Browse content similar to 01/04/2016. Check below for episodes and series from the same categories and more!
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I'm supposed to be taking you to the show in style | :00:19. | :00:22. | |
Sorry Al, I got a lift from someone else. | :00:23. | :00:26. | |
It was pretty impressive in the end. Hello! | :00:27. | :00:51. | |
Hello and welcome to The One Show with Radio One's very own Greg | :00:52. | :00:55. | |
This is the greatest of all of the theme tunes, it has been an honour | :00:56. | :01:08. | |
so far. It is catchy. Are your mum and dad watching? Yes, good evening! | :01:09. | :01:12. | |
not only have we got the story of Britain's first | :01:13. | :01:16. | |
We'll also have an explosive end to the show from a mother and son | :01:17. | :01:25. | |
They are planning to ride through fire, what could possibly go wrong | :01:26. | :01:32. | |
on my first show?! And tonight we're joined by another | :01:33. | :01:35. | |
performer who can set Here she is on the Voice last | :01:36. | :01:37. | |
weekend - in one of the greatest It's nice to see you. I just want to | :01:38. | :02:15. | |
draw a line under the code, I would like to say to everyone that no | :02:16. | :02:24. | |
Elmos were affected in the making of that coat! Some animal rights | :02:25. | :02:27. | |
campaigners were worried. I just want to say that was faux. We did | :02:28. | :02:40. | |
meet Elmo and he is still alive! That coat was incredible. I just | :02:41. | :02:46. | |
worried in the rehearsal and they were like, you have two where that. | :02:47. | :02:47. | |
It was pretty amazing. We are surrounded by | :02:48. | :02:50. | |
daredevils tonight - Paloma, you've had your fair | :02:51. | :02:53. | |
share of dangerous jobs - What was the most dangerous thing | :02:54. | :03:04. | |
you did? I did get sawn in half and in quarters. Quarters?! We put in | :03:05. | :03:15. | |
the blades at quarterly intervals. I am the one out because you have both | :03:16. | :03:20. | |
been sawn in half! It's amazing when people are like, what did it feel | :03:21. | :03:26. | |
like? It hurts a lot! I would get thrown out of the magic circle, I | :03:27. | :03:33. | |
can't talk about it, I'm sorry. We will be talking about the Voice in a | :03:34. | :03:37. | |
bit. It's the end of a very long week | :03:38. | :03:41. | |
for the people of Port Talbot. Ever since it was announced | :03:42. | :03:44. | |
that the Tata steelworks are to be sold the community has been living | :03:45. | :03:47. | |
under a cloud of uncertainty. Matt Allwright has been to see how | :03:48. | :03:50. | |
it's affecting those who rely More than 4000 people work here, | :03:51. | :03:57. | |
producing the steel used to make every hinds tin sold in the UK and | :03:58. | :04:02. | |
everyone p and 2p coin in your pocket. -- every 1p. Lots of | :04:03. | :04:13. | |
restaurants and cafes rely on the trade. Mandy has been serving up | :04:14. | :04:19. | |
breakfast come rain or shine for the past 27 years. And this week 's news | :04:20. | :04:23. | |
has been the sole topic of conversation served up with the tea | :04:24. | :04:29. | |
and coffee. How much have you seen things change over the past 12 | :04:30. | :04:34. | |
months? You must heal with lots of conversations? Yes, lots, lots of | :04:35. | :04:37. | |
people have been laid off, contractors. There is a knock-on | :04:38. | :04:42. | |
effect for everyone. There is a black cloud over Port Talbot at the | :04:43. | :04:46. | |
moment. The ripples from the global slump in the price of steel are | :04:47. | :04:50. | |
having a massive impact on this Welsh town. It is not just jobs | :04:51. | :04:54. | |
being lost in there but as many outside. Our business relies on | :04:55. | :04:58. | |
people working in the steelworks, we rely on their wages to build houses | :04:59. | :05:05. | |
and things like that. It does not just dominate the skyline but also | :05:06. | :05:10. | |
the economy with 15,000 jobs throughout the community thought to | :05:11. | :05:15. | |
be at risk if the place shuts down. Sharon Evans runs this cafe that | :05:16. | :05:22. | |
delivers lunch straight to the steelworkers and serves lorry | :05:23. | :05:25. | |
drivers heading in and out of the site every day. You put the fuel | :05:26. | :05:30. | |
into the guys that go and fire up the furnaces? Yes. It's our | :05:31. | :05:37. | |
bread-and-butter, the people coming into this cafe, they are like | :05:38. | :05:42. | |
family. That is the type of cafe that it is. I'm frightened of losing | :05:43. | :05:48. | |
all of that. What would happen? It is gone, 60% of my customers are the | :05:49. | :05:53. | |
steel company and contract is. What would you do then? I don't know. | :05:54. | :06:00. | |
It's a working men's cafe. And there have been working men around to keep | :06:01. | :06:05. | |
me in business. Tata's announcement this week is a second blow to the | :06:06. | :06:10. | |
steelworks this year, in January they announced 750 jobs were going. | :06:11. | :06:15. | |
At the end of another shift many of those workers head here to the | :06:16. | :06:21. | |
Somerset arms, to mull over their future. Some, like Mike Smith, are | :06:22. | :06:25. | |
optimistic that the steelworks can ride out the current crisis. We got | :06:26. | :06:32. | |
orders coming in. Orders always function wait, we will get big | :06:33. | :06:39. | |
orders, they die off a little and then we get more orders. -- foot | :06:40. | :06:43. | |
charade. It does not feel like there is a substantially big difference? | :06:44. | :06:49. | |
It has been the same since I have been there for 30 years, always the | :06:50. | :06:53. | |
same. With losses running currently at ?1 million a day, everyone here | :06:54. | :06:57. | |
is looking to the government for help. If there was a way to sort out | :06:58. | :07:01. | |
the problem, what would it be? Nationalisation. If you have | :07:02. | :07:06. | |
thousands of men out of work they will have to be paid for somehow and | :07:07. | :07:11. | |
it will come out of public funds, isn't it better to pay them to | :07:12. | :07:16. | |
reduce something? -- produced something. The town of Port Talbot | :07:17. | :07:21. | |
for now can only wait and see what the future will serve up for the | :07:22. | :07:25. | |
steelworkers and the businesses that feed them. We will have another | :07:26. | :07:32. | |
report from Port Talbot on Monday. A big night for Paloma Faith tomorrow | :07:33. | :07:40. | |
night. Are you excited? A little bit nervous but mainly excited. It's a | :07:41. | :07:44. | |
big night for the Voice and your two are battling for a place in the | :07:45. | :07:49. | |
final. What are the preparations this week? We do so much work, | :07:50. | :07:53. | |
rehearsals all week, costume fittings, various levels of stuff. | :07:54. | :08:00. | |
That is Jordan and Heather, my gorgeous girls. Everyone will be | :08:01. | :08:04. | |
voting for them! We watched them earlier because we wanted to refresh | :08:05. | :08:08. | |
our minds, and both of them are very different but really strong | :08:09. | :08:14. | |
performances last week from both. Who is their biggest competition in | :08:15. | :08:17. | |
terms of the other teams? I think there is a few, Lydia on will's | :08:18. | :08:27. | |
team. On George Bush' Coady, and on Ricky's one of my early disciples, | :08:28. | :08:35. | |
Kevin. -- George's. He has a brilliant voice. Yes, exceptional. I | :08:36. | :08:39. | |
knew what I was doing. I didn't do it because I didn't think he was | :08:40. | :08:44. | |
good, let's not get into that, I had a plan. He is amazing. This was the | :08:45. | :08:49. | |
moment, this was a real moment of the series. Look at this. Ricky has | :08:50. | :08:58. | |
gone straightaway. The great thing is... There have been some amazing | :08:59. | :09:03. | |
moments in the series, that was good and when Jordan sung with Theo, that | :09:04. | :09:07. | |
was my proudest moment, I chose that Kate Bush song for them, and I felt | :09:08. | :09:13. | |
like I won when I get that. I'm sort of done now! You can't think like | :09:14. | :09:18. | |
that because we are only at the semifinal stage! In my heart I won. | :09:19. | :09:25. | |
Let's see your team in action. Here they are. They are brilliant. | :09:26. | :09:55. | |
You have been asked in previous years to be a coach, why did you | :09:56. | :10:01. | |
pick this year to go for it? I felt in previous years I was a bit | :10:02. | :10:05. | |
insecure, I thought people would just think, why the hell is she | :10:06. | :10:10. | |
doing it? Then I won Brit Award and it made me feel a bit more | :10:11. | :10:15. | |
confident, I felt, I kind of have a reason to be in that chair, I had | :10:16. | :10:18. | |
received an accolade and I was a bit nervous before. Let's go back to way | :10:19. | :10:24. | |
before you won the Brit Award and imagine you standing on the stage of | :10:25. | :10:28. | |
the Voice and they have all turned around, all of the coaches, apart | :10:29. | :10:33. | |
from you! Which one would you have picked? First of all I don't think | :10:34. | :10:38. | |
they would all turn round. But if they did... I do think I'm the type | :10:39. | :10:44. | |
of person that gets through on these shows. -- I don't think. I would | :10:45. | :10:48. | |
definitely choose George as my mentors. Why would that be? I think | :10:49. | :10:55. | |
he has a lot of insight and has been saying things on the show that are | :10:56. | :11:00. | |
really vital and important, and kind of like a really quite realistic | :11:01. | :11:04. | |
view of the music industry. And he has been in it for so long, and he | :11:05. | :11:08. | |
is still relevant after all of that time. It's just like, that's | :11:09. | :11:14. | |
something I want to learn and if I could be as relevant as he is for so | :11:15. | :11:19. | |
long I would be chuffed to bits. Yes, he has been around for a long | :11:20. | :11:23. | |
time. An exciting couple of weeks for you, and what happens when the | :11:24. | :11:28. | |
Voice finishes? I have written an album which I have to record. I | :11:29. | :11:36. | |
would love to record it! Oh, I have to record that! I have to go into | :11:37. | :11:44. | |
the studio again! I do love my job. Making music, I love that, and | :11:45. | :11:48. | |
unveiling a new selection of songs to the universe. Well, we look | :11:49. | :11:49. | |
forward to it. You can see "The Voice UK" tomorrow | :11:50. | :11:51. | |
at 7o'clock on BBC One. Now Paloma we know you're | :11:52. | :11:54. | |
a fan of a white horse. I am. Let's have a look at these | :11:55. | :12:06. | |
two. Are they real? They are real. One was naughty and the other was | :12:07. | :12:07. | |
good. A bit of insight there! Here's Cerys with a horse | :12:08. | :12:11. | |
of a different colour Black Beauty follows the story of | :12:12. | :12:28. | |
one horse's journey from and it illegal rural farm to a life of | :12:29. | :12:31. | |
drudgery pulling carts on the London streets. What were horses made for | :12:32. | :12:41. | |
if not to drag people up the hill? And the rain is choked, and often a | :12:42. | :12:47. | |
scolding voice cries out, go on, you lazy beast. Published in 1877 it was | :12:48. | :12:53. | |
an overnight success, and it has been in print ever since. Written | :12:54. | :13:01. | |
from the horse's perspective the novel is widely regarded as one of | :13:02. | :13:04. | |
the greatest children's classics of all time. It's author never intended | :13:05. | :13:12. | |
it for children at all, this fiery book was designed to shake Victorian | :13:13. | :13:19. | |
society to its very core. And so will penned her classic here in the | :13:20. | :13:27. | |
Norfolk village of old Catton. -- Anna Sewell. This local historian | :13:28. | :13:33. | |
knows a thing or two about the author's life. Why was she driven to | :13:34. | :13:40. | |
write this book? She had a fall in her early teens, around 14, she | :13:41. | :13:44. | |
injured her ankle and was always lame for the rest of her life and it | :13:45. | :13:51. | |
had a big bearing about her writing. Like Black Beauty Anna spent much of | :13:52. | :13:55. | |
her childhood in London before returning to the countryside. She | :13:56. | :14:04. | |
had lots of horses but there was a horse that her brother had called | :14:05. | :14:07. | |
Black Bess and it's often said that is where she got her idea from. | :14:08. | :14:11. | |
These letters from my own collection prove that she was a prolific | :14:12. | :14:20. | |
writer. Anna just wrote one book and that was when she was really ill, | :14:21. | :14:23. | |
when she was 51 she started and finished when she was 57 and died | :14:24. | :14:31. | |
when she was 58. Anna Sewell died of chronic hepatitis and two Beckeles | :14:32. | :14:34. | |
is five months after the publication of Black Beauty but in that short | :14:35. | :14:39. | |
time she saw the profound effect that the novel would have on | :14:40. | :14:44. | |
Victorian society. The first place I can well remember was a large, | :14:45. | :14:49. | |
pleasant meadow with a pond of Clearwater, some shady trees leaned | :14:50. | :14:54. | |
over it and rushes and water lilies grew at the deep end. It's a | :14:55. | :14:58. | |
remarkable opening because you see the world from a perspective of a | :14:59. | :15:02. | |
horse. It was quite shocking because this was the first time readers | :15:03. | :15:05. | |
could really see how animals were feeling. What effect did it have on | :15:06. | :15:12. | |
animal welfare? There was an awful lot of cruelty and misunderstanding | :15:13. | :15:16. | |
and ignorance about how to treat horses. The RSPCA was already in | :15:17. | :15:20. | |
existence and other Humane Society is, but it gave a focal point to | :15:21. | :15:26. | |
these welfare groups. The book wasn't originally intended for | :15:27. | :15:28. | |
children? It was written with the aim of educating grooms and people | :15:29. | :15:35. | |
who broke in horses. There was a school edition created for which was | :15:36. | :15:44. | |
given out for free. It appeals to children and it is a coming-of-age | :15:45. | :15:48. | |
story and there is lots of children in the book. It informed future | :15:49. | :15:52. | |
generations of the importance of being kind to animals and I suppose | :15:53. | :15:56. | |
it is still doing that today. By giving animals a human voice, Anna | :15:57. | :16:02. | |
Sewell forced the society of the day to face up to its treatment and | :16:03. | :16:04. | |
created a nation of animal lovers. From horses to horsing around - | :16:05. | :16:15. | |
April Fools' Day to be precise. Gyles is here - and we've given | :16:16. | :16:22. | |
you a very important got People have been celebrating it for | :16:23. | :16:33. | |
2,000 years. In honour we have found and been researching real life | :16:34. | :16:38. | |
fools. This is going to be a unique awards ceremony. Not like you at | :16:39. | :16:45. | |
all! That's why you are here! To help present, wait for it, The One | :16:46. | :16:53. | |
Show Fool of the Year Awards. Coming up first is a theme park. | :16:54. | :17:04. | |
It's banned people from screaming or shouting on a new rollercoaster | :17:05. | :17:07. | |
ride. They don't want you making a noise. If you scream you have to | :17:08. | :17:13. | |
go... A silent scream. They don't want to disturb the neighbours. It's | :17:14. | :17:18. | |
a rollercoaster ride in Devon and you must not make a noise. Today I | :17:19. | :17:22. | |
believe they've changed the policy and now you are allowed to scream | :17:23. | :17:26. | |
quietly with consideration for the people. How would you do that? Do a | :17:27. | :17:39. | |
diskraet scream. Move swiftly on now. Next up in this awards we have | :17:40. | :17:55. | |
the burglar who put his foot in it. He went in wearing gloves but not | :17:56. | :18:00. | |
noticing the pound of flour that had been spilled on the floor, walking | :18:01. | :18:04. | |
through it and leaving foot prints from the scene of the crime to his | :18:05. | :18:10. | |
own front door. The police in Weston-super-Mare did not find it | :18:11. | :18:13. | |
difficult to find him and arrest him. A schoolboy error! Like Hansel | :18:14. | :18:23. | |
and Gretal. We have all been there! I don't know. Have you, Greg. All | :18:24. | :18:29. | |
been caught out with the flour trick. You would be a fool to turn | :18:30. | :18:37. | |
to crime. Stick with The One Show! This is an inclusive programme. We | :18:38. | :18:40. | |
have rather a special award here. This is an animal award. This is for | :18:41. | :18:47. | |
the Fool of the Year, Billy The Bull. He comes from... There he is. | :18:48. | :18:53. | |
Ah, he is stuck. It's in Warwickshire. He is stuck in that | :18:54. | :19:02. | |
tree. It took three rescue crews, including the large animal rescue | :19:03. | :19:09. | |
unit. And a winch And a lot of vaseline. Indeed. He was traumatised | :19:10. | :19:13. | |
by the experience but I believe he is OK now. Our winner, The One Show | :19:14. | :19:20. | |
Fool of the Year... It gets better than that? It is. It's the car park | :19:21. | :19:29. | |
that's only accessible on foot! It's in Farnborough in Hampshire, it's in | :19:30. | :19:34. | |
the town centre above the local gym complex, a full scale car park with | :19:35. | :19:39. | |
parking bays, disabled parking days, all the signs, it's been there for | :19:40. | :19:43. | |
five years. There is no way to get a car up to it. It is accessible to | :19:44. | :19:47. | |
pedestrians, you can get there. There is a lift, stairs. But there | :19:48. | :19:51. | |
is no way you can get a car up there. Five years it's been there. | :19:52. | :19:55. | |
In due course, the council is planning as part of the plan for | :19:56. | :20:00. | |
there to be a linking bridge but for five years it's been a secret car | :20:01. | :20:05. | |
park. An empty car park. But tonight it's being honoured because we are | :20:06. | :20:09. | |
presenting to it The One Show Fool of the Year award. There we go. Will | :20:10. | :20:15. | |
you give it to them on our behalf? Take it to Ish them. Would you like | :20:16. | :20:20. | |
to give a speech on behalf of them? I would like to actually. I will do | :20:21. | :20:24. | |
it quietly. I will accept it and take the award to them on foot. I am | :20:25. | :20:27. | |
sure they'll be delighted. OK, brilliant, thank you. | :20:28. | :20:32. | |
It's hard to believe it's true. It's incredible. A special prize for | :20:33. | :20:36. | |
anyone who can get their car up there this weekend. You can't! | :20:37. | :20:40. | |
They'll be away. Very shortly we'll be seeing one | :20:41. | :20:43. | |
of the most exciting stunts ever But before that here's a story | :20:44. | :20:46. | |
of how one group of young women hit the headlines, | :20:47. | :20:50. | |
amongst many other Riding through plate glass, jumping | :20:51. | :21:04. | |
through fire n the early 1970s a group of teenager girls from | :21:05. | :21:11. | |
Leicester were making headlines as the UK's first all-female motorcycle | :21:12. | :21:15. | |
stunt team. There she goes! Looking at some of the pictures it's | :21:16. | :21:20. | |
absolutely terrifying. I want to find out more about how | :21:21. | :21:27. | |
they did it and why. The Moto Birds early days were | :21:28. | :21:32. | |
captured for a BBC documentary. They haven't seen each other for 40 years | :21:33. | :21:39. | |
and today The One Show has reunited Mary, Sue, Carole, Heidi, Teresa and | :21:40. | :21:44. | |
Karen to share some memories. That's me! You were 17 when you first | :21:45. | :21:49. | |
joined the Moto Birds, how did you get involved? I followed an advert | :21:50. | :21:54. | |
that said girls wanted to ride motor bikes and I thought it was a pizza | :21:55. | :21:59. | |
delivery or something. You had idea it was a stunt team? No idea. People | :22:00. | :22:06. | |
might say it's a bit sexist and it's not right. Looking back now the | :22:07. | :22:12. | |
dress was cringey. If you were going to get on a motorcycle today you | :22:13. | :22:16. | |
would be fully clothed? Absolutely. Only because it would be too cold! . | :22:17. | :22:24. | |
Don't open it right up like this and let the bike go up in the air. They | :22:25. | :22:30. | |
were given a crash course in motorcycling by the team manager | :22:31. | :22:37. | |
Joe. One thing you have to do before we start is sign, you don't hold us | :22:38. | :22:43. | |
responsible. Despite wearing no helmets,letters or safety gear the | :22:44. | :22:46. | |
girls were fearless and were soon touring the country. | :22:47. | :22:54. | |
You nearly crashed into the crowd. I had a broken arm at the time, yeah. | :22:55. | :22:57. | |
You really believed nothing was going to happen. We didn't think of | :22:58. | :23:03. | |
the consequences. The stunts became wilder. Mary even tried to cross a | :23:04. | :23:16. | |
river using a catapult. It was a shock when I hit the water, | :23:17. | :23:19. | |
I thought it was going to be the net. The Moto Birds may have stopped | :23:20. | :23:24. | |
performing stunts, but similar displays are still being given today | :23:25. | :23:30. | |
by teams like the Royal Signals White Helmets. How impressed are you | :23:31. | :23:33. | |
with what the ladies used to do? Incredibly. The guys today are | :23:34. | :23:38. | |
wearing helmets, gloves, I have seen some footage of the stuff you did, | :23:39. | :23:40. | |
especially the glass, that's something we would never be able to | :23:41. | :23:43. | |
do now. One of the most technical stunts the | :23:44. | :23:46. | |
girls did was multiple riders on one bike. | :23:47. | :23:55. | |
That's one we used to do. You were the top one, and you had to climb | :23:56. | :24:01. | |
up. We don't have the skirt issue! We had a lot of skirt issues. How | :24:02. | :24:07. | |
much training do you do once you join the team? A six-week training | :24:08. | :24:14. | |
course. Six weeks? These guys just jumped on a motorcycle. The Moto | :24:15. | :24:18. | |
Birds broke the mould for female motorcyclists in the 1970s. | :24:19. | :24:26. | |
Today, there are few women stunt riders in Britain. Hayley is one. | :24:27. | :24:32. | |
You are following in pretty remarkable foot steps. It was a male | :24:33. | :24:37. | |
orientated sport. Women are accepted now, I can only imagine for the Moto | :24:38. | :24:45. | |
Birds it was tough. You can't keep a Moto Birds away from the action for | :24:46. | :24:50. | |
long. 68-year-old Teresa wants to recreate a stunt she did 40 years | :24:51. | :24:55. | |
ago thchlt time, though, she has to wear a helmet. It goes back to Moto | :24:56. | :24:58. | |
Birds days. Do it as it comes. How was that? That was marvellous! I | :24:59. | :25:15. | |
have one last memory for them, Moto Birds T-shirts to recapture the | :25:16. | :25:21. | |
spirit of the 1970s. Ready! Moto Birds go! | :25:22. | :25:27. | |
So good. The Moto Birds are here. Hello, and also we have Hayley, as | :25:28. | :25:31. | |
well. Hayley, you and your son are going to be doing a stunt this | :25:32. | :25:34. | |
evening. We have seen it in rehearsal. It's quite something. | :25:35. | :25:37. | |
Explain exactly what this involves. OK. We call this the fireball | :25:38. | :25:44. | |
crossover. Basically, I ride through burning straw and my son aims to | :25:45. | :25:48. | |
ride and jump straight over the top of me. Casual! OK. All right. | :25:49. | :25:54. | |
Hayley, go and get ready. All the equipment, we will see you in a | :25:55. | :25:58. | |
second. Good luck. Thank you. OK. Sounds terrifying. Mary, thank you | :25:59. | :26:03. | |
so much for coming down to The One Show today. Tell me about the time | :26:04. | :26:06. | |
you had to tell your parents were doing this as a job. They were | :26:07. | :26:10. | |
horrified. We thought it was going to learn to ride a bike and be a | :26:11. | :26:15. | |
courier or deliver pizzas, it wasn't, it was jumping fire and | :26:16. | :26:18. | |
through glass. They were shocked. You jumped out of college. Was it | :26:19. | :26:23. | |
worth it? It was great. We had a fantastic couple of years. The | :26:24. | :26:26. | |
reunion, this is the big reunion. 40 years we have not seen each other. | :26:27. | :26:32. | |
We are all in our 60s or thereabouts. You should get back | :26:33. | :26:36. | |
together! Carole, it became somewhat of a familiar affair for you really. | :26:37. | :26:43. | |
Yes, it did. Joe also owned a cannon and I became a human cannonball and | :26:44. | :26:48. | |
my husband fired me. I never fell out with him the night before. The | :26:49. | :26:53. | |
romance was born and you were shot out of of a cannon. Wow, what a love | :26:54. | :27:01. | |
story. Some of you are still riding like you, Karen. Yeah. Stunt riding? | :27:02. | :27:07. | |
No, a motor bike on normal roads. OK. I think this could be a thing | :27:08. | :27:11. | |
again. What you are about to see will inspire to you get back on to | :27:12. | :27:17. | |
the bikes again properly. I will take the ladies off to a safe area. | :27:18. | :27:22. | |
Good idea. We will keep safe. This stunt is happening now. Thank you, | :27:23. | :27:27. | |
ladies. We are about to see this stunt with Hayley and her son. They | :27:28. | :27:32. | |
have rehearsed. It's quite something to see it. We are checking that | :27:33. | :27:39. | |
everybody is ready. Are we ready? OK. We are ready. OK? Brilliant. I | :27:40. | :27:44. | |
am going to go to a safe place to enjoy. | :27:45. | :28:27. | |
APPLAUSE AND CHEERING | :28:28. | :28:33. | |
Can we see a quick slow-mo. What a relief! There you are. | :28:34. | :28:38. | |
Wow, that's definitely the most exciting stunt we have had here. | :28:39. | :28:42. | |
It's absolutely amazing. Absolutely incredible. | :28:43. | :28:46. | |
That's all we have time for tonight. The Voice UK will be on tomorrow. | :28:47. | :28:52. | |
Thank you to the Moto Birds. And thank you to Greg. Thank you so | :28:53. | :28:57. | |
much. Matt will be back on Monday and | :28:58. | :29:00. | |
Johnny Vegas will be on the show. Have a great weekend. Bye. | :29:01. | :29:03. |