Browse content similar to 31/03/2016. Check below for episodes and series from the same categories and more!
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Good evening, it's wonderful to be with you once again. The first ever | :00:21. | :00:26. | |
reunion for school dancers took place tonight at the Albert Hall and | :00:27. | :00:31. | |
was a huge success with over 3000 people standing in the same corner. | :00:32. | :00:34. | |
He made us laugh as one half of one of the most famous comedy double | :00:35. | :00:38. | |
acts of all time, but today brought very sad news with the death | :00:39. | :00:41. | |
At just five foot tall, he was a giant of British comedy. | :00:42. | :00:46. | |
Tonight, in a packed show, we'll be paying tribute to the man | :00:47. | :00:49. | |
who made the nation laugh for over five decades. | :00:50. | :00:51. | |
And we want to hear from you if you were lucky enough | :00:52. | :00:54. | |
to have met Ronnie and managed to get a photograph of you both. | :00:55. | :00:57. | |
Please send it to us, tell us where and when it was, | :00:58. | :01:00. | |
and we'll show as many as we can later in the show. | :01:01. | :01:03. | |
Tonight, we'll also be enjoying some of his work and talking to friends | :01:04. | :01:06. | |
Later we'll be talking to comedy writer David Renwick, | :01:07. | :01:09. | |
who created some of the Two Ronnies classic sketches. | :01:10. | :01:11. | |
But first, with us in the studio are two of his earliest | :01:12. | :01:14. | |
collaborators and lifelong friends, Michael Palin and Barry Cryer. | :01:15. | :01:22. | |
Hello. Barry, your thoughts today, hearing this news. It is a shock, | :01:23. | :01:33. | |
not a surprise. We heard he was not well. I was out and about today in | :01:34. | :01:37. | |
London and I got the phone call from the One Show saying, sorry, didn't | :01:38. | :01:44. | |
you know? It shatters you. I am coping but they will grow on me as | :01:45. | :01:49. | |
time goes on. Having said that, I can't think about him without | :01:50. | :01:55. | |
starting to grin. Michael, what is your favourite memory of Ronnie? | :01:56. | :02:00. | |
There are an awful lot of brilliant sketches, but I run the him once on | :02:01. | :02:05. | |
the film fierce creatures, and he was playing a zookeeper who had to | :02:06. | :02:09. | |
throw fish into the water and sea lions would come out. Working with | :02:10. | :02:14. | |
animals took a long time. Ronnie was wonderful at keeping everybody | :02:15. | :02:20. | |
patient. On the 14th take, he was asked to carry a dead ostrich and he | :02:21. | :02:24. | |
finally flipped. It was wonderful to see him go. He did not shout a lot, | :02:25. | :02:29. | |
he just quivered and you thought, stay away! Barry, you have been part | :02:30. | :02:38. | |
of his TV career from the beginning. It must be difficult to choose a | :02:39. | :02:45. | |
favourite memory. Memory of The Frost Report has just come to me. | :02:46. | :02:50. | |
There is so much to remember. Ronnie Barker standing at the bottom of a | :02:51. | :02:56. | |
shoot, a laundry chute in a hotel, and Ronnie Corbett comes down the | :02:57. | :02:59. | |
chute at high speed and stands up and says good evening and he leaves. | :03:00. | :03:03. | |
What is going on? It keeps happening. Ronnie Corbett keeps | :03:04. | :03:09. | |
appearing. He is being thrown out of a room up there and stuffed into the | :03:10. | :03:15. | |
dumb waiter or something. And it was just his dignity, the nonchalance. I | :03:16. | :03:21. | |
have just come down and it is very embarrassing but I will just say | :03:22. | :03:23. | |
good evening and walk out the other side. He was brilliant at that. And | :03:24. | :03:30. | |
the legendary four candles sketch. Ronnie Barker just gave it to him. | :03:31. | :03:35. | |
If you watch Ronnie Corbett in that sketch, his reaction is superb. A | :03:36. | :03:41. | |
consummate professional. It is wonderful to have you here with | :03:42. | :03:47. | |
these personal memories. Thank you. Tributes have been pouring in with | :03:48. | :03:52. | |
comedians, politicians and fans sharing their memories. But let's | :03:53. | :03:54. | |
hear from Ronnie in his own words. Welcome to Ronnie Corbett's world of | :03:55. | :04:12. | |
comedy. I had gone through school being pretty dull and average at | :04:13. | :04:19. | |
best at most things. Curiously enough for a little person, I was | :04:20. | :04:23. | |
never bullied or victimised at all, so perhaps I was a bright spark than | :04:24. | :04:28. | |
I thought, because I was never unhappy at school. I did not see | :04:29. | :04:34. | |
myself as being a comic. Most of the actors I chatted to, I would say | :04:35. | :04:38. | |
would love to be in the theatre. They would say, the shape and size | :04:39. | :04:42. | |
of you, I would think you are going to be a comedian. David Frost rang | :04:43. | :04:48. | |
me and said, could I take you out to tea? He took me to tea at the Ritz. | :04:49. | :04:54. | |
He said, I am going to do a show called The Frost Report, and a chap | :04:55. | :04:59. | |
called Ronnie Barker has been asked to do it, and I have asked a chap | :05:00. | :05:04. | |
called Jon pleased to do it, and I am asking you if you would do it. -- | :05:05. | :05:11. | |
John Bickley 's. The Two Ronnies came about through an extension of | :05:12. | :05:17. | |
doing Frost on Sunday. We were doing at the Palladium. | :05:18. | :05:24. | |
Due to bad weather, the strike at Heathrow has been diverted to | :05:25. | :05:27. | |
Manchester. The show would start and end like | :05:28. | :05:33. | |
that. It is good night from him. There would be a musical item, | :05:34. | :05:39. | |
sketches, and there would be Ronnie's bit. There would be my bit. | :05:40. | :05:47. | |
That shape remained the same throughout. | :05:48. | :05:53. | |
My secret is out. I am glad for all our sakes. Come, sit down, the | :05:54. | :05:57. | |
weather's fine, we will have some tea and cake. | :05:58. | :06:02. | |
I did become a better comic actor under Ronnie's influence. I think he | :06:03. | :06:07. | |
thinks I brought a bit of vaudeville jollity to him. | :06:08. | :06:14. | |
# Cormier scrubber. # | :06:15. | :06:20. | |
I had all these vaudeville skills. A bit ahead of Ronnie. Perhaps he did | :06:21. | :06:24. | |
not feel so nimble on his feet because he had not done song and | :06:25. | :06:29. | |
dance to the extent that I had. We decided it would be more calming, | :06:30. | :06:33. | |
direct and personal if I was sitting in a chair actually talking from the | :06:34. | :06:39. | |
back. If they were particularly tough, I used to say to them, I am | :06:40. | :06:43. | |
going to do this bit again. If you are not sure when to laugh, I will | :06:44. | :06:49. | |
touch my glasses like that. We had a bit of trouble with that | :06:50. | :06:56. | |
furniture. Caught Dutch elm disease. That's not a pretty sight. | :06:57. | :07:01. | |
We were still a big Saturday night show. But he lost his appetite for | :07:02. | :07:09. | |
it, so I had a year and a half to think what I might do after that. At | :07:10. | :07:14. | |
the time I was still doing Sorry, so I still had that in the summer. I | :07:15. | :07:19. | |
did not want him to think for a minute that I was being left in the | :07:20. | :07:25. | |
lurch, and I wasn't. Apologies to the two fat ladies from the one fat | :07:26. | :07:31. | |
man. There is a feeling that maybe I am a little more diminished on my | :07:32. | :07:36. | |
own van in fact I am. You would not change anything. I could not have | :07:37. | :07:45. | |
had a more charmed life. Heeded did lead a charmed life and | :07:46. | :07:51. | |
what a legacy he has left. Barry, you were there for the | :07:52. | :07:55. | |
what a legacy he has left. Barry, big break. That glimpse was from | :07:56. | :07:58. | |
don't walk on the grass. He went onto the grass and did but walk. He | :07:59. | :08:09. | |
danced, did the splits, cartwheels. David Frost was massive at the time. | :08:10. | :08:13. | |
I had written this show and Ronnie was in it and David Frost invited us | :08:14. | :08:20. | |
for a drink. We said, my God, David Frost. Ronnie went into the Frost | :08:21. | :08:26. | |
report and I became a writer, which in those days was a big thing. You | :08:27. | :08:31. | |
could have been awful but if you are known as a David Frost writer it was | :08:32. | :08:38. | |
great. No cash! Is it true that you met Ronnie Corbett and your wife on | :08:39. | :08:44. | |
the same day? Yes, and I tossed a coin and married her. Could you tell | :08:45. | :08:51. | |
from the moment that The Two Ronnies met that there was alchemy and magic | :08:52. | :08:57. | |
between them instantly? There was a moment in front of the camera which | :08:58. | :09:00. | |
Michael Palin will tell you about, where they were in a police station. | :09:01. | :09:07. | |
Was a quickie, really. One of them said, hello, superb, and the other | :09:08. | :09:12. | |
said hello, wonderful. You can watch that clip. Morning, super. Morning, | :09:13. | :09:23. | |
wonderful. So short and simple. One of your | :09:24. | :09:27. | |
favourites, right. Credit to the author. It was Terry and whilst | :09:28. | :09:37. | |
Kington. They perfectly understood comedy. I never saw them forget a | :09:38. | :09:46. | |
line, or fluff it. They knew how to play it seriously to get laughs. | :09:47. | :09:50. | |
Some of the things they played with enormous intensity, as though it was | :09:51. | :09:53. | |
not comedy, which made it much funnier. You have spoken today about | :09:54. | :10:00. | |
his silliness. There was a twinkle in his eye. Ethnically. That was | :10:01. | :10:08. | |
good for the mix with Ronnie Barker, who was slightly more serious. -- | :10:09. | :10:14. | |
definitely. When they went to ITV, pardon the expression... It is OK, | :10:15. | :10:23. | |
you can mention it once. Live television, you could feel little | :10:24. | :10:30. | |
Ronnie would be delighted if a bit of scenery fell down or someone came | :10:31. | :10:33. | |
on at the wrong moment, and Ronnie Barker hated it. Ronnie Corbett had | :10:34. | :10:40. | |
the ability to cope with the moment. He was a giggle. He would break up | :10:41. | :10:45. | |
very easily, except when he was doing the sketches. Luckily, he had | :10:46. | :10:49. | |
very good writers throughout who made the best of the material. I | :10:50. | :10:54. | |
wrote some stuff for him and it was a joy to see him perform it. Some of | :10:55. | :11:00. | |
the sketches were tough, so wordy. He took great pride in the work, | :11:01. | :11:06. | |
never got a thing wrong. He was a great reactor. If you watch him, it | :11:07. | :11:12. | |
is underrated. If you watch Ronnie Corbett in a sketch, the emotions | :11:13. | :11:17. | |
flitting across his face, his reaction to everything going on. | :11:18. | :11:23. | |
Brilliant. He was very self-deprecating which must have | :11:24. | :11:28. | |
been a joy. He was arrogant in his humility. Always going on and on | :11:29. | :11:34. | |
about his humility. Some comedians would have had enough of the height | :11:35. | :11:38. | |
jokes. He was doing them until the end. He did not want to to start | :11:39. | :11:43. | |
with and Ronnie Barker encouraged him. Then he started - I have a | :11:44. | :11:52. | |
passport photograph, life-size. Danny La Rue called him a miniature | :11:53. | :11:58. | |
Carrie Grant. What was the process like, working for Ronnie Corbett. | :11:59. | :12:06. | |
You did more than I did. We wrote the script, sent it in and if you | :12:07. | :12:10. | |
were lucky one of them was chosen, because these were great performers | :12:11. | :12:15. | |
and there were a lot of writers. There was a gang of us. You knew it | :12:16. | :12:20. | |
would be done in Mac in leaf. Particularly Ronnie Barker. -- | :12:21. | :12:29. | |
immaculately. They never disagreed. They were completely on one | :12:30. | :12:34. | |
wavelength. After a bit, you knew what their strengths were. We would | :12:35. | :12:41. | |
write very irritating people. And Ronnie could do them brilliantly, | :12:42. | :12:47. | |
better than anybody. But they would change roles all the time. In some | :12:48. | :12:53. | |
sketches, Ronnie Barker would be the straight man. And the other way | :12:54. | :12:59. | |
around in another sketch. He could do almost every accent going. On the | :13:00. | :13:07. | |
line, another of Ronnie's great friends. Sir Bruce Forsyth. It is a | :13:08. | :13:12. | |
sad day. Tell us about your favourite memory of Ronnie. This has | :13:13. | :13:21. | |
been one of the saddest days of my life. | :13:22. | :13:32. | |
We can hear you. Sorry about that. I am not very good with television the | :13:33. | :13:44. | |
mode controls. It's the red button! Anyway, hello. | :13:45. | :13:57. | |
Things have been going through my mind all day. When you have known | :13:58. | :14:07. | |
somebody so well, it's very difficult not to keep thinking about | :14:08. | :14:13. | |
him. Barry, remember the time he came to my apartment and we were | :14:14. | :14:19. | |
going to rehearse, and you were there. He arrived, the buzzer went, | :14:20. | :14:28. | |
and I went to get a picture of who was outside. I pressed the button | :14:29. | :14:40. | |
and saw the picture, and all I could see was the top of a head. I said, | :14:41. | :14:51. | |
who is it? He said, its Ronnie. Where are you? Down here. We can't | :14:52. | :14:59. | |
see you. He came up, we did the rehearsal and everything. What a | :15:00. | :15:06. | |
great sense of timing he had. We were doing something upstairs. He | :15:07. | :15:16. | |
went down in the lift, got to the bottom, pressed my bell again, just | :15:17. | :15:21. | |
so we could see the top of his head leaving. Barry will tell you, we | :15:22. | :15:29. | |
went through a lot together with Barry. | :15:30. | :15:34. | |
He spent a lot of time with Ronnie on the golf course, didn't you? Yes. | :15:35. | :15:46. | |
One of my regulars about Ronnie was he had a nasty accident, a very bad | :15:47. | :15:54. | |
accident, he fell into a divet! Thank you so much, Sir Bruce. Thank | :15:55. | :16:00. | |
you for talking to us. It is a very sad day and we're all going to miss | :16:01. | :16:06. | |
him so much. Thank you. Here on The One Show we regularly hear from the | :16:07. | :16:12. | |
sons and daughters of the famous. Ronnie's daughter Sophie gave us an | :16:13. | :16:15. | |
insight into what it was like growing up with one of the UK's | :16:16. | :16:19. | |
funniest men. People say, what does your dad do? | :16:20. | :16:25. | |
We say, he is a comedian. People say ah! Do we know him? Yeah. Who is he, | :16:26. | :16:40. | |
then? And we go, Ronnie Corbett. I'm told when my dad was younger he | :16:41. | :16:46. | |
was a bit of a lady-killer and actually I can believe it when I | :16:47. | :16:49. | |
look back at the photographs, because he has a twinkle in his eye. | :16:50. | :16:56. | |
My mum and dad networking in Danny LaRue's nightclub. My mum, back then | :16:57. | :17:01. | |
known as Anne Part, was really successful. She was kind of leading | :17:02. | :17:09. | |
lady of the West End and can still sing like a fantastic diva, like she | :17:10. | :17:13. | |
did back then, but she gave it up for us, really. She had three of us | :17:14. | :17:19. | |
all in April, one year after the other, so Andrew was born, then MR, | :17:20. | :17:24. | |
then me. But Andrew had a hole in his heart and his heart was on the | :17:25. | :17:29. | |
wrong side. They got to bring him home for one night... And, yeah, | :17:30. | :17:36. | |
they lost. I think it terrified Mum, as it would do. I don't think she | :17:37. | :17:40. | |
ever wanted to go back to work because she was so | :17:41. | :17:45. | |
something would happen to us. We did travel, I suppose, compared | :17:46. | :17:50. | |
with most families, quite a lot, so the whole house would go and Mum | :17:51. | :17:54. | |
would take the Twin Towers, the cat, the dog, the guinea pigs, the | :17:55. | :18:04. | |
would take the Twin Towers, the cat, knack of making everywhere look like | :18:05. | :18:05. | |
our home within three hours. The main thing was | :18:06. | :18:10. | |
our home within three hours. The mum and dad, and that's all you want | :18:11. | :18:13. | |
as a child. When I was about 13, Dad was doing a | :18:14. | :18:20. | |
sketch on this very stage. When I was about 13, Dad was doing a | :18:21. | :18:31. | |
to give me his, erm... His wholehearted support? No. His ginger | :18:32. | :18:38. | |
nuts. I would sit in his dressing room and be his dresser for a week. | :18:39. | :18:47. | |
My dad has a couple of extravagances in his life and one of them is his | :18:48. | :18:53. | |
clothes. He needs his attire to be just right and I'm sure it's because | :18:54. | :18:58. | |
he is petite. A lot of my memories with him, which I love, is going | :18:59. | :19:03. | |
around and kind of looking at interior was and getting things just | :19:04. | :19:08. | |
right. -- looking at the material and getting the finishing touches | :19:09. | :19:11. | |
just right. That's what my dad was about. I love the dance routines. | :19:12. | :19:20. | |
Much more hilarious than sad. The two of them were soul mates, no | :19:21. | :19:24. | |
doubt about it. And they were brilliant, won't they? | :19:25. | :19:32. | |
Of actually worked -- I have actually worked with my dad in | :19:33. | :19:37. | |
pantomimes and he's a perfectionist but a charming perfectionist, so | :19:38. | :19:40. | |
nobody lets him down. He was quite gentle, really. When he puts his | :19:41. | :19:45. | |
foot down, you puts his foot down, and then you might get clobbered in | :19:46. | :19:51. | |
the face. And we all go, ooh! The sketch, fork handles, when he is | :19:52. | :19:55. | |
behind the bar and getting more and more annoyed, that is the face. My | :19:56. | :20:00. | |
dad has been described quite a few times recently as being a national | :20:01. | :20:06. | |
treasure. Such lovely memories and our | :20:07. | :20:11. | |
thoughts go out to Ronnie's wife, his daughters Sophie and Emma and | :20:12. | :20:15. | |
his four grandchildren. We have had a couple of photos already. Stevie | :20:16. | :20:20. | |
met Ronnie at a charity golf day in East Lothian. | :20:21. | :20:29. | |
And here we have a fan of Ronnie Corbett. He was a little big man, | :20:30. | :20:35. | |
just like Ian grew up to be. Rest in peace, both of you. | :20:36. | :20:42. | |
Please keep sending these pictures in. Now we are joined by writer | :20:43. | :20:46. | |
David Rennick, who, along with Barry, wrote some of The Two | :20:47. | :20:52. | |
Ronnies' most iconic sketches. We would love to him grow some more | :20:53. | :20:55. | |
memories from you of what it was like working with Ronnie and writing | :20:56. | :20:59. | |
with him. Did he ever challenge you on script, editing, rewriting? Not | :21:00. | :21:08. | |
really. I come myself as a generation behind Mike and Barry! I | :21:09. | :21:18. | |
don't like to rub it in! Thanks(!) Nevertheless... I grew up certainly | :21:19. | :21:23. | |
watching The Frost Report and Frost on Sunday. So then to be propelled | :21:24. | :21:32. | |
actually into that environment and working with them was just an | :21:33. | :21:38. | |
amazing... A dream team. I started out as so many people did, my | :21:39. | :21:43. | |
generation, contributing lines to the newsdesk or the odd joke, and I | :21:44. | :21:49. | |
have done that for a couple of series and then 1976, with just | :21:50. | :21:52. | |
about to leave for the Edinburgh Festival, I this letter, you | :21:53. | :21:57. | |
remember Ron have this beautiful blue stationery and inside was this | :21:58. | :22:06. | |
blue card in his spidery writing. If you wanted to imagine what Ronnie | :22:07. | :22:10. | |
Corbett's writing was like, it was exactly like that. Like pixie | :22:11. | :22:15. | |
writing! Just asking if I would like to be the script associate on his | :22:16. | :22:20. | |
new variety series, which he did in between The Two Ronnies. I wasn't | :22:21. | :22:25. | |
even aware he knew I existed, let alone was interested in my writing. | :22:26. | :22:30. | |
So that began the closer relationship with him, and from then | :22:31. | :22:38. | |
on, I kind of got absorbed into The Two Ronnies series. We did the TV | :22:39. | :22:42. | |
specials with Ronnie as well and one was just called Bed, because the | :22:43. | :22:48. | |
billing in the radio times said Ronnie Corbett In Bed, and all his | :22:49. | :22:55. | |
guests were interviewed in bed! Quite an easy gig! You got fully | :22:56. | :23:01. | |
absorbed into the folklore because many of them will quote the | :23:02. | :23:07. | |
Mastermind sketch as being one of the best. | :23:08. | :23:11. | |
This time you have chosen to answer the question before last. Is that | :23:12. | :23:19. | |
correct? Charlie Smithers. And your time starts now. What is | :23:20. | :23:24. | |
palaeontology? Yes, absolutely correct. Who are led Murray and so | :23:25. | :23:37. | |
Geoffrey Howe? Works. Genius! He obviously delighted in | :23:38. | :23:44. | |
wordplay, which must have been a joy for you? They both did. Absolutely. | :23:45. | :23:52. | |
That was a sketch I tore up and I remember I didn't... I did and think | :23:53. | :23:56. | |
they would go for it. I was so desperate for ideas. -- I did not | :23:57. | :24:02. | |
think. I was lagging behind so I sell tapes the pieces behind and | :24:03. | :24:09. | |
retyped it, in those days, and interestingly, when we recorded | :24:10. | :24:13. | |
that, the plan was to actually take it twice. Ronnie Barker, he had this | :24:14. | :24:17. | |
instinct that the audience would need one pass in order to get the | :24:18. | :24:21. | |
idea of the second pass, that's when they would understand it and then | :24:22. | :24:26. | |
they would laugh at it. In fact, it went like that on the first go. In | :24:27. | :24:30. | |
the gallery there were all preparing to go for the second past and Ronnie | :24:31. | :24:34. | |
just said, we won't be doing that again, and he moved on. He knew | :24:35. | :24:41. | |
instantly. And of course in the mid-80s, Ronnie Barker obviously | :24:42. | :24:44. | |
announced his retirement. How did Ronnie take that news? | :24:45. | :24:52. | |
Philosophically, I think. Yes. And he had advance knowledge. They were | :24:53. | :24:59. | |
filming one of my sketches about a couple of Vikings down in Dorset, in | :25:00. | :25:06. | |
fact, and I've told the story many times. He said, I'm not going to | :25:07. | :25:10. | |
retire this Christmas but the Christmas after that will be the | :25:11. | :25:13. | |
last. Really planned ahead. So Ronnie had ample warning. He got his | :25:14. | :25:21. | |
own career to replace that. That was the thing about them because they | :25:22. | :25:27. | |
were really admired and a new that they went a classic double act | :25:28. | :25:31. | |
insofar as they both had separate careers, unlike Eric and Ernie. | :25:32. | :25:38. | |
Let's take a minute or two to enjoy some of his very best work. Here's a | :25:39. | :25:43. | |
small selection of classic Corbett moments. | :25:44. | :26:03. | |
Silencing court! And if there's any more noise shall have to ask the | :26:04. | :26:13. | |
orchestra to leave! Now, look here, naughty phantom Ross | :26:14. | :26:16. | |
Perry blow of old London town, we know you are down there. Give | :26:17. | :26:27. | |
yourself up. -- Rosebury blower. Otherwise I will play a recording | :26:28. | :26:31. | |
with this new electric police warn. Do you hear me? | :26:32. | :26:39. | |
Good morning. I'm sorry... Ooh, I'm sorry... I meant to... Good morning | :26:40. | :26:49. | |
Miss Prendergast. You are only. Good morning. Could I have ?2 of | :26:50. | :27:00. | |
potatoes, please? No, this is an optician's. | :27:01. | :27:09. | |
She doesn't want to see your legs! It is now or never. Say good | :27:10. | :27:16. | |
afternoon. Good afternoon, Timothy. Mother, I have something very, very | :27:17. | :27:28. | |
important to talk to you about. How are your feet, by the way? I saw | :27:29. | :27:33. | |
the others moving to the main bar. There's nothing wrong with my feet. | :27:34. | :27:39. | |
I've got the odour eaters now. I had them once. They aren't half hard to | :27:40. | :27:47. | |
swallow! The pictures of you and Ronnie keep | :27:48. | :27:54. | |
coming in. Ronnie was great with Limbo to see line, who was taller | :27:55. | :28:00. | |
than Ronnie! And decent in this picture of his | :28:01. | :28:05. | |
wife's parents and Ronnie on Guernsey in the 1950s. Such a | :28:06. | :28:10. | |
special picture. That is all that night. You can see | :28:11. | :28:14. | |
The Many Faces Of Ronnie Corbett, a one-off documentary, about one | :28:15. | :28:17. | |
name's life and work at 8pm on BBC Two. For now, we will leave you with | :28:18. | :28:22. | |
the master of the monologue in full flow. | :28:23. | :28:28. | |
Tonight, I would like, if I may, to relate a very funny story that I | :28:29. | :28:40. | |
heard when... BANG! Sorry, what is that? I think the producer has just | :28:41. | :28:43. | |
shot himself! LAUGHTER | :28:44. | :28:51. | |
Plenty of time for that one we get to the joke! | :28:52. | :28:56. | |
Now, anyway, this isn't... This is a very funny story that... Funnily | :28:57. | :29:04. | |
enough... That noise has reminded me of a very old show business adage | :29:05. | :29:08. | |
that every time you hear an unexpected noise like that, a bang, | :29:09. | :29:13. | |
it means somebody backstage doesn't like your act. It's true. BANG! | :29:14. | :29:25. | |
So now, for the last time, it's good night for me... | :29:26. | :29:37. | |
..stay sharp. You have a very young heart. | :29:38. | :29:43. |