
Browse content similar to 30/10/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to
The One Show with Amol Rajan... | 0:00:15 | 0:00:17 | |
..And Michelle Ackerly. | 0:00:17 | 0:00:18 | |
Our guest tonight is a comedian,
actor, musician and wildlife fan. | 0:00:18 | 0:00:21 | |
So, given the success of a certain
nature show last night, | 0:00:21 | 0:00:25 | |
we thought we'd show you some
stunning shots of him | 0:00:25 | 0:00:27 | |
in his natural habitat. | 0:00:27 | 0:00:32 | |
Here, the adults behave rather
strangely. This is a male. He is | 0:00:38 | 0:00:45 | |
particularly handsome. The more
bulbous the head, the more it | 0:00:45 | 0:00:50 | |
intimidates an opponent, and he is
ready to breed. But then, something | 0:00:50 | 0:00:56 | |
truly extraordinary happens. The
territory has a new ruler. | 0:00:56 | 0:01:03 | |
APPLAUSE Ladies and gentlemen, Bill
Bailey! | 0:01:03 | 0:01:10 | |
That's marvellous. Fantastic.
Particularly handsome. It looked | 0:01:12 | 0:01:21 | |
amazing. Not quite ready to breed! I
take issue with you there. You would | 0:01:21 | 0:01:28 | |
have seen Blue Planet last night. An
amazing show, which by the way is on | 0:01:28 | 0:01:34 | |
the iPlayer. What particularly
jumped out from the show for you? | 0:01:34 | 0:01:39 | |
Literally? There was one section
with a giant trevally, those huge | 0:01:39 | 0:01:44 | |
fish that jumped out of the water
and grab those birds. I have swum | 0:01:44 | 0:01:49 | |
with those fish, the giant trevally.
I snorkelled with them on the Great | 0:01:49 | 0:01:55 | |
Barrier Reef, and they are quite
intimidating. They are big, and they | 0:01:55 | 0:01:59 | |
have huge eyes. I was snorkelling
with this fish, and it turned... I | 0:01:59 | 0:02:04 | |
did a double-take. It went... I
think it recognised me. I don't | 0:02:04 | 0:02:12 | |
know! You are just famous
everywhere. Underwater... Exactly. | 0:02:12 | 0:02:20 | |
Famous amongst fish, that's me!
Incredible talents. What natural | 0:02:20 | 0:02:27 | |
talents are you looking forward to
seeing in next weeks episode? I | 0:02:27 | 0:02:31 | |
don't know if you can top that!
There is a fish that can make art. | 0:02:31 | 0:02:37 | |
That is amazing. It's sort of scoops
the sand into a piece of art. Bill, | 0:02:37 | 0:02:43 | |
it is very nice to see you. | 0:02:43 | 0:02:47 | |
Very shortly we'll be speaking
to Hassan Akkad who, | 0:02:47 | 0:02:49 | |
having been part of the incredible
documentary Exodus, which told | 0:02:49 | 0:02:52 | |
the stories of refugees
as they travelled across Europe, | 0:02:52 | 0:02:54 | |
has now helped make the new series. | 0:02:54 | 0:02:55 | |
Before that, here's how another
refugee here in the UK is hoping | 0:02:55 | 0:02:58 | |
to put HIS much needed talents
to good use. | 0:02:58 | 0:03:04 | |
27-year-old Rouni is making his way
to the job centre. I have to come | 0:03:04 | 0:03:08 | |
every fortnight and look for work.
He came to the UK as a refugee from | 0:03:08 | 0:03:14 | |
Syria three years ago. You have to
try to save your life and have a | 0:03:14 | 0:03:19 | |
better future. It is difficult to
start from scratch and to make a new | 0:03:19 | 0:03:24 | |
life. Rouni is reliant on
jobseeker's allowance until he finds | 0:03:24 | 0:03:30 | |
employment. I don't want to come
here any more. I can't wait to start | 0:03:30 | 0:03:35 | |
work. And he has the skills to do
so, because Rouni is a trained | 0:03:35 | 0:03:41 | |
doctor. This is the doctor 's
office. Rouni is one of the number | 0:03:41 | 0:03:49 | |
of refugees who, despite arriving in
Britain as a fully qualified doctor, | 0:03:49 | 0:03:56 | |
don't have the qualifications to
license here. So they have come up | 0:03:56 | 0:04:01 | |
with a plan to try to get these
doctors back into work. Rouni joined | 0:04:01 | 0:04:07 | |
the resettlement programme for
overseas doctors a year ago, and is | 0:04:07 | 0:04:11 | |
taking part in regular unpaid
placements and mentoring here at the | 0:04:11 | 0:04:16 | |
University Hospital of North Tees.
You have to get used to the | 0:04:16 | 0:04:19 | |
different systems. I am one of the
junior doctors here. The more | 0:04:19 | 0:04:24 | |
exposed, the better you will become.
Like most doctors who trained | 0:04:24 | 0:04:30 | |
outside the EU, Rouni cannot
practice here until he has passed a | 0:04:30 | 0:04:35 | |
theoretical and practical medical
exams. He is waiting for his final | 0:04:35 | 0:04:43 | |
results, and in four weeks' time
will find out whether his hard work | 0:04:43 | 0:04:46 | |
has paid off. I trained in the
Ukraine and graduated in 2014. It | 0:04:46 | 0:04:49 | |
was my dream to become a doctor. I
would love to become a | 0:04:49 | 0:04:54 | |
paediatrician. After all these years
of studying, if you are not able to | 0:04:54 | 0:04:58 | |
do what you love to do, it's very
difficult. The pilot scheme was set | 0:04:58 | 0:05:04 | |
up by a charity in partnership with
North trees and Hartlepool NHS | 0:05:04 | 0:05:10 | |
Foundation Trust, where there is a
shortage of medical staff. The | 0:05:10 | 0:05:15 | |
frustration you would feel as
someone who you know you have skills | 0:05:15 | 0:05:19 | |
that could be put to good use, and
you can't do that in the current | 0:05:19 | 0:05:23 | |
situation, would be very hard. We
want to support refugees who are | 0:05:23 | 0:05:27 | |
health care professionals. Is it
cost effective to do what you are | 0:05:27 | 0:05:32 | |
doing? It costs about £250,000 to
put a UK person through to get them | 0:05:32 | 0:05:40 | |
qualified as a doctor. This will
cost around £5,000 per participant | 0:05:40 | 0:05:45 | |
to get them into UK practice.
Qualifying isn't easy, and a tough | 0:05:45 | 0:05:52 | |
challenge the refugee doctors face
is the English language exam. | 0:05:52 | 0:05:56 | |
Proving you understand the question.
Before they can prove their medical | 0:05:56 | 0:06:02 | |
knowledge, they must passed English
exams in reading, writing and | 0:06:02 | 0:06:06 | |
speaking. Lessons are run by the
charity which co-founded the project | 0:06:06 | 0:06:17 | |
to help the medical refugees and
migrants to learn to not just answer | 0:06:17 | 0:06:21 | |
the questions, but to interpret them
and give more information. How does | 0:06:21 | 0:06:25 | |
the story make you feel? Marianne is
a trained anaesthetist from Nepal. | 0:06:25 | 0:06:38 | |
Obviously the medical qualification
is not easy, but language is the | 0:06:38 | 0:06:42 | |
most difficult part. How many times
have you taken these language exams. | 0:06:42 | 0:06:48 | |
Four times. Jane is the assistant
director of registration at the | 0:06:48 | 0:06:53 | |
General Medical Council. She thinks
it is important the doctors reached | 0:06:53 | 0:06:57 | |
an advanced level of English. Since
we raise the standard of the English | 0:06:57 | 0:07:03 | |
language test in 2014, we have seen
an increase in pass rate of the | 0:07:03 | 0:07:09 | |
GMC's exams, which we believe is
down to doctors being able to | 0:07:09 | 0:07:14 | |
communicate more effectively. There
is a high expectation from patients | 0:07:14 | 0:07:18 | |
that they can have a detailed
conversation with their doctor. We | 0:07:18 | 0:07:24 | |
think the standards are absolutely
appropriate. As for Rouni, the wait | 0:07:24 | 0:07:29 | |
is finally over, and it is good
news. He has passed its final exams. | 0:07:29 | 0:07:34 | |
Today he has come to officially
register at the General Medical | 0:07:34 | 0:07:39 | |
Council in Manchester. I feel
extremely happy, excited. Today is a | 0:07:39 | 0:07:45 | |
great day in my life. I can't wait
to start work and be productive in | 0:07:45 | 0:07:51 | |
my future here, trying to repay
society a bit, because they helped | 0:07:51 | 0:07:55 | |
me a lot. It is like a new future
for me. | 0:07:55 | 0:08:01 | |
Rouni is now working
as a junior doctor at | 0:08:01 | 0:08:03 | |
the University Hospital of North
Tees. | 0:08:03 | 0:08:04 | |
Hassan's here now. | 0:08:04 | 0:08:06 | |
We saw his journey
from Syria to the UK | 0:08:06 | 0:08:08 | |
in the Bafta-award winning Exodus. | 0:08:08 | 0:08:09 | |
Here's one of the stand-out
moments from the series - | 0:08:09 | 0:08:12 | |
his first terrifying attempt
to cross from Turkey to Greece. | 0:08:12 | 0:08:19 | |
Hassan, it is great to see you. Your
journey from Turkey to the UK took | 0:08:53 | 0:08:58 | |
just under three months. Is that the
closest you came to death? Most | 0:08:58 | 0:09:04 | |
certainly, on that crossing. It's
something you watch on the telly all | 0:09:04 | 0:09:07 | |
the time, but you don't know that
one day it is going to be you, | 0:09:07 | 0:09:12 | |
surrounded by almost 60 people,
including children and women, all | 0:09:12 | 0:09:17 | |
asking for help. There were other
moments when we got stuck in vans | 0:09:17 | 0:09:21 | |
and lorries across Europe. It hasn't
been an easy journey. You also | 0:09:21 | 0:09:28 | |
filmed the moment you successfully
managed to board a plane to the UK. | 0:09:28 | 0:09:34 | |
Must have been incredibly emotional.
What would you say to those people | 0:09:34 | 0:09:37 | |
who would argue you shouldn't have
been trying to enter the country | 0:09:37 | 0:09:42 | |
illegally? A lot of people say that
we shouldn't be in the country | 0:09:42 | 0:09:48 | |
illegally, and we should do a
different process, which takes | 0:09:48 | 0:09:54 | |
almost three years. I do agree with
them, but when you are desperate, | 0:09:54 | 0:09:57 | |
when you have lost your home country
and you are desperate to settle down | 0:09:57 | 0:10:02 | |
and find a new place to establish
yourself, you will risk it. It is a | 0:10:02 | 0:10:10 | |
natural, human instinct that you
will risk it. You have been granted | 0:10:10 | 0:10:15 | |
political asylum here in the UK. How
did you go from being the subject of | 0:10:15 | 0:10:19 | |
a documentary to being part of the
team making the second series? When | 0:10:19 | 0:10:24 | |
Exodus went out last year and it won
awards, and people were shocked why | 0:10:24 | 0:10:29 | |
what they saw, it pushed people to
go out and volunteer to do things to | 0:10:29 | 0:10:34 | |
help refugees. The story wasn't over
yet. There were still people coming | 0:10:34 | 0:10:39 | |
to Europe and boarding boats. So the
BBC commissioned the same production | 0:10:39 | 0:10:43 | |
company to do a follow-up programme.
It was a nice gesture of them to | 0:10:43 | 0:10:48 | |
hire me to work on the second
project, because this is what I want | 0:10:48 | 0:10:52 | |
to do. I want to make documentaries
about topics that matter. It was an | 0:10:52 | 0:10:59 | |
incredible experience. What has
changed for people making this | 0:10:59 | 0:11:03 | |
journey now compared to 2015? Things
have changed massively. In 2015, | 0:11:03 | 0:11:10 | |
borders were open, people would take
a week or two to get to wherever | 0:11:10 | 0:11:15 | |
they wanted in western Europe. Now
it is different. Borders are shut. | 0:11:15 | 0:11:22 | |
There are fences everywhere. Some
people are on Greek islands for over | 0:11:22 | 0:11:26 | |
16 months. Some have tried to commit
suicide because they are depressed. | 0:11:26 | 0:11:30 | |
The environment has changed. You no
longer see people with refugees are | 0:11:30 | 0:11:37 | |
welcome. Have attitudes hardened a
bit? Absolutely, the far right in | 0:11:37 | 0:11:43 | |
Greece and Germany. That's something
we filmed with people we followed | 0:11:43 | 0:11:48 | |
through the second production. We
have a clip from the new series, | 0:11:48 | 0:11:54 | |
where Afghan refugee Azizula shows
the conditions people are living in | 0:11:54 | 0:11:58 | |
Belgrade as they wait to cross into
Hungary. | 0:11:58 | 0:12:03 | |
Bill, it is hard to watch footage
like that without putting your own | 0:12:26 | 0:12:30 | |
life into perspective. Yes, these
people are just stuck, in limbo. | 0:12:30 | 0:12:36 | |
They are stateless. They can't go
anywhere. Absolutely, with no hope | 0:12:36 | 0:12:42 | |
of getting anywhere. There are
thousands of them. How do you know | 0:12:42 | 0:12:45 | |
which stories to choose when making
this documentary? You wish you could | 0:12:45 | 0:12:51 | |
tell all the stories. These people
have fled countries where freedom of | 0:12:51 | 0:12:55 | |
speech is not allowed, so for the
first time in their lives they are | 0:12:55 | 0:13:00 | |
able to express their voices. On a
human level, you wish you could tell | 0:13:00 | 0:13:04 | |
all their stories, but on a
practical level, you choose the | 0:13:04 | 0:13:08 | |
people who are comfortable being on
camera, sharing the intimate details | 0:13:08 | 0:13:12 | |
of their lives and what they have
gone through to be where they are | 0:13:12 | 0:13:17 | |
right now. So these are the people
we filmed. We are lucky to have you | 0:13:17 | 0:13:21 | |
to tell the story. | 0:13:21 | 0:13:23 | |
Thank you, Hassan. | 0:13:23 | 0:13:24 | |
Exodus: Our Journey Continues starts
on Thursday at 9pm, on BBC Two. | 0:13:24 | 0:13:29 | |
Bill, we know you're a huge fan
of birds, and your new tour | 0:13:29 | 0:13:32 | |
is called Larks in Transit. | 0:13:32 | 0:13:33 | |
So we think you're
going to enjoy this. | 0:13:33 | 0:13:35 | |
We're calling it
Peregrines in Training. | 0:13:35 | 0:13:44 | |
As a wildlife cameraman, identity
spend much time sat at a desk, but a | 0:13:51 | 0:13:55 | |
tip-off has brought me to this
office in Woking. Because on top of | 0:13:55 | 0:14:00 | |
this building lives a family of the
world's fastest predators, the | 0:14:00 | 0:14:06 | |
Peregrine fall can. And right now,
the parents are teaching the kids to | 0:14:06 | 0:14:11 | |
hunt. Welcome to Peregrine flight
school. These photos, taken by One | 0:14:11 | 0:14:20 | |
Show viewer Craig Denver said,
showed the parents dropping prey | 0:14:20 | 0:14:23 | |
midair for their young to chase. It
is a vital lesson that is going to | 0:14:23 | 0:14:31 | |
change the young peregrines into
deadly aerial acrobats. The | 0:14:31 | 0:14:36 | |
designer's office is just below the
nest, and he follows their lives via | 0:14:36 | 0:14:43 | |
a live feed to his desk. This is the
chicks just a few days old. You can | 0:14:43 | 0:14:50 | |
see the five chicks, and the little
rant is a bit smaller than the | 0:14:50 | 0:14:55 | |
others, but he is a fighter. A few
days on, you can see the difference. | 0:14:55 | 0:15:03 | |
The flight feathers are coming
through. This is the little runt | 0:15:03 | 0:15:07 | |
there, and you can see he is doing
well. This is lovely. They are a bit | 0:15:07 | 0:15:13 | |
older here, and they look big enough
to fly now. Yes, two or three of the | 0:15:13 | 0:15:22 | |
juveniles have taken flight. With
these birds already flying, the | 0:15:22 | 0:15:26 | |
pressure is on to learn to hunt.
Flight school is well and truly | 0:15:26 | 0:15:31 | |
under way. Craig is taking me to the
car park where he took his photos, | 0:15:31 | 0:15:35 | |
and it is the perfect place to see
the action. | 0:15:35 | 0:15:42 | |
This huge office block is the
perfect place for the birds to nest. | 0:15:42 | 0:15:47 | |
It's just like their natural cliff
habitat. And if you look around, | 0:15:47 | 0:15:53 | |
there are all sorts of pigeons, the
bird 's favourite prey, so perhaps | 0:15:53 | 0:15:58 | |
it's no wonder they've managed to
raise five very healthy chicks. But | 0:15:58 | 0:16:02 | |
at this stage in their development,
they only have one thing on their | 0:16:02 | 0:16:07 | |
mind... Hunting. And like all
siblings, they pick fights with each | 0:16:07 | 0:16:13 | |
other. Oooh, WoW expat one of the
youngsters just really went for the | 0:16:13 | 0:16:17 | |
other one. In only a couple of
months, these birds will be on their | 0:16:17 | 0:16:20 | |
own. This dogfighting is getting
them used to hunting and defending | 0:16:20 | 0:16:27 | |
territory.
It's like an aerial battle to prove | 0:16:27 | 0:16:29 | |
who can be the most agile, who rules
the skies. During the dive they can | 0:16:29 | 0:16:37 | |
reach speeds of 200 miles an hour.
Peregrines are the fastest animals | 0:16:37 | 0:16:41 | |
on earth.
These fights are exciting, but the | 0:16:41 | 0:16:49 | |
key lesson of flight school is with
real prey and that's what we have | 0:16:49 | 0:16:52 | |
come here to see, but there is no
sign of it yet. Not least because I | 0:16:52 | 0:16:57 | |
haven't seen either parent for some
time, and I'm starting to wonder if | 0:16:57 | 0:17:01 | |
I've come here on the right day to
see this vital lesson. | 0:17:01 | 0:17:06 | |
But then, Peregrine appears in the
distance and it's carrying a kill. | 0:17:10 | 0:17:15 | |
Is this going to be their behaviour
I've waiting for? Here we go. Here | 0:17:15 | 0:17:26 | |
is mum with the kill, coming in so
fast. Here come the youngsters, | 0:17:26 | 0:17:32 | |
right underneath her, right above my
head. They are taking it... | 0:17:32 | 0:17:37 | |
That's it, that was flight school
happening right above our heads. | 0:17:47 | 0:17:53 | |
Tempting the young in with prey and
dropping it made their allows them | 0:17:53 | 0:17:56 | |
to develop the agility they required
to successfully hunt for themselves. | 0:17:56 | 0:18:03 | |
The family will continue to practice
this breathtaking manoeuvre and in | 0:18:03 | 0:18:07 | |
eight weeks, the chicks will have
graduated from flight school, ready | 0:18:07 | 0:18:11 | |
to leave their parents for good, and
with what it takes to be masters of | 0:18:11 | 0:18:15 | |
the skies. Wow. Epic. Epic. You
don't need the Fords of Norway to | 0:18:15 | 0:18:25 | |
make a wildlife documentary. A car
park in Woking, that's all you need! | 0:18:25 | 0:18:32 | |
200 miles an hour. Yes. Mostly
flight, but regular flight 60 miles | 0:18:32 | 0:18:38 | |
an hour. I think you are a man with
Peregrine facts. Here is an amazing | 0:18:38 | 0:18:44 | |
one, in the Second World War pigeons
were taken on bomber crews so if the | 0:18:44 | 0:18:48 | |
plane went down, the homing pigeon
would go back to relay the location | 0:18:48 | 0:18:52 | |
of where the plane went down. But of
course, as you saw there, what likes | 0:18:52 | 0:18:58 | |
pigeons? The peregrine falcon. As
part of the war effort, the | 0:18:58 | 0:19:02 | |
government issued a destruction
decree of peregrine falcon. Eggs are | 0:19:02 | 0:19:06 | |
taken, hundreds killed in order to
allow the homing pigeons to get | 0:19:06 | 0:19:10 | |
home. Is he making this up? I know.
The absolute truth. APPLAUSE | 0:19:10 | 0:19:19 | |
Incredible trivial knowledge. A mind
filled with Peregrine facts. | 0:19:19 | 0:19:25 | |
Every time you come on the show
with a new tour we have to ask | 0:19:25 | 0:19:28 | |
you about the title because there's
always a story behind it. | 0:19:28 | 0:19:31 | |
You've had Limboland,
Qualmpeddler and now | 0:19:31 | 0:19:32 | |
it's Larks in Transit. | 0:19:32 | 0:19:33 | |
So - off you go. | 0:19:33 | 0:19:36 | |
Larks in Transit, it sounds like I'm
transporting larks. A sticker in the | 0:19:36 | 0:19:42 | |
car... But it's not about
transporting larks. It's larks in | 0:19:42 | 0:19:47 | |
the context in the sense of fun,
from Dickens. Having a lark, larking | 0:19:47 | 0:19:53 | |
about. Yes, and in transit means...
That travels I've had as a comic and | 0:19:53 | 0:20:00 | |
also the kind of fun I've had along
the way, the passage of time, and | 0:20:00 | 0:20:03 | |
getting the most out of life. That's
what the show is about, about | 0:20:03 | 0:20:08 | |
positivity. I get the impression you
are a guy who gets the most out of | 0:20:08 | 0:20:12 | |
life. I do. This series, you haven't
finished writing it, where do you | 0:20:12 | 0:20:17 | |
get the material from? Do you
practice in front of people, a live | 0:20:17 | 0:20:22 | |
audience for example? I do. I
usually have a small theatre, a | 0:20:22 | 0:20:26 | |
little crowd where I can try things
out, sometimes just with a and | 0:20:26 | 0:20:31 | |
notepad took out off ideas. It's
quite a long process. How do you | 0:20:31 | 0:20:37 | |
sell tickets if it's not the proper
tour? LAUGHTER | 0:20:37 | 0:20:40 | |
Comedians do this thing is trying
out the less good jokes. This joke | 0:20:40 | 0:20:46 | |
isn't quite finished so half price.
And into the next one! Potential for | 0:20:46 | 0:20:52 | |
a punch line. LAUGHTER
You want a punch line... For | 0:20:52 | 0:20:55 | |
heaven's sake, that's the VIP
package. You have 170 dates? On the | 0:20:55 | 0:21:01 | |
last tour? Yes. Do you remember, if
I say number 135? There's a point | 0:21:01 | 0:21:12 | |
naturally you have a bit of a lull.
When you start there's lots of | 0:21:12 | 0:21:17 | |
adrenaline and then... A meltdown. I
wouldn't say a meltdown! LAUGHTER | 0:21:17 | 0:21:26 | |
The tour manager knocking on the
door. There you go, half price. But | 0:21:26 | 0:21:31 | |
there is a lull in the tour when you
think how many more dates? Then you | 0:21:31 | 0:21:35 | |
get a great crowd and the crowd
lifts you up. In this tour, there | 0:21:35 | 0:21:40 | |
are parts where you talk about being
recognised as Bill Bailey. What | 0:21:40 | 0:21:43 | |
would you say about that, a blessing
or curse? Quite a recognisable look, | 0:21:43 | 0:21:49 | |
this. Matt Fish the earlier! I get
recognised by different species. -- | 0:21:49 | 0:21:57 | |
the fish recognised you earlier.
It's tough. A very distinctive face. | 0:21:57 | 0:22:02 | |
A little birdie tells me you are in
a forthcoming episode of Midsommer | 0:22:02 | 0:22:06 | |
Murders. If I wasn't watched that
episode, do you do the murder? Are | 0:22:06 | 0:22:11 | |
you responsible for the murder?
Spoiler alert. I cannot say, I | 0:22:11 | 0:22:18 | |
cannot die votes such information! I
play a mysterious comic book writer. | 0:22:18 | 0:22:24 | |
Who murders someone? He may do or
may not stop Moving swiftly, acting | 0:22:24 | 0:22:31 | |
alongside Idris Elba? Yes indeed.
Starting a show, based on Idris | 0:22:31 | 0:22:37 | |
Elba's childhood in London, growing
up in London. I play a character, | 0:22:37 | 0:22:40 | |
his father. He praises father and I
play the next-door neighbour. That | 0:22:40 | 0:22:45 | |
sounds fantastic. | 0:22:45 | 0:22:52 | |
The tour runs until the 16th of
June. | 0:22:52 | 0:22:57 | |
Bill, there's a piano over
there with your name on it... | 0:22:57 | 0:22:59 | |
And shortly you're going to be
messing around with some | 0:22:59 | 0:23:02 | |
very familiar music. | 0:23:02 | 0:23:05 | |
On that very piano. Looking forward
to that. | 0:23:05 | 0:23:08 | |
First, our gardening expert,
Christine, has been to see a whole | 0:23:08 | 0:23:11 | |
new city sprout up from the ground. | 0:23:11 | 0:23:15 | |
The traditional English garden city.
Quaint, utopian and different era. | 0:23:15 | 0:23:25 | |
Two of their country's best-known of
examples were built at the end of | 0:23:25 | 0:23:28 | |
the last century. The garden city
concept was the brainchild of the | 0:23:28 | 0:23:36 | |
Victorian visionary, the wonderfully
named Ebenezer Howard. He wanted to | 0:23:36 | 0:23:42 | |
marry the commerce housing in
industry of the town with a green | 0:23:42 | 0:23:45 | |
open spaces of the countryside. And
for the first time in nearly 100 | 0:23:45 | 0:23:50 | |
years, a brand-new garden city
development is taking place here in | 0:23:50 | 0:23:53 | |
Ebbsfleet in Kent.
It currently has a population of | 0:23:53 | 0:23:59 | |
just over 2000, but its projected
that this fledgling city will | 0:23:59 | 0:24:05 | |
accommodate 45,000 residents by
2031. And there's a lot more | 0:24:05 | 0:24:09 | |
activity on site now than when One
Show last visited Ebbsfleet when | 0:24:09 | 0:24:15 | |
plans were announced in 2014. Three
years later, people are beginning to | 0:24:15 | 0:24:19 | |
call this home are so I've come to
see how things are shaping up. But | 0:24:19 | 0:24:25 | |
with the government's ambitious
target of building 250,000 new homes | 0:24:25 | 0:24:29 | |
in Britain the year, our garden city
is really the best solution? | 0:24:29 | 0:24:34 | |
Why are we seeing the rise of the
new garden city 100 years on? We | 0:24:34 | 0:24:39 | |
just can't meet that need of housing
needs of a block by block basis. We | 0:24:39 | 0:24:44 | |
can't fill in any playing field in
every town and city, we need those | 0:24:44 | 0:24:48 | |
spaces. In this country we have seen
lots of bolt on estates on the edge | 0:24:48 | 0:24:53 | |
of town, no doctor 's surgery or
shop, no transport links. By | 0:24:53 | 0:24:57 | |
planning a new community, you can
get that right. It's the way | 0:24:57 | 0:25:01 | |
forward? I think so, part of the way
to solve our housing crisis. | 0:25:01 | 0:25:06 | |
It is a mammoth task involving
multiple developers and the man | 0:25:06 | 0:25:10 | |
overseeing it all is Paul Spooner
from an Ebbsfleet development | 0:25:10 | 0:25:16 | |
Corporation. What will the average
house cost? Just over £300,000. We | 0:25:16 | 0:25:21 | |
start with properties around
£280,000 for a two bedroom hot | 0:25:21 | 0:25:26 | |
property. It sounds like a lot of
money but it is a competitive area | 0:25:26 | 0:25:30 | |
in terms of prices, compared with
the London. Is it not just another | 0:25:30 | 0:25:34 | |
commuter town? It will have a strong
and vibrant city centre, attracting | 0:25:34 | 0:25:39 | |
new businesses. We will be creating
a heart to the garden city at the | 0:25:39 | 0:25:47 | |
city centre as well as creating
homes. But it will be many years | 0:25:47 | 0:25:51 | |
before all of these promised
facilities will come to fruition. So | 0:25:51 | 0:25:54 | |
just why are these new parents --
why have they bought a house | 0:25:54 | 0:26:01 | |
already? Which one is yours? That
one there. Why do you buy into the | 0:26:01 | 0:26:07 | |
garden city concept? Not all the
facilities will be here. I guess | 0:26:07 | 0:26:11 | |
that's one of the drawbacks of being
one of the first people on site, but | 0:26:11 | 0:26:15 | |
then again, because property prices
keep increasing, better to bite the | 0:26:15 | 0:26:20 | |
bullet now. I will have all the
benefits of living outside of London | 0:26:20 | 0:26:24 | |
but still be able to go into London
in a quick amount of time. Some | 0:26:24 | 0:26:30 | |
houses in Ebbsfleet are already
complete and in the spirit of | 0:26:30 | 0:26:32 | |
neighbourliness and bringing this
couple to meet Jess, who has just | 0:26:32 | 0:26:37 | |
moved in. Hello. Lovely to meet you.
These are potentially new | 0:26:37 | 0:26:41 | |
neighbours. Lovely to meet you!
Welcome to my house. It's lovely. | 0:26:41 | 0:26:46 | |
Thank you. You have very different
expectations to Sharon and jazz, | 0:26:46 | 0:26:51 | |
because you are a single person and
you will be bringing up a family? | 0:26:51 | 0:26:55 | |
Yes, we have a baby so we are
looking forward to moving in, | 0:26:55 | 0:26:59 | |
getting settled in and seeing what
the neighbours alike. I think that | 0:26:59 | 0:27:03 | |
when I originally looked at the
plans I thought, it looks like this | 0:27:03 | 0:27:06 | |
place is going to build a community,
because they will have shops and | 0:27:06 | 0:27:10 | |
things like doctors and all of that
kind of stuff. You are all looking | 0:27:10 | 0:27:15 | |
forward to a new life and new living
and new friendships? 100%, | 0:27:15 | 0:27:19 | |
definitely.
Only time will tell if Ebbsfleet can | 0:27:19 | 0:27:26 | |
live up to Ebenezer Howard's
century-old ideals but one thing | 0:27:26 | 0:27:30 | |
isn't in doubt... Human society and
the beauty of nature on then to go | 0:27:30 | 0:27:35 | |
together, and I couldn't agree more. | 0:27:35 | 0:27:39 | |
Bill, we know you as a musical
virtuoso and we've heard you play | 0:27:44 | 0:27:50 | |
around with a lot of theme tunes,
but there's one that you've | 0:27:50 | 0:27:53 | |
never put your spin on... | 0:27:53 | 0:27:54 | |
Until now... | 0:27:54 | 0:27:56 | |
I thought I would have a go at the
One Show theme tune... A very | 0:27:56 | 0:27:59 | |
uplifting... Jolly tune that you
can't change the nature of it by | 0:27:59 | 0:28:06 | |
playing a different card, taking on
a different harmonic journey... | 0:28:06 | 0:28:13 | |
LAUGHTER
It's the facial expressions as well | 0:28:13 | 0:28:17 | |
but I really like. You like them?
Yeah. Something surprising like | 0:28:17 | 0:28:23 | |
that. APPLAUSE
Or take it in a minor key. LAUGHTER | 0:28:23 | 0:28:29 | |
Slightly mysterious. It needs your
eyes to really illustrate the two | 0:28:29 | 0:28:34 | |
units. I like it, thank you very
much. Best of luck with the tour. | 0:28:34 | 0:28:39 | |
Thank you so much Bill and best
of luck with the tour. | 0:28:39 | 0:28:42 | |
We'll be back tomorrow with "top
of the Strictly leader board" | 0:28:42 | 0:28:44 | |
Debbie McGee and Giovanni. | 0:28:44 | 0:28:45 | |
Bill choose a style
to play us out with... | 0:28:45 | 0:28:48 | |
Something grand in the classical
style... | 0:28:48 | 0:28:55 | |
PIANO MUSIC. | 0:28:55 | 0:28:59 |