Browse content similar to 31/10/2012. Check below for episodes and series from the same categories and more!
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Hello and welcome to a ghostly and ghoulish One Show with Alex Jones. | :00:18. | :00:28. | |
And Matt Baker. Tonight's guests on this dark night are this man. | :00:28. | :00:32. | |
was Dr Jekyll. He is now Mr Monroe, and soon he is going to be a hobbit. | :00:32. | :00:41. | |
It is James Nesbitt! And joining James drought this evil evening is | :00:41. | :00:51. | |
:00:51. | :00:52. | ||
this man. Yet, striking fear into the heart of any budding apprentice, | :00:52. | :00:59. | |
it is Sir Alan's right hand henchman, Nick Hewer! Welcome to | :00:59. | :01:09. | |
you both. What do you think of our Hallowe'en theme? Fabulous. My ten- | :01:09. | :01:12. | |
year-old daughter is currently trawling the streets of Dulwich, | :01:12. | :01:18. | |
dressed as death. And my 15-year- old, I don't want to know what she | :01:18. | :01:25. | |
is doing. The reason we ask is because we had a special group of | :01:25. | :01:30. | |
people that decorated the set for us today. They are Team Rickshaw. | :01:30. | :01:37. | |
We sprung it on them. We will chat to you later about Children In Need, | :01:37. | :01:43. | |
but you have done us proud. But have you transform your home into a | :01:43. | :01:47. | |
Hallowe'en ordered house? This send us a picture of you and your | :01:47. | :01:57. | |
:01:57. | :01:58. | ||
creations. Do you get stuck in with Hallowe'en? I try to avoid it and | :01:58. | :02:04. | |
let my daughters get on with it. When kids come round to the house, | :02:04. | :02:10. | |
they are a bit frightened by me if I open the door. Even without a | :02:10. | :02:17. | |
mask. But it was not such a big thing in Northern Ireland. We used | :02:17. | :02:22. | |
to do their games on Bonfire Night, bunking off for apples. But now it | :02:22. | :02:26. | |
is such a huge commercial thing. But the kids love it. Mary is | :02:26. | :02:33. | |
dressed up as death, based on me, I think. I have no recollection at | :02:33. | :02:37. | |
all as a kid. I don't think you were allowed to do it. You are not | :02:37. | :02:42. | |
a big fan of trick or treating? at all. We used to have something | :02:42. | :02:48. | |
called barmbrack cake. Wasn't that something to do with hollow ring? | :02:48. | :02:52. | |
We will be moving on to that shortly. You may not like this if | :02:52. | :03:02. | |
:03:02. | :03:07. | ||
you don't like trick or treating. Trick or treat! Yes, watching live | :03:07. | :03:10. | |
from Blythburgh Church in Suffolk are some of our younger One Show | :03:10. | :03:20. | |
:03:20. | :03:21. | ||
viewers. Show us your scariest faces. Now, there is a reason why | :03:21. | :03:27. | |
they are in that particular church on Hallowe'en night. That is | :03:27. | :03:32. | |
certainly true, because throughout tonight's show, I shall regale them | :03:32. | :03:37. | |
with a ghoulish tale from the wilds of the Suffolk coast. It is the | :03:37. | :03:45. | |
story of the Hell Hound, and it comes to a very grisly end. So | :03:45. | :03:55. | |
:03:55. | :03:55. | ||
don't be scared, children. It is only a story. Or is it? It is only | :03:55. | :04:01. | |
a story. Now, whether you are into how we nor does think it is an | :04:01. | :04:04. | |
American idea gone mad, it does have origins in a tradition from | :04:04. | :04:10. | |
this side of the Atlantic. The Americans lay claim to a lot of | :04:11. | :04:14. | |
things. Trick or treating is just one of them. But the origins of | :04:15. | :04:22. | |
Hallowe'en were not born in the USA, but much closer to home. It turns | :04:22. | :04:27. | |
out that the ancient Celts were at it long before, about 2000 years | :04:27. | :04:32. | |
ago it. They marked the end of harvest and the beginning of winter | :04:32. | :04:35. | |
in the equivalent of October or November in and the modern: the. | :04:36. | :04:39. | |
The ancient Celts believed that on this evening, the barriers between | :04:39. | :04:42. | |
the spirit world and the natural world were broken and the soles of | :04:42. | :04:48. | |
the dead freely roamed the earth. But it is not all about spooks. The | :04:48. | :04:53. | |
Kerrin around harvest time, how a wheen is a real food festival, too. | :04:53. | :04:57. | |
Here at the Ulster folk and Transport Museum, the cooking | :04:57. | :05:02. | |
traditions of Hallowe'en are being kept alive. Linda is decorator. | :05:02. | :05:05. | |
Every Hallowe'en, we have demonstrations of food that might | :05:05. | :05:11. | |
have been made in the past. Barmbrack cake is one of the more | :05:12. | :05:16. | |
hollow weaned intriguing treats. It is a sweetened bread which many | :05:16. | :05:23. | |
Irish bake around this time. What does it mean no, barmbrack cake? | :05:23. | :05:31. | |
That seems to come from a word meaning bun or cake. And speckle, | :05:31. | :05:36. | |
meaning dried fruit. So at the station run rife on this night, and | :05:36. | :05:40. | |
the Hallowe'en speciality of barmbrack cake took on powers of | :05:40. | :05:45. | |
prediction, a chaotic cake of destiny, if you will. Where does | :05:45. | :05:48. | |
the idea of it having special powers come from? Hallowe'en is a | :05:48. | :05:51. | |
special time of year, when all kinds of powerful spirits are | :05:52. | :05:56. | |
thought to be abroad. It was also cure a time for working out the | :05:56. | :06:00. | |
future. Trinkets would be big into the cake, and when people were | :06:00. | :06:03. | |
eating it, if you would get a certain trinket, that would tell | :06:03. | :06:09. | |
you your future. What have we got in terms of trinkets? We have a | :06:09. | :06:14. | |
thimble, associated with a spinster. So an unmarried woman getting a | :06:14. | :06:20. | |
thimble, what would that mean? would suggest that she would not | :06:20. | :06:26. | |
want to get that. Most traditions would be observed by women rather | :06:26. | :06:31. | |
than men, but the bottom would be for the man. A bachelor would stay | :06:31. | :06:36. | |
a bachelor. And the last one? final one is the ring. Denoting | :06:36. | :06:44. | |
marriage. So if you are a spinster, you are hoping for the ring. The | :06:44. | :06:48. | |
fortune telling trinkets are placed in the mixture before baking. At | :06:48. | :06:53. | |
the museum, they do things the traditional way. But what will this | :06:53. | :07:00. | |
cake predict for me? Will you be mother? What is the best way to eat | :07:00. | :07:07. | |
this? As much butter as you can manage on a slice. Maybe with a cup | :07:07. | :07:15. | |
of tea. Can I cut myself a bit? There is something hiding in here. | :07:15. | :07:21. | |
I have got the button. Which means I will stay unmarried. That might | :07:21. | :07:29. | |
surprise my wife. Well, you are not going to get married. That is true. | :07:29. | :07:34. | |
To be honest, I don't believe in these stories, what matters is how | :07:34. | :07:39. | |
it tastes. I may not be a fortune teller, but I can predict that I am | :07:39. | :07:46. | |
going to enjoy this. It is very good. | :07:46. | :07:53. | |
I thought that was a good idea, but then it got spooky. Anyway, we have | :07:53. | :07:59. | |
got some cake predictions here. We wonder what they mean. But any idea | :07:59. | :08:07. | |
of this one? What could that mean, Alan Sugar? I don't know, but I | :08:07. | :08:12. | |
will ask him tomorrow. Young Apprentice starts tomorrow. It is | :08:12. | :08:20. | |
hard to distinguish the face from the bread. Don't be unkind. Be for | :08:20. | :08:24. | |
we talk about the a apprentice, let us have a clip from tomorrow night, | :08:24. | :08:30. | |
and the girls have some life skills to learn before going into business. | :08:30. | :08:38. | |
Where do we put it? A, you put it in this? A no, that is for the | :08:38. | :08:47. | |
money. That is a bit dodgy. There are clubs, so you obviously took it | :08:47. | :08:52. | |
in. Not too much. Don't go to crazy, because then it will start foaming | :08:52. | :09:01. | |
up. Don't put it in there. That is a drier. I told you it was a drier! | :09:01. | :09:08. | |
Classic apprentice seen. They are a brilliant bunch. We must not make | :09:08. | :09:13. | |
fun of them, because they are youngsters and decent kids. And the | :09:13. | :09:17. | |
tasks they are given, that was a bit unfair of you guys. The tasks | :09:17. | :09:24. | |
are very tough, just as tough as in the big Apprentice. Tomorrow, 8 | :09:24. | :09:34. | |
:09:34. | :09:38. | ||
o'clock, BBC Two. Two months of joy. He isn't it BBC One? Is it BBC One? | :09:38. | :09:44. | |
Anyway, there is a wonderful young chap called Patrick. He is special. | :09:44. | :09:50. | |
Very sharply dressed. But we are so proud of all of them. Last year, it | :09:50. | :09:55. | |
won a BAFTA. And I still keep in touch with the youngsters. The | :09:55. | :10:00. | |
runner-up last year was a guy called James McCulloch, who is now | :10:00. | :10:06. | |
working at Saatchi. They are bright and wonderful people. Time to look | :10:06. | :10:10. | |
into the future again. We are going to go back to the cake. I wonder | :10:10. | :10:18. | |
what this could mean, James. hobbit, never read it. Tell us | :10:18. | :10:24. | |
about how it is going. How long have you got? It is great. I went | :10:24. | :10:29. | |
to New Zealand for 18 months. I had three months off to come back and | :10:29. | :10:34. | |
fill Monroe, but it was incredible. I play one of the dwarves. It is a | :10:34. | :10:41. | |
tale about a hobbit, with Martin Freeman, a visit and 13 dwarfs. It | :10:41. | :10:45. | |
is a universal and timeless story. It has been anticipated for a long | :10:45. | :10:50. | |
time. You look incredibly different. Have you got a lot of prosthetics | :10:51. | :10:57. | |
on? No, that was just a bad morning. You are at four in the morning | :10:58. | :11:02. | |
going into make-up. That can be a bit wearing, but it was an | :11:02. | :11:06. | |
incredible experience. There was a lot of excitement. I did not | :11:06. | :11:11. | |
realise before, having not done a movie of that epic nature, that | :11:11. | :11:14. | |
there is a huge global obsession about it and people were keen to | :11:14. | :11:19. | |
find out if we have honoured the tail. But if anyone was going to do | :11:19. | :11:24. | |
it, Peter Jackson is the one to do it. And the set is vast. Is it true | :11:24. | :11:30. | |
that you have to go by helicopter from one part of the other? We are | :11:30. | :11:34. | |
based in Wellington, which is beautiful, right on the sea. Peter | :11:34. | :11:38. | |
Jackson has studios there, but we have eight or nine studios with the | :11:38. | :11:41. | |
most incredible, intricate and beautifully structured it sets with | :11:41. | :11:47. | |
incredible detail. We had our own glass blowers in the group and have | :11:47. | :11:51. | |
a leather maker. Everything is done very authentic it. But when we go | :11:51. | :11:56. | |
on location, you would have won Borth per chopper. He would be in a | :11:56. | :11:59. | |
helicopter with your make-up and a wardrobe person. It was like | :11:59. | :12:06. | |
Apocalypse Now, all these choppers. And there is a third one coming? | :12:06. | :12:12. | |
ro a bit surprised by the third one. But I think Peter had filmed so | :12:12. | :12:16. | |
much and there was so much rich material but they thought, why not | :12:16. | :12:20. | |
do another trilogy? So I go back in May for the third one. But the | :12:20. | :12:26. | |
first one opens at Christmas. about Star Wars? Lucas film have | :12:26. | :12:32. | |
been sold. Disney have bought that. I think I will do the hobbit and | :12:32. | :12:37. | |
then go back to wee things for a bit. And the last episode of Monroe | :12:37. | :12:44. | |
is coming. Now, time for our ghost story to start. We have an audience | :12:44. | :12:48. | |
listening in from Blythburgh Church in Suffolk, just down the road from | :12:48. | :12:58. | |
:12:58. | :13:01. | ||
Bungay Castle, both important $:/STARTFEED. Hello there children. | :13:01. | :13:04. | |
Hopefully you haven't been scared off yet. There's plenty of time for | :13:04. | :13:09. | |
that. Are you sitting uncomfortably? Then I shall begin. | :13:09. | :13:12. | |
Let me take you back 1,000 years, to the market town of Bungay in | :13:13. | :13:16. | |
Suffolk. There lives a real rogue named Hugh, an earl in fact, in | :13:16. | :13:18. | |
Bungay Castle. Hugh is a treacherous, wicked man who | :13:18. | :13:22. | |
terrorises the townsfolk. He leads the most feared gang in the land, | :13:22. | :13:27. | |
burning villages and torturing the people. In time, a new King comes | :13:27. | :13:32. | |
to power, and Hugh is forced to surrender to the law. His castle is | :13:32. | :13:39. | |
destroyed. He flees, powerless, and dies soon after. The good people of | :13:39. | :13:43. | |
Bungay couldn't be happier, but their elation is short lived. For | :13:43. | :13:46. | |
soon they realise that Hugh's wicked soul will find no resting | :13:46. | :13:54. | |
place in heaven. His evil spirit is bound to return. 100 years later, a | :13:54. | :13:58. | |
young farmer works the grounds of the ruined castle, when he has the | :13:58. | :14:02. | |
most terrifying encounter. Blocking his path is a monstrous hound, a | :14:03. | :14:05. | |
shaggy black beast of enormous size, his teeth yellow, bared and | :14:05. | :14:15. | |
:14:15. | :14:25. | ||
slavering, his eyes like scorching blood red flames. Hugh's twisted | :14:25. | :14:30. | |
soul in the form of the dog. Anyone who looks into his flaming eyes | :14:30. | :14:38. | |
will live no longer than 12 months more. Is the Shuck a creature of | :14:38. | :14:43. | |
legend? Not to the people of Suffolk. They know he exists. On a | :14:43. | :14:47. | |
seemingly normal day in 1577 the skies turned black, the winds | :14:47. | :14:53. | |
howled, the air turned deathly cold and suddenly there in their midst | :14:53. | :15:00. | |
was the hound, eyes blazing, hungry for revenge. | :15:00. | :15:08. | |
THUNDER Wow! I hope them children aren't | :15:08. | :15:12. | |
too scared. Their parents are there. Oh, look at their little faces. | :15:12. | :15:17. | |
Don't worry about it. Honestly, it is fine. Part two a little bit | :15:17. | :15:20. | |
later. In the past few weeks One Show | :15:20. | :15:24. | |
viewers have been fantastic in giving up their spare time. | :15:24. | :15:30. | |
Amongst other things you have rehomed dogs, planted 50,000 | :15:30. | :15:34. | |
snowdrops and formed a band of retired musicians in Liverpool. | :15:34. | :15:39. | |
Angelica is in Belfast. What's in store tonight? | :15:39. | :15:47. | |
Hello Angelica? Go for it, I thought you had been taken by the | :15:47. | :15:53. | |
ghosts and ghouls! Here in Belfast it is a little bit chilly. I'm at | :15:53. | :15:57. | |
Belfast City Hall and for the last few days I've been looking for a | :15:57. | :16:02. | |
special kind of volunteer, one that people who hopeful will come here | :16:02. | :16:07. | |
tonight, fingers crossed, and sign the necessary forms. | :16:07. | :16:17. | |
:16:17. | :16:19. | ||
What type of volunteers are we This is a One Show to the rescue | :16:19. | :16:22. | |
with a difference A few short months Northern Ireland will play | :16:22. | :16:26. | |
host to the biggest and most diverse sporting events ever. The | :16:26. | :16:36. | |
:16:36. | :16:36. | ||
world Police and Fire Games. It all began 27 years ago in the US to | :16:36. | :16:41. | |
encourage camaraderie amongst is services. Next August 10,000 | :16:41. | :16:46. | |
competitors from 71 countries will compete in 66 sports right across | :16:46. | :16:52. | |
Northern Ireland. Including this, the ultimate firefighter challenge. | :16:52. | :16:56. | |
That's hard! What we want to do is challenge people to come along and | :16:57. | :17:02. | |
be volunteers for the Games, just like they did in the London | :17:02. | :17:08. | |
Olympics. How can The One Show help you? People who perhaps can speak | :17:08. | :17:12. | |
different languages, stewards, people who can drive, escort | :17:12. | :17:17. | |
visitors. How long have they got to get involved? The deadline is 31st | :17:17. | :17:21. | |
October. You are not giving us much time. I've got my mission. Let's do | :17:21. | :17:26. | |
this. I've got my list and I'm catch catching a list with | :17:26. | :17:32. | |
firefighter and a veteran of the Games. In Vancouver in 2009 I | :17:32. | :17:40. | |
competed in the downhill mountain biking and slalom. The atmosphere | :17:40. | :17:44. | |
was buzzing. I'm confident we can replicate that in Belfast. I'm on | :17:44. | :17:49. | |
the hunt for people to direct and escort the international visitors | :17:49. | :17:55. | |
If I don't know my way around Belfast, I don't know who will. | :17:55. | :18:00. | |
think I've found translators. Belarus, Russia, Ukraine. He could | :18:00. | :18:05. | |
be very handy for. This Thank you. But I think we need to ramp it up, | :18:05. | :18:11. | |
so I'm going to need one of these and one of these. Belfast, The One | :18:11. | :18:17. | |
Show needs your help. Lady in the black coat, we need your help. We | :18:17. | :18:20. | |
need volunteers. Come on, Belfast! The word is out and I've even | :18:20. | :18:24. | |
signed up the bus drivers to transport competitors and crowds | :18:24. | :18:30. | |
around the events. Next up I need guys to capture the Games spirit | :18:30. | :18:35. | |
forever. The university is a great place for that. Have you got your | :18:35. | :18:41. | |
breath back? Yes. Nice running. Have you heard about the Police and | :18:41. | :18:44. | |
Fire Games? It's the biggest Games that have ever come to Northern | :18:44. | :18:48. | |
Ireland. You have until Wednesday to make sure you have got your | :18:48. | :18:53. | |
application Is there anyone who hasn't applied but would like to? | :18:53. | :18:58. | |
He's going to aren't you? Yes. We need people to capture the moment, | :18:58. | :19:05. | |
can you do it? Yes. I can rely on you? Yes! Zoo keepers are the | :19:05. | :19:09. | |
perfect people to be Games make wers a smile. Fantastic. I've | :19:09. | :19:14. | |
managed to recruit some more people. It is the end of the day but I've | :19:14. | :19:18. | |
got one last push many me to up our volunteer numbers. We need your | :19:18. | :19:23. | |
help. We need announcers, so Lynley you can do. That you would be | :19:23. | :19:26. | |
fantastic. We need people who've been in the area a long time to | :19:26. | :19:29. | |
help with information, directions and just being a friendly face. How | :19:29. | :19:34. | |
are you getting on tonight? Nothing yet, as usual. I hear you do lots | :19:34. | :19:40. | |
of volunteering and stuff. I will help in anyway I can. We'll see you | :19:40. | :19:45. | |
on Wednesday. Lovely. Excellent. Can I counts on you to become | :19:45. | :19:50. | |
volunteer? Of course. Can I count on you, Margaret? Yes. Excellent. | :19:50. | :19:55. | |
And what about you Jill? Jean. Jean! Nice one. | :19:55. | :20:04. | |
Job done. Let's hope they all come on Wednesday. Fingers crossed. | :20:04. | :20:08. | |
Fingers crossed indeed. You certainly covered a lot of ground | :20:08. | :20:13. | |
there. Are you feeling confident Ms Bell? Alex, I will be honest with | :20:14. | :20:18. | |
you. It is 50-50. This is a big night in Belfast. Hallowe'en is a | :20:18. | :20:22. | |
special occasion. So hopefully people will come down. I have Wendy | :20:22. | :20:25. | |
with me who is very hopeful. You are in charge of the volunteering. | :20:25. | :20:29. | |
Do you think the people of Belfast will come and support these Games? | :20:29. | :20:32. | |
Absolutely. People in Northern Ireland have great community spirit. | :20:32. | :20:36. | |
This is one of the world's largest sporting events and we want it to | :20:36. | :20:41. | |
be the friendliest Games ever. We need to volunteers to help make | :20:41. | :20:45. | |
that happen. I like that positivity. This is Conor, who put me through | :20:45. | :20:51. | |
my paces. I am broken today. Maybe I should take part? You did really | :20:51. | :20:56. | |
well, 100% effort. It give as good perspective on how physically | :20:57. | :21:01. | |
demanding the event is. This is the first Games you are going to take | :21:01. | :21:06. | |
part It is. What's the event you are in? It is ultimate firefighter. | :21:06. | :21:10. | |
Which is hard core. It is a physically tough event but I'm | :21:10. | :21:14. | |
looking forward to it. Do you think you've got a home advantage with | :21:14. | :21:17. | |
the crowds here? Definitely. I think the people of Belfast really | :21:17. | :21:23. | |
get into it. Will it give us that extra incentive to give it 100%. I | :21:23. | :21:27. | |
don't think the weather will hold anybody back. Do you think people | :21:27. | :21:31. | |
will come? Definitely. I want to introduce you to Raymond. You were | :21:31. | :21:37. | |
at the bid in Adelaide. Waysen deed. Neil and I were part of the bid | :21:37. | :21:43. | |
that won the Games. How big are these Games? Massive, the biggest | :21:43. | :21:47. | |
multi-sport event to come to Belfast and ever to come to the | :21:47. | :21:51. | |
island of Ireland, we are very proud of. Fingers crossed people | :21:51. | :21:56. | |
will turn up. Back to us later. Do you think people will turn up? | :21:56. | :22:02. | |
Chancellor of the University of Ulster. I am, if you will. I will. | :22:02. | :22:08. | |
Which is something I'm very, it's a real privilege. And where they were | :22:08. | :22:12. | |
filming that, one of the campuses, the high-performance centre, opened | :22:12. | :22:17. | |
by Lord Coe a few years ago. I think people will turn out tonight. | :22:17. | :22:20. | |
It's a fantastic time for people to be in Northern Ireland, emerging | :22:20. | :22:24. | |
from the conflict. The Games will attract 10,000 competitors and | :22:24. | :22:28. | |
15,000 friends and family. I would urge people at home to put off | :22:28. | :22:33. | |
going to the pub until a wee bit later and get down there and | :22:33. | :22:36. | |
volunteer. The ultimate firefighter will definitely get some girls | :22:36. | :22:41. | |
there. Anyway... Nick is the latest host | :22:41. | :22:47. | |
of Countdown. It celebrates 30 years on our screens. The climax of | :22:47. | :22:53. | |
every one of the 5,000 episodes is the Countdown conundrum. I've come | :22:53. | :22:58. | |
to put the people of Ipswich to the test. They will only have 30 | :22:59. | :23:08. | |
seconds to solve this conundrum. my gosh;; She is thinking very hard | :23:08. | :23:15. | |
here. Um... Think of the time of year. That's Hallowe'en. It took | :23:15. | :23:24. | |
three seconds to do that. Hallowe'en. Let's see. CHEERING You | :23:24. | :23:27. | |
are correct. Unfortunately it took you double | :23:27. | :23:35. | |
the amount of time! Consonant, vowel. There is an art | :23:35. | :23:41. | |
to this isn't there? Yes. You've now gone past the two-hour mark but | :23:41. | :23:50. | |
let's keep running. Is that a word? No. You're rubbish. What is it? | :23:50. | :23:58. | |
it tombstone? Well done! Can you give us the | :23:58. | :24:06. | |
famous tune? When it comes to solving conundrums the people of | :24:06. | :24:10. | |
Ipswich have proved to be a rather mixed bag. Do you want to try | :24:10. | :24:15. | |
another one? I don't care. Here's a clue. This is something that | :24:15. | :24:25. | |
:24:25. | :24:28. | ||
strikes terror into the sturdiest of hearts. | :24:28. | :24:36. | |
James nods. Go on. I think it is the dreaded Apprentice boardroom. | :24:36. | :24:46. | |
Yes! You've been hosting since January. Nearly a full year. What | :24:46. | :24:50. | |
happens, everybody must ask this, when people offer up some rude | :24:50. | :24:57. | |
words? Obviously the programme is edited. You remain very cool and | :24:57. | :25:00. | |
ask whether it's acceptable of Susie Dent and the guest in the | :25:01. | :25:05. | |
corner. Incidentally Gyles has been a guest, our favourite guest, for | :25:05. | :25:11. | |
30 years. I knew he had been a guest for 30 years but not your | :25:11. | :25:16. | |
favourite guest! He is a legend at Countdown. He is coming soon, I | :25:16. | :25:21. | |
hope, to talk about his new Oscar Wilde book. He is wonderful. James, | :25:21. | :25:26. | |
the first thing you said to me when you came I love the programme. | :25:26. | :25:30. | |
There are few programmes on telly that are accessible to everyone. I | :25:31. | :25:35. | |
watch wit the kids. I dip in and out of it. The format is fantastic. | :25:35. | :25:45. | |
:25:45. | :25:47. | ||
My grandfather is a big fan Nick. I get grannies. Some people get up | :25:47. | :25:53. | |
at 4.30am to watch it. Have you learnt any new words? Lots. | :25:53. | :25:57. | |
your favourite? Suzi dents, who sits in the corner, she is an | :25:57. | :26:02. | |
education, it is like going to a lecture every day. We learn new | :26:02. | :26:07. | |
words every day. We hear one of them is quirting? You've been | :26:07. | :26:12. | |
talking to the producer have not you? Do you know what quirting is? | :26:12. | :26:17. | |
No. Courting? Quirting. courting like in Northern Ireland? | :26:17. | :26:23. | |
Shall we go to your favourite guest of 30 years? Quirting is what you | :26:23. | :26:28. | |
do with a quirt. It means to hit someone with a leather riding whip | :26:28. | :26:33. | |
or quirt, consisting of a short, shout stock and a lash of braided | :26:33. | :26:38. | |
leather. There you go! Nick says I shouldn't do that because I have a | :26:38. | :26:43. | |
racehorse not because I hit people! A very good racehorse. | :26:43. | :26:49. | |
riverside Theatre is a very good horse. Damned good quirting. Have | :26:49. | :26:54. | |
you picked up any Middle Earth language? Yes, there's very few of | :26:54. | :27:00. | |
them I could say on telly. There is a language and there is someone | :27:00. | :27:05. | |
they would send off to throw in a bit of the language. They send the | :27:05. | :27:15. | |
words to and they get a translation back. They have trouble enough | :27:15. | :27:18. | |
understanding we with my Northern Ireland accents. I love that whole | :27:18. | :27:22. | |
rich tapestry of the thing. It is such an enormous canvas, the Hobbit. | :27:22. | :27:28. | |
And it is the 30th birthday on Friday? The first programme to be | :27:28. | :27:38. | |
:27:38. | :27:44. | ||
broadcast on Channel 4 all those Now off to the Yorkshire moors with | :27:44. | :27:48. | |
Miranda Krestovnikoff. Our natural world has no need of masks and | :27:48. | :27:54. | |
costumes. It has its own terrifying beasts. I've come to the north York | :27:54. | :27:59. | |
moors to find animals with one of the spookiest reputations, in a | :27:59. | :28:06. | |
place with a chilling history. This forest outside Helmsley looks | :28:06. | :28:09. | |
innocent enough, but underneath lurks a series of deep and | :28:09. | :28:14. | |
dangerous caves. The only clue they are here are | :28:14. | :28:20. | |
ominous holes like this, with drops of 30 metres to the cave bottom. | :28:20. | :28:27. | |
Each is riddled with a dark and terrifying history. They have | :28:27. | :28:30. | |
attracted people from the Bronze Age onwards and they seem to be | :28:30. | :28:37. | |
place which is are regarded as possibly links to another world. | :28:37. | :28:43. | |
Research has suggested that towards the end of the 1st century AD there | :28:43. | :28:46. | |
may well have been sacrifice here, possibly human sacrifice. Because | :28:46. | :28:52. | |
on the cave floor they covered four human skilltons and the bonus tell | :28:52. | :29:00. | |
a story of ritual killing. This lower jawbone has a deep cut in it, | :29:00. | :29:05. | |
which appears to be the result of someone being decapitated and the | :29:05. | :29:10. | |
axe impacting on the jaw as well. Why were they sacrificing people | :29:10. | :29:14. | |
here? It was time of immense pressure in this part of the | :29:14. | :29:18. | |
country. The Roman Army was moving north. It could be this was an | :29:18. | :29:22. | |
attempt to bring the gods onside, to placate them if it was support | :29:22. | :29:26. | |
the gods were not supporting them. But these chilling cavers are | :29:26. | :29:33. | |
exciting more than just the local archaeologists. Dr Anita Glover | :29:33. | :29:36. | |
from Leeds University has discovered these cavers are swarm | :29:36. | :29:41. | |
sites for bats, who arrive in huge numbers every autumn from across | :29:41. | :29:51. | |
:29:51. | :29:59. | ||
De bats are in huge numbers for good reason. They are coming for a | :30:00. | :30:04. | |
ritual, too, but it is more about mating than murder. The flight | :30:05. | :30:08. | |
patterns seen to be ducking and diving and swooping and swirling. | :30:08. | :30:13. | |
What is going on? This is courtship behaviour. They are chasing each | :30:13. | :30:19. | |
other. Sometimes it might be a male chasing a female, or there might be | :30:19. | :30:23. | |
more than two bats within that Chase. You can assume there is some | :30:24. | :30:27. | |
kind of assessment of the males being conducted by the females | :30:27. | :30:33. | |
during these chases. But this is such a crucial site at Anita and | :30:33. | :30:37. | |
her team set up next at this time of year to catch the courting | :30:37. | :30:45. | |
couples and discover more about what is going on. That is a lot of | :30:45. | :30:54. | |
facts. Listen to that. Is that a cross back to? This bat has a long, | :30:54. | :31:00. | |
pink face and clicking sound. What is important about what they have | :31:00. | :31:06. | |
found here is the distance these bags are travelling. We know from | :31:06. | :31:10. | |
our wringing studies that the bats can be coming from as much as 60 | :31:10. | :31:17. | |
kilometres away. That is a long journey. The catchment area of | :31:17. | :31:23. | |
these caves is enormous. Bats flying in from so far away to mate | :31:23. | :31:26. | |
ensures a good mix of jeans and helps keep the bat population | :31:26. | :31:32. | |
healthy. That whole may have looked at the sinister, but the animals | :31:32. | :31:38. | |
using it are anything but. They are fascinating, charming creatures. | :31:38. | :31:43. | |
And to discover that they may travel up to 60 kilometres just to | :31:43. | :31:47. | |
be here emphasises the importance of this site. This one is itching | :31:47. | :31:56. | |
to go, so I will let it disappear. Off to do a night's work. | :31:56. | :32:00. | |
Now, we have mentioned our lovely Hallowe'en set and that we gave our | :32:00. | :32:04. | |
children in need of Team Rickshaw, Lauren, James, Jack, Darren, Ciaran | :32:04. | :32:14. | |
:32:14. | :32:16. | ||
and Jamila, the task of decorating the studio. You can't just cycle. | :32:16. | :32:20. | |
Riding 411 miles in eight days is no easy task, and they will need a | :32:20. | :32:28. | |
bit of teamwork, so we thought this might get them in the mood. Got to | :32:28. | :32:38. | |
:32:38. | :32:44. | ||
make it look Gothic, with cobwebs, trying to get the ambience. Lauren, | :32:44. | :32:54. | |
:32:54. | :33:07. | ||
It is quirky. Cobwebs on the table? I think Matt Baker will be more | :33:07. | :33:17. | |
:33:17. | :33:20. | ||
terrified than Alex. Happy Hallowe'en! Who is the cheeky | :33:20. | :33:28. | |
chappie in this team? Impossible to guess. Darren, you cycled here from | :33:28. | :33:35. | |
Durham? No. Got the train. Have you started training yet? Yeah, I have | :33:35. | :33:40. | |
been doing some training at college. Three days a week, they let me use | :33:40. | :33:47. | |
the bike machine. And they let me use the gym for free. What is the | :33:47. | :33:51. | |
most daunting part of this for you? And probably the sheer distance I | :33:52. | :34:01. | |
:34:02. | :34:03. | ||
have to travel. But I will be in 18, so I have lots of support. Loads of | :34:03. | :34:07. | |
support. Kieran, you have been training very hard. But | :34:07. | :34:13. | |
unfortunately, you fell off your bike. You didn't hurt yourself? | :34:13. | :34:19. | |
I have a tricycle. If you lean too far one way, it can fall over. And | :34:19. | :34:28. | |
I was going round a corner. And I ended up on the floor. But I have | :34:28. | :34:36. | |
been on it since, and no injuries. They add to hear it. Obviously, you | :34:36. | :34:41. | |
all have your reasons for doing this, but what drives you, Jack? | :34:41. | :34:46. | |
want to get all the donations recognised. I had a kidney | :34:46. | :34:49. | |
transplant before my 4th birthday. It is to show people that even | :34:49. | :34:54. | |
though I have had problems, I can still do a massive challenge like | :34:54. | :35:00. | |
this and do normal things. Are you worried? Not particularly. I have | :35:00. | :35:07. | |
kept my fitness levels up. You are pretty sporty. Lauren, this is a | :35:07. | :35:10. | |
huge challenge for you because you have not ridden a bike since you | :35:10. | :35:17. | |
were hit by a car at 11 years old. Tell everybody how many miles you | :35:17. | :35:27. | |
can cycle now? I have cycled five. Well done. We will hear all of your | :35:27. | :35:32. | |
stories as we go up. It will be a long journey. You can support Team | :35:32. | :35:38. | |
Rickshaw. You can donate �5 use your phone. If you don't do it now, | :35:39. | :35:48. | |
:35:49. | :35:59. | ||
you will not do it later, so get If you want to send a cheque, you | :36:00. | :36:09. | |
:36:10. | :36:10. | ||
can: do it now, or you will forget it. And ask the bill payer's | :36:10. | :36:14. | |
permission before you text. The full terms and conditions, visit | :36:14. | :36:19. | |
our website. In honour of Team Rickshaw's hard work in the studio | :36:19. | :36:22. | |
earlier, we asked you at home to send in pictures of your | :36:22. | :36:30. | |
transformed houses on a Hallowe'en thing. This message says happy | :36:30. | :36:37. | |
Hallowe'en, from Newport in Gwent. It doesn't say who it is from. | :36:37. | :36:44. | |
is from Kirsty in Tamworth. this is from the Thomson family. | :36:44. | :36:48. | |
They say, this is our house in Beverley, East Yorkshire. The | :36:48. | :36:54. | |
pumpkin keeps going out because of the wind. And you lot are cycling | :36:54. | :37:04. | |
:37:04. | :37:05. | ||
home, yes? Come on, you have got to get into this! Over to Gyles now | :37:05. | :37:09. | |
for the final part of our ghost story, the story of the Hell Hound. | :37:09. | :37:13. | |
Our trick or treaters are still listening in from Blythburgh Church | :37:13. | :37:17. | |
in Suffolk. The year is 1577. The air is cold, | :37:17. | :37:22. | |
the sky heavy with thunder. The winds hole. After years of myth and | :37:22. | :37:27. | |
legend, the Hell Hound is back. He is in a small Suffolk village | :37:27. | :37:31. | |
called Blythburgh, not far from Bungay. The villagers are running | :37:31. | :37:35. | |
for their lives, but where can they high? The village church is there | :37:35. | :37:41. | |
any hope. Yes, where you sit now, listening to my tail. They Hell | :37:41. | :37:45. | |
Hound prowls through the deserted Village, his nose alert for the | :37:45. | :37:51. | |
centre flesh, his ears pricked for human voices. He follows the trail | :37:51. | :37:56. | |
of whispered prayers. He arrives at Blythburgh Church. Baring his teeth | :37:56. | :38:00. | |
in a poisonous snarl, he slips through the gate and between the | :38:00. | :38:04. | |
gravestones. He looks up at the church with his burning eyes, his | :38:04. | :38:09. | |
claws are scratching at the Earth. He waits. A clap of thunder, and he | :38:10. | :38:13. | |
pounces, leaping through the Church's south door, tearing down | :38:13. | :38:16. | |
the aisle and fixing the congregation of villagers with his | :38:16. | :38:21. | |
blood red eyes. He condemns them to death with his deadly stare, each | :38:21. | :38:25. | |
and every one. With a second cup of thunder and a flash of lightning, | :38:25. | :38:29. | |
the spire of the Church crashes down into the roof. Amid the horror | :38:29. | :38:35. | |
and the chaos, the Hell Hound hurls himself at the north door and flees | :38:35. | :38:43. | |
into the marshland. All now is silent, by the sound of rain. Black | :38:43. | :38:47. | |
should still wonders these parts, you know. At first, you may not see | :38:47. | :38:52. | |
him, his thick coat hidden in the darkness of the night. But when his | :38:52. | :38:57. | |
heavy padded footsteps sound behind you and you feel the blast of his | :38:57. | :39:05. | |
hot breath on your back, you will do well to shut your eyes. Shut | :39:05. | :39:12. | |
them tight. It is just a story, of course, children, but if you turn | :39:12. | :39:17. | |
your heads towards the north door now, you can still make something | :39:17. | :39:24. | |
out, something that looks an awful lot like scratch marks. Go and look. | :39:24. | :39:34. | |
:39:34. | :39:41. | ||
Look now. Ooh! Oh, dear. We seem to have lost the children... Forever. | :39:41. | :39:51. | |
:39:51. | :40:02. | ||
No, we haven't! Children, did you enjoy the story? Yes! If all of | :40:02. | :40:05. | |
that has inspired you to write a ghost story, you can, because there | :40:05. | :40:10. | |
is a link on our website to one unfinished Victorian horror story | :40:10. | :40:16. | |
by the author Emma James. Tonight being Hallowe'en, tomorrow is of | :40:16. | :40:19. | |
course All Saints Day. One man who is getting to know the Saints won | :40:19. | :40:24. | |
by one is Phil Tufnell, with his old friend, Sister Wendy Beckett. | :40:24. | :40:28. | |
St John the Baptist is one of the most distinctive characters in the | :40:28. | :40:33. | |
New Testament. He had an unusual flair for fashion. He wore wild- | :40:33. | :40:36. | |
looking clothes made from camel hair and a leather belt around his | :40:36. | :40:40. | |
waist. He lived in a desert wilderness. He ate a locusts and | :40:40. | :40:45. | |
wild honey and preached about the coming of the Messiah or. He was | :40:45. | :40:49. | |
called John the Baptist because he baptised people with water as a | :40:49. | :40:53. | |
sign that they had repented their sins. He even baptised Jesus | :40:53. | :40:58. | |
himself. Sister Wendy has picked out two paintings from the | :40:58. | :41:01. | |
collection at the Barber Institute of Fine Arts in Birmingham, which | :41:01. | :41:06. | |
will tell us more about this extraordinary figure. Not many | :41:06. | :41:13. | |
artists have shown John starting his career. They usually show him | :41:13. | :41:18. | |
baptising. But there is John at the beginning, with no idea what life | :41:18. | :41:24. | |
will hold out for him. He went to live in the desert. Why the desert? | :41:24. | :41:34. | |
:41:34. | :41:35. | ||
He wanted to prepare himself in solitude and austerity, preparing | :41:36. | :41:39. | |
the world for listening to Jesus. I don't believe for one minute that | :41:39. | :41:44. | |
he went as a kind of gangling adolescent. That is a very young | :41:44. | :41:49. | |
John. I am sure he was grown up. It is an interesting picture, but I | :41:49. | :41:54. | |
don't think he has got the drama of it. John looks rather miserable to | :41:54. | :42:01. | |
me. But I would be, going off to the desert to eat locusts and honey. | :42:01. | :42:07. | |
Not if you had a vocation. If God said, no cricketing for you, Phil, | :42:07. | :42:13. | |
I want you to be a prophet, you would go to the desert. But his | :42:13. | :42:18. | |
parents agreed to it. They both have halos. They are saints, and | :42:18. | :42:22. | |
they are miserable, because he is their only child. I wish he would | :42:22. | :42:25. | |
turn and waved to them, but that thought would not have occurred to | :42:25. | :42:32. | |
the artist, who was a very straightforward painter. He is not | :42:32. | :42:37. | |
a great artist, but it tells the story so clearly. It's Sister | :42:37. | :42:40. | |
Wendy's second choice shows us St John the Baptist about to meet a | :42:40. | :42:44. | |
tragic fate. John had got into trouble by condemning the marriage | :42:44. | :42:50. | |
of King Herod to his former sister- in-law. She got her revenge after | :42:50. | :42:54. | |
her daughter thigh impressed Herod or so much with her dancing that he | :42:54. | :42:59. | |
offered her anything she wanted in return. She famously asked for | :42:59. | :43:09. | |
John's head on a plate. This is how a nineteenth-century artist sees it. | :43:09. | :43:12. | |
The Impressionists were impressed by him, because nobody was doing | :43:12. | :43:18. | |
this kind of thing. They weren't doing religious paintings. There is | :43:18. | :43:26. | |
John, perfectly poised in the middle. He is a sacrifice, and a | :43:26. | :43:36. | |
light glowing behind him shows that. And the people who want to destroy | :43:36. | :43:41. | |
him, they just don't matter. All that matters for John is that he is | :43:41. | :43:47. | |
giving himself at last. To God. it a good representation of the | :43:47. | :43:57. | |
:43:57. | :43:58. | ||
story? Well, it tells us the story in a very striking way. But I can't | :43:58. | :44:02. | |
believe in John. When I look at it, I am more impressed by the style, | :44:02. | :44:10. | |
elegance and grace, from more than I am by any spiritual feeling. | :44:10. | :44:16. | |
is almost as if he is not really there. That is what I feel, you see. | :44:16. | :44:23. | |
His spirit has already gone, and that is just his body. There is a | :44:23. | :44:28. | |
body going through all the right motions. But what is John feeling? | :44:28. | :44:36. | |
What is his heart saying as he faces got? I don't get any fear of | :44:36. | :44:46. | |
that. Now, I can't get this out to my mind. Thanks so much for sharing | :44:46. | :44:51. | |
your thoughts about the paintings. We enjoyed it, didn't we? You share | :44:52. | :45:01. | |
:45:02. | :45:05. | ||
your thoughts, too. I enjoyed $:/STARTFEED. And we did too. He is | :45:05. | :45:09. | |
very perceptive is our Phil. James, you had to come back from | :45:09. | :45:15. | |
New Zealand for three months to film Monroe, but it must have been | :45:15. | :45:20. | |
a shock to go from dwarf to surgeon. Because he already done one series | :45:20. | :45:26. | |
of Monroe and he a wonderful year in New Zealand. It is such an epic | :45:26. | :45:29. | |
thing, it was great to slip back into a character I'm familiar and | :45:29. | :45:32. | |
comfortable with, and a show I really love doing. I think what | :45:32. | :45:36. | |
people seem to like about it is that it has the interest of the | :45:36. | :45:42. | |
medical stories each week, me with the brains and Sarah Parrish with | :45:42. | :45:47. | |
the heart. People are relating to it. It has bubbled along nicely now. | :45:47. | :45:53. | |
I can't believe we are at the last one on Monday. Here is Monroe doing | :45:53. | :46:03. | |
:46:03. | :46:03. | ||
his ward visits, displaying his distinctive bedside match. Wilf has | :46:03. | :46:08. | |
early onset Alzheimer's. He likes to play the piano. It is unaffected | :46:08. | :46:14. | |
by the Alzheimer's. His wife Olive, is worried that the brain surgery | :46:14. | :46:18. | |
doesn't damage his musical gift. He doesn't like pyjamas, so we are | :46:18. | :46:24. | |
going with smart casual now. soon as we played that you looked | :46:24. | :46:28. | |
away. You do get embarrassed? always think I'm much younger than | :46:28. | :46:35. | |
I look. I still think I'm 25 and I think, "Who's the old guy!" it is a | :46:35. | :46:40. | |
show I really love. He is a great character, a bit outspoken, a bit | :46:40. | :46:45. | |
flawed and complex. Surgeons are incredible. They are very arrogant | :46:45. | :46:50. | |
but they deal with life and death eevery day. You did quite a lot of | :46:50. | :46:54. | |
research before you took the part didn't you? I sat in on four or | :46:54. | :46:58. | |
five operations. The first operation I sat in on, they drilled | :46:58. | :47:04. | |
into this brain, peeled it back. The surgeon called me over and said, | :47:04. | :47:11. | |
"You see that? That's thought." That's an incredible hook to me. If | :47:11. | :47:16. | |
you are dealing with that stuff on a daily basis in your workplace, | :47:16. | :47:22. | |
the home becomes a bit complicated. Monroe lost his wife, hates his new | :47:22. | :47:25. | |
boss. He split from his wife. Although last week he got together | :47:25. | :47:29. | |
with his wife again. His an east tist has been having a relationship | :47:29. | :47:37. | |
and a child with the heart surgeon -- an's tist. | :47:37. | :47:43. | |
Hospitals life is quite complicated. Amidst that is all these medical | :47:43. | :47:49. | |
procedures which I think is were the show has authenticity. With | :47:49. | :47:57. | |
drama comes humour. It is something I like doing. Are you slightly | :47:57. | :48:02. | |
squeamish Nick? I have a bad back. I'm fairly confident I can be a | :48:02. | :48:08. | |
surgeon, a typical actor. Give me the tools and I could probably is a | :48:08. | :48:14. | |
good go at it. How you do cope with your back when you are on a long | :48:14. | :48:20. | |
journey. That's a good question. Soon, in deerks I'm off to Sierra | :48:20. | :48:26. | |
Leone. I'm -- in December I'm off to Sierra Leone. I was there a | :48:26. | :48:30. | |
couple of years ago for a charity called Hope and Homes. I'm a patron. | :48:30. | :48:36. | |
We did some filming there. I ran into a young chap called James, who | :48:36. | :48:40. | |
was busy beating people up in the street. We trained him, our charity, | :48:40. | :48:45. | |
to be a carpenter. He had something about him. He wanted to run his own | :48:45. | :48:50. | |
business. I thought, you do know something? I love these long drives. | :48:50. | :48:56. | |
I drove to Mongolia, and I met you once in Kazakhstan. Indeed. | :48:56. | :49:02. | |
thought I would buy a trailer, stick some woodworking stuff on it. | :49:02. | :49:08. | |
Get a 4x4, a chap from the London Mining Company gave to me. I'm | :49:08. | :49:15. | |
going to drive down there and say, "Remember me?" He doesn't know I'm | :49:15. | :49:18. | |
coming. I'm going to start him up in business. I'm really looking | :49:18. | :49:24. | |
forward to it. Channel 4 is any moreing it. It gives them such an | :49:24. | :49:28. | |
opportunity. I was in Sudan a couple of years ago with the kids | :49:28. | :49:33. | |
who've had their childhood taken away from them. I salute you. | :49:33. | :49:37. | |
getting something out of it too, because I like to drive. But it is | :49:37. | :49:41. | |
exciting to do it. I want to help this kid and he's got the same name | :49:41. | :49:48. | |
as my son, James, who is in the audience. I will be tweeting. If | :49:48. | :49:58. | |
:49:58. | :49:59. | ||
anyone wants to support me it is Nick undercore Hewar. I'm looking | :49:59. | :50:04. | |
forward to it so much. It is fun. Brilliant. And the reason Matt | :50:04. | :50:10. | |
asked about the trailer will clear. You will be facing some quite | :50:10. | :50:16. | |
tricky and dangerous conditions. Guinea, Gambia and Sierra Leone. | :50:16. | :50:19. | |
Anita and Justin have been investigating Britain's roads and | :50:19. | :50:23. | |
their own driving. Which according to Justin's wife is pretty awful. | :50:23. | :50:28. | |
So it is good news that Justin is in the passenger seat on one of | :50:28. | :50:33. | |
Britain's most dangerous A roads. This is the A530, ranked as the | :50:33. | :50:37. | |
sixth most dangerous road in Great Britain. On just one eight-mile | :50:37. | :50:41. | |
stretch of this road 46 people have been killed or seriously injured in | :50:41. | :50:45. | |
the last ten years. We are using this vehicle. What can you tell | :50:45. | :50:50. | |
about a road? As I drive along, almost every single risk factor | :50:50. | :50:56. | |
that you could imagine is popping up on this ate-mile section of road. | :50:56. | :51:01. | |
Nearly half of the crashes on this road are at junctions. Look at that | :51:01. | :51:05. | |
lamppost and Telegraph pole close to the roadside. Hit one of those | :51:05. | :51:11. | |
at any speed and you're dead. This is pretty much a crisis stretch of | :51:11. | :51:16. | |
road. What do you mean? We would close the railway network if we had | :51:16. | :51:20. | |
the number of deaths and serious injuries that just occur on this | :51:20. | :51:28. | |
road in five years. How Safe Are Britain's Roads is on tonight at | :51:28. | :51:35. | |
9.30 30pming on BBC Two. -- 9.00pm. The roads are pretty safe tonight | :51:35. | :51:40. | |
because Justin is in the studio. I'm sorry Justin. Would think | :51:40. | :51:43. | |
motorways, because they are fast and would think they are the most | :51:43. | :51:48. | |
dangerous roads. But it is A roads. You are five times more likely to | :51:48. | :51:53. | |
have an accident on an A road than on a motorway. It's the roads you | :51:53. | :51:56. | |
take every day to and from work. You might have had the experience | :51:56. | :52:00. | |
of driving along and you can't even remember what you were doing and | :52:00. | :52:04. | |
how you got here. That's the most dangerous thing you can do. Alex, | :52:04. | :52:09. | |
don't worry, women are good drivers. We'll talk about this in a minute. | :52:09. | :52:14. | |
Justin, I hate to bring it up again but you do drive a people carrier | :52:14. | :52:20. | |
badly, apparently, so they tell me. I think I'm a capable driver. | :52:20. | :52:24. | |
is your wife telling us this. on, you want to be objective. | :52:24. | :52:31. | |
happened when they put the drive cam technology? It is incredible | :52:31. | :52:34. | |
monitoring technology they are putting into cars now. They put | :52:34. | :52:38. | |
this drive cam. It looks ahead and looks at me. If you go over a bump | :52:38. | :52:42. | |
or you are going too fast it films what happens so you can see what | :52:42. | :52:45. | |
you're doing and what's happens on the road as accidents develop. I | :52:45. | :52:50. | |
got a real insight into my driving. It is useful, because you see | :52:50. | :52:54. | |
mistakes, not paying attention, you can see things that could develop | :52:54. | :52:58. | |
into an accident happening. They've got a huge body of films elsewhere | :52:58. | :53:05. | |
of people having an accident. We've got this amazing clip of a woman | :53:05. | :53:09. | |
looking into her mirror. You can see her drifting and hitting a car | :53:09. | :53:13. | |
and spinning around. Dramatic footage. You get an insight into | :53:13. | :53:17. | |
the risks of driving when you don't pay attention. And you went out | :53:17. | :53:22. | |
with Prince William's and Prince Harry's driving instructor? | :53:22. | :53:27. | |
trains the police to drive, so is an expert in high-speed driving. He | :53:27. | :53:32. | |
gave me a driving lesson. It is a tough thing. It is hard to do. | :53:32. | :53:38. | |
There you go Nick. Get involved. Everybody thinks, if you ask them, | :53:38. | :53:42. | |
are you a good driver, most people will say yes, I'm better than | :53:42. | :53:45. | |
average. But watching Justin having that driving lesson. You are a good | :53:46. | :53:51. | |
driver but just to see you go through that and relearn the little | :53:51. | :53:54. | |
mistakes. It's all about looking out for the danger spots. The | :53:54. | :54:00. | |
junctions which is where a lot of accidents happen, overtaking, a | :54:00. | :54:04. | |
real risk of accidents. And spinning off on bends, losing | :54:04. | :54:09. | |
control. And they've got a wonderful term in road safety. They | :54:09. | :54:13. | |
call them aggressive objects? That's a tree or a lamppost. These | :54:13. | :54:16. | |
when you're driving is aggressive objects. And you are going fast | :54:17. | :54:22. | |
when you are driving. Hit a tree and that is very aggressive. | :54:22. | :54:26. | |
don't, police don't even call them accidents. We do but there is no | :54:26. | :54:29. | |
such thing as an accident. They call them collisions. There is | :54:29. | :54:33. | |
though such thing as an accident. There is quite a lot of competition | :54:33. | :54:39. | |
between you two clearly. James, would you say you are a good drive? | :54:39. | :54:45. | |
I am a magnificent driver but I wouldn't put a cam in an actor's | :54:45. | :54:50. | |
car. Next week you unveil whether women or men are the best drivers. | :54:50. | :54:54. | |
Drum roll. It is... What do you reckon? Well, it is a difficult one. | :54:54. | :54:59. | |
If you are looking at accidents I would say men have more, but the | :54:59. | :55:08. | |
driving skills... Then maybe... They are skillful but have more | :55:08. | :55:15. | |
accidents. I've got three sisters. So have I. The answer is women. | :55:15. | :55:21. | |
Thank you. On everything apart from. There is only thing men beat women | :55:21. | :55:26. | |
at, and that is at junctions turning left or right. The most | :55:26. | :55:31. | |
complicated part of driving. Let's see if Angelica has been successful | :55:31. | :55:35. | |
in recruiting volunteers in Belfast. How is it going? | :55:35. | :55:40. | |
Well, it is not too bad. Welcome back to Belfast City Hall. I've | :55:40. | :55:43. | |
been charging around Northern Ireland trying to get volunteers | :55:43. | :55:50. | |
for the world Police and Fire Games. Could due we have some volunteer? | :55:50. | :55:55. | |
Yes! I wasn't sure many people would come. We've had a future I | :55:55. | :56:01. | |
would have liked a few more but we've got some gems here. Caroline | :56:01. | :56:06. | |
has had an amazing summer of volunteering. I was a Games maker | :56:06. | :56:10. | |
in the London 2012 Games. I would encourage anybody to volunteer. | :56:10. | :56:14. | |
That's why I signed up to volunteer for the Games here. Absolutely. | :56:14. | :56:18. | |
do you think it is important? people you meet. The whole personal | :56:18. | :56:22. | |
gains that you get. I've met so many people. They've enriched my | :56:22. | :56:27. | |
life. I would say volunteer, even locally at home. I'm not misting | :56:27. | :56:34. | |
this for the world. -- missing this for the world. Thank you. Knowna | :56:34. | :56:38. | |
you work for a tour company. I just heard about it today. When I got | :56:38. | :56:42. | |
home I researched and it sounded interesting. I have never | :56:42. | :56:47. | |
volunteered. I've always thought about it. Good luck with that. And | :56:47. | :56:52. | |
Jim, he is a photographer. Hi. haven't signed up have you? No, I | :56:52. | :56:57. | |
haven't. Why not? You've been trying to convince him haven't you? | :56:57. | :57:03. | |
I have and he is a lecturer at the university. She warned you. I'm not | :57:03. | :57:08. | |
speaking to you any more. Wendy, how well do you think The | :57:08. | :57:13. | |
One Show has done? It has done fantastically. All these wonderful | :57:13. | :57:18. | |
volunteer this is evening. What can people do? Lots of things. They can | :57:18. | :57:24. | |
be ambassadors. They can be moats vaitors. They can gets involved by | :57:24. | :57:27. | |
signing is up before midnight tonight to be a volunteer for the | :57:27. | :57:33. | |
Games. Thank you. Go to our website if you wants to get involved. It | :57:33. | :57:39. | |
only takes ten minutes to fill out the form. And send it You've got | :57:39. | :57:48. | |
until 12 o'clock tonight, 31 October. Belfast, thank you. Good | :57:48. | :57:53. | |
job Belfast. Well done. Lots of wonderful things have been | :57:53. | :57:58. | |
coming in. This is Tom who is aged four. And Maggie the dinosaur in | :57:58. | :58:00. | |
four. And Maggie the dinosaur in Swindon. | :58:01. | :58:06. | |
This is 64-year-old grandma Maureen, who is awaiting trick or treaters | :58:06. | :58:14. | |
as we speak. That's amazing. This is Lauren and Emmy from Bradford. | :58:14. | :58:20. | |
Have a super Hallowe'en evening. This is Alison from Ilkley. She's | :58:20. | :58:23. | |
taking Hallowe'en a little too seriously. | :58:23. | :58:31. | |
We've had an incredible one from Simon McManus. We are doing a split | :58:31. | :58:38. | |
screen. It is a 3D pumpkin carver from Lancashire. How extraordinary. | :58:38. | :58:42. | |
from Lancashire. How extraordinary. We did ask him. This How Thanks to | :58:42. | :58:45. | |
all our guests tonight. Impressive. You can see James in the final | :58:45. | :58:48. | |
episode of Monroe on Monday at 9.00pm on ITV1. And The Young | :58:48. | :58:51. |