Browse content similar to 29/04/2014. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with Matt Baker. And Alex Jones. | :00:17. | :00:24. | |
Today George Osborne announced that Britain is coming back after another | :00:25. | :00:28. | |
record rise in the economy, wait for it, 0.8%! Massive! Theo Paphitis has | :00:29. | :00:37. | |
arrived in style, as you can see, in his mirrored a Range Rover. Very | :00:38. | :00:42. | |
low-key! He will tell us why that is very good news. Our guest this | :00:43. | :00:47. | |
evening became famous playing Joey in the city, Friends, and his series | :00:48. | :00:56. | |
Episodes has won a Golden Globe and international praise. The Times | :00:57. | :00:59. | |
thinks it is the must-see comedy of the year. USA Today said it was | :01:00. | :01:07. | |
easily the best new sitcom. At the highest praises from the start | :01:08. | :01:10. | |
himself, who recently said, it is just nice it doesn't suck! Please | :01:11. | :01:15. | |
welcome back to the show, the very modest Matt LeBlanc! Matt LeBlanc, | :01:16. | :01:24. | |
everyone! Good to see you! You are looking very well. Wonderful to have | :01:25. | :01:28. | |
you back. I read you love being in the UK because it reminds you of | :01:29. | :01:34. | |
Boston. The weather is cold, like where I am from. I have been living | :01:35. | :01:38. | |
in California for 20 years, but this reminds me of being home, you can | :01:39. | :01:44. | |
see your breath, it is kind of nice! You would love Wales, very cold! I | :01:45. | :01:47. | |
have learned some Boston slang just for you. ?! Shapmushgetting it? And | :01:48. | :01:55. | |
have you seen the quishter jivvels, mush? Does that make any sense to | :01:56. | :02:03. | |
you?! Quishter jivvels is pretty girls. We have got a whole studio of | :02:04. | :02:16. | |
them. What's up, mush? There are a couple more that I could mention, if | :02:17. | :02:29. | |
you were to say, eight, coy your moy... Is that? Yes, very good. | :02:30. | :02:38. | |
Probably the most famous one, don't be a div, Matt. Don't be stupid. | :02:39. | :02:45. | |
That is good you are saying that to me, normally I say it to you! I am | :02:46. | :02:53. | |
guessing that you have not been catching the Tube, the subway. There | :02:54. | :03:01. | |
was a long wait today. You didn't? That is because there is a two-day | :03:02. | :03:08. | |
Tube strike, and firefighters will be striking this weekend, and some | :03:09. | :03:12. | |
teachers are planning to walk out again in June. We sent the One Show | :03:13. | :03:15. | |
megaphone to Nottingham to hear what you think about the strikes. | :03:16. | :03:19. | |
The One Show megaphone! Nottingham, what do you think of | :03:20. | :03:28. | |
public sector workers going on strike? Step up and share your | :03:29. | :03:35. | |
views! Teachers have got absolutely every right to say, enough is | :03:36. | :03:39. | |
enough. I am a realist, if you are not happy, go to another job. | :03:40. | :03:44. | |
Everybody should be allowed to strike, even firefighters and | :03:45. | :03:49. | |
teachers? If their wages do not meet the demands of running a family, | :03:50. | :03:53. | |
keeping a car on the road, food on the table, I agree. With regards to | :03:54. | :04:00. | |
teachers striking during exam time, they are supposed to be disruptive, | :04:01. | :04:04. | |
but teachers are fighting for a better future for education. They | :04:05. | :04:07. | |
say their pension is not very good and it is not that they are changing | :04:08. | :04:12. | |
the rules, is that a reason to strike? No, Children in Need and | :04:13. | :04:16. | |
education, isn't that the priority? The reason they went into teaching? | :04:17. | :04:25. | |
-- children need an education. There are millions of people who have not | :04:26. | :04:31. | |
got a job, people who have no money will be thinking, I wish I had 30 | :04:32. | :04:37. | |
grand or even half that. Nottingham, share your views with the One Show | :04:38. | :04:43. | |
megaphone! Working longer hours, not acceptable. Firemen? Who is going to | :04:44. | :04:54. | |
look after people if they strike? They are getting dealt a bad hand, | :04:55. | :05:00. | |
you have to fight your corner. There are different ways to deal with a | :05:01. | :05:04. | |
strike. If you are a firefighter and your pension is not what it should | :05:05. | :05:09. | |
be, would you go on strike? I would not want civilians in jeopardy. They | :05:10. | :05:13. | |
have to charge into a burning building, they should expect a | :05:14. | :05:20. | |
decent pension and pay. Your opinions are strong, your arguments | :05:21. | :05:23. | |
bold, thank you, Nottingham! Thank you very much indeed, and if | :05:24. | :05:28. | |
you have anything to shout about, head to our Facebook page and eight | :05:29. | :05:34. | |
your thoughts there. Let's talk about... You are doing that Boston | :05:35. | :05:41. | |
slang again, mush! Let's talk about Episodes, last time you were on, you | :05:42. | :05:46. | |
had just won a Golden Globe. Bring us up to speed and give us a flavour | :05:47. | :05:54. | |
of what is to come. OK, well, I will start from the beginning quickly. It | :05:55. | :05:57. | |
is a show about making a show in Hollywood, so it starts with this | :05:58. | :06:04. | |
British couple who have a hit show in the UK and they are cut worst by | :06:05. | :06:12. | |
a American network to bring it there, they promised the world but | :06:13. | :06:16. | |
every promise is broken, including that they can keep their lead actor, | :06:17. | :06:20. | |
played by Richard Griffiths. They are. I have me. But it is sort of | :06:21. | :06:27. | |
pseudo-bizarre drunk version of me. -- they are forced to hire me. That | :06:28. | :06:34. | |
is a disaster, and the show gets watered down and watered down, it is | :06:35. | :06:37. | |
put on the air, and it is not performing well, and I end up | :06:38. | :06:44. | |
sleeping with his wife and they is lit up, and so now we are at the end | :06:45. | :06:51. | |
of season two. -- they split up. Now I am sleeping with the head of the | :06:52. | :06:57. | |
network's wife. Definitely not good! And so there is a big fight, my arm | :06:58. | :07:02. | |
gets blown out of the socket, season three starts, the next morning, the | :07:03. | :07:06. | |
morning after the big fight at the end of season two, and I am with | :07:07. | :07:12. | |
Jamie, the network president's wife, Sean and Beverly are back together, | :07:13. | :07:16. | |
and from that point on things go downhill. Even more?! Yeah! We have | :07:17. | :07:24. | |
got a little clip, this is the fictional Matt LeBlanc, and he has | :07:25. | :07:27. | |
just been arrested for drink-driving, guess what the | :07:28. | :07:34. | |
arresting officer says. Isn't there some way you could give me a slap on | :07:35. | :07:46. | |
the wrist? Eight, Joey! You got me! It looks like we did! Isn't there a | :07:47. | :07:50. | |
way you could give me a slap on the wrist? I know somebody said that! | :07:51. | :07:57. | |
You were going over 90 with 1.7 alcohol level, so... That is crazy, | :07:58. | :08:07. | |
I had a couple of glasses of champagne with this body mass! | :08:08. | :08:12. | |
Matt, you say that the whole premise is based on a failing show. Now, you | :08:13. | :08:19. | |
did experience this, not with Friends, but with Joey afterwards. | :08:20. | :08:23. | |
How ruthless is Hollywood when it goes wrong? How true to life is | :08:24. | :08:28. | |
Episodes? Well, Hollywood is ruthless, yes. If they show is not | :08:29. | :08:33. | |
performing, your show is not mere anymore, is pretty cut and dry. It | :08:34. | :08:39. | |
is not show friends, it is show business. But Episodes takes on that | :08:40. | :08:43. | |
ruthlessness, and they really sort of dig for what is funny about it, | :08:44. | :08:48. | |
what they can elaborate on, what they can dial back to really get the | :08:49. | :08:52. | |
most comedy out of it. And it is written by David Crane, who created | :08:53. | :08:58. | |
Friends, and I have a lot of faith in them. Did you think it would make | :08:59. | :09:03. | |
three seasons? Well, it is funny, working with them, I knew the | :09:04. | :09:06. | |
quality would be good, but once a show gets on the air, you do not | :09:07. | :09:11. | |
know if people will like it. I knew I liked their writing, that is all | :09:12. | :09:15. | |
you can do, follow your own taste. When it gets on the air, time slots, | :09:16. | :09:20. | |
competition, all kinds of factors are out of your control. We have | :09:21. | :09:27. | |
been really fortunate to get into a third season, and they have | :09:28. | :09:31. | |
commissioned a fourth season. We like it, it is on BBC Two on | :09:32. | :09:36. | |
Wednesday the 14th. Right, moving on, if you have ever wondered why it | :09:37. | :09:42. | |
is so hard to swat a fly, then wonder no more, because George | :09:43. | :09:46. | |
McGavin has carried out an in-depth study armed with a slow motion | :09:47. | :09:55. | |
camera and some rolled up newspaper. Try camera two! | :09:56. | :09:59. | |
As the days become longer and the nights stay warm, flies appear in | :10:00. | :10:06. | |
their billions until you cannot have a barbecue without them buzzing in | :10:07. | :10:11. | |
your ears and landing on your food. Flies have an extraordinary ability | :10:12. | :10:14. | |
to get out of the way to avoid being squashed, which can be very | :10:15. | :10:19. | |
irritating for us, but actually it is rather impressive. And it is down | :10:20. | :10:24. | |
to some clever biology. Like many insects, flies have tiny hairs that | :10:25. | :10:30. | |
can detect air movement, and this helps these high-performance insects | :10:31. | :10:34. | |
sense what is coming. Adding some smoke should show the movement of | :10:35. | :10:41. | |
air and demonstrate what I mean. If that is the fly there and I swat at | :10:42. | :10:46. | |
it with this newspaper, what I am actually doing is pushing air | :10:47. | :10:51. | |
towards the fly. The little hairs can detect this change in air | :10:52. | :10:54. | |
pressure before the swat hits, so it gives them a little more time to | :10:55. | :11:00. | |
react. And this is the case for a rolled up newspaper, your hands, a | :11:01. | :11:07. | |
slipper or any other solid object. And that is why a flyswatter usually | :11:08. | :11:10. | |
has holes in it, to lead most of the air through. But it can still be | :11:11. | :11:17. | |
pretty tricky to swat a fly, even with a proper flyswatter, because | :11:18. | :11:22. | |
they can see you coming. Flies don't just have two eyes, they have | :11:23. | :11:27. | |
thousands, and they are tiny. At about 200th of a millimetre wide, | :11:28. | :11:31. | |
they are best seen under a microscope. These eyes clustered | :11:32. | :11:35. | |
together to form what is known as a compound I. -- eye. It is rather | :11:36. | :11:45. | |
like a glitter ball, every piece is an individual lens, so flies have | :11:46. | :11:51. | |
lenses pointing in every direction. And this bulbous compound eye | :11:52. | :11:54. | |
protrudes from the head so the fly has almost 360 degrees vision. But | :11:55. | :11:59. | |
seeing and feeling the swat coming once saved the fly unless it's able | :12:00. | :12:04. | |
to process that information quickly enough to get out of the way, and | :12:05. | :12:10. | |
that is where its special skills come in. Recent research has shown | :12:11. | :12:15. | |
that small organisms with a fast metabolism can process more | :12:16. | :12:19. | |
information per second than larger animals. Scientists tested different | :12:20. | :12:22. | |
species by looking at how fast a light has to flash before it is | :12:23. | :12:28. | |
perceived as a constant light. This light bulb is actually flickering, | :12:29. | :12:33. | |
turning on and off 100 times per second, and that is so fast that the | :12:34. | :12:38. | |
human eye perceives it as a steady, constant light. As we slow it down, | :12:39. | :12:44. | |
we can see what the fly says, a pulsing light. Remarkably, the | :12:45. | :12:49. | |
humble flight can detect a flicker up to seven times faster than | :12:50. | :12:55. | |
humans. -- fly. There are many theories about how they do this. One | :12:56. | :12:59. | |
suggests that they invest a lot of their brain processing powers in | :13:00. | :13:03. | |
seeing movement. It has resulted in the fastest visual system known in | :13:04. | :13:08. | |
any organism, so something happening really quickly that to our eyes | :13:09. | :13:12. | |
would look like a blur would appear much slower to fly, giving it time | :13:13. | :13:22. | |
to react and get out of the way. This means flies effectively see the | :13:23. | :13:32. | |
world in slow motion. And with everything happening more slowly, | :13:33. | :13:35. | |
they have more than enough time to avoid a fly swat. | :13:36. | :13:39. | |
So that's why they are so hard to swat. And knowing all this, just how | :13:40. | :13:43. | |
do you swat one? Well, don't ask me, I wouldn't hurt | :13:44. | :13:52. | |
a fly! Now you know! | :13:53. | :13:58. | |
Matt, this Matt loves talking about farming. He's been talking to you | :13:59. | :14:03. | |
during that VT a bit and I would like to ask you a few Friends | :14:04. | :14:07. | |
questions, so to make it fair, we got a wheel. It's the big thing | :14:08. | :14:11. | |
these days. We got one of these and it's got Friends and Farm, we'll | :14:12. | :14:15. | |
spin it and you answer the question. OK? Let's go for it. Let's play | :14:16. | :14:20. | |
Friends or Farm. There we go, it's Farm! Brilliant. . | :14:21. | :14:26. | |
So you are going to love this, because as I said, we have been | :14:27. | :14:29. | |
talking already. Enlighten people about the cattle that you rear and | :14:30. | :14:35. | |
why? Well, yeah, I raise round about 100 herd of cattle, a Mexican cow. | :14:36. | :14:45. | |
They are not raised for beef or dairy, for rodeo. So when the horns | :14:46. | :14:50. | |
get maybe about that big, right when the rope will stick on their head, | :14:51. | :14:53. | |
we sell them to families that have kids that are practising for the | :14:54. | :14:57. | |
rodeo. It's good. And the mums eat the grass | :14:58. | :15:05. | |
because... Two questions! Mums eat the grass because? Well, they eat | :15:06. | :15:10. | |
the grass because they keep it noise and short so I can ride the moto X | :15:11. | :15:16. | |
bikes. Here go. Are you a square Bale or a | :15:17. | :15:28. | |
round above ale man? Round. Let's go to Friends? Is there going to be a | :15:29. | :15:34. | |
Friends reunion? No. Yes! Let's talk about calling in the | :15:35. | :15:40. | |
cows then. If I was going to call them in, you would go "hup, hup", | :15:41. | :15:48. | |
what vocal would you say? I would get on the horse and get in around | :15:49. | :15:53. | |
behind them and push them and go "har! ". ". | :15:54. | :16:06. | |
# I'll be there for you". We heard that Courtney Cox held a dinner | :16:07. | :16:10. | |
party and you weren't there, what was your excuse? I was chasing the | :16:11. | :16:16. | |
cows around. She didn't give me long enough notice. I said, "I got cows | :16:17. | :16:21. | |
to chase". Great. Loves the farm section, go | :16:22. | :16:27. | |
on! It's Friends. Did you steal any | :16:28. | :16:34. | |
props from Joey's apartment? I did, I stole the Magnadoodle | :16:35. | :16:41. | |
Etch-a-sketch thing that was on the back of the door. All ten years Paul | :16:42. | :16:46. | |
was there, the guy that did the sketch on the Magnadoodle and it was | :16:47. | :16:52. | |
always something that had to do with the story, always kind of relevant, | :16:53. | :16:57. | |
so I stole it and gave it to him. Friends or Farm, ladies and | :16:58. | :17:05. | |
gentlemen! Now, it's the second instalment in | :17:06. | :17:10. | |
our new series about small businesses from Theo Paphitis. In a | :17:11. | :17:15. | |
moment, he'll tell us why the announcement of a 0.8 rise in the | :17:16. | :17:19. | |
British economy is such big news. Here he is with a couple who've | :17:20. | :17:26. | |
broken the golden rule of business. People are always asking me, is this | :17:27. | :17:31. | |
a good time to start a business. And the answer is always yes, as | :17:32. | :17:35. | |
long as, of course, you do your homework. | :17:36. | :17:41. | |
Londoner James packed up his job as a consultant with a Japanese food | :17:42. | :17:48. | |
chain, Wagamama and moved his wife and family to Gloucester. They have | :17:49. | :17:53. | |
taken over a cafe around the corn fresh Gloucester cathedral. We fell | :17:54. | :17:57. | |
in love with Gloucester, simple as that. You didn't come because it was | :17:58. | :18:01. | |
a great place to have a business, you came to Gloucester because you | :18:02. | :18:04. | |
fell in love with Gloucester? Yes. Yes. What if Gloucester was a bad | :18:05. | :18:07. | |
place to have a business? Gloucester may have had, you know, a couple of | :18:08. | :18:11. | |
challenges over the last few years. A couple of challenges. 20 empty | :18:12. | :18:16. | |
shops just within a stone's throw. We believe in Gloucester, it's on | :18:17. | :18:24. | |
the up. I admire James and Becka's enthusiasm, but three cafes have | :18:25. | :18:34. | |
already closed down. They have to earn ?3,000 a month just to break | :18:35. | :18:39. | |
even. How much did you pay to buy the business? ?300,000. Did you | :18:40. | :18:44. | |
borrow that from the bank? No, we had some savings, sold our house in | :18:45. | :18:49. | |
London, we had some equity there so we used those funds to buy the | :18:50. | :18:53. | |
business. Putting your personal savics and | :18:54. | :18:57. | |
family home into buying a business is always a big risk -- putting your | :18:58. | :19:02. | |
personal savings. My biggest worry is the location of the cafe. You | :19:03. | :19:10. | |
have Caffe Nero and Starbucks opening up, so it's not easy on the | :19:11. | :19:15. | |
high street. But my biggest concern remains, you need footfall this end | :19:16. | :19:18. | |
of the high street because if you don't, you are going to end up like | :19:19. | :19:25. | |
that and like that. Hedley's simply isn't getting enough | :19:26. | :19:28. | |
customers through the door. They have to start turning a profit | :19:29. | :19:31. | |
quickly and they need to work out whether it's the pricing or, as I | :19:32. | :19:35. | |
think, the location, that's keeping the locals away. | :19:36. | :19:40. | |
I found my vocation. I suggested that we head down to the busier part | :19:41. | :19:49. | |
of town with a range of Hedley's home-made cakes and sandwiches. | :19:50. | :19:53. | |
James and Becka think they offer something different to the other | :19:54. | :19:55. | |
cafes in Gloucester. We want the locals to tell us what | :19:56. | :20:00. | |
they are prepared to pay. Yummy. What would you pay? ?6. 50! | :20:01. | :20:08. | |
Slice of cake... There wasn't a bigger one? ?5.99! ?7 or ?8. | :20:09. | :20:17. | |
This is what it's all about. The results are in and it turns out | :20:18. | :20:23. | |
the public think James and Becka's prices are fair, but there is a | :20:24. | :20:27. | |
theme emerging and, as I suspected, it's the location that's putting | :20:28. | :20:32. | |
people off. It's a bit out of town. I wouldn't normally go there because | :20:33. | :20:35. | |
it's so far down. With the lunch time rush over, it's | :20:36. | :20:41. | |
time for some home truths. You are totally relying on people going to | :20:42. | :20:46. | |
the cathedral for your customers. That's not the way to earn money. | :20:47. | :20:50. | |
You are absolutely right and we are going to do everything we can to get | :20:51. | :20:57. | |
as many people down to Hedley's as we can. We have a lot of corporate | :20:58. | :21:01. | |
customers to come in and sell sandwiches through to them. For this | :21:02. | :21:05. | |
to work to you, you need additional revenue streams? We do. And | :21:06. | :21:09. | |
stretching the brand, delivering, corporate, buffets? Exactly. Then it | :21:10. | :21:15. | |
will work? Yes, it's going to be Hedley's across three or four | :21:16. | :21:18. | |
dimensions. Without that, the dream is going to struggle? I think it | :21:19. | :21:22. | |
will, yes. Time is critical. James and Becka | :21:23. | :21:31. | |
only have six Monks to -- months to turn this business around. I'll be | :21:32. | :21:37. | |
back to see if they make it. Here he is back. In his reserve car, | :21:38. | :21:42. | |
not even the number one car. I've been buffing it. We know you like | :21:43. | :21:46. | |
things wrapped in tin foil. We have got you these tuna sandwiches. Do | :21:47. | :21:52. | |
you mind if I keep them for later? You can eat them on the way home. We | :21:53. | :22:00. | |
are talking about this, George Osborne 0.8%. Declan Curry explained | :22:01. | :22:06. | |
it. It's a bit like a rear view mirror because it's already | :22:07. | :22:08. | |
happened. But looking forward, what does it mean? We've had five | :22:09. | :22:14. | |
consecutive quarters of growth which is brilliant. I'm a shopkeeper. All | :22:15. | :22:21. | |
convenience stores in the UK and abroad now, there we are seeing a | :22:22. | :22:25. | |
marked increase in confidence, in consumers spending money. When | :22:26. | :22:29. | |
consumers spending money, it means we can employ people. When you | :22:30. | :22:32. | |
employ people, they pay their taxes, they spend money, it creates further | :22:33. | :22:37. | |
employment and we get growth. Is there enough confidence there though | :22:38. | :22:40. | |
because we are lagging behind America, Japan, France? We are being | :22:41. | :22:49. | |
a tiny big negative. We have growth the same as 2007 now. | :22:50. | :22:54. | |
We are doing very well. Back to where we started? Yes. In the 1930s, | :22:55. | :23:06. | |
the recession was bad. Kelloggs was one brand that did fantastic? | :23:07. | :23:11. | |
Textbook grand. You probably don't rep the deep rescission do you? | :23:12. | :23:18. | |
Kelloggs. No, 1932? I ain't that old. They carried on marketing and | :23:19. | :23:25. | |
advertising their brand. Others became huge brands as other people | :23:26. | :23:28. | |
contracted, so the old adage is, keep marketing, don't listen to the | :23:29. | :23:32. | |
cannots and stop spending, you need to make sure people now you're | :23:33. | :23:36. | |
there. The other one, was treats, like I call it, rev London, they do | :23:37. | :23:44. | |
nail varnish. -- Revlon. It was in the recession again. A little treat, | :23:45. | :23:48. | |
a few dollars and it's easy for people to buy treats. Low ticket | :23:49. | :23:53. | |
price items do well in a recession. It's the big ticket stuff; white | :23:54. | :23:57. | |
goods and those sorts of things. Thank you, Theo. Enjoy the | :23:58. | :24:03. | |
sandwiches. I'm sure Matt's worked with some eccentric types in | :24:04. | :24:07. | |
Holyrood, but here in Britain, we've got plenty of our own to choose | :24:08. | :24:11. | |
from. Like film maker Ken Russell for example. Here is his daughter | :24:12. | :24:15. | |
Vicki with some lovely memories of what it was like growing up with an | :24:16. | :24:20. | |
unconventional father. My dad was known for his highly controversial | :24:21. | :24:25. | |
films about musicians, artists, their sex lives, religious beliefs. | :24:26. | :24:32. | |
My dad was Ken Russell. Screen it at another angle I think. | :24:33. | :24:36. | |
Pf Dad was well known for bushing the | :24:37. | :24:40. | |
boundaries, films like Women in Love, the Devils, of course, which | :24:41. | :24:45. | |
is still censored because of its religious violence, and Crazy | :24:46. | :24:50. | |
scenes. So people might expect that I'd had this outrageous upbringing. | :24:51. | :24:59. | |
But in fact, he was fun-loving, music loving, life-loving. To me, my | :25:00. | :25:07. | |
family loving dad who was actually quite Victorian. During the week, | :25:08. | :25:12. | |
we'd live in our house in Brad broke Square. It was actually quite a 9-5 | :25:13. | :25:16. | |
lifestyle. There was five of us. We'd all have to tidy up and wash up | :25:17. | :25:21. | |
and everything was, you know, we had rules in the house, my mum found | :25:22. | :25:26. | |
this fantastic sign from an old mine that said "danger, man at work" and | :25:27. | :25:30. | |
she'd hang it outside the living room and we knew he wasn't to be | :25:31. | :25:34. | |
disturbed because he was writing. Mum and dad met at art school. Dad | :25:35. | :25:40. | |
was studying photography and mum was studying fashion design. They | :25:41. | :25:44. | |
collaborated from when they were students. He was good at taking the | :25:45. | :25:48. | |
risk and the chance on people, like Twiggy, for example in The | :25:49. | :25:54. | |
Boyfriend. More this way, Twiggy. Dad always wanted us to be in the | :25:55. | :26:03. | |
films as well. My first Royal was playing Oliver Reid's daughter and | :26:04. | :26:09. | |
that was for the monitor arts series for the BBC. They were pretty much | :26:10. | :26:16. | |
the first docu-dramas. The biggest role was Sally Simpson in Tommy | :26:17. | :26:23. | |
which was the first ever rock opera. He was a trend setter. Films like | :26:24. | :26:29. | |
Women in Love with the famous naked fight scene between Oliver Reid and | :26:30. | :26:34. | |
Allan bathes caused so much controversy. A girl at school said | :26:35. | :26:39. | |
to me "oi, your dad, he makes all those sex films, doesn't he? ". When | :26:40. | :26:46. | |
I was 14, my parents split up. And it was like a bomb going off, you | :26:47. | :26:53. | |
know, in our family. I think it was just down to midlife crisis. People | :26:54. | :27:00. | |
think he's a wild drunk, but no, he's definitely not mad. He was just | :27:01. | :27:05. | |
unique. I sent a script to Channel 4 the other day. It came back saying | :27:06. | :27:14. | |
"thank you to for your script, it's not cinematic enough. " I nearly | :27:15. | :27:21. | |
went mad. One of my favourite things was when dad would drag out his arm | :27:22. | :27:25. | |
chair and we'd watch the sun sets because they were so spectacular. We | :27:26. | :27:31. | |
had the entire heath here. Occasionally his music, glass of red | :27:32. | :27:39. | |
wine, sun set. Paradise. Dad lived until 84. He'd had a | :27:40. | :27:43. | |
series of strokes, a couple of heart attacks, but he died in his sleep | :27:44. | :27:48. | |
quite peace fly and we do miss him very much. I'm just blessed that I | :27:49. | :27:53. | |
had him as a dad because he was just so inspiring. One of my earliest | :27:54. | :27:58. | |
memories. I was five or six years old and I spotted in the distance a | :27:59. | :28:04. | |
twinically mass of buildings, chimneys of smoke and all this | :28:05. | :28:09. | |
stuff. I was like, what's that over there, dad, my first factory I'd | :28:10. | :28:13. | |
ever seen and my dad just turned round and said "that's fairy city" | :28:14. | :28:18. | |
and that's been my template for the rest of my life. | :28:19. | :28:22. | |
Aw, some lovely pictures and footage. Thank you very much indeed. | :28:23. | :28:26. | |
Can you believe it, that's all we have time for tonight. | :28:27. | :28:31. | |
Tomorrow, we'll be having a go on a bucking Bronco because Jason Donovan | :28:32. | :28:35. | |
is here, starring in a new musical, Annie Get Your Gun gun. He is. Huge | :28:36. | :28:39. | |
thank you to Matt Le Blanc for joining us tonight. | :28:40. | :28:43. | |
If Jason is going to have a go at this bucking Bronco, one top Tim for | :28:44. | :28:47. | |
him? Hold on for dear life. There you go! You can see Matt in ensoedz | :28:48. | :28:53. | |
on BBC Two, Wednesday 14th May at 10 o'clock. Thanks for your company. | :28:54. | :28:57. | |
See you tomorrow. | :28:58. | :28:59. |