Browse content similar to 30/08/2016. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show, | :00:15. | :00:15. | |
with me Alex Jones and Bill Turnbull. | :00:16. | :00:21. | |
What a treat, lovely to see you. Retreat is all mine. Lovely summer? | :00:22. | :00:30. | |
Yes, I have saved the best for last, here with you on this so far. | :00:31. | :00:33. | |
Well, summer may be coming to and end, but there's lots | :00:34. | :00:35. | |
still to look forward to in the autumn, as our guest | :00:36. | :00:38. | |
tonight has not one, two, or three - but four major film | :00:39. | :00:41. | |
Alongside the director of honour those films, Sean Ellis is Jamie | :00:42. | :00:51. | |
Dornan. APPLAUSE Great to see you. | :00:52. | :00:56. | |
The Premier is tonight of your new film anthropoid, which we will talk | :00:57. | :01:00. | |
about later. But we hear the critic you have been most eager to please | :01:01. | :01:02. | |
is your dad, Jamie? That's right. My dad shows a keen interest in my | :01:03. | :01:16. | |
career and often will give me his version of notes. What does he say? | :01:17. | :01:24. | |
I will sort of tell him what the next project I'm doing is and he | :01:25. | :01:28. | |
will send an e-mail. He will be watching this, he will love it! | :01:29. | :01:34. | |
Hello, dad. He will send me an e-mail of thoughts, not notes, just | :01:35. | :01:40. | |
thoughts. Of every character? I don't even send him scripts! For | :01:41. | :01:47. | |
every project? I can see what you're getting at... Recent ones...? How to | :01:48. | :02:00. | |
direct it. It's good he's showing an interest. It is, it's true. We will | :02:01. | :02:07. | |
chat all about the film very shortly. For many of us today is the | :02:08. | :02:11. | |
first day back at work after holidays or a long weekend so spare | :02:12. | :02:15. | |
a thought for BHS shop workers who may have had no job to go back to | :02:16. | :02:22. | |
today. Staff have developed a kind of Dunkirk spirit. This is the | :02:23. | :02:27. | |
Belfast workforce, and at the Swansea store, Christmas came early | :02:28. | :02:28. | |
and Alex Riley was love. After 88 years on the British high | :02:29. | :02:36. | |
street BHS is closing its doors for the last time. I have come to | :02:37. | :02:40. | |
Swansea to find the final shop still going in Wales, which will be closed | :02:41. | :02:42. | |
in just about an hour, for ever. What is the mood like among the | :02:43. | :02:56. | |
staff today? I think there was a lot of emotions when we opened the doors | :02:57. | :03:00. | |
this morning. The queues were huge upside. This is about the staff, | :03:01. | :03:03. | |
keeping their chins up and going out with a Big Bang. How do you feel | :03:04. | :03:06. | |
about the overall business situation? We have done our best to | :03:07. | :03:15. | |
make sure we didn't disappear from the high Street. How did you feel | :03:16. | :03:22. | |
when they said it was going to close? I was really sad, I've worked | :03:23. | :03:26. | |
here a long time and met so many nice people. I can't believe it's | :03:27. | :03:30. | |
going to shut, but there's no point being sad because I have learned a | :03:31. | :03:34. | |
lot. It was my first job and I think I will always remember it. A couple | :03:35. | :03:42. | |
of weeks ago we were still... The closing down signs are real. The | :03:43. | :03:49. | |
part I liked most about this job and what I had mostly back from was the | :03:50. | :03:53. | |
customers. Every day the regulars would know us, they would know our | :03:54. | :03:58. | |
lives. This will be a big hole in Swansea city centre. How long have | :03:59. | :04:07. | |
you worked at BHS? 45 years. I was 21 when I started. How do you feel | :04:08. | :04:13. | |
about it? Sad at the moment. I will miss all the staff, the routine. And | :04:14. | :04:16. | |
I will miss the people. What will it mean to Swansea when | :04:17. | :04:27. | |
this goes? We have Marks Spencer next door and BHS, they have always | :04:28. | :04:31. | |
been that. Have they sold the right product at the right price is? | :04:32. | :04:38. | |
Always quality. I'd claim that Green bloke. I've never been a regular | :04:39. | :04:43. | |
customer but I've bought the occasional thing, things I couldn't | :04:44. | :04:48. | |
get elsewhere. Who do you think is responsible? I blame the last tour | :04:49. | :04:53. | |
management levels for what has happened. Philip Green and Dominic? | :04:54. | :05:01. | |
You said the names, yes! How do you feel about BHS closing down? Really | :05:02. | :05:08. | |
sad. It will be a lot quieter. Customers, everything is going at | :05:09. | :05:14. | |
50p an item now. I've known this store all of mind life, so did my | :05:15. | :05:19. | |
mother and grandmother. To pick things up today for 50p, we are | :05:20. | :05:23. | |
excited about that, but to lose a massive high Street chain is | :05:24. | :05:26. | |
devastating. These two ladies are the final | :05:27. | :05:38. | |
customers in the Swansea BHS, after being here since 1947, these are the | :05:39. | :05:40. | |
final two. I would like to thank you all from | :05:41. | :06:01. | |
the bottom of my heart and have a final toast BHS Swansea! CHEERING | :06:02. | :06:11. | |
Sad, isn't it? Such a staple of the high street for so long. We wish the | :06:12. | :06:20. | |
best of luck to all former BHS staff. We hear most of the Swansea | :06:21. | :06:23. | |
team have been successful in finding other jobs. | :06:24. | :06:25. | |
I wonder if they will remember to send Philip Green a card when it | :06:26. | :06:28. | |
LAUGHTER . Probably not. Anthropoid based on | :06:29. | :06:40. | |
a true story in the Czech Republic, an assassination attempt on a Nazi | :06:41. | :06:44. | |
officer. How hard or easy was it to identify with the two characters you | :06:45. | :06:50. | |
play alongside Cillian Murphy? To be honest that was one of the biggest | :06:51. | :06:53. | |
draws for me about the story. Cillian was already attached when it | :06:54. | :07:01. | |
came my way, so I didn't get choice who I was up for more. But I would | :07:02. | :07:06. | |
have been drawn towards Jan more anyway because he challenges | :07:07. | :07:14. | |
struggles more with the challenge. He has anxiety attacks and very much | :07:15. | :07:20. | |
feels he's in over his head and they're fighting a losing battle. | :07:21. | :07:27. | |
The reality is, as much as I like to think I'd be all brave in these | :07:28. | :07:31. | |
situations, the reality is I'd probably be the same. I'd probably | :07:32. | :07:37. | |
feel the same way. I find that very identifiable. And actually, I think | :07:38. | :07:45. | |
you will agree with this, what I find relatable from an audience | :07:46. | :07:49. | |
point of view is they are just normal guys. They are normal guys | :07:50. | :07:53. | |
thrust into an abnormal situation. They are not super soldiers all | :07:54. | :07:58. | |
superheroes, just women or men trying to fight against something | :07:59. | :08:01. | |
that was heinous and doing their best in that situation. And you | :08:02. | :08:07. | |
heard about the story 15 years before it was actually made. It | :08:08. | :08:11. | |
became a real labour of love for you, Sean. How hard was it to get it | :08:12. | :08:16. | |
made in the end, because you did it all yourself, didn't you? It was | :08:17. | :08:21. | |
pretty difficult. It was about 2001 I saw a documentary about it. I | :08:22. | :08:25. | |
didn't know anything about it so I started a research and thought it | :08:26. | :08:29. | |
would make a great movie. I started to collate lots of data and | :08:30. | :08:33. | |
documents and stuff like that. In about 2006 we sat down and started | :08:34. | :08:38. | |
to figure out how to tell the story as a film. So, yeah, it's been a | :08:39. | :08:43. | |
long journey. What drew you to the story in particular? I think I was | :08:44. | :08:51. | |
quite obsessed with Jan Kubis and Jozef Gabcik. As Jamie said, people | :08:52. | :08:54. | |
were thrust into different jobs during the war. You would be a baker | :08:55. | :09:00. | |
one day and fighting on the fields all guns blazing the next. We | :09:01. | :09:10. | |
mentioned you start alongside Cillian Murphy, who people will be | :09:11. | :09:15. | |
familiar with from Peaky Blinders. We can see from this tense moment... | :09:16. | :09:38. | |
APPLAUSE All we want to know is what happens | :09:39. | :10:06. | |
next! Based on true events very important | :10:07. | :10:12. | |
in Czechoslovakian history, was it every detail that was close to the | :10:13. | :10:18. | |
facts? With the historical fact I try not to deviate too much because | :10:19. | :10:23. | |
they are the facts. But where we can dramatise and be a storyteller is | :10:24. | :10:28. | |
with the characters and you can build the relationships. We don't | :10:29. | :10:30. | |
really know what they said together, so that's where you mind the story. | :10:31. | :10:36. | |
We try to keep really accurate with the historical events, because we | :10:37. | :10:39. | |
wanted it to be authentic. The Premier happened in Prague. They | :10:40. | :10:45. | |
received it really well. That must of been so flattering for you, | :10:46. | :10:49. | |
having made the film? It is a story they are incredibly proud of and so | :10:50. | :10:54. | |
they should be, it is a proud part of their history which has been | :10:55. | :10:57. | |
buried a long time. After the war communism came in and it was sort of | :10:58. | :11:01. | |
frowned upon, this act. In a weird way it was buried and it's only | :11:02. | :11:06. | |
recently has come to light again and people are very proud of what the | :11:07. | :11:11. | |
Czech parachute as did. It is a great celebration to tell the world | :11:12. | :11:15. | |
that story. Cillian Murphy is your co-star. As characters you have a | :11:16. | :11:19. | |
slightly abrasive relationship sometimes. An interesting dynamic. | :11:20. | :11:24. | |
What was it like working with him? Well, I mean... It's tricky. Cillian | :11:25. | :11:32. | |
and I have very fond of each other. It's very Irish to show love through | :11:33. | :11:40. | |
slapping each other off. Trying so hard to be sincere...! LAUGHTER | :11:41. | :11:44. | |
I can do it, I can do it, I can do it. The honest truth is I was a | :11:45. | :11:51. | |
massive fan of Cillian before, not just because I'm Irish. But he's a | :11:52. | :11:55. | |
young actor, the way he's approached his career and a variety of work he | :11:56. | :12:00. | |
has done from the blockbusters like Batman to low-budget movies to | :12:01. | :12:03. | |
television, to Irish theatre, everything, he's had such a good | :12:04. | :12:07. | |
balance in his career. And then it turns out he's the loveliest fella | :12:08. | :12:14. | |
in the world. That is hard to say. He will mock you now. Is all this | :12:15. | :12:20. | |
true, Sean? I had good fun with the boys, I have to say. We have to be | :12:21. | :12:25. | |
thankful to Sean for casting us together. It's a gamble. It's | :12:26. | :12:31. | |
basically like a two hand. It's a bit of a gamble that you might not | :12:32. | :12:35. | |
see eye to eye with the other person. I think the fact we're both | :12:36. | :12:39. | |
Irish maybe helps. It was a gamble that worked for you. Thank you for | :12:40. | :12:45. | |
your time. Anthropoid is in cinemas from Friday the 9th of September. | :12:46. | :12:48. | |
Just two years before Operation Anthropoid took place, | :12:49. | :12:50. | |
a squad of British soldiers was given orders to tackle a very | :12:51. | :12:53. | |
This time, the target wasn't 600 miles away in Prague. | :12:54. | :12:57. | |
September 15, 1940, an army truck speeds through the capital. It's the | :12:58. | :13:12. | |
height of the London Blitz on every corner of the city is in chaos. At | :13:13. | :13:18. | |
the centre, and untouched beacon of hope and defiance, St Paul's | :13:19. | :13:23. | |
Cathedral. But during a shattering V-Day bomb raid an unexploded device | :13:24. | :13:28. | |
threatens to destroy the cherished building, and with it, the morale of | :13:29. | :13:35. | |
a nation. The Royal engineer bomb disposal squad was called in. The | :13:36. | :13:38. | |
bomb had penetrated the ground near the west end of the Cathedral and | :13:39. | :13:42. | |
ruptured the gas mains starting a fire. Although the flames were | :13:43. | :13:47. | |
extinguished, the men found the pit was full of electrical cables and | :13:48. | :13:52. | |
poisonous gas. It could explode at any moment. I served as a bomb | :13:53. | :13:56. | |
disposal officer with the British forces, so I know how incredibly | :13:57. | :14:02. | |
dangerous this situation was. My ex-colleagues in the Royal Engineers | :14:03. | :14:06. | |
and Logistics Corps still deal with unexploded World War II bombs today. | :14:07. | :14:13. | |
Staff Sergeant McKinnon dealt with a 250 kilograms one in Bermondsey in | :14:14. | :14:18. | |
2015. They moved it to a quarry in Kent to be detonated. | :14:19. | :14:25. | |
I believe the one at St Paul's was 1000 kg. What sort of damage would | :14:26. | :14:29. | |
it cause Chris Wratt is right at the top end of what we deal with. What | :14:30. | :14:34. | |
we have done is set up a charge over here, 250 grams. That means the St | :14:35. | :14:41. | |
Paul's bomb was four thousand times bigger. Stand by! Even with the | :14:42. | :14:49. | |
small charge you can feel the power. Our explosion is roughly equivalent | :14:50. | :14:53. | |
to six grenades. By the same calculation, the St Paul's bomb was | :14:54. | :14:58. | |
equivalent to 20 4000. In the woods, a dummy bomb has been bricked up to | :14:59. | :15:04. | |
defuse and I am observing. With a bomb like this we have no | :15:05. | :15:07. | |
protection. With something this size it is designed to take down | :15:08. | :15:12. | |
buildings. Back at St Paul's, temporary Lieutenant Davies and his | :15:13. | :15:16. | |
men have to dig to reach the St Paul's bomb. They dig for three | :15:17. | :15:21. | |
nail-biting days and then on Sunday the 15th of September, George Reilly | :15:22. | :15:27. | |
hits metal, 27 feet below ground level. He'd found a lethal Herman | :15:28. | :15:34. | |
bomb with a type 17 views. Just a month before such a bomb had killed | :15:35. | :15:38. | |
three men trying to defuse it so orders were to destroy it in situ, | :15:39. | :15:42. | |
but this wasn't an option. The Cathedral was a symbol of Britain's | :15:43. | :15:46. | |
defiance and Churchill ordered it should be protected at all costs. So | :15:47. | :15:51. | |
the only option was to dig up the bomb and remove it with this view is | :15:52. | :15:57. | |
still intact. Techniques for stalling times like these were | :15:58. | :16:00. | |
considered too experimental to use at the time, but now they are used | :16:01. | :16:05. | |
regularly. What we need to do is drilling to hear and inject a water | :16:06. | :16:10. | |
solution. The idea is it takes the salt inside, gets between all the | :16:11. | :16:14. | |
clockwork and when it dries out, it leaves all the salts there. This is | :16:15. | :16:19. | |
not how the guys in St Paul's did it. What they did is treated it, as | :16:20. | :16:25. | |
a long delay fuse. That meant it was set to explode but no one could tell | :16:26. | :16:30. | |
when. Stephen is a bomb disposal historian. | :16:31. | :16:35. | |
The bomb itself is 1,000 kg dead weight, caked in mud, very slippery | :16:36. | :16:41. | |
and it needed several people to unload it onto the truck. Sapper | :16:42. | :16:46. | |
Wiley stepped forward and said he would hold the bomb in the back of | :16:47. | :16:50. | |
the truck while Lieutenant Davies drove at high speed through Hackney | :16:51. | :16:54. | |
marshes, where the bomb was then off-loaded. As they were driving to | :16:55. | :16:58. | |
a save point, the bomb actually exploded. So the guys got it there | :16:59. | :17:03. | |
to a safe place in the nick of time. They were very, very lucky. The | :17:04. | :17:08. | |
explosion made a crater 100 feet wide. Four Royal Engineers won | :17:09. | :17:15. | |
medals for their courage. Lieutenant Davies, who drove the bomb to | :17:16. | :17:18. | |
Hackney marshes and Sapper Wiley, who struck metal and held onto the | :17:19. | :17:22. | |
bomb, were both decorated for their bravery with the George Cross. As | :17:23. | :17:26. | |
for St Paul's, thanks to the courage of men like Davies and Wiley, it | :17:27. | :17:32. | |
survived the Blitz and became a focal point for celebrations when | :17:33. | :17:36. | |
the war ended in 1945. Thank you, Andy, former bomb | :17:37. | :17:40. | |
disposal officer. That boy can do it all! | :17:41. | :17:42. | |
Operation Anthropoid, as we know, is a true story. | :17:43. | :17:44. | |
But regular viewers to the show will know that there are many | :17:45. | :17:47. | |
stories from World War Two which we've told which frankly sound | :17:48. | :17:49. | |
Joe's here with more tales from that era. | :17:50. | :17:54. | |
He is going to outline them for us in best One Show | :17:55. | :17:57. | |
And we'd like you guys to decide whether they really happened | :17:58. | :18:04. | |
April 1943, the body of a Royal Marine is washed up on the coast of | :18:05. | :18:22. | |
Spain handcuffed to his wrist is a briefcase full of Top Secret | :18:23. | :18:26. | |
documents, but all is not what it seems. The body is in fact that of a | :18:27. | :18:30. | |
homeless man from Wales and the documents of falls, an audacious | :18:31. | :18:34. | |
attempt to dupe the Nazis. Fact or Film? What are you going with? Fact. | :18:35. | :18:49. | |
Operation Mincemeat. An expert. It was a very audacious attempt to | :18:50. | :18:53. | |
mislead the Nazis. It was very successful, the man in question was | :18:54. | :18:56. | |
a poor guy who had committed suicide and his body was taken over by the | :18:57. | :19:01. | |
authorities, they gave him a new identity and planted him in the | :19:02. | :19:06. | |
water off Spain. They were targeting a very specific German spy in that | :19:07. | :19:09. | |
part of Spain and sure enough, the documents made it into his hands and | :19:10. | :19:13. | |
the Nazis bought it and they thought the invasion would go through | :19:14. | :19:17. | |
Sardinia and Greece and not through Sicily, which was the obvious way to | :19:18. | :19:22. | |
do it. Hitler moved his forces out of Sicily and there was less | :19:23. | :19:28. | |
resistance when they came through. The next one is a bit harder. | :19:29. | :19:39. | |
France, 1944, our hero is Krystyna, a former Polish beauty queen turned | :19:40. | :19:43. | |
spy who is wanted by the Nazis. In a bold attempt to rescue three | :19:44. | :19:47. | |
resistance fighters due to be executed, she goes into a Gestapo | :19:48. | :19:50. | |
prison. There are wanted posters with her face on all around and | :19:51. | :19:54. | |
single-handedly, she frees her fellow fighters. Fact or Film? | :19:55. | :20:06. | |
Sounds like operation Bolognese... Am I overcooking it now? I find that | :20:07. | :20:12. | |
quite probable story, I think it is fact. It is indeed fact, two outcrop | :20:13. | :20:22. | |
two. This was Krystyna Skarbek, an incredible spy, thought to be | :20:23. | :20:27. | |
church's favourite spy, in fact and what she does is the ultimate bluff | :20:28. | :20:31. | |
-- Churchill's favourite spy. She goes into the prison and so she is a | :20:32. | :20:36. | |
British agent and the invasion is coming. She didn't know it was the | :20:37. | :20:40. | |
case, although it was the case, and the only way to save yourself is to | :20:41. | :20:44. | |
start releasing prisoners. These three are the ideal candidates, I am | :20:45. | :20:48. | |
married to one of them. And after a three-hour conversation with the | :20:49. | :20:52. | |
prison captain, she walked out with them. 30 seconds. June 1944, D-Day | :20:53. | :21:01. | |
is imminent and the German army doctor is so desperate to know when | :21:02. | :21:07. | |
the invasion is that he kidnaps and American intelligence agent, who | :21:08. | :21:10. | |
drugs him, convinces him it is 1950 and the war is over and he can | :21:11. | :21:15. | |
divulges the plans. Fact or Film? I'm going to go film on that one. It | :21:16. | :21:26. | |
should be a film. It is, 36 Hours, based on a roll Dahl story. -- Roald | :21:27. | :21:29. | |
Dahl story. Well, how plausible does this sound | :21:30. | :21:35. | |
as a One Show film plot? "A gardener from Lancashire takes | :21:36. | :21:37. | |
an early morning boat to an island "off the south coast of Britain | :21:38. | :21:40. | |
to rendezvous with a woman "who claims to own | :21:41. | :21:43. | |
Napoleon's baby's cot?" Listen, Bill, that is nothing | :21:44. | :21:45. | |
unusual on this show. It is a glorious summer's morning | :21:46. | :21:56. | |
and I am on the high seas heading to a very special holiday home. Not the | :21:57. | :22:02. | |
high seas, exactly, but the Solent, crossing from Southampton to the | :22:03. | :22:06. | |
Isle of Wight, the same journey made every summer by action girl and | :22:07. | :22:12. | |
former supermodel Jodie Kidd. Wow, Christine, welcome to my little bit | :22:13. | :22:17. | |
of heaven on the Isle of Wight. And it is, my goodness, that is a view | :22:18. | :22:21. | |
and a half. What was it like growing up here? Just amazing to be playing | :22:22. | :22:27. | |
around in boats and jumping off of this many times, racing out to | :22:28. | :22:34. | |
boys... Not literally to boys! This is incredible. Such a wonderful | :22:35. | :22:39. | |
place to grow up and so I bring indie here as much as I possibly | :22:40. | :22:44. | |
can. Jodie comes from a family of high achievers. Her | :22:45. | :22:47. | |
great-grandfather was the press baron Lord Beaverbrook and his son, | :22:48. | :22:52. | |
Max Aitken, owned this house in Paris. As well as a family home, it | :22:53. | :22:58. | |
is a museum displaying some unusual treasures. Said this is the | :22:59. | :23:02. | |
beginning, the entrance of the museum, and it explains a little bit | :23:03. | :23:07. | |
about my great uncle, Max Aitken and in World War II, he was one of the | :23:08. | :23:12. | |
Battle of Britain pilots, famous 601 Squadron. When he left the RAF, he | :23:13. | :23:18. | |
was a very successful sailor and then he started the offshore | :23:19. | :23:22. | |
powerboat racing. You can see pictures of them going God knows | :23:23. | :23:28. | |
what speed. Speed, speed, speed. Always. I don't know where I got it | :23:29. | :23:33. | |
from. I'm beginning to see why Jodie has remained in the public eye since | :23:34. | :23:38. | |
she was 16. She has been a model, racing car driver, a polo player and | :23:39. | :23:44. | |
TV presenter and is currently raising funds for Help for Heroes. | :23:45. | :23:48. | |
But if anyone knows her best, it is the current occupant, cousin Laura. | :23:49. | :23:52. | |
You have seen Jodie Grow up, what was she like as a child? We always | :23:53. | :23:57. | |
knew she was going to be something special because competitiveness | :23:58. | :24:00. | |
comes to mind. If you put her on a rowing boat, she had to win in a | :24:01. | :24:04. | |
race. Sand castles, she had the biggest and the best. She knocked | :24:05. | :24:08. | |
the other ones down, I think, sabotage! What were your memories in | :24:09. | :24:14. | |
the museum? One had to stop her and her siblings and my kids getting | :24:15. | :24:19. | |
into Queen Victoria's croquet set and smashing the wooden balls up and | :24:20. | :24:23. | |
down the long room, one end to the other, which is terrifying, | :24:24. | :24:26. | |
considering most of the models are in glass cases. This is Napoleon's | :24:27. | :24:31. | |
cradle for his son and I remember swinging violently, legs out. | :24:32. | :24:41. | |
Serious, serious trouble. But just now, as an older person, you go, | :24:42. | :24:46. | |
"Crikey, Napoleon would have rocked his child in that!" And so did I! | :24:47. | :24:53. | |
Jodie has excelled in pretty much everything she has turned her hand | :24:54. | :24:58. | |
to. But life has not always been easy for her. As a late teenager | :24:59. | :25:06. | |
going into my early 20s, you know, I used to suffer from anxiety. It is | :25:07. | :25:09. | |
just a horrible thing because when you are going through it and you are | :25:10. | :25:13. | |
constantly thinking you are going mad, why am I getting heart | :25:14. | :25:17. | |
palpitations? And once you understand why you are going through | :25:18. | :25:22. | |
this and what anxiety is and you are just releasing too much adrenaline | :25:23. | :25:25. | |
and you're constantly in the fight flight stage, you know, that was how | :25:26. | :25:32. | |
I kind of healed myself. I moved back out into the country, started | :25:33. | :25:34. | |
growing my own vegetables. Excellent! | :25:35. | :25:39. | |
Right, the sun is out and it is time now for a jaunt around the bay along | :25:40. | :25:46. | |
with cousin Martin and indeed. I absolutely love bringing indie band | :25:47. | :25:49. | |
here, where he can get to experience a little bit about what I did | :25:50. | :25:56. | |
growing up here -- Indie here. I thought we would be having a little | :25:57. | :26:03. | |
saunter. We are. We have left the harbour and now, we are going to | :26:04. | :26:09. | |
pick it up. Go for it! Not so much of a saunter. | :26:10. | :26:15. | |
It is fast, it is exciting. It is exactly what I imagine Jodie's live | :26:16. | :26:17. | |
to be. It is quite fun! You see, Jodie and | :26:18. | :26:25. | |
Christine shouldn't work, but it really does. They are a perfect | :26:26. | :26:29. | |
combination. You guys, where did you go on holiday as a child? Together? | :26:30. | :26:38. | |
You go back such a long way! We mostly went camping in France, got | :26:39. | :26:43. | |
the ferry over. I don't remember a huge amount of it but that is | :26:44. | :26:46. | |
definitely where I went. Sean, did you go to the Isle of Wight? I did, | :26:47. | :26:55. | |
Butlins on the Isle of Wight. We went there, what a brilliant place! | :26:56. | :27:02. | |
Anyway, let's talk about The Fall. The Fall is coming back for another | :27:03. | :27:06. | |
series in which you play a much less heroic character. It has really | :27:07. | :27:15. | |
changed your career, that role. I do think so, yes. Certainly | :27:16. | :27:18. | |
professionally, it totally changed my life and I am forever grateful | :27:19. | :27:25. | |
for it. I would play that character, as horrible as he is, for the rest | :27:26. | :27:28. | |
of my life if someone gave me the option. It is also bad thing, four | :27:29. | :27:33. | |
and a half years into it now, they are like family to me, the crew, the | :27:34. | :27:40. | |
same groove all three series, so... We are seeing you there at the end | :27:41. | :27:43. | |
of the second series and you think, where can you go from here? Well... | :27:44. | :27:52. | |
That is the million dollar question. I watched the first series and I got | :27:53. | :27:56. | |
so tense that I got backache at one point. Wouldn't it have been really | :27:57. | :28:01. | |
creepy if I had come in behind you and... Really grim! How much darker | :28:02. | :28:10. | |
can your character actually get? I guess there hasn't been an intention | :28:11. | :28:13. | |
to try and do that, we haven't been trying to show him any darker. The | :28:14. | :28:18. | |
proof is in the pudding, I think, so far, but it goes in quite an | :28:19. | :28:23. | |
unexpected place, series three. Won't say, without giving too much | :28:24. | :28:30. | |
away but Allan Cubitt and I can he created it, are very close and I | :28:31. | :28:33. | |
didn't see what was coming. And you get a break from that because you | :28:34. | :28:39. | |
have other projects in the pipeline. Yes, I have a lot coming out at the | :28:40. | :28:44. | |
moment. This is very strange, you never Planus and I certainly | :28:45. | :28:49. | |
wouldn't have planned it, but I have four different projects coming out | :28:50. | :28:53. | |
on different platforms in the next five weeks so I have to remind | :28:54. | :28:56. | |
myself what I am doing press for. You will be back next week doing | :28:57. | :29:00. | |
press for something else! Nice to see you both and enjoy the premiere | :29:01. | :29:03. | |
tonight, have a great night. Anthropoid is out on Friday the 9th | :29:04. | :29:09. | |
of September and, Bill, are you going to stay put? If you will have | :29:10. | :29:13. | |
bigger the next couple of days, it has been great. We have some | :29:14. | :29:18. | |
brilliant guest. On Friday, Renee Zellweger and on Thursday, all | :29:19. | :29:22. | |
things Poldark. And tomorrow, we are joined by John Bishop. Have a lovely | :29:23. | :29:24. | |
evening, goodbye. Planet Strictly to Sparkle - | :29:25. | :29:33. | |
this is Mission Fabulous. | :29:34. | :29:38. |