Browse content similar to 31/05/2012. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show, with Alex Jones... And Matt Baker. | :00:16. | :00:19. | |
It's a very special occassion for us tonight, because we're welcoming | :00:19. | :00:21. | |
a man who's played a hugely important role in British public | :00:21. | :00:27. | |
life. Over the years he's played that role with dignity and grace, | :00:27. | :00:37. | |
:00:37. | :00:40. | ||
and has had a wonderful way of communicating with his subjects... | :00:40. | :00:46. | |
King, must have own crown and sceptre. That sounds absolutely | :00:46. | :00:56. | |
:00:56. | :00:56. | ||
perfect. It does sound right up your street. And you can say... | :00:56. | :01:05. | |
what do you do? Well, he's TV royalty at least, it's Jon Culshaw! | :01:05. | :01:12. | |
Great to see you. It is grand to be back. Obviously, you're the king of | :01:12. | :01:18. | |
doing Prince Charles. But lots of people think they can do him, | :01:18. | :01:22. | |
including Matt Baker here. Yours was better than mine, to be honest. | :01:22. | :01:28. | |
But what is the key? I think I have just demonstrated it. You just need | :01:28. | :01:34. | |
a little sound or a little phrase, something to get you started. I | :01:34. | :01:41. | |
would say, fiddling with the cufflinks... And you're in there. | :01:42. | :01:47. | |
He has heard your impression, hasn't he? That's right. One time | :01:47. | :01:52. | |
he put a party on, it was the anniversary of the Archers, and we | :01:52. | :01:57. | |
were invited to be the comic turn on the night. And he was saying | :01:57. | :02:02. | |
about how he had always been surprised by Impressionists, all | :02:02. | :02:10. | |
the way from my Yarwood onwards. You know, always, the affectations | :02:10. | :02:20. | |
:02:20. | :02:22. | ||
that one inevitably has! Well, Jon has obviously not upset the royals | :02:22. | :02:26. | |
too much, because he is hosting a special festival in Hyde Park this | :02:26. | :02:33. | |
weekend. Meanwhile, down on the River Thames, Carrie Grant has been | :02:33. | :02:38. | |
watching the first boats arriving. They are starting together. But on | :02:38. | :02:42. | |
Sunday, there will be an incredible 1,000 ships which will have come to | :02:42. | :02:48. | |
London to take part in the Diamond Jubilee Pageant. Later on, I will | :02:48. | :02:52. | |
be finding out how they manage to get up the River Thames without | :02:52. | :03:01. | |
crashing into each other. We did hear that you arrive in London in | :03:01. | :03:09. | |
spectacular style. Yes, kind of. I arrived on this amazing ship from | :03:09. | :03:16. | |
France. You can call that style! More from Carrie later. | :03:17. | :03:21. | |
preparations are well under way for the pageant. But we want to see how | :03:21. | :03:30. | |
your Jubilee preparations are going. Yes, show us your bunting, is what | :03:30. | :03:40. | |
we are asking tonight. Garages, sheds, streets... It is wonderful, | :03:40. | :03:47. | |
actually. It is sort of building. The bunting is spreading! It is | :03:47. | :03:53. | |
turning into a classic 1950s postcard, with flags everywhere. | :03:53. | :03:58. | |
Fast fashion is in the news today. That's the term for the huge number | :03:58. | :04:01. | |
of clothes which are being thrown out less than a year after being | :04:01. | :04:06. | |
bought. Yes, we're sending millions of tons of clothes to the rubbish | :04:06. | :04:13. | |
tip every year. This warehouse is part of a multi-million pound | :04:13. | :04:20. | |
fashion industry. And A-Team is one of its biggest buyers. He sources | :04:20. | :04:24. | |
British fashion for a network of small traders across West Africa. | :04:24. | :04:31. | |
How much would you take every week? About 25 tonnes of. 25 tonnes of | :04:31. | :04:37. | |
clothing a week? That's massive. Yes, it is. If we could take more, | :04:37. | :04:43. | |
we would. But there is something surprising about these clothes. All | :04:43. | :04:53. | |
:04:53. | :04:53. | ||
of them are second hand. They might be cast-offs, but to operations | :04:53. | :04:59. | |
like this, they are this season's must haves. Definitely, we will | :04:59. | :05:06. | |
take this one. It is fashionable. This operation employs 100 people, | :05:06. | :05:11. | |
and every day they sought the equivalent of 100 textile banks are | :05:11. | :05:16. | |
full of our unwanted items. The best stuff goes to buyers like this | :05:16. | :05:22. | |
one, who pay around �700 for every ton of clothes. Why is there such a | :05:22. | :05:27. | |
demand in West Africa? The quality of the material that we get from | :05:27. | :05:33. | |
here, the price is a big factor. Because of globalisation, | :05:33. | :05:36. | |
everything that is happening here, people are well aware of it over | :05:36. | :05:42. | |
there. I imagine they see Chelsea Football Club on television. | :05:42. | :05:48. | |
Chelsea, very popular. They have got big African stars as well. | :05:48. | :05:52. | |
biggest growth market for our second hand clothes is in Eastern | :05:52. | :05:57. | |
Europe, where our winter woolies go down particularly well. This | :05:57. | :06:05. | |
factory was set up 50 years ago by Ross Barry's grandfather, and | :06:05. | :06:12. | |
business is booming. Where will these be going? These will be going | :06:12. | :06:15. | |
to sub-Saharan Africa. And those ones at the top are going to | :06:15. | :06:20. | |
Hungary. It is a trading model which has not changed much since | :06:20. | :06:26. | |
the days of the rag-and-bone man. Only now, the market is global. | :06:26. | :06:31. | |
is similar to a scrap merchant, selling some of the parts, we do | :06:31. | :06:40. | |
the same with clothes. What is it worth once you have processed it? | :06:40. | :06:48. | |
We get high-value for certain things, down to 1p per garment, for | :06:48. | :06:54. | |
some things. Some textile banks are run by private firms like this, or | :06:54. | :06:59. | |
on behalf of charities. But in most cases, the clothes inside them | :06:59. | :07:03. | |
never go on sale in a charity shop. Instead, the charity is given a | :07:03. | :07:07. | |
share of the revenue from the sale of the clothes. We buy it, we do | :07:07. | :07:11. | |
not know what is in the bank, and we have to get the value out of | :07:11. | :07:16. | |
that. The charity is still making money out of that, and risk-free. | :07:16. | :07:20. | |
For every ton of good quality clothes sold in this way, the | :07:20. | :07:26. | |
operator can make up to �700, and the charity gets �250. But if they | :07:27. | :07:30. | |
were donated straight to a charity shop, they could fetch up to four | :07:30. | :07:35. | |
times more. If I brought a bag like this in to Oxfam, what would happen | :07:35. | :07:41. | |
to it? We can make money out of every single item. We have got | :07:41. | :07:44. | |
brilliant volunteers in our shops who know what will sell in every | :07:44. | :07:49. | |
area. But even if you do give your clothes directly to the shop, there | :07:49. | :07:54. | |
is no guarantee that it will go on sale there. Two thirds of clothes | :07:54. | :07:58. | |
are sold overseas. The Salvation Army says that after they have | :07:58. | :08:05. | |
taken the best stuff, 97% of their stuff gets sold abroad. We could | :08:05. | :08:09. | |
sell something like that in Eastern Europe or some sort of really cold | :08:09. | :08:14. | |
country, I think. Around two thirds are sold abroad. Half in Africa, | :08:14. | :08:18. | |
and the rest in a variety of countries. Do you think people will | :08:18. | :08:24. | |
be surprised by that? They might feel misled? If people have been | :08:24. | :08:27. | |
generous enough to give us their stuff, it is our job to make as | :08:27. | :08:31. | |
much money as possible out of every item. So, if we cannot sell it in | :08:31. | :08:35. | |
the shop, we will sell it abroad. If we cannot sell it abroad, we | :08:35. | :08:39. | |
will recycle it and turn it into something else, but everything will | :08:39. | :08:43. | |
have value, which is really important for us. Every year, half | :08:43. | :08:47. | |
a million tons of clothes are sent to charity shops or recycling, but | :08:47. | :08:53. | |
double that amount goes to landfill. Clothes should never go to landfill, | :08:53. | :08:57. | |
there is no reason for it to go to landfill. The best option is to | :08:57. | :09:01. | |
take it to a charity shop. But if they're happy for the charity to | :09:01. | :09:07. | |
just get a revenue for it, then they could put it in a textile bank. | :09:07. | :09:13. | |
See, there were a few nice dresses there. Yes, a lot of good stuff. | :09:13. | :09:17. | |
Quite a few of your subjects have actually given new items of | :09:17. | :09:22. | |
clothing. Yes, certain times, for example, Ozzy Osbourne, he said, | :09:22. | :09:28. | |
you can have some of my glasses, you know! So, I have got two pairs | :09:28. | :09:33. | |
of Ozzy Osbourne's genuine glasses. And also some tracksuit bottoms. | :09:33. | :09:40. | |
Kind of like familiar Ozzy Osbourne uniform, you know. Those are the | :09:40. | :09:46. | |
ones that I use if I portray Ozzy Osbourne. When you go shopping, do | :09:46. | :09:53. | |
you end up buying things when you have got your subjects in mind? | :09:53. | :09:56. | |
sometimes you spot things, like, this would be really good for Simon | :09:56. | :10:02. | |
Cowell. If you were going to do Matt, what would you buy? Yours are | :10:02. | :10:08. | |
quite fitted. Those square shoulders. This weekend, you're | :10:08. | :10:12. | |
hosting the Jubilee Festival in Hyde Park, so what will be | :10:12. | :10:19. | |
happening? It is two Pact days, on the 2nd June and 3rd June. If | :10:19. | :10:23. | |
people are over in London, to take in the Jubilee, this is the kind of | :10:24. | :10:29. | |
thing you can bring the whole family to. Visually, it will be | :10:29. | :10:34. | |
fantastic. Yes, the main stage will be in Hyde Park, myself and Myleene | :10:34. | :10:38. | |
Klass will be hosting that. There will be a huge Disney show, with | :10:38. | :10:47. | |
all of those classic tunes, and there is also War Horse, they will | :10:47. | :10:53. | |
have their own paddock on the side of the stage! They came here as | :10:53. | :10:59. | |
well, didn't they? Yes, it is so realistic, you forget there are | :10:59. | :11:06. | |
puppeteers. And you have got a bit of Strictly. Yes, of course, we | :11:06. | :11:12. | |
need you, Alex, come and join us! There is a lot of pressure for the | :11:12. | :11:17. | |
Olympics and everything, do you think we might crumble? | :11:17. | :11:20. | |
certainly not. I think there is a feeling of everything just building | :11:20. | :11:26. | |
up. I think with the Olympics and the Jubilee, it really is going to | :11:27. | :11:34. | |
be superb, I think. And we have been speculating who are the last | :11:35. | :11:39. | |
three people will be to carry the torch into the stadium - any ideas? | :11:39. | :11:47. | |
Who could you have? I think maybe Professor Brian Cox would just hold | :11:47. | :11:52. | |
the torch up and looked at it as though it was our nearest star, the | :11:52. | :11:58. | |
sun, and then perhaps... Maybe Michael McIntyre could skip along | :11:58. | :12:07. | |
with the torch! Who wells? John bishop could hold a torch light | :12:07. | :12:11. | |
that and sort of say it is his dream come true, like that, and | :12:11. | :12:21. | |
:12:21. | :12:22. | ||
that would be just fantastic. believe the torch went from Stoke- | :12:22. | :12:30. | |
on-Trent over to Bolton today. and you can see that festival in | :12:30. | :12:36. | |
Hyde Park at the weekend, and tickets are still available. | :12:36. | :12:43. | |
Queen's Diamond Jubilee Pageant will be taking place this Sunday. | :12:43. | :12:47. | |
Carrie Grant will be finding out how on earth all of those chips are | :12:47. | :12:51. | |
going to get down the river in one piece. Fingers crossed, we have had | :12:51. | :13:01. | |
no accidents yet. -- ships. The boats have come from all over the | :13:01. | :13:07. | |
UK and from further afield, and they are moored in this area here, | :13:07. | :13:11. | |
at West India Docks. Yesterday, I have the great privilege of being | :13:11. | :13:19. | |
aboard one of the most amazing ships as she sailed from France. I | :13:19. | :13:25. | |
have never crossed the English Channel quite as magnificently. It | :13:25. | :13:33. | |
is a pleasure to be aboard this beautiful boat, the Belem, as she | :13:33. | :13:36. | |
comes to Tower Bridge for the Diamond Jubilee. You may have | :13:36. | :13:46. | |
:13:46. | :13:48. | ||
noticed something different about her. This boat is steeped in | :13:48. | :13:54. | |
history. Beneath the Tricolor beats a very British heart. She has been | :13:54. | :13:56. | |
invited over from France to symbolise the friendship between | :13:56. | :14:04. | |
France and Britain. Launched in 1896, the three-masted ship | :14:04. | :14:10. | |
transported sugar, coffee and cocoa back to France. But in 1914, she | :14:10. | :14:14. | |
became British property, having been bought by the second Duke of | :14:14. | :14:17. | |
Westminster. She was extravagantly refitted to become his private | :14:17. | :14:27. | |
:14:27. | :14:31. | ||
The Duke was a privilegeed cousin of King George V. The Belem was the | :14:31. | :14:41. | |
:14:41. | :14:43. | ||
jewel in his crown. Famously, he wooed, Gabriel Coco | :14:43. | :14:52. | |
Chanel, looking at the elegance of the ship I can understand. In 1930, | :14:52. | :14:57. | |
Arthur Guinness, convinced the Duke to sell the ship. | :14:57. | :15:04. | |
Here is the picture Guinness changed the name of the boat then, | :15:04. | :15:10. | |
he called it Phantom II. So the ship has had new names as it | :15:10. | :15:15. | |
has gone along. How dot French feel about the fact that the British had | :15:15. | :15:19. | |
it for all of those years? For us, the feeling is that the English | :15:19. | :15:25. | |
saved the boat. In 1979, the Belem was returned to France and the | :15:25. | :15:29. | |
symbol of French industry and British pleasure is now very much a | :15:29. | :15:33. | |
coveted treasure. Now, this is the first trip that | :15:33. | :15:38. | |
the ship has made up the Thames into London. We are entering the | :15:38. | :15:42. | |
Thames Estuary now, so it is very exciting. Signalling raised in | :15:42. | :15:46. | |
celebration for the Jubilee, and whilst the sun has been with us, | :15:46. | :15:52. | |
the wind has not. But that's not dampened my spirits | :15:52. | :15:54. | |
for sailing. We're almost in the City now, we | :15:54. | :15:59. | |
are coming right into London. What is the best advantage point? | :15:59. | :16:01. | |
best advantage point should be up to the mast. | :16:01. | :16:07. | |
Should we dare to do it? Yes, it is a 35-metre climb. | :16:07. | :16:12. | |
Everything is crossed! Up here, I'm getting a real sense of the 4,500 | :16:12. | :16:21. | |
metres of rigs on the ship. This is amazing! Reggie! Look, we are going | :16:21. | :16:31. | |
:16:31. | :16:32. | ||
under the Queen Elizbeth Bridge! Here's to the Queen! This has to be | :16:32. | :16:38. | |
the best way to see the London skyline. I can see Canary Wharf, | :16:38. | :16:46. | |
the City of London, this is amazing. And after 110 nautical miles we | :16:46. | :16:49. | |
round the Isle of Dogs and Tower Bridge comes into view, simply | :16:49. | :16:54. | |
breathtaking. I, for one, have had the most amazing Channel crossing | :16:54. | :17:01. | |
and it's been great to be a part of the Belem's Virgin voyage to London. | :17:01. | :17:05. | |
That was amazing. An incredible experience, but today they brought | :17:05. | :17:11. | |
out the VIPs, Prince Charles was on board meeting the French Ambassador. | :17:11. | :17:16. | |
I bet he was upset he did not get to climb the mast. Oh, well, but | :17:16. | :17:21. | |
all 1,000 ships are sailing west on Saturday, ready for the Pageant. | :17:21. | :17:30. | |
That is where the fun begins. Tom Cunliffe, you are there, are an | :17:30. | :17:34. | |
eexpert in all things boating, is it difficult to get 1,000 ships | :17:34. | :17:39. | |
sailing together? Difficult is not in it! The worst bit is not the | :17:39. | :17:44. | |
start. Can you imagine? They are all vessels, you think they are | :17:44. | :17:49. | |
Grand Prix cars, but unlike that, a boat blows about like a crisps | :17:49. | :17:54. | |
packet, it blows all over the place. Could they knock each other? They | :17:54. | :17:58. | |
could, but we don't expect it to be too drastic, they have put like | :17:58. | :18:01. | |
with like. Talking of grids, we have our own | :18:01. | :18:04. | |
of the order of service of the boats coming on. What are you | :18:04. | :18:08. | |
looking forward to? I think that the rowing boats will be amazing. | :18:08. | :18:12. | |
This is not a collection of bath boats in a country park, you know, | :18:12. | :18:16. | |
this is the best selection of rowing craft you will ever see. We | :18:16. | :18:21. | |
have skifs, jewels of boats. We have great big rowing boats, things | :18:21. | :18:30. | |
you see on Caneletto pictures. The boats that you might have had | :18:30. | :18:35. | |
staling from the Dunkirk. Without these boats there would | :18:35. | :18:38. | |
have been no British Army! someone who does not know much | :18:39. | :18:42. | |
about boats, what should I look out for? I think you should look out | :18:42. | :18:46. | |
for the feeling of history, but the next lot through are the historic | :18:46. | :18:49. | |
ships, many of them in the National Historic Fleefplt | :18:49. | :18:55. | |
So, it is not just the big ships, but the little ones? It is, | :18:55. | :19:00. | |
absolutely. All of them are involve in a people ceremony. Without the | :19:00. | :19:04. | |
people there are no boats, without the boats, the people would not | :19:04. | :19:07. | |
have come together. You are doing the commentary on | :19:07. | :19:11. | |
Sunday. We wish you the best. Later on in the show, I'm interviewing | :19:11. | :19:15. | |
some of the people that own the boats. Thank you very much, Carrie, | :19:15. | :19:18. | |
and looking forward to hearing from Tom. | :19:18. | :19:22. | |
Jon, you are off on your travels soon with the tour? Yes, the | :19:23. | :19:26. | |
Hitchhiker'sm Guide to the Galaxy. It is the original radio cast | :19:26. | :19:29. | |
coming back together to do a live version of the show. | :19:29. | :19:34. | |
Where do you jump on board? I'm in Leicester and two nights in | :19:34. | :19:39. | |
Manchester. A number of us will be the guest voice of the book. I was | :19:39. | :19:42. | |
always a great fan of much Hitchhiker'sm Guide to the Galaxy. | :19:42. | :19:48. | |
So I'm learning an impercent nation of the original voice of the book, | :19:48. | :19:51. | |
Peter Jones. I shall portray it as best I can. | :19:51. | :19:56. | |
You will be a busy boy in the summer. You lot have home have been | :19:56. | :20:00. | |
but they get theing bunting up. You have not let us down. | :20:00. | :20:05. | |
This is The Rodney pub. What a great pub. | :20:05. | :20:10. | |
And this is from Tim and Mark. The children say that they love the | :20:10. | :20:15. | |
house, they have even put up reinforcements. | :20:15. | :20:19. | |
Rachel sent this one through of Holly the dog with flags growing | :20:19. | :20:24. | |
out of her ears! We shall try to get more in later. When it comes to | :20:24. | :20:31. | |
creating a new home, our wildlife man, Mike Dilger can recommended | :20:31. | :20:35. | |
the perfect builders. Yes, they are hard-working, they can build the | :20:35. | :20:42. | |
finest of homes in about a week and they are cheep, very cheep, cheep! | :20:42. | :20:48. | |
Britain is packed with complex feats of engineering, designed by | :20:48. | :20:53. | |
great architects, but to my mind, one of the most intricate master | :20:53. | :21:00. | |
builders is made by an animal, it is the long-tailed tit. The long- | :21:00. | :21:04. | |
tits have tails longer than their tiny bodies. They have big families. | :21:04. | :21:10. | |
Up to ten eggs, so they need good nests that are well camouflaged, | :21:11. | :21:15. | |
but, with space to grow. This is their answer. An intricate ball of | :21:15. | :21:24. | |
moss and twigs woven together. Ben Hatchwell studies this master | :21:24. | :21:29. | |
builders, he's from the University of Sheffield. Look at this, this is | :21:29. | :21:35. | |
like the Faberge egg of the natural world. It is exquisite? This is | :21:35. | :21:38. | |
remarkable. There are lots of different | :21:38. | :21:43. | |
components involved here? There are, so many. Thousands of pieces of | :21:43. | :21:48. | |
moss, liken, fibres and most importantly, spider's silk. | :21:48. | :21:54. | |
This is the key ingredient. As spider's silk is strong and | :21:54. | :22:00. | |
stretchy, the birds gather it to provide glue for the nest and extra | :22:00. | :22:05. | |
room. It gives wonderful elast isity, so | :22:05. | :22:08. | |
later on when the chicks hatch, there are ten chicks plus the | :22:08. | :22:13. | |
parents in the nest. So room for expansion without | :22:13. | :22:18. | |
building on the side? That's right. It is warm in there? Yes, this | :22:18. | :22:25. | |
bring up to 2,000 feathers to line This wood lank outside of Sheffield | :22:25. | :22:30. | |
is the favourite for the long- tailed tits. There are 80 pairs | :22:30. | :22:34. | |
nesting here. Right now, they are building nests all in different | :22:34. | :22:38. | |
stages of construction. Ben, it is an extraordinary amount | :22:38. | :22:43. | |
of work by both parents to create an elaborate nest, than, for | :22:43. | :22:49. | |
example, say a blackbird? It is and they work so hard at it. This nest | :22:49. | :22:54. | |
has been worked on for four or five days. It will take another threw to | :22:54. | :22:57. | |
four days before they finish the dome. | :22:57. | :23:04. | |
As we watch, they bring in the spider's silk. I can see the | :23:04. | :23:09. | |
spider's webs? That is right. They cleblgt them and bring them to the | :23:09. | :23:16. | |
nests and pull out the silk and bring it together as a binder. | :23:16. | :23:19. | |
The birds make up to 3,000 trips to the nest. | :23:19. | :23:26. | |
That is almost as much work as it requires to feed a brood of chicks. | :23:26. | :23:32. | |
Camouflaging the nests from preders to is critical. The long-tailed tit | :23:32. | :23:39. | |
has mastered the art of disguise. Have you spotted it? Just to my | :23:39. | :23:44. | |
right is an utterly gorgeous and completed long-tailed tit's nest. | :23:44. | :23:48. | |
Which, hopefully, should help towards hiding the eggs and the | :23:48. | :23:53. | |
chicks away and making this one very, very safe house. | :23:53. | :24:00. | |
Once it is finished, female's incubate the eggs for about two | :24:00. | :24:03. | |
weeks, during which they make regular trips away to forage for | :24:03. | :24:08. | |
food. That gives Ben the chance to count the eggs and check their | :24:08. | :24:13. | |
progress. He has a special licence. He normally does it by feel, but | :24:13. | :24:21. | |
not today. We have an endoscope and one of | :24:22. | :24:26. | |
Ben's long-tailed tit's nests here, we are going to see how many eggs | :24:26. | :24:31. | |
are in there and how crowded the nest is. In it goes... Loads of | :24:31. | :24:38. | |
feathers! We have eggs! Eggs! One, two, three, four, five or six? Ben, | :24:38. | :24:43. | |
have you ever seen this view before? No, we have never used the | :24:43. | :24:47. | |
endoscope to look inside the nest. We rely on fingerprints to count | :24:47. | :24:51. | |
them. That is tricky. Let's pull this out and leave the | :24:52. | :24:57. | |
birds to it for the female to come back in and hopefully raise that | :24:57. | :25:03. | |
brood of at least five or six eggs. With thousands of pieces of liken, | :25:03. | :25:09. | |
feathers and spider's web, this phenomenon alarchitect produces a | :25:09. | :25:14. | |
NUMASTer piece every year. Thoroughly enjoyable. Imagine that | :25:14. | :25:17. | |
being encased by thousands of feathers. | :25:17. | :25:25. | |
Jon, please tell us you have an impression of Mike? He is fantastic. | :25:25. | :25:31. | |
David Attenborough does elephants and ostriches, I get fur! That is | :25:31. | :25:34. | |
really very good. Any way, time to head back to | :25:34. | :25:40. | |
Carrie with the first boats to arrive for the Jubilee Pageant this | :25:40. | :25:45. | |
weekend. How are the crews feeling ahead of the big day? I don't know, | :25:45. | :25:50. | |
let's ask them. How are you feeling! ALL SPEAK AT ONCE Yeah! | :25:50. | :25:55. | |
think that means good. Mike, what kind of boat do you have? I have a | :25:55. | :25:59. | |
motorboat. What are you doing? I am | :25:59. | :26:06. | |
coordinating the recreational motorboats. | :26:06. | :26:11. | |
You are rehearsing? Yes, you have to get it right. | :26:11. | :26:15. | |
Marvellous. Emily, also Pamela, what kind of | :26:15. | :26:20. | |
boat are you coming in on? Dutch boats and barge boats. | :26:20. | :26:26. | |
You have found love on the water? Yes, I did. I boat a boat and then | :26:26. | :26:31. | |
I met my husband. And Emily, have you found love on | :26:31. | :26:36. | |
the water? I did not find my husband on the water, but we had | :26:36. | :26:39. | |
our wedding on the river. It was great. | :26:39. | :26:44. | |
Now you have land legs and live in a house? Never it is a land | :26:44. | :26:48. | |
vacation. Finally, David Hunt, what is your | :26:48. | :26:56. | |
type of boat? She is an ex-Cornish fishing boat, one from the Dunkirk | :26:56. | :26:59. | |
meeting. So you are one of the historic | :26:59. | :27:06. | |
boats. How do you feel about this Pageant? We are all very proud. We | :27:06. | :27:11. | |
meet once a year, we work very hard to get the boats ready, we call it | :27:11. | :27:16. | |
the Dunkirk spirit, getting ready for a reunion, but this is one of | :27:16. | :27:23. | |
the best times to do this ever. If you want to take part, the | :27:23. | :27:30. | |
places to avoid are to avoid bridges, Lambeth, Westminster, | :27:30. | :27:35. | |
Blackfriars have only the ends open. So come down on to the thems on to | :27:35. | :27:38. | |
the banks. There are 47 big screens there. | :27:38. | :27:42. | |
They are marked in red and black. That is where 1 million spectators, | :27:42. | :27:47. | |
apparently will be coming down to. Get their nice and early, it kicks | :27:47. | :27:52. | |
off at 2.00pm when the Queen goes on to her barge and 2.00pm. There | :27:52. | :27:57. | |
is more on the website. But I hear that Matt and Alex, you | :27:57. | :28:01. | |
are going to be on the Thames? we are all part of it. | :28:02. | :28:08. | |
Cooking up treats. Well, I will not be, Angela Hartnett will be! Well, | :28:08. | :28:12. | |
you have not disappointed us with all of the bunting pictures you | :28:12. | :28:17. | |
have been sending in. Let's have a look at this one from Kath in | :28:17. | :28:20. | |
Cambridge. This is from the hospital car park. | :28:20. | :28:27. | |
And this is some bunting at more primary school near Warrington. | :28:27. | :28:32. | |
They are having a Jubilee party tomorrow. | :28:32. | :28:40. | |
And Jon the best one? I wanted to announce this one as John craven | :28:40. | :28:49. | |
with this cow of a -- dressed as a patriot. | :28:49. | :28:55. | |
Here are a few more, here is one of the Queen! That is from Richard and | :28:55. | :29:00. | |
Margaret. This is Hannah beving tonne's mum, she has bunted | :29:00. | :29:08. |