :48:56. | |
with this very striking film. Fascinating. Interesting film. | :48:57. | :48:59. | |
So Kevin and Andrew were trailblazers in making | :49:00. | :49:03. | |
a 'what if' film, and you've brought some other examples | :49:04. | :49:05. | |
We are quite preoccupied with the Second World War so that's one of | :49:06. | :49:18. | |
the big counterfactual questions, what if? They were doing it really | :49:19. | :49:21. | |
early, they came up with the ideas in the 50s and there have been loads | :49:22. | :49:26. | |
of examples since, famous novels, Dominion by CJ Sansom, Fatherland, | :49:27. | :49:32. | |
great book and also made into a film. Striking imagery of Nazi | :49:33. | :49:38. | |
banners. You have Hitler as an old man, for his 75th birthday. One of | :49:39. | :49:41. | |
the images from the first page of the book is Heathrow Airport in 1964 | :49:42. | :49:45. | |
and the Nazis had won and there were aircraft with red swastikas on the | :49:46. | :49:56. | |
tail. The latest is The Man in the High Castle, this Amazon series by | :49:57. | :50:00. | |
Ridley Scott. Explained the idea. The axis powers won the Second World | :50:01. | :50:03. | |
War, Japan and Germany. America is divided into two to the west of the | :50:04. | :50:09. | |
Rockies there is a Japanese controlled puppet state and to the | :50:10. | :50:12. | |
East you have an artist date tent in the middle this neutral zone. Like | :50:13. | :50:17. | |
the Vichy zone in France. People are trying to escape either state and | :50:18. | :50:21. | |
they run to this lawless area. We have not got a picture of it but | :50:22. | :50:24. | |
there is a picture of Concord with Nazi insignia on the tail. Really | :50:25. | :50:30. | |
weird, very chilling when you see that. That has been a huge hit. What | :50:31. | :50:33. | |
does it tell is about the actual history? Very little. It's based on | :50:34. | :50:38. | |
the premise that Roosevelt was assassinated in the 30s and America | :50:39. | :50:43. | |
never really got involved in the war in the same way. What we really | :50:44. | :50:47. | |
learn is about the time when it was written, because it's based on a | :50:48. | :50:50. | |
book from the early 60s, the height of the Cold War, this book wants to | :50:51. | :50:56. | |
refocus public minds on the atrocities of Nazi history. Getting | :50:57. | :51:00. | |
forgotten in the battle of coming as. He was fearing that America was | :51:01. | :51:06. | |
drifting to the right politically so in some ways it was a warning about | :51:07. | :51:09. | |
what you'd get if you go too far towards fascism. Not all of these | :51:10. | :51:13. | |
enterprises are as successful as those we have talked about. There | :51:14. | :51:17. | |
was a terrible thing like Thunderbirds on acid! Have you seen | :51:18. | :51:26. | |
this? This came out in 2008, it's a bit like a Thunderbirds spoof but it | :51:27. | :51:32. | |
had a huge cast doing the voices. It was a good cast. It had your | :51:33. | :51:36. | |
McGregor, Timothy Spall, Dominic West, Rosamund Pike, Richard E | :51:37. | :51:42. | |
Grant, just because you didn't see it we have a little clip. | :51:43. | :51:47. | |
They are England's last hope. Kill them all! Against a full-scale Nazi | :51:48. | :51:56. | |
invasion. The German army is your friend! It's the invasion. The | :51:57. | :52:04. | |
budget for the film was in the millions. It was $6 million and it | :52:05. | :52:16. | |
grossed 20,000. The idea was the Nazis invaded London and everyone | :52:17. | :52:19. | |
regrouped in Scotland to fight them off. But as you can tell | :52:20. | :52:23. | |
counterfactual history by itself isn't always a hit because that did | :52:24. | :52:27. | |
not do well. Joe, thank you very much. We are off | :52:28. | :52:34. | |
to a place very close to Elaine's heart, the Edwardian public | :52:35. | :52:42. | |
bathhouse just south of Glasgow. The council tried to close these bats | :52:43. | :52:47. | |
about 15 years ago but they had no concept who they were up against. | :52:48. | :52:53. | |
This is Govanhill in Glasgow, one of the most deprived areas in Scotland | :52:54. | :52:57. | |
with high levels of poverty and crime. However, it's also home to | :52:58. | :53:02. | |
one of the most successful examples of social solidarity in recent | :53:03. | :53:11. | |
times. Save our pool! In 2001 residents occupied the local | :53:12. | :53:13. | |
swimming pool in an attempt to prevent the council from shutting it | :53:14. | :53:20. | |
down. Young people can go anywhere else to swim. | :53:21. | :53:24. | |
Is the 15th anniversary of the occupation and I'm here to find out | :53:25. | :53:26. | |
how the building brought the community together. | :53:27. | :53:36. | |
This is our main pool, the large pond as it was known back in the | :53:37. | :53:42. | |
day. This is the largest of the three swimming pools. It is such a | :53:43. | :53:46. | |
huge space, I can always feel the history. It is kind of like a | :53:47. | :53:50. | |
cathedral. This place was opened in 1917, built during the First World | :53:51. | :53:55. | |
War. We have a women's pool, children's pool, it was also a | :53:56. | :53:59. | |
community building with Turkish bats and soreness, a place the whole | :54:00. | :54:03. | |
community could share. All of the divisions in the community were left | :54:04. | :54:05. | |
at the door. But it wasn't just about swimming. | :54:06. | :54:15. | |
This is what is known as the slipper barfs, 40 bats, women up that side | :54:16. | :54:18. | |
and men decide and people would come here for a wash after work. It was a | :54:19. | :54:22. | |
very important building and that's why people were reluctant to let it | :54:23. | :54:25. | |
go. Despite the popularity of the pool | :54:26. | :54:28. | |
the council were intent on shutting it down. They were part of the | :54:29. | :54:37. | |
occupation of the Bath in 2001. Initially it was a bit of fun and | :54:38. | :54:41. | |
then we realised, my God, we've just occupied building. So a number of, | :54:42. | :54:47. | |
mainly women godparents of the local swimming club chained themselves to | :54:48. | :54:50. | |
the sun loungers and said they were not moving. The police did not know | :54:51. | :54:53. | |
how to react, the council didn't know how to react. We realised how | :54:54. | :54:57. | |
much power we had in just occupying this building. We want a pool on | :54:58. | :55:08. | |
Govanhill! Four months and months these people have been ignoring you. | :55:09. | :55:14. | |
It was a great atmosphere. We did things like the hokey Cokie and | :55:15. | :55:17. | |
tried to keep it as peaceful and light-hearted as much as we could. | :55:18. | :55:25. | |
141 days later we had to be forcibly removed. I can remember the day of | :55:26. | :55:31. | |
the eviction, the sheriff officers and police came and woke everybody | :55:32. | :55:37. | |
up. That was the end of the game. When the sheriff's officers broke | :55:38. | :55:43. | |
the windows to put the shutters on that was one of the most horrific... | :55:44. | :55:52. | |
I feel like I'm going to cry. Sorry! After that, the demonstrations | :55:53. | :55:54. | |
carried on and the building was eventually listed. | :55:55. | :56:00. | |
It's obvious how Passion of the people are about this building. And | :56:01. | :56:05. | |
after 15 years it's time this pool was filled with water once again -- | :56:06. | :56:10. | |
passionate the people are. We secured enough funding to open up | :56:11. | :56:13. | |
two thirds of the building. Our motto was united we will swim and we | :56:14. | :56:17. | |
will have swimming in this building again but we will have more than | :56:18. | :56:18. | |
that. Brilliant result. Elaine, this is | :56:19. | :56:32. | |
very close to your heart, you knew who the council were dealing with. | :56:33. | :56:36. | |
Never underestimate a Glaswegian woman, that is all I will say. It | :56:37. | :56:42. | |
was the mothers, the women generally, who stuck together. There | :56:43. | :56:45. | |
is a great tradition of that through the rent strikes as well in Glasgow. | :56:46. | :56:49. | |
They said, this is our resource and we want to keep this. They were | :56:50. | :56:55. | |
quite defiant on it. They were up against really difficult opposition. | :56:56. | :56:58. | |
I'd love to have been at the meeting at the council when the penny drops | :56:59. | :57:04. | |
that this was not going to go away. Exactly. Congratulations. It's great | :57:05. | :57:14. | |
for them. I don't do anything. It's down to tenacity. There are | :57:15. | :57:16. | |
communities across the UK that when they are threatened they don't value | :57:17. | :57:20. | |
what they have got until they are threatened. Earlier we asked for | :57:21. | :57:24. | |
lost Tories of spotting famous people in the least likely places. | :57:25. | :57:34. | |
We have had a brilliant response. -- your pictures. She seemed really | :57:35. | :57:45. | |
confused when asking for treats for pets in a sweetie shop. He was seen | :57:46. | :57:52. | |
in the National Shire horse centre. She worked in the gift shop and | :57:53. | :57:58. | |
apparently you walked in to buy some polos. Yes, to feed to the horses. | :57:59. | :58:05. | |
This is a great picture. Julie's daughter bumped into Stephen Hawking | :58:06. | :58:09. | |
at a restaurant in Abergavenny, what a moment. Alice Szot Mary Berry in a | :58:10. | :58:14. | |
local supermarket buying orange juice. And then when Mary understood | :58:15. | :58:20. | |
summary had spotted her she ran into the clothing section. The last one, | :58:21. | :58:26. | |
Brian met Pierce Brosnan, Mr good looking at St Pancras station in | :58:27. | :58:30. | |
2013. Have you ever seen anybody in an unusual place? Anne Diamond when | :58:31. | :58:36. | |
I was little in a shop in London. Dustin Hoffman coming out of the | :58:37. | :58:38. | |
gents. That is all we have time for. Thanks to Elaine and Arabella - | :58:39. | :58:47. | |
Two Doors Down begins Friday at 10pm And thanks to Aled - | :58:48. | :58:50. | |
his album One Voice is released on Friday and you can see him | :58:51. | :58:54. | |
on tour from May 6th. Thank you, Richard, as always it has | :58:55. | :58:57. | |
been lovely to have you. Fearne Cotton and Adil Ray will be | :58:58. | :59:01. | |
keeping our seats warm tomorrow. Hello, I'm Tina Daheley | :59:02. | :59:08. | |
with your 90 second update. | :59:09. | :59:10. |