Browse content similar to 30/04/2014. Check below for episodes and series from the same categories and more!
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good evening. Welcome to The One Show with Alex Jones. And Matt | :00:16. | :00:26. | |
Baker. Can taking destructive pupils and parents on a summer camp improve | :00:27. | :00:34. | |
discipline? We will be hearing Mr Drew's thoughts on the recent tragic | :00:35. | :00:41. | |
events in the Leeds school. And we will be putting on | :00:42. | :00:43. | |
events in the Leeds school. And we screening of a lost Peter Sellars | :00:44. | :00:50. | |
film. Also tonight, we have this. Carrie is standing by. We have a | :00:51. | :00:55. | |
Wild West theme going on. I am excited. You have said you are | :00:56. | :01:00. | |
excellent on a bucking bronco. We will see about that! How long do you | :01:01. | :01:07. | |
reckon? Somewhere between five seconds and a minute! The cast from | :01:08. | :01:18. | |
Annie Get Your Gun are here. They will be giving us a special | :01:19. | :01:23. | |
performance later. Our two handsome cowboys are in The One Show fell | :01:24. | :01:32. | |
into night. One of our guests had me screaming in adoration. | :01:33. | :01:38. | |
I was a big fan of the other one who hit the big time as part of the | :01:39. | :01:44. | |
comedy duo Hale and Pace. Jason Donovan and Norman Pace. Both with | :01:45. | :01:51. | |
interesting facial hair. Makes a change. Can't say the same for you! | :01:52. | :01:58. | |
Gareth was known as the one with the facial hair. Will you be keeping | :01:59. | :02:03. | |
this? My only contribution to the show is the facial hair. It is the | :02:04. | :02:10. | |
only talent I have left in my life to grow it. You really pull it off. | :02:11. | :02:15. | |
You are going to do a performance later on. You have not been | :02:16. | :02:19. | |
rehearsing for very long. It has been a busy two weeks. The Easter | :02:20. | :02:24. | |
break in there as well. Four days off for that. It is coming together. | :02:25. | :02:30. | |
We are all really excited. Lots of fun. There is an element of jeopardy | :02:31. | :02:35. | |
about this performance. What are you saying? Am I on the bronco? Yeah, if | :02:36. | :02:44. | |
you want to. There is no business like show business. That is what we | :02:45. | :02:48. | |
will attempt to give you this evening. We are going to be testing | :02:49. | :02:52. | |
out who can last the longest on this bucking bronco. I am going to be | :02:53. | :03:01. | |
having a go. So will I. Last night, Theo Paphitis was our guest and we | :03:02. | :03:05. | |
twisted his arm and said, please will you have a go to set a | :03:06. | :03:12. | |
benchmark? This is what happened. I am absolutely terrified. In fact, I | :03:13. | :03:14. | |
cannot remember agreeing to do this. APPLAUSE | :03:15. | :03:33. | |
It looked good. Your car by knowledge at the moment, how was | :03:34. | :03:41. | |
that, his sitting position? -- your cowboy knowledge. Very talented in | :03:42. | :03:48. | |
other areas, but bucking bronco is... Let us see what time he got. | :03:49. | :03:56. | |
Ten seconds! There we are. That is all right. It is good. Talking of | :03:57. | :04:04. | |
physical prowess, an international sporting competition will be hosted | :04:05. | :04:08. | |
in London this September with over 300 wounded, injured and sick | :04:09. | :04:12. | |
service personnel taking part. Prince Harry had the idea for the | :04:13. | :04:17. | |
Invictus Games after attending a similar event in America. We had the | :04:18. | :04:20. | |
pleasure of meeting him at the launch last month. | :04:21. | :04:24. | |
I have had a chance to see every step of the way. I would never know | :04:25. | :04:28. | |
what it feels like from their point of view, but I were the same | :04:29. | :04:31. | |
uniform, so I like to think roughly what they want. We love Prince | :04:32. | :04:39. | |
Harry. The selection process for the Games has started and Angellica Bell | :04:40. | :04:43. | |
has mean to meet -- has been to meet some of those who are going to take | :04:44. | :04:48. | |
part. I am at a recovery centre for service men, women and veterans. | :04:49. | :04:55. | |
Today is the start of the selection process and this celebration of | :04:56. | :04:59. | |
sport, the Invictus Games. The British Government has pledged ?1 | :05:00. | :05:03. | |
million for the games which will use the power of sport to inspire | :05:04. | :05:07. | |
recovery, support rehabilitation and support service men and women to get | :05:08. | :05:12. | |
back into society. This veteran is one of the servicemen hoping for a | :05:13. | :05:15. | |
place on the British Armed Forces team. In 2007, I deployed to Iraq. A | :05:16. | :05:25. | |
month into my tour, I was shocked in the spine by a sniper. It felt like | :05:26. | :05:29. | |
being hit by a sledgehammer. I called out to a good friend of mine. | :05:30. | :05:33. | |
He was hit in the chest. He was dead. I was told that I would | :05:34. | :05:41. | |
probably never walk again. I just cried and cried. I could not quite | :05:42. | :05:46. | |
believe it. Shortly after his injury, he felt some feeling in the | :05:47. | :05:51. | |
top of his legs. Since then, he has used sport to help himself | :05:52. | :05:57. | |
physically and mentally. It helps with walking and that is something | :05:58. | :06:03. | |
that physio can do. It is heartbreaking watching someone you | :06:04. | :06:06. | |
love in agony and not being able to do anything about it. But I think | :06:07. | :06:10. | |
the thing that sport gives to John the most is something to hope for | :06:11. | :06:16. | |
and it gives him a huge sense of freedom. There is life after injury | :06:17. | :06:21. | |
and your injury does not have to dictate your life and you do not | :06:22. | :06:26. | |
have to be limited by it. Prince Harry, the man behind the Games, has | :06:27. | :06:30. | |
arrived to give support to the training day and get the lowdown | :06:31. | :06:35. | |
from one of the panel of selectors. What is it you are looking for when | :06:36. | :06:39. | |
you are selecting for the team? First of all, we are looking for | :06:40. | :06:42. | |
commitment. Will they turn up for training, listen to the coaches? It | :06:43. | :06:48. | |
will be really hard work. There is a lot of commitment required. Is it | :06:49. | :06:53. | |
all about winning? It is secondary. It is about giving your personal | :06:54. | :06:56. | |
best performance. We will be looking for talent across a range of | :06:57. | :07:02. | |
disciplines. We want to win as many medals as possible. Of course! There | :07:03. | :07:07. | |
will be over 300 service personnel from around the world taking part. | :07:08. | :07:12. | |
In excess of 100 will make up the British Armed Forces team. Today's | :07:13. | :07:15. | |
several have turned up in the hope of being picked. 99% of military | :07:16. | :07:21. | |
personnel like to be competitive, they like to push themselves to | :07:22. | :07:24. | |
their limits and cycling has given me the opportunity to push myself to | :07:25. | :07:31. | |
be as good as I can be. How are these Games inspiring you? You get | :07:32. | :07:37. | |
to compete in front of your family and friends on the level playing | :07:38. | :07:40. | |
field. Everyone is in the same boat and has been through the same sort | :07:41. | :07:45. | |
of things. I have never played until today. I am really happy with the | :07:46. | :07:50. | |
Games coming about that I got to have a chance. I am not serving | :07:51. | :07:52. | |
anymore, I am a veteran. It have a chance. I am not serving | :07:53. | :07:59. | |
to get veterans and those currently serving involved. It is about | :08:00. | :08:03. | |
camaraderie. I hope you get selected. You look like you are | :08:04. | :08:07. | |
going for it! Really good fun. It was brilliant. We wish them all | :08:08. | :08:13. | |
the very best. We will be keeping tabs on the Invictus Games up until | :08:14. | :08:16. | |
it starts this September and the tabs on the Invictus Games up until | :08:17. | :08:21. | |
well. Mr Drew, the deputy head from well. Mr Drew, the deputy head from | :08:22. | :08:25. | |
the TV series Educating Essex has now become head teacher in his own | :08:26. | :08:29. | |
right and he joins us now. Congratulations. Before we talk | :08:30. | :08:34. | |
about your brand-new project that started last night on Channel 4, we | :08:35. | :08:38. | |
are keen to hear what you think about the tragic death of Ann | :08:39. | :08:42. | |
Maguire earlier this week. Do you think violence in classrooms has | :08:43. | :08:47. | |
increased recently customer I do not think it is right to say that there | :08:48. | :08:50. | |
is an epidemic of violence in schools. There are incidents and we | :08:51. | :08:55. | |
hear about them more than we did in the past. There are more challenging | :08:56. | :08:59. | |
young people than there were in the past. But I think it is reflective | :09:00. | :09:05. | |
of society. There are more issues and they are inevitably going to | :09:06. | :09:10. | |
occur in our schools. We heard from the headteacher at Mrs Maguire's | :09:11. | :09:13. | |
school. She said that she opposed the airport type of security. Where | :09:14. | :09:20. | |
you do -- where do you stand on that? If you are in an area that has | :09:21. | :09:25. | |
gang violence and knife problems and issues with guns, it is entirely | :09:26. | :09:29. | |
appropriate to consider those kinds of measures. That would be for a | :09:30. | :09:31. | |
short period of time. It would not of measures. That would be for a | :09:32. | :09:38. | |
schools. It is difficult if you put the stigma to one school. It is a | :09:39. | :09:45. | |
hard thing to get out of. One of the things the Government says is that | :09:46. | :09:49. | |
headteachers should be free to make the decisions and as a headteacher | :09:50. | :09:52. | |
you have to take the difficult decisions which you know may not | :09:53. | :09:56. | |
play brilliantly within the local press and community but it does not | :09:57. | :09:59. | |
make it the wrong thing to do. You have to have the confidence to | :10:00. | :10:06. | |
protect people. The death of Ann Maguire is a tragedy and we want our | :10:07. | :10:10. | |
schools to be a safe place for our young people. We are all touched | :10:11. | :10:13. | |
very greatly by what has happened in Leeds. Norman, you used to be a | :10:14. | :10:20. | |
teacher. What are your thoughts? It is difficult to have an airport | :10:21. | :10:25. | |
style metal detector in a school. Do you legislate at government level? | :10:26. | :10:30. | |
Is it about local councils? Does the head teacher's budget pay for it? | :10:31. | :10:39. | |
How about CCTV? Within the lessons? CCTV is funny. Sometimes it is an | :10:40. | :10:43. | |
invasion of privacy and sometimes it is exposing bad behaviour. If you | :10:44. | :10:48. | |
have someone messing around, their parents, I am sure you have | :10:49. | :10:51. | |
experienced this, Mr Drew, they say, not our boy, he is... There should | :10:52. | :10:59. | |
be security in school. It does not have to be airport style metal | :11:00. | :11:03. | |
detectors as such. Also, good parenting. I am going back to... | :11:04. | :11:10. | |
Surely it could be a way of tackling that. It is about things being | :11:11. | :11:16. | |
unobtrusive. The concern we would have is that it is making a massive | :11:17. | :11:21. | |
statement. It is like putting up huge fences. You do not want | :11:22. | :11:24. | |
children coming in and being fearful. CCTV has its place within | :11:25. | :11:31. | |
schools and most schools will have CCTV in public places, not | :11:32. | :11:35. | |
necessarily in classrooms. You hope you never actually have to look at | :11:36. | :11:40. | |
the film. I watched the programme last night coincidentally, I did not | :11:41. | :11:45. | |
know you would be here today. The interesting thing was that the | :11:46. | :11:49. | |
parents were there and they were confronted with the children's | :11:50. | :11:52. | |
behaviour in public and I do not know if you would agree, but it | :11:53. | :11:56. | |
seemed to me that it helped an awful lot. Yes. It's plain to the people | :11:57. | :11:59. | |
you did not see the programme last night what the concept was -- you | :12:00. | :12:05. | |
explain to the people who did not see the programme. There are | :12:06. | :12:11. | |
challenging pupils in schools, but we can do lots in school as teachers | :12:12. | :12:18. | |
to resolve some of the problems. It is the families involved as well. It | :12:19. | :12:22. | |
is making sure their communities and the parents are involved. The idea | :12:23. | :12:28. | |
was to bring together 11 boys from nine families and put their parents | :12:29. | :12:33. | |
on site as well, siblings as well, but then together for four weeks. | :12:34. | :12:36. | |
Lessons for the children and the parents. Show them what they were | :12:37. | :12:42. | |
doing. Almost confront the parents with the behaviour and then help the | :12:43. | :12:47. | |
parents to do a better job, for want of a better phrase. Let us have a | :12:48. | :12:55. | |
little look at last night's episode. Mr Drew, it would be nice if you | :12:56. | :12:58. | |
could leave me alone, if that is OK with you. I am not just going to | :12:59. | :13:04. | |
leave you alone. Just leaving you alone means that you behave in a way | :13:05. | :13:09. | |
that stops other people from learning. I will get worse. This | :13:10. | :13:18. | |
tone I am speaking in will get grow -- more granny. Do you not think you | :13:19. | :13:24. | |
ought to behave? I am a problem child. What a clever boy. Very | :13:25. | :13:32. | |
clever boy. They are all characters. It was amazing to see how quickly | :13:33. | :13:38. | |
your methods were having an effect, Norman, on the boys involved. There | :13:39. | :13:43. | |
was a little boy called Tom and he was a right terror but instantly | :13:44. | :13:47. | |
towards the end of the show he would go to bed when his parents asked and | :13:48. | :13:51. | |
he was reading for the first time. It obviously had an effect. That was | :13:52. | :13:56. | |
ten months ago. How have things changed? One of the things I talked | :13:57. | :14:04. | |
about a lot was that we weren't going to change the boys overnight. | :14:05. | :14:08. | |
It is about steps forward. Steps back happen as well. The boys | :14:09. | :14:11. | |
generally are doing much better. They have not turned into role | :14:12. | :14:16. | |
models. They are not all reflect material. They are less trouble. | :14:17. | :14:22. | |
Those who have needed more specialist help and guidance within | :14:23. | :14:26. | |
a pupil referral unit they are now receiving that. It reflects upon | :14:27. | :14:30. | |
their parents be more positive about it. Progress gets made fairly | :14:31. | :14:35. | |
quickly but teaching is a hard job. It is why we often struggle to get | :14:36. | :14:39. | |
hold of teachers to do things. In my school, we will be advertising this | :14:40. | :14:45. | |
term for jobs. I know when I advertise I will not get huge | :14:46. | :14:49. | |
numbers of applicants. You might now! How do you fit in teaching with | :14:50. | :15:00. | |
your television career? He does it on telly! My job is a headteacher. | :15:01. | :15:10. | |
It is on Tuesday's on Channel 4 at 9pm. What would make you even more | :15:11. | :15:15. | |
popular, Mr Drew, is if you said yes to having a go on our bucking | :15:16. | :15:20. | |
bronco. What do you reckon? CHEERING | :15:21. | :15:25. | |
It has to be yes! APPLAUSE | :15:26. | :15:31. | |
Good lad. He is one of the good guys. Thank you very much. We will | :15:32. | :15:35. | |
look forward to that. It is time for another in our series of films where | :15:36. | :15:39. | |
people make big decisions. Tonight, it is a parent whose big decision | :15:40. | :15:47. | |
has had life-changing effects. I'm Becky and I was born with a genetic | :15:48. | :15:52. | |
facial deformity. My big decision was to have children despite their | :15:53. | :15:55. | |
being a high-risk they would inherit my condition. Becky was born with a | :15:56. | :16:10. | |
condition where her bones in her face didn't develop properly. I | :16:11. | :16:14. | |
needed hearing aids to hear. The doctor said I wouldn't walk or talk | :16:15. | :16:18. | |
and I would have to go away to special school. I had operations as | :16:19. | :16:23. | |
a child. Two on my eyelids to try and raise them. Another one to put | :16:24. | :16:27. | |
in some cheekbone implants. From my hearing aids, I had four or five | :16:28. | :16:33. | |
operations in total. It was very painful. Despite all the surgery, | :16:34. | :16:42. | |
Becky got teased. I was fully aware I did look different to my friends. | :16:43. | :16:47. | |
Most people would come up and pull their eyes down, some girls ran past | :16:48. | :16:52. | |
screaming. What did it mean in terms of boyfriends? I didn't think I | :16:53. | :16:56. | |
would ever get married and have children. I didn't think anybody | :16:57. | :16:59. | |
would want me. Although the condition was barely visible by the | :17:00. | :17:03. | |
time she reached adulthood, she was told by doctors there was a 50% | :17:04. | :17:07. | |
chance she would pass on the condition. She decided not to have | :17:08. | :17:11. | |
children. That was until she met Mark. Becky seemed a friendly, nice, | :17:12. | :17:19. | |
warm-hearted person. Becky explained that she couldn't have children. | :17:20. | :17:23. | |
What did you think when she said that? It was a bit of a shock. I | :17:24. | :17:28. | |
cared a lot about Becky. I couldn't walk away from the relationship. | :17:29. | :17:33. | |
Before I met Mark, I said I would adopt. When I met Mark, I wanted to | :17:34. | :17:39. | |
have my own biological child. We were determined not to have a child | :17:40. | :17:46. | |
with the syndrome. Mark found out about IVF where they test the eggs | :17:47. | :17:50. | |
to see if they have the disorder. The first two rounds didn't work | :17:51. | :17:55. | |
out. She and Mark paid for a third attempt. Again, there was no baby. | :17:56. | :18:01. | |
We decided to take the risk and let nature take its course and decide | :18:02. | :18:08. | |
for us. The odds went against Becky. When she became pregnant, a 17-week | :18:09. | :18:14. | |
scan showed her baby was carrying the syndrome. This shows she has | :18:15. | :18:21. | |
much smaller ears and they are lower set and on this one, it shows her | :18:22. | :18:28. | |
jaw is setback. It is lower again. A lot lower. You want a perfect baby | :18:29. | :18:31. | |
and I was worried for lot lower. You want a perfect baby | :18:32. | :18:32. | |
whether we had made the lot lower. You want a perfect baby | :18:33. | :18:38. | |
decision. Amy was born in April 2009. It was the most | :18:39. | :18:44. | |
decision. Amy was born in April feeling. I had a massive rush of | :18:45. | :18:45. | |
love feeling. I had a massive rush of | :18:46. | :18:48. | |
decision. Amy had more difficulties feeling. I had a massive rush of | :18:49. | :18:52. | |
feeding as a baby, so she spent the first week in special care. She had | :18:53. | :18:53. | |
her hearing aids she will still need some cheek | :18:54. | :19:06. | |
implants. A year later, Becky and Mark decided to try for another | :19:07. | :19:10. | |
baby. Once again, the odds went against them. By the time their | :19:11. | :19:12. | |
second daughter, against them. By the time their | :19:13. | :19:19. | |
eat and breathe. Laura will need a lot of reconstruction around her | :19:20. | :19:21. | |
eyes. She will lot of reconstruction around her | :19:22. | :19:26. | |
implants and she will need her jaw pulling out. Why did you do it | :19:27. | :19:30. | |
again? I thought it was more important for her to have a brother | :19:31. | :19:33. | |
or sister than not to have one at all. It is always mixed emotions | :19:34. | :19:38. | |
because I feel responsible for passing it on. But we knew they | :19:39. | :19:44. | |
could be happy and healthy. How are you going to teach the girls to cope | :19:45. | :19:48. | |
with other people's reaction to their condition? I keep telling Amy | :19:49. | :19:54. | |
that everybody is different. Somebody has a walking stick, I will | :19:55. | :20:00. | |
say that helps them to walk. You have your hearing aids to help you | :20:01. | :20:02. | |
to hear. They will be have your hearing aids to help you | :20:03. | :20:05. | |
teasing at high school. have your hearing aids to help you | :20:06. | :20:06. | |
regret our decision, although there have your hearing aids to help you | :20:07. | :20:11. | |
is times when it's have your hearing aids to help you | :20:12. | :20:15. | |
the things that they go through, but they are happy, healthy children and | :20:16. | :20:17. | |
they are living what I have done. | :20:18. | :20:24. | |
A very big thank you to Becky and the family for inviting The One Show | :20:25. | :20:27. | |
along. That is the family for inviting The One Show | :20:28. | :20:32. | |
itself. Thank you. Well, you are both sat on our sofa, | :20:33. | :20:35. | |
itself. Thank you. Well, you are because you are in Annie Get Your | :20:36. | :20:38. | |
itself. Thank you. Well, you are Gun. Jason you play? Frank. The | :20:39. | :20:40. | |
womaniser. You are Buffalo Bill. LAUGHTER | :20:41. | :20:46. | |
For anybody who hasn't LAUGHTER | :20:47. | :20:49. | |
musical, can you give us a scene-setter? Yes... Or Norman? | :20:50. | :20:56. | |
Norman is probably better at it than I am. I wouldn't say so. It is a | :20:57. | :21:02. | |
love story. It comes out of the fact that Buffalo Bill, who was a real | :21:03. | :21:06. | |
character, after he finished buffaloing, he started a Wild West | :21:07. | :21:13. | |
show and 1890 he came across - Frank Butler was his sharpshooter and the | :21:14. | :21:17. | |
Champion of the World. They were having the shoot-off against a local | :21:18. | :21:28. | |
gun Smith and Frank Butler met Annie Oakley. It's about opposites. | :21:29. | :21:34. | |
Essentially, Annie and Frank are complete opposite people. The tables | :21:35. | :21:38. | |
turn and they end up falling in love and he ends up becoming a puppy dog | :21:39. | :21:45. | |
after her. He is a very confident character. There's some very famous | :21:46. | :21:48. | |
musical songs in this as well, that you will be singing. No Business | :21:49. | :22:00. | |
Like Showbusiness. Yes. It's an incredible musical. Anything You Can | :22:01. | :22:06. | |
Do I Can Do Better. Yes. It's - there's a lot of songs. Have you | :22:07. | :22:11. | |
seen the movie? I saw it, being a bit older than Jason. I saw it when | :22:12. | :22:17. | |
I was a kid, I think, around about 1957. It was on the television | :22:18. | :22:23. | |
around the '60s. I saw it then. The most wondrous thing about it, No | :22:24. | :22:26. | |
Business Like Showbusiness, which is a great, big Broadway hit, comes | :22:27. | :22:30. | |
from a song about a Western. Whether you are in showbusiness here or | :22:31. | :22:33. | |
showbusiness in the Wild West show, it is still the same. Yes. Not many | :22:34. | :22:39. | |
people realise that that song is from Annie Get Your Gun. Let's have | :22:40. | :22:44. | |
a look at the movie. # Any notes you can reach | :22:45. | :22:47. | |
# I can go higher # I can see anything higher than you | :22:48. | :22:50. | |
# No you can't # No you can't | :22:51. | :22:52. | |
# Yes I can # No you can't | :22:53. | :22:54. | |
# Yes I can # No you can't. # | :22:55. | :23:02. | |
What rivalry! You were watching... I try and avoid watching any of those | :23:03. | :23:19. | |
things. Why? I don't know. It moulds a particular image... How are you | :23:20. | :23:23. | |
and Emma going to re-create that tension? I think the - it is all | :23:24. | :23:28. | |
about good chemistry as performers. You know, we get along in abundance. | :23:29. | :23:34. | |
I am looking at her over there. She is smiling and saying, "Careful what | :23:35. | :23:42. | |
you say!" I do think, you know, that a good emotional performance comes | :23:43. | :23:45. | |
from the acting and that is the basis for me. Yes. And the | :23:46. | :23:50. | |
chemistry. The other thing is nobody can sing higher than Emma. Yes. She | :23:51. | :24:00. | |
can break glass, that girl. Incredible voice. How high can you | :24:01. | :24:10. | |
go, Donovan? Ahhhhh! Pretty good. Emma can do better. Ahhhhhhh! Good | :24:11. | :24:25. | |
job the doors were open! Norman, obviously, Hale and Pace was huge? | :24:26. | :24:32. | |
We did ten years solid of it. In all, we spent 20 years of our lives | :24:33. | :24:38. | |
in the place with no windows in television studios. Look at that! | :24:39. | :24:53. | |
Let me re-create that moment! Lord Snowden took that photograph. Things | :24:54. | :24:57. | |
might just get a little bit awkward now. A bit awkward. We were looking | :24:58. | :25:01. | |
through some classic moments and we found this one. You will understand | :25:02. | :25:07. | |
why we have put it on. Here we go. Alright, what is your game? Shush. | :25:08. | :25:22. | |
Just murdered Jason Donovan. # You should be so lucky | :25:23. | :25:24. | |
# Lucky, lucky... # APPLAUSE | :25:25. | :25:34. | |
I always bring this up. I wonder why. I don't remember a lot of | :25:35. | :25:38. | |
comedy routines, but I remember that one. I wonder why! Norman did ask, | :25:39. | :25:47. | |
"Have you got that clip?" He keeps saying, "I only did it once!" It was | :25:48. | :25:53. | |
Gareth's idea. Annie Get Your Gun begins a six-month UK tour in | :25:54. | :25:58. | |
Manchester on 16th May. Now, the time has come to get that bucking | :25:59. | :26:05. | |
bronco going again. First up, Carrie "Cool Hand" Grant, who told us she | :26:06. | :26:06. | |
is a dab hand. We shall see. Dave? MUSIC: "Magnificent Seven" | :26:07. | :26:11. | |
By Elmer Bernstein That is a good technique. Gripping | :26:12. | :26:21. | |
with the knees. The reverse spin. This is good. She's stayed on long. | :26:22. | :26:29. | |
Oh! It was the twist. The spin. Did Dave start his stopwatch? Let's find | :26:30. | :26:36. | |
out how long it was. 12 seconds. Carrie is the new leader. She did | :26:37. | :26:44. | |
well. Very good. We will all be having a go later on. If you do want | :26:45. | :26:50. | |
a go, feel free. I will be fine, thanks. These amazing photos were | :26:51. | :26:56. | |
discovered in a house in Brighton, including this one of Peter Sellers. | :26:57. | :27:00. | |
That is not the only bit of Peter Sellers history to turn up recently. | :27:01. | :27:05. | |
Two reels of films starring him are to be shown at the Southend Film | :27:06. | :27:08. | |
Festival tomorrow for the first time in 60 years. Antonia Quirke was | :27:09. | :27:15. | |
invited to a preview and took along a special guest. | :27:16. | :27:19. | |
There is a saying that one man's trash is another man's treasure. | :27:20. | :27:24. | |
That was certainly the case in 1996 when a skip appeared on this London | :27:25. | :27:28. | |
street. Many people walk past without turning their heads, but | :27:29. | :27:33. | |
something caught the eye of this man. He spotted some canisters which | :27:34. | :27:37. | |
he thought would come in handy. Little did he know that his find | :27:38. | :27:42. | |
would shed new light on one of the UK's most cherished funny-men. What | :27:43. | :27:50. | |
was on the cans was the titles of the films. There was Insomnia Is | :27:51. | :27:58. | |
Good For You and Death of a Salesman. I rang the BFI. The chap I | :27:59. | :28:04. | |
spoke to said they were Peter Sellers short films. You must have | :28:05. | :28:09. | |
thought, "I have a treasure on my hand." Yes. They were thought to be | :28:10. | :28:13. | |
long-lost. This is a really interesting time in Peter Sellers' | :28:14. | :28:20. | |
career. He made The Ladykillers. Still, enough under the radar to use | :28:21. | :28:26. | |
films like this to really as a training ground for him to keep on | :28:27. | :28:31. | |
working on those voices, finessing the characters that he was so good | :28:32. | :28:35. | |
at. Whilst he had been part of the brilliant cast, it was his voice | :28:36. | :28:42. | |
that he was better known for. What time is it? This was a pivotal point | :28:43. | :28:52. | |
in his career before Dr Strangelove and the Pink Panther would establish | :28:53. | :28:57. | |
him as a household name. The One Show has arranged a special | :28:58. | :29:01. | |
screening for Peter Sellers' grandson, Will. It gives me a chance | :29:02. | :29:06. | |
to see new footage of him, him doing something different to everything I | :29:07. | :29:09. | |
have already seen. I feel like I get to know him. I never met my | :29:10. | :29:13. | |
grandfather because he died seven years before I was born. Both films | :29:14. | :29:17. | |
have been digitally transferred. years before I was born. Both films | :29:18. | :29:25. | |
This is the second film we are working on. The first stage is to do | :29:26. | :29:28. | |
a physical inspection of the film, working on. The first stage is to do | :29:29. | :29:31. | |
check there is no damage. What we working on. The first stage is to do | :29:32. | :29:36. | |
remarkably good condition. Will, do grandfather? I would, thank you. He | :29:37. | :29:47. | |
remarkably good condition. Will, do is reading a newspaper. The second | :29:48. | :29:49. | |
stage of the process is to convert the film to high-definition video. | :29:50. | :29:57. | |
This scene is shows Peter Sellers lampooning the public information | :29:58. | :30:04. | |
films of the day. Death of a Salesman has already been treated. | :30:05. | :30:09. | |
This is the story of one man's climb to the top. The story of Hector... | :30:10. | :30:18. | |
The role showcases the trademarks that had already made Sellers a huge | :30:19. | :30:21. | |
radio star, the ability to switch between characters. And it acted as | :30:22. | :30:25. | |
a calling card for the Hollywood career that was on the cusp of | :30:26. | :30:27. | |
taking off. what are you going to do? What can I | :30:28. | :30:41. | |
do? Anything, my boy. Peter Sellars was a tricky guy and I think he once | :30:42. | :30:46. | |
said, I am a classic comedian, I am only funny when I am at work. Do you | :30:47. | :30:51. | |
think you get a sense of your grandfather when you watch these | :30:52. | :30:56. | |
films? I think with the early films, a lot more so than with his later | :30:57. | :31:02. | |
films. He has not been in the American films yet, you see him more | :31:03. | :31:06. | |
as himself. I am proud to see his talent was obviously there at the | :31:07. | :31:10. | |
beginning and it carries through his whole career. It is nice for me to | :31:11. | :31:18. | |
be one of the first to film his work -- see his work. It is easy to | :31:19. | :31:25. | |
forget just how famous Peter Sellars was in his lifetime. He was second | :31:26. | :31:30. | |
only to Charlie Chaplin as the UK's biggest comedy export. These films | :31:31. | :31:34. | |
represent the calm before the storm. He was still a very British style | :31:35. | :31:37. | |
but about to grab the world. Ashbrook road British star. -- | :31:38. | :31:44. | |
British star. You can catch the films tomorrow at | :31:45. | :31:51. | |
Southend Film Festival. A great British film from 1923, Love, Life | :31:52. | :31:58. | |
and Laughter, completely lost, turned up in a film archive in | :31:59. | :32:03. | |
Amsterdam in a museum in a basement. It is mesmerising. This is Betty | :32:04. | :32:10. | |
Balfour. She was the British Mary Pickford, the girl next door, the | :32:11. | :32:16. | |
most beloved actress of her day, loved by the director who was | :32:17. | :32:20. | |
completely in love with her and devastated when she refused his | :32:21. | :32:24. | |
hand. She is playing a dancer. It is terrific. As I say, the hit of | :32:25. | :32:30. | |
1923. Crystal clear. The quality is very good. Only found very recently. | :32:31. | :32:38. | |
Another silent movie. 1928. This was the last film of all time -- the | :32:39. | :32:51. | |
lost film of all time. The actress who played Joan of Arc in the film | :32:52. | :32:56. | |
The Passion of Joan of Arc, she was put through hell. The director, she | :32:57. | :33:01. | |
had to kneel on stones for days on end to get the agonised look and she | :33:02. | :33:04. | |
was not allowed to overexpress it, she had to internalise it. Now we | :33:05. | :33:12. | |
have it again. Super exciting. Earlier on, we were talking about | :33:13. | :33:15. | |
the incredible pictures that have been found. Talk us through some of | :33:16. | :33:21. | |
those. This is the British photographer George Douglas who | :33:22. | :33:25. | |
lived in Brighton. In 2010, he died. He left his house to his neighbour | :33:26. | :33:28. | |
who went through some filing cabinets and found 30 images that | :33:29. | :33:34. | |
had not been seen since he took them in the 40s, 50s and 60s. Some of | :33:35. | :33:38. | |
them will be shown in Ryton next month. What does it say on the | :33:39. | :33:45. | |
back? -- in Brighton. Angela Lansbury. He took this photograph | :33:46. | :33:52. | |
and sold it to Life and it kicked his career. This is the second one, | :33:53. | :34:02. | |
Spike Milligan. It is Spike Milligan with Petula Clark cutting his hair. | :34:03. | :34:09. | |
Spike Milligan's first wife was a backing singer in Petula Clark's | :34:10. | :34:14. | |
band. Brilliant. That is Audrey Hepburn. Preparing for a role in | :34:15. | :34:24. | |
Gigi. Audrey Hepburn was on stage in 51. A beautiful picture. So good at | :34:25. | :34:31. | |
just capturing the moment. It will be a good exhibition as well. 30 of | :34:32. | :34:37. | |
those images to be shown in Brighton at the Open House Festival next | :34:38. | :34:44. | |
month. We will talk briefly about this British Pathe footage that has | :34:45. | :34:48. | |
been put onto the internet. 85,000 films from British Pathe are now on | :34:49. | :34:55. | |
the internet for people to watch. Some of them incredibly peculiar and | :34:56. | :35:01. | |
extraordinary. Look at this! This is wonderful. 1931. She is 300 feet | :35:02. | :35:08. | |
above the ground with no harness. Nothing. Not a trick thing. What is | :35:09. | :35:15. | |
so exciting about that, 1931, New York at its most spectacular and | :35:16. | :35:18. | |
glamorous and beautiful. They are on you Tube. We have to mention the | :35:19. | :35:25. | |
very sad news that Bob Hoskins has tossed away. 71. Pneumonia Ashbrook | :35:26. | :35:32. | |
road Bob Hoskins has passed away. Never better than when he played | :35:33. | :35:40. | |
opposite Helen Mirren is now what is now Canary Wharf. Roger Rabbit, the | :35:41. | :35:50. | |
way he acted... He acted opposite a cartoon creature with tenderness and | :35:51. | :35:56. | |
wit. Brilliant. Pennies from heaven as well with Dennis Potter. He will | :35:57. | :36:06. | |
be much missed. We have been looking after the sort of stuff people have | :36:07. | :36:09. | |
been keeping in storage units. Tonight we meet a man also from down | :36:10. | :36:15. | |
under with only one dream that will do for him. Do you get that? | :36:16. | :36:22. | |
A little convoluted! Thousands of us are storing stuff we do not have | :36:23. | :36:26. | |
room for at home. In the UK alone, the self storage business has a | :36:27. | :36:31. | |
turnover of nearly ?400 million a year. Area manager Simon in Oxford | :36:32. | :36:38. | |
has seen more than his fair share of interesting comings and goings. We | :36:39. | :36:44. | |
had a 6-foot dinosaur, and is used the space to practice in -- bands. | :36:45. | :36:51. | |
Someone asked if they could put their hamster in storage while they | :36:52. | :36:55. | |
went away for a week. We reminded them it would probably be best left | :36:56. | :36:59. | |
with a neighbour or a friend. This man with a van helps customers with | :37:00. | :37:05. | |
removals. We move all sorts of things. I have moved things for a | :37:06. | :37:10. | |
gentleman who has six different old Christmas trees in here. The bare | :37:11. | :37:14. | |
branches. No livestock, nothing like that, no plants, not allowed. But | :37:15. | :37:20. | |
you get all sorts of different furniture and different items. | :37:21. | :37:24. | |
Nearly half of the customers rent for business reasons, from the | :37:25. | :37:28. | |
online book-seller to a former plasterer turned artificial flower | :37:29. | :37:34. | |
supplier. This is for storage for me. My van is basically my office. I | :37:35. | :37:39. | |
take the flowers out with me and show them to people. We have people | :37:40. | :37:47. | |
with units here. We started off with a very small unit and we now have | :37:48. | :37:52. | |
two here. The flexible 80 to expand at will is the main benefit. It has | :37:53. | :38:00. | |
been quite lucrative -- the flexibility to expand. This man's | :38:01. | :38:05. | |
dream project is on such a grand scale that a shipping container had | :38:06. | :38:10. | |
to be parked outside. Here it is. One day, it will be an aeroplane. I | :38:11. | :38:16. | |
have grown up around aviation. My dad was in the RAF. He took us to | :38:17. | :38:23. | |
air shows when we were kids. I always wanted to build my own plane. | :38:24. | :38:28. | |
Rowan's plane will hopefully resemble this, a home built plane. | :38:29. | :38:38. | |
This aerospace engineer was behind Virgin's venture to take paying | :38:39. | :38:42. | |
passengers into space. When I was 13, 14, I was flying model aircraft | :38:43. | :38:47. | |
and I started designing my own planes. I have spent years making | :38:48. | :38:52. | |
sure I got into you need to do there is both engineering. He attempted to | :38:53. | :38:58. | |
build the world's largest ever paper aeroplane. The challenge fails, | :38:59. | :39:04. | |
though it did not dent his determination to break world | :39:05. | :39:08. | |
records. A whole bunch of records, point-to-point records, said | :39:09. | :39:15. | |
records. A whole bunch of records, originally -- set originally and | :39:16. | :39:15. | |
they have been originally -- set originally and | :39:16. | :39:19. | |
Swiss guy, something like that. It would | :39:20. | :39:21. | |
Swiss guy, something like that. It different world up there. It is hard | :39:22. | :39:30. | |
to describe. You either love it or hate it. Sometimes when I am | :39:31. | :39:34. | |
paragliding, it is more comfortable out there than on the streets. It is | :39:35. | :39:40. | |
an amazing experience. Rowan has been working on his plane for four | :39:41. | :39:43. | |
years and it is the talk of the storage company. The original plan | :39:44. | :39:47. | |
was to be finished by my 40th birthday. I have given up on that. I | :39:48. | :39:51. | |
am not trying to impress anyone. It is for me. It is a case now of, I | :39:52. | :39:57. | |
don't care how long it takes, I will build it and finish it and I will be | :39:58. | :40:02. | |
happy. So far it has cost about ?13,000. He estimates it will cost | :40:03. | :40:06. | |
another three years to complete and the fact he still has to get his | :40:07. | :40:11. | |
pilot's license means it might take Rowan quite a while to reach the | :40:12. | :40:15. | |
heady heights. The first flight day will be special. That is going to be | :40:16. | :40:26. | |
a dream. Seriously, any dream Will do. No! If | :40:27. | :40:34. | |
you are of the creative type, there is still time for you to enter our | :40:35. | :40:38. | |
art competition. It closes on Friday. The winners get to see their | :40:39. | :40:45. | |
pictures exhibited at the Royal Academy. Details are | :40:46. | :40:48. | |
pictures exhibited at the Royal website. A coat | :40:49. | :40:56. | |
pictures exhibited at the Royal hearts. Next up, it is Mr '"Leaping | :40:57. | :41:04. | |
Lasso" Drew. CHEERING | :41:05. | :41:10. | |
He is spinning around. Come on, Mr Drew! 12 seconds is the | :41:11. | :41:20. | |
time to beat. APPLAUSE | :41:21. | :41:30. | |
Look at that! What a guy! He is tied with Theo. Carrie leads. Our | :41:31. | :41:36. | |
Look at that! What a guy! He is tied coming up. It has been 100 years | :41:37. | :41:40. | |
since the start of the Great War and one thing you do not expect to find | :41:41. | :41:43. | |
is a casualty who is receiving a standard World War I veteran pension | :41:44. | :41:48. | |
and who was still around today to tell the tale. In this extraordinary | :41:49. | :41:50. | |
and who was still around today to film, Ruth Goodman travels to | :41:51. | :41:52. | |
Belgium film, Ruth Goodman travels to | :41:53. | :41:54. | |
battlefields of World War I to find out more. | :41:55. | :41:59. | |
battlefields of World War I to find The Great War was a warlike none | :42:00. | :42:03. | |
that had gone before. It has been estimated around 700 league 7 | :42:04. | :42:08. | |
million were killed in combat. It did not end when the guns were | :42:09. | :42:14. | |
stilled in November, 1918. In present-day Belgium, new casualties | :42:15. | :42:17. | |
are added to the list of those killed or wounded by the Great War | :42:18. | :42:21. | |
every year. That is because this entire area is littered with | :42:22. | :42:28. | |
unexploded shells. But is something this man knows only too well. He | :42:29. | :42:32. | |
lost a leg when a shell he found exploded more than 50 years after it | :42:33. | :42:36. | |
was fired. What exactly happened to you? Transition level I was 12. We | :42:37. | :42:45. | |
used to go looking for old iron - macro TRANSLATION:. One day we found | :42:46. | :42:51. | |
a bomb. We put water on it to clean it. My knee was so badly damaged | :42:52. | :42:56. | |
when it exploded they had to amputate it. My life was completely | :42:57. | :43:01. | |
changed. He is now officially classed as war wounded and he is not | :43:02. | :43:06. | |
a rare case. In this area of Belgium, more than 850 people have | :43:07. | :43:11. | |
been killed or injured by First World War munitions since the war | :43:12. | :43:16. | |
ended in 1918. It is not surprising there are large numbers of | :43:17. | :43:21. | |
unexploded shells. In Flanders during the Battle of Passchendaele | :43:22. | :43:25. | |
alone, the allies fired more than 4 million shells that the German | :43:26. | :43:29. | |
positions in just two weeks. The evidence is all around us. More | :43:30. | :43:34. | |
emerges every day. They call it the iron harvest. The remnants of | :43:35. | :43:40. | |
artillery munitions. The farmers dig them up as they go about their daily | :43:41. | :43:44. | |
work. They are not all empty like this one. When farmers like this man | :43:45. | :43:50. | |
ploughed fields in this part of Belgium, they are always likely to | :43:51. | :43:53. | |
uncover something potentially dangerous. Gracious! What exactly | :43:54. | :44:02. | |
are these? Last week, I found this shell. This is German. It is not | :44:03. | :44:10. | |
exploded. Still full of explosives? How do you feel about that? Doesn't | :44:11. | :44:15. | |
scare you? It is a part of life here. When I was a little boy, I | :44:16. | :44:22. | |
walked with my farmer between the crops, another hand grenade, another | :44:23. | :44:29. | |
bullet. The plough hits something, another piece of iron. I take the | :44:30. | :44:35. | |
shell and put it on the side of the field. The following day, I reported | :44:36. | :44:39. | |
to the police. The fines are picked up and dealt with by the Belgian | :44:40. | :44:45. | |
army. They are based in barracks. Here at the base, they store a huge | :44:46. | :44:55. | |
number of shells. Simple high explosive shells are destroyed | :44:56. | :44:59. | |
conventionally. Gas shells are trickier to deal with. We have two | :45:00. | :45:03. | |
types of toxic shells. We look for the difference by using... Shells | :45:04. | :45:10. | |
are stockpiled and when possible they will be dismantled or | :45:11. | :45:16. | |
destroyed. Why are there so many shells still live? Why didn't they | :45:17. | :45:21. | |
go off? We have estimated 1.5 billion shells have been fired. If | :45:22. | :45:27. | |
you know that 30% of those shells, the soil was muddy, the most fuses, | :45:28. | :45:35. | |
they work on impact, when you have muddy soil, the fuse goes on the | :45:36. | :45:40. | |
ground instead of exploding. How long do you think it will be before | :45:41. | :45:43. | |
the field is clear? Another hundred years. | :45:44. | :45:48. | |
The Menin Gate lists the names of British soldiers missing, presumed | :45:49. | :45:56. | |
dead. Their remains still lie in the Flanders mud. It is not the only | :45:57. | :45:59. | |
legacy of war left on the battlefield. The Great War lasted | :46:00. | :46:03. | |
four years, but here in Flanders, the physical evidence of that | :46:04. | :46:08. | |
conflict is all around us. It impacts in a direct and deadly way | :46:09. | :46:12. | |
on ordinary people's lives. Carrie joins us now with Judi Green | :46:13. | :46:25. | |
and her seven-year-old daughter, May. We saw what happened in Belgium | :46:26. | :46:33. | |
there in the aftermath of World War One. Let's talk about World War Two. | :46:34. | :46:39. | |
Do we need to be worried? We don't need to be overly worried. During | :46:40. | :46:44. | |
the Blitz there were 700 tonnes of explosives dropped on the UK every | :46:45. | :46:48. | |
day, up to 700 tonnes. That is a lot. 10% of those bombs have not | :46:49. | :46:53. | |
gone off. Right. That doesn't mean they are necessarily active. This is | :46:54. | :47:00. | |
where May comes in with her metal detector. Set the scene for us. | :47:01. | :47:07. | |
Where were you? Well, on the beach, we were metal detecting in Norfolk. | :47:08. | :47:14. | |
It gave off loud beeps so we dug around and we found what looked like | :47:15. | :47:22. | |
some pieces of coal. And we were digging it up and we thought there | :47:23. | :47:26. | |
might be something inside so we tapped it and it went on fire. Hang | :47:27. | :47:32. | |
on a minute! Goodness me! Wait a minute! You were digging, so you | :47:33. | :47:37. | |
could get to the bomb? And then it caught fire and burst into flames? | :47:38. | :47:42. | |
Yes. Did you realise it was a bomb? No. Judi, were you one of the | :47:43. | :47:48. | |
diggers? I was helping. At what point did you think, "This is a | :47:49. | :47:53. | |
bomb, I shouldn't be digging here"? When I caught fire! I still didn't | :47:54. | :48:00. | |
think it was a bomb. It didn't look anything like a bomb. It was a | :48:01. | :48:06. | |
passer-by who said there were some bombs and you want to stand well | :48:07. | :48:10. | |
back. Right. So you did and you phoned somebody? We did. We had | :48:11. | :48:15. | |
already called the emergency services by then. | :48:16. | :48:19. | |
How did you feel, May, when you realised you had found a bomb? I | :48:20. | :48:27. | |
wasn't scared, but I felt surprised. I really didn't know that was going | :48:28. | :48:32. | |
to happen. What a find. It wasn't as big as this one on the floor, was | :48:33. | :48:38. | |
it? No. Carrie, what would be the advice if somebody did come across | :48:39. | :48:42. | |
something like that? Call the emergency services. Do not go near | :48:43. | :48:46. | |
it and don't tap it. No digging around the bomb! There's been a lot | :48:47. | :48:52. | |
of research gone into where the bombs were dropped? Yes, most of the | :48:53. | :48:58. | |
Blitz happened around London, but there is Birmingham, Liverpool, | :48:59. | :49:02. | |
London, Plymouth, Glasgow. They could be anywhere. Have you out with | :49:03. | :49:08. | |
your metal detector since? No. I'm going to, soon. Good for you. | :49:09. | :49:13. | |
Lovely. Thank you for coming in. Brilliant. All over Easter as well. | :49:14. | :49:20. | |
Shortly, I will be hoping to - we both are to be fair... We are. We | :49:21. | :49:24. | |
are going to try and beat your extraordinary time of 12 seconds. | :49:25. | :49:28. | |
I'm disappointed. She said she was good and you were! Not just that, | :49:29. | :49:33. | |
Jason and Norman will be giving us a performance with the rest of the | :49:34. | :49:37. | |
cast from Annie Get Your Gun. Their rendition of No Business Like | :49:38. | :49:40. | |
Showbusiness. We do like that song. We did well not to sing it! Keep it | :49:41. | :49:46. | |
down. First, George McGavin is off in search of one of Britain's rarest | :49:47. | :49:51. | |
insects that loves chewing on a wart. Southern England's chalk | :49:52. | :50:01. | |
insects that loves chewing on a abundance of crickets. I have come | :50:02. | :50:06. | |
to the nature reserve in East kus sex to find one of Britain's rarest | :50:07. | :50:08. | |
insects and one with a sex to find one of Britain's rarest | :50:09. | :50:16. | |
reputation. The bush cricket. The wart biter has powerful jaws that | :50:17. | :50:23. | |
give it its name. It was used in an age-old practice by peasants to | :50:24. | :50:27. | |
remove warts and I want to witness that myself. A wart biter is a shy | :50:28. | :50:33. | |
and secretive creature and it is not the most accessible of insects. It | :50:34. | :50:37. | |
is only found in four remote locations in the UK because they | :50:38. | :50:42. | |
need a warm climate with areas of bare soil alongside long and short | :50:43. | :50:45. | |
grass. Even if those places, they bare soil alongside long and short | :50:46. | :50:49. | |
are hard to track down so I need lots of eyes and ears | :50:50. | :50:50. | |
are hard to track down so I need chance. The ears of this operation | :50:51. | :50:53. | |
are specialist sound chance. The ears of this operation | :50:54. | :50:58. | |
Watson. I have never heard one and you have never recorded it. | :50:59. | :50:58. | |
Watson. I have never heard one and might be a problem? We | :50:59. | :51:03. | |
Watson. I have never heard one and in the right place. A wart biter is | :51:04. | :51:13. | |
percussive. Chris has brought in the right place. A wart biter is | :51:14. | :51:17. | |
some gadgets to help me. Picking out in the right place. A wart biter is | :51:18. | :51:19. | |
proving tough. in the right place. A wart biter is | :51:20. | :51:26. | |
are all over here. You can walk in the right place. A wart biter is | :51:27. | :51:29. | |
this path probably every day for a in the right place. A wart biter is | :51:30. | :51:50. | |
lot of time! Eventually, after three very long hours looking, it is eyes | :51:51. | :51:55. | |
that beat the ears and John and the crew discover a female. This is the | :51:56. | :52:00. | |
first time I have seen a wart biter. It is gorgeous. They are stunning. | :52:01. | :52:02. | |
That they are so hard to see. They are | :52:03. | :52:14. | |
same thickness and colour of a dry grass stalk. They are incredibly | :52:15. | :52:19. | |
well camouflaged. When you hear the male singing, it is difficult to | :52:20. | :52:23. | |
find it. Today, despite the technology he had at his disposal, | :52:24. | :52:25. | |
Chris was unable to locate technology he had at his disposal, | :52:26. | :52:28. | |
male singing. His quest to record technology he had at his disposal, | :52:29. | :52:33. | |
day. However, I do have a chance to get a good look at | :52:34. | :52:36. | |
day. However, I do have a chance to jaws, but that might be easier said | :52:37. | :52:46. | |
than done. Oh! I got it. They are so fast. She's completely unharmed, | :52:47. | :52:58. | |
but, like other crickets, she's regurgitated a foul-smelling | :52:59. | :53:08. | |
substance. Adults will eat adult grass hoppers. I can only hold her | :53:09. | :53:13. | |
as I'm with John. I'm soon reminded how the wart biter got its name. Ou! | :53:14. | :53:23. | |
-- Ow! She had a good nip there. If I had a wart, she might have a chew | :53:24. | :53:30. | |
at it. It is a great honour, actually, to see an animal like | :53:31. | :53:38. | |
this. But to... It's down here. There she is. It is really only when | :53:39. | :53:45. | |
you get up to insects like this that you realise just how beautiful they | :53:46. | :53:50. | |
are. I know birds and mammals are exciting. But this is pretty | :53:51. | :53:57. | |
exciting, too. I think we should put her down. Completely unharmed, she | :53:58. | :54:04. | |
slinks back into her grassy home. This remarkable rare wart biter has | :54:05. | :54:09. | |
certainly made an impression on me. Thank you very much, George. Well, | :54:10. | :54:14. | |
next up on the bucking bronco is a country bumpkin who knows his balls | :54:15. | :54:20. | |
- it is Matt "Crazy Horse" Baker. Here we go! Good luck. Go on, Matt! | :54:21. | :54:32. | |
Oh, she is a slippery one. He is very good. Speed it up. | :54:33. | :54:40. | |
Come on, Dave. Was it more than 12? It was 12! Tied with Carrie. It was | :54:41. | :54:50. | |
the same move. Very good. I enjoyed that. Jason and Norman have been | :54:51. | :54:55. | |
getting ready to give us a sneak preview from Annie Get Your Gun. So, | :54:56. | :55:00. | |
while I get ready, for the bucking bronco... How slippy are these? It | :55:01. | :55:03. | |
is over # There's no business like show | :55:04. | :55:16. | |
business # Like no business I know | :55:17. | :55:30. | |
# Everything about it is appealing # Everything that traffic will allow | :55:31. | :55:34. | |
# Nowhere could you get that happy feeling | :55:35. | :55:41. | |
# When you are stealing that extra bow | :55:42. | :55:52. | |
# There's no people like show people # They smile when they are low | :55:53. | :56:07. | |
# Even with a turkey that you know will fold | :56:08. | :56:10. | |
# You may be stranded out in the cold | :56:11. | :56:13. | |
# Still you wouldn't change it for a sack of gold | :56:14. | :56:16. | |
# Let's go on with the show # Let's go on with the show. # | :56:17. | :56:25. | |
Very good! Fantastic! That was really good. Emma, let's do the No | :56:26. | :56:39. | |
Business Like Showbusiness kiss. We have been on stage together before. | :56:40. | :56:45. | |
We have, indeed. I watched you do your Me Old Bamboo! That sounded a | :56:46. | :56:49. | |
lot worse than I meant it to! Back in the day. How does this compare? | :56:50. | :56:54. | |
It is just as exhausting. You have been doing a lot of stunt training | :56:55. | :56:58. | |
for this? A fair amount. You have to do when you are working with these | :56:59. | :57:04. | |
two. We have got gun-handling, everybody is in circus training and | :57:05. | :57:11. | |
I might be doing a bit of trapeze. What is it like working opposite | :57:12. | :57:15. | |
this chap? When you were younger, you did have a crush on him? This is | :57:16. | :57:23. | |
true. He may have been on my bedroom wall! Now you get the version with a | :57:24. | :57:31. | |
tache! Everything gets better with age! Very good. Listen, we wish you | :57:32. | :57:37. | |
all the very best. It will be fantastic. Brilliant stuff. Come and | :57:38. | :57:42. | |
see us. We will. Now, in our final bucking bronco time challenge of the | :57:43. | :57:49. | |
evening, it is time, everybody, for Alex "Wild Rodeo" Jones! | :57:50. | :57:54. | |
Alright. Nice and slow, now. You are alright for now. Oh! Watch out for | :57:55. | :58:07. | |
the 12-second spin! Here it comes. She's done it. Oh! | :58:08. | :58:11. | |
That was good. That was good. I think that was 13. Let's have a | :58:12. | :58:21. | |
look. It WAS 13! Well done. Look at that. Top of the cactus! You have to | :58:22. | :58:29. | |
use your thighs. How do you feel? I'm so happy(!)! It is all a blur. | :58:30. | :58:37. | |
That is all that we have time for tonight. What a night it has been. A | :58:38. | :58:40. | |
big thank you, of course, to Jason and Norman and the rest of the cast | :58:41. | :58:47. | |
from Annie Get Your Gun. It begins a six-month UK tour on 16th May. | :58:48. | :58:51. | |
Tomorrow, we are joined by Grand Designs presenter Kevin McCloud. We | :58:52. | :58:54. | |
love him. We do. Have a great evening. See you tomorrow. Bye. | :58:55. | :59:05. | |
Hello, I'm Ellie Crisell with your 90-second update. | :59:06. | :59:09. | |
A 15-year-old boy has tonight been charged with the murder of a teacher | :59:10. | :59:13. | |
in Leeds. Ann Maguire was stabbed just months before she planned to | :59:14. | :59:17. | |
retire. The boy's due before a youth court | :59:18. | :59:18. |