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This programme contains some strong language | 0:00:02 | 0:00:06 | |
Some people go, "Singers - blah blah. They have it all. They have money and nothing to worry about." | 0:00:06 | 0:00:12 | |
I think that it's different whenever you are a singer | 0:00:12 | 0:00:15 | |
because you don't know how much hard work you put into it, like. | 0:00:15 | 0:00:19 | |
It is really nerve-wracking and one wee slightest off-tune | 0:00:19 | 0:00:23 | |
can ruin your whole career and everything, | 0:00:23 | 0:00:25 | |
know what I mean? | 0:00:25 | 0:00:26 | |
I like to change my hair with my mood, so I'm going back to pink. | 0:00:28 | 0:00:31 | |
I don't think the purple was me. | 0:00:31 | 0:00:33 | |
My hair's fucking blue. | 0:00:33 | 0:00:35 | |
-I have blue hair. -She's got blue hair. | 0:00:35 | 0:00:38 | |
-It's green. It's a wee bit green and white. -It's fucking green. | 0:00:38 | 0:00:42 | |
-Blue bleach on purple hair with the pink around that. -Oh, sweet divine. | 0:00:42 | 0:00:45 | |
I know my bit. It goes... | 0:00:47 | 0:00:48 | |
# And it's me, I know I know my name | 0:00:48 | 0:00:51 | |
# Cos I say it proud. # | 0:00:51 | 0:00:53 | |
I don't know the song. | 0:00:55 | 0:00:56 | |
# Everything of what I always do | 0:00:58 | 0:01:01 | |
# Looking for the right track | 0:01:01 | 0:01:03 | |
# Always on the wrong track. # | 0:01:03 | 0:01:06 | |
Don't know the song. | 0:01:06 | 0:01:07 | |
That's really bad. | 0:01:07 | 0:01:09 | |
-# Looking for the -right track | 0:01:09 | 0:01:11 | |
-# Always on the -wrong track | 0:01:11 | 0:01:13 | |
# But are you catching All these tracks | 0:01:13 | 0:01:15 | |
-# That I'm -laying down for you. # | 0:01:15 | 0:01:19 | |
-Done. -How is it? | 0:01:20 | 0:01:21 | |
The band's called Voodoo, so that was the hardest part. | 0:01:39 | 0:01:44 | |
All we were doing was arguing over names, like. | 0:01:44 | 0:01:46 | |
We had some really groovy names. | 0:01:46 | 0:01:48 | |
What was the other name? | 0:01:48 | 0:01:49 | |
G-string! I loved G-string but I think it was a bit trashy. | 0:01:49 | 0:01:54 | |
How was your new job? Carly started a new job today. | 0:01:54 | 0:01:56 | |
I started a new job - it was awful. | 0:01:56 | 0:01:58 | |
'Katrina's the mummy of the band - she has to look after me and Vicky.' | 0:01:58 | 0:02:01 | |
Them two are really laid back where I would be more uptight | 0:02:01 | 0:02:05 | |
and get worried and stressed about things | 0:02:05 | 0:02:07 | |
but I think you maybe need that cos if them two were on their own | 0:02:07 | 0:02:10 | |
they'd be, "Oh, it'll be done tomorrow," where I'm like, "Get it done now." | 0:02:10 | 0:02:14 | |
-She made one change. All of us. -Did she? | 0:02:14 | 0:02:18 | |
She's brilliant, she's amazing. | 0:02:18 | 0:02:21 | |
'I've always sang. Always, from when I was, like, no age.' | 0:02:21 | 0:02:25 | |
And then when I had my wee boy I had to put it all on the back burner | 0:02:25 | 0:02:29 | |
but it was sort of still alive in me and I just needed to do something | 0:02:29 | 0:02:34 | |
cos I'm starting to get on a bit in years. I need to sort it out. | 0:02:34 | 0:02:37 | |
Go, Kats - big grin. | 0:02:37 | 0:02:40 | |
She's a mute make-up artist. | 0:02:40 | 0:02:41 | |
I look like a tranny. | 0:02:41 | 0:02:43 | |
How do you? You look like a punk. You're going to look class in photos. | 0:02:43 | 0:02:47 | |
-Does my hair look like a tranny? -Your hair's gorgeous. | 0:02:47 | 0:02:49 | |
You never look like a tranny, to be fair, like. | 0:02:49 | 0:02:52 | |
Put your back foot further back - it will elongate you. The other way. | 0:02:56 | 0:03:01 | |
Yeah, perfect. | 0:03:04 | 0:03:07 | |
Carly's amazing. She really knows what she's doing but I feel a bit daft. | 0:03:07 | 0:03:11 | |
It's all right saying we're not chasing the fame game and all | 0:03:13 | 0:03:17 | |
cos I suppose we are, like. | 0:03:17 | 0:03:18 | |
-Of course you are. -Of course you are. | 0:03:18 | 0:03:21 | |
We're not going to say, "We're all about the music." | 0:03:21 | 0:03:23 | |
Obviously, the music's really central to it but we're really ambitious. | 0:03:23 | 0:03:27 | |
-We all want to succeed, don't we, like? -Yeah, definitely. | 0:03:27 | 0:03:30 | |
# Setting my sights on a falling rock star, I ain't easy... # | 0:03:37 | 0:03:43 | |
We've been in the recording studio since about 9pm. | 0:03:43 | 0:03:45 | |
It's been going quite well. | 0:03:45 | 0:03:47 | |
The last time we were here, we didn't have the vocal coach with us, | 0:03:47 | 0:03:50 | |
so it's a lot easier this time cos it's hard trying to remember | 0:03:50 | 0:03:53 | |
all the harmonies and changes in the song. | 0:03:53 | 0:03:55 | |
What we're going for is the very last line in this wee bit | 0:03:55 | 0:03:59 | |
is going to be just an... # Oooh, with all the right moves. # | 0:03:59 | 0:04:04 | |
-No... -It doesn't sound good, like. -# With all the right moves. # | 0:04:04 | 0:04:09 | |
-That's it, yeah. -(It's not.) | 0:04:09 | 0:04:10 | |
-Rock it out a wee bit. -What? -Rock it out a wee bit. | 0:04:10 | 0:04:14 | |
I'll be all, like, # I prefer... # | 0:04:14 | 0:04:16 | |
-That sounds a thousand... That is brilliant compared to that other one. -That is much better. | 0:04:16 | 0:04:20 | |
# I prefer | 0:04:21 | 0:04:24 | |
# Oooooh... # | 0:04:26 | 0:04:29 | |
'At the minute, I'm actually trying to put a harmony down' | 0:04:29 | 0:04:32 | |
and make it sound rocky at the same time, which is becoming a hard task. | 0:04:32 | 0:04:37 | |
Harder than would be expected and I'm getting a wee bit annoyed. | 0:04:37 | 0:04:40 | |
It's not about what I want, it's for the good of the song. | 0:04:40 | 0:04:43 | |
That does not sound good. I'm sorry, it sounds awful. | 0:04:43 | 0:04:46 | |
-Why don't you sing it? -It's not that, it's just the "oooh". | 0:04:46 | 0:04:49 | |
It just doesn't sound like there's a place for it. | 0:04:49 | 0:04:52 | |
I'm only saying what I think. I don't like it. It sounds like shit. | 0:04:52 | 0:04:55 | |
-Well, then don't ask me to sing it. -I'm only telling the truth. | 0:04:55 | 0:04:59 | |
-Carly! -I don't criticise you and say you don't sound... | 0:04:59 | 0:05:02 | |
You criticise Vicky every other day - "Sing it like this, like that." | 0:05:02 | 0:05:05 | |
I'm only telling the truth and Vicky's saying it too. We're trying to help you. | 0:05:05 | 0:05:10 | |
No, but I'm fed up. I'm 26. Do you know what I mean? | 0:05:10 | 0:05:14 | |
She's 19, I'm trying to help her. | 0:05:14 | 0:05:16 | |
Wee things like this are what ruin a band | 0:05:16 | 0:05:19 | |
so I'm a wee bit concerned, to be honest. | 0:05:19 | 0:05:21 | |
But that's the thing, you don't say this to the camera. | 0:05:21 | 0:05:25 | |
You wait till you're on your own with me. | 0:05:25 | 0:05:27 | |
I felt you were being very patronising, saying, "I'm 26 and she's only 18." | 0:05:27 | 0:05:31 | |
-You have eight years on me. Maybe I do need to grow up. -I didn't say that, that's your words. | 0:05:31 | 0:05:35 | |
-No, you said I'm 26... -I'm just saying have a wee bit of respect for what I have to say. | 0:05:35 | 0:05:40 | |
I'm saying it in front of the camera cos we're close friends | 0:05:40 | 0:05:43 | |
and I don't want the camera thinking we're not. | 0:05:43 | 0:05:46 | |
-Yeah. -And that's why I'm saying sort it out now. | 0:05:46 | 0:05:48 | |
So, come here. Carrying on like that. | 0:05:48 | 0:05:51 | |
We've only known each other three months and we're best friends, | 0:05:51 | 0:05:55 | |
always on the phone, going out, doing everything together. | 0:05:55 | 0:05:58 | |
I love the both of them. They're brilliant, both of them. | 0:05:58 | 0:06:02 | |
# I might be the way everybody likes to say | 0:06:02 | 0:06:06 | |
# I know what you're thinking about me | 0:06:06 | 0:06:10 | |
Imagine - mohawk, Curious Tails jacket. Very cool, very... | 0:06:10 | 0:06:14 | |
-I think he needs... -Yeah, but I'm sorry, listen. | 0:06:14 | 0:06:17 | |
Again, did anybody here ever watch The First Wives Club? | 0:06:17 | 0:06:22 | |
-Yes. -You know the bit whenever Monique's mother... Remember, Goldie Hawn doesn't get the part | 0:06:22 | 0:06:27 | |
and the girl's with her and she's getting into the character and she goes, "I'm thinking streaks." | 0:06:27 | 0:06:32 | |
That's what yous are doing to me - streaks. | 0:06:32 | 0:06:34 | |
Before you're thinking about what's real here. | 0:06:34 | 0:06:36 | |
What's real is an injection of your voices with each other, getting your dynamics. | 0:06:36 | 0:06:40 | |
Even for now, just go do-ba-do - put a little more street into it, a bit more funk into it. | 0:06:40 | 0:06:45 | |
To stand there like that, it's just making my bowels move, really. | 0:06:45 | 0:06:48 | |
# And it's me, I know, I know my name | 0:06:48 | 0:06:51 | |
# Cos I say it proud. # | 0:06:51 | 0:06:53 | |
No, that's ridiculous. | 0:06:53 | 0:06:54 | |
That's not even in tune, Carly, for some reason. | 0:06:54 | 0:06:57 | |
I don't know - is it not nice for you to sing? | 0:06:57 | 0:07:00 | |
You just have to pretend, like. It's like an act. | 0:07:00 | 0:07:03 | |
Just put your ego on and give it | 0:07:03 | 0:07:05 | |
and be yourself when you're not doing it. That's the plan. | 0:07:05 | 0:07:09 | |
-Yeah. He's a wee bit hard but he gets results. -That's the main thing. | 0:07:09 | 0:07:13 | |
No, like, I was scared to bring yous up cos, you know, | 0:07:13 | 0:07:16 | |
my skin's this thick already because of him but I know a way to take him. | 0:07:16 | 0:07:20 | |
-He gets results so don't be taking it personally. -I don't, I'm loving it. | 0:07:20 | 0:07:24 | |
It's brilliant, it's what we need. | 0:07:24 | 0:07:26 | |
I think they need an awful lot of harmony work in order to make it as a pop band. | 0:07:27 | 0:07:32 | |
Listening to Kat sing on her own, | 0:07:32 | 0:07:35 | |
you'd see that she's very much a soloist. | 0:07:35 | 0:07:37 | |
I could see her being very grungy and on her own. | 0:07:37 | 0:07:40 | |
I don't know how well she's going to mould into the whole group. | 0:07:40 | 0:07:44 | |
But I do think if they pull it together and try to get more movement out of her, | 0:07:44 | 0:07:48 | |
I just think... Cos she's got a great voice. | 0:07:48 | 0:07:50 | |
I just think they need to keep it tight. | 0:07:50 | 0:07:53 | |
# Looking for the right track Always on the wrong track | 0:07:53 | 0:07:57 | |
# But are you catching all these Tracks | 0:07:57 | 0:08:01 | |
# That I'm laying down for you. # | 0:08:01 | 0:08:03 | |
Do you want to know something? | 0:08:03 | 0:08:05 | |
That was actually beginning to sound like something, girls, honestly. | 0:08:05 | 0:08:09 | |
'Their potential's there. The voices are there, everything was there.' | 0:08:09 | 0:08:13 | |
It's just THEY are not there. | 0:08:13 | 0:08:15 | |
I'm just so skint. I don't have a job so... | 0:08:15 | 0:08:18 | |
-I'm going to be on the look for a job. -Victoria wants to be a lady of leisure already. | 0:08:18 | 0:08:23 | |
-She's just left a job. -She's living the dream, already. | 0:08:23 | 0:08:27 | |
I just can't be doing working. I just don't like working. | 0:08:27 | 0:08:30 | |
-She just wants a band. -I just want money for nothing. | 0:08:30 | 0:08:34 | |
So, we're now going to Lavery's to try and get some money. Money! | 0:08:40 | 0:08:44 | |
So, we'll be saying to peeps, "Get the money out." Let's hope they're a wee bit drunk. | 0:08:44 | 0:08:49 | |
-SHE SCREAMS -No, I can't. I'm not even joking. | 0:08:50 | 0:08:54 | |
I'm not even joking, please, I can't do this. I'm not going in. | 0:08:54 | 0:08:57 | |
-You have to. -No, I swear I can't do it. I can't. | 0:08:57 | 0:09:00 | |
Please help Belfast band Voodoo. | 0:09:00 | 0:09:03 | |
-Hi, do you want to help Belfast band Voodoo? -Ah, no. -Stingy! | 0:09:04 | 0:09:08 | |
-Thank you. -Oh, thanks very much, thank you. | 0:09:08 | 0:09:11 | |
-Our launch night will be here on 20th June. -Yes, 20th June in here. | 0:09:11 | 0:09:15 | |
-Upstairs? -Yeah, come and see us. | 0:09:15 | 0:09:17 | |
-Thank you very much. -Thanks so much. | 0:09:17 | 0:09:21 | |
Nothing's changed, you got your loan in two weeks ago. | 0:09:21 | 0:09:25 | |
-Bollocks. Lying bastards. -What sort of music do you play? -Just really soft rock. | 0:09:25 | 0:09:29 | |
I fucking hate soft rock, to be honest. | 0:09:29 | 0:09:31 | |
-What's wrong with it? -Like what, fucking like... | 0:09:31 | 0:09:33 | |
-Kind of Pink, like. -Pink's not soft rock, she's fucking pop. | 0:09:33 | 0:09:37 | |
She's moved on. | 0:09:37 | 0:09:39 | |
I'm sorry, I can't look at myself in the mirror | 0:09:39 | 0:09:42 | |
if I'm supporting a Pink-style rock band. | 0:09:42 | 0:09:45 | |
Who got the most money? Me - you have to be nice. | 0:09:45 | 0:09:47 | |
-Yeah, cos you know the manager. -You have to be nice. | 0:09:47 | 0:09:50 | |
# Voodoo I can do what you do, easy. # | 0:09:50 | 0:09:53 | |
Firstly, we have Emmanuel eating us alive for everything we're worth, | 0:09:53 | 0:09:58 | |
then we come out with all these people who really don't want to give us any money. | 0:09:58 | 0:10:02 | |
-They keep saying no and we're like, OK. -Don't get what we're doing. | 0:10:02 | 0:10:05 | |
55 quid, and there's about another - I'd say 20, 40, 60 - | 0:10:05 | 0:10:12 | |
I'd say there's about 60 quid there. | 0:10:12 | 0:10:15 | |
Excuse me, can we have one more Coke, please? | 0:10:15 | 0:10:18 | |
Our launch is on the 20th of June in Lavery's, | 0:10:18 | 0:10:21 | |
and it's a 500-people capacity, so we're hoping to fill that out | 0:10:21 | 0:10:26 | |
and we're just going to do a very theatre-style show | 0:10:26 | 0:10:30 | |
and really theatrical and fire-breathers and that sort of thing going on. | 0:10:30 | 0:10:34 | |
Cos Carly has so many friend dancers eager to get on board, | 0:10:34 | 0:10:37 | |
it's going to put her in a very difficult position. | 0:10:37 | 0:10:39 | |
I might not even sit in the auditions, to be honest. | 0:10:39 | 0:10:42 | |
You know them best. You know more about dancing than us. | 0:10:42 | 0:10:45 | |
-We'll be sitting there... -He has nice hair. -OK. | 0:10:45 | 0:10:49 | |
-Can you get them to take off their tops? -No! | 0:10:49 | 0:10:52 | |
Do you know what we'll have to do? We'll have to go home and learn every song individually ourselves, | 0:10:52 | 0:10:57 | |
-so we know them for whenever they get polished up. -We'll have to get dancers in for rehearsals NOW. | 0:10:57 | 0:11:03 | |
-Before now. -Do they have to have good physique? | 0:11:03 | 0:11:05 | |
Don't be writing that. | 0:11:05 | 0:11:08 | |
-The drag act or the dancers? -The dancers. -No, because... | 0:11:08 | 0:11:12 | |
No, the drag act, I mean. | 0:11:12 | 0:11:14 | |
-Not them ones. -They're probably all like... -Yeah, the dancers have to. | 0:11:14 | 0:11:19 | |
We just want the 25 minutes we're on stage to be really remembered. | 0:11:30 | 0:11:34 | |
Hit, and you're looking at us, down. Ripple up. | 0:11:34 | 0:11:38 | |
I'm looking for someone who's going to be in time with the music | 0:11:38 | 0:11:44 | |
and going to have a nice style of dancing. | 0:11:44 | 0:11:46 | |
Going to make us look good rather than outshine us. | 0:11:46 | 0:11:49 | |
We want backing dancers, we still want to be the front. | 0:11:49 | 0:11:52 | |
We'll chat about it but I'm going to leave it up to Dean and Carly. | 0:11:52 | 0:11:56 | |
We don't know who we're going with yet. I'm deciding, not fucking him. | 0:12:02 | 0:12:05 | |
-You mind tell him, Katrina. -Right. You just tell him. You just say... | 0:12:05 | 0:12:09 | |
-We'll all tell him. -I want to go with them all for the opening number. | 0:12:09 | 0:12:13 | |
For the big one, all of them. | 0:12:13 | 0:12:15 | |
Well, if it's in your budget | 0:12:15 | 0:12:17 | |
to have that many dancers. | 0:12:17 | 0:12:19 | |
-It is, it's fine. -Cool. I'm happy enough with that. | 0:12:19 | 0:12:21 | |
We've got the dancers, so that's the main thing. | 0:12:21 | 0:12:24 | |
So, let's see how good they are at rehearsals. That's another story. | 0:12:24 | 0:12:28 | |
# Follow me, show me What you can do. # | 0:12:28 | 0:12:32 | |
-Yeah? -Yeah, good. | 0:12:32 | 0:12:34 | |
Step. Yes, that's it. That's your counts. | 0:12:34 | 0:12:37 | |
Yeah, let me see you do that. That's your counts. | 0:12:37 | 0:12:41 | |
Let me see yous two do that. | 0:12:41 | 0:12:44 | |
It'll be grand, stop panicking. | 0:12:44 | 0:12:46 | |
I'm shit at this. | 0:12:46 | 0:12:48 | |
Kat and Vic are having a heart attack about dancing. He's only doing a bit of head-bopping. | 0:12:48 | 0:12:53 | |
Wait till he starts the routines, she'll take a heart attack. | 0:12:53 | 0:12:56 | |
-But we're not doing routines. -We are. It's a flipping show. | 0:12:56 | 0:12:59 | |
Five, six, seven, eight. | 0:12:59 | 0:13:00 | |
-Oh, my God. Injury before you go on. -Is my tooth chipped? | 0:13:03 | 0:13:06 | |
Is it not chipped? That's OK, keep going. | 0:13:06 | 0:13:10 | |
The girls are brilliant. | 0:13:10 | 0:13:12 | |
I feel sorry for them cos they have to remember harmonies, | 0:13:12 | 0:13:15 | |
the words of their songs, their movements, their positions, | 0:13:15 | 0:13:18 | |
their character, trying to perform it all. And the boys in the background - | 0:13:18 | 0:13:22 | |
the two of them have to work together. | 0:13:22 | 0:13:25 | |
# All eyes on me in the centre of The ring just like a circus | 0:13:26 | 0:13:30 | |
# When I crack that whip everybody Gonna trip just like a circus | 0:13:30 | 0:13:34 | |
# Don't stand there watching me Follow me, show me what you can do | 0:13:34 | 0:13:39 | |
# Everybody gonna make it to the Dance floor just like a circus. # | 0:13:39 | 0:13:43 | |
All I can hear is people breathing. | 0:13:43 | 0:13:45 | |
But you're going to get that anyway. | 0:13:45 | 0:13:47 | |
But you can't hear you singing, only breathing. | 0:13:47 | 0:13:50 | |
The only person I can hear is you. | 0:13:50 | 0:13:52 | |
THE GIRLS PRACTISE HARMONIES | 0:13:52 | 0:13:56 | |
Needs work until it's a bit more solid for that bit. | 0:13:56 | 0:13:59 | |
Sorry, I can't remember my harmony. I don't know what's going on. | 0:13:59 | 0:14:03 | |
This is Mark and he's offered to help us. | 0:14:03 | 0:14:06 | |
He really wants to help us. | 0:14:06 | 0:14:08 | |
We're so privileged to have him on our side and he'll be backing us at the launch. | 0:14:08 | 0:14:12 | |
# That's where it's true Hey there, Delilah, | 0:14:12 | 0:14:17 | |
# Don't you worry about the distance | 0:14:17 | 0:14:19 | |
# I'm right here if you get lonely Give a song... # | 0:14:19 | 0:14:23 | |
Just making tea or whatever, just sing every day | 0:14:23 | 0:14:26 | |
because honestly, your voice just gets better and better. | 0:14:26 | 0:14:29 | |
I love singing when you're on the toilet cos it sounds much better in the bathroom. | 0:14:29 | 0:14:34 | |
It sounds better in the bathroom. It echoes. | 0:14:34 | 0:14:36 | |
# Well, since I've come on home Well, my body's been a mess | 0:14:36 | 0:14:40 | |
# And I miss your ginger hair And the way you like to dress... # | 0:14:40 | 0:14:45 | |
It takes a while to get strange harmonies embedded in your head | 0:14:45 | 0:14:52 | |
but once you do you, just practise them and they're great. | 0:14:52 | 0:14:55 | |
# Some girls like trips really far | 0:14:55 | 0:14:59 | |
# I'd rather a guy who can play the guitar | 0:14:59 | 0:15:03 | |
# Ain't it easy. # | 0:15:03 | 0:15:04 | |
I'm flat. | 0:15:04 | 0:15:07 | |
It's nice when you're not yelled at. | 0:15:07 | 0:15:09 | |
See, you can do it in a nice, productive way without screaming and saying you're shit. | 0:15:09 | 0:15:14 | |
Our outgoings are, like... The dancers alone are costing us like £1,000. | 0:15:14 | 0:15:19 | |
-No, they're not. -Yeah, they are. -Fuck away off. | 0:15:19 | 0:15:23 | |
They're getting a better wage than us! | 0:15:23 | 0:15:25 | |
-Me and my fucking mates would have danced. -You'll get sorted too. | 0:15:25 | 0:15:28 | |
No, what I'm saying - £1,000 for dancers, are yous nuts? | 0:15:28 | 0:15:31 | |
I just don't think all of us are being dedicated enough. | 0:15:37 | 0:15:41 | |
I'm sorry but I don't. | 0:15:41 | 0:15:42 | |
I was on the phone to Emmanuel, he's like, | 0:15:42 | 0:15:44 | |
"How's the band coming along? Are yous ready?" | 0:15:44 | 0:15:46 | |
I was, like, "You having a laugh? We haven't even went through one song." | 0:15:46 | 0:15:50 | |
He's like, "Your launch is in two weeks. | 0:15:50 | 0:15:52 | |
"Do you want to stand on stage and look like an eejit and not be prepared?" | 0:15:52 | 0:15:56 | |
No-one's talking to me about nothing. | 0:15:56 | 0:15:58 | |
Yous two are blabbing away and know everything and no-one's telling me fuck-all. | 0:15:58 | 0:16:02 | |
I just find it's probably more my fault | 0:16:02 | 0:16:06 | |
cos I'm maybe taking too much to do with everything. | 0:16:06 | 0:16:10 | |
At the minute, I'm just not happy about it. | 0:16:10 | 0:16:13 | |
We have a launch in two weeks and if we're not ready, | 0:16:13 | 0:16:16 | |
then I'm not going on stage. | 0:16:16 | 0:16:18 | |
# Oh oh, I am finding | 0:16:18 | 0:16:22 | |
# That's not the way I want my story to end. # | 0:16:23 | 0:16:27 | |
It's nice. | 0:16:27 | 0:16:28 | |
This is the new Voodoo means of transportation. | 0:16:28 | 0:16:31 | |
I don't know where it is. What? You're not allowed to go up there. | 0:16:31 | 0:16:36 | |
She's a completely amazing driver, which is why she's still alive, | 0:16:36 | 0:16:40 | |
cos did you see the way she drives? It's not even normal. | 0:16:40 | 0:16:43 | |
# All eyes on me in the centre of The ring just like a circus | 0:16:43 | 0:16:46 | |
# When I crack that whip Everybody's gonna trip | 0:16:46 | 0:16:49 | |
# Just like a circus | 0:16:49 | 0:16:51 | |
# Don't stand there watching me Follow me, show me what you can do | 0:16:51 | 0:16:55 | |
# Everybody let go we can make the Dance floor just like a circus | 0:16:55 | 0:16:59 | |
# Ah-ah-ah-ah. # | 0:16:59 | 0:17:01 | |
-I'm completely traumatised. We've got two weeks and that's it. -I know. I'm ready to vomit. | 0:17:03 | 0:17:08 | |
I've asked yous to go over and over and over it. | 0:17:08 | 0:17:10 | |
-I really have been. -Is it not good? -No. | 0:17:10 | 0:17:13 | |
-What are you going to be like when there's... How many people coming to watch this launch? -300-plus. | 0:17:13 | 0:17:18 | |
-I actually feel like a nervous wreck. -How bad was I? | 0:17:18 | 0:17:22 | |
Collectively, I was sat going, I'm scundered. | 0:17:22 | 0:17:26 | |
-I want to talk to yous about a manager. -I think we need a manager. | 0:17:30 | 0:17:35 | |
I think there's been a couple of wee things and we're mates | 0:17:35 | 0:17:38 | |
and it's hard to draw a line in the sand and say, "Look..." | 0:17:38 | 0:17:41 | |
I find it dead hard and I'm really uncomfortable with it. | 0:17:41 | 0:17:44 | |
Everyone needs to know exactly and a manager could do that for us. | 0:17:44 | 0:17:47 | |
-What do yous think? -Yeah. | 0:17:47 | 0:17:48 | |
-Who do you think we should talk to about it? Mark? -Catriona. | 0:17:48 | 0:17:52 | |
-Fuck, she'd sort you out. -She'd be alright. | 0:17:52 | 0:17:55 | |
Catriona really wants to be our manager. | 0:17:55 | 0:17:57 | |
-Do you think she'd be a good manager? Think she would? -I do. | 0:17:59 | 0:18:02 | |
She'd be scary. "Oh, get to rehearsal! Ah!" | 0:18:02 | 0:18:05 | |
What's her specific role? | 0:18:05 | 0:18:07 | |
Stylist/promoter/everything. | 0:18:07 | 0:18:11 | |
-Hello, Cat. You're on loudspeaker and the camera's on, right? -'Why?' | 0:18:11 | 0:18:14 | |
-Because we want to ask you something. -'What are you asking?' | 0:18:14 | 0:18:18 | |
Voodoo have come to the decision that they need a management team. | 0:18:18 | 0:18:23 | |
-'Right.' -And we want you to be part of our management team. | 0:18:23 | 0:18:26 | |
-Are you happy with that? -'I'm happy with that, yeah.' | 0:18:26 | 0:18:29 | |
-Are you sure? -'Yes.' -Good cos we love you. | 0:18:29 | 0:18:32 | |
'Right, this week, we need to get tickets distributed,' | 0:18:32 | 0:18:35 | |
we need to get the fire-breathers, we need to get the DJ, | 0:18:35 | 0:18:39 | |
we need to get the photos from JMX to get the PR material, get the press releases out, | 0:18:39 | 0:18:44 | |
get a dress rehearsal in the venue, we need to meet with Mark, our vocal coach, | 0:18:44 | 0:18:50 | |
we need to get ourselves up to scratch, get outfits. | 0:18:50 | 0:18:54 | |
You can have a 50-page list, if you please. | 0:18:54 | 0:18:56 | |
It's probably going to be easier than wondering what I have to do. | 0:18:56 | 0:18:59 | |
PIERCING ELECTRICAL SOUND | 0:18:59 | 0:19:02 | |
Oh, fuck! | 0:19:06 | 0:19:08 | |
Seriously, you have to stop. That's fucking wild. Jesus Christ, sorry. | 0:19:10 | 0:19:14 | |
# So what I am a rock star | 0:19:14 | 0:19:18 | |
# I got my rock moves and I don't need you... # | 0:19:18 | 0:19:22 | |
Launch at the end of the month in Lavery's | 0:19:22 | 0:19:24 | |
so, that'll be make or break, I think. | 0:19:24 | 0:19:27 | |
A lot of people are Voodoo - question mark. What are you all about? | 0:19:27 | 0:19:31 | |
Come to the launch and see. We're giving it everything. | 0:19:31 | 0:19:34 | |
We're sleeping and eating and breathing Voodoo. | 0:19:34 | 0:19:36 | |
# So what I am a rock star | 0:19:36 | 0:19:40 | |
# I got my rock moves and I don't want you tonight... # | 0:19:40 | 0:19:46 | |
What I says to Kat the other day, I said to her, | 0:19:46 | 0:19:48 | |
"I am sick of looking at your two faces." | 0:19:48 | 0:19:51 | |
She says, "Same here." Everybody's getting that bit fed up. | 0:19:51 | 0:19:54 | |
MUSIC DROWNS OUT SINGING | 0:19:57 | 0:20:00 | |
'I just hope that we go somewhere too | 0:20:08 | 0:20:09 | |
'cos I'm not going to settle for gigging round Belfast | 0:20:09 | 0:20:14 | |
'for the rest of my life. There's no way.' | 0:20:14 | 0:20:16 | |
Oh, my God! Two hours! | 0:20:22 | 0:20:24 | |
There's no silver ribbons on these. | 0:20:28 | 0:20:30 | |
Don't let dirty people put their dirty feet on that. | 0:20:30 | 0:20:34 | |
# Ba-ba-ba-ba-da-da-da Ba-ba-ba-ba-da-da-da | 0:20:34 | 0:20:38 | |
# Ba-ba-ba-da-da-da-da-da. # | 0:20:38 | 0:20:40 | |
# I'm starting with The man in the mirror | 0:20:40 | 0:20:44 | |
# I'm asking him to make a change | 0:20:44 | 0:20:48 | |
# No message could be any clearer | 0:20:48 | 0:20:52 | |
# If you wanna make the world A better place | 0:20:52 | 0:20:54 | |
# Take a look at yourself Make a change | 0:20:54 | 0:20:56 | |
# Gotta get it right While you got the time | 0:20:56 | 0:20:58 | |
# Ba-ba, ba-ba. # | 0:20:58 | 0:21:00 | |
There go the false eyelashes. | 0:21:00 | 0:21:03 | |
Dear God, here we are at Voodoo's first launch. | 0:21:03 | 0:21:06 | |
The girls have all their friends and team round them to support them | 0:21:06 | 0:21:10 | |
cos they're all lovely individual girls | 0:21:10 | 0:21:12 | |
and absolutely wonderful as a band. They're starting off with a great first set. | 0:21:12 | 0:21:17 | |
Lord, let this be the first of the many wonderful performances. They all deserve it. | 0:21:17 | 0:21:21 | |
THEY CHEER | 0:21:21 | 0:21:23 | |
Ladies and gentlemen, give a rapturous round of applause for Voodoo! | 0:21:23 | 0:21:28 | |
CHEERING | 0:21:28 | 0:21:31 | |
# Gonna crack that whip Everybody gonna trip | 0:21:31 | 0:21:34 | |
# Just like a circus | 0:21:34 | 0:21:35 | |
# Don't stand there watching me Follow me, show me what you can do | 0:21:35 | 0:21:39 | |
# Everybody let go, We can make the dance floor | 0:21:39 | 0:21:42 | |
# Just like a circus | 0:21:42 | 0:21:44 | |
# Ha, ha, ha, ha, ha | 0:21:44 | 0:21:47 | |
# Ha, ha, ha, ha, ha. # | 0:21:47 | 0:21:50 | |
MUSIC: "So What" by Pink | 0:21:51 | 0:21:54 | |
# Na-na-na-na na-na na | 0:21:54 | 0:21:57 | |
# Na-na-na-na na-na | 0:21:57 | 0:21:58 | |
# Na-na-na-na na-na na Na-na-na-na na-na | 0:21:58 | 0:22:02 | |
# I guess I just lost my husband I don't know where he went | 0:22:02 | 0:22:05 | |
# So I'm gonna drink his money Not going to pay his rent | 0:22:05 | 0:22:09 | |
# I got a brand new attitude I'm gonna wear it tonight | 0:22:09 | 0:22:13 | |
# I'm gonna get in trouble I'm gonna start a fight... # | 0:22:13 | 0:22:16 | |
'You can't describe the feeling before you go on stage | 0:22:16 | 0:22:19 | |
'but you have so much adrenaline that if you go wrong, you don't even care. | 0:22:19 | 0:22:23 | |
'It's really weird and you know you'll pick it up.' | 0:22:23 | 0:22:26 | |
With the crowd singing along with you, | 0:22:26 | 0:22:27 | |
sometimes they don't even hear the mistakes. | 0:22:27 | 0:22:30 | |
As long as you perform to the highest... | 0:22:30 | 0:22:32 | |
You're not always going to have notes and harmonies perfect, | 0:22:32 | 0:22:35 | |
not on a first launch night. | 0:22:35 | 0:22:36 | |
# I think life | 0:22:36 | 0:22:40 | |
# Is what you make it | 0:22:40 | 0:22:44 | |
# What's the point | 0:22:44 | 0:22:48 | |
# Trying to fake it? # | 0:22:48 | 0:22:52 | |
Thank you so much for all your support, we really appreciate it. | 0:22:53 | 0:22:57 | |
Look out for Voodoo. Trudy, we haven't forgotten you. | 0:22:57 | 0:23:00 | |
I know, tonight, I just felt like I came into my own or something. | 0:23:00 | 0:23:03 | |
I just really went for it, like, and that's all... | 0:23:03 | 0:23:07 | |
My mummy was in tears - she was, like, "You shone so brightly," like. | 0:23:07 | 0:23:10 | |
She couldn't believe it. She was like... | 0:23:10 | 0:23:13 | |
I mean, I've been singing for years and she's heard me. | 0:23:13 | 0:23:15 | |
She's like, "How many times have I heard you sing? | 0:23:15 | 0:23:18 | |
"Tonight, that was yours. That's what you were born to do and meant to do. | 0:23:18 | 0:23:22 | |
"We're behind you and we'll keep going. | 0:23:22 | 0:23:24 | |
"If you're 50 or 60 or 70, till you get there, like, keep going | 0:23:24 | 0:23:28 | |
"and we'll support you." I was all filled up and choked up. | 0:23:28 | 0:23:31 | |
We did it! | 0:23:31 | 0:23:32 | |
-Let's go get drunk. -Yeah. | 0:23:35 | 0:23:37 | |
If people in our own area know us, then that's some support. | 0:23:37 | 0:23:42 | |
Home-grown support - isn't that how you start, like? | 0:23:42 | 0:23:45 | |
-First west Belfast, then the world. -West Belfast, then the gays. We've already got the gays. | 0:23:45 | 0:23:50 | |
-Love the gays. -We've got the gays. | 0:23:50 | 0:23:52 | |
We need the boys now and we'll get the industry. | 0:23:52 | 0:23:55 | |
Voodoo, Voodoo, Voodoo! | 0:24:03 | 0:24:06 | |
You're very welcome to the County Down final of the U Factor. | 0:24:08 | 0:24:13 | |
-I can't get in this. -Get in! -I can't. -She's claustrophobic. | 0:24:13 | 0:24:18 | |
Give me two seconds, I'll get you upstairs. | 0:24:18 | 0:24:21 | |
-Vicky. -I can't, I can't. Seriously. | 0:24:21 | 0:24:23 | |
Vicky, it's only one wee floor. | 0:24:25 | 0:24:27 | |
Up next, three young ladies - together they are Voodoo! | 0:24:27 | 0:24:31 | |
# Then it drops Catches like fire | 0:24:38 | 0:24:41 | |
# It's a sound of... # | 0:24:41 | 0:24:42 | |
BOOING AND SHUSHING | 0:24:42 | 0:24:46 | |
If you can't harmonise, you shouldn't be where you are. | 0:24:46 | 0:24:48 | |
-Because I do it for a living. -Come up and do it then! -I'm a professional. No! | 0:24:48 | 0:24:52 | |
Carly, don't stoop to their level. | 0:24:52 | 0:24:54 | |
Love it! Love it! | 0:24:54 | 0:24:57 | |
-Let go of me, Geraldine. Let go of me! -Carly, stop. -Come on outside. | 0:24:57 | 0:25:01 | |
-I'm going to get her. -No! -I am. | 0:25:03 | 0:25:05 | |
One girl said "sluts", so Carly's annoyed, obviously, so am I, | 0:25:07 | 0:25:12 | |
but I don't want to let myself down. We're only down to sing. | 0:25:12 | 0:25:15 | |
It's really bitchy. I wish we had went to the Belfast heat, I think. | 0:25:15 | 0:25:19 | |
I am only announcing the name of the winner. | 0:25:19 | 0:25:21 | |
£2,000 for... | 0:25:22 | 0:25:26 | |
..Una McMullen! | 0:25:27 | 0:25:29 | |
-We're gutted, to be honest. -Absolutely gutted. | 0:25:29 | 0:25:33 | |
It was an audience vote so what can we do? | 0:25:33 | 0:25:35 | |
-Fair play to yous - you've got a great attitude. -Thank you. | 0:25:35 | 0:25:39 | |
Put the song over well. Unfortunate they were beaten by a couple of votes. | 0:25:39 | 0:25:42 | |
We had three cousins that couldn't make it cos of flu. | 0:25:42 | 0:25:45 | |
And they come from Belfast, so nobody else can get a word in. Aarrgghh! | 0:25:45 | 0:25:48 | |
Three votes. | 0:25:48 | 0:25:49 | |
-Is that hurting? -You should torture people with this. | 0:25:58 | 0:26:02 | |
That's only for a set of eyelashes - wait till you're getting Botox. | 0:26:02 | 0:26:06 | |
You can be an amazing wee singing group | 0:26:06 | 0:26:07 | |
but you can be in a working man's club singing | 0:26:07 | 0:26:10 | |
Friday, Saturday, Sunday night. | 0:26:10 | 0:26:12 | |
To me, that's not - no disrespect to anybody that's doing that - | 0:26:12 | 0:26:15 | |
but that's not being a success at your craft, like, so hopefully... | 0:26:15 | 0:26:20 | |
We like to think we're good enough but you just don't know. | 0:26:20 | 0:26:23 | |
Some days you're so, "What are we doing, where are we going? | 0:26:23 | 0:26:27 | |
"What's next?" You're banging doors and no-one's answering them | 0:26:27 | 0:26:30 | |
but we'll keep going, like. | 0:26:30 | 0:26:33 | |
You know us three, we'll not stop till somebody lets us in. | 0:26:33 | 0:26:36 | |
Carly, I can't breathe. | 0:26:36 | 0:26:37 | |
-She's beautiful. -I'm not, I'm obese. | 0:26:39 | 0:26:42 | |
The manager's blocked. Is she steaming? Why are you so drunk? | 0:26:42 | 0:26:48 | |
Have an iced water and then come and meet us. | 0:26:49 | 0:26:52 | |
Don't forget the CD. I'm going to go and put my shoes on. | 0:26:53 | 0:26:57 | |
-The clothes, your CD - do you have it? -Yeah. | 0:26:57 | 0:26:59 | |
Where's Vicky? | 0:26:59 | 0:27:01 | |
I forgot about her. | 0:27:01 | 0:27:03 | |
Manager's blocked and Vicky's went AWOL. We're good. | 0:27:03 | 0:27:07 | |
-Do you have the CD? -No. I forgot the CD. | 0:27:07 | 0:27:10 | |
-Oh, for fuck's sake! -I forgot. -I told you twice. -I'm sorry. | 0:27:10 | 0:27:14 | |
I knew she'd forget that. She'd forget her head. | 0:27:16 | 0:27:19 | |
Why do you put me as responsible for stuff? Hello... | 0:27:19 | 0:27:22 | |
Goes to the shops for accessories and leaves her keys on the accessories stand, | 0:27:22 | 0:27:26 | |
leaves her handbag in places. Leaves everything, you know? | 0:27:26 | 0:27:29 | |
She wasn't great with remembering, now she's forgot the CD I asked her to lift twice. | 0:27:29 | 0:27:33 | |
By the time we get there it'll be 1am. Do you know I've to go to work tomorrow? | 0:27:33 | 0:27:37 | |
Vicky's not answering to me. | 0:27:37 | 0:27:39 | |
DJ PLAYS VOODOO SONG | 0:27:45 | 0:27:47 | |
THEY SCREAM | 0:27:54 | 0:27:56 | |
We're in the number one hotspot in Belfast at the minute and for them to play our song, | 0:28:02 | 0:28:08 | |
it's an achievement and we're so proud. | 0:28:08 | 0:28:11 | |
# Someday you're going to find me | 0:28:11 | 0:28:14 | |
# Holding on to something That might have been | 0:28:14 | 0:28:18 | |
# I'm telling you that it's over I need closure. # | 0:28:18 | 0:28:22 | |
Fed up of being told I'm flat and I'm off. | 0:28:22 | 0:28:24 | |
I said, "You're never being told whenever you're flat and off." | 0:28:24 | 0:28:28 | |
I think Kat should be out on her own. | 0:28:28 | 0:28:30 | |
I don't care. In this industry, you don't need to be the best singer. | 0:28:30 | 0:28:34 | |
We've said that every time. You don't. | 0:28:34 | 0:28:36 | |
You know, after the anger and hurt and all that's died down, | 0:28:36 | 0:28:39 | |
we're back to the beginning again. | 0:28:39 | 0:28:41 | |
Subtitles by Red Bee Media Ltd | 0:28:53 | 0:28:56 | |
E-mail [email protected] | 0:28:56 | 0:29:00 |