Browse content similar to 30/05/2014. Check below for episodes and series from the same categories and more!
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YOU MAY NOT HAVE BEEN ABLE TO HEAR THOSE OPENING TITLES. TODAY, WE ARE | :00:42. | :00:48. | |
CELEBRATING THE POWER OF THE WRITTEN WORD. We have some of the winners of | :00:49. | :00:53. | |
Chris's 500 words competition. With us this evening! They were here from | :00:54. | :01:01. | |
seven o'clock, bleary eyed but enthusiast! . But they do not know | :01:02. | :01:06. | |
that they will each have a cover illustration for your story done | :01:07. | :01:11. | |
tonight by one of these six brilliant artists from Hereford Art | :01:12. | :01:17. | |
college, everybody! We will also be hearing some extracts from their | :01:18. | :01:21. | |
stories by the likes of an addict Cumberbatch, Paloma Faith and Hugh | :01:22. | :01:27. | |
Bonneville. -- Benedict Cumberbatch. We have commissioned a special poem | :01:28. | :01:30. | |
about one of the country's most beautiful coastlines. To be honest, | :01:31. | :01:36. | |
two words describe tonight's guests. They would be Rob and Brydon! Hello, | :01:37. | :01:46. | |
Alex. You love Hay Festival. For people who do not know what the big | :01:47. | :01:52. | |
appeal is, sell it to us. Firstly, the location. The countryside. It is | :01:53. | :01:56. | |
a fantastic part of the world. Secondly, it is just a lovely | :01:57. | :02:01. | |
atmosphere here. You get people here who even if you just do something | :02:02. | :02:04. | |
like this, will suddenly start screaming. That is all you have to | :02:05. | :02:12. | |
do. They are an amazing crowd. Helps us out a lot. And if you do that, | :02:13. | :02:20. | |
they go, ooh. Later in the show, we will take a trip down memory lane | :02:21. | :02:24. | |
and ask the people of Hay what they used to study at school. Rob, can | :02:25. | :02:30. | |
you remember that far back? There is no need for that sort of humour. | :02:31. | :02:37. | |
Yes, I can. It was all on slate and chalk. Catcher in the Rye was one of | :02:38. | :02:42. | |
the first books that made a big on me. So I certainly remember that. | :02:43. | :02:47. | |
Weathering heights, the Thomas Hardy books. But capturing the Rye was the | :02:48. | :02:52. | |
one that made go, wow, this is powerful. Michael Gove has said in | :02:53. | :02:57. | |
the last few days, he suggested that we drop the American classics in | :02:58. | :03:03. | |
favour of British books. But what do the bookies of Hay think 's not the | :03:04. | :03:07. | |
betting people, the people who love books. | :03:08. | :03:12. | |
It is not everyday you get to guess up as Jane Austen and come to the | :03:13. | :03:15. | |
UK's biggest literature festival. I am here to find out what two's | :03:16. | :03:21. | |
booklovers think of Michael Gove's decision to make our syllabus more | :03:22. | :03:35. | |
British. What do you think of the decision? It is a terrible | :03:36. | :03:39. | |
decision. I know books like Of Mice And Men and To Kill A Mockingbird | :03:40. | :03:42. | |
have imagined. They are brilliant books. You want to see some English | :03:43. | :03:48. | |
writers on the curriculum like Jane Austen and the Bronte sisters. Do we | :03:49. | :03:52. | |
run the risk of disengaging kids? Teachers should be able to teach | :03:53. | :03:59. | |
what drives them. That is when children get the best learning. I | :04:00. | :04:02. | |
think teachers should be enabled to teach what motivates them. Next | :04:03. | :04:09. | |
year, I am taking my GCSEs. It is not a big disappointment, but it is | :04:10. | :04:13. | |
quite limiting to my learning, I guess. Would you rather read Of Mice | :04:14. | :04:19. | |
And Men or Emma? Of Mice And Men. It is an easier language to understand | :04:20. | :04:24. | |
than Emma, and it is smaller. How do you feel about the fact that this | :04:25. | :04:29. | |
section is now limited to contemporary British writers? Over | :04:30. | :04:33. | |
the years, maybe the British classics, Shakespeare and Dickens, a | :04:34. | :04:37. | |
passion of mine, have not been read enough in schools and are not enough | :04:38. | :04:42. | |
on the national curriculum. That was the general vibe on Mr Gove's | :04:43. | :04:47. | |
thoughts in Hay. Now let's find out more about the festival. What is | :04:48. | :04:53. | |
your name? Katie. And what do you like most about the festival? I saw | :04:54. | :04:58. | |
Michael Morpurgo in action and he was brilliant. I am a primary school | :04:59. | :05:02. | |
teacher. I sat in a car for four hours, and I am teaching one of his | :05:03. | :05:06. | |
books at the minute. And I was looking at the book and trying to | :05:07. | :05:09. | |
come up with questions to talk to the kids about, and suddenly he is | :05:10. | :05:13. | |
in front of me, talking. All I wanted to ask was, what questions | :05:14. | :05:20. | |
should I ask? So what did you ask? Hopefully, he is watching. | :05:21. | :05:25. | |
I have two ladies here in matching T-shirts. I am Carolyn. And | :05:26. | :05:30. | |
Melanie. What has been your favourite part of Bs today? I went | :05:31. | :05:37. | |
to see a fantastic musician who had everyone rocking in the aisles. But | :05:38. | :05:41. | |
I love books, too. They do it all here. The best thing I saw was an | :05:42. | :05:48. | |
economist who was here on Monday. He spoke about the productivity of | :05:49. | :05:55. | |
women and said that if we counted that, we would all be a lot richer. | :05:56. | :05:59. | |
A good man to listen to. What is your name? Run. Where are you from? | :06:00. | :06:09. | |
I am local. What was your favourite bit of Hay? I am looking | :06:10. | :06:12. | |
I am local. What was your favourite about the productivity of women. I | :06:13. | :06:14. | |
can't find one anywhere. We wish you all the best with that search. This | :06:15. | :06:21. | |
is the 27th Hay Festival, and it all started in a beer garden in the | :06:22. | :06:25. | |
1980s. It plays host all the major players and literati from Dame Judi | :06:26. | :06:29. | |
Dench to Benedict Cumberbatch, Stephen Fry. Bill Clinton came here | :06:30. | :06:34. | |
and called it the Woodstock for the mind. But how come it is such a big | :06:35. | :06:39. | |
deal? Here are some old people who might know. | :06:40. | :06:49. | |
Hay Festival is a celebration of stories and poems and books. A place | :06:50. | :06:56. | |
of excitement, a place of unexpected ideas. Vibrant, brings people of all | :06:57. | :07:02. | |
ages and persuasions together. And they usually do it in the mud and | :07:03. | :07:10. | |
rain, and it is fantastic. I am Marcus Brooks dog, a comedian and | :07:11. | :07:14. | |
author. The Hay Festival brings together the best minds on pretty | :07:15. | :07:18. | |
author. The Hay Festival brings much any subject you can think of. | :07:19. | :07:23. | |
Stereo photography gives you a reproduction of what you might be | :07:24. | :07:29. | |
seeing. You can dive straight into a subject you had never thought about | :07:30. | :07:34. | |
before and hear from a world expert. I am the person who led the team | :07:35. | :07:40. | |
that created the iPod. Here, I can learn from the minds of science, | :07:41. | :07:45. | |
literature, arts, to bring humanity to technology. If you think of the | :07:46. | :07:49. | |
iPod, it was the melding of technology with music. I have been a | :07:50. | :07:53. | |
musician and astronomer all my life, so there are a lot of things I do. | :07:54. | :07:58. | |
Depending on a different hour of the day, I will be wearing a different | :07:59. | :08:02. | |
hat. I would not have written my book, had I not come here. I am | :08:03. | :08:06. | |
dyslexic, so I was scared of dogs as a kid. It was just hanging out with | :08:07. | :08:12. | |
authors, -- I was scared of books as a kid. I was hearing them talk about | :08:13. | :08:17. | |
the process, and now I make my living reading and writing, | :08:18. | :08:25. | |
effectively. I am Michael Morpurgo. I write books. The one people seem | :08:26. | :08:29. | |
to like most at the moment is warhorse. It is not about writers | :08:30. | :08:34. | |
showing off how clever it is to write stories. We all tell stories. | :08:35. | :08:39. | |
Stories are the way we have passed on information since the days when | :08:40. | :08:43. | |
people sat around campfires, before there was writing. When you write a | :08:44. | :08:49. | |
book, you are creating something which connects with other people. | :08:50. | :08:52. | |
The most gratifying bit is when you meet people who said they have | :08:53. | :08:56. | |
enjoyed your work. That is why festivals are fun. To me, it is | :08:57. | :09:02. | |
joyful, because I am used to moving in circles with people who do not | :09:03. | :09:05. | |
read much, and it is great to realise that people do want to pick | :09:06. | :09:09. | |
up the real thing and enjoyable. There is nothing quite like it. What | :09:10. | :09:16. | |
I like about Hay is the audience. I love the questions. Members of the | :09:17. | :09:21. | |
audience, and say things to you that you did not expect. When is your | :09:22. | :09:27. | |
movie coming out? That is a really serious question, and I don't really | :09:28. | :09:31. | |
know. I know what I think, but I don't know what they think, and you | :09:32. | :09:35. | |
get some really interesting remarks from the audience. Why have you | :09:36. | :09:41. | |
never both done something together 's the Q and as at the end of the | :09:42. | :09:44. | |
sessions here are not warm, cuddly, 's the Q and as at the end of the | :09:45. | :09:48. | |
sessions here are friendly and fuzzy. They are really challenging. | :09:49. | :09:55. | |
The most special moment is when a person comes up to you and has read | :09:56. | :09:58. | |
a book of yours which has been life changing. Their mum may come up and | :09:59. | :10:05. | |
say, my little boy did not read a book until he picked up your book, | :10:06. | :10:12. | |
and he loved it. And that has changed his life, because he has not | :10:13. | :10:13. | |
stopped reading. Books can changed his life, because he has not | :10:14. | :10:21. | |
lives, and you learn that by coming out to Hay. It is brilliant. | :10:22. | :10:27. | |
lives, and you learn that by coming out to Hay. It is There are 700 | :10:28. | :10:31. | |
events here this year. There is one session called Letters Live, where | :10:32. | :10:35. | |
exceptional letters from throughout history read aloud. | :10:36. | :10:36. | |
exceptional letters from throughout history I read one today. I had to | :10:37. | :10:40. | |
follow Benedict Cumberbatch, who brought the house down. But you did | :10:41. | :10:49. | |
a brilliant job. Shaun Usher is the author of Letters Of Note. Give us a | :10:50. | :10:52. | |
sense of the variety of the letters in the book? There is everything | :10:53. | :10:56. | |
from apology letters to job application letters, love letters, | :10:57. | :11:00. | |
really sad, horrifically depressing letters, which I love some strange | :11:01. | :11:04. | |
reason, too hilarious letters from people like Steve Martin. Mick | :11:05. | :11:10. | |
Jagger to Andy Warhol. Then there are old letters from 1000 BC, carved | :11:11. | :11:15. | |
into stone. There is a huge array of different letters. Pick some of your | :11:16. | :11:22. | |
favourites from the book for us? There is a letter from the Queen in | :11:23. | :11:28. | |
1960. President Eisenhower visited Balmoral, and Queen Elizabeth made | :11:29. | :11:33. | |
some drop scones from her own personal recipe. Which we have | :11:34. | :11:44. | |
here. This is the Queen's recipe. What about that? Fantastic. | :11:45. | :11:56. | |
Eisenhower loved them. So the Queen sent the recipe to him a few months | :11:57. | :12:00. | |
later. So in the book, you can see the letter and the recipe itself. So | :12:01. | :12:04. | |
you can copy it if you want. Then there was a letter from Jack the | :12:05. | :12:08. | |
Ripper, which was sent with half a human kidney. So it is a | :12:09. | :12:15. | |
roller-coaster ride. And you thought a lot about the order you put them | :12:16. | :12:18. | |
in. Tell us about the letter from Gandhi to hit love. As World War II | :12:19. | :12:23. | |
was starting, Dandy wrote to Hitler, thinking he could maybe change his | :12:24. | :12:28. | |
mind -- Gandhi wrote to Hitler, saying, stop for the sake of | :12:29. | :12:33. | |
humanity. But it got intercepted by the British government and Hitler | :12:34. | :12:37. | |
never received it, not that I imagine it would have helped. But it | :12:38. | :12:40. | |
is a hugely historical, interesting letter. So how did you collect and | :12:41. | :12:46. | |
put these letters together? I started four years ago, and I have | :12:47. | :12:51. | |
been looking in archives, libraries. I buy so many books, it is | :12:52. | :12:57. | |
ridiculous. Museums, book 's, and now there is a website of the same | :12:58. | :13:01. | |
name. It has become quite popular. A lot of readers send in their run | :13:02. | :13:07. | |
letters from famous people. There are loads of different avenues. What | :13:08. | :13:12. | |
about the most important letter in your opinion out of all of them? | :13:13. | :13:16. | |
Francis Crick, who co-discovered the structure of DNA by just after he | :13:17. | :13:21. | |
had discovered it, he wrote a letter to his son before became public and | :13:22. | :13:25. | |
said, I have just made the most important discovery, and explained | :13:26. | :13:28. | |
DNA with illustrations of the molecule and everything. And that | :13:29. | :13:33. | |
letter was sold last year at Christie 's auction house for ?5 | :13:34. | :13:38. | |
million. It is the most expensive letter ever sold. And it is in the | :13:39. | :13:45. | |
book. They are a dying art, so they will get more expensive. Exactly. We | :13:46. | :13:49. | |
have turned to Twitter and e-mails and texts. Handwriting is dying out | :13:50. | :13:55. | |
as well. Do you find when you do write a letter, you write so rarely | :13:56. | :14:02. | |
that you have to warm up. That could be old age. Thank you! You can turn | :14:03. | :14:09. | |
against a person very quickly, can't you? I have this book, and there was | :14:10. | :14:14. | |
a great letter in it from Elvis to President Nixon. There is a famous | :14:15. | :14:18. | |
shot of them in the Oval Office. That is in there. He wrote that | :14:19. | :14:25. | |
letter on the plane to the White House, all to get a police badge. | :14:26. | :14:29. | |
People are fascinated by the book. It is in its eighth print run, so | :14:30. | :14:39. | |
well done. We thought it would be perfect if we had some words written | :14:40. | :14:45. | |
especially for us. We asked Elvis Mcgonagall to write about the place | :14:46. | :14:54. | |
that was special to him. About 11 years ago my wife and I decided to | :14:55. | :14:59. | |
come to Dorset and live in Purbeck. It is not an island as such but has | :15:00. | :15:05. | |
the feel of one. I was born and bred 500 miles away in Scotland and had | :15:06. | :15:08. | |
never lived in the countryside before. I had always lived in cities | :15:09. | :15:13. | |
and in the depths of our first few winters here I did sometimes think, | :15:14. | :15:18. | |
oh, dear, we have come to the countryside by mistake. I work as a | :15:19. | :15:25. | |
stand-up poet. I guess you can best describe what I do as performing | :15:26. | :15:30. | |
political satire and a bit of celebrity bashing. The finger of | :15:31. | :15:38. | |
fudge is not enough for the city. These stars and stripes fly over | :15:39. | :15:48. | |
formal -- Bournville Village. The tradition goes back before the | :15:49. | :15:52. | |
printing press was invented. You are just sharing words with people. It | :15:53. | :15:56. | |
is great to share them with a live audience. It is fantastic living | :15:57. | :16:00. | |
here. There are not many distractions and there is room to | :16:01. | :16:05. | |
think. I often write lines while walking in spectacular scenery. It | :16:06. | :16:11. | |
helps me see the bigger picture when writing about the high poxy of | :16:12. | :16:15. | |
politicians or venal bankers. We're walking on hundreds of millions of | :16:16. | :16:21. | |
years of history. It keeps things in perspective. What I have tried to do | :16:22. | :16:26. | |
is capture some of the spirit Purbeck and some of its marvels of | :16:27. | :16:30. | |
fossil and stone. It did not come quickly. It was like chipping away | :16:31. | :16:34. | |
at some stone and finding out what it would be like in the middle. It | :16:35. | :16:39. | |
was an interesting exercise. I was off piste in terms of subject matter | :16:40. | :16:48. | |
and style. Cast adrift from city sirens island, a sculpture shape | :16:49. | :16:55. | |
from limestone, clay and shale, old rocks, it's steep backbone, the | :16:56. | :17:04. | |
jokes buying of a whale. Land ploughed and drilled, framed by wind | :17:05. | :17:11. | |
wracked Cliff, shifting sand and Heath. Crowned with a castle | :17:12. | :17:18. | |
shattered silhouette, failed in ghostly sea fog on wet dog days, | :17:19. | :17:24. | |
they'd instar paid silent midnight sky is where memories are cloaked in | :17:25. | :17:33. | |
Mason 's dust. The muscle, grit and sweat built crispy drawls -- | :17:34. | :17:53. | |
cathedrals. As barrels clattered on the flagstone floor. Wood panelled | :17:54. | :17:58. | |
walls in grained with song and story, laughter echoing voices gone | :17:59. | :18:04. | |
before. Mecca for apostles of the fossil. The Greiner Don 's old | :18:05. | :18:16. | |
coastal footpath. 200 million sun cracked years bleached white. With | :18:17. | :18:23. | |
hammer on chisel they awaken. I unbound beauty slowly brought to | :18:24. | :18:27. | |
light, engraved deep in a past long forsaken. The Gilchrist tourist | :18:28. | :18:36. | |
shilling bills tills. This is not England set in aspic. Life draws | :18:37. | :18:44. | |
breath from these ancient green hills. A carving hewn from | :18:45. | :18:51. | |
prehistoric bone. A deep theme of peace, space to think and dream. A | :18:52. | :18:54. | |
living work of art, peace, space to think and dream. A | :18:55. | :18:58. | |
stone. Thank you. Prose poetry. peace, space to think and dream. A | :18:59. | :19:04. | |
Let's get to Dylan Thomas. Let's get to you, Hay Festival and Dylan | :19:05. | :19:11. | |
Thomas. I did not know him personally. I'd agree may feel like | :19:12. | :19:16. | |
you do now. That is part of the thing with Dylan Thomas. I am sure | :19:17. | :19:26. | |
Alex will back me up. It does feel like part of your heritage. I went | :19:27. | :19:29. | |
to school in Swansea where he is from. When I went to school in | :19:30. | :19:35. | |
Swansea, although it was a different time, it all meshes in together. | :19:36. | :19:41. | |
There is a very special event tomorrow night because it is the | :19:42. | :19:45. | |
There is a very special event centenary of Dylan Thomas. What is | :19:46. | :19:49. | |
your part in that? It is me, Charis Matthews and Tom Hollander and we | :19:50. | :19:56. | |
are reading some of the poems. These are letters to an American lover. | :19:57. | :20:01. | |
They are amazing. You know it is Dylan Thomas writing it because the | :20:02. | :20:04. | |
language is so wonderful and emotive. We are reading some of | :20:05. | :20:09. | |
those. That is tomorrow night here at Hay. I think it is probably sold | :20:10. | :20:20. | |
out! Have you ever considered playing him? Tom Hollander has | :20:21. | :20:29. | |
recently. He was fantastic. I think my resemblance to Al Pacino is so... | :20:30. | :20:35. | |
So strong, I think it would be very hard for an audience | :20:36. | :20:37. | |
So strong, I think it would be very Dylan. That is a great shame. What | :20:38. | :20:45. | |
is going on between Dylan. That is a great shame. What | :20:46. | :20:51. | |
Presley? You had him rice the other day. What a lot of people do not | :20:52. | :20:57. | |
know is that Tim and Andrew Lloyd Webber wrote the last song on the | :20:58. | :21:01. | |
last album this album and, foolishly, I have agreed to sing it | :21:02. | :21:08. | |
at this big event with proper singers. -- Elvis album. Will you | :21:09. | :21:18. | |
preview it now? I will give you a little bit. I do not think we have | :21:19. | :21:28. | |
time. It is a big, du Matic ballot. -- dramatic ballad. You may not mind | :21:29. | :21:37. | |
that it is over but I have a different point of view. If you want | :21:38. | :21:41. | |
to hear any more, you have to come to the event. That is happening at | :21:42. | :21:49. | |
the Royal Festival Hall. Will you be nervous? Of course I will. Is it | :21:50. | :21:56. | |
good to put yourself out of your comfort zone? Not really. The | :21:57. | :22:02. | |
comfort zone is very comfortable. Once you find your comfort zone, | :22:03. | :22:11. | |
I've taken a stake in it. I did not see the Italy Trip. Let's see a bit | :22:12. | :22:20. | |
of it now. You know the Coffey commercial he did. Coffee is a way | :22:21. | :22:28. | |
of life. And Al Pacino script will all have Coffey marks on it. You go, | :22:29. | :22:38. | |
that is Al Pacino. That is another reason why he liked crunchy nut | :22:39. | :22:44. | |
cornflakes. Two brooding, intense actors promoting products they | :22:45. | :22:53. | |
genuinely love. Al Pacino again. How much of a dent in the budget did the | :22:54. | :22:59. | |
fact of 50 make? You had to put loads of it on. You have agreed to | :23:00. | :23:07. | |
deliver a story within 25 words. Not yet. You have done that for us. The | :23:08. | :23:16. | |
25 words story on the way. Also shortly we will be finding out how | :23:17. | :23:21. | |
illustrators got on with creating covers for the winners of the 500 | :23:22. | :23:27. | |
words competition. We had the six winners from the 108,000 entrants. | :23:28. | :23:35. | |
They could not have been more enthusiastic. Here is a taste of | :23:36. | :23:36. | |
what happened. I would love to announce the | :23:37. | :23:53. | |
winner. In the bronze category for ten to 13-year-olds. It is a | :23:54. | :23:58. | |
brilliant story. I think it is fantastic. It is Albert Onions And | :23:59. | :24:08. | |
Me. How glad are you that your teacher forced to into this? Quite | :24:09. | :24:21. | |
glad, actually. Next, Nicolas Lockhart. I think it is time to hear | :24:22. | :24:29. | |
the gold medal winning story. Paloma Faith, it is over to you. There is | :24:30. | :24:36. | |
no point in not opening your letter. I have tried every option, there is | :24:37. | :24:47. | |
no way out. Are you ready? Should Bes. In the margin, with her then | :24:48. | :24:57. | |
handwriting I read with growing horror, for the war did not end in | :24:58. | :25:03. | |
1918. My father never came back from France. We are should bes. No Ideas, | :25:04. | :25:28. | |
George by Robert Jordan. A little boy smiled a strange, eerie smile at | :25:29. | :25:36. | |
Daniel and then they were gone. He was alone. What a story! How about | :25:37. | :25:47. | |
that! That must have been a pleasure to read. Fantastic! Really | :25:48. | :25:52. | |
wonderful. The winners are here, everybody. What was your story | :25:53. | :26:00. | |
about? My story was about a boy who found a statue that came to light. | :26:01. | :26:05. | |
Natalie has done you an illustration. Let's have a look! How | :26:06. | :26:13. | |
cool is that! I you happy? Juliet, what is the name of your story? | :26:14. | :26:22. | |
Should Bes. It was about lots of children not being born because the | :26:23. | :26:25. | |
First World War went on for a year longer. Lucy has done your | :26:26. | :26:29. | |
illustration for you. Let's have a look. Are you happy with that? Yes. | :26:30. | :26:40. | |
Beautiful! Nick, what is your story called? Diary Of A Minotaur. Here is | :26:41. | :26:59. | |
your illustration. How cool are these? I have Susanna, the winner of | :27:00. | :27:02. | |
the ten to 13 gold winner in that category. What was the name of the | :27:03. | :27:16. | |
story? All De Time In The World. He is your illustration. What did you | :27:17. | :27:27. | |
think of it? Lovely, thank you. Your book was called Lost On The | :27:28. | :27:33. | |
Underground. I kept asking my mum when we went to London whether I | :27:34. | :27:40. | |
should stay on the train or get off. ) she told you to get off, didn't | :27:41. | :27:46. | |
she? Here is your cover. Isn't that brilliant! Arabella, you have done | :27:47. | :27:58. | |
one for Robert, who is only seven years and eight months. That is | :27:59. | :28:03. | |
fantastic. Thank you so much, Arabella. We will post it to you. | :28:04. | :28:12. | |
Are you ready for the 25 words story from Rob Brydon? Tell us about the | :28:13. | :28:17. | |
inspiration without giving too much away. The idea came to me when a | :28:18. | :28:22. | |
researcher... That was brilliant. That is all we have time for with | :28:23. | :28:28. | |
regards to the background. The writer at his paper strewn desk. Can | :28:29. | :28:37. | |
I write a story in 25 words? Of course, how difficult can it... ? | :28:38. | :28:50. | |
Very good. Rob Brydon, everybody. I dropped my family at a farmhouse. | :28:51. | :28:55. | |
The farmer was furious so I am going to pop in now and smooth things | :28:56. | :29:01. | |
over. Thank you so much to everyone here at Hay. The written word is so | :29:02. | :29:07. | |
important. I will be back in the studio on Monday. | :29:08. | :29:13. |