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Facebook, "Please focus on who won, not who didn't." We will bring you a | :00:00. | :00:00. | |
special Oscars programme shortly. Do stay with us. | :00:00. | :00:22. | |
Hello and welcome to our Oscars results programme. | :00:23. | :00:28. | |
It's a ceremony that will only ever be remembered for | :00:29. | :00:30. | |
one massive mistake - now known as envelope-gate | :00:31. | :00:32. | |
as the wrong film is named winner of Best Picture. | :00:33. | :00:48. | |
This is not a joke. Moonlight has won best picture. | :00:49. | :00:57. | |
Total confusion on stage and off as the cast and crew of both films | :00:58. | :01:04. | |
But it was Moonlight, about a boy growing up in Miami | :01:05. | :01:07. | |
to a crack-addicted mother, which in the end took | :01:08. | :01:09. | |
Its director Barry Jenkins gave his reaction. | :01:10. | :01:15. | |
The last 20 minutes of my life have been insane. | :01:16. | :01:18. | |
I don't think my life could be changed any more dramatically. | :01:19. | :01:27. | |
The early favourite to win best picture, La La Land, | :01:28. | :01:29. | |
But in the end the team behind it won six Oscars including | :01:30. | :01:35. | |
Let's go live to Hollywood and our entertainment correspondent | :01:36. | :01:43. | |
Colin Patterson is on the red carpet at the after-show Vanity Fair party. | :01:44. | :01:51. | |
Colin, Colin, Colin what a night. I was listening to you on the radio | :01:52. | :01:58. | |
when it all unfolded. How did it go wrong? There was I having to do | :01:59. | :02:02. | |
radio commentary on the moment and boy, did it go wrong? It couldn't be | :02:03. | :02:07. | |
more wrong! Faye Dunaway reading out La La Land but it all turned into | :02:08. | :02:18. | |
Moonlight. So what did go wrong, Colin? It will tell as in a minute. | :02:19. | :02:23. | |
PricewaterhouseCoopers have just given as a statement which I can | :02:24. | :02:28. | |
read to you. We can seriously apologise to Moonlight, La La Land, | :02:29. | :02:32. | |
Faye Dunaway and Warren Beatty and Oscar viewers for the mistake in the | :02:33. | :02:40. | |
announcement. The announcers were given the wrong envelope. We are | :02:41. | :02:47. | |
investigating how this could have happened. We appreciate the grace | :02:48. | :02:52. | |
with which the nominees, the academy, ABC and Jimmy Kimmel | :02:53. | :02:55. | |
handled the situation. I am on the green and white carpet at the Vanity | :02:56. | :02:59. | |
Fair party and it is all anyone here has been talking about. That is an | :03:00. | :03:04. | |
impressive cigar, Sir. You are live on the BBC. Thank you. This is a 24 | :03:05. | :03:09. | |
carat gold cigar and I thought it only appropriate to bring it out on | :03:10. | :03:13. | |
a night like tonight. Guess what, this building is only a building but | :03:14. | :03:19. | |
this moment is everything. Why? Moonlight winning? Moonlight | :03:20. | :03:24. | |
winning. Here is the thing. I love Emma Stone, I love her. But when | :03:25. | :03:31. | |
Moonlight won, and they corrected, it was this type of moment. It was a | :03:32. | :03:38. | |
24 carat gold cigar moment. I thought that transcended John | :03:39. | :03:48. | |
Rhodes, cultures, races, -- genres. And we really get to see what it | :03:49. | :03:51. | |
means to understand the power of view. That is what I am about. Love | :03:52. | :03:56. | |
and peace. I thought Moonlight represented that and I thought it | :03:57. | :04:00. | |
deserved it. I was glad to see that moment. Barry Jenkins is a good | :04:01. | :04:05. | |
friend of mine. I am so proud of what he is doing. Ali is a good | :04:06. | :04:12. | |
friend. Introduce yourself and then we have got to go. My name is Kobe | :04:13. | :04:18. | |
Randolph. I am Gatsby. I will see you in Cannes. We made history | :04:19. | :04:26. | |
tonight. There we go. The Vanity Fair after show party. That is quite | :04:27. | :04:35. | |
a cigar! This is envelope-gate. This is the moment it all went wrong. | :04:36. | :04:40. | |
Moonlight, you guys won best picture. | :04:41. | :05:03. | |
Guys, this is very unfortunate what happened. | :05:04. | :05:32. | |
Personally, I blame Steve Harvey for this! | :05:33. | :05:36. | |
I opened the envelope and it said Emma Stone, La La Land. | :05:37. | :05:50. | |
That's why I took such a long look at Faye and at you, | :05:51. | :05:54. | |
I have to say, and it is true, it's not fake, we've been | :05:55. | :06:04. | |
on the road with these guys for so long and it was so gracious, | :06:05. | :06:07. | |
so generous of them, my love to La La Land, | :06:08. | :06:09. | |
Warren Beatty opened the envelope and then he handed it to Faye | :06:10. | :06:20. | |
Dunaway because he didn't know what to do. We will talk about all the | :06:21. | :06:21. | |
winners in just a moment. was at the Oscars ceremony - | :06:22. | :06:34. | |
inside the Dolby Theatre - because her husband | :06:35. | :06:42. | |
Chris Shaw was nominated for an Oscar for documentary | :06:43. | :06:50. | |
Watani: My Homeland. everyone inside the auditorium | :06:51. | :06:52. | |
reacted to the mistake. Everyone looked at each other | :06:53. | :06:55. | |
and wondered was this some kind of prank because it had been quite | :06:56. | :06:58. | |
a fun Oscars programme, And then he just said | :06:59. | :07:00. | |
to the audience, this is not a joke. And everybody around us | :07:01. | :07:05. | |
gasped with astonishment because they'd never seen anything | :07:06. | :07:06. | |
like that whatsoever. And then after that it was chaos | :07:07. | :07:08. | |
because there was the cast of La La Land on stage and then | :07:09. | :07:11. | |
the people from Moonlight Nobody really knew | :07:12. | :07:14. | |
what had happened. Then Warren Beatty stepped forward | :07:15. | :07:17. | |
and tried to explain. He said that when he had opened | :07:18. | :07:19. | |
the envelope he had started talking rather slowly and he said this | :07:20. | :07:23. | |
wasn't a joke, it was because he had seen what was written there, | :07:24. | :07:25. | |
which was Emma Stone, Clearly the winner of | :07:26. | :07:29. | |
the previous category. He didn't know quite what to do | :07:30. | :07:30. | |
so he handed the envelope very slowly over to Faye Dunaway | :07:31. | :07:33. | |
and she read out La La Land. If you look back on it, | :07:34. | :07:36. | |
not total conviction in her voice when she said it and then | :07:37. | :07:39. | |
they clearly knew something had gone That was one hell of a hospital pass | :07:40. | :07:42. | |
when Warren Beatty handed When everyone was filing out | :07:43. | :07:46. | |
of the Dolby Theatre, obviously that's the only topic | :07:47. | :07:52. | |
of conversation and I gather Ryan Gosling was in the same | :07:53. | :07:55. | |
limo queue as you. I know how strange that sentence | :07:56. | :08:02. | |
is, but he really was. He was waiting for the limo | :08:03. | :08:05. | |
at the same time as we were and I saw him on his phone | :08:06. | :08:08. | |
and I have to say his face, completely understandably, | :08:09. | :08:11. | |
looked like thunder. film, everybody thinking | :08:12. | :08:15. | |
you are going to win, you are up on stage, | :08:16. | :08:20. | |
your moment of glory and then to have it absolutely | :08:21. | :08:22. | |
snatched away from you. I feel sorry for the Moonlight | :08:23. | :08:25. | |
people, as well, because their moment was to a certain extent | :08:26. | :08:30. | |
spoiled as the Oscar was being snatched from one hand | :08:31. | :08:34. | |
to another and then at the side of that chaotic gathering | :08:35. | :08:39. | |
there was poor Faye Dunaway holding hands with one of the other women | :08:40. | :08:41. | |
on the stage obviously horrified at what she had | :08:42. | :08:46. | |
been a part of, as well. Everybody filing out was saying | :08:47. | :08:49. | |
I have never been to an Oscars Confirmation, if confirmation were | :08:50. | :09:06. | |
needed, Moonlight won the academy award for best picture after that La | :09:07. | :09:13. | |
La Land mix-up. Casey Affleck won best actor. | :09:14. | :09:20. | |
That's for his portrayal of Lee Chandler, the grief stricken Janitor | :09:21. | :09:23. | |
Victory for La La Land, this time for Emma Stone as best actress, | :09:24. | :09:28. | |
who played a young woman desperately looking to make her | :09:29. | :09:30. | |
Mahershala Ali won best supporting actor for his role as a drug dealer | :09:31. | :09:34. | |
in Miami in the best picture Moonlight. | :09:35. | :09:36. | |
He's the first Muslim to win the award. | :09:37. | :09:38. | |
Best supporting actress went to Viola Davis | :09:39. | :09:39. | |
for her role in Fences, playing Rose, the wife | :09:40. | :09:41. | |
of Denzel Washington's character Troy Maxson. | :09:42. | :09:43. | |
Damien Chazelle became the youngest ever to win the best director prize | :09:44. | :09:50. | |
for his work on La La Land and finally | :09:51. | :09:52. | |
OJ: Made in America - the film depicting the rise and fall | :09:53. | :09:55. | |
of OJ Simpson from sporting superstar to being at the centre | :09:56. | :09:58. | |
of the most publicised murder trial in history - that won | :09:59. | :10:00. | |
Film critics Jason Solomons and Gaylene Gould are here to talk | :10:01. | :10:04. | |
Good morning first of all. Has a mistake like that ever happened | :10:05. | :10:15. | |
before? Not like that, not at the climax, not for best picture. There | :10:16. | :10:20. | |
was a rumour that many years ago that the best supporting actress for | :10:21. | :10:25. | |
My Cousin Vinny was the wrong price but it has never been proven and it | :10:26. | :10:29. | |
only came out some time later. But that was never proven. What I don't | :10:30. | :10:35. | |
understand last night, what all those envelopes were doing up there. | :10:36. | :10:39. | |
Red envelopes. It is like a Chinese wedding in there! He has one in the | :10:40. | :10:43. | |
background and Warren Beatty is holding another one and the producer | :10:44. | :10:47. | |
has one and then Oscars galore and I think Warren Beatty has still got | :10:48. | :10:51. | |
one! I don't know what he is doing with it. I don't know how that chaos | :10:52. | :10:57. | |
was allowed to happen. Amazing. What is brilliant, the producer for La La | :10:58. | :11:04. | |
Land, Jordan Horrowitz, not just in, that is a composer, it was very | :11:05. | :11:12. | |
important that it came from him. -- not just in. That transition of | :11:13. | :11:17. | |
power. He was the guy who said it isn't a joke and he handed up the | :11:18. | :11:23. | |
envelope. Did the best film when the best picture? Yes, in my opinion. | :11:24. | :11:30. | |
Give us a brief summary of what it is a bad for those who haven't seen | :11:31. | :11:37. | |
it. It is a tiny film and a complete passion project. Barry Jenkins | :11:38. | :11:43. | |
created this project very much based on their very difficult backgrounds | :11:44. | :11:48. | |
in Miami on a housing project, with crack addicted mothers. They created | :11:49. | :11:54. | |
this piece which was supposed to give a sense of grace to their | :11:55. | :11:57. | |
beginnings and it is one man's journey told through three stages of | :11:58. | :12:02. | |
his life as he comes to terms with his own sexuality and sensuality in | :12:03. | :12:05. | |
this very tough environment. It is beautiful and it is tiny and it is | :12:06. | :12:10. | |
perfectly formed. What did you think, Jason? Did the right film | :12:11. | :12:15. | |
when that award? I think it is a ground-breaking baited to win this | :12:16. | :12:19. | |
award and the lowest budget picture ever to win best picture. $4 | :12:20. | :12:24. | |
million, I think, and the numbers change considering the exchange rate | :12:25. | :12:33. | |
and things like that. It is not like Hollywood. It is more like Asian | :12:34. | :12:40. | |
cinema. I was looking at the previous best picture, and I went | :12:41. | :12:48. | |
back to 1969 and Midnight Cowboy to find one that played with cinema so | :12:49. | :12:53. | |
well. On the first all-black cast to win an Oscar. La La Land I loved as | :12:54. | :12:57. | |
well, I have got to say, and they could feel hard done by, but to see | :12:58. | :13:01. | |
them both up that means that Hollywood has a new ways and that | :13:02. | :13:05. | |
wave broke on the stage last night. There is a fresh look in Hollywood | :13:06. | :13:08. | |
and it belongs to the younger generation. La La Land was the | :13:09. | :13:13. | |
favourite to win best picture. It is worth reminding them that 7000 | :13:14. | :13:19. | |
academy award members ranked the nine pictures in the category in | :13:20. | :13:23. | |
order of preference. Why didn't La La Land win? This is a perfect | :13:24. | :13:33. | |
ending to the Oscars for me. This Oscars was always about La La Land | :13:34. | :13:37. | |
versus Moonlight. La La Land is a film about Hollywood and the romance | :13:38. | :13:43. | |
of cinema. That is what normally drives the Hollywood machine. But | :13:44. | :13:46. | |
there was a backlash because of the hype around it, I think? Because of | :13:47. | :13:52. | |
that but also it is a very classic piece of cinema. It is very | :13:53. | :13:57. | |
ambitious but also very classic. The followers of Moonlight came from a | :13:58. | :14:01. | |
very different kind of sensibility. There was always a battle between | :14:02. | :14:06. | |
the two audiences and think it is perfect that they both ended up in | :14:07. | :14:10. | |
stage, in a way. There was this handover between them. For me it was | :14:11. | :14:17. | |
like the old school handing over to a voice. I thought that was really | :14:18. | :14:21. | |
significant, symbolic and beautiful. Both these film-makers are very good | :14:22. | :14:24. | |
friends and they totally shared the journey. But it was this new voice | :14:25. | :14:29. | |
in terms of the audience that came into the room last night and I loved | :14:30. | :14:33. | |
that. La La Land was the early favourite and continued to be the | :14:34. | :14:38. | |
favourite. What happened? I saw it in August at its world premiere at | :14:39. | :14:41. | |
the Venice film festival and I fell in love with it. My jaw dropped. | :14:42. | :14:47. | |
Somebody is doing a musical, how exciting. Playing with the old | :14:48. | :14:51. | |
tropes, a freshness with indie actors, and I loved it. Along the | :14:52. | :14:55. | |
way a backlash started to happen and it is very easy to criticise La La | :14:56. | :14:59. | |
Land for being about why people wandering about in LA drinking | :15:00. | :15:05. | |
coffee and having dreams and having first world problems, to use a | :15:06. | :15:08. | |
hashtag. But with no light, it is very difficult to take against it. | :15:09. | :15:16. | |
It is so political and poetic and steering and about a brutal and | :15:17. | :15:23. | |
tough situation. It was important for gay culture, black culture, | :15:24. | :15:25. | |
voices that haven't been heard before and the timing was just right | :15:26. | :15:30. | |
for it. I wake up yesterday morning thinking that Moonlight could do it | :15:31. | :15:33. | |
and I had already filmed in my own ballot and put La La Land and I | :15:34. | :15:36. | |
crossed it out in the last moment and put Moonlight. I thought I was | :15:37. | :15:40. | |
wrong but in the end I won as well so I was excited. | :15:41. | :15:45. | |
What was second on your ballot? La La Land. Let's talk about best | :15:46. | :15:54. | |
Supporting actor, it is Mahershala Ali as the drug dealer. The sort of | :15:55. | :16:02. | |
drug dealer you never saw, showing such tenderliness and fatherliness. | :16:03. | :16:08. | |
How well deserved is his award? This has become a break-out role for an | :16:09. | :16:13. | |
actor who has a long history of doing stellar pieces of work and | :16:14. | :16:17. | |
we'll talk about the Oscars so white thing. None of these awards have | :16:18. | :16:21. | |
come quickly or easily for a lot of this talent. For lots of audiences | :16:22. | :16:25. | |
it might be the first time they have seen Mahershala Ali. They may have | :16:26. | :16:32. | |
seen him in The Hunger Games or House Of Cards. This is an actor who | :16:33. | :16:37. | |
is at the top of his game being recognised. He was in another Best | :16:38. | :16:44. | |
Picture nominee Hidden Figures. That's right. He is someone who the | :16:45. | :16:48. | |
whole industry is becoming more aware of and audiences and he is an | :16:49. | :16:53. | |
incredibly graceful actor. He is a black Muslim and he lends a really | :16:54. | :16:57. | |
important voice at a time like now which is someone, people listen to | :16:58. | :17:00. | |
Mahershala Ali because he is articulate. He's wise and I think we | :17:01. | :17:06. | |
need that voice in the world. In his acceptance speech, he was pretty | :17:07. | :17:10. | |
low-key. He did say wow and then he went on to thank his teachers | :17:11. | :17:14. | |
through acting school who had talked to him about, it's not about you, | :17:15. | :17:18. | |
it's always about the characters. That's right. That's right. There | :17:19. | :17:21. | |
weren't that many speeches about Donald Trump in the end. People kept | :17:22. | :17:27. | |
it more personal. Let's talk about Viola Davis then. Best Supporting | :17:28. | :17:32. | |
Actress. The third time of asking, but now she is the first black | :17:33. | :17:40. | |
actress to have a tomby and emmy and an Oscar? Now she is the supporting | :17:41. | :17:47. | |
actor for Fences. It is a great performance one opposite of Denzel | :17:48. | :17:50. | |
Washington. Different for the camera. People have found the acting | :17:51. | :17:55. | |
in Fences to be a little big compared to the dial down intimacy | :17:56. | :18:01. | |
of Moonlight. I love listening to August Wilson's words. I loved her | :18:02. | :18:04. | |
performance in it as this very strong woman who comes out of the | :18:05. | :18:11. | |
shadow of this very domineering man. No one else cries like her and gets | :18:12. | :18:18. | |
the snot running down her nose! They don't teach that at RADA. What she | :18:19. | :18:23. | |
has done is seized this opportunity because, I mean, in many senses she | :18:24. | :18:27. | |
is the kind of legal role in this film. Well, she sort of ends up | :18:28. | :18:33. | |
overshadowing him. Yes. She would have had a good chance of winning in | :18:34. | :18:37. | |
the main category as well. There is something interesting when you look | :18:38. | :18:42. | |
at the kind of racial categorizations that people get | :18:43. | :18:45. | |
into. The supporting actors you often find are quite diverse, but | :18:46. | :18:51. | |
often the lead actors, it is like a slightly gated community. I kind of | :18:52. | :19:00. | |
feel the same. I think Hidden Figures should have been on the best | :19:01. | :19:05. | |
Lead Actress Role, but I'm interested in the supporting and the | :19:06. | :19:10. | |
lead actors. There were three actresses of colour in that with | :19:11. | :19:16. | |
Naomi Harris as well and in the main competition, it was Natalie Portman. | :19:17. | :19:22. | |
I think Viola Davis is one of the great actresses now, I think, you | :19:23. | :19:27. | |
know, she is almost like a Meryl Streep figure from now on, if she's | :19:28. | :19:33. | |
in a film, you know, she is nailed on for a nomination. She is so good | :19:34. | :19:39. | |
and her speech was so passionate as well, both of those, Mahershala Ali | :19:40. | :19:45. | |
and Viola Davis' acceptance speeches were personal. They seethed with | :19:46. | :19:50. | |
frustration and achievement and by the delivery of their performances | :19:51. | :19:53. | |
you could sense the anger. There was more anger in the dignity. People | :19:54. | :19:58. | |
will ask if those two awards for example are a reaction, a response | :19:59. | :20:04. | |
to last year's Oscars So White controversy, but actually both these | :20:05. | :20:07. | |
films were in production before that, weren't they? That's the whole | :20:08. | :20:14. | |
myth with that whole thing. Suddenly everything has got woke and now they | :20:15. | :20:19. | |
are ticking the right box. We know Viola Davis has been working for | :20:20. | :20:22. | |
years. There is a long history to make a piece of work like that for | :20:23. | :20:26. | |
the screenment however, I think political pressure clearly has a | :20:27. | :20:31. | |
point in raising the questions. And changes in the academy members as | :20:32. | :20:35. | |
well That's right. That's right. I think those academy members. They | :20:36. | :20:38. | |
are exceptional pieces of work. They wouldn't be up there, if they | :20:39. | :20:43. | |
weren't, but I think there is a another seriousness within which | :20:44. | :20:46. | |
that work gets seen and spoken about because there is this conversation | :20:47. | :20:50. | |
that's happening amongst the audience. I think a few years ago a | :20:51. | :20:56. | |
film like Moonlight might have won an indy spirit award, but to go all | :20:57. | :21:00. | |
the way and steal the biggest moment of all that there is that's a sea | :21:01. | :21:05. | |
change in attitude in the voting body to recognise and see that | :21:06. | :21:10. | |
through and that's exciting. Moonlight is a film we have never | :21:11. | :21:14. | |
seen before in many ways. You needed people to say, "I'm going to vote | :21:15. | :21:18. | |
for this." It needed to be pushed through. I think Moonlight would | :21:19. | :21:22. | |
have done it on its own. This is a film, we were saying earlier, it is | :21:23. | :21:26. | |
a very, it is a film like America, mainstream America, hasn't really | :21:27. | :21:29. | |
seen before. I think it is because it has this increditble weight and | :21:30. | :21:34. | |
power. I think it would have risen up. I think you're right we might | :21:35. | :21:41. | |
not have spoken about it as much. Voters would have thought twice | :21:42. | :21:44. | |
about the politically mat. It may have changed when Donald Trump came | :21:45. | :21:48. | |
in. That may have changed the vote towards it. People are thinking, | :21:49. | :21:54. | |
"I'm going to make a statement in my vote." Let's talk about Casey | :21:55. | :22:03. | |
Affleck winning Best Actor for Manchester By The Sea, he is a grief | :22:04. | :22:07. | |
stricken January for. He goes back to his hometown which he tried to | :22:08. | :22:10. | |
leave behind for various reasons which are explained in the film to | :22:11. | :22:13. | |
look after his nephew after his brother dies. Is he the right winner | :22:14. | :22:20. | |
in this category? Denzel Washington again. It was a strong performance | :22:21. | :22:26. | |
from Casey Affleck. I found the film mannered in its treatment of | :22:27. | :22:31. | |
realism. He got a screenplay award for the writer as well. I didn't | :22:32. | :22:35. | |
fall in love with this film. I found it very frozen. What about his | :22:36. | :22:41. | |
performance? I found it difficult to warm to that performance. He smiles | :22:42. | :22:45. | |
a bit at the end. It didn't really do it for me. Yeah. I feel the same. | :22:46. | :22:56. | |
I love Kenneth Lonagan's work, but I feel the same. I have seen Casey | :22:57. | :22:59. | |
Affleck do this before. I feel like the film doesn't go far enough its | :23:00. | :23:03. | |
exploration of grief. I think it is very good, the actor is brilliant | :23:04. | :23:08. | |
and I don't think this is his Best Film. Right. Let's talk about Emma | :23:09. | :23:16. | |
Stone winning Best Actress and Damien Chazelle winning Best | :23:17. | :23:19. | |
Director. He is 32 for goodness sake! Emma Stone first of all. | :23:20. | :23:26. | |
Correct winner? I think, Hollywood likes to anoint new stars | :23:27. | :23:32. | |
particularly in the female category. They don't go for the tried and the | :23:33. | :23:39. | |
tested. It's a good thing and it's a bad thing. It means that you're used | :23:40. | :23:43. | |
up a bit quickly by the Hollywood machine. Emma Stone worked her | :23:44. | :23:47. | |
career really well. She worked with Woody Allen for a couple of films | :23:48. | :23:52. | |
and that increased her performance. It is a Woody Allen performance. | :23:53. | :23:57. | |
What's amazing about her, she was crippled with shyness and anxiety as | :23:58. | :24:01. | |
a young girl and a way to get over that was to join an acting class and | :24:02. | :24:05. | |
now look at her. Astonishing, what did you think of the way she | :24:06. | :24:09. | |
performed as Mia in La La Land? I'm on the side of the people who went | :24:10. | :24:14. | |
to see the film and went, "What? Really?" So I'm not, I'm not a great | :24:15. | :24:19. | |
lover of the film. I love the ambition of the film. I love the | :24:20. | :24:24. | |
landscape, I'm a huge fan of musicals. I really like Emma Stone. | :24:25. | :24:29. | |
I think this is a light role. I don't think she was given enough to | :24:30. | :24:33. | |
do actually. The role is quite hard. It is difficult. Particularly with | :24:34. | :24:38. | |
Ryan Gosling's, he lost to Casey Affleck who is doing grief. I think | :24:39. | :24:43. | |
light comedy is hard to play and it is hard to win awards with. I think | :24:44. | :24:48. | |
she is adorable and I hope we will see more of her and in a lot of | :24:49. | :24:51. | |
tougher roles and let's see what she is made of. Best Foreign Language | :24:52. | :25:01. | |
film The Salesman Salesman was the winner. The winner was protesting at | :25:02. | :25:12. | |
Donald Trump's travel ban. A statement was read on his behalf | :25:13. | :25:18. | |
saying, "I'm sorry I'm not with you. My absence is out of respect for my | :25:19. | :25:23. | |
country, Iran and those of other nations what are disrespected by the | :25:24. | :25:27. | |
law that bans immigrants to the US." That was one of the most political | :25:28. | :25:30. | |
statements of the evening. What's the film like? Oh, the film is very | :25:31. | :25:37. | |
good. It was a death of a salesman. He's very good at capturing a sort | :25:38. | :25:43. | |
of area of Iranian society that we have never really seen before. | :25:44. | :25:48. | |
Foreigners don't know about at all. It is a sophisticated middle-class | :25:49. | :25:54. | |
Iran. He does Tehran and its middle classes. It I think he is an | :25:55. | :26:04. | |
excellent film-maker. Thank you both very much. | :26:05. | :26:13. | |
Social media was buzzing with news of that Best Picture mistake. Some | :26:14. | :26:19. | |
of the tweets, Billy Crystal tweeted, "He wished election day | :26:20. | :26:24. | |
ended this way." Lots of people drew comparisons with what happened in | :26:25. | :26:28. | |
2015 at the Miss Universe competition. Steve Harvey announced | :26:29. | :26:34. | |
the wrong winner. Miss Universe tweeted maybe they could help. | :26:35. | :26:47. | |
Seth MacFarlane brought it back to politics. | :26:48. | :26:51. | |
An incredible night maybe for the wrong reasons even though it was | :26:52. | :26:55. | |
hilarious to see such incompetence. Thank you for watching this Oscars | :26:56. | :26:57. | |
special. Good morning. | :26:58. | :27:12. | |
Well, we have got quite a mixture of weather today. Our Weather Watchers | :27:13. | :27:18. | |
pictures show that nicely. This one taken in Roybridge. Quite a bit of | :27:19. | :27:25. | |
cloud in Norfolk and windy too. As we head into Greater London, | :27:26. | :27:26. |