Browse content similar to 31/08/2016. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with Bill Turnbull And Alex Jones. | :00:17. | :00:22. | |
Our guest tonight is comedian, John Bishop. | :00:23. | :00:29. | |
APPLAUSE Now, John got into the Olympic spirit on his summer | :00:30. | :00:33. | |
holidays this year after he got diving training from Tom Daley. | :00:34. | :00:38. | |
Let's see how it went. This is his signature dive. I don't know. I | :00:39. | :00:47. | |
thought it was beautiful. Y. Yes. Let's see it again. Arms flapping, | :00:48. | :00:53. | |
belly flop. Big splash. Biggest splash. We are waiting. Here come | :00:54. | :01:00. | |
the judges' marks. APPLAUSE | :01:01. | :01:06. | |
Amazing. It's a huge score for a great guest, John Bishop, everybody. | :01:07. | :01:14. | |
Come on over. Hello John, how are you? Very good, thank you. John, | :01:15. | :01:19. | |
tell us, what was going through your mind as you were about to dive | :01:20. | :01:23. | |
there? Well, what was going through my mind was - should I jump or | :01:24. | :01:29. | |
should I dive? I changed my mind halfway through. Never a good idea. | :01:30. | :01:34. | |
I did a bit of both. Something in there I think, in all honesty, could | :01:35. | :01:39. | |
become a sport on its own. Not sure which sport, it will become one. We | :01:40. | :01:43. | |
have the proof that you did have training from Tom. Here you are. | :01:44. | :01:50. | |
Yes. Are you sucking in there I said to Tom, will up stop breathing in, | :01:51. | :01:54. | |
Tom. You're OK. How long can you hold your breath for like that? As | :01:55. | :01:59. | |
long as it takes for that picture to happen. John has been trying out his | :02:00. | :02:05. | |
diving skills this summer but also honing his interview technique for | :02:06. | :02:08. | |
his first chat We will give show. You the opportunity to try out your | :02:09. | :02:13. | |
interview technique on our music guests, One Republic. Here they are. | :02:14. | :02:18. | |
# Baby, I've been losing sleep # Dreaming about the things that we | :02:19. | :02:22. | |
could be # Baby, I've been | :02:23. | :02:30. | |
# I've been praying hard # So we're not counting dollars | :02:31. | :02:32. | |
# We'll be counting stars. That's their huge hit, | :02:33. | :02:37. | |
Counting Stars, of course, which has racked up over a billion | :02:38. | :02:39. | |
views on YouTube. They'll be playing new single, | :02:40. | :02:41. | |
Kids, live for us later. John, your challenge is to ask them | :02:42. | :02:43. | |
a question they've never I could ask them anything, could I? | :02:44. | :02:53. | |
Who was my maths teacher? Not that sort of question. Relevant | :02:54. | :02:59. | |
questions? Exactly. We all want to hear the answers too. Who was your | :03:00. | :03:04. | |
maths teacher? I'm not telling you. I'm saving it tor another show. Good | :03:05. | :03:06. | |
luck. We'll see you later. With a report today finding that | :03:07. | :03:12. | |
a third of us haven't seen a police officer on the beat in the past | :03:13. | :03:16. | |
year, there are fewer visible signs But if you know where to look, | :03:17. | :03:19. | |
there's more going Media City UK in Salford, a | :03:20. | :03:30. | |
development of offices, shops, restaurants and entertainment. This | :03:31. | :03:34. | |
summer, hundreds gathered here daily to watch the Games in Rio on the big | :03:35. | :03:39. | |
screen. But in the wake of recent terrorist incidents, like the lorry | :03:40. | :03:43. | |
attack in Nice, just how safe do people feel in public places? I | :03:44. | :03:48. | |
think the events of recent years have made me more nervous in open | :03:49. | :03:51. | |
spaces. It's at the back of my mind all the Very close to time. Home. It | :03:52. | :03:56. | |
does make you fear. A lot of things do happen. You can't guarantee when | :03:57. | :03:59. | |
they're going to happen. They are out of your control. Since the | :04:00. | :04:05. | |
Glasgow Airport attack in 2007, effort has gone into protecting | :04:06. | :04:09. | |
public places from terrorists in vehicles. Concrete blocks, fences | :04:10. | :04:13. | |
and bollards were added to protect peopled and buildings. In recent | :04:14. | :04:18. | |
years there has been a shift in approach to barriers that not only | :04:19. | :04:22. | |
keep people safe, but are more discreet and blend in with the | :04:23. | :04:27. | |
spaces. They are designed to protect without being object truetive. Have | :04:28. | :04:32. | |
they been successful? We decided to carry out a little experiment and | :04:33. | :04:37. | |
rounded up 12 locals to see if they can spot the protections built in | :04:38. | :04:41. | |
here at Media City. You are split into three teams. Go off and | :04:42. | :04:45. | |
identify as many security elements around this place as you possibly | :04:46. | :04:52. | |
can. OK? Is off you go. Watching over proceedings is former head of | :04:53. | :04:56. | |
the national counter terrorism security office, Chris Phillips, he | :04:57. | :05:01. | |
believes we're well ahead of our European neighbours when it comes to | :05:02. | :05:05. | |
protecting our public pace spaces. We learnt from mistakes. You don't | :05:06. | :05:09. | |
need to build a huge barrier. If you can slow the vehicle down on its | :05:10. | :05:14. | |
approach. Simple things, such as road layouts, whether you put in a | :05:15. | :05:20. | |
chicane to stop a vehicle getting speed up can stop a terrorist atact. | :05:21. | :05:25. | |
It's thinking creatively? Very. So. You should look at physical | :05:26. | :05:31. | |
security measures, in iconic sites and places with responsibility to | :05:32. | :05:36. | |
look after people. In Bradford, the council embraced exactly this | :05:37. | :05:43. | |
security by design approach when it undertook a multi-million-pound | :05:44. | :05:48. | |
redevelopment of the city centre. Stephen provided. | :05:49. | :05:52. | |
Of the new look security. How has the approach to security changed | :05:53. | :05:55. | |
when it comes to design as an architect? The idea is we mitigate | :05:56. | :06:00. | |
that right at the design stage and make sure you have the appropriate | :06:01. | :06:03. | |
measures. What examples are around here? Street furniture, seating and | :06:04. | :06:08. | |
planters. It's not just something which provides a seat or a planting | :06:09. | :06:13. | |
solution. For vehicles to come into this, it would stop it upon impact | :06:14. | :06:17. | |
and protect the pedestrians using the space. As thises test footage | :06:18. | :06:24. | |
shows, new technology allows street furniture to inconsider rain a | :06:25. | :06:29. | |
reinforced inner core which will stop a truck in its tracks. People | :06:30. | :06:33. | |
need to feel secure, but welcomed into a space. People should not walk | :06:34. | :06:37. | |
around a space thinking - why am I being protected. They should know | :06:38. | :06:42. | |
that comes as standard. In Media City our teams have noticed some of | :06:43. | :06:46. | |
the hidden security features. We have the theed lots of things. | :06:47. | :06:51. | |
Things maybe we wouldn't have noticed before. The walls are a | :06:52. | :06:57. | |
future. I see things in a different light. By the shopping centre, Team | :06:58. | :07:02. | |
Two spot something they have not noticed before. The steps up to | :07:03. | :07:06. | |
here, it would slow down any vehicle. You don't notice it. It | :07:07. | :07:10. | |
drops into the background. Team Three have had their eyes opened, | :07:11. | :07:15. | |
too. Et sooing areas are very solid, well built structures. Our towns are | :07:16. | :07:21. | |
cities are using creative ways to protect us against hostile vehicle | :07:22. | :07:25. | |
attacks. What about armed attackers on foot? There is no such thing as | :07:26. | :07:30. | |
100% security, what we can do is make sure that people are aware what | :07:31. | :07:33. | |
they should do if they are confronted by either a terrorist or | :07:34. | :07:38. | |
a criminal. Most businesses have fire drills. They should have drills | :07:39. | :07:42. | |
for other potential scenarios. You need to practice it. If you don't | :07:43. | :07:45. | |
practice it, no-one will know what to do. Time is up for our teams. The | :07:46. | :07:50. | |
exercise has opened their eyes to the security that surrounds us. I'm | :07:51. | :07:53. | |
not going to go anywhere again without looking at it in a different | :07:54. | :07:57. | |
light. Reassuring to know people have given it a lot of thought. | :07:58. | :08:01. | |
Generally, I feel a lot safer. You are being looked after and the | :08:02. | :08:04. | |
security is really high. You don't even notice it. With security | :08:05. | :08:08. | |
features designed into public spaces so we barely notice them we are free | :08:09. | :08:11. | |
to enjoy them without a thought as to what they might be protecting us | :08:12. | :08:15. | |
from. From me, that's the way it should be. Nick is here with more. | :08:16. | :08:21. | |
Subtle counter terrorist designs there I have some more. This was in | :08:22. | :08:28. | |
London outside the Arsenal stadium the Emirates. The cannon symbols of | :08:29. | :08:35. | |
Arsenal on the club crest, they would stop a seven tonne truck from | :08:36. | :08:39. | |
driving through into that space where crowds would be. If you want | :08:40. | :08:43. | |
to see what a seven tonne truck looks like crashing into a solid | :08:44. | :08:47. | |
bollard. There you go. What a heck of a mess. Oh, dear. Arsenal fans, | :08:48. | :08:55. | |
if you wondered what that big concrete sign saying "Arsenal" in | :08:56. | :08:57. | |
huge lettering outside your stadium, guess what it does as well as | :08:58. | :09:01. | |
telling you where you are in case you have forgotten which stadium you | :09:02. | :09:05. | |
are at. It would stop a seven tonne truck. Never thought about that. We | :09:06. | :09:13. | |
saw what the American Embassy looks like, the fortifications around it. | :09:14. | :09:21. | |
This is the proposed American Embassy in wands worst. You can see | :09:22. | :09:26. | |
on the site of it a moat. Inspiration from the dark ages | :09:27. | :09:34. | |
there. -- Wandsworth. It's more like a pond. I don't think the designer | :09:35. | :09:38. | |
would thank you for calling it a pond. Thank you. | :09:39. | :09:42. | |
John you were born in Liverpool. What is the best way to get in there | :09:43. | :09:51. | |
to Goole in Yorkshire. M62, go along the M62, around about Huddersfield | :09:52. | :09:55. | |
or Halifax, turn right. I only know because I played football there | :09:56. | :09:58. | |
loads of time. Interesting answer, the wrong one. Not what we are | :09:59. | :10:02. | |
looking for. Think again, John. Sorry, Bill. Think of great | :10:03. | :10:05. | |
achievements in exploration. To the great achievements | :10:06. | :10:14. | |
in exploration, such as the discovery of the North West | :10:15. | :10:16. | |
Passage and the opening of the Suez Canal, | :10:17. | :10:18. | |
Andy Torbet can now add this: It's a waterway that splits England | :10:19. | :10:21. | |
in two and yes, John, it starts OK. The Liverpool canal is the | :10:22. | :10:27. | |
longest waterway in Britain. This year it's celebrating its 200th | :10:28. | :10:36. | |
anniversary. The canal links up with others linking the west and east | :10:37. | :10:40. | |
coast of England. I'm planning to complete the whole thing in a kayak. | :10:41. | :10:45. | |
Starting in Liverpool, I will head up towards the Yorkshire Dales, | :10:46. | :10:49. | |
reaching Leeds, I will paddle along the and-a-half caution to the | :10:50. | :10:54. | |
finishing point at the port of Goole by the North Sea. This journey has | :10:55. | :11:00. | |
never been completed before in I kayak in one go, as far as I know. I | :11:01. | :11:05. | |
reckon it will take me a week as I stop to discover the secrets of the | :11:06. | :11:10. | |
canal's past and present and what makes Britain's waterways so | :11:11. | :11:13. | |
special. Setting off from the centre of Liverpool, the first person I | :11:14. | :11:17. | |
meet is Greg Brooks from the Kraal and River Trust. He is developing | :11:18. | :11:22. | |
this journey to become the longest canoe route in England. Called the | :11:23. | :11:29. | |
Desmond Family Canoe Trail. What can I expect? You will come across a | :11:30. | :11:34. | |
diverse range of environments. You will go through towns and cities. | :11:35. | :11:37. | |
You will be out in the middle of know where and feel quite expose and | :11:38. | :11:43. | |
lonely. You will come across the man made hazards frt canal, swing | :11:44. | :11:47. | |
bridges, come across the loughs. You will see an awful lot. As I get on | :11:48. | :11:52. | |
my way, immediately I come across quite a few obstacles, like this | :11:53. | :11:58. | |
abandoned boat. Right, we have quite a low swing bridge. I reckon I can | :11:59. | :12:03. | |
get underneath it. Well, we're under. Well, we're not quite | :12:04. | :12:06. | |
through. Success. Although, I might have a | :12:07. | :12:20. | |
few spiders in my hair. The canal is a fascinating window into Britain's | :12:21. | :12:24. | |
industrial past. Plus, the his storic challenges and dangers we | :12:25. | :12:33. | |
faced. During World War II this canal played and important part in | :12:34. | :12:37. | |
British defences against foreign invasion. The land around here is | :12:38. | :12:42. | |
flat and open, ideal for landing paratroopers or crossing over in | :12:43. | :12:47. | |
tanks. The canal was the perfect antitank ditch. The banks were lined | :12:48. | :12:51. | |
with fortified pill boxes, like this one. You can imagine the men of the | :12:52. | :13:00. | |
Home Guard in here looking out towards the horizon, watching, | :13:01. | :13:04. | |
waiting for the enemy tanks to come. The threat never came, luckily. It's | :13:05. | :13:08. | |
good to know we were prepared. For me, the first big challenge is not | :13:09. | :13:13. | |
too far away. I came round that last corner and it looked like someone | :13:14. | :13:17. | |
had built a wall across the canal. Actually, it was this. On my journey | :13:18. | :13:23. | |
I'm going to come across over 100 loughs, kayaks are not allowed in | :13:24. | :13:28. | |
them. So, each one I will have to get out and walk around. Some places | :13:29. | :13:34. | |
are tougher than others. As I arrive in Wigan, I'm faced with a serious | :13:35. | :13:42. | |
of loughs called the Wigan Flight. The waterways manager joined me. | :13:43. | :13:47. | |
21loucghs covering two-and-a-half miles a rise of 214 feet. That is | :13:48. | :13:51. | |
why they were there, to carry boats up the flight to get over rising | :13:52. | :13:57. | |
levels. Up hill all the way. Up hill all the way. How long does it take a | :13:58. | :14:01. | |
boat to get through? A good day's work. 15 minutes each. A lot of | :14:02. | :14:07. | |
boats will share. They save water for us and work together and have a | :14:08. | :14:11. | |
great social time and they split the work. I have a small lightweight | :14:12. | :14:17. | |
trolley I can haul my kayak rather than carry it. I can go faster than | :14:18. | :14:22. | |
the narrow boots as I'm on foot. It takes me over an hour to get to the | :14:23. | :14:32. | |
top. Well, it wasn't actually too bad. I'm looking forward to getting | :14:33. | :14:39. | |
back on the water. There are stunning sites and obstacles up | :14:40. | :14:47. | |
ahead. It gets even better tomorrow. Andy paddles across a motorway. Do | :14:48. | :14:51. | |
you know you can do that? It's against the law! | :14:52. | :14:59. | |
John, your youngest is going off to university so that should allow you | :15:00. | :15:08. | |
more times for your hobby. You like to kayak? Have you seen the | :15:09. | :15:11. | |
programme with Timothy West... I love that programme. That will be me | :15:12. | :15:19. | |
in a couple of years. Let's get on a boat. Me and my wife love it. A big | :15:20. | :15:24. | |
change in your telly career before we get to the Canal because you are | :15:25. | :15:29. | |
now doing a chat show. A chat show with a difference. You were just | :15:30. | :15:33. | |
saying you have a lot of time to talk to these people. Do you see it? | :15:34. | :15:39. | |
It is one person for an hour, different than the usual traditional | :15:40. | :15:46. | |
chat show, it is a chat about someone's life, a full conversation. | :15:47. | :15:53. | |
Note preset questions, I haven't got questions lined up, we sit and talk | :15:54. | :15:58. | |
and see how it goes. Your first guest is James Corden, here's what | :15:59. | :16:02. | |
he told you about his up winning. You were a Salvation Army family. | :16:03. | :16:07. | |
That is true. You played the cornet. The truth is no matter how you grow | :16:08. | :16:12. | |
up, the surroundings you grow up you think is normal, however you grow up | :16:13. | :16:16. | |
you just presume that is what everybody... There is nothing weird, | :16:17. | :16:21. | |
but we are putting a uniform on and marching through the Tyne with a | :16:22. | :16:26. | |
trumpet. Completely natural. I look back now and think of what were we | :16:27. | :16:29. | |
doing? That is ridiculous. APPLAUSE | :16:30. | :16:34. | |
That is something we never knew about, James Corden. There is a lot | :16:35. | :16:40. | |
of your mates in a way on the show, is it easier or harder... James is | :16:41. | :16:47. | |
probably and Freddie... The closest mates that I have on the show and | :16:48. | :16:51. | |
the truth is, you can have mates but you don't interview your mates, do | :16:52. | :16:56. | |
you? Tell me about your relationship with your dad... That never happens. | :16:57. | :17:02. | |
And with this, it allowed me an opportunity, I suppose to ask the | :17:03. | :17:05. | |
questions I've always wanted to. You've done ten interviews so far, | :17:06. | :17:10. | |
what surprise you most? How easy it was. Don't give it away! I tell you | :17:11. | :17:19. | |
why. I was quite insistent I wanted to cut down, one person, didn't want | :17:20. | :17:23. | |
questions on card and anyone talking to me in my ear. I wanted to be a | :17:24. | :17:28. | |
conversation and everyone thought, that would be odd, one person for an | :17:29. | :17:32. | |
hour and every person was so comfortable to talk it was a joy. I | :17:33. | :17:39. | |
said to everyone, I've been having conversations all my life, I've been | :17:40. | :17:42. | |
practising for this for ages. You've done very well. Bill and I know that | :17:43. | :17:49. | |
interviews can go wrong. A bit payer, will... Your worst | :17:50. | :17:55. | |
experience? Not you... You are just lovely. I've had a view that they | :17:56. | :17:59. | |
don't really like to think about. There was one with a slightly | :18:00. | :18:04. | |
irascible celebrity chef that I said but the one that stood out for me I | :18:05. | :18:08. | |
almost came to blows with a parental address's dummy, his name was bored | :18:09. | :18:14. | |
and he was buried route but you know what happened? I put him back in his | :18:15. | :18:20. | |
box. -- he was very rude. We want to see how you would have handled some | :18:21. | :18:24. | |
of these interviews. Sir Michael Caine and Morgan Freeman talking | :18:25. | :18:29. | |
about the new film. The thing about this movie we do tricks but I mean, | :18:30. | :18:33. | |
these are the biggest magic tricks you've ever seen in any movie, they | :18:34. | :18:39. | |
are gigantic. Not only is it that, they then in the movie show you how | :18:40. | :18:45. | |
it was done without CGI. Morgan obviously off in the land of nod. | :18:46. | :18:51. | |
What would you have done? Actually... They let morgan rest for | :18:52. | :18:56. | |
a while and a minute later this happen. I had to learn card tricks | :18:57. | :19:07. | |
from a magician and the church in this... To be fair, when they are on | :19:08. | :19:13. | |
the treadmill, they've done a lot of travelling. It was early in the | :19:14. | :19:19. | |
morning. How about this, this is a dishevelled and uncooperative | :19:20. | :19:22. | |
whacking Phoenix being interviewed by David Letterman. That must have | :19:23. | :19:29. | |
own great working with Isabella Rossellini. Yes. Any fun stories? | :19:30. | :19:40. | |
Laughter-macro I have had an interview like that one spot what | :19:41. | :19:45. | |
would you do? What would I do? I think carry on. I would tell him my | :19:46. | :19:51. | |
fun stories with Isabella Rossellini. But he handled it really | :19:52. | :19:58. | |
well. This is what happened. I'm sorry you couldn't be here | :19:59. | :20:04. | |
tonight... So later the actor said it was performance art. What did you | :20:05. | :20:11. | |
think? I think that the great thing, you can get out of any situation by | :20:12. | :20:16. | |
ignoring people, and say, sorry, this is performance art, I wasn't | :20:17. | :20:21. | |
being rude. The best way to do a difficult interview is on tape. | :20:22. | :20:24. | |
Pre-recorded. Sorry, the old-fashioned way. And make it look | :20:25. | :20:30. | |
great. You can't do that with this. But you can and you did. I can do | :20:31. | :20:37. | |
anything! We could end up on a clip show for and I start wrestling with | :20:38. | :20:41. | |
you on the floor now. I would love to see that. Sadly, we haven't got | :20:42. | :20:47. | |
time. You can see things going right on John's new show, John Bishop In | :20:48. | :20:49. | |
Conversation With.... And John it's almost | :20:50. | :20:52. | |
time for One Republic. First, here's Gyles in an artist's | :20:53. | :20:54. | |
studio where smoking indoors On the 2nd of September 1666 a | :20:55. | :21:06. | |
raging fire swept through the City of London. Thousands of people were | :21:07. | :21:11. | |
left homeless, their lives literally up in smoke. It's hard to imagine | :21:12. | :21:19. | |
the chaos that the great fire would have caused in London and 350 years | :21:20. | :21:24. | |
on we have commissioned a fitting tribute to commemorate this | :21:25. | :21:28. | |
momentous event, a work of art created entirely out of smoke and | :21:29. | :21:34. | |
fire. Up and coming Stockport artist Neil Higdon is a rare specimen. He | :21:35. | :21:40. | |
is one of only a handful of professional smoke artists in the | :21:41. | :21:45. | |
world. Entirely self-taught he creates extraordinary images using | :21:46. | :21:52. | |
just smoke and class. These distinctive suit pictures sell in | :21:53. | :21:56. | |
galleries across the country. The One Show commission is the biggest | :21:57. | :22:00. | |
piece he's ever attempted. The glass is tilted on an easel for the | :22:01. | :22:05. | |
smoking to begin. Don't try this at home. The image is going to be St | :22:06. | :22:12. | |
Paul's cathedral in old St Paul's, roughly the centre of the peace. | :22:13. | :22:18. | |
When did you get the idea? When I was young. I discovered an artist in | :22:19. | :22:22. | |
the late district who worked with this method and I couldn't | :22:23. | :22:26. | |
understand how it was done and I thought I am going to try this art | :22:27. | :22:30. | |
form, had never seen anything like it and so I did, I turned my hand to | :22:31. | :22:34. | |
it and slowly I got to grips with it. Smoke rises on the class leaving | :22:35. | :22:41. | |
its mark in the form of super carbon, the basis of the unusual | :22:42. | :22:45. | |
work. No constructs his images by building layer on layer of smoke to | :22:46. | :22:49. | |
create the different features of the paintings. Neil has kindly agreed to | :22:50. | :22:55. | |
let this amateur have a go. It's harder than it looks. Try not to | :22:56. | :23:01. | |
touch the wick on the class, its darker. That is rather exciting. | :23:02. | :23:08. | |
Move on that corner... If you get carried away, suddenly, you have | :23:09. | :23:13. | |
shattered the glass. Once Neil has the foundation for his painting he | :23:14. | :23:16. | |
creates the pick by delicately scraping away the suit to form the | :23:17. | :23:22. | |
image. He has had to improvise with his tools using brochures, feathers | :23:23. | :23:26. | |
and even kebabs cure is for fine detail. It's beginning to take | :23:27. | :23:33. | |
shape, this is clearly the River Thames and here we have the smoke, | :23:34. | :23:38. | |
the flames rising around the old St Paul's Cathedral. We do. To give | :23:39. | :23:42. | |
depth to the picture it nearly keeps adding more smoke. This will give me | :23:43. | :23:48. | |
long strokes, so you can use it like a brush, in a way, this is good for | :23:49. | :23:57. | |
the sky. For instance... Yes... Neil lets us in on a secret trick he | :23:58. | :24:02. | |
developed using blue tack. That blocks it out so the dark... Will be | :24:03. | :24:08. | |
all around, all around, so you have a halo of light, this process will | :24:09. | :24:13. | |
be done four or five times to build up the layers of smoke. See how that | :24:14. | :24:23. | |
looks. Oh... There is the Moon. A piece of glass and a candle, you can | :24:24. | :24:29. | |
achieve all sorts. You can, you can recreate the Great Fire of London. | :24:30. | :24:34. | |
Neil has put in more than 60 hours of rain staking work and finally, | :24:35. | :24:38. | |
his delicate masterpiece is complete. And it's time to admire | :24:39. | :24:45. | |
his handiwork. Congratulations. I think it's completely magnificent, | :24:46. | :24:48. | |
really is extraordinary. Thank you. It is brilliant. Quite unlike | :24:49. | :24:55. | |
anything else, it is not paint, charcoal, it is a unique thing and | :24:56. | :24:59. | |
the marks it makes our unique. I think you should be proud of it, | :25:00. | :25:05. | |
it's a wonderful commemoration of a real fire 350 years ago and it feels | :25:06. | :25:12. | |
real. Magnificent, isn't it? It looks phenomenal. Time to show off | :25:13. | :25:17. | |
your interviewing techniques, John, a limited amount of time. One | :25:18. | :25:23. | |
question that Ryan has never been asked, the floor is yours. I have | :25:24. | :25:28. | |
loads because I am a big fan but the one question you'd never been asked, | :25:29. | :25:31. | |
what is the name of my mathematics teacher? OK... I got this, I got | :25:32. | :25:43. | |
this. Mr Pearson! He has got it! Can you believe it? Another quick one, | :25:44. | :25:50. | |
20 seconds. Of all the places you played in the UK, what is your | :25:51. | :25:55. | |
favourite venue? Oh, my God, the O2, that was the best for us. Wembley | :25:56. | :26:03. | |
was good too. You have and alienating anyone, he loves you in | :26:04. | :26:09. | |
Liverpool, Manchester... Ryan, off you go, we can't wait to hear your | :26:10. | :26:14. | |
perform. John, thank you. You can see more of John's interviewing | :26:15. | :26:16. | |
skills every Thursday. Tomorrow we celebrate | :26:17. | :26:18. | |
the return of Poldark, as stars Eleanor Tomlinson | :26:19. | :26:20. | |
and Jack Farthing will tell us Now with the first UK | :26:21. | :26:22. | |
performance of their new single # But we were reaching, | :26:23. | :26:26. | |
reaching for the rafters. # And on most of the days | :26:27. | :26:54. | |
we were searching for ways to get up # And get out of the town | :26:55. | :26:57. | |
that we were raised. # Yeah, cuz we were done I remember, | :26:58. | :27:01. | |
We were sleeping in cars # We were searching for OZ | :27:02. | :27:05. | |
we were burning cigars # With the white plastic tips | :27:06. | :27:09. | |
til we saw the sun... # And we said crazy things | :27:10. | :27:12. | |
like I refuse to look back # thinking | :27:13. | :27:15. | |
days were better just # I don't know what's | :27:16. | :27:17. | |
round the corner. # I swear we'll never change | :27:18. | :27:24. | |
Back when we were kids # Swore we would never die | :27:25. | :27:36. | |
You and me were kids # Changing all our plans and making | :27:37. | :27:43. | |
every day a holiday. # Feel the years start burning, | :27:44. | :28:01. | |
The city lights they're turning, # But something 'bout | :28:02. | :28:05. | |
this feels the same. # Back when we were kids, | :28:06. | :28:11. | |
Swore we would never die. # I refuse to look back thinking | :28:12. | :28:20. | |
days were better # Just because they're 'younger | :28:21. | :28:35. | |
days' # I don't know what's | :28:36. | :28:41. | |
'round the corner. APPLAUSE | :28:42. | :28:43. | |
CHEERING Planet Strictly to Sparkle - | :28:44. | :29:01. | |
this is Mission Fabulous. It's your job to find this year's | :29:02. | :29:04. | |
celebrities. Good luck. | :29:05. | :29:08. |