Browse content similar to 26/08/2016. Check below for episodes and series from the same categories and more!
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Well, hello and welcome to our very last day at the Edinburgh Festivals | :00:18. | :00:26. | |
with Jack Docherty. And Alex Jones. It wasn't that bad, was it? I | :00:27. | :00:32. | |
couldn't be without you. We have been very lucky, because the sun | :00:33. | :00:37. | |
came back, the view of the castle is back, looking gorgeous. Scotland is | :00:38. | :00:41. | |
always this beautiful, yesterday was an aberration. It has been a | :00:42. | :00:47. | |
fantastic couple of days, our guests tonight, one is an Iranian comic who | :00:48. | :00:58. | |
calls in celebration marked. -- schmuck. Please welcome Rula Lenska | :00:59. | :01:11. | |
and Omid Djalili! Welcome, both. Welcome. Lovely to have you with us | :01:12. | :01:18. | |
on our last day. Rula, I understand your character is called Katya... | :01:19. | :01:35. | |
Katya Kokov. Not even Ian Fleming would have risked that name! She is | :01:36. | :01:41. | |
from Moldova, most people think it is a made up country, but in fact it | :01:42. | :01:46. | |
is a real country. My co-host says to me at one point, you are dressed | :01:47. | :01:51. | |
to kill, and I say the last time I was dressed to kilt was when the KGB | :01:52. | :01:57. | |
was decommissioned. And this is in your show all about Eurovision, | :01:58. | :02:00. | |
which we will talk about later, it sounds hysterical. And we have it on | :02:01. | :02:06. | |
good authority, Omid, that you open your show in Edinburgh with a | :02:07. | :02:11. | |
Scottish accent, which is brave. No pressure! Nobody is Scottish here! | :02:12. | :02:16. | |
Thank you... The kind of people who come and see my show at four | :02:17. | :02:21. | |
o'clock, and by the way it is called Schmuck For A Night, and only a | :02:22. | :02:25. | |
schmuck would do a show called Schmuck For A Night and start at | :02:26. | :02:28. | |
four in the afternoon. I thought that would get a laugh! But it was | :02:29. | :02:34. | |
basically the four o'clock crowd are people who where comfortable shoes | :02:35. | :02:41. | |
and light rainwear. We don't see ethnic, we just see not a English. | :02:42. | :02:46. | |
Could we hear the accent? There was a bit of it there! His funniness is | :02:47. | :03:02. | |
legendary, by which I mean it is a myth. It is a little bit | :03:03. | :03:09. | |
Morningside! 37 Morningside Drive, very specific. We will talk more, | :03:10. | :03:13. | |
and Deacon Blue are playing for us later. | :03:14. | :03:17. | |
CHEERING AND APPLAUSE Now, over half a million visitors | :03:18. | :03:22. | |
descend on Edinburgh during the festivals, but of course for many | :03:23. | :03:25. | |
people who live and work in the city, they don't really get to see | :03:26. | :03:28. | |
the shows. We thought we would give three | :03:29. | :03:32. | |
locals the chance to be a critic for the day. | :03:33. | :03:43. | |
I am Graeme, I have lived in Edinburgh all my life. I get about | :03:44. | :03:50. | |
town delivering letters. I would like to take in the festival if I | :03:51. | :03:54. | |
could. I do like comedy, I would like to broaden my horizons a little | :03:55. | :04:00. | |
bit. I do not know what the show is, I am about to find out. Silent Disco | :04:01. | :04:13. | |
Walking Tour. Just follow my lead, you will be fine. | :04:14. | :04:30. | |
IT IS LIKE WE ARE SENDING OUT THE RIGHT VIBRATION! | :04:31. | :04:39. | |
I cannot stands in front of everyone like that, I cannot! Totally weird. | :04:40. | :04:47. | |
You take your ear phones off, everyone is just dancing. It is | :04:48. | :04:58. | |
completely bizarre. I am a big fan of green, so I | :04:59. | :05:01. | |
enjoyed Bohemian Rhapsody. -- Queen. At the end of the union Rhapsody, me | :05:02. | :05:17. | |
in the middle, everyone else to serenade. -- Bohemian Rhapsody. All | :05:18. | :05:28. | |
I could think of was my mate ripping into me at work! | :05:29. | :05:46. | |
My name is Jaz, I work in my dad's shop. It is all going on in | :05:47. | :05:53. | |
Edinburgh right now. I would love to have a night to go out and check the | :05:54. | :06:02. | |
shows. The show that I am going to see is Anything That Gives Off | :06:03. | :06:06. | |
Light. Something to do with theatre, I assume. It actually looks very | :06:07. | :06:12. | |
interesting, bringing in stuff, it has a musical side to it. I think it | :06:13. | :06:14. | |
should be cool. There were a lot of things quite | :06:15. | :06:24. | |
interesting about it, the rhythm, the bass I found really good. I | :06:25. | :06:35. | |
really liked the energy of the performance, the rhythm and music, | :06:36. | :06:38. | |
but overall it was not my cup of tea. My name is Jo, I have lived in | :06:39. | :06:48. | |
Edinburgh for 19 years, I do not get to the festival much because I am | :06:49. | :06:56. | |
driving around tourists. Back of the bus! I am intrigued to see what this | :06:57. | :06:59. | |
is going to be about. I have never had a journey with | :07:00. | :07:08. | |
people dancing on the bus before. We got off the bus, and I wasn't | :07:09. | :07:28. | |
expecting that, it was really funny. It was really good, I would | :07:29. | :07:31. | |
recommend it, it is not something I would normally go and watch, but I | :07:32. | :07:36. | |
was pleasantly surprised, really funny, and I recommend every bus | :07:37. | :07:41. | |
driver go and watch it. They all looked very good, didn't | :07:42. | :07:45. | |
they? But I particularly liked the silent disco, but Graeme was dying | :07:46. | :07:51. | |
of embarrassment in the background, watching himself dancing! And he is | :07:52. | :07:55. | |
quite a hard man to please, so what we did, we were sent in to see your | :07:56. | :08:05. | |
show, Omid. Oh, no, really? You have to remember he is a postman, | :08:06. | :08:12. | |
second-class delivery, Omid. He doesn't push the envelope, no stamp | :08:13. | :08:16. | |
of originality, not the full package, do you see what he is doing | :08:17. | :08:22. | |
with this postman based criticism? I beg to differ! He didn't really say | :08:23. | :08:27. | |
any of that! What did you think? Loved it! Would you like to | :08:28. | :08:35. | |
criticise him as a postman? What did you think of the show? I think you | :08:36. | :08:42. | |
are brilliant! You have got a good look. We are going to let you | :08:43. | :08:49. | |
criticise your own show or not, Rula, because we would like you did | :08:50. | :08:52. | |
tell is all about Eurovision. We have heard about your character, the | :08:53. | :09:00. | |
Russian... Moldovan, darling! It is a gentle spoof on the Eurovision | :09:01. | :09:02. | |
Song Contest, but exactly the way you would think, it is live, ten | :09:03. | :09:11. | |
different participating countries. I thought you might be wearing a | :09:12. | :09:21. | |
costume, Rula! Oh, sorry! This is called My Gypsy Violin. I have never | :09:22. | :09:27. | |
actually seen that. There are ten countries, ranging from Sweden to | :09:28. | :09:33. | |
the Vatican City, and their number is called Temptation. The Ukraine | :09:34. | :09:42. | |
number is called Bang Me. Is there a winner? Different winner every | :09:43. | :09:46. | |
night. At the beginning, everyone is given flags, and they are instructed | :09:47. | :09:50. | |
to vote at the end of the show, after all of them have done their | :09:51. | :09:53. | |
numbers, and then they are told by me in no uncertain terms that you | :09:54. | :09:58. | |
are not allowed to vote for your own country. It is not impossible, but | :09:59. | :10:08. | |
it is illegal! And the UK... We have Morris dancers, all related. And we | :10:09. | :10:13. | |
hated like in the real-life Eurovision? Which country has proven | :10:14. | :10:17. | |
most popular? Three of them, Morocco, which is I Am A Hot Like | :10:18. | :10:26. | |
Vindaloo. Brilliant. Norway, with the Vikings. And the Vatican City, | :10:27. | :10:31. | |
Temptation, so far the most popular, but it is different every night. | :10:32. | :10:36. | |
This is your first time in Edinburgh. First time performing at | :10:37. | :10:40. | |
the festival, yes. How are you finding it, then? I cannot describe | :10:41. | :10:45. | |
how wonderful it has been, it has been like living in a box of the | :10:46. | :10:49. | |
best chocolates, there are not enough hours in the day that nice? | :10:50. | :10:56. | |
APPLAUSE I love your city! | :10:57. | :11:04. | |
CHEERING AND APPLAUSE Omid, take it up, praised Edinburgh | :11:05. | :11:08. | |
even more than that, you will get a huge round of applause! | :11:09. | :11:13. | |
, Well, I don't know, I got a review once, I got a review that said | :11:14. | :11:17. | |
sitting in this theatre, you see placards of all the famous writers | :11:18. | :11:22. | |
who have had their work performed on this stage, Shakespeare, Marlow, | :11:23. | :11:26. | |
David Mamet. One placard sums of Omid Djalili's show, it reads | :11:27. | :11:31. | |
disabled toilet. LAUGHTER | :11:32. | :11:40. | |
We will come to your show, Schmuck For A Night, shortly, but in the | :11:41. | :11:44. | |
meantime, on Wednesday, our first show in Edinburgh, we spoke about | :11:45. | :11:49. | |
the remake of Porridge. On Sunday night, we can also see a special | :11:50. | :11:53. | |
episode, a new version of Are You Being Served? Before we see a clip, | :11:54. | :12:01. | |
we are going to see what it is like to be the daughter of one of the | :12:02. | :12:06. | |
original cast members, so over to Claire Louise English. | :12:07. | :12:14. | |
My father, Arthur English, he was a gentleman, not at all like the | :12:15. | :12:19. | |
Cockney wide boys that he used to play on TV. This is the new point of | :12:20. | :12:26. | |
sale model... What brought into the public are it was Are You Being | :12:27. | :12:34. | |
Served? He loved all saucy innuendo. His first wife, Ivy, died in 1975, | :12:35. | :12:40. | |
they had 35 years together, and they had two children. A few years later, | :12:41. | :12:44. | |
my dad met my mum, there was quite an age gap, so there were a few | :12:45. | :12:49. | |
raised eyebrows. My dad was in his 60s, my mum was 22, but they fitted | :12:50. | :12:55. | |
like a glove. This is one of his many scrapbooks, and this is what | :12:56. | :13:04. | |
happens next. Me! And me... And more me... I always knew I wanted to act | :13:05. | :13:10. | |
when I was little, and I used to talk to my dad about it, and he gave | :13:11. | :13:14. | |
me a piece of advice, be very careful, he said, it is a dangerous | :13:15. | :13:19. | |
industry with lots of drugs and alcohol around. Dad, I am nine, I | :13:20. | :13:22. | |
have no idea what you are talking about. He loved his job, from the | :13:23. | :13:28. | |
early days at the Windmill with all the dancing girls, lots of panto | :13:29. | :13:36. | |
over the years, and the TV, including In Sickness And In Health. | :13:37. | :13:45. | |
Are You Being Served? Did not finish, they are making a new one | :13:46. | :13:49. | |
special with a new cast, and I am sneaking in to see the final run | :13:50. | :13:54. | |
through. The last time I was on the set, I was six months old, and it is | :13:55. | :13:57. | |
such a pleasure to come back again today. Dad loved playing Mr Harmon, | :13:58. | :14:08. | |
and an IT is played by Arthur Smith. It is clever casting. How do you | :14:09. | :14:14. | |
feel to step into his coat? It is a very similar code, I am probably a | :14:15. | :14:20. | |
bit taller than him, I am a bit nervous, because loads of people | :14:21. | :14:24. | |
have said, I used to love the English, so I feel quite a | :14:25. | :14:28. | |
responsibility, I am a bit nervous. But I will be all right, won't I? | :14:29. | :14:33. | |
You will be great! So we have watched the run through, | :14:34. | :14:37. | |
the audience are in, and it is showtime. | :14:38. | :14:43. | |
Let's see who I can spot, oh, there is the garish hairdo of Mrs | :14:44. | :14:48. | |
Slocombe, not Mollie Sugden anymore, it is Sherrie Hewson. Mr Humphries, | :14:49. | :14:56. | |
camp as ever, Jason Watkins. In dad's day, it was the wonderful John | :14:57. | :15:00. | |
Inman, who was my godfather. And here he is, the star of the show... | :15:01. | :15:06. | |
How do you like them apples?! Where is old frosty knickers? Sadly, my | :15:07. | :15:11. | |
dad never got to see me perform professionally, which is one of my | :15:12. | :15:15. | |
big regrets, and I wish I had been a bit older when I last came to see | :15:16. | :15:19. | |
the programme, because six months was not old enough to appreciate all | :15:20. | :15:20. | |
the subtleties. Ho Ho Ho, little boy. Have I got a | :15:21. | :15:37. | |
surprise for you! I was 14 when dad died in 1995. He was 75 and I think | :15:38. | :15:42. | |
looking back, he knew he wasn't going to be around for much longer. | :15:43. | :15:48. | |
He always used to send me lovely jewellery, like this piece that I am | :15:49. | :15:53. | |
wearing. He sent that to me when I was too young to appreciate it, | :15:54. | :15:56. | |
which was the clue to how he was thinking. He was a good, kind and | :15:57. | :16:02. | |
funny man, and I miss him all the time. Very touching. And we saw the | :16:03. | :16:13. | |
new series of you being served being filmed there. Shall we see a clip | :16:14. | :16:18. | |
from the brand-new episode that is on on Sunday? I'm going to start | :16:19. | :16:28. | |
work today. Which department? Impossible, I'm head of menswear, | :16:29. | :16:36. | |
and he would be under me. Strictly speaking, he would be under me. My | :16:37. | :16:48. | |
pussy had a sneezing fit. After all these years, she has still | :16:49. | :16:55. | |
got the same pet. Why does Mrs Slocum have a budget? But it works | :16:56. | :17:02. | |
so well. Rula, you were saying you did a whole series. Where he played | :17:03. | :17:10. | |
my secretary. I did panto with him twice as well, and we laughed | :17:11. | :17:15. | |
nonstop. And we had Miriam Margulies on the show. She played nanny to my | :17:16. | :17:21. | |
daughter and I spent the whole series with my hands clamped around | :17:22. | :17:26. | |
a little girl's head, because of Miriam's filthy repartee and jokes | :17:27. | :17:30. | |
about God knows what she did to men and women. Enough from you! Any show | :17:31. | :17:46. | |
you would bring back? There was a series in the 70s with Roger Moore | :17:47. | :17:50. | |
and Tony Curtis about two glamorous detectives, called the Persuaders. I | :17:51. | :17:58. | |
thought you would pick the Omid Djalili show. Hosted by staff Ross | :17:59. | :18:07. | |
Flatley. It was a classic. Let's talk about Schmuck For A Night. We | :18:08. | :18:11. | |
have already touched on it. Schmuck, of course meaning idiot in Yiddish. | :18:12. | :18:17. | |
On what grounds, Omid, are you calling yourself a schmuck? First of | :18:18. | :18:22. | |
all, I like to set challenges. I asked myself for the most difficult | :18:23. | :18:31. | |
venue at the worst time. Why? It is an audience that really want to go | :18:32. | :18:34. | |
and the a cappella. They don't want to see stand-up comedy. Or Nicholas | :18:35. | :18:47. | |
Parsons, at a push. At the festival, you have to be a bit sharper because | :18:48. | :18:51. | |
it is a very comedy literate town. You can hear people saying, I have | :18:52. | :18:59. | |
seen better. It has to be tighter, so you come here to sharpen up. So | :19:00. | :19:08. | |
four o'clock is a tough crowd. And also, like most people, I get up in | :19:09. | :19:12. | |
the morning, I am upset by the news. But the schmuck in me thinks I have | :19:13. | :19:18. | |
too turned into comedy, but I want to make sense of what is going on. | :19:19. | :19:21. | |
We are living in a difficult time, with terrorism and Brexit and all | :19:22. | :19:26. | |
this stuff. I am just trying to make sense of things through stand-up | :19:27. | :19:30. | |
comedy, and you have got to be a schmuck to do that. A lot of it is | :19:31. | :19:33. | |
about the things that make you angry, as you say. Apart from the | :19:34. | :19:36. | |
political stuff, what gets under your skin? I am very excited by the | :19:37. | :19:42. | |
fact that we did so well at the Olympics. We came second! | :19:43. | :19:52. | |
Unbelievable. We come from a generation who are used to Britain | :19:53. | :19:56. | |
getting one bronze in the synchronised sweeping. So now, | :19:57. | :20:00. | |
because we have lottery funding, we should be funding everything. Let's | :20:01. | :20:07. | |
do the Brexit 100 metres, and four people resign before the guns go | :20:08. | :20:15. | |
off. Don't you think? And you started in Newcastle. You are taking | :20:16. | :20:21. | |
this show on tour. That is your thing. There are certain towns... | :20:22. | :20:27. | |
Glasgow and Newcastle are the toughest towns, because they have | :20:28. | :20:33. | |
seen so much. It works there, it works everywhere else. It is like | :20:34. | :20:36. | |
being in a fight, take on the big guy first. Who one might fight | :20:37. | :20:43. | |
today? I won it? Give him a round of applause. Well, in a second, we are | :20:44. | :20:54. | |
going to hear Deacon Blue perform. But first of all, we have got part | :20:55. | :21:02. | |
two and the and Buster's scenic tour around Scotland. | :21:03. | :21:05. | |
I'm in the Highlands, travelling along Scotland's version of Route | :21:06. | :21:11. | |
66, the north coast 500. I've just left Durness and I'm heading down | :21:12. | :21:18. | |
the western side. This is the spectacular bridge, a 276 metre | :21:19. | :21:24. | |
curve. It was built in 1984 and design supposedly to fit in with its | :21:25. | :21:28. | |
surroundings. I will let you be the judge of that. My first stop is this | :21:29. | :21:36. | |
stunning beach, but I'm not here for the scenery, but to find an | :21:37. | :21:40. | |
architectural oddity that attracts lots of visitors every year. You | :21:41. | :21:44. | |
might mistake it for a wartime machine-gun emplacement, but is | :21:45. | :21:48. | |
known locally as the hermit's Castle. From here, it looks | :21:49. | :21:52. | |
imposing, but it is in fact an optical illusion. When you get up | :21:53. | :21:58. | |
close to it, it's tiny and repeatedly Europe's smallest castle. | :21:59. | :22:03. | |
Perhaps calling it a castle is stretching it, but in the 1950s, a | :22:04. | :22:07. | |
young architect from Norwich called David Scott found himself here. | :22:08. | :22:13. | |
Margaret McLeod runs the local campsite. He asked, could he build | :22:14. | :22:19. | |
something? We thought he was going to build something spectacular! He | :22:20. | :22:23. | |
built it out of concrete and it took around eight months to complete. | :22:24. | :22:28. | |
Then he left. He revisited when he was 80, but I never saw him. He | :22:29. | :22:33. | |
didn't want to make himself known, because when he saw it, he felt | :22:34. | :22:38. | |
ashamed of it. He said he felt ashamed? Why? I don't know. I wish I | :22:39. | :22:44. | |
had seen him, because I would have told him just what it brings to the | :22:45. | :22:50. | |
area when people see it. Well, from small castles to small bridges. I'm | :22:51. | :22:55. | |
heading down to Ullapool to see a bit of Victorian ingenuity. In the | :22:56. | :22:59. | |
19th century, Sir John Fowler designed one of the wonders of the | :23:00. | :23:02. | |
industrial world, the Forth rail Bridge. To test the structure of | :23:03. | :23:09. | |
many of his designs, Fowler built prototypes, like this one, four | :23:10. | :23:15. | |
Ascension -- suspension bridge. Peter Newley is Sir John's | :23:16. | :23:22. | |
great-grandson. You have the cantilevers that come out from the | :23:23. | :23:26. | |
towers, and then there is the gap in the middle, the spam. That is not | :23:27. | :23:32. | |
unlike this. It was a prototype. And Pete has a splendid photo album of | :23:33. | :23:40. | |
Sir John and his work, including a picture of the Forth Bridge in 1890. | :23:41. | :23:47. | |
The Prince of Wales drove in the last rivet, and then off they went | :23:48. | :23:53. | |
to a big dinner. And Fowler was also responsible for designing much of | :23:54. | :23:56. | |
the London Metropolitan line, which was the first line under the London | :23:57. | :24:03. | |
underground. Yes. We have the nappies on the lower level and the | :24:04. | :24:07. | |
engineers above. Top hats, not hard hats in those dates. As I leave the | :24:08. | :24:12. | |
estate, my journey takes me south towards Loch Marie. The scenery | :24:13. | :24:17. | |
along this road is so spectacular, the landscape so lovely, it really | :24:18. | :24:23. | |
is a hazard to careful driving. Like Loch Ness, Loch Marie has its own | :24:24. | :24:31. | |
reported monster. Its name translated in English means a slug | :24:32. | :24:34. | |
pig, whatever one of those is. Of course, none of this should be taken | :24:35. | :24:39. | |
seriously. There is also a myth that the waters of Loch Marie Cure | :24:40. | :24:44. | |
insanity. Now, I'm not mad enough to take a dip. But I know someone who | :24:45. | :24:53. | |
is. Go for a swim. I'm on the final straight, passing over the | :24:54. | :24:58. | |
spectacular pass of the cattle, the UK's biggest rope climb, joined by | :24:59. | :25:07. | |
some motorcycling pals. It is an incredible majestic route. Buster | :25:08. | :25:10. | |
and I have had a fabulous couple of days driving the north coast 500. | :25:11. | :25:16. | |
OK, so the roads might be pretty narrow and can get bumpy at times, | :25:17. | :25:20. | |
but it's made me realise that within Scotland, there is one of the great | :25:21. | :25:24. | |
road journeys of the world. Hey, Buster? | :25:25. | :25:32. | |
What a lovely few days they had. And our journey is nearly over in | :25:33. | :25:36. | |
Edinburgh. Have you had a nice time? The time of my life would not be | :25:37. | :25:42. | |
overstating it. Thanks so much to everybody in Edinburgh for such a | :25:43. | :25:45. | |
fantastic welcome. We have had a ball. We will be back in the studio | :25:46. | :25:52. | |
on Tuesday. And our guest on Tuesday is Jamie Dornan, get in! Next to our | :25:53. | :25:57. | |
guests tonight, Omid Djalili and Rula Lenska. It's been fantastic. | :25:58. | :26:02. | |
Here to play us out with their latest single, from the album out | :26:03. | :26:07. | |
next month, Deacon Blue! Have a good weekend. | :26:08. | :26:11. | |
# Go on ahead, I'll be with you soon enough | :26:12. | :26:14. | |
# I'll be walking in the cool of the evening | :26:15. | :26:20. | |
# In honeysuckle and willow trees | :26:21. | :26:25. | |
# Tell them your story, tell them what you dreamed about | :26:26. | :26:28. | |
# Say you were lost, then one day you were found | :26:29. | :26:35. | |
# And someone brought you home again | :26:36. | :26:39. | |
# The believers know that it's going to get better | :26:40. | :26:43. | |
# Cos no one here will ever forget you, not let you | :26:44. | :26:53. | |
# When we say we know so much about everything? | :26:54. | :27:22. | |
# May it take you to heaven and never bring you back again | :27:23. | :27:29. | |
# So you no longer fear the boatman | :27:30. | :27:32. | |
# The believers know that it's going to get better | :27:33. | :27:40. | |
# Cos no one here will ever forget you, not let you | :27:41. | :27:49. | |
# The believers know that it's going to get better | :27:50. | :28:23. | |
# Cos no one here will ever forget you, not let you | :28:24. | :28:32. | |
# The believers know that it's going to get better | :28:33. | :28:39. | |
# There's nothing you can do about it now | :28:40. | :28:43. | |
# You know you're on one side or the other | :28:44. | :28:45. | |
# You're just one more believer. | :28:46. | :28:56. |